OpenLLM-France/wikimedia huggingface dataset:
# Royal College Street

Royal College Street is a major thoroughfare in London, England, within the St Pancras and Somers Town ward in the Borough of Camden. The street, which is one-way, is home to the London headquarters of Parcelforce and the London campus of the Royal Veterinary College, a constituent college of the University of London.
Camden Road railway station is located at the junction of Royal College Street and Camden Road. The nearest London Underground station to Royal College Street is Camden Town which is about five minutes' walk to the south-west along Camden Road.

## Notable residents
### Charles Dickens

In 1824 Charles Dickens lived in what is now the upper part of College Place, Camden at No. 112 (the street was then known as Little College Street).

### Rimbaud and Verlaine

No 8. Royal College Street (then known as Great College Street) was occupied by the French poets Arthur Rimbaud and Paul Verlaine during their celebrated and stormy sojourn in London in 1873.
The Rimbaud and Verlaine Foundation intends to create a "poetry house" at 8 Royal College Street. The Foundation was initiated by Poet in the City, which inherited a campaign to create an Anglo-French cultural centre at Rimbaud and Verlaine's former home. The campaign to save the house was run over many years by Gerry Harrison, a Camden councillor, during the process of which many celebrities have rallied to the cause, including the actor Simon Callow, the writers Julian Barnes, Lisa Appignanesi and Tracy Chevalier and the rock star Patti Smith. In 2007 the house was bought and fully restored by a new owner who agreed to give the house for use as an Anglo-French cultural centre. Poet in the City, and now the Rimbaud and Verlaine Foundation, with the support of the Fondation L-A Finances pour la Poésie in Paris and the law firm Herbert Smith, are seeking to raise money for a maintenance fund, allowing for the creation of a "poetry house" at 8 Royal College Street. However, the house was put up for sale by its owner in November 2020.

## Royal College Street in film

Royal College Street also features in the background of the 1956 Alfred Hitchcock film The Man Who Knew Too Much, where actor James Stewart walks from here down Plender Street to 61 College Place.
# Susan Lim (parasitologist)

Lee Hong Susan Lim (February 14, 1952 – August 2, 2014), more commonly known as Susan Lim, was a Malaysian parasitologist who specialised on the Monogenea, a class of parasitic flatworms which are important ectoparasites of fishes. She was the first and only Malaysian commissioner elected to the International Commission on Zoological Nomenclature. Her research was mainly in the fields of taxonomy and faunistics, although in later years, she became involved in a wide range of parasitological disciplines.
She has been considered the leading monogenean specialist in South-East Asia. By describing more than 100 new species and reassigning more than 100 others, she became the sixth most productive monogenean worker (and foremost female worker) of all time. She is also noted for describing an entirely new attachment mechanism in the form of net-like structures formed by secretions from the haptor of some of her worms.
Susan Lim died from cancer in Petaling Jaya, Selangor, Malaysia, on August 2, 2014, after a long illness.

## Education and career

Susan Lim was born at Seremban in the State of Negeri Sembilan, Malaysia, on February 14, 1952. She received her early education in the Convent of the Holy Infant Jesus, Seremban, and completed her 6th Form studies at St Pauls Institution, Seremban. In 1971 she entered the University of Malaya in Kuala Lumpur to read Zoology. She remained at the same university for her MSc and PhD degrees, funding her studies as a university tutor. Her PhD, under the supervision of Prof. Jose I. Furtado, was on monogenean parasites of freshwater fishes and was completed in 1987. In 1989, she was awarded a lectureship in the same department and in 2003 was promoted to a full professor in the Institute of Biological Sciences. Susan Lim had numerous postgraduate students and strong international collaborations with specialists in her field.

## Awards and honours

* Full Professorship, University of Malaya, 2003
* Commissioner of the International Commission on Zoological Nomenclature, 2006–2014 (the only Malaysian ever elected)
* Life-membership of the Malaysian Society of Parasitology & Tropical Medicine, 2009.

