OpenLLM-France/wikimedia huggingface dataset:
# Ferking

King Ferking was a semi-legendary figure recorded in local church literature. He lived in the 7th century, controlling a realm that included western parts of island of Karmøy, in southern Norway. The name Ferking is probably derived from the nickname or title Farthegn, meaning "travelling gentleman" or "travelling merchant".

## Biography

The legend was first recorded by Icelandic historian, Tormod Torfæus in Historia rerum Norvegicarum, about 1700. The legend claims that King Ferking lived at Ferkingstad, where he had built large houses of stones. The banquet halls were so huge that 500-600 men could dance in honor of the gold calf, which Ferking worshiped. To prevent anyone from taking the gold calf, Ferking buried it somewhere in this area. The hiding place is said to have been marked on a map that was destroyed when the vicarage of Falnes burned down in 1842.
King Ferking was a ruler of the sea, a Viking who spent most of his time on board a ship, and he brought home with him many treasures. The most beautiful treasure was some pearls that his queen wore during feasts in the King's manor.
King Ferking fought King Augvald over the sovereignty of Karmøy. King Augvald had attended Ferkingstad for a midwinter sacrificial banquet with a group of people, among them two of his daughters. They were female warriors or Shieldmaidens (Skjøldmøy). The two kings suddenly fell foul of each other resulting in Augvald gathering up his men and returning home. His daughters, however, were held captive at Ferkingstad. The two kings remained sworn enemies from that day forth.
Ferking decided to travel north with his army but came no further than Skeie, where King Augvald and his army met him. The last battle between the two kings took place in a field at the site now known as The field of Stava (Stavasletta) about 500 meters from Ferkingstad. It was a fierce battle with a great loss of men, and King Augvald was mortally wounded. When his daughters saw their father was killed, they screamed, leaped into the river and drowned. They were buried at Stava and stones were erected on their graves. These stones are called the Shieldmaidens (Skjoldmøyene). The two stones (0.75 m and 1.25 m in height) were once part of a triangular cluster of stones.
The legends don't tell how King Ferking died, but some say that he was buried in a mound at Kvilhaug not far away from his manor. The legends also tell of the King's fortress (Kongsborgen), which was burnt to the ground during the 7th century. The Fartegn estate was later raised on the same site by Ferking's son, who also bore the name Fartegn.
# Ferkingstad

Ferkingstad is a village in Karmøy municipality in Rogaland county, Norway. The village is located on the western shore of the island of Karmøy, immediately south of the town of Åkrahamn and a few minutes north of the village of Sandve. Ferkingstad is known for its highly rich archaeological finds, ranging from the early Viking Age to the late medieval era. Ferkingstad Church is located in the village.

## History

Legend claims that King Ferking is supposed to have founded the village and lived at Ferkingstad, where he had built large houses of stones. Ferkingstad is known for the remains of the large boat houses dating from the Iron Age which were reportedly erected by King Ferking. The legends also tell of the King's fortress (Kongsborgen), which was burnt to the ground during the 7th century. The Fartegn estate was later raised on the same site by Ferking's son, who also bore the name Fartegn.
# Filinga Filiga

Filinga Filiga (born 5 January 1985) is a New Zealand former professional rugby league footballer who played for the Bulldogs in the National Rugby League.
Filiga came to Canterbury via Auckland Marist and played in the final two rounds of the 2005 NRL season. Filiga often played as a centre in the Premier League for Canterbury, but was used on the wing in his first-grade appearances.
After leaving Canterbury, Filiga had stints with North Sydney and Cronulla's NSW Cup sides.
Filiga won a Queensland Cup premiership with Sunshine Coast in 2009.
# Filodrillia lacteola

Filodrillia lacteola is a species of sea snail, a marine gastropod mollusk in the family Borsoniidae.

