OpenLLM-France/wikimedia huggingface dataset:
# Honnedaga

Honnedaga may refer to:
* Honnedaga Lake, a lake in the state New York
* Honnedaga Brook, a brook in the state New York
# Imbricate alligator lizard

There are three species of lizard named imbricate alligator lizard:
* Barisia imbricata
* Barisia ciliaris
* Barisia jonesi
# Swimming at the 2020 Summer Paralympics – Women's 100 metre butterfly S9

The Women's 100 metre butterfly S9 event at the 2020 Paralympic Games took place on 2 September 2021, at the Tokyo Aquatics Centre.

## Heats

The swimmers with the top eight times, regardless of heat, advanced to the final.
| Rank | Heat | Lane | Name | Nationality | Time | Notes |
| 1 | 1 | 4 | Zsófia Konkoly | Hungary | 1:07.05 | Q, ER |
| 2 | 2 | 3 | Elizabeth Smith | United States | 1:08.03 | Q, AM |
| 3 | 2 | 4 | Sophie Pascoe | New Zealand | 1:09.58 | Q |
| 4 | 2 | 5 | Toni Shaw | Great Britain | 1:10.41 | Q |
| 5 | 1 | 3 | Sarai Gascón Moreno | Spain | 1:10.63 | Q |
| 6 | 1 | 6 | Yuliya Gordiychuk | Israel | 1:13.08 | Q |
| 7 | 2 | 6 | Summer Schmit | United States | 1:13.46 | Q |
| 8 | 2 | 2 | Claire Supiot | France | 1:18.94 | Q |
| - | 1 | 5 | Xu Jialing | China | DSQ | |

## Final

| Rank | Lane | Name | Nationality | Time | Notes |
| | 4 | Zsófia Konkoly | Hungary | 1:06.55 | PR, ER |
| | 5 | Elizabeth Smith | United States | 1:08.22 | |
| | 2 | Sarai Gascón Moreno | Spain | 1:08.43 | |
| 4 | 6 | Toni Shaw | Great Britain | 1:08.87 | |
| 5 | 3 | Sophie Pascoe | New Zealand | 1:09.31 | |
| 6 | 1 | Summer Schmit | United States | 1:12.95 | |
| 7 | 7 | Yuliya Gordiychuk | Israel | 1:13.35 | |
| 8 | 8 | Claire Supiot | France | 1:16.67 | |
# Tamerna Guedima

Tamerna Guedima (also written Tamerna Kedima or just Kedima) is a village in the commune of Sidi Amrane, in Djamaâ District, El M'Ghair Province, Algeria. The village is located to the west of the N3 highway 8 kilometres (5.0 mi) south of Djamaa.
# Listed buildings in Nottingham (Aspley ward)

Aspley is an electoral ward in the city of Nottingham, England. The ward contains three listed buildings that are recorded in the National Heritage List for England. All the listed buildings are designated at GradeII, the lowest of the three grades, which is applied to "buildings of national importance and special interest". The ward is to the northwest of the centre of the city, and is mainly residential. The listed buildings consist of a house, a church, and a war memorial in the churchyard.
Download coordinates as:
* KML
* GPX (all coordinates)
* GPX (primary coordinates)
* GPX (secondary coordinates)

