# List of keyboard and lute compositions by Johann Sebastian Bach

Keyboard works (Klavierwerke) by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord. Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771). Also other compositions for keyboard, like compositions for lute-harpsichord and fortepiano were listed outside the "Klavierwerke" range by Schmieder. Lute works are in the range 995–1000, Chapter 9 in the BWV catalogue.

## Works for keyboard (BWV 772–994)
### Inventions and Sinfonias (772–801)

* BWV 772 – Invention No. 1 in C major
* BWV 772a – Invention No. 1 in C major (alternative version of BWV 772)
* BWV 773 – Invention No. 2 in C minor
* BWV 774 – Invention No. 3 in D major
* BWV 775 – Invention No. 4 in D minor
* BWV 776 – Invention No. 5 in E-flat major
* BWV 777 – Invention No. 6 in E major
* BWV 778 – Invention No. 7 in E minor
* BWV 779 – Invention No. 8 in F major
* BWV 780 – Invention No. 9 in F minor
* BWV 781 – Invention No. 10 in G major
* BWV 782 – Invention No. 11 in G minor
* BWV 783 – Invention No. 12 in A major
* BWV 784 – Invention No. 13 in A minor
* BWV 785 – Invention No. 14 in B-flat major
* BWV 786 – Invention No. 15 in B minor
* BWV 787 – Sinfonia No. 1 in C major
* BWV 788 – Sinfonia No. 2 in C minor
* BWV 789 – Sinfonia No. 3 in D major
* BWV 790 – Sinfonia No. 4 in D minor
* BWV 791 – Sinfonia No. 5 in E-flat major
* BWV 792 – Sinfonia No. 6 in E major
* BWV 793 – Sinfonia No. 7 in E minor
* BWV 794 – Sinfonia No. 8 in F major
* BWV 795 – Sinfonia No. 9 in F minor
* BWV 796 – Sinfonia No. 10 in G major
* BWV 797 – Sinfonia No. 11 in G minor
* BWV 798 – Sinfonia No. 12 in A major
* BWV 799 – Sinfonia No. 13 in A minor
* BWV 800 – Sinfonia No. 14 in B-flat major
* BWV 801 – Sinfonia No. 15 in B minor

### Four Duets from Clavier-Übung III (802–805)

* BWV 802 – Duet in E minor
* BWV 803 – Duet in F major
* BWV 804 – Duet in G major
* BWV 805 – Duet in A minor

### English Suites (806–811)

* BWV 806 – English Suite No. 1 in A major
* BWV 807 – English Suite No. 2 in A minor
* BWV 808 – English Suite No. 3 in G minor
* BWV 809 – English Suite No. 4 in F major
* BWV 810 – English Suite No. 5 in E minor
* BWV 811 – English Suite No. 6 in D minor

### French Suites (812–817)

* BWV 812 – French Suite No. 1 in D minor
* BWV 813 – French Suite No. 2 in C minor
* BWV 813a – French Suite No. 2 in C minor (alternative version of movement 5: Menuet)
* BWV 814 – French Suite No. 3 in B minor
* BWV 815 – French Suite No. 4 in E-flat major
* BWV 815a – French Suite No. 4 in E-flat major (alternative versions of several movements)
* BWV 816 – French Suite No. 5 in G major
* BWV 817 – French Suite No. 6 in E major

### Miscellaneous suites (818–824)

* BWV 818 – Suite in A minor
* BWV 818a – Suite in A minor (alternative version of BWV 818)
* BWV 819 – Suite in E-flat major
* BWV 819a – Suite in E-flat major (alternative version of movement 1: Allemande from BWV 819)
* BWV 820 – Overture (Suite) in F major
* BWV 821 – Suite in B-flat major (doubtful)
* BWV 822 – Suite in G minor, play Gavotte in G Minor, simulating a viola
* BWV 823 – Suite in F minor
* BWV 824 – Suite in A major (spurious, composed by Georg Philipp Telemann, TWV 32:14)

### Clavier-Übung I: Partitas for keyboard (825–830)

Clavier-Übung I, six Partitas for keyboard:
* BWV 825 – Partita in B-flat major
* BWV 826 – Partita in C minor
* BWV 827 – Partita in A minor
* BWV 828 – Partita in D major
* BWV 829 – Partita in G major
* BWV 830 – Partita in E minor

### French Overture, from Clavier-Übung II (831)

* BWV 831 – Overture in the French Style, in B minor
* BWV 831a – Earlier version in C minor

### Suites and suite movements (832–845)

* BWV 832 – Suite in A major
* BWV 833 – Prelude and Partita in F major
* BWV 834 – Allemande in C minor (doubtful)
* BWV 835 – Allemande in A minor (spurious, possibly by Johann Philipp Kirnberger)
* BWV 836 – Allemande in G minor (spurious, possibly by Pier Giuseppe Sandoni)
* BWV 837 – Allemande in G minor (spurious, possibly by Pier Giuseppe Sandoni)
* BWV 838 – Allemande and Courante in A major (spurious, possibly by Christoph Graupner, GWV 849)
* BWV 839 – Sarabande in G minor (doubtful)
* BWV 840 – Courante in G major (spurious, after the 2nd movement of Telemann's Ouverture in G major, TWV 32:13)
* BWV 841 – Minuet in G major (from the 1722 Notebook for Anna Magdalena Bach)
* BWV 842 – Minuet in G minor
* BWV 843 – Minuet in G major
* BWV 844 – Scherzo in D minor (doubtful)
* BWV 844a – Scherzo in D minor (alternative version of BWV 844, doubtful)
* BWV 845 – Gigue in F minor (doubtful)

### The Well-Tempered Clavier (846–893)

The Well-Tempered Clavier, Book I:
* BWV 846 – Prelude and Fugue in C major
** BWV 846a – Prelude in C major (alternative version of BWV 846, only Prelude)
* BWV 847 – Prelude and Fugue in C minor
** BWV 847a – Prelude in C minor (alternative version of BWV 847, only Prelude)
* BWV 848 – Prelude and Fugue in C-sharp major
* BWV 849 – Prelude and Fugue in C-sharp minor
* BWV 850 – Prelude and Fugue in D major
** BWV 850a – Prelude in D major (alternative version of BWV 850, only Prelude)
* BWV 851 – Prelude and Fugue in D minor
** BWV 851a – Prelude in D minor (alternative version of BWV 851, only Prelude)
* BWV 852 – Prelude and Fugue in E-flat major
* BWV 853 – Prelude and Fugue in E-flat minor (The fugue of this work is in D-sharp minor, the enharmonic key of E-flat minor)
* BWV 854 – Prelude and Fugue in E major
* BWV 855 – Prelude and Fugue in E minor
** BWV 855a – Prelude in E minor (early version of the prelude of BWV 855), and Fughetta
* BWV 856 – Prelude and Fugue in F major
* BWV 857 – Prelude and Fugue in F minor
* BWV 858 – Prelude and Fugue in F-sharp major
* BWV 859 – Prelude and Fugue in F-sharp minor
* BWV 860 – Prelude and Fugue in G major
* BWV 861 – Prelude and Fugue in G minor
* BWV 862 – Prelude and Fugue in A-flat major
* BWV 863 – Prelude and Fugue in G-sharp minor
* BWV 864 – Prelude and Fugue in A major
* BWV 865 – Prelude and Fugue in A minor
* BWV 866 – Prelude and Fugue in B-flat major
* BWV 867 – Prelude and Fugue in B-flat minor
* BWV 868 – Prelude and Fugue in B major
* BWV 869 – Prelude and Fugue in B minor
The Well-Tempered Clavier, Book II:
* BWV 870 – Prelude and Fugue in C major
** BWV 870a – Prelude and Fugue in C major (alternative version of BWV 870)
** BWV 870b – Prelude in C major (alternative version of BWV 870)
* BWV 871 – Prelude and Fugue in C minor
* BWV 872 – Prelude and Fugue in C-sharp major
** BWV 872a – Prelude and Fugue in C-sharp major (alternative version of BWV 872)
* BWV 873 – Prelude and Fugue in C-sharp minor
* BWV 874 – Prelude and Fugue in D major
* BWV 875 – Prelude and Fugue in D minor
** BWV 875a – Prelude in D minor (alternative version of BWV 875)
* BWV 876 – Prelude and Fugue in E-flat major
* BWV 877 – Prelude and Fugue in D-sharp minor
* BWV 878 – Prelude and Fugue in E major
* BWV 879 – Prelude and Fugue in E minor
* BWV 880 – Prelude and Fugue in F major
* BWV 881 – Prelude and Fugue in F minor
* BWV 882 – Prelude and Fugue in F-sharp major
* BWV 883 – Prelude and Fugue in F-sharp minor
* BWV 884 – Prelude and Fugue in G major
* BWV 885 – Prelude and Fugue in G minor
* BWV 886 – Prelude and Fugue in A-flat major
* BWV 887 – Prelude and Fugue in G-sharp minor
* BWV 888 – Prelude and Fugue in A major
* BWV 889 – Prelude and Fugue in A minor
* BWV 890 – Prelude and Fugue in B-flat major
* BWV 891 – Prelude and Fugue in B-flat minor
* BWV 892 – Prelude and Fugue in B major
* BWV 893 – Prelude and Fugue in B minor