## Description

The length of the shell attains 4.8 mm, its width 2.1 mm.
(Original description) The thin shell is translucent-white. It contains 6 whorls, including the protoconch of 2 smooth convex whorls. The whorls on the spire are convex. The suture is simple, narrowly margined. The body whorl is roundly contracted at the base. The aperture is elongate-oval, opening widely into a short siphonal canal. The outer lip is simple, thin, crenulated outside; with a deep rounded posterior sinus near the suture, having a thickened and slightly erect edge, with a shallow excavation anteriorly where it is pinched to form the canal. The inner lip is complete, applied, glazed, thin, thickened at the back to meet the margin of the sinus. The columella is nearly straight. The thin spirals number seven in the penultimate whorl and twenty in the body whorl. Faint accremental striae minutely roughen the sculpture.

## Distribution

This marine species is endemic to Australia and occurs off South Australia, Tasmania and Victoria.
# Feydhoo (Shaviyani Atoll)

Feydhoo (Dhivehi: ފޭދޫ) is one of the inhabited islands of the Shaviyani Atoll administrative division that is geographically part of the Miladhummadulhu Atoll in the Maldives. Feydhoo is located in the centre of the atoll between the channel called Noomara Kandu and the island Bileffahi.

## History

Feydhoo was severely damaged during the cyclone of 1821 that hit the northern atolls of the Maldives. This was during the reign of Sultan Muhammad Mueenuddeen I.

## Geography

The island is 246.98 km (153 mi; 133 nmi) north of the country's capital Malé.
# Fietas Museum

Fietas Museum was opened on 24 September 2013, the museum is located in Pageview, Gauteng, South Africa. The building that the museum is housed in is one of the few to survive the forced removals under the Group Areas Act and was declared a Heritage resource in 2007.

## Fietas

Fietas was the unofficial name given to the suburb of Pageview in its heyday between 1940 and 1965. During apartheid, the government attempted to exert control over the growing 'non-White' population of Johannesburg, by setting up 'locations' along racial lines.
Pageview was initially earmarked for 'Malay', 'Cape Coloured' and 'Coloured' people. By the 1940s, the population had become predominantly 'Indian' and 14th Street into a popular shopping destination but this came to the attention of the government and the area was re-zoned as a whites only area under the Group Areas Act. 14th street in particular was a subject of interest in one of Nat Nakasa's writings. The following quote appears on the windows of the museum entrance doors:
   Well-known Nationalists come all the way from the platteland to buy in Fourteenth Street. It is possible to find members of the Johannesburg Stock Exchange or a City Councillor’s wife waiting to be served after an African labourer in Fourteenth Street.
# Fingal Head Light

Fingal Head Light is an active lighthouse located at Fingal Head, New South Wales, Australia, a headland about 5 kilometres (3.1 mi) south of Point Danger, which marks the Queensland border.

## History

The station was first established on 19 February 1872, a wooden pole structure of approximately 30 feet (9.1 m), holding a fixed kerosene wick burner which shone a fixed white light with an intensity of 1,000 cd. It was described by a daughter of William Arnold, the first lighthouse keeper, as being shaped like a large meat safe, mounted on a wooden structure resembling a pigeon loft. The keeper had to row from the Tweed Heads Pilot Station each day and light the lantern at sunset, and a hut was constructed for him to stay in.
In October 1878 the Maritime Board of New South Wales decided to construct a modern lighthouse at the location. It was the third of five lighthouses of similar design designed by James Barnet in 1878–80, the other four being Richmond River Light, Clarence River Light (now demolished), Tacking Point Lighthouse and Crowdy Head Light. It originally had a porch and an annexe serving as oil room. A four-room, single-storey lighthouse keeper's house was constructed about 20 metres (66 ft) northwest of the tower. The lighthouse and keeper's cottage were constructed by Joseph William Mortley and Shepherd who were successful with their government tender.
On 15 June 1920 the light was converted to an automatic carbide lamp (acetylene gas) apparatus, with an intensity of 1,500 cd, and altered to group flashing. Soon after, the station was demanned and all buildings other than the tower were demolished.
In 1980 the light was converted to electricity. The current light source is a modern FA-251 Beacon with a 12 Volt 75 Watt HL-2000 quartz halogen lamp. It is fed by mains electricity with a Battery standby. It revolves once every 30 seconds.
The current light characteristic is a flash every five seconds, red to east and white to other directions (Fl.W.R. 5s). It is partially obscured.

