# Alexis Krasilovsky

Alexis Krasilovsky is an American filmmaker, writer and professor. Krasilovsky's first film, End of the Art World documented artists including Andy Warhol and Robert Rauschenberg. Krasilovsky moved from New York to Los Angeles in the 1970s to pursue filmmaking, writing and directing through her company, Rafael Film. She is the writer and director of the documentary features, Women Behind the Camera and Let Them Eat Cake.

## Early life and education

Krasilovsky is the daughter of children's book author Phyllis Krasilovsky and entertainment attorney William Krasilovsky. She grew up in Chappaqua, New York. After studying at Smith College and the University of Florence, she graduated with honors from Yale University and received her MFA in Film/Video from the California Institute of the Arts.

## Career

Barbra Streisand who has said of Krasilovsky's 1984 documentary Exile "Such films do more than increase East-West understanding and reduce tensions; they also serve to emphasize that we are all essentially one people, which may be the best hope for our world." Alexis Krasilovsky's documentary Beale Street followed the last march of Martin Luther King Jr. in Memphis, Tennessee.
Krasilovsky's 2014 film Let Them Eat Cake, contrasts the role of pastry from those who overindulge to people in Third World countries who have never consumed a pastry. The film documents the ingredients, creation of pastry, and the effects that pastry has—including obesity and diabetes—in several countries including Bangladesh, France, India, Japan, Mexico, Peru, Somalia, Turkey and the United States. The film has screened worldwide at several festivals, and includes music from Jenny Eloise Rieu, Ed Finney, Yasumi Miyazawa and Minoti Vaishnav.
In addition to several books, Krasilovsky is the author of several articles that have appeared in Creative Screenwriting. She has also contributed chapters to the books The Search for Reality: The Art of Documentary Filmmaking (ed. Michael Tobias, Michael Wiese Productions, 1998) and Women and Poetry: Tips on Writing, Teaching and Publishing by Successful Women Poets (ed. Carol Smallwood, McFarland, January 2012).
Krasilovsky is a member of the Writers Guild of America West. She is also a member of the Association of Women Directors, the International Documentary Association and Women in Film.

## Personal life

Alexis Krasilovsky lives in Los Angeles and is an Emeritus Professor in the Department of Cinema and Television Arts at California State University, Northridge, where she taught screenwriting and film studies.

## Filmography

* Let Them Eat Cake (2014 - Distributed through Amazon Video Direct and Rafael Film) - writer, producer and director
* Shooting Women (2008 – Distributed in North American through Women Make Movies and internationally through Cinephil) – writer, producer and director
* Some Women Writers Kill Themselves: Selected Videopoems & Poetry of Alexis Krasilovsky (2008) – writer, producer and director
* Women Behind the Camera (2007 – Distributed through Amazon Video Prime, Cinephil and Rafael Film) – writer, producer and director
* Epicenter U. (1995) - Krasilovsky, a California State University, Northridge Film Department professor, affected by the 1994 Northridge earthquake, responded with two films – writer, producer and director
* Earthquake Haggadah, narrated by Wanda Coleman, (1995), soundtrack aired on WBAI's "Arts Express" (New York) on 3 June 2015 - writer, producer and director
* What Memphis Needs (1991 – Distributed through Canyon Cinema Coop in 16mm and DVD and as part of the DVD, "Some Women Writers Kill Themselves") - writer, producer and director
* Exile (1984) – writer, producer and director
* Just Between Me and God (1982 – Available on 16mm through Canyon Cinema and as part of the DVD "Mr. Boogie Woogie") – writer, producer and director
* Beale Street (1978, 1981) – co-directed by Alexis Krasilovsky, Ann Rickey and Walter Baldwin
* Mr. Boogie Woogie (1978) – director
* Blood (1975) – writer, producer and director
* End of the Art World (1971 - Distributed through Amazon Video Prime) – writer, producer and director

