# List of Cultural Properties of Japan – paintings (Miyagi)

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This list is of paintings designated in the category of paintings (絵画, kaiga) for the Prefecture of Miyagi.

## National Cultural Properties

As of 1 July 2019, two properties have been designated Important Cultural Properties, being of national significance.
| Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
| Partition paintings at Kanrantei 観瀾亭障壁画 Kanrantei shōhekiga | early C17 | Matsushima | Kanrantei | 21 panels, colours on gold ground; paper pasted on bamboo shōji (12), hinoki fusuma (6), and the hinoki walls of the tokonoma (3); the paintings include trees, rocks, waters, and spring flowers - dandelions, daffodils, azaleas, violets, and crab apples; attributed on stylistic grounds to Kanō Sakyō (狩野左京), a painter of the Kanō School in the employ of the Sendai Domain | | | 38°22′10″N 141°03′41″E﻿ / ﻿38.369437°N 141.061342°E﻿ / 38.369437; 141.061342﻿ (Kanrantei) | |
| Partition paintings in the Zuigan-ji Hondō 本堂障壁画 hondō shōhekiga | 1620-28 | Matsushima | Zuigan-ji | 161 panels, colours on gold ground; paintings of pines and peacocks in the Peacock Room (孔雀の間, kujaku-no-ma), of Lü Shang and King Wen in the Room of King Bun (文王の間, Bunnō-no-ma), of bamboo and plum trees, trees and flowers in the High Room and Highest Room (上段・上々段の間, jōdan-no-ma・jōjōdan-no-ma), of cherry trees in the Buddhist Room (仏間, Butsu-no-ma), of hawks and birds in the Hawk Room (鷹の間, taka-no-ma), of pines and cherry trees in the Pine Room (松の間, matsu-no-ma), and of chrysanthemums in the Chrysanthemum Room (菊の間, kiku-no-ma); the paintings are attributed to Hasegawa Tōhaku, Kanō Sakyō (狩野左京), and his pupil Kurota (九郎太); the designation includes twenty-two panels by Kibi Kōeki (吉備幸益) in the Hermit Ink Painting Room (仙人墨絵間, sennin sumie-no-ma) and twelve painted cedar doors; the paintings, dated by an ink inscription of 1730, have now been replaced with replicas and are stored in the temple museum | | various sizes | 38°22′20″N 141°03′35″E﻿ / ﻿38.372213°N 141.059765°E﻿ / 38.372213; 141.059765﻿ (Zuiganji) | |