## Structure

The circular tower is made from bricks and cement rendered from the outside. It is capped by an oversailing bluestone platform at 12 feet (3.7 m) above ground levels, supported by shaped bluestone corbels. The platform is surrounded by a handrail of metal standards and rails. It is topped by the domed lantern housing the optical apparatus, a fourth order catadioptric.

## Site operation

The light is operated by Transport for NSW. The site is managed by the New South Wales Department of Lands.

## Visiting

The light is accessible by road from the Pacific Highway just south of the Tweed River. Parking is provided, and there is also a public beach and a picnic area just north of the lighthouse. The tower itself, however, is closed to the public.
# 2014 Savannah Challenger

The 2014 Savannah Challenger was a professional tennis tournament played on clay courts. It was the fifth edition of the tournament which was part of the 2014 ATP Challenger Tour. It took place in Savannah, Georgia, United States between April 21 and April 27, 2014.

## Singles main-draw entrants
### Seeds

| Country | Player | Rank | Seed |
| USA | Donald Young | 81 | 1 |
| USA | Jack Sock | 88 | 2 |
| USA | Tim Smyczek | 106 | 3 |
| RUS | Alex Bogomolov Jr. | 116 | 4 |
| USA | Alex Kuznetsov | 123 | 5 |
| CAN | Peter Polansky | 137 | 6 |
| CAN | Frank Dancevic | 140 | 7 |
| AUT | Gerald Melzer | 150 | 8 |

### Other entrants

The following players received wildcards into the singles main draw:
* Evan King
* Jeff Dadamo
* Noah Rubin
* Robby Ginepri
The following player received entry as a special exempt into the singles main draw:
* Daniel Kosakowski
The following players received entry from the qualifying draw:
* Yoshihito Nishioka
* Thanasi Kokkinakis
* Bjorn Fratangelo
* Jean-Yves Aubone

## Doubles main-draw entrants
### Seeds

| Country | Player | Country | Player | Rank | Seed |
| CRO | Marin Draganja | FIN | Henri Kontinen | 124 | 1 |
| USA | Nicholas Monroe | USA | Jack Sock | 168 | 2 |
| GER | Philipp Marx | SVK | Michal Mertiňák | 178 | 3 |
| AUS | Rameez Junaid | CAN | Adil Shamasdin | 203 | 4 |

### Other entrants

The following pairs received wildcards into the doubles main draw:
* Evan King / Devin McCarthy
* Collin Altamirano / Stefan Kozlov
* Robby Ginepri / Alex Kuznetsov
The following pairs received entry from the qualifying draw:
* David Rice / Sean Thornley

## Champions
### Singles

* Nick Kyrgios def. Jack Sock, 2–6, 7–6$^{(7–4)}$, 6–4

### Doubles

* Ilija Bozoljac / Michael Venus def. Facundo Bagnis / Alex Bogomolov Jr., 7–5, 6–2
# 2014 Savannah Challenger – Doubles

Teymuraz Gabashvili and Denys Molchanov were the defending champions, but did not participate.
Ilija Bozoljac and Michael Venus won the title, defeating Facundo Bagnis and Alex Bogomolov Jr. 7–5, 6–2 in the final.

