# Chocolate Williams

Chocolate Williams (also known as Billy and Bob, né Robert Williams Jr.; February 1, 1916 – June 22, 1984) was an American jazz bassist and vocalist based in New York City. He was a prolific performer of jazz, and, notably, performed and recorded with Art Tatum in 1941 and Herbie Nichols in 1952.

## Selected career highlights

Williams performed with the Cotton Club Tramp Band, Rex Stewart Combo, Herbie Nichols, Art Tatum, his own trio, the Three Chocolates, and his own jazz combo, Chocolate Williams and His Chocolateers. Williams was the founding leader of The Three Chocolates. The other two original members were guitarist Jerome Darr (de), who went on to perform with Jonah Jones, and pianist Bill Spotswood. Throughout the 1940s and mid-fifties, The Three Chocolates played at clubs along the Eastern Seaboard and the Midwest and were favorites in many swank Harlem after-hour spots. In late 1943, The Three Chocolates performed at the Onyx Club on 52nd Street for seven months, the Famous Door for five months, and, before that, Kelly's Stables. Bassist Earl May (de) (1926–2008), who substituted for Williams at Minton's, succeeded him when he stopped playing there.

### Semi-retirement

After his semi-retirement in 1955, Chocolate Williams worked as a messenger for CBS and retired in 1974.

### Residences

He was born in Augusta, Georgia in 1916, and lived there until at least 1930. Williams lived at 60 West 142nd Street in the Sugar Hill area of Harlem when he died in 1984.

## Selected extant discography

* Art Tatum Onyx ORI205 Art Tatum (piano, vocalist on tr 1), Chocolate Williams (bass on trs 2, 3, 5–8, vocalist on tr 2), Anna Robinson (vocalist on tr 5), Ethel White (vocalist on tr 6), Charlie Shavers (vocalist on tr 6), Ollie Potter (vocalist on tr 8) Recorded live July 26 or 27, 1941, at Gee-Haw Stables, New York City 1: "Mighty Lak' a Rose" 2: "Knockin' Myself Out" 3: "Toledo Blues" (1) 4: "Body and Soul" 5: "Star Dust" 6: "Embraceable You" 7: "I Surrender Dear" 8: "There'll Be Some Changes Made" (6) (see note)
    Art Tatum (vocalist)
    (Williams not on this cut)
    Chocolate Williams (vocalist)
    Art Tatum (vocalist)
    (Williams not on this cut)
    Johnny Green (music)
    Edward Heyman (words)
    Robert Sour (words)
    Frank Eyton (words)
    Anna Robinson (vocalist)
    Hoagy Carmichael (music)
    Mitchell Parish (words)
    Ethel White (vocalist)
    George Gershwin (music)
    Ira Gershwin (words)
    Charlie Shavers (vocalist)
    Harry Barris (music)
    Gordon Clifford (words)
    Ollie Potter (vocalist)
    William (Willie) Benton Overstreet (1888–1935) (music)
    Billy Higgins (né William Weldon Higgins; 1888–1937) (words)
* Chocolate Williams With Brick Fleagle's Rhythmakers Hot Record Society Records Records (HRS 1036) (1947) Recorded May 5, 1947, New York City Billy Taylor (piano), "Half Valve" (coronet), Brick Fleagle (guitar), Chocolate Williams (bass), Jimmy Crawford (drums) 1065-1: "They'll Do It Every Time" 1065-4: "On You It Looks Good"
    Ralph Douglas, Frankie Carle (w&m) (1952)
    Ralph Douglas (w&m)
* Chocolate Williams and His Chocolateers Recorded March 6, 1952, New York City Herbie Nichols (piano), Danny Barker (guitar), Chocolate Williams (bass, vocals), Shadow Wilson (drums) Hi-Lo Records 1402 (1952) HL 311: "Lady Gingersnap" ("Lady Ginger Snaps") Chocolate Williams (vocalist) HL 312: "Good Story Blues" Chocolate Williams (vocalist) (audio on YouTube)
    Ernie Washington (né Ernest Franklin Washington; 1926–1979) (w&m)
    Paul Bascomb (w&m)
    Robert Williams Jr. (w&m)
    Jerome Darr (de) (1910–1986) (w&m)
* Herbie Nichols Savoy MG 12100 (1952) HL 313: "Who's Blues?" HL 314: "'S Wonderful" HL 315: "Nichols and Dimes"
    Gershwin (w&m)
* Thelonious Monk with the Gigi Gryce Quartet / Herbie Nichols Savoy SJL 1166 HL 314: "'S Wonderful" (alternate take) HL 315: "Nichols and Dimes" (alternate take)
    Gershwin (w&m)
* Chocolate Williams and His Chocolateers Hi-Lo Records 1403 (1952) HL 313: "Who's Blues?" HL 314: "'S Wonderful"
    Nathaniel Pierce Blish Jr. (1901–1992) (w&m)
    Gershwin (w&m)
* Joe Williams Cincinnati Records 2300 (1944) Recorded in Cincinnati, ca. November 1944 2300 A: (matrix QB3345): "'Round The Clock Blues" (part 1) 2300 B: (matrix QB3345): "'Round The Clock Blues" (part 2) OCLC 811765032, 811765032
    Joe Williams & J. Mayo Williams (words & music; 1944)
    Chicago: Mayo Music Corp. (publisher)

