# List of paintings by Thomas Cole

Thomas Cole was an English-born American artist and the founder of the Hudson River School art movement. Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural landscapes. They are usually escapist, framing the New World as a natural eden contrasting with the smog-filled cityscapes of Industrial Revolution-era Britain, in which he grew up. His works, often seen as conservative, criticize the contemporary trends of industrialism, urbanism, and westward expansion.
Self-taught, Cole began painting portraits in 1822. In the ensuing years, he shifted his focus to landscapes. One of Cole's first landscapes, Lake with Dead Trees (1825), was among those that first popularized his works in an 1825 exhibition. Most of his early works depict the wilderness, "the truly American forest", typically the Hudson River Valley and Catskills where he resided. From 1831 to 1832, Cole traversed Italy; some of the classical ruins he visited made appearances in his paintings, such as Aqueduct near Rome (1832), Roman Campagna (1843), and Arch of Nero (1846). While in Rome, Cole formulated the concept for his most ambitious work yet: The Course of Empire, a series of five paintings following the rise and fall of civilization. Completed in 1836, the series reflects nostalgia for pastoralism and Cole's personal opposition to US President Andrew Jackson. His 1836 painting The Oxbow encompasses many of the themes from his earlier landscapes, juxtaposing untamed nature with "civilized" land. Later in life, Cole transitioned away from natural landscapes to focus more on works conveying religious or spiritual themes. In 1842, he painted The Voyage of Life, another allegorical series, this time depicting the course of an individual's life. His 1847 painting Prometheus Bound, based on the Greek myth, is believed by some analysts to express abolitionist sentiments. One of Cole's final landscapes, Cross at Sunset, was left unfinished after his premature death in 1848.
Today, Cole's work are held across a wide variety of major and national museums, with the Metropolitan Museum of Art, Museum of Fine Arts, Boston, and the National Gallery of Art having some of the largest collections. The following list consists only of paintings documented in public collections.

## Paintings
### Dated works

Table featuring paintings by Thomas Cole :
| Title | Year | Medium | Dimensions | Collection |
| Lake with Dead Trees | 1825 | Oil on canvas | 68.6 by 85.7 centimetres (27.0 in × 33.7 in) | Allen Memorial Art Museum, Ohio |
| View of Fort Putnam | 1825 | Oil on canvas | 69.2 by 86.4 centimetres (27.2 in × 34.0 in) | Philadelphia Museum of Art, Pennsylvania |
| Landscape | 1825 | Oil on canvas | 60.3 by 80 centimetres (23.7 in × 31.5 in) | Minneapolis Institute of Art, Minnesota |
| Catskills Mountain Landscape | c. 1826 | Oil on wood | 40.3 by 55.6 centimetres (15.9 in × 21.9 in) | Sheldon Museum of Art, Nebraska |
| The Tempest | c. 1826 | Oil on panel | 47.6 by 63.5 centimetres (18.7 in × 25.0 in) | High Museum of Art, Georgia |
| Kaaterskill Falls | 1826 | Oil on canvas | 64.2 by 89.7 centimetres (25.3 in × 35.3 in) | Wadsworth Atheneum, Connecticut |
| Sunrise in the Catskills | 1826 | Oil on canvas | 64.8 by 90.1 centimetres (25.5 in × 35.5 in) | National Gallery of Art, Washington, D.C. |
| Landscape, the Seat of Mr. Featherstonhaugh in the Distance | 1826 | Oil on canvas | 83.8 by 121.9 centimetres (33.0 in × 48.0 in) | Philadelphia Museum of Art, Pennsylvania |