### Preludes and fugues, toccatas and fantasias (894–923)

* BWV 894 – Prelude and Fugue in A minor
* BWV 895 – Prelude and Fugue in A minor
* BWV 896 – Prelude and Fugue in A major
* BWV 897 – Prelude and Fugue in A minor (doubtful; prelude possibly by Cornelius Heinrich Dretzel, fugue possibly by Wilhelm Friedemann Bach)
* BWV 898 – Prelude and Fugue in B-flat major on the name B-A-C-H (doubtful)
* BWV 899 – Prelude and Fughetta in D minor
* BWV 900 – Prelude and Fughetta in E minor
* BWV 901 – Prelude and Fughetta in F major
* BWV 902 – Prelude and Fughetta in G major
* BWV 902a – Prelude in G major (alternative version of BWV 902)
* BWV 903 – Chromatic Fantasia and Fugue in D minor
* BWV 903a – Chromatic Fantasia in D minor (alternative version of BWV 903)
* BWV 904 – Fantasia and Fugue in A minor
* BWV 905 – Fantasia and Fugue in D minor (doubtful)
* BWV 906 – Fantasia and Fugue in C minor (fugue unfinished)
* BWV 907 – Fantasia and Fughetta in B-flat major (doubtful)
* BWV 908 – Fantasia and Fughetta in D major (doubtful)
* BWV 909 – Concerto and Fugue in C minor (doubtful)
* BWV 910 – Toccata in F-sharp minor
* BWV 911 – Toccata in C minor
* BWV 912 – Toccata in D major
* BWV 913 – Toccata in D minor
* BWV 914 – Toccata in E minor
* BWV 915 – Toccata in G minor
* BWV 916 – Toccata in G major
* BWV 917 – Fantasia in G minor
* BWV 918 – Fantasia in C minor
* BWV 919 – Fantasia in C minor (doubtful, possibly by Johann Bernhard Bach)
* BWV 920 – Fantasia in G minor (doubtful)
* BWV 921 – Prelude in C minor
* BWV 922 – Prelude (Fantasia) in A minor
* BWV 923 – Prelude in B minor (possibly by Wilhelm Hieronymus Pachelbel)
* BWV 923a – Prelude (Toccatina No. 3; variant of BWV 923; doubtful)

### Nine Little Preludes from Wilhelm Friedemann Bach's Klavierbüchlein (924–932)

Indicated as "Neun kleine Präludien aus dem Klavierbüchlein für Wilhelm Friedemann Bach" (nine little preludes from the keyboard-booklet for Wilhelm Friedemann Bach) in the Bach-Werke Verzeichnis:
* BWV 924 – Prelude in C major (Klavierbüchlein No. 2: "Praeambulum") BWV 924a – Prelude in C major (Klavierbüchlein No. 26: "Preludium ex c♮"; variant version of BWV 924 probably by W. F. Bach, BR‑WFB A 44)
* BWV 925 – Prelude in D major (Klavierbüchlein No. 27: "Praeludium ex d♮"; possibly by W. F. Bach, BR‑WFB A 45)
* BWV 926 – Prelude in D minor (Klavierbüchlein No. 4: "Praeludium")
* BWV 927 – Prelude in F major (Klavierbüchlein No. 8: "Praeambulum")
* BWV 928 – Prelude in F major (Klavierbüchlein No. 10: "Praeludium")
* BWV 929 – Prelude in G minor (Klavierbüchlein No. 48$^e$: Trio for a Minuet by Gottfried Heinrich Stölzel)
* BWV 930 – Prelude in G minor (Klavierbüchlein No. 9: "Praeambulum")
* BWV 931 – Prelude in A minor (Klavierbüchlein No. 29: "Praeludium"; possibly by W. F. Bach, BR‑WFB A 47)
* BWV 932 – Prelude in E minor (incomplete; Klavierbüchlein No. 28: "Praeludium ex e♭"; possibly by W. F. Bach, BR‑WFB A 46)

### Six Little Preludes (933–938)

An 18th-century set of short preludes by Johann Sebastian Bach:
* BWV 933 – Little Prelude in C major
* BWV 934 – Little Prelude in C minor
* BWV 935 – Little Prelude in D minor
* BWV 936 – Little Prelude in D major
* BWV 937 – Little Prelude in E major
* BWV 938 – Little Prelude in E minor

### Five Little Preludes (939–943)

Five short preludes found in the manuscript P 804 (collection of Johann Peter Kellner):
* BWV 939 – Prelude in C major
* BWV 940 – Prelude in D minor
* BWV 941 – Prelude in E minor
* BWV 942 – Prelude in A minor
* BWV 943 – Prelude in C major

### Fugues and fughettas (944–962)

* BWV 944 – Fantasia and Fugue in A minor
* BWV 945 – Fugue in E minor (doubtful, possibly by Christoph Graupner)
* BWV 946 – Fugue in C major
* BWV 947 – Fugue in A minor
* BWV 948 – Fugue in D minor
* BWV 949 – Fugue in A major
* BWV 950 – Fugue in A major on a theme by Tomaso Albinoni
* BWV 951 – Fugue in B minor on a theme by Tomaso Albinoni
* BWV 951a – Fugue in B minor (alternative version of BWV 951)
* BWV 952 – Fugue in C major
* BWV 953 – Fugue in C major
* BWV 954 – Fugue in B-flat major on a theme by Johann Adam Reincken
* BWV 955 – Fugue in B-flat major
* BWV 956 – Fugue in E minor (doubtful)
* BWV 957 – Machs mit mir, Gott, nach deiner Güt (chorale prelude for organ in the Neumeister Collection, previously listed as Fugue in G major)
* BWV 958 – Fugue in A minor (doubtful)
* BWV 959 – Fugue in A minor
* BWV 960 – Fugue in E minor (incomplete and doubtful)
* BWV 961 – Fughetta in C minor
* BWV 962 – Fughetta in E minor (spurious, composed by Johann Georg Albrechtsberger)

### Sonatas and sonata movements (963–970)

* BWV 963 – Sonata in D major
* BWV 964 – Sonata in D minor (arrangement of Sonata No. 2 for solo violin, BWV 1003 – doubtful)
* BWV 965 – Sonata in A minor (after Johann Adam Reincken's Hortus Musicus, Nos. 1–5)
* BWV 966 – Sonata in C major (after Johann Adam Reincken's Hortus Musicus, Nos. 11–15)
* BWV 967 – Sonata in A minor (one movement only, arrangement of a chamber sonata by unknown composer)
* BWV 968 – Adagio in G major (after movement 1 of Sonata No. 3 for solo violin, BWV 1005 – doubtful)
* BWV 969 – Andante in G minor (doubtful)
* BWV 970 – Presto in D minor (spurious, composed by Wilhelm Friedemann Bach)

### Italian Concerto, from Clavier-Übung II (971)

* BWV 971 – Italian Concerto, in F major

### Keyboard arrangements of concerti by other composers (972–987)

* BWV 972 – Concerto in D major (arrangement of Antonio Vivaldi's Concerto Op. 3/9, RV230)
* BWV 973 – Concerto in G major (arrangement of Antonio Vivaldi's Concerto Op. 7/8, RV299)
* BWV 974 – Concerto in D minor (arrangement of Alessandro Marcello's Oboe Concerto in D minor)
* BWV 975 – Concerto in G minor (arrangement of Antonio Vivaldi's Concerto Op. 4/6, RV316a)
* BWV 976 – Concerto in C major (arrangement of Antonio Vivaldi's Concerto Op. 3/12, RV265)
* BWV 977 – Concerto in C major (source unknown, possibly a concerto by Benedetto Marcello)
* BWV 978 – Concerto in F major (arrangement of Antonio Vivaldi's Concerto Op. 3/3, RV310)
* BWV 979 – Concerto in B minor (recently identified as Vivaldi's Concerto RV Anh. 10, now RV 813)
* BWV 980 – Concerto in G major (arrangement of Antonio Vivaldi's Violin Concerto in B-flat Major, RV 381)
* BWV 981 – Concerto in C minor (possibly an arrangement of Benedetto Marcello's concerto Op. 1/2)
* BWV 982 – Concerto in B-flat major (arrangement of Prince Johann Ernst of Saxe-Weimar's concerto Op. 1/1)
* BWV 983 – Concerto in G minor (source unknown)
* BWV 984 – Concerto in C major (arrangement of a Prince Johann Ernst concerto) (see BWV 595 for organ version)
* BWV 985 – Concerto in G minor (arrangement of a Georg Philipp Telemann violin concerto)
* BWV 986 – Concerto in G major (arrangement of a concerto attributed to Georg Philipp Telemann)
* BWV 987 – Concerto in D minor (arrangement of Prince Johann Ernst's concerto Op. 1/4)