## Buildings

| Name and location | Photograph | Date | Notes |
| The Elms 52°59′07″N 1°12′02″W﻿ / ﻿52.98533°N 1.20056°W﻿ / 52.98533; -1.20056﻿ (The Elms) | — | Late 18th century | The house is in red brick with roofs of slate and tile. There are three storeys and attics, and three bays, with a full-length extension to the ground floor containing a gabled porch, and a rear lean-to with a pantile roof. The windows are casements, one with six lights, and some with segmental heads. |
| Christ Church, Cinderhill 52°59′01″N 1°11′50″W﻿ / ﻿52.98360°N 1.19716°W﻿ / 52.98360; -1.19716﻿ (Christ Church, Cinderhill) | | 1855–56 | The church was designed by T. C. Hine in Gothic Revival style, and the choir vestry was added in 1902. The church is built in Bulwell stone with slate roofs, and consists of a nave, a north aisle, a south porch, a chancel, a vestry and organ chamber, and an octagonal choir vestry. At the southwest corner is an octagonal bell turret containing two lancet windows and eight gabled bell openings, surmounted by an octagonal spire with a weathercock. |
| War memorial 52°59′01″N 1°11′49″W﻿ / ﻿52.98367°N 1.19690°W﻿ / 52.98367; -1.19690﻿ (War memorial) | | c. 1918 | The war memorial is in the churchyard of Christ Church, Cinderhill, to the east of the church. It is in stone, and consists of a Celtic cross on a tapering square shaft, on a tapering pedestal, on a square base of three steps. On three sides of the pedestal are inscribed panels in pink granite, and there is an inscription on the base. |
# The Art Journal

The Art Journal was the most important British 19th-century magazine on art. It was founded in 1839 by Hodgson & Graves, print publishers, 6 Pall Mall, with the title Art Union Monthly Journal (or The Art Union), the first issue of 750 copies appearing 15 February 1839. It was published in London but its readership was global in reach.

## History

Hodgson & Graves hired Samuel Carter Hall as editor of Art Union Monthly Journal, assisted by James Dafforne. Hall soon became the principal proprietor, but he was unable to turn a profit on his own. The London publisher George Virtue bought a share of the business in 1848, with Hall remaining as editor, and they renamed the periodical The Art Journal in 1849.
In 1851, as part of the "Great Exhibition" of that year, The Art Journal featured Hall's engravings of 150 pictures from the private collections of Queen Victoria and Prince Albert. Although this project was popular, the publication remained unprofitable, forcing Hall to sell his share of the journal to Virtue, while staying on as editor. In 1852, the journal finally turned a profit.
As editor, Hall exposed the profits that custom-houses were earning on the import of Old Masters, and showed how paintings were manufactured in England. The Art Journal became noted for its honest portrayal of the fine arts, and its opposition to fake and mis-attributed Old Masters, such as many claimed to be by Raphael and Titian, depressed the market in such works.
The early issues of the magazine, published monthly, strongly supported the artists of The Clique, and after 1850 it became associated with opposition to the emerging Pre-Raphaelite Brotherhood (PRB), which Hall considered to be a reactionary movement. Its articles attacked the PRB and its supporter John Ruskin.
After Hall's retirement in 1880, the journal changed its position, and faced strong competition from the Magazine of Art and the changing public taste influenced by Impressionism. Neither magazine was able to survive: the Magazine of Art ceased publication in 1904, and The Art Journal in 1912. An American edition of The Art Journal was published in New York from 1881 to 1887 by D. Appleton & Co.
The publication has been referred to, at various times, as London Art Journal and Art-Journal.

## Editorship

| Editor's name | Years |
| Samuel Carter Hall | 1839–1880 |
| Marcus Bourne Huish | 1881–1892 |
| David Croal Thomson | 1892–1902 |

## Contributors

The Art Journal's most notable essayists included Ralph Nicholson Wornum, Thomas Wright, Frederick William Fairholt, Edward Lewes Cutts, and Llewellynn Jewitt. Richard Austin Artlett supplied a long series of engraved plates of sculpture.
# Spialia agylla

Spialia agylla, the grassveld sandman, is a butterfly of the family Hesperiidae. It is found in South Africa.
The wingspan is 20–22 mm for males and 22–24 mm for females. Adults are on wing from August to April with peaks in midsummer. There are several generations per year.
The larvae feed on Hermannia species and Pavonia burchelli.