## Seeds

* Marin Draganja / Henri Kontinen (semifinals)
* Nicholas Monroe / Jack Sock (first round)
* Philipp Marx / Michal Mertiňák (quarterfinals)
* Rameez Junaid / Adil Shamasdin (semifinals)

## Draw
### Key

* Q = Qualifier
* WC = Wild card
* LL = Lucky loser
* Alt = Alternate
* SE = Special exempt
* PR = Protected ranking
* ITF = ITF entry
* JE = Junior exempt
* w/o = Walkover
* r = Retired
* d = Defaulted
* SR = Special ranking

### Draw

| First round | First round | First round | First round | First round | Quarterfinals | Quarterfinals | Quarterfinals | Quarterfinals | Semifinals | Semifinals | Semifinals | Semifinals | Semifinals | Final | Final | Final |
| 1 | M Draganja H Kontinen | 2 | 6 | [10] | | | | | | | | | | | | |
| WC | E King Devin McCarthy | 6 | 4 | [6] | 1 | M Draganja H Kontinen | 6 | 6 | | | | | | | | |
| Q | D Rice S Thornley | 6 | 5 | [8] | | J Jenkins D Young | 0 | 3 | | | | | | | | |
| | J Jenkins D Young | 4 | 7 | [10] | | | | | 1 | M Draganja H Kontinen | 5 | 6$^{11}$ | | | | |
| 3 | P Marx M Mertiňák | 6 | 6 | | | | | | | F Bagnis A Bogomolov Jr. | 7 | 7$^{13}$ | | | | |
| WC | C Altamirano S Kozlov | 3 | 3 | | 3 | P Marx M Mertiňák | 3 | 5 | | | | | | | | |
| | F Bagnis A Bogomolov Jr. | 7$^7$ | 6 | | | F Bagnis A Bogomolov Jr. | 6 | 7 | | | | | | | | |
| | J Kerr G Melzer | 6$^2$ | 4 | | | | | | | | | | | F Bagnis A Bogomolov Jr. | 5 | 2 |
| | F Dancevic P Polansky | 4 | 2 | | | | | | | | | | | I Bozoljac M Venus | 7 | 6 |
| | T Smyczek R Williams | 6 | 6 | | | T Smyczek R Williams | 3 | 4 | | | | | | | | |
| WC | R Ginepri A Kuznetsov | 5 | 3 | | 4 | R Junaid A Shamasdin | 6 | 6 | | | | | | | | |
| 4 | R Junaid A Shamasdin | 7 | 6 | | | | | | 4 | R Junaid A Shamasdin | 6$^8$ | 7 | [6] | | | |
| | I Bozoljac M Venus | 6 | 7$^7$ | | | | | | | I Bozoljac M Venus | 7$^{10}$ | 5 | [10] | | | |
| | J Cerretani A Siljeström | 4 | 6$^4$ | | | I Bozoljac M Venus | 6 | 6 | | | | | | | | |
| | F Škugor J Ward | 2 | 1 | | 2 | N Monroe J Sock | 4 | 4 | | | | | | | | |
| 2 | N Monroe J Sock | 6 | 6 | | | | | | | | | | | | | |
# Black Swans and Wormhole Wizards

Black Swans and Wormhole Wizards is the thirteenth studio album by guitarist Joe Satriani, released on October 5, 2010 through Epic Records.

## Release and touring

Recording for Black Swans and Wormhole Wizards took place between June and August 2010 and the title was announced on August 20. A podcast of each track was put up on Satriani's official Facebook profile and YouTube channel leading up to the album's release, with "Light Years Away" being released as a free MP3 single download on September 7, 2010 in exchange for the customer advertising it in a Facebook post or Twitter tweet. Two bonus tracks, "Heartbeats" and "Longing", were made available through Best Buy and Napster.
Touring began in Europe from October to November, followed by North America in December to January 2011.

## Critical reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
Stephen Thomas Erlewine at AllMusic gave Black Swans and Wormhole Wizards three stars out of five, calling it "a mature work from one of the great rock guitarists" and "pure guitar prog, filled with compressed boogies, sci-fi synths, exotic flourishes, and all of Satch's phasers and flangers in full-tilt overdrive."
The album reached No. 45 on the U.S. Billboard 200 and remained on that chart for two weeks, as well as reaching the top 100 in ten other countries.

