OpenLLM-France/wikimedia huggingface dataset:
# Bordertown Gun Fighters

Bordertown Gun Fighters is a 1943 American Western film directed by Howard Bretherton and written by Norman S. Hall. The film stars Wild Bill Elliott, George "Gabby" Hayes, Anne Jeffreys, Ian Keith, Harry Woods and Edward Earle. The film was released on July 8, 1943, by Republic Pictures.

## Cast

* Wild Bill Elliott as Wild Bill Elliott
* George "Gabby" Hayes as Gabby Hayes
* Anne Jeffreys as Anita Shelby
* Ian Keith as Cameo Shelby
* Harry Woods as Dave Strickland
* Edward Earle as Dan Forrester
* Karl Hackett as Frank Holden
* Roy Barcroft as Jack Gatling
* Bud Geary as Henchman Buck
# Borek, Świętokrzyskie Voivodeship

Borek is a village in the administrative district of Gmina Stopnica, within Busko County, Świętokrzyskie Voivodeship, in south-central Poland. It lies approximately 5 kilometres (3 mi) south of Stopnica, 19 km (12 mi) south-east of Busko-Zdrój, and 59 km (37 mi) south-east of the regional capital Kielce.
# Golyama Chinka

Golyama Chinka is a village in Krumovgrad Municipality, Kardzhali Province, southern Bulgaria.
# Gorgopas

Gorgopas can refer to:
* Gorgopas (4th century BC), Spartan commander in the Corinthian War
* Gorgopas (2nd century BC), Spartan commander in the Roman-Spartan War
* Gorgopas (butterfly), a skipper butterfly genus
# Anthony C. Griffin

Anthony C. Griffin (born March 1, 1960) is a board certified plastic surgeon member of the American Society of Plastic Surgeons and is a Fellow of the American College of Surgeons. Dr. Griffin participated as one of the surgeons on ABC's series Extreme Makeover, and is the author of "Surgery Without Scars: A Worry-Free, Multi-Cultural Guide to Plastic Surgery Today".
He received his BA from Brown University and his MD from Washington University in St. Louis.
# Güngörmüş

Güngörmüş (literally "has seen days," meaning "worldly" or "experienced") is a Turkish place name that may refer to the following places in Turkey:
* Güngörmüş, Gerger, a village in the district of Gerger, Adıyaman Province
* Güngörmüş, Taşova, a village in the district of Taşova, Amasya Province
# Immobilized pH gradient

Within chemistry for acid–base reactions, Immobilized pH gradient (IPG) gels are the acrylamide gel matrix co-polymerized with the pH gradient, which result in completely stable gradients except the most alkaline (>12) pH values. The immobilized pH gradient is obtained by the continuous change in the ratio of Immobilines. An Immobiline is a weak acid or base defined by its pK value. Immobilized pH gradients (IPG) are made by mixing two kinds of acrylamide mixture, one with Immobiline having acidic buffering property and other with basic buffering property. The concentrations of the buffers in the two solutions define the range and shape of the pH gradient produced. Both solutions contain acrylamide monomers and catalysts. During polymerization, the acrylamide portion of the buffers co polymerize with the acrylamide and bisacrylamide monomers to form a polyacrylamide gel. These polymerised gels are backed with plastic based backing that allow ease in handling and improve IPG's performance. The gel is then washed to remove catalysts and unpolymerized monomers, which interfere with isoelectric separation. IPG increased reproducibility of isoelectric focusing and 2D-gel electrophoresis. Other advantages are increased resolution, reproducible separation of alkaline proteins and increased loading capacity (up to 10 mg).
This alternative method eliminates the problems of gradient instability and poor sample loading capacity associated with carrier ampholyte pH gradient. Commercial precast IPG gels are available.
# Arthur Lungu

Arthur Lungu (born 13 April 1976) is a retired Zambian football midfielder. He was a squad member at the 2000 African Cup of Nations.
# Shanxi, Zhejiang