## Subspecies

* Spialia agylla agylla (western Cape to the southern part of the northern Cape, across the western part of the eastern Cape to the Orange Free State, eastern Lesotho, southern Gauteng, south-western Mpumalanga and the arid savanna in the North West Province)
* Spialia agylla bamptoni Vári, 1976 (around the coastal border of the western Cape and Namaqualand in the northern Cape)
# IEMA

IEMA may refer to:
* Interactive Entertainment Merchants Association
* Institute of Environmental Management and Assessment
* Inland Empire Museum of Art, now known as the Sasse Museum of Art
# Imbricariopsis carbonacea

Imbricariopsis carbonacea, common name carbon imbricaria, is a species of sea snail, a marine gastropod mollusk in the family Mitridae, the miters or miter snails.

## Description

The length of the shell varies between 17 mm and 32 mm.

## Distribution

This marine species occurs off West Africa (Mauritania, Cape Verde Islands) and Angola to South Africa.
# Swimming at the 2020 Summer Paralympics – Women's 100 metre butterfly S14

The Women's 100 metre butterfly S14 event at the 2020 Paralympic Games took place on 25 August 2021 at the Tokyo Aquatics Centre.

## Heats

The swimmers with the top eight times, regardless of heat, advanced to the final.
| Rank | Heat | Lane | Name | Nationality | Time | Notes |
| 1 | 2 | 4 | Valeriia Shabalina | RPC | 1:05.37 | Q, PR |
| 2 | 2 | 5 | Paige Leonhardt | Australia | 1:06.93 | Q |
| 3 | 1 | 5 | Chan Yui-lam | Hong Kong | 1:07.20 | Q |
| 4 | 1 | 4 | Jessica-Jane Applegate | Great Britain | 1:07.57 | Q |
| 5 | 2 | 3 | Louise Fiddes | Great Britain | 1:07.68 | Q |
| 6 | 1 | 3 | Ruby Storm | Australia | 1:07.77 | Q |
| 7 | 1 | 6 | Moemi Kinoshita | Japan | 1:10.53 | Q |
| 8 | 1 | 7 | Cheung Ho Ying | Hong Kong | 1:10.68 | Q |
| 9 | 2 | 1 | Kang Jung-eun | South Korea | 1:11.36 | |
| 10 | 1 | 1 | Pernilla Lindberg | Sweden | 1:11.79 | |
| 11 | 2 | 7 | Angela Marina | Canada | 1:12.00 | |
| 12 | 1 | 2 | Mami Inoue | Japan | 1:12.08 | |
| 13 | 2 | 2 | Syuci Indriani | Indonesia | 1:12.13 | |
| 14 | 2 | 6 | Janina Falk | Austria | 1:13.62 | |
| 15 | 2 | 8 | Olga Poteshkina | RPC | 1:15.46 | |

## Final

| Rank | Lane | Name | Nationality | Time | Notes |
| | 4 | Valeriia Shabalina | RPC | 1:03.59 | WR |
| | 5 | Paige Leonhardt | Australia | 1:05.48 | |
| | 7 | Ruby Storm | Australia | 1:06.50 | |
| 4 | 3 | Chan Yui-lam | Hong Kong | 1:06.65 | |
| 5 | 2 | Louise Fiddes | Great Britain | 1:07.24 | |
| 6 | 6 | Jessica-Jane Applegate | Great Britain | 1:07.69 | |
| 7 | 1 | Moemi Kinoshita | Japan | 1:10.25 | |
| 8 | 8 | Cheung Ho Ying | Hong Kong | 1:11.29 | |
# Tangent modulus

In solid mechanics, the tangent modulus is the slope of the stress–strain curve at any specified stress or strain. Below the proportional limit (the limit of the linear elastic regime) the tangent modulus is equivalent to Young's modulus. Above the proportional limit the tangent modulus varies with strain and is most accurately found from test data. The Ramberg–Osgood equation relates Young's modulus to the tangent modulus and is another method for obtaining the tangent modulus.
The tangent modulus is useful in describing the behavior of materials that have been stressed beyond the elastic region. When a material is plastically deformed there is no longer a linear relationship between stress and strain as there is for elastic deformations. The tangent modulus quantifies the "softening" or "hardening" of material that generally occurs when it begins to yield.
Although the material softens it is still generally able to sustain more load before ultimate failure. Therefore, more weight efficient structure can be designed when plastic behavior is considered. For example, a structural analyst may use the tangent modulus to quantify the buckling failure of columns and flat plates.
# Sahih Al-Bukhari: The Early Years of Islam

