OpenLLM-France/wikimedia huggingface dataset:
# Johannes Proost

Johannes Proost also known as Jan Jansen, (Geervliet, February 27, 1882 — Oranienburg, March 26, 1942) was a Dutch artist and left-wing politician, a member of the executive committee of the Comintern.

## Biography

Proost was a son of Pieter Proost (a pastor) and Catherina Maria Jacoba Ternooij Apel, a family of intellectuals. He was married (1905—1914) to Charlotte Sjouerman. Proost was an artist and engraver, he had a studio in Rotterdam in 1940.
Within the left-wing, Proost took part in the Dutch socialist movement. He closely collaborated with David Wijnkoop. On his instructions, during the First World War, he went to Germany several times to establish contacts with local internationalists.
After the establishment of the Communist Party of Holland, the movement became a part of this party. In 1920, together with Wijnkoop, he represented the CPN at the Second Congress of the Comintern in Moscow. On August 7, 1920, after the end of the congress, Wijnkoop and Jansen became members of the ECCI. He was a member of the American agency in Mexico. In June–July 1921, he represented the CPN at the Third Congress of the Comintern, in June 1923 — at the Third Extended Plenum of the ECCI, where he participated in the work of the Australian and Danish committees.
# Anderson Hutchinson

Anderson Hutchinson (1798–December 31, 1852) was a justice of the Republic of Texas from 1841 to 1843.
Born in Greenbrier County, then in the state of Virginia (later in West Virginia), Hutchinson received an education in the common schools, and read law in the office of his father, who was clerk of the court for Greenbrier County. Hutchinson moved several times, first to Knoxville, Tennessee, where he gained admission to the bar, then to Huntsville, Alabama, and then to Raymond, Mississippi, where he "soon took a high position at the bar". He compiled "Hutchinson's Code", and a "Manual of Forms", before moving to the Republic of Texas in 1840, where he "was scarcely naturalized before he was elected to the supreme Bench of the Republic".
On the morning of September 11, 1842, while carrying out his duties as a Justice, Hutchinson was among a group of 58 people captured by Mexican forces in San Antonio. While imprisoned in Mexico, he "was forced to undergo many physical hardships", until he was released by the interposition of the United States government. He then returned to Mississippi "with a constitution greatly impaired by the exposures to which he was subjected", and formally resigned from the Texas court.
Hutchinson died at his home in Jackson, Mississippi.
# HLA-A32

HLA-A32 (A32) is a human leukocyte antigen serotype within HLA-A serotype group. The serotype is determined by the antibody recognition of α$^{32}$ subset of HLA-A α-chains. For A32, the alpha "A" chain are encoded by the HLA-A*32 allele group and the β-chain are encoded by B2M locus. This group currently is dominated by A*3201. A32 and A*32 are almost synonymous in meaning. A32 is a split antigen of the broad antigen serotype A19. A32 is a sister serotype of A29, A30, A31, A33, and A74.

## Serotype

A32 recognition of some HLA A*32 gene products :
| A*32 | A32 | Sample |
| allele | % | size (N) |
| *3201 | 94 | 3441 |
A32 Serotyping efficiency for the predominant allele is good. There are 16 known alleles that result in 15 isoforms of HLA-A32. One isoform may be poorly expressed..

## Distribution

A32 is most common around the Persian Gulf and the Mediterranean Basin. It has a consistent presence in Europe. The A32 frequencies in the more isolated (genetically) peoples of Europe suggests that the A32 rise in the Mediterranean may only be partially attributable to recent migrations from the middle eastern region. There is a node in southern Europe around the Ionian Sea in which specific, European, A32-haplotypes are elevated.