## Personal life

Susan Lim married George Liew, a botanist, in 1979 and had two children.

## Eponymous taxa

The two monogenean genera Susanlimae Boeger, Pariselle & Patella, 2015 and Susanlimocotyle Soares, Domingues & Adriano, 2021 were named by their respective authors to "acknowledge the fact that Dr. Lim was greatly responsible for most of our knowledge of the diversity of Monogenea from Asian Siluriformes."
The following species of monogeneans were named in her honour:
* Calydiscoides limae Justine & Brena, 2009
* Cornudiscoides susanae Agrawal & Vishwakarma, 1996
* Dactylogyrus limae Timofeeva, Gerasev & Gibson, 1996
* Dactylogyrus limleehongae Gusev, 1985
* Haliotrema susanae Soo, 2019
# Corrigon

Corrigon (Hebrew: קוריגון) was a Tel Aviv-based visual search company founded in 2007 by Einav Itamar and Avinoam Omer. Corrigon's main business is in the field of copyright monitoring: Corrigon provided image monitoring that identified how and where images are being used in the internet and in print.
Corrigon's Image identifier used content-based image retrieval algorithms to identify images even when they have been colorized, cropped, or otherwise modified. The user's interface was web-based. The system identified all images found on the web that looked similar to the input images, and generated a periodic usage report for Corrigon's clients.
Corrigon was acquired by eBay in October 2016 for $20 million. Corrigon’s team looks like it will all be joining the company, and it will continue to operate out of Israel, where eBay already has a structured data group in place in Netanya.
# Tabo (Nubia)

Tabo is an archaeological mound site in Nubia, Sudan, in what was at one time the Kingdom of Kush. It is located at the southern end of the Argo Island in the Nile, just south of Kerma, approximately 40 kilometres (25 mi) north of Dongola. It draws its name from a small village, which is located near the ruins. Here at Tabo, there was a well preserved Amun temple. It was 75.6 metres (248 ft) long and 31 metres (102 ft) wide. The first pylon is 40 metres (130 ft) wide, the second 35.5 metres (116 ft). Based on these measurements, it is one of the largest Nubian temples. There was a courtyard with columns and a portico below. The temple is now heavily damaged, with local residents using this shrine as a quarry; the temple's stone blocks can be found in many of the neighboring villages.
In the Makurian period a church was built on top of the ruined temple.

## Gallery

* Plan of the Nubian temple at Tabo.
* Statue of a Nubian king in Sudan, perhaps King Natakamani, found in Tabo.
# Friends in Bellwoods

Friends in Bellwoods is a compilation album, released in 2007. It was the first release on Out of This Spark, through a distribution deal with Sonic Unyon Records. The album is named for a house on Bellwoods Avenue in Toronto, shared by two members of the band Ohbijou, which NOW has written "might just be the new epicentre of T.O.'s indie rock community". All of the featured artists are members or friends and collaborators of Ohbijou, and many of the tracks on the album were recorded in the house itself.
The album is a benefit for Toronto's Daily Bread Food Bank.
The album was officially released across Canada on February 12, 2007, although it was available for sale in some venues in Toronto in mid-January.
A second edition, Friends in Bellwoods II, was released in August 2009.

## Track listing
### Disc One

* The Bellwoods Crew, "Carry On"
* Snailhouse, "Salvation Army (In Four)"
* Friday Morning's Regret, "Wooden Sky"
* Bry Webb and Casey Mecija, "Oh! Sweet Nuthin'"
* We're Marching On, "Shithead Kids"
* The D'Urbervilles, "We Are the Hunters"
* Forest City Lovers, "Don't Go, Please"
* Jonas Bonnetta, "French Toast"
* Bahai Cassette, "SNIT...yada"
* Germans, "Nature's Mouth"
* Telefauna, "turbulence!"
* The Nuts, "vb for jb"
* Kids on TV, "Breakdance Hunx (PSBEUYS PNP Mix)"
* Katie Stelmanis, "You'll Fall"
* Jeremy Gara, "Thieves"
* Alight, "cardinal + moon"
* Nina Nielsen, "Cloudberry Mountain"
* Tim Ford, "The Brantford Song"

