# The Banshees of Inisherin (soundtrack)

The Banshees of Inisherin (Original Score) is the score album consisting of the original score composed by Carter Burwell for the 2022 film of the same name directed by Martin McDonagh. It was released on 21 October 2022 by Hollywood Records. The album was announced with a three-track sampler debuted on the Deadline Hollywood magazine. Burwell experimented the score with approaching Colin Farrell's character through "the child-like" and "Disney character"-based music as well as fiddle-themed compositions for Brendan Gleeson's character, and non-Irish music, despite the setting in 20th century Ireland. The score received a nomination for Hollywood Music in Media Award for Best Original Score in a Feature Film, as well as Satellite Award and Golden Globe Award nomination in the "Best Original Score" category.

## Development

   "The music often refuses to get emotional and for some reason, that makes it even more emotional. That has something to do with the whole film. It is very contained. No one ever shouts in the film. It’s very quiet and yet so intense and so sad and so funny."
McDonagh's regular collaborator Carter Burwell composed the score. Burwell recalled McDonagh did not want any Irish film music, despite mentioning that "Everything else is very Irish — the accents, the clothes, the situation, the pub. He wasn’t clear with me what he wanted to do, but it’s clear that what he didn’t want it to do was for the music to leave you in Ireland. He wanted it to take you someplace else." While focusing on Farrell's character, Pádraic, he wrote a slow-walking music consisted of celesta, harp, marimba and glockenspiel, that seemed to work "in terms of basically painting him like a man-child" and "almost like a Disney character", as those instruments are found in elementary school. He used celesta for the twinkling effect to Pyotr Ilyich Tchaikovsky's "Dance of the Sugar Plum Fairy", Mister Rogers’ Neighborhood theme, and John Williams' Harry Potter music.
During the same time, he had read Grimms' fairy tales to his 11-year old daughter, in which while reading the Grimms' version of Cinderella, where the stepsisters mutilate their feet in order to fit in the glass slipper, Burwell felt the cutting of the limbs, almost not similar to the threat that Colm (Gleeson) makes, saying "I ended up going farther down that road of making the whole story a little bit more fairytale-like". All of the scores, mesh tonal lightness and darkness, making it easier to foreshadow the impending violence, which Burwell adds "Eight octaves down from that, there are these big heavy, low bell tones that have these strange harmonics that are a little foreboding. I don’t think you read it necessarily at the very beginning of the movie, but pretty soon it starts to express itself more and more."
Before scoring for the film, McDonagh used a piece of Indonesian gamelan music as a temp track for the film. Hence, Burwell layered gamelan gongs underneath the music, as "It made it not quite so cheery. There’s something there that doesn’t quite fit, and you can’t really put your finger on what it is. There’s some mystery at the bottom of the tune." Burwell liked this process as "they’re never going to get sentimental. There’s no such thing as a sad marimba line. So it kind of inoculates you, using those instruments, from worrying about the music getting actually sad itself."

## Reception

Jonathan Romney of Screen Daily wrote: "Along with the fiddle music, Carter Burwell's knowing, mock-folksy score is matched with classical passages from Orff, Brahms et al, plus those Bulgarian choral voices that are as balefully banshee-like as you could wish for." Writing for The Guardian, Mark Kermode wrote: "Composer Carter Burwell emphasises the film's fable-like qualities with refrains that sound like off-kilter nursery rhymes played on cracked shellac records." Writing for WhatCulture, Jack Pooley praised Burwell's score complimenting that it "lurches from pithily optimistic to drearily ominous as necessary, its folksy style proving perfectly suited to the movie's visuals and overall tone, and mutated however necessary to match the vibe of a given scene [...] isn't particularly intrusive yet still imbues the picture with a canny, slightly off-kilter atmosphere which befits its at times Shakespearean influences". Hanna Ines Flint of IGN wrote: "The folksy element of Carter Burwell's plucky score has its own sense of humor."

## Accolades

| Award | Date of ceremony | Category | Recipient | Result |
| Hollywood Music in Media Awards | 16 November 2022 | Best Original Score in a Feature Film | Carter Burwell | Nominated |
| Chicago Film Critics Association | 14 December 2022 | Best Original Score | Carter Burwell | Nominated |
| St. Louis Film Critics Association | 18 December 2022 | Best Score | Carter Burwell | Runner-up |
| Indiana Film Journalists Association | 19 December 2022 | Best Musical Score | Carter Burwell | Nominated |
| San Francisco Bay Area Film Critics Circle | 9 January 2023 | Best Original Score | Carter Burwell | Nominated |
| Austin Film Critics Association | 10 January 2023 | Best Original Score | Carter Burwell | Nominated |
| Golden Globe Awards | 10 January 2023 | Best Original Score | Carter Burwell | Nominated |
| Iowa Film Critics Association | 12 January 2023 | Best Original Score | Carter Burwell | Runner-up |
| Online Film Critics Society | 23 January 2023 | Best Original Score | Carter Burwell | Won |
| Society of Composers & Lyricists | 15 February 2023 | Outstanding Score for a Studio Film | Carter Burwell | Nominated |
| Houston Film Critics Society | 18 February 2023 | Best Original Score | Carter Burwell | Nominated |
| British Academy Film Awards | 19 February 2023 | Best Original Score | Carter Burwell | Nominated |
| Hollywood Critics Association | 24 February 2023 | Best Score | Carter Burwell | Nominated |
| Satellite Awards | 3 March 2023 | Best Original Score | Carter Burwell | Nominated |
| Academy Awards | 12 March 2023 | Best Original Score | Carter Burwell | Nominated |