### Variations and miscellaneous pieces for keyboard (988–994)

* BWV 988 – Goldberg Variations (published as Fourth Clavier-Übung)
* BWV 989 – Aria variata alla maniera italiana, in A minor
* BWV 990 – Sarabande con Partite in C major (loosely adapted from the overture for "Bellérophon" (1679) by Jean-Baptiste Lully – doubtful)
* BWV 991 – Air with variations in C minor (unfinished, from the 1722 Notebook for Anna Magdalena Bach)
* BWV 992 – Capriccio sopra la lontananza del suo fratello dilettissimo ("Capriccio on the departure of the Beloved Brother"), in B-flat major
* BWV 993 – Capriccio in E major
* BWV 994 – Applicatio in C major (from the Clavier-Büchlein for Wilhelm Friedemann Bach)

## Works for solo lute (BWV 995–1000)

* BWV 995 – Suite in G minor (transcription of Cello Suite No. 5, BWV 1011)
* BWV 996 – Suite in E minor (most probably intended for lute-harpsichord)
* BWV 997 – Suite in C minor
* BWV 998 – Prelude, Fugue and Allegro in E-flat major
* BWV 999 – Prelude in C minor
* BWV 1000 – Fugue in G minor (transcription of Fuga (Allegro) from Violin Sonata No. 1 in G minor, BWV 1001)