## Haplotypes

HLA A32 haplotype frequencies :
| | | freq |
| ref. | Population | (%) |
| A32-B7 $^{(A*3201:B*0702)}$ |||
| | Albanian | 2.2 |
| | Cuban | 1.9 |
| | Natal Zulu (S. Africa) | 1.0 |
| | Cretan | 0.7 |
| | Cretan | 0.2 |
| A32-B8 $^{(A*3201:B*0801)}$ |||
| | N. Portugal | 2.2 |
| | Oman | 1.8 |
| A32-B14 $^{(A*3201:B*14)}$ |||
| | !kung | 1.9 |
| | Tunis | 1.8 |
| | Natal Zulu (S. Africa) | 1.0 |
| | Portugal | 1.1 |
| | Irish | 0.7 |
| | Italian | 0.6 |
| A32-B27 $^{(A*3201:B27)}$ |||
| | Gypsy(Spanish) | 6.0 |
| | E Black Sea (Turkey) | 2.3 |
| | German | 0.3 |
| A32-B35 $^{(A*3201:C*0401:B*3501)}$ |||
| | Greek | 3.5 |
| | UA Emirates | 2.8 |
| | Sardinian | 2.6 |
| | Brahui (Pakistan) | 2.5 |
| | Tunisia | 1.8 |
| | Armenian | 1.7 |
| | Italian | 1.5 |
| | Oman | 1.3 |
| | Portugal | 1.1 |
| | German | 0.3 |
| A32-B61(40) $^{(A*3201:B*40)}$ |||
| | Tunis | 1.2 |
| | Greek | 1.2 |
| | French | 0.6 |
| | German | 0.4 |
| A32-B44 $^{(A*3201:B*4402)}$ |||
| | Austrian | 2.4 |
| | Belgium | 2.0 |
| | Albanian | 1.8 |
| | S. Portugal | 1.0 |
| | Irish | 0.7 |
| | German | 0.6 |
| | Dutch | 0.6 |
| | Senegal | 0.5 |
| | Italian | 0.4 |
| A32-B51 $^{(A*3201:C*1201:B*5101)}$ |||
| | Bulgarian | 1.8 |
| | German | 0.3 |
| $^{(A*3201:C*1502:B*5101)}$ |||
| | Oman | 5.0 |
| | Baloch (Pakistan) | 3.2 |
| | Kalash | 2.9 |
| | UA Emirates | 1.9 |
| | Baloch (Iran) | 1.1 |
| $^{(A*3201:C*1401:B*5101)}$ |||
| | Parsis (Karachi) | 4.9 |
| | Kalash | 2.9 |
A common A32 haplotype A*3201-B*5101 can be found in Oman, United Arab Emirates, SE Iran, Bulgaria, and Portugal. A second, A*3201-B*3501 can be in the Omani, UAE, and Portugal.
# News Central

News Central may refer to one of the following television news programs:
* News Central (American TV program), hybrid local-national newscast formerly produced by Sinclair Broadcast Group.
* News Central (Philippine TV series), Filipino television newscast.
* CNN News Central, news programming carried by CNN.
# Animal (Bar-Kays album)

Animal is an album by the American R&B band the Bar-Kays, released in 1989.
The album peaked at No. 36 on the Billboard Top Black Albums chart. Its first single was "Struck By You", which peaked at No. 11 on the Hot Black Singles chart. The title track was also released as a single.

## Production

Produced at Kiva Studios, in Memphis, the album was recorded by a three-member lineup. Joe Walsh played guitar on the title track. "Just Like a Teeter Totter" was cowritten and coproduced by Sly Stone.

## Critical reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| The Encyclopedia of Popular Music | |
| Orlando Sentinel | |
| The Rolling Stone Album Guide | |
The Orlando Sentinel concluded that, "although modern, metallic sounds shape the bouncing, bending rhythm of the title song, for instance, there's a touch of old- fashioned call-and-response interplay in the vocals." USA Today opined that "what's nice about this album, though, is the band's mature, unfunky handling of slow tunes ... 'Leaving You' shows they can be true balladeers." The New York Amsterdam News determined that although Animal "is thigh-high in funk-fortified R&B, the music is never dated."
AllMusic wrote that "it's important to remember that the Bar-Kays never stopped being a good band—it was taste and fashion that twisted the knife and pushed them aside." The Rolling Stone Album Guide thought that "their best cuts resemble lite pastiches of other bands' refinements."
# Palmyra Township, Knox County, Indiana

Palmyra Township is one of ten townships in Knox County, Indiana. As of the 2020 census, its population was 1,512 (up from 1,466 at 2010) and it contained 632 housing units.