### Disc Two

* Sebastien Grainger, "Young Mothers"
* Barzin, "Queen Jane"
* The Rural Alberta Advantage, "The Air"
* Tusks, "Mothers vs. Sons"
* Water Colour, "Hidden Sound"
* Gentleman Reg, "Over My Head (4 track)"
* Ohbijou, "The Otherside (Remix)"
* The Acorn, "Brokered Heart"
* Mantler, "Searching for a Song"
* The Dinghies, "Barkskin"
* Grand Mouse House, "Archways, Tunnels, Dotted Lines"
* Allan Graham, "Waking Up in the Trees"
* Oak Oak, "Now and Then"
* Violence, "Self Defense"
* The Meligrove Band, "Feversleep"
* Nich Worby, "All Blind Mice"
* Purple Hill, "Death Rides This Winters Wind"
* Scott Remila, "On Their Own"
# Concerto Teatro Uomo

Concerto Teatro Uomo is a live album by Italian jazz fusion band Area released in 1996 and recorded in 1977 in Milan, while the band was supporting their fifth album Maledetti (Maudits). The album was criticized for its sound quality (it was not professionally recorded, unlike their 1975 live album Are(A)zione) and for some packaging errors (the CD split between "Evaporazione" and "Arbeit Macht Frei" is wrong, there is an uncredited performance of "Diforisma Urbano" on "Il Massacro Di Brandeburgo Numero Tre in Sol Maggiore", "Improvvisazione" is "Are(a)zione" and the cover credits include Paul Lytton and Steve Lacy but they are absent in the recording), but was also praised for its musical content (including extended improvisations) and for Demetrio Stratos' useful information about the tracks during banter between songs. In 2002, this album was repackaged with another posthumous live album Parigi-Lisbona in the boxset Live Concerts Box.

## Track listing
### CD 1

* "Evaporazione" – 4:54
* "Arbeit Macht Frei" – 4:43
* "Luglio, Agosto, Settembre (Nero)" – 7:09
* "L'Abbattimento dello Zeppelin" – 10:26
* "ZYG (Crescita Zero)" – 6:24
* "Cometa Rossa" – 9:38
* "Lobotomia" – 3:50
* "Il Massacro Di Brandeburgo Numero Tre in Sol Maggiore" – 7:14 (from 1:05 on, the track is "Diforisma Urbano")
* "L'Elefante Bianco" – 4:50
* "Gerontocrazia" – 6:54

### CD 2

* "La Mela di Odessa" – 17:57
* "Gioia e Rivoluzione" – 10:50
* "Scum" – 7:34
* "Giro, Giro, Tondo" – 8:03
* "L'internazionale" – 5:01
* "Boom Boom" (John Lee Hooker) – 6:49
* "Improvvisazione" – 13:50 (the track is "Are(A)zione")

## Personnel

* Giulio Capiozzo - drums, percussion
* Patrizio Fariselli - electric piano, piano, clarinet, synthesizer
* Demetrio Stratos - vocals, organ, clavicembalo, steel drums, percussion
* Ares Tavolazzi - bass, trombone
* Giampaolo Tofani - guitar, synthesizer, flute
# Heisei Harenchi Gakuen

Heisei Harenchi Gakuen (平成ハレンチ学園, lit. Heisei Shameless School) is a 1996 Japanese adult original video animation. It is the only animated film to be based on the manga by Go Nagai.

