# List of Danzan-ryū techniques

The Danzan Ryu lists differ in concept from the Kodokan Judo lists in that the techniques are taught in kata form in some applicable context, rather than simply demonstrating and enumerating a single technique. Deashi Hayanada, for example, is not a single technique, but a combination of Deashi Harai (foot sweep) and Tenada Shime (cross arm bar). Emphasis on randori may vary greatly from one dojo to the next.
There are multiple romanizations, and many arts have more than one name. This article will attempt to represent the commonly used romanization variants. In addition, not all sources agree on the correct kanji (Japanese characters) for each technique or list. The alternative renderings are noted. The romanization was not agreed to until 1957. The earlier spellings are now archaic. Some kanji are also no longer common and not searchable (e.g. Danchu or Bitei).
The rank requirements for Danzan Ryu are not standardized, and may vary from dojo to dojo or even from instructor to instructor. However, the curriculum is divided into three levels: Shoden (初傳, beginning transmission), Chuden (中傳, intermediate transmission), and Okuden (奥傳, hidden or inner teachings). Many of the techniques are considered Kuden – to be transmitted orally and never written down.
Each of the Okuden scrolls corresponds to a level of teaching license:
* Shinen-no-Maki was commemorated by the award of the Mokuroku, or catalogue scroll, listing the history of the art along with the Shoden and Chuden techniques. This is the basic instructor level and is equivalent to second-degree blackbelt.
* Shin'yō-no-Maki corresponds to the fully licensed instructor (Kyoshi) level and is equivalent to fourth – or fifth-degree blackbelt.
* Shinjin-no-Maki (post Pearl Harbor attack) was commemorated by the award of the Kaiden-no-Sho, or certificate of complete transmission (menkyo kaiden). This corresponds to the master instructor (Shihan / Professor) level of traditional jujutsu.

## Yawara – Shoden level

Hand Techniques/Gentle Arts, 20 Techniques
* Katate Hazushi Ichi – "Single Hand Escape #1" – escape from an outside hand grab
* Katate Hazushi Ni – "Single Hand Escape #2" – escape from an inside hand grab
* Ryōte Hazushi – "Both Hands Escape" – escape from a double wrist grab
* Morote Hazushi – "All Hands Escape or Multiple Hands Escape" – escape from two hands grabbing one wrist.
* Yubi Tori Hazushi – "Digit (finger) Escape" – escape from a finger hold/grab
* Momiji Hazushi " Maple leaf Escape" – escape from a front choke
* Ryo Eri Hazushi – "Both Lapel Escape" – escape from a double lapel grab
* Yubi Tori – "Digit (finger) Technique" – finger lock on the sensitive third finger
* Moroyubi Tori – "All Digit (finger) Technique" – come-along all fingers hold
* Katate Tori – "Single Hand Technique" – one hand wrist lock
* Ryōte Tori – "Both Hand Technique" – double wrist lock
* Tekubi Tori Ichi – "Hand Neck (wrist) Technique One" – wrist lock from an outside hand grab
* Tekubi Tori Ni – "Hand Neck (wrist) Technique Two" – thumb lock from an inside hand grab.
* Imon Tori – "Clothing Seizure" – break hand from a chest push (衣紋捕)
* Ryōeri Tori – "Both Lapel Technique" – break and wrist lock from a two-handed lapel grab
* Akushu Kote Tori – "Handshake Forearm (curling) technique" – wrist and thumb lock from a handshake
* Akushu Ude Tori – "Handshake Arm technique" – arm bar from a handshake
* Akushu Kotemaki Tori – "Handshake Forearm (curling) Rolling Technique" – arm bar and wrist lock from a handshake
* Kubi Nuki Shime – "Neck Hug Constriction" – escape from a side headlock
* Hagai Shime – "Wing Constriction" – full nelson taken after avoiding a blow

## Nage Te –Shoden level

also called Nage no Kata: Throwing Arts, 20 Techniques
* Deashi Harai – Advanced foot sweep
* Sasae-ashi – Stopping leg
* Okuri Harai – Sending sweep
* Soto Gama – Outside sickle
* Uchi Gama – Inside sickle
* Soto Momo Harai – Outer thigh sweep
* Uchi Momo Harai – Inner thigh sweep
* Ogoshi – Major hip
* Utsuri Goshi – Changing hip throw
* Seoi Nage – Back carry throw
* Ushiro Goshi – Rearward hip
* Seoi Goshi – Back carry hip
* Tsurikomi Goshi – Lifting angle hip
* Harai Goshi – Sweeping hip
* Hane Goshi – Springing hip
* Uki Otoshi – Floating drop
* Makikomi – Rolling angle
* Kane Sute – Crab sacrifice
* Tomoe Nage – Comma throw
* Yama Arashi – Mountain Storm