## History

Shadowwood was added to the National Register of Historic Places in 2001. Rose Hill Farmstead was formerly listed.

## Geography

According to the 2010 census, the township has a total area of 37.48 square miles (97.1 km$^2$), of which 37.47 square miles (97.0 km$^2$) (or 99.97%) is land and 0.01 square miles (0.026 km$^2$) (or 0.03%) is water.
# Gardeazábal

Gardeazábal is a surname. Notable people with the surname include:
* Gustavo Álvarez Gardeazábal (born 1945), Colombian writer and politician
* Juan Gardeazábal (1923–1969), Spanish referee
# John Dale (writer)

John Dale (born 15 January 1953 in Sydney, New South Wales) is an Australian author of crime fiction and true crime books. He completed a Doctorate of Creative Arts at the University of Technology Sydney, in 1999, and subsequently joined the UTS writing Program where he was Professor of Writing and Director of the UTS Centre for New Writing until 2020.
He is the author of ten books including the best-selling Huckstepp and two crime novels Dark Angel and The Dogs Are Barking, published with Serpents Tail Press in the UK, and a memoir, Wild Life, an investigation into the fatal shooting of his grandfather in 1940s Tasmania. He has edited two anthologies, Out West and Car Lovers, and co-edited a third anthology, Best on Ground, on Australian Rules football. His novel, Leaving Suzie Pye, was published in 2010 and translated into Turkish. His novella Plenty was published in 2013. He has been a judge of several major Australian literary awards and his essays, reviews and non-fiction have appeared in a wide variety of journals and newspapers. His research and teaching areas include narrative fiction, creative non-fiction, crime narratives and the novella. His crime novel Detective Work (2015) was based on an unsolved Sydney murder and he was the editor of 'Sydney Noir' (2018). His dystopian novel The Blasphemy Laws was published in 2019 and his latest book is the academic satire The Faculty (2022).

## Awards

* Ned Kelly Awards for Crime Writing, Best True Crime, 2005: shortlisted for Wild Life
* Ned Kelly Awards for Crime Writing, Best True Crime, 2000: winner for Huckstepp: A Dangerous Life
* Ned Kelly Awards for Crime Writing, Best First Novel Award, 1996: winner for Dark Angel
* The Angus & Robertson Writer's Fellowship, 1986: winner for The Blank Page
# The Law and the McLaughlins

The Law and the McLaughlins is a 1936 novel by Margaret Wilson first published by Doubleday, Doran & Company, Inc. It was a sequel to her earlier Pulitzer-prize winning The Able McLaughlins.
Wilson has modified the names of two of the characters from the first McLaughlin novel, from Wully to Willy and from Christie to Kirstie. The story begins 6 months after the end of the first novel in December 1868. Two men have been found lynched. The story follows the attempts of the community to bring their murderers to justice, intertwined with the stories of Willy and his sister Jean and their reactions to the community's thirst for justice.
Wilson had authored a critique of the American justice system in 1931 called The Crime of Punishment and its concerns inform her second McLaughlin novel. As the settlers contend with punishing vigilantes and establishing a traditional system of justice, the character of Jean represents a feminist and reformer's voice in contrast to "the severity of men's justice."
A lengthy review in The New York Times called it "this almost heroically simple story." It recognized Jean McLaughlin's "beautiful individual portrait" as the crux of the story, with "her peculiar rebellious and romantic way," and called the novel "as fine a study in characterization as one is likely to meet again this season," "a remarkably successful study of a pioneer community and a charming companion piece" to Wilson's first McLaughlin novel. One survey of frontier novels judged it an "inferior" sequel that "does not hold our interest."
# Johannes Prioris