Shanxi (Chinese: 珊溪; pinyin: Shānxī) is a town in Wencheng County, Zhejiang province, China. As of 2020, it has 22 villages under its administration.
* Fuqiangxin Village (富强新村)
* Jietou Village (街头村)
* Jiewei Village (街尾村)
* Tanqi Village (坦岐村)
* Xiapaitan Village (下排坦村)
* Xinjian Village (新建村)
* Nanyang Village (南阳村)
* Zhuchuan Village (朱川村)
* Xiangkeng Village (项坑村)
* Lianxin Village (联新村)
* Wuxin Village (五新村)
* Yaping Village (雅坪村)
* Tangshan Village (塘山村)
* Songkeng Village (松坑村)
* Aoyang Village (鳌洋村)
* Zhennan Village (镇南村)
* Shanhu Village (珊湖村)
* Yunxi Village (云西村)
* Jingyuan Village (井源村)
* Wanli Village (万里村)
* Nanchuan Village (南川村)
* Huayang Village (华扬村)
# Gone (Ferlin Husky song)

"Gone" is a 1957 single by Ferlin Husky written by Smokey Rogers. The song was Ferlin Husky's second No. 1 on the country chart, where it stayed at the top for ten weeks with a total of 27 weeks on the charts. The vocal backing on the song was provided by the Jordanaires with soprano Millie Kirkham. "Gone" also crossed over to the Hot 100, peaking at No. 4. Selling over one million copies, 'Gone" was awarded a gold disc.
Recorded in Nashville at Bradley Studios, the recording is widely regarded as the first example of the Nashville Sound production approach. The use of echo and sparse instrumental support combined with the talented background singers heightened the drama of Husky's distinctive vocal.
Prior to recording this hit, Husky appeared regularly at the Grand Ole Opry. "Gone" propelled him to network television appearances first on Arthur Godfrey's Talent Scouts then a spot as guest host on the Kraft Television Theater, The Ed Sullivan Show, and eventually talk shows hosted by Steve Allen, Johnny Carson, and Merv Griffin. Husky had to give up his Opry slot, but TV exposure introduced him to millions of viewers.
Husky had previously recorded "Gone" for an earlier release on Capitol as Terry Preston.

## Cover versions

* In 1972, Joey Heatherton peaked at #24 on the US Hot 100 and #25 in Canada with her version of the song. It also peaked at number 38 in Australia.
* In 1980, Ronnie McDowell hit the Top 40 on the country charts with his version of the song.
* The Fleetwoods released a cover version of the song which can be found on their 1993 greatest hits album, Come Softly to Me: The Very Best of the Fleetwoods.
# Calandrella

Calandrella is a genus of larks in the family Alaudidae.

## Taxonomy and systematics

The genus Calandrella was established by the German naturalist Johann Jakob Kaup in 1829 with the greater short-toed lark as the type species. The genus name is a diminutive of Ancient Greek kalandros, the calandra lark. Four of the species in the genus use the shortened name of short-toed lark as an alternate name.

### Extant species

Six species are recognized in the genus:
| Scientific name | Common Name | Distribution |
| Calandrella acutirostris | Hume's short-toed lark | from Iran and Kazakhstan to China. |
| Calandrella dukhunensis | Mongolian short-toed lark | China and Mongolia |
| Calandrella blanfordi | Blanford's lark | northeast Africa and Arabia |
| Calandrella eremica | Rufous-capped lark | southwestern Arabia and Somaliland. |
| Calandrella cinerea | Red-capped lark | Ethiopia and Somaliland |
| Calandrella brachydactyla | Greater short-toed lark | southern edge of the Sahara and India |

### Extinct species

At least one fossil species is included in this genus:
* †Calandrella gali (late Miocene of Polgardi, Hungary)