Sahih al-Bukhari: The Early Years of Islam is the exegesis of Sahih al-Bukhari, the first book of the Six Books of Sunni Islam, by Muslim polymath Muhammad Asad.
The book comprises the historical chapters of the most important compilations of Traditions, the Sahih of al-Bukhari. It depicts the beginning of the Prophet's revelation, the merits of his Companions and the early years of Islam up to and including the decisive turning point of Islamic history, the Battle of Badr.

## Background

After his book Islam at the Crossroads, Asad focused his attention on one of the earliest and most enduring of his concerns as a reformer: "to make real the voice of the Prophet of Islam—real, as if he were speaking directly to us and for us: and it is in the Hadith that his voice can be most clearly heard." Like other Islamic reformers, Asad thought that knowledge of the traditions—the carefully collected and recorded sayings of the Prophet, which complement and amplify the Qur'an—was necessary for "a new understanding and a direct appreciation of the true teachings of Islam".
With the encouragement of poet-philosopher Iqbal, he attempted a task that had never been undertaken before in English: the translation and explanation the Prophet's authentic traditions as they had been carefully and critically compiled in the ninth century by the traditionalist al-Bukhari.

## Prefaces
### Preface to 1938 Edition

The author had planned to gradually translate and annotate the entire Sahih al-Bukhari and publish it in forty installments. He had completed translation of about thirty chapters. Out of these, two chapters were printed in Srinagar, three chapters were printed in Lahore. The un-printed manuscript of the rest of the chapters got destroyed due to the violent partition of Indian Subcontinent. The 1938 edition is a collection of those five printed installments in book form.

### Preface to 1981 Edition

The start of the Second World War saw Asad interned by the British Government as an enemy alien; his work on Sahih al-Bukhari continued in the internment. Soon after the war ended, the bloody disorder which accompanied the Partition of India (1947) came as a "great personal loss" to Asad. Along with his other works, nearly three-quarters of the manuscripts of his annotated translation of Sahih al-Bukhari were barbarically destroyed. This 1981 edition is a republication of 1938 edition, and carries the remnants of that destroyed work.
# Hypatima isotricha

Hypatima isotricha is a species of moth in the family Gelechiidae. It was described by Edward Meyrick in 1921. It is found on Java in Indonesia.
The wingspan is about 14 mm. The forewings are ochreous whitish sprinkled irregularly with grey, brown, and dark fuscous and with two small dark fuscous spots on the costa before and beyond one-fourth, costa between and beyond these white. There is a dark fuscous spot towards the base in the middle and an irregular suffused dark brown fasciate bar from the dorsum at one-fourth, reaching halfway across wing. There is also an irregular dark brown and blackish median fascia rather inwards oblique from the costa, followed on the costa by an oblique white strigula. The posterior half of the costa is suffused with dark fuscous, with five very oblique white wedge-shaped marks and there is a suffused dark brown spot on the dorsum beyond the fascia, as well as an irregular dark brown blotch on the tornus, marked in the middle with a black dash and a spot of dark fuscous suffusion containing an oblique black dash towards the costa near the apex. A streak of dark fuscous suffusion is found along the upper part of the termen, edged above by a black dash near the apex. The hindwings are light grey, thinly scaled and violet iridescent in the disc, with the veins and terminal edge darker grey.
# Homecoming!

Homecoming! is an album by jazz pianist Elmo Hope recorded in 1961 for the Riverside label.

## Reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| The Penguin Guide to Jazz | |
The AllMusic review by Brandon Burke stated "Homecoming! is a particularly high-spirited record for this stage in Hope's troubled career. Following an extended stay in Los Angeles, a number of the day's top players helped welcome a refreshed Hope back to New York on this session... Expect fine performances by all. This great hard bop record is highly recommended".