Johannes Prioris (c. 1460 – c. 1514) was a Netherlandish composer of the Renaissance. He was one of the first composers to write a polyphonic setting of the Requiem Mass.
On the basis of documents surrounding Saint-Sauveur in Blois, Theodor Dumitrescu has argued that Prioris is to be identified with the composer "Denis Prieur," making his Latin name "Dionysius Prioris." The name "Johannes" is attested in a single source.
He may have been born in Brabant. Very little is known about his life, except what can be inferred by the distribution of his manuscripts, and from his musical style. There is some evidence that he spent time in Rome as a singer at St. Peter's, since a similar name to his appears in the account ledgers, and his music appears in seven separate manuscript sources in the Vatican archives. Some time after 1500 he probably moved to France, since he is twice called the maître de chapelle to King Louis XII; once in a letter from Ferrara, and once by Jean d'Auton. He probably died before King Louis XII (1515) since there was a new maître de chapelle for the king's funeral ceremonies.
Prioris wrote six masses, of which five are still extant, including a famous Requiem, which he may have written for the funeral of Anne of Brittany, who died in 1514. He also wrote settings of the Magnificat, motets, chansons, and some examples of an early 16th-century genre which blended the last two: the motet-chanson. Most of his chansons look back to the style of Antoine Busnois and Hayne van Ghizeghem, while his motet writing, and especially his mass writing, shows elements of Italian influence, such as a chordal rather than a densely contrapuntal style.

## References and further reading

* Dumitrescu, Theodor. "Who Was “Prioris”? A Royal Composer Recovered." Journal of the American Musicological Society 65 (1), 2012
* Wexler, Richard (1980). "Prioris, Johannes". In Sadie, Stanley (ed.). The New Grove Dictionary of Music and Musicians. Vol. xv (1st ed.). London: Macmillan. pp. 275–276.
* Gustave Reese, Music in the Renaissance. New York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4
Specific
* ↑ Theodor Dumitrescu, "Who Was “Prioris”? A Royal Composer Recovered." Journal of the American Musicological Society 65 (1), 2012. pp.12--22
* ↑ ibid., p.19
# Hundred of Frome

The Hundred of Frome is one of the 40 historical Hundreds in the ceremonial county of Somerset, England, dating from before the Norman conquest during the Anglo-Saxon era although exact dates are unknown. Each hundred had a 'fyrd', which acted as the local defence force and a court which was responsible for the maintenance of the frankpledge system. They also formed a unit for the collection of taxes. The role of the hundred court was described in the Dooms (laws) of King Edgar. The name of the hundred was normally that of its meeting-place.
The Hundred of Frome was the largest hundred in the county and had its headquarters in the town of Frome. It consisted of the ancient parishes of: Frome-Selwood, and the parishes of Beckington, Berkeley, Cloford, East Cranmore, Elm, Laverton, Leigh, Luddington, Marston Bigott, Mells, Nunney, Orchardleigh, Road, Rodden, Standerwick, Wanstrow, Whatley, Witham Friary, and Woolverton. It covered an area of 37,620 acres (15,220 ha).
The importance of the hundred courts declined from the seventeenth century. By the 19th century several different single-purpose subdivisions of counties, such as poor law unions, sanitary districts, and highway districts sprang up, filling the administrative role previously played by parishes and hundreds. Although the Hundreds have never been formally abolished, their functions ended with the establishment of county courts in 1867 and the introduction of districts by the Local Government Act 1894.
# HLA-A36

HLA-A36 (A36) is a human leukocyte antigen serotype within HLA-A serotype group. The serotype is determined by the antibody recognition of α$^{36}$ subset of HLA-A α-chains. For A36, the alpha "A" chain are encoded by the HLA-A*36 allele group and the β-chain are encoded by B2M locus. This group currently is dominated by A*3601. A36 and A*36 are almost synonymous in meaning.
A36 is more common in Africa (North and East) and Central Asia. A36 is rare HLA-A allele group.

## Serotype

A36 recognition of some HLA A*36 gene products :
| A*36 | A36 | A1 | Sample |
| allele | % | % | size (N) |
| *3601 | 68 | 16 | 807 |
A36 has a high false serotyping rate to A1.