## Shime Te –Shoden level

also called Shime no Kata: Constriction Arts, 25 Techniques
* Eri Gatame – Collar Pin
* Kata Gatame – Shoulder Pin
* Juji Gatame – Cross Pin
* Shiho Gatame – Four corners Pin
* Sankaku Gatame – Three angle (triangle) Pin
* Ushiro Gatame – Rearward Pin
* Namijuji Shime – Normal Cross Constriction
* Gyakujuji Shime – Opposite Cross Constriction
* Ichimonji Shime – Single line Constriction
* Tsukkomi Shime – Thrusting angle Constriction
* Hadaka Hime Ichi – Naked Constriction #1
* Hadaka Shime Ni – Naked Constriction #2
* Hadaka Shime San – Naked Constriction #3
* Dakikubi Shime – Embrace Neck Constriction
* Osaegami Shime – Grabbing Hair Constriction
* Kote Shime – Forearm (curling) Constriction
* Tenada Shime – Hand blade Constriction
* Do Shime – Body Constriction {which causes Compressive asphyxia}
* Ashi Garami Shime – Leg Entangle Constriction
* Ashi Nada Shime – Leg Blade Constriction
* Ashi Yubi Shime – Leg Digit (toe) Constriction
* Momojime – Thigh Constriction
* Shika no Issoku Shime – Foot of Deer Constriction
* Shidare Fuji Shime – Big toe Hanging wisteria Constriction
* Tatsumaki Shime – Wind roll (Tornado) Constriction

## Yonenbu no Kata – Shoden level

Form for the Children's Section, 15 Techniques
* Deashi Harai or Deashibarai – advance foot sweep
* Sasae-ashi – retard (stopping) leg
* Okuriharai or Okuribarai – Sending sweep
* Soto Gama – Outside sickle
* Uchi Gama – Inside sickle
* Soto Momo Harai or Sotomomobarai – Outer thigh sweep
* Uchi Momo Harai or Uchimomobarai – Inner thigh sweep
* O Goshi – Major hip throw
* Seoinage – Back carry throw
* Seoi Goshi – Back carry hip throw
* Tsuri Komi Goshi – Lifting angle hip throw
* Harai Goshi – Sweeping hip throw
* Hane Goshi – Springing hip throw
* Makikomi – rolling angle
* Tomoe Nage – Swirl throw

## Oku no Te – Chuden level

also called Oku no Kata: Interior (secret) techniques, 25 Techniques
* Deashi Hayanada – Advancing Leg Quick combination blade
* Ogoshi Hayanada – Major Loin Quick combination blade
* Seoi Hayanada – Back-carry Quick combination blade
* Sumi Gaeshi – Corner Accepting reversal
* Norimi – Riding the body
* Mizu Kuguri – Underwater dive
* Mae Yama Kage – Forward Mountain Shadow
* Komi Iri – Swept along entry
* Kote Gaeshi – Forearm (curling) accepting reversal
* Sakanuki – Sloping draw
* Gyakute Nage – Opposite hand throw
* Hon Tomoe – Together comma
* Katate Tomoe – Single hand comma
* Shigarami or Teshigarami – Arm entanglement
* Gyakute Shigarami – Opposite hand arm entanglement
* Kote Shigarami – Forearm arm entanglement
* Ko Guruma – Minor wheel
* Tora Nage – Tiger throw
* Tora Katsugi – Tiger Shoulder carry
* Arashi Otoshi – Storm drop
* Hiki Otoshi – Pulling drop
* Kine Katsugi – Pestle shoulder carry
* Kin Katsugi – Testicle shoulder carry
* Kazaguruma – Wind Wheel
* Jigoku Otoshi – Hell drop