| View on the Schoharie | 1826 | Oil on canvas | 92.7 by 117.5 centimetres (36.5 in × 46.3 in) | Fenimore Art Museum, New York |
| Daniel Boone Sitting At the Door of His Cabin on the Great Osage Lake Kentucky | 1826 | Oil on canvas | 97.2 by 108.3 centimetres (38.3 in × 42.6 in) | Mead Art Museum, Massachusetts |
| From the Top of Kaaterskill Falls | 1826 | Oil on canvas | 79.1 by 104.5 centimetres (31.1 in × 41.1 in) | Detroit Institute of Arts, Michigan |
| The Woodchopper, Lake Featherstonhaugh | 1826 | Oil on panel | 68.6 by 86.4 centimetres (27.0 in × 34.0 in) | USC Fisher Museum of Art, California |
| The Last of the Mohicans: The Death of Cora | c. 1827 | Oil on canvas | Unknown | University of Pennsylvania, Pennsylvania |
| Peace at Sunset | c. 1827 | Oil on canvas | 68.9 by 81.9 centimetres (27.1 in × 32.2 in) | Fine Arts Museums of San Francisco, California |
| Scene from "The Last of the Mohicans," Cora Kneeling at the Feet of Tamenund | 1827 | Oil on canvas | 64.5 by 89.1 centimetres (25.4 in × 35.1 in) | Metropolitan Museum of Art, New York |
| The Clove, Catskills | 1827 | Oil on canvas | 64.1 by 89.2 centimetres (25.2 in × 35.1 in) | New Britain Museum of American Art, Connecticut |
| View of the Round-Top in the Catskill Mountains | 1827 | Oil on panel | 47.3 by 64.5 centimetres (18.6 in × 25.4 in) | Museum of Fine Arts, Boston, Massachusetts |
| View in the White Mountains | 1827 | Oil on canvas | 64.5 by 89.4 centimetres (25.4 in × 35.2 in) | Wadsworth Atheneum, Connecticut |
| Autumn in the Catskills | 1827 | Oil on wood | 47.3 by 64.6 centimetres (18.6 in × 25.4 in) | Arnot Art Museum, New York |
| View near the Village of Catskill | 1827 | Oil on panel | 62.2 by 88.9 centimetres (24.5 in × 35.0 in) | Fine Arts Museums of San Francisco, California |
| Landscape Composition: Saint John in the Wilderness | 1827 | Oil on canvas | 91.4 by 73.5 centimetres (36.0 in × 28.9 in) | Wadsworth Atheneum, Connecticut |
| Lake Winnepesaukee | c. 1827 – c. 1828 | Oil on canvas | 64.8 by 87 centimetres (25.5 in × 34.3 in) | Albany Institute of History & Art, New York |
| Expulsion: Moon and Firelight | c. 1828 | Oil on canvas | 91.4 by 122 centimetres (36.0 in × 48.0 in) | Thyssen-Bornemisza Museum, Madrid |
| Expulsion from the Garden of Eden | 1828 | Oil on canvas | 101 by 138.4 centimetres (39.8 in × 54.5 in) | Museum of Fine Arts, Boston, Massachusetts |
| Landscape (Landscape with Tree Trunks) | 1828 | Oil on canvas | 66.4 by 81.9 centimetres (26.1 in × 32.2 in) | Rhode Island School of Design Museum of Art, Rhode Island |
| The Garden of Eden | 1828 | Oil on canvas | 38.5 by 52.8 centimetres (15.2 in × 20.8 in) | Amon Carter Museum of American Art, Texas |
| View on Lake Winnipiseogee | 1828 | Oil on panel | 50.2 by 66.4 centimetres (19.8 in × 26.1 in) | Wadsworth Atheneum, Connecticut |
| The Subsiding of the Waters of the Deluge | 1829 | Oil on canvas | 90.8 by 121.3 centimetres (35.7 in × 47.8 in) | Smithsonian American Art Museum, Washington, D.C. |
| Distant View of Niagara Falls | 1830 | Oil on panel | 47.9 by 60.6 centimetres (18.9 in × 23.9 in) | Art Institute of Chicago, Illinois |
| Tornado in an American Forest | 1831 | Oil on canvas | 117.8 by 164.2 centimetres (46.4 in × 64.6 in) | National Gallery of Art, Washington, D.C. |