## Distribution

HLA A36 frequencies :
| | | freq |
| ref. | Population | (%) |
| | Kenya | 6.6 |
| | N. African (non-caucasian) | 4.5 |
| | Mossi (Burkina Faso) | 3.8 |
| | Beti (Cameroon) | 3.7 |
| | Mongolian | 3.1 |
| | Lusaka (Zambia) | 3.1 |
| | Harare Shona (Zimbabwe) | 2.9 |
| | Uyghurs (China) | 2.6 |
| | Bamileke (Cameroon) | 2.6 |
| | Amman (Jordan) | 2.4 |
| | Fulani | 2.0 |
| | Sweden | 1.6 |
| | Tswana (S. Africa) | 1.2 |
| | Kampala (Uganda) | 1.2 |
| | Spain | 0.9 |
| | Bubi (Equatorial Guinea) | 0.5 |
| | !Kung (San) | 0.0 |
| | Berber (Morocco) | 0.0 |
A36 is largely limited to Africa. Outside Africa, more than half of the populations have no A36 and the majority that do, have only trace levels. The exception is in Central/East Central Asia. This appears not to be coincidental. HLA DR3-DQ2 linkage and frequency indicates a strong possibility of a recent migration from either North or West Africa in which the DR3-DQ2 (notably DRB1*0302) and A*33-B*58 haplotypes were carried into and redistributed from Central Asia into the surrounding populations.
# La Danse

La Danse may refer to:

## Art

* Dance (Matisse) or La Danse, a painting by Henri Matisse
* La Danse (Bouguereau), a painting by William-Adolphe Bouguereau
* La Danse, an artwork by Shelomo Selinger at La Défense, Paris
* La Danse, a sculpture by Francesc Viladomat at Casa de la Vall, Andorra
* La Danse (Carpeaux), a sculpture by Jean-Baptiste Carpeaux

## Music

* La Danse, a ballet choreographed by Adeline Genée with music composed by Dora Bright
* La Danse, a ballet composed by Ernest Ford
* "La danse", a composition by Ethel Smyth
* "La Danse", a song by Susan Herndon from In the Attic
* "La Danse", a song by Bündock from Cinéma
* La danse, a composition by Moritz Moszkowski for piano
* La danse, a composition by Yasushi Akutagawa for piano

## Film

* La Danse (film), a 2009 French documentary
# Nicholas Condy

Nicholas Condy (1793 – 8 January 1857) was an English painter.
Condy was supposed to have been born at Torpoint, in the then parish of Antony East, Cornwall, in 1793, but no entry of his baptism is to be found in the register kept at Antony Church. This is because he was actually baptised on 2 April 1793 in Withiel, Cornwall. Father: Nicholas; mother: Elizabeth. Father Nicholas Condy, of Mevagissey, had married Elizabeth Thomas in Withiel on 28 June 1790. However, a Nicholas Condy died in 1807 in Torpoint, presumably his father.
Condy married Ann Trevanion Pyle (1792–1860) on 3 October 1814 in Stoke Damerel, now Plymouth. Ann was from Falmouth and daughter of Captain Mark Oates of the Marines. The couple had a son, maritime painter Nicholas Matthews Condy, who is often confused with him.
He was gazetted to the 43rd Regiment as an ensign on 9 May 1811, and served in the Peninsula; he became a Lieutenant on 24 February 1818, and was thenceforth on half-pay during the remainder of his life.
From 1818 he devoted his attention to art, and became a professional painter at Plymouth. He chiefly produced small oil paintings and water-colours on tinted paper, about eight inches by five inches, which he sold at prices ranging from fifteen shillings to one guinea each.
Between 1830 and 1845 he exhibited two landscapes at the Royal Academy, four at the British Institution, and one at Suffolk Street Gallery. His best known painting is entitled The Old Hall at Cotehele on a Rent-day. He brought out a work called Cotehele, on the Banks of the Tamar, the ancient seat of the Right Hon. the Earl of Mount-Edgcumbe, by N. Condy, with a descriptive account written by the Rev. F. V. J. Arundell, 17 plates, London, published by the author, at 17 Gate Street, Lincoln's Inn Fields, with text supplied by Francis Vyvyan Jago Arundell.
He died at 10 Mount Pleasant Terrace, Plymouth, aged 64, and was buried in St. Andrew's churchyard.