## Works for keyboard and lute in the eighth and ninth chapters of the Bach-Werke-Verzeichnis (1998)

Legend to the table :
| column | column | content |
| 01 | BWV | Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows: preceded by I: in Anh. I (lost works) of BWV$^1$ (1950 first edition of the BWV) preceded by II: in Anh. II (doubtful works) of BWV$^1$ preceded by III: in Anh. III (spurious works) of BWV$^1$ preceded by N: new Anh. numbers in BWV$^2$ (1990) and/or BWV$^{2a}$ (1998) |
| 02 | $^{2a}$ | Section in which the composition appears in BWV$^{2a}$: Chapters of the main catalogue indicated by Arabic numerals (1-13) Anh. sections indicated by Roman numerals (I–III) Reconstructions published in the NBE indicated by "R" |
| 03 | Date | Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. |
| 04 | Name | Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...) |
| 05 | Key | Key of the composition |
| 06 | Scoring | See scoring table below for the abbreviations used in this column |
| 07 | BG | Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume. |
| 08 | NBE | New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre: Cantatas (Vol. 1–34: church cantatas grouped by occasion; Vol. 35–40: secular cantatas; Vol. 41: Varia)Masses, Passions, Oratorios (12 volumes)Motets, Chorales, Lieder (4 volumes)Organ Works (11 volumes)Keyboard and Lute Works (14 volumes)Chamber Music (5 volumes)Orchestral Works (7 volumes)Canons, Musical Offering, Art of Fugue (3 volumes)Addenda (approximately 7 volumes) |
| 09 | Additional info | may include: "after" – indicating a model for the composition "by" – indicating the composer of the composition (if different from Johann Sebastian Bach) "in" – indicating the oldest known source for the composition "pasticcio" – indicating a composition with parts of different origin "see" – composition renumbered in a later edition of the BWV "text" – by text author, or, in source Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. |
| 10 | BD | Bach Digital Work page |
Legend for abbreviations in "Scoring" column :
| Voices (see also SATB) |||||||||||||
| a | A | b | B | s | S | t | T | v | v | v | V | V |
| alto (solo part) | alto (choir part) | bass (solo part) | bass (choir part) | soprano (solo part) | soprano (choir part) | tenor (solo part) | tenor (choir part) | voice (includes parts for unspecified voices or instruments as in some canons) | voice (includes parts for unspecified voices or instruments as in some canons) | voice (includes parts for unspecified voices or instruments as in some canons) | vocal music for unspecified voice type | vocal music for unspecified voice type |
| Winds and battery (bold = soloist) |||||||||||||
| Bas | Bel | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
| bassoon (can be part of Bc, see below) | bell(s) (musical bells) | cornett, cornettino | flute (traverso, flauto dolce, piccolo, flauto basso) | natural horn, corno da caccia, corno da tirarsi, lituo | oboe | oboe d'amore | oboe da caccia | taille | trombone | tromba da tirarsi | timpani | tromba (natural trumpet, clarino trumpet) |
| Strings and keyboard (bold = soloist) |||||||||||||
| Bc | Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne |
| basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | harpsichord | keyboard (Hc, Lw, Org or clavichord) | lute, theorbo | Lautenwerck (lute-harpsichord) | organ (/man. = manualiter, without pedals) | strings: Vl I, Vl II and Va | viola(s), viola d'amore, violetta | violoncello, violoncello piccolo | viola da gamba | violin(s), violino piccolo | violone, violone grosso |
Background colours :
| Colour | Meaning |
| green | extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision |
| yellow | extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol) |
| orange-brown | extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member |
Keyboard and lute works in Chapters 8 and 9 of BWV$^{2a}$ :
| BWV | $^{2a}$ | Date | Name | Key | Scoring | BG | NBE | Additional info | BD |
| 8. | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) | Up ↑ |
| 772 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1 | C maj. | Keyboard | 3: 1 45$^1$: 221 | V/5: 48 V/3: 2 | → BWV 772a | 00902 |
| 772a | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 1a – Invention No. 1a | C maj. | Keyboard | 3: 342 | V/3: 4 | after BWV 772 | 00903 |
| 773 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15 | C min. | Keyboard | 3: 2 45$^1$: 223 | V/5: 76 V/3: 6 | | 00904 |
| 774 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14 | D maj. | Keyboard | 3: 3 45$^1$: 223 | V/5: 74 V/3: 8 | | 00905 |
| 775 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2 | D min. | Keyboard | 3: 4 45$^1$: 221 | V/5: 50 V/3: 10 | | 00906 |
| 776 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13 | E♭ maj. | Keyboard | 3: 6 45$^1$: 222 | V/5: 72 V/3: 12 | | 00907 |
| 777 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12 | E maj. | Keyboard | 3: 7 45$^1$: 222 | V/5: 70 V/3: 14 | | 00908 |
| 778 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3 | E min. | Keyboard | 3: 9 45$^1$: 221 | V/5: 52 V/3: 16 | | 00909 |
| 779 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4 | F maj. | Keyboard | 3: 10 45$^1$: 221 | V/5: 54 V/3: 18 | | 00910 |
| 780 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11 | F min. | Keyboard | 3: 11 45$^1$: 222 | V/5: 68 V/3: 20 | | 00911 |
| 781 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5 | G maj. | Keyboard | 3: 12 45$^1$: 221 | V/5: 56 V/3: 22 | | 00912 |
| 782 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10 | G min. | Keyboard | 3: 13 45$^1$: 222 | V/5: 66 V/3: 24 | | 00913 |
| 783 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9 | A maj. | Keyboard | 3: 14 45$^1$: 222 | V/5: 64 V/3: 26 | | 00914 |
| 784 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6 | A min. | Keyboard | 3: 15 45$^1$: 221 | V/5: 58 V/3: 28 | | 00915 |
| 785 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8 | B♭ maj. | Keyboard | 3: 16 45$^1$: 222 | V/5: 62 V/3: 30 | | 00916 |
| 786 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7 | B min. | Keyboard | 3: 18 45$^1$: 222 | V/5: 60 V/3: 32 | | 00917 |
| 787 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1 | C maj. | Keyboard | 3: 19 45$^1$: 227 | V/5: 90 V/3: 34 | | 00918 |
| 788 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantasia 15 | C min. | Keyboard | 3: 20 45$^1$: 231 | V/5: 118 V/3: 36 | | 00919 |
| 789 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantasia 14 | D maj. | Keyboard | 3: 22 45$^1$: 230 | V/5: 116 V/3: 38 | | 00920 |
| 790 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2 | D min. | Keyboard | 3: 23 45$^1$: 227 | V/5: 92 V/3: 40 | | 00921 |
| 791 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantasia 13 | E♭ maj. | Keyboard | 3: 24 45$^1$: 230 | V/5: 114 V/3: 42 | → BWV 791a | 00922 |
| 791a | 8. | 1723 | Sinfonias and Inventions No. 20a – Sinfonia No. 5a | E♭ maj. | Keyboard | | V/3: 44, 80 | after BWV 791 | 00923 |
| 792 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantasia 12 | E maj. | Keyboard | 3: 26 45$^1$: 229 | V/5: 112 V/3: 46 | | 00924 |
| 793 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3 | E min. | Keyboard | 3: 28 45$^1$: 227 | V/5: 94 V/3: 48 | | 00925 |
| 794 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4 | F maj. | Keyboard | 3: 29 45$^1$: 227 | V/5: 96 V/3: 50 | | 00926 |
| 795 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantasia 11 | F min. | Keyboard | 3: 30 45$^1$: 229 | V/5: 110 V/3: 52 | | 00927 |
| 796 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5 | G maj. | Keyboard | 3: 32 45$^1$: 228 | V/5: 98 V/3: 54 | | 00928 |
| 797 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantasia 10 | G min. | Keyboard | 3: 34 45$^1$: 229 | V/5: 108 V/3: 56 | | 00929 |