## Kiai no Maki – Chuden level

Scroll of Spirit Yell, 24 Techniques –-( AJJF Board of Professors includes a number of additional techniques under this heading. See below)– Includes weapons techniques, and a variety of oral teachings (kuden)
* Waribashi Ori – Split chopstick fold
* Karatake Wari – Chinese bamboo split
* Harage Ishi Wari – Abdomen lifting stone split
* Shiraha Watari – Naked blade transit
Tessen No Maki
* Katate Hazushi – single hand escape
* Mune Dori – Chest Dynamic technique
* Miken Wari – Forehead split
* Uchikomi Dome – Stop a strike
* Katate Ori – Single-hand fold
* Katsura Wari – Judas tree split
Tanto No Maki
* Hibara Hazushi – Flank escape
* Katate Hazushi – Single-hand escape
* Tsukkomi Hazushi – Thrust escape
* Ryote Dome – Stop with both hands
Daito No Maki
* Ryote Dome- Both Hand Immediate Stop
* Nukimi Dome – Stop a draw
* Shiraha Dori – Naked blade hold
* Suso Harai or Susobarai – Hem sweep
Bo No Maki
* Hanbo Uchikomi Dori – Hold from strike with a 3 ft staff
* Rokushaku Bo Furi – Six-foot staff swing
* Mune Gatame – Chest pin
* Shiho Gatame – Four direction pin
* Futari Shime or Ninin Shime or Nininjime – two-man constriction
* Furo Shime or Furojime – Bathtub strangle
* Shichinin Shime or Shichininjime – seven-man constriction
Tanju No Maki
* Gan Hazushi or Me Hazushi – Face or Eye escape
* Mune Hazushi – Chest Escape
* Hibara Hazushi – Flank escape
The following were added to Tanju no Maki by AJJF:
* Ushiro Hazushi Ichi – Rear Escape #1
* Ushiro Hazushi Ni – Rear Escape #2
* Mawari Hazushi – Turning Escape
Further additions to Kiai No Maki by AJJF in 1976 included the following additional techniques:
Keri Te
* Tombogeri – Dragonfly kick
* Kin Geri – Testicle Kick – (In the AJJF Kin Geri is the terminology used, even though the three kicks in the curriculum target the knee, groin, and solar plexus with a front kick)
* Yoko Geri – Side kick
* Mawashi Geri – Roundhouse Kick
* Ryo-ashi Geri – Double foot kick
* Mae Tobi Geri – Front flying kick
Uke Te
* Jodan Uke – Upper-level Block
* Nagashi Uke – Flowing Block
* Shuto Uke – Knife Hand Block
* Gedan Uke – Lower-level Block
Atemi
* Atemi Ichi – Strike One (Side of jaw)
* Atemi Ni – Strike Two (Upward palm strike to chin)
* Atemi San – Strike Three (Upward palm strike to nose)
* Atemi Yon – Strike Four (Side of head above ear)
* Kasumi Dori – Seized by Haze (grazing knife-hand/forearm strike to side of neck)
* Hibara Uchi – Flank Strike (elbow to floating ribs/liver)
* Sui Getsu – Moon in the Water (Uppercut to solar plexus)
* Hon Getsu – True Moon (downward punch to bladder)
* Kin Geri – Testicle Kick (knee to groin)
Hanbo no Maki
* Ganseki Otoshi Garami – Stone-drop Entanglement
* Oni Kudaki – Demon Smash
* Ashi Kujiki – Leg Crush
* Ashi Gatame – Leg Pin
* Bo Gaeshi _ Staff Reversal
* Koku – Empty

## Goshinjutsu – Chuden level

Self-Defense Techniques: 28 techniques added by the AJJF Board of Professors, and modified periodically by them. Other DZR groups may not recognize this as a separate list, but instead may practice these techniques as common variations of techniques found in other lists. Formerly called Jokyu Yawara, Advanced Yawara, or Ladies' Yawara. Based on the original Fujin Goshin no Maki.
* Kata Eri Hazushi – Single collar escape
* Katate Tori Ni – Single hand Technique #2
* Katate Tori San – Single hand Technique #3
* Katate Tori Shi – Single hand Technique #4
* Imon Tori Ni – Insignia Technique #2
* Kata Mune Tori – Single chest Technique
* Ude Tori – Arm Technique
* Genkotsu Ude Tori – Gripping with the fist arm technique
* Ude Gyaku Ichi – Arm opposite #1
* Ude Gyaku Ni – Arm opposite #2
* Ninen Yubi Tori – Second Man Digit (finger) Technique (formerly called Ninin Kotegarami)
* Kata Eri Tori – Single Collar Technique
* Ushiro Gyaku – Rearward Opposite
* Kata Hagai – Single wing
* Tekubi Shigarami – Wrist Shoulder entanglement
* Genkotsu Otoshi – Gripping with the fist drop
* Hongyaku Ichi – Basic Opposite #1
* Hongyaku Ni – Basic Opposite #2
* Ushiro Daki Nage – Rear Embrace throw
* Mae Daki Nage Ichi – Front Embrace throw #1
* Mae Daki Nage Ni – Front Embrace throw #2
* Kata Guruma – Shoulder wheel
* Hiza Garami – Knee entanglement (formerly called Hiki-otoshi Ichi)
* Mae Osaegami Nage – Forward Gripping Hair Throw
* Ushiro Osaegami Nage – Rear Gripping Hair Throw
* Kesa Nage – Across the Shoulder (as a scarf) Throw
* Ashi Garami-Leg Entanglement
* Sannen Nage – Third Man throw (called Sannin Hazushi by Prof. Law and listed in his Shinin Notes; previously included by AJJF in Shinin no Maki with same name as noted below)