## Cast

* Chisa Yokoyama as Little Jubei
* Taiki Matsuno as Yasohachi Yamagishi
* Naoki Tatsuta as Hige Godzilla
* Junpei Takiguchi as Marugoshi sensei
# Molas

Molas may refer to:
* Molas, France, a commune in the Haute-Garonne department
* Molas Pass, a high mountain pass in the San Juan Mountains of western Colorado in the United States
* Isidre Molas (born 1940), a Catalan politician
* Felipe Molas López (1901–1954), a President of Paraguay in 1949
* Molas, plural of mola (fish)
MOLAS may refer to :
# Corrigiola litoralis

Corrigiola litoralis is a species of flowering plant known by the common name strapwort. It can be found as a native species in Europe and Africa, and has been introduced to Australia and North America. In Europe it is a plant of shingly pool margins where water levels fluctuate. In Africa it is found in a variety of habitats.
# The Beach Boys in Concert

The Beach Boys in Concert is the third live album by American rock band the Beach Boys, released in November 1973. It was their first live album since Live in London (1970), as well as the only live album and the final album on which Blondie Chaplin and Ricky Fataar appeared as official members.

## Reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| Blender | |
| Encyclopedia of Popular Music | |
| MusicHound | 3.5/5 |
| Rolling Stone | (favorable) |
| The Rolling Stone Album Guide | |
The Beach Boys in Concert gave the band their best chart peak since 1967's Wild Honey by reaching number 25, and earning them their first gold record since 1966's Best of The Beach Boys.

## Personnel

The Beach Boys
* Carl Wilson – vocals, lead guitar, electric piano
* Dennis Wilson – vocals, electric piano
* Al Jardine – vocals, rhythm guitar
* Mike Love – vocals
* Blondie Chaplin – vocals, guitars, bass
* Ricky Fataar – vocals, drums
Additional personnel
* Ed Carter – bass, guitars
* Billy Hinsche – vocals, guitar, keyboards
* Robert Kenyatta – percussion
* Mike Kowalski – drums, percussion
* Carli Muñoz – keyboards
* Joe Pollard – percussion on "Sail On, Sailor" and "Sloop John B"
* Richard Didymus Washington – percussion on "Sail On, Sailor" and "Sloop John B"
# How Many Ways

"How Many Ways" is a song by American singer Toni Braxton. It was written by Braxton, Vincent Herbert, Philip Field, Ben Garrison, Keith Miller, and Noel Goring for her self-titled debut album (1993), while production was helmed by Herbert. The song is built around a sample of "God Make Me Funky" (1975) by American jazz-fusion band The Headhunters featuring Pointer Sisters. Due to the inclusion of the sample, several other writers are credited as songwriters. Lyrically, the protagonist of the composition declares there are many ways in which she loves her man.
The song was released as the album's fifth and final single on June 10, 1994, by LaFace and Arista Records, a double-A-side along with "I Belong to You". It peaked at number 28 on the Billboard Hot 100 on January 21, 1995. A remix version of "How Many Ways", produced by R. Kelly, also was released to radio and music television stations. An accompanying music video features Braxton and actor Shemar Moore riding in a car, frolicking in a playground, and on a veranda.

## Critical reception

Larry Flick from Billboard wrote that the song "benefits from a refreshing R. Kelly remix that plugs into current top 40 and R&B radio trends. On its own merit, the song is a romantic ballad with an instantly memorable chorus. Braxton provides added dimension with a sultry, well-shaded vocal that is a reminder of why she is among the leading urban divas of the moment. What else can be said?"

## Music video

A music video for "How Many Ways" was directed by Lionel C. Martin and executive produced by Bille Woodruff. The visuals were largely filmed in Miami.

## Track listings

US double A-side CD/cassette single
* "I Belong to You" (Rollerskate Radio Mix) – 4:21
* "I Belong to You" (Soulpower Mix w/o Rap) – 5:41
* "I Belong to You" (Album Version) – 3:53
* "How Many Ways" (R. Kelly Remix Extended - No Talk) – 5:46
* "How Many Ways" (Album Version) – 4:45
* "How Many Ways" (The VH1 Mix) – 4:17
US 12-inch maxi single ("How Many Ways/I Belong to You")
* "How Many Ways" (R. Kelly Remix, Extended w/ Rap) – 5:46
* "How Many Ways" (Bad Boy Remix, Extended Mix) – 7:02
* "How Many Ways" (Bad Boy Instrumental) – 6:53
* "I Belong to You" (Rollerskate Radio Mix) – 4:21
* "I Belong to You" (Soulpower Mix w/o Rap) – 5:41
* "I Belong to You" (Soulpower Instrumental) – 5:57
US promotional CD single
* "How Many Ways" (Radio Edit Album Version) – 4:20
* "How Many Ways" (R. Kelly Radio Edit) – 4:02
* "How Many Ways" (The VH1 Radio Edit) – 4:17
* "How Many Ways" (Bad Boy Mix Radio Edit) – 4:17