| 798 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9 | A maj. | Keyboard | 3: 36 45$^1$: 229 | V/5: 106 V/3: 58 | | 00930 |
| 799 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6 | A min. | Keyboard | 3: 38 45$^1$: 228 | V/5: 100 V/3: 60 | | 00931 |
| 800 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8 | B♭ maj. | Keyboard | 3: 40 45$^1$: 228 | V/5: 104 V/3: 62 | | 00932 |
| 801 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7 | B min. | Keyboard | 3: 41 45$^1$: 228 | V/5: 102 V/3: 64 | | 00933 |
| 802 | 8. | 1739 | Duet No. 1 from Clavier-Übung III | E min. | Organ | 3: 242 | IV/4: 92 | | 00934 |
| 803 | 8. | 1739 | Duet No. 2 from Clavier-Übung III | F maj. | Organ | 3: 245 | IV/4: 96 | | 00935 |
| 804 | 8. | 1739 | Duet No. 3 from Clavier-Übung III | G maj. | Organ | 3: 248 | IV/4: 99 | | 00936 |
| 805 | 8. | 1739 | Duet No. 4 from Clavier-Übung III | A min. | Organ | 3: 251 | IV/4: 102 | | 00937 |
| 806 | 8. | 1714–1723 | English Suites, No. 1 | A maj. | Keyboard | 45$^1$: 3 13$^2$: 3 | V/7: 2 | | 00938 |
| 806a | 8. | 1714–1717 | English Suites, No. 1a | A maj. | Keyboard | | V/7: 116 | | 00939 |
| 807 | 8. | 1725 or earlier | English Suites, No. 2 | A min. | Keyboard | 45$^1$: 16 13$^2$: 16 | V/7: 20 | | 00940 |
| 808 | 8. | 1725 or earlier | English Suites, No. 3 | G min. | Keyboard | 45$^1$: 30 13$^2$: 30 | V/7: 38 | | 00941 |
| 809 | 8. | 1725 or earlier | English Suites, No. 4 | F maj. | Keyboard | 45$^1$: 41 13$^2$: 41 | V/7: 54 | | 00942 |
| 810 | 8. | 1725 or earlier | English Suites, No. 5 | E min. | Keyboard | 45$^1$: 53 13$^2$: 53 | V/7: 70 | | 00943 |
| 811 | 8. | 1725 or earlier | English Suites, No. 6 | D min. | Keyboard | 45$^1$: 68 13$^2$: 68 | V/7: 90 | | 00944 |
| 812 | 8. | 1722 or earlier | Notebook A. M. Bach (1722) No. 1 – French Suites, No. 1 | D min. | Keyboard | 43$^2$: VI | V/4: 3 | | 00945 |
| 812 | 8. | 1722 or earlier | Notebook A. M. Bach (1725) No. 30 – French Suites, No. 1 | D min. | Keyboard | 43$^2$: 40 | V/4: 109 | | 00945 |
| 812 | 8. | 1722 or earlier | French Suites, No. 1 – Version A (Altnickol) | D min. | Keyboard | 45$^1$: 89 13$^2$: 89 | V/8: 2 | | 00945 |
| 812 | 8. | 1722 or earlier | French Suites, No. 1 – Version B (early version) | D min. | Keyboard | 45$^1$: 89 13$^2$: 89 | V/8: 64 | | 00945 |
| 813 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 2 – French Suites, No. 2 | C min. | Keyboard | 43$^2$: VI | V/4: 10, 42 | | 00946 |
| 813 | 8. | c. 1722–1725 | Notebook A. M. Bach (1725) No. 31 – French Suites, No. 2 | C min. | Keyboard | 43$^2$: 44 | V/4: 116 | | 00946 |
| 813 | 8. | c. 1722–1725 | French Suites, No. 2 – Version A (Altnickol) | C min. | Keyboard | 45$^1$: 94 13$^2$: 94 | V/8: 10 | | 00946 |
| 813 | 8. | c. 1722–1725 | French Suites, No. 2 – Version B (early version) | C min. | Keyboard | 45$^1$: 94 13$^2$: 94 | V/8: 72 | | 00946 |
| 813 | 8. | c. 1722–1725 | French Suites, No. 2 – Version B (early version) | C min. | Keyboard | 36: 236 | V/8: 72 | | 00946 |
| 814 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 3 – French Suites, No. 3 | B min. | Keyboard | 43$^2$: VII | V/4: 16, 43 | → BWV 814a | 00948 |
| 814 | 8. | c. 1722–1725 | French Suites, No. 3 – Version A (Altnickol) | B min. | Keyboard | 45$^1$: 100 13$^2$: 100 | V/8: 20 | → BWV 814a | 00948 |
| 814 | 8. | c. 1722–1725 | French Suites, No. 3 – Version B (early version) | B min. | Keyboard | 45$^1$: 100 13$^2$: 100 | V/8: 82 | → BWV 814a | 00948 |
| 814a | 8. | c. 1720–1739 | French Suites, No. 3 – Variant | B min. | Keyboard | 45$^1$: 100 36: 237 13$^2$: 100 | V/8: 166 | after BWV 814/1–/5, 929, 814/7 | 00949 |
| 815 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 4 French Suites, No. 4 | E♭ maj. | Keyboard | 43$^2$: VII | V/4: 23 | → BWV 815a | 00950 |
| 815 | 8. | c. 1722–1725 | French Suites, No. 4 – Version A (Altnickol) | E♭ maj. | Keyboard | 45$^1$: 106 13$^2$: 106 | V/8: 30 | → BWV 815a | 00950 |
| 815 | 8. | c. 1722–1725 | French Suites, No. 4 – Version B (early version) | E♭ maj. | Keyboard | 45$^1$: 106 13$^2$: 106 | V/8: 92 | → BWV 815a | 00950 |
| 815 | 8. | c. 1722–1725 | French Suites, No. 4 – Version B (early version) | E♭ maj. | Keyboard | 36: 236 | V/8: 92 | → BWV 815a | 00950 |
| 815a | 8. | c. 1722–1725 or later | French Suites, No. 4 – Variant | E♭ maj. | Keyboard | 36: 234 45$^1$: 106 13$^2$: 108 | V/8: 176 | after BWV 815/1–/5 | 00951 |
| 816 | 8. | c. 1724–1725 | Notebook A. M. Bach (1722) No. 5 French Suites, No. 5 | G maj. | Keyboard | 43$^2$: VII | V/4: 30 | | 00952 |
| 816 | 8. | c. 1724–1725 | French Suites, No. 5 – Version A (Altnickol) | G maj. | Keyboard | 45$^1$: 112 13$^2$: 112 | V/8: 40 | | 00952 |
| 816 | 8. | c. 1724–1725 | French Suites, No. 5 – Version B (early version) | G maj. | Keyboard | 45$^1$: 112 13$^2$: 112 | V/8: 102 | | 00952 |
| 817 | 8. | c.1725 or later | French Suites, No. 6 – Version A (Altnickol) | E maj. | Keyboard | 45$^1$: 120 13$^2$: 120 | V/8: 52 | | 00953 |
| 817 | 8. | c.1725 or later | French Suites, No. 6 – Version B (early version) | E maj. | Keyboard | 45$^1$: 120 13$^2$: 120 | V/8: 114 | | 00953 |
| 818 | 8. | 1720–1722 | Suite for keyboard (early version) | A min. | Keyboard | 36: 3 | V/8: 129 | | 00954 |
| 818a | 8. | after 1721 | Suite for keyboard (later version) | A min. | Keyboard | 36: 213 | V/8: 146 | | 00955 |
| 819 | 8. | before 1726 | Suite for keyboard (early version) | E♭ maj. | Keyboard | 36: 8 | V/8: 136 | | 00956 |
| 819a | 8. | 1725–1728 | Suite for keyboard (later version) | E♭ maj. | Keyboard | 36: 217 | V/8: 156 | | 00957 |
| 820 | 8. | 1705–1713 | Suite (Ouverture) for keyboard | F maj. | Keyboard | 36: 14 | V/10: 43 | | 00958 |
| 822 | 8. | | Suite for keyboard | G min. | Keyboard | | V/10: 68 | after unknown model? | 00960 |
| 823 | 8. | before 1727 | Suite for keyboard | F min. | Keyboard | 36: 229 | V/10: 50 | | 00961 |
| 825 | 8. | 1725–1726 | Partita No. 1 from Clavier-Übung I | B♭ maj. | Keyboard | 3: 46 | V/1: 2 | | 00963 |
| 826 | 8. | 1725–1727 | Partita No. 2 from Clavier-Übung I | C min. | Keyboard | 3: 56 | V/1: 15 | | 00964 |
| 827 | 8. | 1725–1727 | Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung I | A min. | Keyboard | 3: 70 | V/1: 35 V/4: 47 | | 00964 |
| 828 | 8. | 1725–1728 | Partita No. 4 from Clavier-Übung I | D maj. | Keyboard | 3: 82 | V/1: 50 | | 00966 |
| 829 | 8. | 1725–1730 | Partita No. 5 from Clavier-Übung I | G maj. | Keyboard | 3: 102 | V/1: 72 | | 00967 |
| 830 | 8. | 1725–1730 | Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung I | E min. | Keyboard | 3: 116 | V/1: 90 V/4: 60 | after BWV 1019a/3 /5 | 00968 |
| 831 | 8. | 1733–1735 | Overture in the French style (Clavier-Übung II No. 2) | B min. | Harpsichord | 3: 154 | V/2: 20 | after BWV 831a | 00969 |
| 831a | 8. | 1727–1733 | Overture in the French style (early version) | C min. | Keyboard | | V/2: 43 | → BWV 831 | 00970 |
| 832 | 8. | before 1707 | Suite for keyboard | A maj. | Keyboard | 42: 255 | V/10: 54 | in Möllersche Handschrift | 00971 |
| 833 | 8. | before 1707 | Prelude and partita for keyboard | F maj. | Keyboard | | V/10: 60 | in Möllersche Handschrift | 00972 |
| 836 | 8. | 1720–1721 | Allemande, Klavierbüchlein WFB No. 6 | G min. | Keyboard | 45$^1$: 214 | V/5: 8 | by Bach, W. F. & J. S.? | 00975 |
| 837 | 8. | 1720–1721 | Allemande, Klavierbüchlein WFB No. 7 (incomplete) | G min. | Keyboard | 45$^1$: 215 | V/5: 10 | by Bach, W. F. & J. S.? | 00976 |
| 841 | 8. | 1720–1721 | Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1 | G maj. | Keyboard | 36: 209 45$^1$: 215 | V/5: 16 V/4: 44 | by Bach, W. F. & J. S.? | 00980 |
| 842 | 8. | 1720–1721 | Klavierbüchlein WFB No. 12: Menuet 2 | G min. | Keyboard | 36: 209 45$^1$: 216 | V/5: 17 | by Bach, W. F. (BR A43) & J. S.? | 00981 |
| 843 | 8. | 1720–1721 | Klavierbüchlein WFB No. 13: Menuet 3 | G maj. | Keyboard | 36: 210 45$^1$: 216 | V/5: 18 | | 00982 |
| 846 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 1 | C maj. | Keyboard | 14: 3 | V/6.1: 2 | after BWV 846a | 00986 |