## Track listing

All compositions by Elmo Hope except as indicated
* "Moe, Jr." – 5:56
* "Moe, Jr." [alternate take] – 4:41 Bonus track on CD reissue
* "La Berthe" – 3:14
* "Eyes So Beautiful as Yours" – 6:33
* "Homecoming" – 5:15
* "One Mo' Blues" – 6:48
* "A Kiss for My Love" – 5:33
* "A Kiss for My Love" [alternate take] – 5:39 Bonus track on CD reissue
* "Imagination" (Johnny Burke, Jimmy Van Heusen) – 6:43

## Personnel

* Elmo Hope – piano
* Blue Mitchell – trumpet (tracks 1, 2, 4, 7 & 8)
* Frank Foster, Jimmy Heath – tenor saxophone (tracks 1, 2, 4, 7 & 8)
* Percy Heath – bass
* Philly Joe Jones – drums
# In My Memory (song)

"In My Memory" is a song by Dutch producer DJ Tiësto. It was released in April 2002 as a single from his debut album, In My Memory. The song includes vocals by Nicola Hitchcock of the band Mandalay. The song did not chart in Europe, but being the title track for the album it gained great success in North America.
"In My Memory" was remixed by various artists like the San Francisco duo Gabriel & Dresden and Airwave. Other artists like V-One, Fade and Quadra also remixed it and were included in the various releases.

## Formats and track listings
### 12" Vinyl

Magik Muzik 12" Vinyl
* "In My Memory" (V-One Remix) - 8:07
* "In My Memory" (Airwave Remix) - 8:45
* "In My Memory" (Gabriel & Dresden Elephant Memory Vocal) - 9:12
* "In My Memory" (Fade's Sanctuary Remix) - 8:48
Electropolis 12" Vinyl
* "In My Memory" (Gabriel & Dresden Elephant Memory Vocal) - 9:09
* "In My Memory" (V-One Remix) - 8:07
* "In My Memory" (Airwave Remix) - 8:45
* "In My Memory" (Airwave Instrumental) - 8:03
Zomba Records 12" Vinyl
* "In My Memory" (Airwave Remix) - 8:45
* "In My Memory" (Original Album Version) - 6:06
* "In My Memory" (Quadra's Bombworkxs Dub Mix) - 9:18
* "In My Memory" (Fade's Sanctuary Mix) - 8:48
Nebula Classics 12" Vinyl
* "In My Memory" (Fade's Drifted Remix) - 8:27
* "In My Memory" (Gabriel & Dresden Elephant Memory Vocal Remix) - 8:54
Nebula Classics 12" Vinyl
* "In My Memory" (Airwave Instrumental Remix) - 8:04
* "In My Memory" (V-One Remix) - 8:08
Radio Edit 3:59

## Personnel

* Vocals: Nicola Hitchcock
* Writer(s), Composer(s): DJ Tiësto & Nicola Hitchcock

## Charts
### Weekly charts

Weekly chart performance for "In My Memory" by Tiesto :
| Chart (2002) | Peak position |
| Canada (Nielsen SoundScan) | 15 |
| US Hot Singles Sales (Billboard) | 63 |
| US Hot Dance Music/Maxi-Singles Sales (Billboard) | 13 |
| US Dance Club Songs (Billboard) | 12 |

### Year-end charts

Year-end chart performance for "In My Memory" by Tiesto :
| Chart (2002) | Position |
| Canada (Nielsen SoundScan) | 134 |

## Official versions

* Original Album Version (6:06)
* Quadra's Bombworkxs Dub Mix (9:18)
* Fade's Sanctuary Mix (8:48)
* Fade's Drifted Remix (8:27)
* Gabriel & Dresden Elephant Memory Vocal Remix (9:09)
* V-One Remix (8:07)
* Airwave Remix (8:45)
* Airwave Instrumental (8:03)
* Maor Levi Remix (5:13)