## Prefectural Cultural Properties

As of 1 May 2019, fourteen properties have been designated at a prefectural level.
| Property | Date | Municipality | Ownership | Comments | Dimensions | Coordinates |
| Buddha's Parinirvāṇa 仏涅槃図 Butsu nehan-zu | Muromachi period | Kesennuma | Hōsen-ji (峰仙寺) | colours on silk; showing the parinirvana of Shaka, the historical Buddha, underneath the sal tree, surrounded by mourners man and beast, high and low; the painting was brought from Kyōto in 1539 and since the Keichō era (1596-1615) has been remounted four times | 189.7 centimetres (6 ft 2.7 in) by 150.3 centimetres (4 ft 11.2 in) | 38°47′38″N 141°30′24″E﻿ / ﻿38.793898°N 141.506792°E﻿ / 38.793898; 141.506792﻿ (Hōsenji) |
| Mandala of the Two Realms, colour on silk 絹本着色両界曼茶羅図 kenpon chakushoku ryōkai mandara-zu | 1385 | Shibata | Daikō-in (大光院) | colours on silk; remounted in 1502 and 1734 | Diamond Realm Mandala: 157.9 centimetres (5 ft 2.2 in) by 129.7 centimetres (4 ft 3.1 in); Womb Realm Mandala: 175.1 centimetres (5 ft 8.9 in) by 129.4 centimetres (4 ft 2.9 in) | 38°04′05″N 140°45′55″E﻿ / ﻿38.068011°N 140.765162°E﻿ / 38.068011; 140.765162﻿ (Daikō-in) |
| Godaidō at Matsushima 松島五大堂図 Matsushima Godaidō zu | c.1881 | Sendai | The Miyagi Museum of Art | by Takahashi Yuichi (1828-1894); painted at the same time as his Before the Gate of the Miyagi Prefectural Office (1881); the first yōga or Western-style painting of this popular subject | 108.6 centimetres (3 ft 6.8 in) by 57.7 centimetres (1 ft 10.7 in) | 38°15′50″N 140°51′18″E﻿ / ﻿38.263793°N 140.855005°E﻿ / 38.263793; 140.855005﻿ (The Miyagi Museum of Art) |
| Matsushima 松島図 Matsushima zu | c.1881 | Sendai | The Miyagi Museum of Art | by Takahashi Yuichi (1828-1894); also painted at the same time as his Before the Gate of the Miyagi Prefectural Office (1881) | 92.5 centimetres (3 ft 0.4 in) by 47.3 centimetres (1 ft 6.6 in) | 38°15′50″N 140°51′18″E﻿ / ﻿38.263793°N 140.855005°E﻿ / 38.263793; 140.855005﻿ (The Miyagi Museum of Art) |
| Before the Gate of the Miyagi Prefectural Office 宮城県庁門前図 Miyagi kenchō mon mae zu | 1881 | Sendai | The Miyagi Museum of Art | oil painting by Takahashi Yuichi (1828-1894); the building previously functioned as the Yōkendō (養賢堂) han school and was destroyed by fire in July 1945; the painting was commissioned by Miyagi Prefecture at the same time as two landscape paintings of Matsushima | 122.0 centimetres (4 ft 0 in) by 61.1 centimetres (2 ft 0.1 in) | 38°15′50″N 140°51′18″E﻿ / ﻿38.263793°N 140.855005°E﻿ / 38.263793; 140.855005﻿ (The Miyagi Museum of Art) |
| Seikai Mandala 清海曼茶羅図 Seikai mandala zu | Muromachi period | Sendai | Jōkaku-ji (成覚寺) | the Seikai Mandala, along with the Taima Mandala and the Chikō Mandala, is one of the three Pure Land Mandalas (浄土三曼荼羅, jōdo sanmandara); based on the Amitayurdhyana Sutra, it depicts a vision of the Pure Land granted to the monk Seikai (清海) in 996; the painting was brought from Hōrin-ji (法林寺) in Kyōto in 1630 | 183 centimetres (6 ft 0 in) by 151 centimetres (4 ft 11 in) | 38°15′18″N 140°53′21″E﻿ / ﻿38.255066°N 140.889144°E﻿ / 38.255066; 140.889144﻿ (Jōkakuji) |