### Former species

Some authorities have classified the following species as belonging to the genus Calandrella:
* Buckley's lark (as Calandrella buckleyi)
* Obbia lark (as Calandrella obbiensis)
* Sclater's lark (as Calandrella sclateri)
* Stark's lark (as Calandrella starki)
* Masked lark (as Calandrella personata)
* Botha's lark (as Calandrella fringillaris)
* Pink-billed Lark (as Calandrella conirostris)
* Raso lark (as Calandrella razae)
* Athi short-toed lark (as Calandrella athensis)
* Asian short-toed lark (as Calandrella cheleensis)
* Kazakhstan lesser short-toed lark (as Calandrella leucophaea)
* Somali short-toed lark (as Calandrella somalica)
* Sand lark (as Calandrella raytal)
# International Purchasing & Supply Education & Research Association

The International Purchasing & Supply Education & Research Association (IPSERA) is a learned society in the field of purchasing and supply management. Established in 1990 as PSERG (Purchasing and Supply Education and Research Group), it has over 300 members in more than 30 countries.

## Conferences

The Annual Meeting of the IPSERA is held each year in late March or early April. Due to IPSERA's geographically diverse membership, the location of its annual meeting rotates amongst the continents.

## Nodes and centers of excellence

IPSERA currently has 4 Academic Centers of Excellence and 11 Regional Nodes. Nodes are academic groups of a minimum of 5 persons who work in the field of purchasing and supply management. Nodes organize workshops or regional meetings that are supported by IPSERA.

## Bursaries

IPSERA has several bursaries available to attend the IPSERA Conference and the IFPSM summer school.

## Publications

IPSERA has no own journal. However, the Journal of Purchasing and Supply Management publishes a yearly special issue containing selected papers from the IPSERA annual meeting.
# After Hours (We Are Scientists song)

"After Hours" is the first single from We Are Scientists's album Brain Thrust Mastery, released on CD and 7-inch vinyl on March 3, 2008. The music video for the track features actress Katrina Bowden and was directed by Akiva Schaffer. The song made it to number 15 on the UK singles chart, making it their highest charting single to date.
"After Hours" was featured in the 2008 film Nick and Norah's Infinite Playlist, as well as in trailers.
It was also featured in the video game Tony Hawk: Ride.

## Track listing

* 7" #1
* "After Hours"
* "Dig Dug"
* 7" #2 (Picture Disc)
* "After Hours"
* CD
* "After Hours"
* "Best Behaviour"

## Music Video

The music video, which now has nearly 2,800,000 views, features a double date. A man, played by Chris Cain, believes that he is being set up with a friend of Keith Murray, only to find out that the friend is a dog. The video also features actress Katrina Bowden.
# Artie Miller

Artie “Hart” Miller was an early professional American football player for the Homestead Library & Athletic Club in 1900 and 1901, as well as the Pittsburgh Stars of the first National Football League. He played the position of halfback. Before the start of the 1902 season, Miller was working as a lumberjack in Wisconsin.
Prior to playing professionally, Miller attended and played football at, the Carlisle Indian School. According to school records, Miller arrived at the school in 1891 and graduated in 1900. By 1910, he was living Gresham, Wisconsin, working in a saw mill and still playing football.
# As Above...

As Above... is an album released in 1982 by Þeyr, an Icelandic new wave and rock group. It was issued through the Shout record label on a 12" vinyl record.
Consisting of 12 tracks, As above... contained English versions of the band's hits. A song that stands out from the rest is "Killer Boogie", a work which has been considered an attempt by the group to break through on the international market.
"Killer Boogie" and "Rúdolf" are featured again in Rokk í Reykjavík (Rock in Reykjavík), a concert compilation released in 1982 with the presence of other renowned Icelandic bands. There is also a video for this compilation which was edited on VHS format only.
"Rúdolf" contains a sample of Hitler saying "Around us is Germany. In us Germany marches. And behind us Germany follows". It was a fragment taken from Triumph des Willens (Triumph of the Will), a propaganda film directed by Leni Riefenstahl in 1934. However, the record inserts credit A. Schicklgruber as the impersonator of Hitler’s voice.
The title of the album is thought to be inspired by Killing Joke's What's THIS For...! from 1981. It sarcastically refers either to the band's name or to their previous works (in the sense that "as above" is written on application forms). It is sometimes also considered to be half of the occult maxim "as above, so below," which originates in the second line of the medieval alchemical text called the Tabula Smaragdina or Emerald Tablet.
The remaining songs of this album were never reissued since the masters are believed to be lost. By 2001 Þeyr’s members and friends released a CD titled Mjötviður til Fóta which included songs from their second album, Mjötviður Mær and the single Iður til Fóta, both releases from 1981.