| 846/1 | 8. | 1725 (AMB) | Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1) | C maj. | Keyboard | | V/4: 107 | | 00986 |
| 846a | 8. | 1720 | Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1) | C maj. | Keyboard | 45$^1$: 216 | V/5: 19 V/6.1: 127 | → BWV 846/1 | 00987 |
| 847 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2) | C min. | Keyboard | 14: 6 45$^1$: 216 | V/5: 20 V/6.1: 2 | after BWV 847a | 00988 |
| 847a | 8. | | Prelude and Fughetta (early WTC I No. 2) | C min. | Keyboard | | V/6.1: 130 | → BWV 847 | 00989 |
| 848 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8]) | C♯ maj. | Keyboard | 14: 10 45$^1$: 218 | V/5: 30 V/6.1: 2 | after BWV 848a | 00990 |
| 848a | 8. | | Prelude and Fughetta (early WTC I No. 3) | C♯ maj. | Keyboard | | V/6.1: 134 | → BWV 848 | 00991 |
| 849 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9]) | C♯ min. | Keyboard | 14: 14 45$^1$: 218 | V/5: 32 V/6.1: 2 | after BWV 849a | 00992 |
| 849a | 8. | | Prelude and Fughetta (early WTC I No. 4) | C♯ min. | Keyboard | | V/6.1: 140 | → BWV 849 | 00993 |
| 850 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4) | D maj. | Keyboard | 14: 18 45$^1$: 217 | V/5: 23 V/6.1: 2 | after BWV 850a | 00994 |
| 850a | 8. | | Prelude and Fughetta (early WTC I No. 5) | D maj. | Keyboard | | V/6.1: 146 | → BWV 850 | 00995 |
| 851 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3) | D min. | Keyboard | 14: 22 45$^1$: 217 | V/5: 22 V/6.1: 2 | after BWV 851a | 00996 |
| 851a | 8. | | Prelude and Fughetta (early WTC I No. 6) | D min. | Keyboard | | V/6.1: 150 | → BWV 851 | 00997 |
| 852 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 7 | E♭ maj. | Keyboard | 14: 26 | V/6.1: 32 | after BWV 852a | 00998 |
| 852a | 8. | | Prelude and Fughetta (early WTC I No. 7) | E♭ maj. | Keyboard | | V/6.1: 154 | → BWV 852 | 00999 |
| 853 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10]) | E♭ min. D♯ min. | Keyboard | 14: 32 45$^1$: 218 | V/5: 34 V/6.1: 38 | after BWV 853a; → K. 404a/1 | 01000 |
| 853a | 8. | | Prelude and Fughetta (early WTC I No. 8) | E♭ min. D♯ min. | Keyboard | | V/6.1: 160 | → BWV 853 | 01001 |
| 854 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6) | E maj. | Keyboard | 14: 36 45$^1$: 218 | V/5: 26 V/6.1: 44 | after BWV 854a | 01002 |
| 854a | 8. | | Prelude and Fughetta (early WTC I No. 9) | E maj. | Keyboard | | V/6.1: 166 | → BWV 854 | 01003 |
| 855 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 10 | E min. | Keyboard | 14: 38 | V/6.1: 48 | after BWV 855a | 01004 |
| 855a | 8. | c.1720 | Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5) | E min. | Keyboard | 45$^1$: 217 | V/5: 24 V/6.1: 170 | → BWV 855 | 01005 |
| 856 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7) | F maj. | Keyboard | 14: 42 45$^1$: 218 | V/5: 28 V/6.1: 54 | after BWV 856a | 01006 |
| 856a | 8. | | Prelude and Fughetta (early WTC I No. 11) | F maj. | Keyboard | | V/6.1: 174 | → BWV 856 | 01007 |
| 857 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11]) | F min. | Keyboard | 14: 44 45$^1$: 218 | V/5: 36 V/6.1: 58 | after BWV 857a | 01008 |
| 857a | 8. | | Prelude and Fughetta (early WTC I No. 12) | F min. | Keyboard | | V/6.1: 178 | → BWV 857 | 01009 |
| 858 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 13 | F♯ maj. | Keyboard | 14: 48 | V/6.1: 64 | after BWV 858a | 01010 |
| 858a | 8. | | Prelude and Fughetta (early WTC I No. 13) | F♯ maj. | Keyboard | | V/6.1: 184 | → BWV 858 | 01011 |
| 859 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 14 | F♯ min. | Keyboard | 14: 50 | V/6.1: 64 | after BWV 859a | 01012 |
| 859a | 8. | | Prelude and Fughetta (early WTC I No. 14) | F♯ min. | Keyboard | | V/6.1: 188 | → BWV 859 | 01013 |
| 860 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 15 | G maj. | Keyboard | 14: 52 | V/6.1: 72 | after BWV 860a | 01014 |
| 860a | 8. | | Prelude and Fughetta (early WTC I No. 15) | G maj. | Keyboard | | V/6.1: 192 | → BWV 860 | 01015 |
| 861 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 16 | G min. | Keyboard | 14: 57 | V/6.1: 78 | after BWV 861a | 01016 |
| 861a | 8. | | Prelude and Fughetta (early WTC I No. 16) | G min. | Keyboard | | V/6.1: 198 | → BWV 861 | 01017 |
| 862 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 17 | A♭ maj. | Keyboard | 14: 60 | V/6.1: 82 | after BWV 862a | 01018 |
| 862a | 8. | | Prelude and Fughetta (early WTC I No. 17) | A♭ maj. | Keyboard | | V/6.1: 202 | → BWV 862 | 01019 |
| 863 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 18 | G♯ min. | Keyboard | 14: 64 | V/6.1: 86 | after BWV 863a | 01020 |
| 863a | 8. | | Prelude and Fughetta (early WTC I No. 18) | G♯ min. | Keyboard | | V/6.1: 206 | → BWV 863 | 01021 |
| 864 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 19 | A maj. | Keyboard | 14: 66 | V/6.1: 90 | after BWV 864a | 01022 |
| 864a | 8. | | Prelude and Fughetta (early WTC I No. 19) | A maj. | Keyboard | | V/6.1: 210 | → BWV 864 | 01023 |
| 865 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 20 | A min. | Keyboard | 14: 70 | V/6.1: 96 | after BWV 865a | 01024 |
| 865a | 8. | | Prelude and Fughetta (early WTC I No. 20) | A min. | Keyboard | | V/6.1: 216 | → BWV 865 | 01025 |
| 866 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 21 | B♭ maj. | Keyboard | 14: 74 | V/6.1: 104 | after BWV 866a | 01026 |
| 866a | 8. | | Prelude and Fughetta (early WTC I No. 21) | B♭ maj. | Keyboard | | V/6.1: 224 | → BWV 866 | 01027 |
| 867 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 22 | B♭ min. | Keyboard | 14: 78 | V/6.1: 108 | after BWV 867a; → Hess 38 [commons] | 01028 |
| 867a | 8. | | Prelude and Fughetta (early WTC I No. 22) | B♭ min. | Keyboard | | V/6.1: 228 | → BWV 867 | 01029 |
| 868 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 23 | B maj. | Keyboard | 14: 82 | V/6.1: 112 | after BWV 868a | 01030 |
| 868a | 8. | | Prelude and Fughetta (early WTC I No. 23) | B maj. | Keyboard | | V/6.1: 232 | → BWV 868 | 01031 |
| 869 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 24 | B min. | Keyboard | 14: 84 | V/6.1: 116 | after BWV 869a | 01032 |
| 869a | 8. | | Prelude and Fughetta (early WTC I No. 24) | B min. | Keyboard | | V/6.1: 236 | → BWV 869 | 01033 |
| 870b 870/2 | 8. | 1739–1742 | Well-Tempered Clavier II, P. & F. No. 1 (version A) | C maj. | Keyboard | 45$^1$: 243 14: 94 | V/6.2: 2, 6, 342 | | 01036 |
| 871 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 2 | C min. | Keyboard | 14: 96 | V/6.2: 8, 160 | → K. 405/1 | 01037 |
| 872 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 3 | C♯ maj. | Keyboard | 14: 100 | V/6.2: 12, 164, 352 | after BWV 872a | 01038 |
| 872a/1 | 8. | 1739–1740 | Prelude (early WTC II, P. & F. No. 3/1) | C maj. | Keyboard | 14: 243 | V/6.2: 344 | → BWV 872/1 | 01039 |
| 872a/2 | 8. | 1738 | Fughetta (early WTC II, P. & F. No. 3/2) | C maj. | Keyboard | 36: 224 | V/6.2: 358 | → BWV 872/2 | 01039 |
| 873 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 4 | C♯ maj. | Keyboard | 14: 104 | V/6.2: 16, 168 | | 01040 |
| 874 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 5 | D maj. | Keyboard | 14: 108 | V/6.2: 24, 176 | → K. 405/5 | 01041 |
| 875 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 6 | D min. | Keyboard | 14: 112 | V/6.2: 30 182, 348, 356 | after BWV 875a | 01042 |
| 875a | 8. | 1739–1740 | Preambulum (early WTC II, P. & F. No. 6/1) | D min. | Keyboard | 36: 224 | V/6.2: 346 | → BWV 875/1 | 01043 |
| 876 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 7 | E♭ maj. | Keyboard | 14: 116 | V/6.2: 36, 188, 354 | → K. 405/2 | 01044 |
| 877 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 8 | D♯ min. | Keyboard | 14: 120 | V/6.2: 42, 194 | → K. 405/4 | 01045 |
| 878 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 9 | E maj. | Keyboard | 14: 124 | V/6.2: 48, 200 | → K. 405/3 | 01046 |