| A Wild Scene | c. 1831 – c. 1832 | Oil on canvas | 129.7 by 194.5 centimetres (51.1 in × 76.6 in) | Baltimore Museum of Art, Maryland |
| Aqueduct near Rome | 1832 | Oil on canvas | 44.5 by 67.3 centimetres (17.5 in × 26.5 in) | Mildred Lane Kemper Art Museum, Missouri |
| The Dead Abel | 1832 | Oil on panel | 17 by 28.5 centimetres (6.7 in × 11.2 in) | Albany Institute of History & Art, New York |
| Ruined Tower (Mediterranean Coast Scene with Tower) | c. 1832 – c. 1836 | Oil on composition board | 68 by 86.4 centimetres (26.8 in × 34.0 in) | Albany Institute of History & Art, New York |
| Ruined Castle and River | c. 1832 | Oil on canvas | 20.2 by 31.7 centimetres (8.0 in × 12.5 in) | Brooklyn Museum, New York |
| The Cascatelli, Tivoli, Looking Towards Rome | c. 1832 | Oil on canvas | 85.7 by 113 centimetres (33.7 in × 44.5 in) | Columbus Museum of Art, Ohio |
| A View near Tivoli (Morning) | 1832 | Oil on canvas | 37.5 by 58.7 centimetres (14.8 in × 23.1 in) | Metropolitan Museum of Art, New York |
| Salvator Rosa Sketching Banditti | c. 1832 – c. 1840 | Oil on panel | 17.8 by 24.1 centimetres (7.0 in × 9.5 in) | Museum of Fine Arts, Boston, Massachusetts |
| Catskill Scenery | c. 1833 | Oil on canvas | 62.2 by 82.2 centimetres (24.5 in × 32.4 in) | Saint Louis Art Museum, Missouri |
| Sunset, View on the Catskill | 1833 | Oil on wood | 41.9 by 62.2 centimetres (16.5 in × 24.5 in) | New-York Historical Society, New York |
| The Titan's Goblet | 1833 | Oil on canvas | 49.2 by 41 centimetres (19.4 in × 16.1 in) | Metropolitan Museum of Art, New York |
| Scene from Byron’s “Manfred” | 1833 | Oil on canvas | 127 by 96.5 centimetres (50.0 in × 38.0 in) | Yale University Art Gallery, Connecticut |
| Landscape (Moonlight) | c. 1833 – c. 1834 | Oil on canvas | 62.5 by 80.6 centimetres (24.6 in × 31.7 in) | New-York Historical Society, New York |
| The Course of Empire: Destruction | c. 1833 – c. 1836 | Oil on canvas | 100.3 by 161.3 centimetres (39.5 in × 63.5 in) | New-York Historical Society, New York |
| The Angel Appearing to the Shepherds | c. 1834 – c. 1834 | Oil on canvas | 101.5 by 185.5 centimetres (40.0 in × 73.0 in) | Chrysler Museum of Art, Virginia |
| Autumn Twilight, View of Conway Peak (Mount Chocorua), New Hampshire | 1834 | Oil on wood | 34.9 by 49.5 centimetres (13.7 in × 19.5 in) | New-York Historical Society, New York |
| Summer Twilight, A Recollection of a Scene in New-England | 1834 | Oil on wood | 35.6 by 49.5 centimetres (14.0 in × 19.5 in) | New-York Historical Society, New York |
| Clouds | c. 1838 | Oil on paper laid down on canvas | 22.2 by 27.6 centimetres (8.7 in × 10.9 in) | Metropolitan Museum of Art, New York |
| Self-Portrait | c. 1836 | Oil on canvas | 55.9 by 45.7 centimetres (22.0 in × 18.0 in) | New-York Historical Society, New York |
| The Oxbow | 1836 | Oil on canvas | 130.8 by 193 centimetres (51.5 in × 76.0 in) | Metropolitan Museum of Art, New York |
| The Course of Empire: The Savage State | c. 1833 – c. 1836 | Oil on canvas | 99.7 by 160.7 centimetres (39.3 in × 63.3 in) | New-York Historical Society, New York |
| The Course of Empire: The Arcadian or Pastoral State | c. 1834 | Oil on canvas | 99.7 by 160.7 centimetres (39.3 in × 63.3 in) | New-York Historical Society, New York |
| The Course of Empire: Consummation | c. 1835 – c. 1836 | Oil on canvas (relined) | 130.2 by 193 centimetres (51.3 in × 76.0 in) | New-York Historical Society, New York |