## Track listing

All music is composed by Joe Satriani

## Personnel

* Joe Satriani – guitar, keyboard, bass, engineering, production
* Mike Keneally – keyboard
* Jeff Campitelli – drums, percussion
* Allen Whitman – bass
* Mike Fraser – engineering, mixing, production
* Mike Boden – engineering, digital editing
* Dann Michael Thompson – engineering assistance
* Judy Kirschner – engineering assistance
* Eric Mosher – additional editing, mixing
* George Marino – mastering

## Charts

Chart performance for Black Swans and Wormhole Wizars :
| Chart (2010) | Peak position |
| Australian Albums (ARIA) | 84 |
| Austrian Albums (Ö3 Austria) | 65 |
| Belgian Albums (Ultratop Flanders) | 77 |
| Belgian Albums (Ultratop Wallonia) | 65 |
| Croatian International Albums (HDU) | 32 |
| Czech Albums (ČNS IFPI) | 33 |
| Dutch Albums (Album Top 100) | 32 |
| French Albums (SNEP) | 39 |
| German Albums (Offizielle Top 100) | 85 |
| Italian Albums (FIMI) | 35 |
| Scottish Albums (OCC) | 54 |
| Swiss Albums (Schweizer Hitparade) | 34 |
| UK Albums (OCC) | 62 |
| US Billboard 200 | 45 |
| US Independent Albums (Billboard) | 7 |
| US Top Hard Rock Albums (Billboard) | 5 |
| US Top Rock Albums (Billboard) | 14 |
| US Top Tastemaker Albums (Billboard) | 23 |
# Black Sword

Black Sword is a 1985 role-playing game adventure for Stormbringer published by Chaosium.

## Plot summary

Black Sword is the second adventure about the heroine Freyda Nikorn's search for Elric of Melniboné, who killed her father.

## Reception

Phil Frances reviewed Black Sword for White Dwarf #79, and stated that "This may prove to be the most fascinating Stormbringer adventure you've played yet."
Michael R. Jarrell reviewed Black Sword in Space Gamer/Fantasy Gamer No. 82. Jarrell commented that "in conclusion, I have to give Black Sword a thumbs up. An exceptional adventure and one that will provide more than one night's play."

## Reviews

* Different Worlds #45 (March/April 1987)
# Black out performance

A black out performance is a racially segregated performance of an artistic work for an explicitly majority Black or Black identifying audience. It has become prevalent in theatrical performances in the United States of America and United Kingdom.

## Origin and history

The concept was originated by the American playwright Jeremy O. Harris, when his play Slave Play was staged before an audience of 804 black students, artists, journalists and performers in September 2019.
Two performances in the London run of the play in 2024 were also scheduled to be black out performances. Black out performances for the play Tambo & Bones were also staged at its London run at Theatre Royal Stratford East in 2023 and for the play Samuel Takes a Break ... at the Yard Theatre in 2024.
The concept of black out performances attracted criticism in the British right wing press and as part of a broader Culture war discussion after Harris discussed the concept on BBC Radio 4 promoting the London run of Slave Play. Writing in Time Out magazine, Andrzej Lukowski said that the criticism "plays into white grievance culture and is good for engagement from people who were clearly never in a million years going to see a controversial avant-garde play about interracial couples indulging in master-servant roleplay". The London black out performances of Slave Play were criticised by a spokesperson for the British Prime Minister, Rishi Sunak, who said that " ... these reports are concerning and further information is being sought. But clearly, restricting audiences on the basis of race would be wrong and divisive". Harris responded by saying on Twitter that "I'm not even saying BLACKS ONLY I'm saying I'm inviting black ppl first! They can bring their white friends or lovers if they want. There's no colour bar ... This has happened in NYC, LA, and London (yes already happened in London!) to great acclaim. And you didn't notice. Bc you don't care".