## Track notes

* "Homo Gestalt" is another version of "Life Transmission" which appeared on Life Transmission (1981).
* "Dead/Undead" is the English version of "Bás 12" which appeared in Iður til Fóta (1981).
* "Wolf" is the same as "Úlfur", from Mjötviður Mær (1981).
* "Technologos" is the same as "2999" from Mjötviður Mær.
* "Are You Still There" is the English version of "Tedrukkinn" from Mjötviður Mær.
* "Enough" is the same as "Það er Nóg" from Mjötviður Mær.
* "Shout" is the English version of "Ópið" from Mjötviður Mær.

## Controversy over Rúdolf

The meaning of the song "Rúdolf" was the focus of controversy among many who thought it was an allegory to Nazism. Þeyr was an anti-fascist group. Several years later, drummer Sigtryggur Baldursson said: "The song 'Rúdolf' was supposed to be a criticism, but was really interpreted as we were Nazis. We also adopted some Nazi things like clothing, but we were never real Nazis. We were just showing off, just like today."

## Credits

Production: Þeyr and Tony Cook. Music: all tracks by Þeyr. Lyrics: Hilmar Örn Hilmarsson, with the exception of "Killer Boogie" whose lyrics were created by Þeyr. Backing vocals: A. Schichelgruber is credited on the song "Rúdolf". Album and sleeve design: Hilmar Örn Hilmarsson.
# Gonospira deshayesi

Gonospira deshayesi is a species of air-breathing land snail, terrestrial pulmonate gastropod mollusk in the family Streptaxidae.
This species is endemic to Réunion, an island located in the Indian Ocean, east of Madagascar.
# Kakou Senda

Kakou Senda (千田 夏光, Senda Kakō, August 28, 1924 – December 22, 2000) was a Japanese writer who is known for writing one of the first books on comfort women in Japan. Born in Dalian, Kwantung Leased Territory (then part of the Empire of Japan) he wrote Military Comfort Women (従軍慰安婦, Jūgun-ianfu) in 1973.

## History

As a reporter for Mainichi Shinbun (a major newspaper in Japan), Kakou Senda first encountered photographs of comfort women in 1962 while working on Nihon no Senreki, a book that chronicled photographs from World War II. The photograph had been among a collection of 25,000 censored wartime photographs. The explanations connected with the pictures did not explain who these women were. When Senda pursued further investigation, he learned of the jūgun-ianfu for the first time, leading him to investigate the comfort system as a whole. Senda faced difficulties in finding people willing to share information regarding the comfort women until he met Aso Tetsuo, a former army doctor. During the war, Aso Tetsuo had examined the women for venereal disease and not surprisingly, proclaimed the young Korean girls to be much healthier than the Japanese prostitutes. Based on his research of soldier-comfort women ratios, Senda estimated that there that number of comfort women was over 100,000. Drawing on interviews with Japanese military veterans, Korean men, and others in addition to relevant publications, Senda published his book Military Comfort Women (従軍慰安婦, Jūgun-ianfu) in 1973. Through the introduction of a fellow journalist, Senda was able to meet a former comfort woman but when asked the details of her experience, she remained silent.
Although his book Military Comfort Women was a "hidden" best-seller among scholars, it did not gain widespread public attention. Soon after his book was published, it was quickly made into a film by Toei Company. Even the film did not draw much attention to the issue of comfort women. The comfort women issue only gained international attention when Kim Hak-sun came forth with her story in 1991.