## Fujin Goshin no Maki – Chuden level

Women's Self Defense Scroll, 35 Techniques
1. Katate Hazushi Ichi – Single hand Escape #1. 2. Katate Hazushi Ni – Single hand Escape #2. 3. Morote Hazushi – Many hand Escape. 4. Ryote Hazushi – Double hand Escape. 5. Kata Eri Hazushi – Single Collar Escape. 6. Ryo Eri Hazushi – Double Collar Escape. 7. Momiji Hazushi Ichi – Maple tree Escape #1. 8. Momiji Hazushi Ni – Maple tree Escape #2. 9. Momiji Hazushi San – Maple tree Escape #3. 10. Ushiro Daki Nage – Rear Embrace Throw. 11. Mae Daki Nage Ichi – Front Embrace Throw #1. 12. Mae Daki Nage Ni – Front Embrace Throw #2. 13. Mae Daki Hazushi – Front Embrace Escape. 14. Ninin Hazushi – Second Man Escape. 15. Genkotsu Otoshi – Gripping with the Fist Drop. 16. Osaegami Nage – Grabbing Hair Throw. 17. Akushu Kote Tori – Handshake Forearm (curling) Technique. 18. Akushu Ude Tori – Handshake Arm-lock. 19. Akushu Kotemaki Tori – Handshake Forearm-winding Technique. 20. Katate Tori Ichi – Single hand Technique #1. 21. Katate Tori Ni – Single hand Technique #2. 22. Imon tori – Insignia Technique. 23. Daki kubi Tori – Embrace head Technique. 24. Yubi Tori Hazushi – Digit (finger) Technique Escape. 25. Yubi Tori – Digit (finger) Technique. 26. Moro Yubi Tori – Many Digit (finger) Technique. 27. Ryote Tori – Both Hand Technique. 28. Tekubi Tori – Wrist Technique. 29. Hagai Tori – Wing Technique. 30. Shoto Hibara Hazushi – Knife Spleen Escape. 31. Shoto Kata Hazushi – Knife Shoulder Escape. 32. Shoto Tsukkomi Hazushi – Knife Thrusting Angle Escape. 33. Tanju Mune Hazushi – Pistol Chest Escape. 34. Tanju Gan Hazushi – Pistol Eye Escape. 35. Tanju Hibara Hazushi – Pistol Spleen Escape.