| The Course of Empire: Desolation | 1836 | Oil on canvas (relined) | 99.7 by 160.7 centimetres (39.3 in × 63.3 in) | New-York Historical Society, New York |
| View on the Catskill Early Autumn | c. 1836 – c. 1837 | Oil on canvas | 99.1 by 160 centimetres (39.0 in × 63.0 in) | Metropolitan Museum of Art, New York |
| View of Florence from San Miniato | 1837 | Oil on canvas | 125.4 by 186.7 centimetres (49.4 in × 73.5 in) | Cleveland Museum of Art, Ohio |
| The Departure | 1837 | Oil on canvas | 100.3 by 161.6 centimetres (39.5 in × 63.6 in) | National Gallery of Art, Washington, D.C. |
| The Return | 1837 | Oil on canvas | 100.3 by 161.4 centimetres (39.5 in × 63.5 in) | National Gallery of Art, Washington, D.C. |
| View on the Arno, near Florence | 1837 | Oil on canvas | 84.5 by 135.5 centimetres (33.3 in × 53.3 in) | Worcester Art Museum, Massachusetts |
| The Vesper Hymn | c. 1838 | Oil on canvas | 53.7 by 45.4 centimetres (21.1 in × 17.9 in) | Yale University Art Gallery, Connecticut |
| Dream of Arcadia | c. 1838 | Oil on canvas | 98.1 by 159.4 centimetres (38.6 in × 62.8 in) | Denver Art Museum, Colorado |
| Romantic Landscape with Ruined Tower | 1838 | Oil on canvas | 86.4 by 116.8 centimetres (34.0 in × 46.0 in) | National Gallery of Art, Washington, D.C. |
| View of Schroon Mountain, Essex County, New York, After a Storm | 1838 | Oil on canvas | 99.8 by 160.5 centimetres (39.3 in × 63.2 in) | The Cleveland Museum of Art, Ohio |
| The Present | 1838 | Oil on canvas | 103.5 by 156.5 centimetres (40.7 in × 61.6 in) | Mead Art Museum, Massachusetts |
| The Past | 1838 | Oil on canvas | 102.9 by 153.7 centimetres (40.5 in × 60.5 in) | Mead Art Museum, Massachusetts |
| North Mountain and Catskill Creek | 1838 | Oil on canvas | 67.2 by 92.6 centimetres (26.5 in × 36.5 in) | Yale University Art Gallery, Connecticut |
| The Notch of the White Mountains | 1839 | Oil on canvas | 102 by 155.8 centimetres (40.2 in × 61.3 in) | National Gallery of Art, Washington, D.C. |
| New England Scenery | 1839 | Oil on canvas | 57.1 by 46.7 centimetres (22.5 in × 18.4 in) | Art Institute of Chicago, Illinois |
| Gardens of the Van Rensselaer Manor House | 1840 | Oil on canvas | 61 by 91 centimetres (24 in × 36 in) | Albany Institute of History & Art, New York |
| The Architect's Dream | 1840 | Oil on canvas | 134.7 by 213.6 centimetres (53.0 in × 84.1 in) | Toledo Museum of Art, Ohio |
| The Fountain of Vaucluse | 1841 | Oil on canvas | 175.3 by 124.8 centimetres (69.0 in × 49.1 in) | Dallas Museum of Art, Texas |
| Sunset in the Catskills | 1841 | Oil on canvas | 57.2 by 76.2 centimetres (22.5 in × 30.0 in) | Museum of Fine Arts, Boston, Massachusetts |
| The Return from the Tournament | 1841 | Oil on canvas | 101 by 153.7 centimetres (39.8 in × 60.5 in) | National Gallery of Art, Washington, D.C. |
| Mill Dam on the Catskill Creek | 1841 | Oil on canvas | 56.5 by 76.2 centimetres (22.2 in × 30.0 in) | Currier Museum of Art, New Hampshire |
| The Temple of Segesta with the Artist Sketching | c. 1842 | Oil on canvas | 49.9 by 76.5 centimetres (19.6 in × 30.1 in) | Museum of Fine Arts, Boston, Massachusetts |
| The Voyage of Life: Childhood | 1842 | Oil on canvas | 134.3 by 195.3 centimetres (52.9 in × 76.9 in) | National Gallery of Art, Washington, D.C. |
| The Voyage of Life: Youth | 1842 | Oil on canvas | 134.3 by 194.9 centimetres (52.9 in × 76.7 in) | National Gallery of Art, Washington, D.C. |