## Awards

* "Best Documentary Feature" Award - Paris Independent Film Festival, Paris, France, 2015.
* "Special Festival Award ‘THE GATE OF FREEDOM’" – Gdansk DocFilm Festival, Gdansk, Poland, 2011.
* "Best International Documentary" – WOW [Women of the World] Film Festival, Sydney, Australia, for Shooting Women, 2008 ;
* Tribute Award, San Francisco Women's Film Festival, 2008;
* "Best Women in Cinema Award", San Francisco Women's Film Festival, 2008;
* "Best of Fest" Literary Award, Austin Woman's Music, Film & Literary Festival, for Some Women Writers Kill Themselves: Selected Videopoems & Poetry of Alexis Krasilovsky, 2008;
* "Best of Fest – Documentary Film," Women's Image Network (WIN) Awards, American Film Institute, for Women Behind the Camera, 2009;
* "Best Documentary Feature" Award, Female Eye Film Festival (Toronto, Canada), for Women Behind the Camera, 2008;
* "Best Long Form Documentary," BEA (Broadcast Educators’ Association) Media Festival (Las Vegas, Nevada), for Women Behind the Camera, 2008;
* Accolade Competition Award of Excellence: Contemporary Issues/Awareness-Raising, for Women Behind the Camera, 2007;
* Insight Award for Excellence: Documentary Editing, for Women Behind the Camera, 2007;
* 2007 Spirit of Moondance Award for Best Documentary Feature (Hollywood), for Women Behind the Camera.

## Books

* Great Adaptations: Screenwriting and Global Storytelling Routledge: New York, London, October 2017.
* Shooting Women: Behind the Camera, Around the World (co-author with Harriet Margolis and Julia Stein) Intellect Books / U. Chicago Press, 2015.
* Women Behind the Camera: Conversations with Camerawomen Praeger: Westport, Connecticut, 1997.
* Some Women Writers Kill Themselves and Other Poems A Street Agency Publication: Los Angeles, 1983, 1985.

## Sources

* Fisher, Bob. Distaff DPs: Krasilovsky Chronicles 'Women Behind the Camera', Documentary, Spring 2008. www.documentary.org/content/distaff-dps. Accessed 27 November 2011.
* Kamol, Ershad. "10th Dhaka International Film Festival – Alexis Krasilovosky: ‘Woman Behind the Screen’ meets the press," The Daily Star, Dhaka, Bangladesh, 15 January 2008. http://www.thedailystar.net/story.php?nid=19235. Accessed 27 November 2011.
* King, Kathleen J., "Interview with Alexis Krasilovsky, Director of "Women Behind the Camera," Divine Caroline, April 2008, http://editorial.www.divinecaroline.com/30378/47279-interview-alexis-krasilovsky-director-camera/3. Accessed 27 November 2011.
* Shedde, Meenakshi. "Women don’t only bear kids, they bear witness," Sunday Times of India, Mumbai, 28 December 2003 p. 4.
* Williams, David E., "Another View: Alexis Krasilovsky's 'WOMEN BEHIND THE CAMERA' Sheds Light on a Diverse Array of Female Directors of Photography", DV Magazine, January 2008, www.dv.com. Accessed 27 November 2011.
* Thomas, Kevin. "Feminist Films at the Vanguard," Los Angeles Times, 24 February 1976, p. 9. "With ferocious wit, Ms. Krasilovsky sends up New York’s art scene in ‘End of the Art World’ (1971). In essence, Ms. Krasilovsky uses the sounds and images of the usual art documentary to create her own work of art. In the process—or reprocess—she satirizes the fatuity of the standard interview with the artist and by the end identifies art with revolution as she fantasizes the quite literal obliteration of the Metropolitan Museums’ 20th-century art curator, Henry Geldzahler."
* "WIF Member Alexis Krasilovsky Wins Best International Documentary Award" 1 Nov 2008. http://wif.org/index.php?option=com_content&view=article&id=390:kRASILOVSKY%20WINS. Accessed 25 November 2011.
* Abir, Rahad, "Book Review: Women Behind the Camera" (in Bangla), Daily Destiny, Dhaka, Bangladesh, 2 January 2009. Accessed 25 November 2011.
* Thomas, G. Murray, "Reviews: ‘The Earthquake Haggadah’; ‘What Memphis Needs,’" Next: Guide to So Cal Poets, Vol.2 No.8, Oct. 1995, p.18.
* Walston, Joan. "’Exile’: A Jewish Filmmaker’s Journey of Self-Discovery," The Jewish Journal. 3–9 Oct. 1986, pp.17,21. "Watching it, we can realize how at times we have felt both blessed and cursed by the fate that caused our parents and grandparents to leave their homelands and settle in America, the fate which enables most of us to be alive today." p. 21.
* Elrod, Nickii. "Riverside Finds Filmmaker Advocate," The Commercial Appeal, Memphis, 16 Dec 1977, p. 26. "The heavies of the film will be chemical plant smokestacks, beer cans and the dump fires that send animals, and often the residents, scurrying for safety." p. 26
* Thomas, Kevin. op.cit., p. 9. "In its stream-of-consciousness way ‘Blood’ (1975), evokes Manhattan street life even more powerfully than Martin Scorsese’s ‘Taxi Driver’ (to be released Wednesday at selected theaters).