## Fusegi Jutsu – Chuden level

Self Defense Techniques
* Katate Hazushi Ichi - "Single Hand Escape one"- Escape and hold from outside wrist grip
* Kata Te Hazushi Ni - "Single Hand Escape two"- Escape and hold from an inside wrist grip
* Momiji Hazushi - "Maple leaf Escape" - Double arm break from front strangle
* Moro Te Hazushi - "Many Hand Escape" - Double arm break from front strangle
* Imon Tori - "Insignia Techniques"- Knee takedown from chest push
* Akushu Ude Hazushi and Tori - "Handshake Arm Escape and Technique"- Escape and leg kick from armbar
* Akushu Kote Hazushi and Tori Ichi - "Handshake Forearm Curling Escape and Technique one" - Backward thumb flex from handshake
* Akushu Kote Hazushi and Tori Ni - "Handshake Forearm Curling Escape and Technique two" - Forward thumb flex from handshake
* Akushu Kote Hazushi and Tori San - "Handshake Forearm Curling Escape and Technique three" - Thumb control from handshake
* Hagai Shime Hazushi - "Pinion Constriction Escape" - Escape from full nelson
* Ushiro Daki Nage - "Rearward Hug Throw" - Seoi Nage, strike from rear bear hug
* Mae Daki Nage Ichi - "Forward Hug Throw one" - Nerve escape from front bear hug, arms free
* Mae Daki Nage Ni - "Forward Hug Throw two" - Head butt, knee strike from front bear hug, arms pinned
* Genkotsu Otoshi - "Gripping with the Fist Drop" - Dakikubi from a double punch
* Kata Gatame Ichi - "Shoulder Pin one" - Shoulder lock taking head to mat from punch
* Kata Gatame Ni - "Shoulder Pin two" - Kotemaki Tori from an overhead club, finish with O Soto Gari
* Kabe Shime - "Wall Constriction" - Ichi Monji against a wall
* Genkotsu Ude Tori - "Gripping with the Fist Arm Technique" - Wrap arm, strike, sweep and bar on ground from punch
* Genkotsu Gyaku - "Gripping with the Fist Opposite" - Wrap arm, hammerlock and choke
* Ude Tori - "Arm Technique" - Arm bar on your shoulder from punch
* Akushu Ude Nage - "Handshake Arm Throw" - Arm break, whip from handshake
* Ogoshi Ude Tori - "Great Hip Arm Technique" - Throw O Goshi, sit and break arm
* Ude Hazushi Ogoshi - "Arm Escape Great Hip" - Throw O Goshi from armbar across waist
* Genkotsu Komi Iri - "Gripping with the Fist Swept Along Entry" - Legbar takedown, apply Komi Iri
* Hadaka Shime Ni and Hazushi - "Naked Constriciton two and Escape" - Choke from Seoi Nage, drop on head
* Club take away - Throw Makikomi, break arm from overhead club strike