| The Voyage of Life: Manhood | 1842 | Oil on canvas | 134.3 by 202.6 centimetres (52.9 in × 79.8 in) | National Gallery of Art, Washington, D.C. |
| The Voyage of Life: Old Age | 1842 | Oil on canvas | 133.4 by 196.2 centimetres (52.5 in × 77.2 in) | National Gallery of Art, Washington, D.C. |
| View of Sicily | c. 1842 – c. 1845 | Oil on wood panel | 18.6 by 25.7 centimetres (7.3 in × 10.1 in)18.6 x 25.7 cm | Pennsylvania Academy of the Fine Arts, Pennsylvania |
| River in the Catskills | 1843 | Oil on canvas | 69.9 by 102.6 centimetres (27.5 in × 40.4 in) | Museum of Fine Arts Boston, Massachusetts |
| Angels Ministering to Christ in the Wilderness | 1843 | Oil on linen | 189.2 by 152.4 centimetres (74.5 in × 60.0 in) | Worcester Art Museum, Massachusetts |
| Roman Campagna | 1843 | Oil on canvas | 82.6 by 106.7 centimetres (32.5 in × 42.0 in) | Wadsworth Atheneum, Connecticut |
| Mount Etna from Taormina, Sicily | 1843 | Oil on canvas | 200 by 306 centimetres (79 in × 120 in) | Wadsworth Atheneum, Connecticut |
| An Italian Autumn | 1844 | Oil on canvas | 81.6 by 123.2 centimetres (32.1 in × 48.5 in) | Museum of Fine Arts, Boston, Massachusetts |
| A View of the Two Lakes and Mountain House, Catskill Mountains, Morning | 1844 | Oil on canvas | 91 by 136.9 centimetres (35.8 in × 53.9 in) | Brooklyn Museum, New York |
| American Lake Scene | 1844 | Oil on canvas | 46.4 by 62.2 centimetres (18.3 in × 24.5 in) | Detroit Institute of Arts, Michigan |
| The Mill, Sunset | 1844 | Oil on canvas | 66.4 by 91.6 centimetres (26.1 in × 36.1 in) | Nelson-Atkins Museum of Art, Missouri |
| View of the Thames | 1845 | Oil on panel | 34 by 51.4 centimetres (13.4 in × 20.2 in) | Museum of Fine Arts, Boston, Massachusetts |
| Il Penseroso | 1845 | Oil on canvas | 82.2 by 122.1 centimetres (32.4 in × 48.1 in) | Los Angeles County Museum of Art, California |
| The Cross in the Wilderness | 1845 | Unknown | 61 by 61 centimetres (24 in × 24 in) | Louvre, Paris |
| Catskill Creek | 1845 | Oil on canvas | 67.3 by 91.4 centimetres (26.5 in × 36.0 in) | New-York Historical Society, New York |
| View across Frenchman's Bay from Mt. Desert Island, after a Squall | 1845 | Oil on canvas | 97.3 by 159 centimetres (38.3 in × 62.6 in) | Cincinnati Art Museum, Ohio |
| L'Allegro | 1845 | Oil on canvas | 81.6 by 121.9 centimetres (32.1 in × 48.0 in) | Los Angeles County Museum of Art, California |
| The Hunter's Return | 1845 | Oil on canvas | 101.9 by 153.7 centimetres (40.1 in × 60.5 in) | Amon Carter Museum of American Art, Texas |
| A Pic-Nic Party | 1846 | Oil on canvas | 121.6 by 137.2 centimetres (47.9 in × 54.0 in) | Brooklyn Museum, New York |
| Arch of Nero | 1846 | Oil on canvas | 153 by 122.6 centimetres (60.2 in × 48.3 in) | The Newark Museum of Art, New Jersey |
| The Mountain Ford | 1846 | Oil on canvas | 71.8 by 101.8 centimetres (28.3 in × 40.1 in) | Metropolitan Museum of Art, New York |
| The Cross and the World: The Pilgrim of the Cross at the End of His Journey | c. 1846 – c. 1848 | Oil on canvas | 30.5 by 45.7 centimetres (12.0 in × 18.0 in) | Smithsonian American Art Museum, Washington, D.C. |
| Indian Pass (Essex County, New York) | 1847 | Oil on canvas | 101.8 by 75.6 centimetres (40.1 in × 29.8 in) | Museum of Fine Arts, Houston, Texas |
| Prometheus Bound | 1847 | Oil on canvas | 243.8 by 162.6 centimetres (96.0 in × 64.0 in) | Fine Arts Museums of San Francisco, California |