## Credits and personnel

Credits lifted from Toni Braxton's liner notes.
* Anthony Beard – writing
* Toni Braxton – vocals, writing
* Philip Field – writing
* Ben Garrison – mixing, recording, writing
* Chris Gehringer – mastering
* Noel Goring – music, writing
* Vince Herbert – mixing, music, production
* Keith Miller – writing
# French ship Sans Pareil

Seven ships of the French Navy have borne the name Sans Pareil (Translated as "Peerless" or "Unequalled"):
* French ship Sans Pareil (1669), a 62-gun ship of the line, wrecked in 1679.
* French ship Sans Pareil (1685), a 50-gun ship of the line, removed from lists in 1698.
* French ship Sans Pareil (1695), a 42-gun ship.
* French ship Sans Pareil (1779), was the British privateer cutter Non Such, of 18 guns and 77 men, that Concorde captured in November 1779. The French Navy bought her for lt26,949, rearmed her at Brest, and took her into was service as Sans Pareil. On 15 June 1780 the British frigates Phoenix, Lowestoffe, and Pomona captured her as she was sailing from Martinique to Cap-Français. At the time of her capture she was armed with 16 guns and had a crew of 100 men. Her owner was described as the "King of France". The Royal Navy did not take her into service but instead consigned her to Robinson & Co., at Jamaica.
* French ship Sans Pareil (1793), an 80-gun Tonnant-class ship of the line, captured in 1794 during the battle of the Glorious First of June and taken into service as HMS Sans Pareil. She was hulked in 1810 and broken up in 1842.
* French ship Sans Pareil (1812), a 116-gun ship better known as Roi de Rome, was ordered as Sans Pareil. She was never launched and was broken up on keel.
* French ship Sans Pareil (1939), an airplane tender.
The female flexion Sans Pareille was also used for smaller ships:
* French corvette Sans Pareille (1798) was a privateer that the French navy purchased on the stocks and took into service as a 20-gun corvette. HMS Mercury captured her on 20 January 1801 and the Royal Navy took her into service as HMS Delight, but sold her in April 1805.
* French ship Sans Pareille (1801), a 20-gun ship, captured in 1801.
# Ulmus americana 'Vase'

The American Elm cultivar Ulmus americana 'Vase' was selected and propagated in the early 20th century by the Klehm Nurseries, Arlington Heights, Illinois, who advertised it at first as Ulmus americana 'Urnii', 'Klehms' American Vase-Shaped Elm', listing it, along with its stablemate Ulmus americana 'Moline', as a "novelty" in 1926, and describing both in some detail. Its original cultivar name, 'Urnii' – doubtful Latin – was changed to 'Vase' by Klehms by the 1930s, the tree also featuring as 'Vase Elm' ("a budded form of Elm, with graceful vase shape") in the catalogues of the Plumfield Nurseries, Fremont, Nebraska, from 1926, along with Klehms' 'Moline'. Vaughan's of Chicago marketed both from 1927. The Naperville Nurseries of Naperville, Illinois, marketed it from 1929 as 'Klehmii', 'Vase Elm', also introducing Klehms' 'Moline' at the same time.
Green, unaware of its origin, regarded the tree as "neither clonal nor a true cultivar".