### Discography notes

* "Knockin' Myself Out", with Tatum on piano and Williams singing, refers to reefer and its local supplier:
       If you want to get high, get high kind of quick,
       Just fall on up to the Gee-Haw
       And pick up on old Frank Martin's sticks
* "There'll Be Some Changes Made", was recorded in 1941 on acetate discs by an amateur, a Columbia Student, Jerry Newman (né Jerome Robert Newman; 1918–1970), and released in the 1973. Newman's collection was the initial sole material used to launch the jazz label, Onyx Recording, Inc. (aka Onyx Records), a New York entity co-founded in 1972 by Don Schlitten and Joe Fields.
    Newman, while a student at Columbia in 1941, lugged his acetate disc recording machine – a portable Wilcox-Gay Recordio "disc cutter" – to jazz clubs in Harlem, including Minton's Playhouse on 118th Street and Clark Monroe's Uptown House on 134th Street, both of which were incubators of jazz of the day, and in 1941, the beginning of bebop. Newman's collection has endured as the core library for Onyx Recording, Inc. Art Tatum at Minton's in 1941, issued by Onyx after being declined by Columbia, on the LP God Is in the House. At the 16th Annual Grammy Awards held in March 1974, the album won two Grammys, one for Best Improvised Jazz Solo and one for Best Liner Notes, written by Morgenstern. Newman's recordings have been issued as unauthorized records, variously over the years, but none were done so with the permission or participation of the artists or their estates. The commercial value of the recordings were deemed nil; and those who acquired and distributed the recordings viewed the mission as one of curating jazz history.
    The Art Tatum session at Gee-Haw Stables was the subject of a poem, "Art Tatum at the Gee-Haw Stables", by Grace Schulman.

## Selected lyrics
   ### "Good Story Blues"

    (twelve-bar blues)
    (audio on YouTube)
   (1st Verse) Don't want no woman That uses a straight comb Don't want no woman That uses a straight comb She's ornery and evil Can't keep a happy home
   (2st Verse) Looks in the mirror Get mad when she sees her hair Looks in the mirror Get mad when she sees her hair Can't blame her 'Cause its hardly any up there
   (3rd Verse) Ain't my fault If she has bad hair Ain't my fault If she has bad hair She may as well accept the fact 'Cause gettin' evil ain't nowhere
   Piano solo (12 bars)
   (4th Verse) Woman quit your squawkin' Don't be so dumb Woman quit your squawkin' Don't be so dumb If you don't like the hair you got Go downtown and buy you some

## Collaborators

* Percy Brice (né Percy Austin Brice Jr.; born March 25, 1923, New York City) (de), drummer, performed with Chocolate Williams after-hours at Minton's from 1953 to 1954.

## Family

Among his survivors are: his son, Tony Davis; a sister, Alberta Bloomer, a niece, Jennifer Riley; a nephew and 15 grandnieces and nephews.

### Parents

* Mother: Jennie (née Jennifer Scott), who was married to Robert Williams Sr., and, later, Edward Bolden
* Father: Robert Williams Sr.

### Nephew

    Kimati Dinizulu (1956–2013) – the late American-born African percussionist and exponent of Akan traditions in America – was a nephew of Chocolate Williams.

## Selected compositions

* "Three Nickels and a Dime", Chocolate Williams (w&m), 1st copy December 16, 1944, Class E unpublished 401371, Chicago: Mayo Music Corp

## "Three Chocolates" disambiguation

The Three Chocolates might wrongly associated with:
* Three Chocolate Dandies, vocalists and dancers from the mid-1920s, which featured Albert Wilkins, Bennie Anderson, Fulton Alexander
* The Chocolate Dandies (1924), a musical comedy review; the book was by Noble Sissle and Lew Peyton and the music was by Noble Sissle and Eubie Blake
* Chocolate Kiddies (1925), an international touring musical revue directed by Sam Wooding
* The Chocolate Steppers, dancers from the early-1930s
* The Three Chocolate Drops, dancers from the early-1930s
* Three Chocolateers, acrobatic danceers and vocalists, who, among other things, performed "Peckin'" in the 1937 film, New Faces of 1937; originally from the West Coast, but performed famously in Harlem, notably at the Apollo Theater and Cotton Club; possible original members: Al Bert "Gip" Gipson, Paul Black, known for his Chinese splits (straddling the floor as he walked), and Eddie West, with James Buster Brown replacing West for a short period of time
* Kid Chocolate, World Featherweight Champion boxer from Cuba
* The Chocolateers (aka the Burbank Chocolateers), appeared on WBZ (Boston) as early as May 1926
* The Chocolateers, a baseball team sponsored by Hershey Chocolate of Hershey, Pennsylvania, from as early as 1929
* Garrott Chocolateers, a radio orchestra out of Pittsburgh (1929–1930), formerly Garrott's Chocolate Soldiers (musical comedy; on radio from 1926 to 1927)
* Nestle Chocolateers, singers sponsored by the company, initially broadcast from Pittsburgh beginning September 5, 1930, running through 1934, and hosted by Helen Morgan
* Phil Kelly's Chocolateers, A basketball team from Kingston, New York, in the early 1930s
* George Dawson's Chocolateers, guitarist Dawson formed this Detroit group in 1935 as the house band at the Chocolate Bar in Detroit; They made a few recordings for Paradise Records in late 1947
* The Carolina Chocolate Drops
* Jason "White Chocolate" Williams, NBA basketball player
* Curtis "Chocolate" Williams of Pittsburgh
* Connie's Hot Chocolates, a 1929 Broadway musical