### Jūgun-ianfu

The term jūgun-ianfu literally means "comfort women who followed or accompanied the troops." Some researchers have claimed that this word only became commonly used after Senda published his book with that title; however, other sources show that women were called jūgun-ianfu during the war. The phrase "comfort women" is derived from this word.
Defenders of former comfort women who are seeking retribution from the Japanese government dislike the connotation of the word jūgun-ianfu. Many former comfort women themselves feel that the euphemistic phrase, along with its English counterpart, disguises the truth. The term has become contentious among the public as usage has grown to be common. Various phrases have been suggested, such as "sex slaves" or "victims of forced prostitution."

## Selected list of works

* Military Comfort Women (従軍慰安婦 Jūgun-ianfu), Futabasha (1973). Subtitle was "Accuse of 80000 people, No voice of women" (声なき女"八万人の告発).
* Military Comfort Women (1974 film) (従軍慰安婦 Jūgun-ianfu), Toei Company (1974)
# György Kürthy

György Kürthy (24 February 1882 – 27 December 1972) was a Hungarian actor, scenographer, writer and director of the theatre.

## Biography

He maturated in Budapest, then moved to Munich where he learnt architecture. His first theatrical performance was in 1905 at Thália Theatre. He was a member of the National Theatre between 1906 and 1935. He worked as a chief director in Kolozsvár (today Cluj-Napoca, Romania) in the theatre year 1908-1909. Between 1916 and 1923 he taught at Academy of Drama and Film in Budapest. During the next year he played at National Theatre of Pécs. Then he moved back to the capital, and was a professor at the Hungarian University of Arts and Design from 1927 to 1930. In the following year he was the director of National Theatre of Szeged. He came back to the stage in 1953 when he played two years at Kisfaludy Károly Theatre and one year at József Attila Theatre.
His work was part of the painting event in the art competition at the 1932 Summer Olympics.

## Family

He was the son of Emil Kürthy (1848–1920), a journalist. He was the second husband of Mariska Vízváry (1877–1954), actress, and the father of Péter Kürthy (1926–), actor. He died in Budapest.

## Selected filmography

* White Nights (1916)
* Tales of the Typewriter (1916)
* The New Landlord (1935)
* The Mysterious Stranger (1937)
* The Village Rogue (1938)
* Man Sometimes Errs (1938)
* Barbara in America (1938)
* The Perfect Man (1939)
* The Minister's Friend (1939)
* Wild Rose (1939)
* Deadly Spring (1939)
* Princess of the Puszta (1939)
* Money Talks (1940)
* Yes or No? (1940)
* Gül Baba (1940)
* Dankó Pista (1940)
* The Last of the Vereczkeys (1940)
* One Night in Transylvania (1941)
* Flames (1941)
* Silent Monastery (1941)
* People of the Mountains (1942)
* Dr. Kovács István (1942)
* I Am Guilty (1942)
* Beautiful Star (1942)
* Bajtársak (1942)
* Majális (1943)
* The Night Serenade (1943)
* The Marsh Flower (1943)
* The Three Doves (1944)
* I'll Make You Happy (1944)
* Wedding March (1944)
* After the Storm (1945)
# In Pursuit of the 27th Man

Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |
| The Penguin Guide to Jazz | |
| The Rolling Stone Jazz Record Guide | |
In Pursuit of the 27th Man is an album by jazz pianist Horace Silver released on the Blue Note label in 1973, featuring performances by Silver with David Friedman, Randy Brecker, Michael Brecker, Bob Cranshaw, and Mickey Roker.

## Reception

The Allmusic review by Scott Yanow awarded the album 4 stars and describes it as "a very unusual sound for a Horace Silver set. But no matter what the instrumentation, the style is pure Silver, hard-driving and melodic hard bop with a strong dose of funky soul".