## Paintings (selected

* In the Scullery
# JCH

JCH may refer to:

## Places

* Janet Clarke Hall, University of Melbourne, Australia
* Jersey Community Hospital, Illinois, US
* Edith and Carl Marks Jewish Community House of Bensonhurst, New York, US
* Jurong Community Hospital, Singapore
* James Cook railway station, England (by code)
* Qasigiannguit Heliport, Greenland (by IATA code)

## Other uses

* Jaynes–Cummings–Hubbard model, in quantum optics
* Journal of Contemporary History (since 1966)
# Gaslight Music Hall

Gaslight Music Hall is an Australian television series which aired from 1959 to 1960. Originally aired on ABC Television, it later moved to TCN-9. Produced in Sydney, it was a live variety show spoofing Victorian music hall. Cast included Henry Gilbert, John Bluthal, June Salter, and Michael Cole. According to a section of TV Merry-Go-Round in the 27 September 1959 edition of Sydney Morning Herald, the first episode included a comedy sketch spoofing melodrama.
# Pigritia astuta

Pigritia astuta is a moth in the family Blastobasidae. It was described by Edward Meyrick in 1918. It is found in Colombia.
# The Looking Glass: Artist Immigrants of Washington

The Looking Glass: Artist Immigrants of Washington was a curated invitational art exhibition held from June 18 through August 14, 2016 at The American University Museum at the Katzen Arts Center in Washington, DC.

## Curator

This exhibition was an invitational curated exhibition which featured the work of ten Washington, DC area artists who were immigrants to the United States from Latin America. The work was selected by Jack Rasmussen, director and curator of the American University Museum at the Katzen Arts Center.

## Focus

The exhibition was curated to focus on the immigration, experiences, and views of ten Washington, DC area artists - all of whom were immigrants to the United States with "roots in Latin America." The curator noted that the artists came "from different generations and from different circumstances... but they brought with them artistic traditions and innovations that took root and bore fruit here in the United States—and in the Washington area."

## Notable artists

The artists in the exhibition were Joan Belmar and Juan Downey, originally from Chile; F. Lennox Campello, Ric Garcia and Jose Ygnacio Bermudez, from Cuba; Muriel Hasbun, from El Salvador; Frida Larios, from El Salvador/Honduras; Irene Clouthier, from Mexico; and Naul Ojeda, from Uruguay.

## Critical reception

The exhibition was widely reviewed, both at the regional and national level. The Washington Post art critic described some of the art as being "simultaneously mythic and as modern as a can of Goya black bean soup," while The Washington City Paper art critic observed about the artists, that "most, on some level, are confronting the various cultural aspects of migration, colonization, and imperialism."
# Pi (art project)

Pi is the name of a multimedia installation in the vicinity of the Viennese Karlsplatz. Pi is located in the Opernpassage between the entrance to the subway and the subway stop in Secession near the Naschmarkt. The individual behind the project was the Canadian artist Ken Lum from Vancouver.
Pi, under construction from January 2005 to November 2006 and opened in December 2006, consists of statistical information and a representation of π to 478 decimal places. A more recent project is the calculation of the decimal places of π, indicating the importance of the eponymous media for installation of their number and infinity.
The exhibit is 130 meters long. In addition to the number pi, there is a total of 16 factoids of reflective display cases that convey a variety of statistical data in real time. Apart from the World population there are also topics such as the worldwide number of malnourished children and the growth of Sahara since the beginning of the year. Even less serious issues such as the number of eaten Wiener Schnitzels in Vienna of the given year and the current number of lovers in Vienna are represented.
In the middle of the passage standing there is a glass case with images, texts and books on the subjects of population and migration.
The scientific data were developed jointly by Ken Lum and the SORA Institute [de]. "Pi" is to show that contemporary art is in a position to connect art to science, architecture and sociology. The aim of this project was to transform the Karlsplatz into a "vibrant place to meet, with communicative artistic brilliance."
48°12′04″N 16°22′00″E﻿ / ﻿48.20111°N 16.36667°E﻿ / 48.20111; 16.36667