## Release history

| Region | Date | Label | Format | Catalog |
| Spain | 2003 | Electropolis | vinyl, 12" | VLMX 1341-3 |
| Germany | 2003 | Zomba Records | vinyl, 12" | RTD 103.4126.0 |
| United Kingdom | 2002 | Nebula Classics | vinyl, 12" | NEBBC002 |
| United Kingdom | 2004 | Nebula Classics | vinyl, 12" | NEBBC003 |
| Netherlands | 2002 | Magik Muzik | 2 x Vinyl, 12" | Magik Muzik 805-5 |
# Tingewick

Tingewick is a village and civil parish about 2.5 miles (4.0 km) west of Buckingham in the unitary authority area of Buckinghamshire, England. The parish is bounded to the north by the River Great Ouse, to the east by a tributary of the Great Ouse, to the west by the county boundary with Oxfordshire and to the south by field boundaries.
The village was formerly on the A421 but from 1998 has been bypassed by a dual carriageway.
The parish comprises about 2,300 acres (930 ha) of mainly arable farmland and pasture with some woodland. Part of the village is a Conservation Area and a number of the 450 dwellings are listed buildings.

## History

The remains of a Roman villa provide evidence of early habitation in the parish. It is about 440 yards (400 m) northeast of the village, about 200 yards (180 m) from the river and lies east of Tingewick Mill. The villa was partly excavated in 1860–62.
The toponym is derived from the Old English for "Teoda's dwelling". The Domesday Book of 1086 records the village as Tedinwiche.
The earliest part of the Church of England parish church of Saint Mary Magdalene is the Norman 12th century nave. The three-bay north aisle was added in about 1200. The Perpendicular gothic chancel and bell-tower were added late in the 15th century. The north aisle was altered in the 17th century, the south aisle was added in 1830 and the south porch in 1867.
The tower has a ring of five bells. The oldest was cast in London in about 1490 and is inscribed Nomen Magdalene Campana Gerit Melodie. The second bell was cast by Bartholomew Atton of Buckingham in 1591. Robert Atton of Buckingham cast the fourth bell in 1623 and the treble bell in 1627. The youngest bell in the ring is the tenor, cast by Henry Bagley III of Chacombe and Witney in 1721.

## Amenities

The village has one public house, the Royal Oak, with The Crown, a grade II listed building, closing permanently in 2013. Tingewick has a village hall, a Post Office and village shop, a pottery, an auction room, an agricultural metal work factory, an animal feed warehouse and a farm supplies depot.
Tingewick is served by Roundwood Primary School, which was formed by merging the Tingewick and Gawcott infants schools.
The village has held three large charity concerts called 'Party in the Paddock' in 2004, 2005 and 2008. The event has included acts such as Bernie Marsden, Roger Daltrey with The Who, Zak Starkey, Marillion, Don Airey and Nikki Murray. There are rumours circulating that Peter Andre is set to appear in the summer of 2022 along with special guest Naan Bread, however nothing has been officially confirmed.
Tingewick Meadows is a Site of Special Scientific Interest south of the village.
# Monument to Vittorio Emanuele II (Turin)

The Monument to Vittorio Emanuele II is a statuary monument atop a set of columns, honoring the first King of Italy, and located in Turin, in the Largo of the same name, at the junction between Corso Vittorio Emanuele II and Corso Galileo Ferraris.
It is dedicated to Vittorio Emanuele II, the first king of Italy. It was wanted by his son, King Umberto I, and paid him at his own expense. The monument, in bronze and granite, is the work of architect Pietro Costa. It was erected between 1882 and 1899, through many contracts with the Turin municipal government.
It was inaugurated on September 9, 1899, twenty years after the death of the king. The festivities were great on the day of the inauguration; Corso Vittorio Emanuele II and Rome were illuminated at party.
The king's statue rises majestically on tall Doric columns. In the sculptural groups at the base of the monument are unity, brotherhood, work and freedom. The monument reaches a considerable height of 39 meters. Its height is popularly called "the King on the Roofs" or "Barba Vigiu".