## Track listing

All compositions by Horace Silver except where noted
* "Liberated Brother" (Irvine) - 5:23
* "Kathy" (Evans, Livingston, Santos) - 4:17
* "Gregory Is Here" - 6:21
* "Summer in Central Park" - 4:41
* "Nothin' Can Stop Me Now" - 5:15
* "In Pursuit of the 27th Man" - 9:44
* "Strange Vibes" - 5:02
Recorded on October 6 (2, 4, 6 & 7) and November 10 (1, 3 & 5), 1972.

## Personnel

* Horace Silver - piano
* Randy Brecker - trumpet, flugelhorn (1, 3 & 5)
* Michael Brecker - tenor saxophone (1, 3 & 5)
* David Friedman - vibes (2, 4, 6 & 7)
* Bob Cranshaw - electric bass
* Mickey Roker - drums
# Cameron Martin

Cameron Martin may refer to:
* Cameron Martin (soccer)
* Cameron Martin (artist)
# India at the 2000 Summer Paralympics

India competed at the 2000 Summer Paralympics in Sydney from 18 to 29 October 2000. The nation made its official debut at the 1968 Summer Paralympics and has appeared in every edition of the Summer Paralympics since 1984. This was India's seventh appearance at the Summer Paralympics. India sent a contingent consisting of four athletes for the Games and did not win any medal.

## Background

The Paralympic Committee of India was formed in 1994, five years after the International Paralympic Committee was established in 1989. The nation made its Paralympics debut in 1968 and have appeared in every edition of the Summer Paralympic Games since 1984. This edition of the Games marked the nation's seventh appearance at the Summer Paralympics.
India had won five medals across the previous Paralympic Games including one gold, two silver and bronze medals each. The Indian contingent for the Games consisted of four people.

## Competitors

The Indian contingent for the Games consisted of four athletes - all men, who competed across three sports.
| Sport | Men | Women | Total |
| Athletics | 1 | 0 | 1 |
| Powerlifting | 2 | 0 | 2 |
| Shooting | 1 | 0 | 1 |
| Total | 4 | 0 | 4 |

## Athletics

| Athlete | Event | Result | Rank |
| Yadvendra Vashishta | Men's discus throw F42 | 43.15 | 6 |
| Yadvendra Vashishta | Men's shot put F44 | DQ | DQ |

## Powerlifting

| Athlete | Event | Result | Rank |
| Vikram Singh Adhikari | Men's 56 kg | 130.0 | 14 |
| Vijay Munishwar | Men's 90 kg | 160.0 | 13 |

## Shooting

| Athlete | Event | Qualification | Qualification | Final | Final | Rank |
| Athlete | Event | Score | Rank | Score | Total | Rank |
| Naresh Sharma | Mixed sport pistol SH1 | 540 | 16 | Did not advance | Did not advance | Did not advance |
# Gothenburg Exhibition

The Gothenburg Tercentennial Jubilee Exposition (in Swedish Jubileumsutställningen i Göteborg) was a world's fair held in Gothenburg, Sweden during 1923 marking 300th anniversary of the founding of the city. The fair opened 8 May and ran until 30 September.

## Exhibits and buildings

One site was at Liseberg, an existing gardened area. It was opened to the public for the exhibition, hosted several pavilions, including an industrial art house, an exports exhibition, a congress hall and a machine hall and amusement rides including a carousel.
The Arts and Craft Pavilion was designed by Hakon Ahlberg and the arts exhibition pavilion by architects Sigfrid Ericson (1879-1958) and Arvid Bjerke (1880-1952) . Artist David Wallin had a solo exhibition in here including his paintings Summer and Springtime in the forest.

## Legacy

The Liseberg site continued as an amusement park, and is now the most visited tourist attraction in Sweden, receiving 3 million visits annually.
The arts exhibition building is now a contemporary arts gallery, the Göteborgs Konsthall near to the extant Götaplatsen square which was inaugurated for the fair.

## Gallery

* Liseberg entrance
* Göteborgs Konsthall
* Götaplatsen