## Theory

A black out performance is a theatrical performance aimed at a black or black-identifying audience, including people of mixed race. The performances take place at plays telling black stories written by black playwrights and seek to bring black audiences to such plays.
In a 2019 article on the concept of black out performances for the New York Times, Patrice Peck wrote of the performances that they can create " ... spaces for black audiences to crack jokes and clap back without apology and, afterward, process complex, nuanced race-related issues" and the "idea that seeing one's self reflected not only on the silver screen or on a stage, but also in the audience can lead to a deeper validation".
The concept has also been seen as countering the negative psychological impact of double consciousness.
# Acupalpus pauperculus

Acupalpus pauperculus is a species of ground beetle in the family Carabidae. It is found in North America.
# Black Cat Roundabout

Black Cat Roundabout is on the junction between the A1 and A421 (formerly A428) just south of St Neots. It has been reconstructed twice since 2000 and, as of 2024, a third reconstruction is underway to completely replace it with a free-flowing junction.
It takes its name from the garage and car repair workshop which opened in the 1920s at the junction called the Black Cat Garage. In later years the garage was converted to a nightclub and then a restaurant, before becoming derelict for many years. In the 1980s a covered petrol station and hotel was opened on the site. All the buildings in this northwest quadrant of the junction were demolished during the 2024 upgrade.
A metal black cat sign was installed on the roundabout in January 2004, taking its shape from the cat on the original garage clock tower. During construction of the Great Barford bypass the black cat was temporarily relocated to the construction site office, before a second larger cat was returned to the roundabout upon completion in 2006. However, this sign was stolen during the summer of 2007. On 12 August 2008 it was announced that a third replacement Black Cat had been installed on the roundabout. In April 2009 the original sign was returned (albeit to a different location), accompanied by a note saying it had been found in a ditch.
The roundabout can regularly be heard being referred to on traffic reports because of the major traffic jams that it causes on the A1.

## 2005–2006 reconstruction

The roundabout was reconstructed in 2005-6 as part of the Great Barford bypass works to allow access to the new dual carriageway bypass. The roundabout was made much larger to incorporate the extra junction but no measures were taken to improve general traffic flow. The roundabout is considered to be one of the most dangerous junctions on the A1

## 2014–2015 reconstruction

The Highways Agency began work on 23 June 2014 to reconstruct the roundabout and its approaches. The £5.6 million project, part of the 'pinch point' programme, made the roundabout bigger and added traffic lights.

## 2023–2026 reconstruction

On 18 February 2019, Highways England announced final route selection to replace the single-carriageway section of the A428 from Caxton Gibbet to the A1, with construction to begin in 2022. This work, which reroutes the A1–A14 link so as to connect directly to the A421, will completely replace the roundabout with a three-level grade separated junction.
In March 2021, Highways England announced that it had signed a contract with Skanska to construct the new road, which it expects to open to traffic in 2025–2026.
In December 2023, work began on the new alignment, which replaces the roundabout with a three-level grade-separated junction.

### Road numbering

In September 2021, National Highways announced that this new section of dual carriageway will be designated A421 (and the bypassed sections will be renumbered as A1428 and B1428).
# AddToAny

AddToAny is a universal sharing platform that can be integrated into a website by use of a web widget or plugin. Once installed, visitors to the website can share or save an item using a variety of services. AddToAny makes money by selling anonymous aggregate sharing data to advertisers.

## History

* March 2006, launched.
* July 2011, acquired by social commerce site Lockerz.
* June 2013, reacquired by Pat Diven II, original founder.
# Blacktop (disambiguation)

Blacktop or asphalt concrete is a composite material used to surface roads. The word blacktop can also be used to refer directly to a paved road.
Blacktop or Black Top may also refer to:
* Black Top Records, a record label
* Blacktop Peak, a mountain in California
* Black Top, British Jazz duo of Orphy Robinson and Pat Thomas