| 879 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 10 | E min. | Keyboard | 14: 128 | V/6.2: 54, 206 | | 01047 |
| 880 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 11 | F maj. | Keyboard | 14: 134 | V/6.2: 62, 215 | | 01048 |
| 881 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 12 | F min. | Keyboard | 14: 138 | V/6.2: 69, 221 | | 01049 |
| 882 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 13 | F♯ maj. | Keyboard | 14: 142 | V/6.2: 76, 228 | → K. 404a/3 | 01050 |
| 883 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 14 | F♯ min. | Keyboard | 14: 146 | V/6.2: 84, 236 | → K. 404a/2 | 01051 |
| 884 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 15 | G maj. | Keyboard | 14: 150 | V/6.2: 90, 242, 350 | after BWV 902/2 | 01052 |
| 885 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 16 | G min. | Keyboard | 14: 154 | V/6.2: 94, 246 | | 01053 |
| 886 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 17 | A♭ maj. | Keyboard | 14: 160 | V/6.2: 100, 108, 252 | after BWV 901/2 | 01054 |
| 887 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 18 | G♯ min. | Keyboard | 14: 166 | V/6.2: 112, 260 | | 01055 |
| 888 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 19 | A maj. | Keyboard | 14: 172 | V/6.2: 120, 268 | | 01056 |
| 889 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 20 | A min. | Keyboard | 14: 176 | V/6.2: 124, 272 | | 01057 |
| 890 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 21 | B♭ maj. | Keyboard | 14: 180 | V/6.2: 128, 276 | | 01058 |
| 891 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 22 | B♭ min. | Keyboard | 14: 186 | V/6.2: 134, 282 | | 01059 |
| 892 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 23 | B maj. | Keyboard | 14: 192 | V/6.2: 142, 290 | | 01060 |
| 893 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 24 | B min. | Keyboard | 14: 198 | V/6.2: 150, 298 | | 01061 |
| 870 | 8. | 1744 | Well-Tempered Clavier II, P. & F. No. 1 (version B) | C maj. | Keyboard | 14: 91 | V/6.2: 156 | after BWV 870a | 01034 |
| 894 | 8. | 1710–1717 (JTK) | Prelude and Fugue | A min. | Keyboard | 36: 91 | V/9.2: 40 | → BWV 1044/1, /3; in SBB P 801, P 804 | 01062 |
| 895 | 8. | 1709 (JCB) | Prelude and Fugue | A min. | Keyboard | 36: 104 | V/9.2: 69 | in Yale LM 4982 | 01063 |
| 896 | 8. | 1704–1707 | Prelude and Fugue | A maj. | Keyboard | 36: 157 | V/9.2: 72 | in Möllersche Handschrift | 01064 |
| 870a | 8. | before 1727 | Prelude and Fughetta | C maj. | Keyboard | 36: 224 | V/6.2: 307, 310 | → BWV 870; in SBB P 804, P 1089 | 01035 |
| 899 | 8. | before 1727 | Prelude and Fughetta | D min. | Keyboard | 36: 106 | V/6.2: 314 V/12: 24 | in SBB P 804, P 1089 | 01068 |
| 900 | 8. | before 1727 | Prelude and Fughetta | E min. | Keyboard | 36: 108 | V/6.2 V/12 | in SBB P 804, P 1089 | 01069 |
| 901 | 8. | before 1727 | Prelude and Fughetta | F maj. | Keyboard | 36: 112 | V/6.2: 324 | → BWV 886/2; in SBB P 1089 | 01070 |
| 902 | 8. | c.1729 | Prelude and Fughetta | G maj. | Keyboard | 36: 114 | V/6.2: 328 | → BWV 884/2; in SBB P 804, P 1089 | 01071 |
| 902/1a | 8. | before 1727 | Prelude (previous Prelude to BWV 902/2) | G maj. | Keyboard | 36: 220 | V/6.2: 334, 338 | → BWV 884/2; in SBB P 804 | 01072 |
| 903 | 8. | | Chromatic Fantasia and Fugue | D min. | Keyboard | 36: 71 | V/9.2: 76 | after BWV 903a; in SBB P 803, P 651 | 01073 |
| 903a | 8. | | Fantasia (early BWV 903/1) | D min. | Keyboard | 36: 219 | V/9.2: 90 | → BWV 903/1; in D-DS Mus. ms. 69 | 01074 |
| 904 | 8. | before 1727 | Fantasia and Fugue | A min. | Keyboard | 36: 81 | V/9.2 | in SBB P 804 | 01075 |
| 906 | 8. | before 1729 c.1738 | Fantasia and Fugue (Fugue incomplete) | C min. | Keyboard | 36: 145, 238 | V/9.2: 110 | in US-BETbc, D-Dl Mus.2405-T-52 | 01077 |
| 910 | 8. | 1707–1713 | Toccata | F♯ min. | Kb (or) Org | 3: 311 | V/9.1: 1 | in Andreas-Bach-Buch | 01081 |
| 911 | 8. | 1707–1713 | Toccata | C min. | Kb (or) Org | 3: 322 | V/9.1: 13 | in Andreas-Bach-Buch | 01082 |
| 912 | 8. | 1707–1713 | Toccata | D maj. | Kb (or) Org | 36: 26 | V/9.1: 38 | after BWV 912a; ↔ BWV 532/1 | 01083 |
| 912a | 8. | 1704–1707 | Toccata | D maj. | Kb (or) Org | 36: 218 | V/9.1: 26 | → BWV 912; in Möllersche Handschrift | 01084 |
| 913 | 8. | 1707–1709 | Toccata | D min. | Kb (or) Org | 36: 36 | V/9.1: 50, 63 | after BWV 913a | 01085 |
| 913a | 8. | | Toccata | D min. | Kb (or) Org | | V/9.1: 52 | → BWV 913; publ. 1801 | 01086 |
| 914 | 8. | 1707–1709 | Toccata | E min. | Kb (or) Org | 36: 47 | V/9.1: 78 | | 01087 |
| 915 | 8. | 1707–1709 | Toccata | G min. | Kb (or) Org | 36: 54 | V/9.1: 87 | | 01088 |
| 916 | 8. | 1707–1713 | Toccata | G maj. | Kb (or) Org | 36: 63 | V/9.1: 100 | in Andreas-Bach-Buch | 01089 |
| 917 | 8. | 1704–1707 | Fantasia | G min. | Keyboard | 36: 143 | V/9.1: 14, 16 | in Möllersche Handschrift | 01090 |
| 918 | 8. | | Fantasia on a Rondo | C min. | Keyboard | 36: 148 | V/9.1: 14, 18 | | 01091 |
| 921 | 8. | 1707–1713 | Prelude | C min. | Keyboard | 36: 136 | V/9.1: 24 | in Andreas-Bach-Buch | 01094 |
| 922 | 8. | 1710–1714 (JTK) | Prelude (Fantasia) | A min. | Keyboard | 36: 138 | V/9.2: 27, 34 | in SBB P 803 | 01095 |
| 923 | 8. | c.1723? | Prelude | B min. | Keyboard | 42: 211 | V/9.2: 116 | by Pachelbel, W. H.?; → BWV 923a; in SBB P 401 | 01096 |
| 924 | 8. | c.1720 | Twelve Little Preludes No. 1: Preambulum (WFB No. 2) | C maj. | Keyboard | 36: 118 45$^1$: 214 | V/5: 4 | → BWV 924a | 01098 |
| 924a | 8. | 1720–1726 | Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26) | C maj. | Keyboard | 36: 221 45$^1$: 220 | V/5: 41 | after BWV 924; BR A44 F(add) 206 | 01099 |
| 925 | 8. | 1720–1726 | Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27) | D maj. | Keyboard | 36: 121 45$^1$: 220 | V/5: 42 | BR A45 F(add) 206 | 01100 |
| 926 | 8. | c.1720 | Twelve Little Preludes No. 5: Preludium (WFB No. 4) | D min. | Keyboard | 36: 122 45$^1$: 214 | V/5: 6 | | 01101 |
| 927 | 8. | 1720–1726 | Twelve Little Preludes No. 8: Preambulum (WFB No. 8) | F maj. | Keyboard | 36: 124 45$^1$: 215 | V/5: 10 | | 01102 |
| 928 | 8. | 1720–1726 | Twelve Little Preludes No. 9: Preludium (WFB No. 10) | F maj. | Keyboard | 36: 124 45$^1$: 215 | V/5: 14 | | 01103 |
| 929 | 8. | 1720–1726 | Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48$^e$) | G min. | Keyboard | 36: 126 45$^1$: 226 | V/5: 89 | → BWV 814a | 01104 |
| 930 | 8. | 1720–1726 | Twelve Little Preludes No. 11: Preambulum (WFB No. 9) | G min. | Keyboard | 36: 126 45$^1$: 215 | V/5: 12 | | 01105 |
| 931 | 8. | 1720–1726 | Preludium, Klavierbüchlein WFB No. 29 | A min. | Keyboard | 36: 237 45$^1$: 220 | V/5: 45 | BR A47 F(add) 206 | 01106 |
| 932 | 8. | 1720–1726 | Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete) | E min. | Keyboard | 36: 237 45$^1$: 220 | V/5: 44 | BR A46 F(add) 206 | 01107 |
| 933 | 8. | 1717–1723? | Six Little Preludes No. 1 | C maj. | Keyboard | 36: 128 | V/9.2: 3 | in SBB P 542, P 885 | 01108 |
| 934 | 8. | 1717–1723? | Six Little Preludes No. 2 | C min. | Keyboard | 36: 128 | V/9.2: 4 | in SBB P 542, P 885 | 01109 |
| 935 | 8. | 1717–1723? | Six Little Preludes No. 3 | D min. | Keyboard | 36: 130 | V/9.2: 5 | in SBB P 542, P 885 | 01110 |
| 936 | 8. | 1717–1723? | Six Little Preludes No. 4 | D maj. | Keyboard | 36: 131 | V/9.2: 6 | in SBB P 542, P 885 | 01111 |
| 937 | 8. | 1717–1723? | Six Little Preludes No. 5 | E maj. | Keyboard | 36: 132 | V/9.2: 8 | in SBB P 542, P 885 | 01112 |
| 938 | 8. | 1717–1723? | Six Little Preludes No. 6 | E min. | Keyboard | 36: 133 | V/9.2: 10 | in SBB P 542, P 885 | 01113 |
| 939 | 8. | 1726–1727 | Five Little Preludes No. 1 (=12 L. P. No. 2) | C maj. | Keyboard | 36: 119 | V/12: 50 | by Bach?; in SBB P 804 | 01114 |
| 940 | 8. | 1726–1727 | Five Little Preludes No. 2 (=12 L. P. No. 6) | D min. | Keyboard | 36: 123 | V/12: 50 | by Bach?; in SBB P 804 | 01115 |