## Description

An elm of regular spreading upright growth, the top much broader than the center, with density and breadth where the head begins. The foliage is large and deep green, the leaves coming out early and holding late without becoming rusty. The bark in young specimens is dark and smooth, becoming more rugged as the tree grows older. "The tree silhouetted against a clear sky shows distinctly the outline of a giant vase in all its graceful curves. The rapidity of growth is only equalled by Moline Elm."

## Pests and diseases

The clone was susceptible to Dutch elm disease, the extensive Milwaukee plantings (see 'Cultivation') succumbing in the mid-1960s.

## Cultivation

Buds from the source tree were grafted by Klehms on selected stocks to secure uniformity. 'Vase' was used extensively for street plantings, with over 10,000 planted by 1928 on the streets and boulevards of Milwaukee, Wisconsin.
Other stockists marketing 'Vase' and 'Moline' from the 1920s included the Hamburg Nurseries of Hamburg, Iowa. 'Vase' was listed in Edition 5 of the 1949 Plant Buyers Guide. It is not known whether 'Vase' remains in cultivation in the United States, nor whether it was cultivated elsewhere.

## Notable trees

A large surviving American white elm (bole girth 17 ft) by the highway between Milwaukee and Madison matches 'Vase' in description and may be a survivor the Klehm Nurseries' extensive 1920s plantings of this cultivar in the area.

## Synonymy

* Ulmus americana 'Klehmii': Naperville Nurseries, Illinois, 1930.
* Ulmus urnii: Siebenthaler Co.,(Dayton, Ohio), Catalogue 122, p. 15, 1931.
* Ulmus vaseyi: Bailey & Bailey, Hortus Second, 747, 1941.
# Camille Landais

Camille Landais (born 1 February 1981) is a French economist who currently works as Professor of economics at the London School of Economics. His research focuses on public finance and labour economics. In 2016, Landais was awarded the Prize of Best Young Economist of France for his research on the relationship between changes in inequality and fiscal and social policy.

## Biography

From 2000 to 2005, Camille Landais studied at the École normale supérieure d'Ulm (ENS Ulm), followed by a PhD at the Paris School of Economics under Thomas Piketty, Anthony Atkinson and Bernard Salanié (2005–09). After his graduation and a brief stay at the University of California-Berkeley, Landais worked as a postdoctoral researcher at the Stanford Institute for Economic Policy Research (SIEPR) (2010–12). Since 2012 he has been working at the London School of Economics, first as assistant professor (2012–15), then as associate professor (2016) and since 2017 as Professor of Economics. In addition to his academic position, he maintains affiliations with the Institut des politiques publiques, Institute for Fiscal Studies, STICERD, IZA Institute of Labor Economics, Centre for Economic Policy Research (CEPR), where he directs the public economics programme, and the European Economic Association, on whose council he sits. Finally, Landais is or has also performed editorial duties for the Journal of Public Economics, Review of Economic Studies, Fiscal Studies and Economic Policy. He is a fellow of the European Economic Association.

## Research

Camille Landais' research interests include taxation, social insurance and pro-social behaviours. The key findings of his research include the following:
* Denmark's preferential foreigner tax scheme doubled the ratio between of highly paid foreigners in Denmark relative to slightly less paid and thus ineligible foreigners, implying a large tax elasticity of migration among high income earners, but also reduced the pre-tax earnings of eligible foreigners relative to those of non-eligible ones by 5–10% (with Henrik Jacobsen Kleven, Emmanuel Saez and Esben Anton Schultz).
* Football players in Europe, especially when outside their home country, are very sensitive to taxation, with low taxes attracting high-ability players who displace low-ability ones and low taxes on foreigners displacing domestic players.

## Selected publications

* Algan, Y., Landais, C., Senik, C. (2010). Cultural assimilation in France. In: Algan, Y., Senik, C. (eds.). Cultural integration in Europe. Oxford: CEPR/Oxford University Press.
* Landais, C., Piketty, T., Saez, E. (2011). Pour une révolution fiscale: un impôt sur le revenu pour le 21ème siècle. Paris: Éditions Seuil.