## Keisatsu Gijutsu – Chuden level

also called Keisatsu Torite: Police Arrest Techniques
* Katate Hazushi Ichi – "Single Hand Escape #1" – escape from an outside hand grab
* Katate Hazushi Ni – "Single Hand Escape #2" – escape from an inside hand grab
* Ryōte Hazushi – "Both Hands Escape" – escape from a double wrist grab
* Morote Hazushi – "Many Hands Escape or Multiple Hands Escape" – escape from two hands grabbing one wrist
* Momiji Hazushi " Maple leaf Escape" – escape from a front choke
* Ryōeri Hazushi – "Both Lapel Escape" – escape from a double lapel grab
* Yubi Tori Hazushi – "Digit (finger) Escape" – escape from a finger hold/grab
* Yubi Tori – "Digit (finger) Technique" – finger lock on the sensitive third finger
* Moro Yubi Tori – "Many Digit (finger) Technique" – come-along all fingers hold
* Katate Tori – "Single Hand Technique" – one hand wrist lock
* Ryōte Tori – "Both Hand Technique" – double wrist lock
* Akushu Kote Tori – "Handshake Forearm (curling) technique" – wrist and thumb lock from a handshake
* Akushu Ude Tori – "Handshake Arm technique" – arm bar from a handshake
* Akushu Kotemaki Tori – "Handshake Forearm (curling) Rolling Technique" – arm bar and wrist lock from a handshake
* Imon Tori – "Insignia Technique" – break hand from a chest push
* Tekubi Tori Ichi – "Hand Neck (wrist) Technique One" – wrist lock from an outside hand grab
* Tekubi Tori Ni – "Hand Neck (wrist) Technique Two" – thumb lock from an inside hand grab
* Ryōeri Tori – "Both Lapel Technique" – break and wrist lock from a two-handed lapel grab
* Kubi Nuki Shime – "Neck Hug Constriction" – escape from a side headlock
* Hagai Shime – "Wing Constriction" – full nelson taken after avoiding a blow
* Kata Mune Tori - "Shoulder Chest Technique"- Lapel grab and punch defense
* Genkotsu Ude Tori - "Gripping with the Fist Arm Technique"- Armbar from a punch
* Ude Gyaku San - "Arm Opposite Three"- Shoulder and neck hold from front
* Ude Gyaku Shi - "Arm Opposite Four"- Shoulder and neck hold from rear
* Ninnen Kote Garami - "Second man Forearm (curling) Entanglement"- Two man come-along hold
* Sannen Kote Garami - "Third man Forearm (curling) Entanglement"- Three man come-along hold
* Kataeri Tori - "Single Collar Technique"- Armbar from lapel hold
* Ushiro Gyaku - "Rearward Opposite"- Extended rear armbar
* Mae Gyaku- "Front Opposite"- Extended front armbar
* Kote Shigarami - "Forearm (curling) Arm Entanglement"- Punch to Kotemaki pin with one hand
* Kote Gyaku - "Forearm (curling) Opposite"- Reverse arm dislocation
* Kata Hagai - "Shoulder Wing"- Standing Kata Gatame
* Tekubi Shigarami - "Hand-neck (wrist) Arm Entanglement Two- Wrist come-along hold
* Genkotsu Otoshi - "Gripping with the fist Drop"- Punch takedown art, fist drop
* Hung Gyaku - Arm-swing from a punch
* Ushiro Daki Nage Ni - "Rearward Embrace Throw Two"- Throw from a rear bear hug
* Ushiro Daki Nage San - "Rearward Embrace Throw Three"- Throw from a rear bear hug
* Mae Daki Nage Ni - "Forward Embrace Throw Two"- Throw from a front bear hug
* Kata Guruma - "Shoulder Wheel"- Punch to figure four and pile driver
* Hiki Otoshi - "Pulling Drop"- Throw and lock arm in leg
* Gyaku Shigarami - "Opposite Arm Entanglement"- Throw and hold with one foot
* Ushiro Nage - "Rearward Throw"- A rear throw
* Osaegami Nage - "Grabbing Hair Throw"- Takedown (Imon Tori) from hair grab
* Kasumi Dori - "Three in a row Dynamic technique"- Block punch and hit side of neck
* Atemi Ichi - "Strike the body One"- Block punch and hit side of jaw
* Atemi Ni - "Strike the body Two" -Block punch and hit side of chin
* Atemi San - "Strike the body Three"- Block punch and hit side of nose
* Atemi Shi - "Strike the body Four"- Block punch and hit side of head
* Ken Keri - "Sword Kick"- Block punch and knee to groin
* Hibara Uchi - "Spleen Inside"- Block punch and hit armpit
* Sui Getsu - "Water Moon"- Solar plexus blow
* Denko - "Electrical flash"- Combination of blows
* Hon Getsu - "Together Moon"- Naval Blow
* Momo Shime- "Thigh Constriction"- Nerve at thigh
* Yubi Tori Shime Ichi - "Digit (finger) Technique Constriction One"- Nerve and thumb and index finger
* Yubi Tori Shime Ni - "Digit (finger) Technique Constriction Two"- Nerve and thumb and index finger base, palm
* Kesuri Yubi - Nerve between middle and ring finger
* Kosi Katari - Nerve between ring and little finger
* Tekubi Ichi - "Hand neck (wrist) One"- Nerve at wrist, anterior of arm
* Tekubi Ni - "Hand neck (wrist) Two"- Nerve at wrist, posterior
* Ude Ori - "Arm Weaving"- Nerve above wrist, arm-break
* Ninode Tori - Nerve above elbow
* Kata Tori - "Shoulder Technique"- Nerve at shoulder
* Ude Tori Shime - "Arm Technique Constriction"- Nerve in arm near elbow
* Keri Age - "Kick Rising"- Nerve at calf
* Sumi Age - "Corner Rising"- Nerve at shin
* Do Mike - "Torso Body Scarf"- Nerve at side of neck
* Mune - "Chest"- Nerve at front of neck
* Kubi - "Neck"- Nerve at chin
* Ni - "Two"- Nerve at eyelids
* Kata - "Shoulder"- Nerve at shoulder
* So - "Thought"- Nerve at shoulder blade
* Konbou Katate Ori - "Club Single hand Weaving"- Club arm hold
* Konbou Mune Dori - "Club Chest Dynamic technique"- Collarbone breaking art
* Konbou Kata Uchi - "Club Shoulder Inside"- Hit nerve at side of neck
* Konbou Kau Tori - Club hand hold
* Konbou Sui Getsu Otoshi - "Club Water Moon Drop"- Drop uke with solar plexus blow
* Konbou Ude Ori - "Club Arm Weaving"- Club arm break
* Konbou Waki Uchi Dori - "Club Armpit Inside Dynamic technique"- Side paralyzing art
* Konbou Sui Getsu Kin - "Club Water Moon Groin"- Solar plexus and groin blow
* Konbou Kasumi Dori - "Club Three in a row Dynamic technique"- Club takedown art
* Konbou Uchikomi Hiza Nage - Club Inside Angle Knee Throw"- Miss swing for head, Hiza nage, leg lock
* Tanto Hibara Hazushi - "Knife Spleen Escape"- Side slash escape
* Tanto Kata Hazushi - "Knife Shoulder Escape"- Overhead stab escape
* Tanto Tsukkomi Hazushi Ichi - "Knife Thrusting Angle Escape One"- Thrusting stab escape 1
* Tanto Tsukkomi Hazushi Ni - "Knife Thrusting Angle Escape Two"- Thrusting stab escape 2
* Tanto Ryote Hazushi - "Knife Both hands Escape"- Upward stab escape
* Tanju Kata Hazushi - "Pistol Shoulder Escape"- Shoulder level escape
* Tanju Mi Hazushi - "Pistol Body Escape"- Eye level escape
* Tanju Hibara Hazushi - "Pistol Spleen Escape"- Side escape
* Tanju Ushiro Hazushi - "Pistol Rearward Escape"- Rear escape
* Bin Kata Hazushi - "Bottle Shoulder Escape"- Bottle overhead strike
* Bin Hibara Hazushi - "Bottle Spleen Escape"- Bottle side swing
* Bin Tsukkomi Hazushi- Bottle Thrusting Angle Escape"- Bottle straight jab
* Fuetsu Kata Hazushi Ni - "Axe Shoulder Escape Two"- Axe overhead strike
* Fuetsu Hibara Hazushi Ni - "Axe Spleen Escape Two"- Axe side swing
* Fuetsu Sune Harai Hazushi - "Axe Shin Sweep Escape"- Axe leg cut
* Se Katsu - Restoration from strangle
* Hon Katsu - Restoration from drowning
* Hanaji Tome - Stop nose bleed
* No Katsu - Revive blow to head
* Kin katsu - Revive from kick to testicles