| Sakyamunī with Sixteen Benevolent Deities 釈迦十六善神像図 Shaka jūroku zenjin zō zu | Muromachi period | Kesennuma | Hōsen-ji (峰仙寺) | colours on silk, with kirikane, gold paint, cinnabar, yellow ochre, ultramarine, verdigris, and black ink; the Sixteen Benevolent Deities, protectors of the Mahaprajnaparamita Sutra, appear eight on each side of Shaka and the attendant bodhisattvas Fugen Bosatsu and Monju Bosatsu; the painting was brought from Kyōto in 1539 | 126.1 centimetres (4 ft 1.6 in) by 61.4 centimetres (2 ft 0.2 in) | 38°47′38″N 141°30′24″E﻿ / ﻿38.793898°N 141.506792°E﻿ / 38.793898; 141.506792﻿ (Hōsenji) |
| Buddha's Parinirvāṇa 仏涅槃図 Butsu nehan zu | Muromachi period | Matsushima | Zuigan-ji | colours on silk; traditionally attributed by the temple to Kanō Motonobu | 227 centimetres (7 ft 5 in) by 183 centimetres (6 ft 0 in) | 38°22′20″N 141°03′35″E﻿ / ﻿38.372213°N 141.059765°E﻿ / 38.372213; 141.059765﻿ (Zuiganji) |
| Sakyamunī Preaching 釈迦説法図 Shaka seppō zu | Muromachi period | Matsushima | Zuigan-ji | colours on silk | 159.8 centimetres (5 ft 2.9 in) by 113 centimetres (3 ft 8 in) | 38°22′20″N 141°03′35″E﻿ / ﻿38.372213°N 141.059765°E﻿ / 38.372213; 141.059765﻿ (Zuiganji) |
| Shōsai Hōshin 性西法身像 Shōsai Hōshin zō | late Kamakura or early Muromachi period | Matsushima | Zuigan-ji | colours on silk; refounder of the Heian-period temple of Enpukuzen-ji (円福禅寺) as Zuigan-ji | 101 centimetres (3 ft 4 in) by 49.5 centimetres (1 ft 7.5 in) | 38°22′20″N 141°03′35″E﻿ / ﻿38.372213°N 141.059765°E﻿ / 38.372213; 141.059765﻿ (Zuiganji) |
| Rankei Dōryū 蘭渓道隆像 Rankei Dōryū zō | late Kamakura or early Muromachi period | Matsushima | Zuigan-ji | colours on silk; second chief priest of Zuigan-ji | 101 centimetres (3 ft 4 in) by 49.5 centimetres (1 ft 7.5 in) | 38°22′20″N 141°03′35″E﻿ / ﻿38.372213°N 141.059765°E﻿ / 38.372213; 141.059765﻿ (Zuiganji) |
| Minki Sōgu 明極聰愚像 Minki Sōgu zō | late Kamakura or early Muromachi period | Matsushima | Zuigan-ji | colours on silk; tenth chief priest of Zuigan-ji | 93.5 centimetres (3 ft 0.8 in) by 45.3 centimetres (1 ft 5.8 in) | 38°22′20″N 141°03′35″E﻿ / ﻿38.372213°N 141.059765°E﻿ / 38.372213; 141.059765﻿ (Zuiganji) |
| Partition painting of phoenixes from the Honmaru great hall of Sendai Castle 仙台城本丸大広間障壁画鳳凰図 Sendai-jō honmaru dai-hiroma shōhekiga hōō zu | Momoyama period | Matsushima | Matsushima Town (kept at the Kanrantei Matsushima Museum) | colours on paper with gold ground; by an artist of the Kanō school for Date Masamune | 3.19 metres (10 ft 6 in) by 1.606 metres (5 ft 3.2 in) | 38°22′52″N 141°04′08″E﻿ / ﻿38.381162°N 141.068916°E﻿ / 38.381162; 141.068916﻿ (Matsushima) |
| Partition painting of fans from the Honmaru great hall of Sendai Castle 仙台城本丸大広間障壁画鳳凰図 Sendai-jō honmaru dai-hiroma shōhekiga senmen zu | Momoyama period | Sendai | Sendai City Museum | colours on paper; the fans depict subjects including a bridge and waterwheel, Musashino (武蔵野), Hamamatsu, wisteria with running water, and phoenixes with paulownias; few partition paintings survive from castles, so these are of particular significance | 3.30 metres (10 ft 10 in) by 1.585 metres (5 ft 2.4 in) | 38°15′21″N 140°51′24″E﻿ / ﻿38.255891°N 140.856721°E﻿ / 38.255891; 140.856721﻿ (Sendai City Museum) |