| 941 | 8. | 1726–1727 | Five Little Preludes No. 3 (=12 L. P. No. 7) | E min. | Keyboard | 36: 123 | V/12: 51 | by Bach?; in SBB P 804 | 01116 |
| 942 | 8. | 1726–1727 | Five Little Preludes No. 4 (=12 L. P. No. 12) | A min. | Keyboard | 36: 127 | V/12: 52 | by Bach?; in SBB P 804 | 01117 |
| 943 | 8. | 1725–1727 | Five Little Preludes No. 5 | C maj. | Org (Kb?) | 36: 134 | V/12: 53 | in SBB P 804 | 01118 |
| 944 | 8. | 1707–1713 | Fantasia and Fugue | A min. | Keyboard | 3: 334 | V/9.2: 133 | in Andreas-Bach-Buch | 01119 |
| 946 | 8. | early work? | Fugue on a theme by Albinoni | C maj. | Keyboard | 36: 159 | V/9.2: 153 | after Albinoni, Op. 1, No. 12/4 (theme) | 01121 |
| 947 | 8. | early work? | Fugue | A min. | Keyboard | 36: 161 | V/12: 55 | by Bach? | 01122 |
| 948 | 8. | early work? | Fugue | D min. | Keyboard | 36: 164 | V/9.2: 156 | in D-B N. Mus. ms. 10580 | 01123 |
| 949 | 8. | 1707–1713 | Fugue | A maj. | Keyboard | 36: 169 | V/9.2: 163 | after Albinoni (theme)?; in Andreas-Bach-Buch | 01124 |
| 950 | 8. | before 1725 | Fugue on a theme by Albinoni | A maj. G maj. | Keyboard | 36: 173 | V/9.2: 168 | after Albinoni (theme); in SBB P 804 | 01125 |
| 951 | 8. | 1714–1717 | Fugue on a theme by Albinoni | B min. | Keyboard | 36: 178 | V/9.2: 118 | after BWV 951a; in SBB P 801 | 01126 |
| 951a | 8. | 1714–1717 | Fugue on a theme by Albinoni (early version) | B min. | Keyboard | 36: 221 | V/9.2: 127 | after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9 | 01127 |
| 952 | 8. | | Fugue | C maj. | Keyboard | 36: 184 | V/9.2: 176 | | 01128 |
| 953 | 8. | 1720–1726 | Fugue a 3, Klavierbüchlein WFB No. 31 | C maj. | Keyboard | 36: 186 45$^1$: 220 | V/5: 46 | | 01129 |
| 954 | 8. | early work? | Fugue on a theme by Reincken | B♭ maj. | Keyboard | 42: 50 | V/11: 200 | after Reincken, Hortus Musicus No. 2/2 (theme) | 01130 |
| 955 | 8. | early work | Fugue | B♭ maj. | Keyboard | 42: 55 | V/12: 60 | after BWV 955a; in SBB P 425, P 804 | 01131 |
| 955a | 8. | early work | Fugue | B♭ maj. | Organ | 42: 298 | V/12: 65 | by Erselius?; → BWV 955; in SBB P 247, P 595 | 01132 |
| 959 | 8. | | Fugue | A min. | Keyboard | 42: 208 | V/9.2: 178 | by Bach? | 01136 |
| 961 | 8. | ? | Fughetta | C min. | Keyboard | 36: 154 | V/9.2: 182 | in SBB P 823 | 01138 |
| 963 | 8. | early work | Sonata for keyboard | D maj. | Keyboard | 36: 19 | V/10: 32 | in SBB P 804 | 01140 |
| 965 | 8. | c.1714–1717 or earlier | Sonata for keyboard after Reincken | A min. | Keyboard | 42: 29 | V/11: 173 | after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803 | 01142 |
| 966 | 8. | c.1714–1717 or earlier | Sonata for keyboard after Reincken | A min. | Keyboard | 42: 42 | V/11: 188 | after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803 | 01143 |
| 967 | 8. | 1704–1707 | Sonata transcription, 1st movement | A min. | Keyboard | 45$^1$: 168 | V/9.2: 184 | in SBB P 804 | 01144 |
| 971 | 8. | 1733–1735 | Italian Concerto (Clavier-Übung II No. 1) | F maj. | Harpsichord | 3: 139 | V/2: 2 | | 01148 |
| 972 | 8. | July 1713– July 1714 | Concerto for solo keyboard (1/16) | D maj. | Keyboard | 42: 59 | V/11: 3 | after Vivaldi, Op. 3 No. 9 | 01149 |
| 972a | 8. | July 1713– July 1714 | Concerto for solo keyboard (1/16), early version | D maj. | Keyboard | | V/11: 161 | after Vivaldi, Op. 3 No. 9 | 01150 |
| 973 | 8. | July 1713– July 1714 | Concerto for solo keyboard (2/16) | G maj. | Keyboard | 42: 59 | V/11: 12 | after Vivaldi, Op. 7 No. 8 | 01151 |
| 974 | 8. | July 1713– July 1714 | Concerto for solo keyboard (3/16) | D min. | Keyboard | 42: 59 | V/11: 20 | after Marcello, A., Oboe Concerto | 01152 |
| 975 | 8. | July 1713– July 1714 | Concerto for solo keyboard (4/16) | G min. | Keyboard | 42: 59 | V/11: 30 | after Vivaldi, Op. 4 No. 6 | 01153 |
| 976 | 8. | July 1713– July 1714 | Concerto for solo keyboard (5/16) | C maj. | Keyboard | 42: 59 | V/11: 39 | after Vivaldi, Op. 3 No. 12 | 01154 |
| 977 | 8. | July 1713– July 1714 | Concerto for solo keyboard (6/16) | C maj. | Keyboard | 42: 59 | V/11: 50 | after unknown model | 01155 |
| 978 | 8. | July 1713– July 1714 | Concerto for solo keyboard (7/16) | F maj. | Keyboard | 42: 59 | V/11: 56 | after Vivaldi, Op. 3 No. 3 (RV 310) | 01156 |
| 979 | 8. | July 1713– July 1714 | Concerto for solo keyboard (8/16) | B min. | Keyboard | 42: 59 | V/11: 64 | after Vivaldi, RV 813 (previously: Torelli) | 01157 |
| 980 | 8. | July 1713– July 1714 | Concerto for solo keyboard (9/16) | G maj. | Keyboard | 42: 59 | V/11: 79 | after Vivaldi, Op. 4 No. 1 (RV 381) | 01158 |
| 981 | 8. | July 1713– July 1714 | Concerto for solo keyboard (10/16) | C min. | Keyboard | 42: 59 | V/11: 90 | after Marcello, B., Op. 1 No. 2 | 01159 |
| 982 | 8. | July 1713– July 1714 | Concerto for solo keyboard (11/16) | B♭ maj. | Keyboard | 42: 59 | V/11: 100 | after J. E. of Saxe-Weimar, Op. 1 No. 1 | 01160 |
| 983 | 8. | July 1713– July 1714 | Concerto for solo keyboard (12/16) | G min. | Keyboard | 42: 59 | V/11: 110 | after unknown model | 01161 |
| 984 | 8. | July 1713– July 1714 | Concerto for solo keyboard (13/16) | C maj. | Keyboard | 42: 59 | V/11: 118 | after J. E. of Saxe-Weimar, lost Concerto; → BWV 595 | 01162 |
| 985 | 8. | July 1713– July 1714 | Concerto for solo keyboard (14/16) | G min. | Keyboard | 42: 59 | V/11: 128 | after Telemann, TWV 51:g1 | 01163 |
| 986 | 8. | July 1713– July 1714 | Concerto for solo keyboard (15/16) | G min. | Keyboard | 42: 59 | V/11: 137 | after unknown model | 01164 |
| 987 | 8. | July 1713– July 1714 | Concerto for solo keyboard (16/16) | D min. | Keyboard | 42: 59 | V/11: 142 | after J. E. of Saxe-Weimar, Op. 1 No. 4 | 01165 |
| 988 | 8. | 1741–1742 | Goldberg Variations (Clavier-Übung IV) | G maj. | Harpsichord | 3: 263 | V/2: 69 | → BWV 1087 | 01166 |
| 988/1 | 8. | c.1740? (AMB) | Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations | G maj. | Harpsichord | 3: 263 | V/4: 103 | → BWV 1087 | 01166 |
| 989 | 8. | 1707–1713 | Aria variata | A min. | Keyboard | 36: 203 | V/10: 21 | in Andreas-Bach-Buch | 01167 |
| 991 | 8. | 1722 | Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete) | C min. | Keyboard | 43$^2$: 4 | V/4: 40 | | 01169 |
| 992 | 8. | 1704–1707 | Capriccio on the departure of a beloved brother | B♭ maj. | Keyboard | 36: 190 | V/10: 3 | in Möllersche Handschrift | 01170 |
| 993 | 8. | c.1705 | Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis [scores] | E maj. | Keyboard | 36: 197 | V/10: 12 | in SBB P 804 | 01171 |
| 994 | 8. | 1720 | Klavierbüchlein WFB No. 1: Applicatio | C maj. | Keyboard | 36: 237 45$^1$:214 | V/5: 4 | | 01172 |
| 9. | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) | Up ↑ |
| 995 | 9. | Fall 1727 – Winter 1731 | Suite for lute | G min. | Lu | | V/10: 81 | after BWV 1011 | 01173 |
| 996 | 9. | 1710–1717 (JGW) | Suite for lute | E min. | Lu (Lw?) | 45$^1$: 149 | V/10: 94 | in SBB P 801, pp. 385–395 | 01174 |
| 997.1 | 9. | 1720–1739 | Suite (1st version) | C min. | Lw | 45$^1$: 156 | V/10: 102 | in SBB P 650; → BWV 997.2 | 01175 |
| 997.2 | 9. | 1720–1739 | Suite (2nd version) | C min. | Lu | 45$^1$: 156 | V/10: 102 | in D LEm III 11.5; after BWV 997.1 | 11576 |
| 998 | 9. | 1735–1745 | Prelude, Fugue and Allegro | E♭ maj. | Lu (or) Hc | 45$^1$: 141 | V/10: 114 | [73][88][89] [74][75][76][81][85][90] | 01176 |
| 999 | 9. | 1717–1723 | Prelude for lute (Twelve Little Preludes No. 3) | C min. | Lu | 36: 119 | V/10: 122 | in SBB P 804, pp. 101–103 | 01177 |
| 1000 | 9. | after 1720 | Fugue | G min. | Lu | | V/10: 124 | after BWV 1001/2; → 539/2; in MB Lpz III.11.4 | 01178 |
| 1006.2 | 9. | c.1736–1737 | Suite | E maj. | Lu? | 42: 16 | V/10: 134 | after BWV 1006.1 | 01185 |

## Other keyboard and lute compositions
### Late contrapuntal works (BWV 1079–1080)

* BWV 1079 – The Musical Offering (Musikalisches Opfer) – some pieces intended for fortepiano
* BWV 1080 – The Art of Fugue (Die Kunst der Fuge) - some pieces indicated as being for a two-manual harpsichord