# List of artworks by Ivan Albright

The following is a list of notable artworks by American artist Ivan Albright (1897–1983), organized by medium and listed chronologically.

## Paintings

| Title | Date | Technique | Dimensions | Current Location |
| The Oaks in Winter | 1918 | Watercolor | unknown | unknown. |
| Portrait of Marie Walsh Sharpe | 1921 | Oil on canvas | 30 x 20 inches | Marie Walsh Sharpe Art Foundation, Colorado. |
| The Philosopher | 1922 | Oil on paper laid to panel | 24 x 18 inches | Private collection, formerly the Milwaukee Art Center. |
| Portrait of a Man | ca. 1924 | Oil on canvas | 24 x 18 inches | Private Collection. |
| I Am He of Whom He Spoke (Samson) | 1925 | Oil on canvas | 26.13 x 20.13 inches | Lowe Art Museum, University of Miami. |
| Fur Collar (formerly The Baskerville Portrait) | 1925-1926 | Oil on canvas | 30 x 20 inches | National Academy of Design, New York. |
| Paper Flowers | 1926 | Oil on canvas | 26 x 20 inches | Private collection. |
| Burgomaster With a Key | 1926 | Oil on canvas | 30 x 24.25 inches | Detroit Institute of Arts. |
| I Slept With the Starlight in My Face (The Rosicrucian) | 1926 | Oil on canvas | 30 x 20 inches | Wadsworth Atheneum, Hartford. |
| Portrait of the Artist's Father Adam Emory Albright | ca. 1926 | Oil on canvas | Unknown | Unknown. |
| I Walk To and Fro Through Civilization and I Talk As I Walk (Follow Me, The Monk) | 1926-27 | Oil on canvas | 73 x 36 inches | Art Institute of Chicago. |
| I Drew a Picture in the Sand and the Water Washed It Away (The Theosophist) | 1927 | Oil on canvas | 36 x 23 inches | Art Institute of Chicago. |
| The Lineman | 1927 | Oil on canvas | 73 x 36 inches | Art Institute of Chicago. |
| Memories of the Past | 1927 | Oil on canvas | 29.5 x 20.5 inches | Art Institute of Chicago. |
| Woman | 1928 | Oil on canvas | 33 x 22 inches | Museum of Modern Art, New York. |
| Maker of Dreams (Man With a Mallet, the Maker of Images) | 1928 | Oil on canvas | 30 x 20.25 inches | Private collection. |
| Flesh (Smaller Than Tears Are the Little Blue Flowers) | 1928 | Oil on canvas | 36 x 24 inches | Art Institute of Chicago. |
| Among Those Left (The Wheelwright, the Blacksmith) | 1928-29 | Oil on canvas | 73 x 36 inches | Carnegie Museum of Art, Pittsburgh. |
| Fleeting Time, Thou Hast Left Me Old | 1928-29 | Oil on canvas | 30.25 x 20.25 inches | Metropolitan Museum of Art, New York. |
| Heavy the Oar to Him Who is Tired, Heavy the Coat, Heavy the Sea | 1929 | Oil on canvas | 55.38 x 34.25 inches | Art Institute of Chicago. |
| There Were No Flowers Tonight (Midnight) | 1929 | Oil on canvas | 48.5 x 30.25 inches | National Gallery of Art, Washington D.C. |
| Beneath My Feet | 1929 | Oil on canvas | 18 x 22 inches | Formerly collection of the artist. |
| Into the World There Came a Soul Called Ida | 1929-30 | Oil on canvas | 55 x 46 inches | Art Institute of Chicago. |
| And Man Created God in His Own Image (Room 203) | 1930-31 | Oil on canvas | 48 x 26 inches | Art Institute of Chicago. |
| And Wherefore Now Ariseth the Illusion of a Third Dimension | 1931 | Oil on canvas | 20 x 36 inches | Art Institute of Chicago. |
| Nude (Fourteen Year Old Child) | 1931 | Oil on canvas | 22 x 15 inches (framed) | Art Institute of Chicago. |
| That Which I Should Have Done I Did Not Do (The Door) | 1931-41 | Oil on canvas | 97 x 36 inches | Art Institute of Chicago. |
| And The Starlight in Her Eyes | 1932 | Gouache | 13.25 x 17.75 inches | Private collection. |
| Self Portrait (Unfinished) | 1933 | Oil on canvas | 15 x 11 inches | Los Angeles County Museum of Art. |
| The Farmer's Kitchen | 1933-34 | Oil on canvas | 36 x 30 inches | Smithsonian Institution, Washington D.C., transfer from the U.S. Department of Labor. |
| Self Portrait | 1934 | Oil on canvas | 30.25 x 18.25 inches | New Trier Township High School, Winnetka, Illinois. |
| Self Portrait | 1935 | Oil on canvas | 35 x 24 inches | Art Institute of Chicago. |
| In the Year 1840 (Second Storeys Are Popular), or When Fall Winds Blow | 1937 | Tempera | 14 x 22 inches | Dallas Museum of Fine Arts. |
| After the Race | 1938 | Oil on canvas | 36 x 20 inches | Forum Gallery, New York. |
| Portrait of Peaches Willis | 1938 | Oil on panel | 17 x 14.5 inches | Pennsylvania Academy of the Fine Arts. |
| Shore Sentinels | 1939 | Oil on canvas | 26 x 45 inches | Art Institute of Chicago. |
| This Ichnolite of Mine | 1940 | Oil on canvas | 14 x 7 inches | Art Institute of Chicago. |
| Black Cliffs, Schoodic Point, Maine, or Maine Coast | 1940 | Gouache | 25 x 19 inches | Art Institute of Chicago. |
| Maine Landscape | 1940 | Gouache | 13 x 19.25 inches | Private collection. |
| Lobster Salad | 1940 | Oil on canvas | 19.5 x 31.5 inches | Private collection. |