## Shinen no Maki – Okuden level

Scroll of the Spirit Man. The AJJF at one time included an additional (36th) technique (Sannin Hazushi), but no longer does so. It is now included in Goshinjutsu (see above).
* Isami Tsuki Nage – Forward entering Thrusting Throw
* Obi Hane Goshi – Belt Springing Hip
* Tsurikomi Taoshi – Lifting Angle Throwdown
* Momiji Nage – Maple leaf Throw
* Gyaku Hayanada – Opposite Quick combination blade
* Hiza Nage – Knee Throw
* Osaekomi Gyakute Tori – Gripping angle opposite hand Technique
* Kobushi Shime – Fist Constriction
* Kesa Hazushi – Across the shoulders (as a scarf) Escape
* Kubi Shime Tomoe Gyakute – Neck Constriction Comma Opposite hand
* Ninin Nage – Second person Throw
* Gyakute Gaeshi – Reverse hand Accepting technique
* Hiza Ori Nage – Knee Weaving Throw
* Gyaku Hagai – Opposite Wing
* Ushiro Kan Nuki – Rearward Rigid Embrace
* Mae Kan Nuki – Forward Rigid Embrace
* Hikitate Tori Shime – Measure (from head to floor in seiza) Technique Constriction
* Ude Garami – Arm Entanglement
* Ebi Shime – Shrimp Constriction
* Ushiro Ebi Shime – Rearward Shrimp Constriction
* Gyaku Eri – Opposite Collar
* Ushiro Nage – Rearward Throw
* Ude Shigarami Shime – Arm Shoulder Entanglement Constriction
* Ashi Kan Nuki – Leg Rigid Embrace
* Kesa Koroshi – Across the shoulders (as a scarf) Killing
* Handou Shime – Quick reaction Constriction
* Ashi Gyaku – Leg Opposite
* Kabe Shime – Wall Constriction
* Ashi Karami Tori – Leg Entanglement Constriction
* Nidan Gaeshi – Two Level Accepting reversal
* Satsuma Shime – Pillar (or police) Constriction
* Tataki Komi – Striking Angle
* Ushiro Nage Tori – Rearward Throw Technique
* Saru Shigarami – Monkey Shoulder Entanglement
* Sandan Gaeshi – Three Level Accepting reversal