## Municipal Cultural Properties

Properties designated at a municipal level include:
| Property | Date | Municipality | Ownership | Comments | Dimensions | Coordinates |
| True View of Matsushima 松島真景図 Matsushima shinkeizu | | Matsushima | | by Tani Bunchō | | |
| Date Mitsumune 伊達光宗像 Date Mitsumune zō | | Matsushima | Zuigan-ji | colour on silk | 123.0 centimetres (4 ft 0.4 in) by 55.9 centimetres (1 ft 10.0 in) | 38°22′20″N 141°03′35″E﻿ / ﻿38.372213°N 141.059765°E﻿ / 38.372213; 141.059765﻿ (Zuiganji) |
| Tenrin'in Irohahime 天麟院五郎八姫像 Tenrin'in Irohahime zō | early Edo period | Matsushima | Zuigan-ji | colour on paper | 107.0 centimetres (3 ft 6.1 in) by 50.4 centimetres (1 ft 7.8 in) | 38°22′20″N 141°03′35″E﻿ / ﻿38.372213°N 141.059765°E﻿ / 38.372213; 141.059765﻿ (Zuiganji) |
| Date Masamune, colour on paper, by Kanō Tan'yū 紙本著色伊達政宗画像(狩野探幽筆) shihon chakushoku Date Masamune gazō (Kanō Tan'yū-hitsu) | | Sendai | Sendai City Museum | | | 38°15′22″N 140°51′24″E﻿ / ﻿38.256014°N 140.856682°E﻿ / 38.256014; 140.856682﻿ (Sendai City Museum) |
| Byōbu with Waka and Chrysanthemums 菊絵和歌屏風 kiku-e waka byōbu | | Sendai | Sendai City Museum | | | 38°15′22″N 140°51′24″E﻿ / ﻿38.256014°N 140.856682°E﻿ / 38.256014; 140.856682﻿ (Sendai City Museum) |
| Byōbu with Blossom Viewing at Kasumigaoka 躑躅ヶ岡花見図屏風 Kasumigaoka hanami zu byōbu | | Sendai | Sendai City Museum | | | 38°15′22″N 140°51′24″E﻿ / ﻿38.256014°N 140.856682°E﻿ / 38.256014; 140.856682﻿ (Sendai City Museum) |
| Partition paintings from the Former Honmaru and Ninomaru Palace at Sendai Castle 仙台城旧本丸及び二ノ丸御殿障壁画 Sendai-jō kyū-Honmaru oyobi Ninomaru Goten shōhekiga | | Sendai | Sendai City Museum | designation comprises a pair of two-panel Byōbu with Mallows (紙本著色葵図), six panels of Flowers and Trees, on paper with gold ground (紙本金地著色花木図), and four panels of Pheasant in a Pine Tree, colour on paper with gold ground (紙本金地著色松に山鳥図) by Azuma Tōyō (東東洋) | | 38°15′22″N 140°51′24″E﻿ / ﻿38.256014°N 140.856682°E﻿ / 38.256014; 140.856682﻿ (Sendai City Museum) |
| Portraits of the Successive Generations of Lords and Ladies of the Sendai Domain 仙台藩歴代藩主及夫人肖像画 Sendai-han rekidai han-shu fujin shōzōga | | Sendai | Sendai City Museum | series of 31 scrolls and 2 panels (Date Masamune pictured) | | 38°15′22″N 140°51′24″E﻿ / ﻿38.256014°N 140.856682°E﻿ / 38.256014; 140.856682﻿ (Sendai City Museum) |
| Rei Shōjo, Peonies, Confederate Rose, by Date Tsunamune 絹本著色霊昭女.牡丹.芙蓉図(伊達綱宗筆) kenpon chakushoku Rei Shōjo・botan・fuyō zu (Date Tsunamune hitsu) | | Sendai | Sendai City Museum | three scrolls | | 38°15′22″N 140°51′24″E﻿ / ﻿38.256014°N 140.856682°E﻿ / 38.256014; 140.856682﻿ (Sendai City Museum) |
| Our Lady of Sorrows, oil on copper plate 銅板油彩悲しみのマリア像 dōban yusai kanashimi no Maria zō | | Sendai | Sendai City Museum | | | 38°15′22″N 140°51′24″E﻿ / ﻿38.256014°N 140.856682°E﻿ / 38.256014; 140.856682﻿ (Sendai City Museum) |
| Eight Views of Xiaoxiang, by Sesson Shūkei 瀟湘八景図(雪村周継筆) Shōshō hakkei (Sesson Shūkei hitsu) | | Sendai | Sendai City Museum | six scrolls | | 38°15′22″N 140°51′24″E﻿ / ﻿38.256014°N 140.856682°E﻿ / 38.256014; 140.856682﻿ (Sendai City Museum) |
| True View of Mount Dainenji, attributed to Takaku Aigai 大年寺山真景図(伝高久靄厓筆) Dainenji-yama shinkei zu (den-Takaku Aigai hitsu) | | Sendai | Sendai City Museum | | | 38°15′22″N 140°51′24″E﻿ / ﻿38.256014°N 140.856682°E﻿ / 38.256014; 140.856682﻿ (Sendai City Museum) |