| Lobsterman's Catch | 1940 | Oil on canvas | 20 x 30 inches | Forum Gallery, New York. |
| Ah God, Herrings, Buoys, the Glittering Sea | 1940 | Gouache | 22 x 29 inches | Art Institute of Chicago. |
| Stones at Stonington, Maine | 1941 | Gouache | 14 x 20 inches | University of Iowa Museum of Art. |
| Bride with a Cold | 1941 | Oil on panel | 9.75 x 6.75 inches | Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C. |
| Divided and Divided | 1941 | Oil on canvas | 27 x 42 inches | Art Institute of Chicago. |
| Poor Room – There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever and Forever and Forever Without End (The Window) | 1941-43 1948-55 1957-62 | Oil on canvas | 48 x 37 inches | Art Institute of Chicago. |
| A Guttated Self Portrait – A Nutant Lycanthrope Seen in Glass | 1943 | Gouache | Unknown | Unknown. |
| Still Life | 1943 | Oil on mahogany panel | 14 1/2 × 21 inches | Middlebury College Museum of Art. |
| The Picture of Dorian Gray | 1943-44 | Oil on canvas | 85 x 42 inches | Art Institute of Chicago. |
| Manifestation | 1944 | Oil on canvas | 19.5 x 15.5 inches | William Benton Museum of Art. |
| The Temptation of Saint Anthony | 1944-45 | Oil on canvas | 50 x 60 inches | Art Institute of Chicago. |
| Bridal Falls, Ten Sleep, Wyoming | 1946 | Gouache | 12 x 18 inches | Art Institute of Chicago. |
| After the Storm (Coastal Rocks, Corea, Maine) | 1947 | Gouache | 21.38 x 29.5 inches | Private collection. |
| Mephistopheles | 1947 | Oil on canvas | 90 x 42 inches | Private collection. |
| Roaring Fork, Wyoming | 1948 | Gouache | 22.5 x 30.25 inches | Whitney Museum of American Art, New York. |
| Around and Around | 1948 | Gouache | 14.25 x 20.5 | Private collection. |
| We Are Gathered Here | 1948 | Gouache and watercolor | 20 x 30.13 inches | Private collection. |
| Self Portrait | 1948 | Oil on canvas | 24 x 20 inches | National Academy of Design, New York. |
| The Purist | 1949 | Gouache on panel | 25.25 x 38.5 inches | Solomon R. Guggenheim Museum, New York. |
| The Wild Bunch (Hole in the Wall Gang) | 1950-51 | Oil on canvas | 30.5 x 42 inches | Phoenix Art Museum. |
| Troubled Waves | 1952 | Oil on canvas | 14 x 9 inches | Private collection. |
| Tin | 1952-54 | Gouache on panel | 32 x 45.5 inches | Formerly the collection of the artist. |
| Portrait of Mary Block | 1955-57 | Oil on canvas | 39.13 x 30 inches | Art Institute of Chicago. |
| The Rustlers | 1959, 1963–64 | Gouache | 22 x 40 inches | Art Institute of Chicago. |
| Rue du Bac, Paris | 1960 | Gouache | 25 x 15 inches | Private collection. |
| Alicia Patterson | 1962 | Enamel on copper | 4.88 inches diameter | Formerly collection of the artist. |
| Red Onion | 1962 | Gouache | 17.75 x 13.5 inches | Private collection. |
| Captain Joseph Medill Patterson | 1962-64 | Oil on Masonite | 30 x 24 inches | Art Institute of Chicago. |
| Aspen Self Portrait | 1963 | Gouache | 24 x 17 inches | Private collection. |
| To Tread Between Sky and Field | 1964 | Gouache | 18 x 24 | Private collection. |
| The Cliffs Revolve – But Slowly | 1965 | Gouache | 16.25 x 24.13 inches | Private collection. |
| Knees of Cypress (Reflections of a Cypress Swamp) | 1965 | Gouache on panel | 16 x 20 inches | Union League Club of Chicago. |
| If Life Were Life – There Would Be No Death (The Vermonter) | 1966-77 | Oil on panel | 37 x 27 inches | Hood Museum of Art, Dartmouth College. |
| The Trees: They Murmur So – Like People They Murmur – Murmur So | 1967 | Gouache | 18 x 24 inches | Private collection. |
| Self Portrait in Georgia | 1967-68 | Oil on panel | 36 x 26 inches | Butler Institute of American Art. |
| All Things Unassembled | 1968 | Gouache | 16 x 20 inches | Private collection. |
| There Comes a Time | 1969 | Gouache on canvas board | 16 x 20 inches | Private collection. |
| A Face From Georgia | 1970 | Oil on canvas | 15.5 x 11 | Art Institute of Chicago. |
| In Light Rise the Domes of Rome | 1970 | Gouache | 22.25 x 15.25 inches | William Benton Museum of Art. |
| Lima, Peru | 1971 | Gouache | 5.5 x 11.5 inches | William Benton Museum of Art. |
| From Yesterday's Day | 1971 | Oil on canvas | 8.5 x 15.25 inches | Private collection. |
| Apple on Apple – Ascent on Descent – Move the Apples | 1971 | Gouache | 5.63 x 11.63 inches | William Benton Museum of Art. |
| The Image After | 1972 | Oil on canvas | 8.5 x 15.25 inches | Private collection. |
| Pray for These Little Ones (Perforce They Live Together) | 1974 | Oil on silk | 10.5 x 16.5 inches | Art Institute of Chicago. |
| The Sea of Galilee | 1977 | Gouache | 14.5 x 20 inches | Formerly the collection of the artist. |
| Spoof-Tavern Club-Martinized Venus | unknown | Oil on plywood, joined with hinges | 96 x 96 inches | University of Michigan Museum of Art. |