## Shinyo no Maki – Okuden level

Scroll of the Yang Spirit
* Gyaku Hizaguruma – Opposite Knee Wheel
* Tsuki Hazushi Kotemaki – Thrusting Escape Forearm rolling
* Tsukkomi Dome and Gaeshi – Thrusting Angle Immediate stop and Accepting reversal
* Sune Shime – Lower leg Constriction
* Saru Shime – Monkey Constriction
* Tobi Tsuki Tenada – Flying Thrusting Hand blade
* Obi Otoshi – Belt Drop
* Sennin Kage – Sailor Shadow
* Mune Dori – Chest Dynamic technique
* Tsurigane Otoshi – Swallow Drop
* Inazuma – Lightning
* Denkō – Electrical flash
* Kasumi Dori – Three in a row Dynamic technique
* Shishi Otoshi – Lion Drop
* Tawara Gaeshi – Rice bale Accepting reversal
* Tonbo Gaeshi – Dragonfly Accepting reversal
* Keri Komi – Kicking Angle
* Ryuko – Dragon & Lion
* Haya nawa – Quick combination Rope
* Katate Tai Atari – Single hand Body Strike
* Tsuki mi – Thrusting Body
* Atemi – Strike the Body
* Zozu Kurawase – Literally: Elephant to deal a Blow
* Tora Nirami – Tiger Stare
* Kiai Dori – Fighting spirit (shouting) Dynamic technique
* Senryu Tomoe – Stopping technique Comma
* Yuki Chigai – Going along different paths
* Munen Muso or Munen Musow – No thought, no conceptions

## Shingen no Maki – Okuden level

Scroll of the Original Mind.
* Ten To or Tento
* Riyo Mou or Ryomo
* Kasumi
* Cho Tou or Choto
* Jin Chiu or Jinchu
* Matsukaze
* Gebi
* Murasame
* Shichu or Hichu
* Danchu
* Kyosen aka Kyoto
* Suigetsu- Solar plexus
* Myo Sho
* Kiyoin or Kyoin
* Tsukikage
* Inatsuma or Inazuma
* Hoka (Soto) Shiyaku Zawa
* Uchi Shiyaku Zawa
* Yakou or Yako
* Sen Riyu or Senryu
* Uchi Kibisu
* Kouri or Kori
* In Nou or Inno
* Doku Ko or Dokko
* Kaychiu or Keichu
* Mikazuki
* Kyoin aka Waki Kage
* Wan Sho
* Kyo Shin
* Haya Uchi
* Gan Ka
* Sori or Kusanagi
* Do Ko
* Katsu Satsu or Kassatsu
* Myo Jo

## Kappō – Koden level

Resuscitation Techniques, 11 Techniques originally taught by Professor Okazaki and later augmented in 1969 by Robert Reish to 35 techniques.
The original 11 techniques include:
* Hon Katsu (basic restoration)
* Ura Katsu (reverse restoration)
* Tanden Katsu (abdomen restoration)
* Nodo Katsu (mental depression restoration)
* Dekishi Katsu (drowning restoration)
* Hanaji Tome (nosebleed stop restoration)
* Kin Katsu (testicle blow restoration)
* Se Katsu (main restoration)
* Ashi Katsu (foot restoration)
* Kubi Kappō (hanging restoration)
* No Kappō (head restoration)
Note that the names of the 11 "original" techniques varied between different students of Professor Okazaki. The above names are the most commonly used.

## Seifukujutsu – Betsuden level

Restoration Therapy 52 Techniques and Long-Life Massage
Taught as a separate tradition (betsuden) even to non-practitioners of Danzan Ryu.

## Curriculum Order

The Yawara list is almost always taught as the first list in a curriculum, given its overall usefulness. The first seven techniques, consisting of escapes from simple grips, were once referred to as Te Hodoki (untying of hands), and were the first things taught to a prospective student. While learning the Te Hodoki, the individual's character was observed and assessed, and the teacher would decide whether or not to accept him as a student. Yawara instruction is usually integrated with instruction in breakfalls (sutemi/ukemi), and (once the student can fall safely) with the first techniques of the Nage Te list. Following this comes the rest of Nage Te, Shime Te, Goshinjutsu (Jokyu Yawara) and Oku-no-Te, by the time a student is roughly brown belt. The Kiai no Maki Techniques are generally taught as the student approaches the black belt level, in addition to some or all of Shinin-no-Maki. Shin'yō-no-Maki and Shinjin-no-Maki are not introduced until after the black belt has been attained, in most schools. Seifukujutsu, Kappo, meditation techniques, Randori, massage, first aid, and nerve strikes may also be integrated into the curriculum at varying levels, depending on the instructor.