# Clara Williams

Clara Williams (May 3, 1888 – May 8, 1928) was an American silent film actress. Along with Louise Glaum and Dorothy Dalton, she was one of the principal leading ladies at Inceville, one of the first motion picture studios to make feature films in Los Angeles. Williams appeared in more than one hundred films between 1910 and 1918, including starring roles in The Italian and William S. Hart's western, Hell's Hinges, both of which are included in the National Film Registry. When she married director Reginald Barker at age 31, she retired from acting.

## Early life and career

Clara Williams was born in Seattle, Washington, and made her screen debut in Western Chivalry in 1910. The following year, a half page article and photo of Williams was featured in the debut issue of Motion Picture Story magazine making her the first film actress to appear in a fan magazine. The success of The Italian (1915), in which she played the wife of an immigrant, resulted in her being typecast in roles as Latin characters. In 1917, the Los Angeles Times noted, "Heretofore she has been known almost exclusively as a portrayer of Latin parts, simply because she was such success in that sort of a role in The Italian, in which she played the leading part opposite George Beban."
In 1917, Williams and several other of the important actors and directors from Inceville left the studio to join the newly formed Paralta Company. The Los Angeles Times wrote, "Now that she is at the head of her own company and has the right to choose her own stories, she will have all the freedom in the world to show her versatility." Williams first film with Paralta, and also the last film in her acting career, was a story of the Klondike Gold Rush, Carmen of the Klondike.
During her years with the Triangle studios, Williams had become known for her many gowns, and the phrase "forty famous frocks" was coined to describe her wardrobe. When Williams left Triangle for Paralta, the Los Angeles Times asked whether the famous frocks would move with her. It reported, "Clara is now in a quandary. She wants to get some more frocks, but if she does it will spoil the phrase 'forty famous frocks,' and that would never do."
While working at the Ince studios, Williams met director Reginald Barker. He directed her in numerous films, including The Man from Oregon (1915), The Criminal (1916), Three of Many (1917), Paws of the Bear (1917), The One Woman (1918), and Carmen of the Klondike (1918), which was her last screen appearance. She married Barker in February 1920 and retired.

## Later years and death

In 1925, the Los Angeles Times interviewed the former movie star who the Times reported was "now just a housewife." At the time, Williams said that she and her husband had never had a quarrel and defended her new domestic life by stating, "To me there is no comparison in the amount of pleasure to be enjoyed from home life as opposed to a career."
In late February 1928, the Los Angeles Times reported that Williams had undergone a major surgery for an undisclosed condition at the California Lutheran Hospital. On May 8, 1928, five days after her 40th birthday, she died at her Los Angeles home following what the media reported as "a prolonged illness." She was survived by her husband and a brother. Her funeral was held at the Little Church of the Flowers, and her remains were cremated at Forest Lawn Memorial Park in Glendale, California.

## Filmography

| Year | Title | Role | Notes |
| 1910 | Western Chivalry | The Ranch Boss's Niece | Short |
| 1910 | The Cowboy's Sweetheart | Jennie | Short |
| 1910 | The Millionaire and the Ranch Girl | Nellie Blair | Short |
| 1910 | A Cowboy's Vindication | Faro Nan | Short |
| 1912 | Red Saunders' Sacrifice | Mary Warren | Short |
| 1912 | Over the Divide | Nell Carter | Short |
| 1912 | The Minister and the Outlaw | Helen Page | Short |
| 1912 | The Renegades | Mrs. Jim Carson | Short |
| 1912 | Bar K Foreman | Nellie - the Rancher's Daughter | Short |
| 1913 | The Love Token | Mary Simpson | Short |
| 1913 | On the Mountain Ranch | Ethel Fordham | Short |
| 1913 | Papita's Destiny | Papita | Short |
| 1913 | The Witch of Salem | | Short |
| 1914 | For the Wearing of the Green | Norah Dwyer | Short |
| 1914 | The Bells of Austi | Mercedes | Short |
| 1914 | His Hour of Manhood | Anne Larson | Short |
| 1914 | The Bargain | Nell Brent | Alternative title: The Two-Gun Man in the Bargain |
| 1915 | The Italian | Annette Ancello Donnetti | |
| 1915 | The Secret of the Dead | Maria Carrillo | Short |
| 1915 | The Devil | Elsa | |
| 1915 | On the Night Stage | Saloon Girl | Uncredited |
| 1915 | When Love Leads | Mary Dunning - the Elder Sister | Short |
| 1915 | The Man from Oregon | Harriet Lane | |
| 1915 | The Winged Idol | Mildred Leonard | |
| 1916 | The Corner | Mrs. Adams | |
| 1916 | The Last Act | Mrs. Cora Hale | |
| 1916 | Hell's Hinges | Faith Henley | |
| 1916 | The Market of Vain Desire | Helen Badgley | |
| 1916 | Home | Inez Wheaton | |
| 1916 | The Criminal | Naneta |
| 1916 | Three of Many | Nina Antinni | |
| 1917 | Paws of the Bear | Olga Raminoff | |
| 1918 | Carmen of the Klondike | Dorothy Harlan | |
| 1918 | The One Woman | Kate Ransom | (final film role) |