## Drawings

| Title | Date | Technique | Dimensions | Current Location |
| Three Love Birds | 1930 | oil and charcoal on canvas | 78.25 x 42 inches | Art Institute of Chicago. |
| Show Case Doll | 1931-32 | charcoal and oil on canvas | 35 x 54 inches | Art Institute of Chicago. |
| Here Within Me – Stand I | 1935 | charcoal | 18 x 11.5 inches | American Israel Cultural Foundation. |
| After the Race | 1938 | pastel on paper | 27 x 14 inches | Private collection. |
| Silver Miner's Row, Aspen, Colorado | 1956 | metalpoint on ivory wove paper prepared with a white ground | 14 x 22 inches | Art Institute of Chicago. |
| Elm Street Bridge Over the Ottauquechee | 1965 | metalpoint on off-white wove paper prepared with an ivory ground | 16.5 x 20 inches | Art Institute of Chicago. |
| The Fallen, Georgia, or The Old and the New, Georgia | 1965 | metalpoint on cream wove paper prepared with a cream ground | 10.25 x 16 inches | Art Institute of Chicago. |
| The Vermonter I | 1965 | charcoal on canvas | 33 x 23.75 inches | Formerly the collection of the artist. |
| The Vermonter II | 1966 | charcoal and oil on canvas | 35 x 26.75 inches | Art Institute of Chicago. |
| The Red Barn Walked Around Me | 1968 | metalpoint on off-white wove paper prepared with an ivory ground | 16.5 x 20.25 inches | Art Institute of Chicago. |
| The Old Woodstock Inn, Vermont | 1968 | metalpoint on off-white wove paper prepared with an ivory ground | 20 x 16 inches | Art Institute of Chicago. |
| First a Church – Then a Lumberyard | 1969 | metalpoint on off-white wove paper prepared with an ivory ground | 16 x 20 inches | Art Institute of Chicago. |
| The Snow Moves Through the Morning Trees | 1972 | charcoal and black crayon, with stumping and erasing, on white wove card | 20 x 28 inches | Art Institute of Chicago. |
| This Is Jill | 1975 | back crayon and graphite, on white clay-coated wove paper | 15 x 13 inches | Art Institute of Chicago. |
| I Mary | 1975-76 | black crayon, with white crayon, touches of white gouache, scratching and erasing, on off-white clay coated paper | 20 x 16 inches | Art Institute of Chicago. |
| Made When Legally Blind | 1977 | colored pencil | 9 x 11.88 | Formerly the collection of the artist. |