| Genesee Scenery | 1847 | Oil on canvas | 130.8 by 99.7 centimetres (51.5 in × 39.3 in) | Rhode Island School of Design Museum of Art, Rhode Island |
| Home in the Woods | 1847 | Oil on canvas | 168 by 112.7 centimetres (66.1 in × 44.4 in) | Reynolda House Museum of American Art, North Carolina |
| The Good Shepherd | 1848 | Oil on canvas | 81.3 by 121.9 centimetres (32.0 in × 48.0 in) | Crystal Bridges Museum of American Art, Arkansas |
| Cross at Sunset | c. 1848 | Oil on canvas | 81.8 by 122.4 centimetres (32.2 in × 48.2 in) | Thyssen-Bornemisza Museum, Madrid |

### Undated works

Table featuring paintings by Thomas Cole :
| Title | Medium | Dimensions | Collection |
| Italian Landscape (formerly The Catskills from Saugerties) | Oil on board | 13.3 by 23.5 centimetres (5.2 in × 9.3 in) | Fralin Museum of Art, Virginia |
| Dead Rising from Tombs | Oil on thin wood board | 19 by 27.5 centimetres (7.5 in × 10.8 in) | Princeton University Art Museum, New Jersey |
| Italian Ruins, unfinished | Oil on board | 24.1 by 31.8 centimetres (9.5 in × 12.5 in) | Thomas Cole National Historic Site, New York |
| Landscape, Sunrise in the Clove | Oil on canvas | 14 by 21.6 centimetres (5.5 in × 8.5 in) | Thomas Cole National Historic Site, New York |

## Preparative works

Table featuring paintings by Thomas Cole :
| Title | Year | Medium | Dimensions | Collection |
| Study for The Angel Appearing to the Shepherds | 1831 | Oil on board | 17.8 by 22.2 centimetres (7.0 in × 8.7 in) | Chrysler Museum of Art, Virginia |
| Study for the Savage State | c. 1834 | Oil on canvas | 18.7 by 26 centimetres (7.4 in × 10.2 in) | Princeton University Art Museum, New Jersey |
| Sketch for The Oxbow | 1836 | Oil and pencil on composition board | 14 by 23.8 centimetres (5.5 in × 9.4 in) | Metropolitan Museum of Art, New York |
| Study for The Voyage of Life: Manhood | c. 1837 – c. 1839 | Oil on wooden panel | 30.5 by 34.6 centimetres (12.0 in × 13.6 in) | Albany Institute of History & Art, New York |
| Study for The Voyage of Life: Old Age | c. 1837 – c. 1839 | Oil on wooden panel | 30.5 by 34.8 centimetres (12.0 in × 13.7 in) | Albany Institute of History & Art, New York |
| Figure Study for The Voyage of Life: Youth | c. 1839 – c. 1840 | Oil and graphite on canvas | 64.1 by 52.7 centimetres (25.2 in × 20.7 in) | Munson-Williams-Proctor Arts Institute, New York |
| Figure Study for The Voyage of Life: Manhood | c. 1839 – c. 1840 | Oil on diagonal weave canvas | 26.7 by 20.5 centimetres (10.5 in × 8.1 in) | Munson-Williams-Proctor Arts Institute, New York |
| Compositional Study for The Voyage of Life: Manhood | c. 1840 | Oil on academy board | 31.1 by 43.7 centimetres (12.2 in × 17.2 in) | Smith College Museum of Art, Massachusetts |
| Study for Catskill Creek | c. 1844 – c. 1845 | Oil on panel | 30.5 by 45.7 centimetres (12.0 in × 18.0 in) | National Gallery of Art, Washington, D.C. |
| Study for The Cross and the World | c. 1846 – c. 1847 | Oil on panel | 30.1 by 46.2 centimetres (11.9 in × 18.2 in) | Brooklyn Museum, New York |
| Study for The Cross and the World: The Pilgrim of the World on his Journey | c. 1846 – c. 1847 | Oil on canvas | 30 by 46 centimetres (12 in × 18 in) | Albany Institute of History & Art, New York |
| Study for The Pilgrim of the World at the End of His Journey | c. 1847 | Oil on canvas | 30.5 by 45.7 centimetres (12.0 in × 18.0 in) | Smithsonian American Art Museum, Washington, D.C. |