# List of paintings by Hieronymus Bosch

Paintings by Hieronymus Bosch, as well as paintings attributed to him or his school, have been compiled by various organizations. An investigation undertaken by The Bosch Research and Conservation Project of a multitude of Bosch's paintings included dendrochronological research and made an approximate dating of the paintings possible. The findings of this investigation were published in a book in 2016. The book describes the other findings of the investigation as well, such as painting technique, layer structure and pigment analyses.
Bosch's works are generally organized into three periods of his life dealing with the early works (c. 1470–1485), the middle period (c. 1485–1500), and the late period (c. 1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven surviving paintings attributed to his middle period. Bosch's early period is studied in terms of his workshop activity and possibly some of his drawings. There are no surviving paintings attributed before 1485.
Examples of Bosch's work can be found in Austria, Australia, Belgium, Canada, France, Germany, Italy, Netherlands, New Zealand, Portugal, Serbia, Spain, the UK, and the US.

## Triptychs

* Details
* Adoration of the Magi
* c. 1491–1498
* Oil on wood
* 138 × 144 cm
* Museo del Prado, Madrid, Spain
* The outer panels form a single image, Saint Gregory's Mass, rendered in grisaille.
* Saint Gregory's Mass
* c. 1491–1498
* Oil on wood
* 138 × 144 cm
* Museo del Prado, Madrid, Spain
* The outer panels form a single image, Saint Gregory's Mass, rendered in grisaille.
* The Garden of Earthly Delights
* c. 1495–1505
* Oil on wood
* 220 × 389 cm
* Museo del Prado, Madrid, Spain
* The Creation of the World
* c. 1495–1505
* Oil on wood
* 220 × 389 cm
* Museo del Prado, Madrid, Spain
* The outer panels of the Garden of Earthly Delights form a single image, The Creation of the World, rendered in grisaille
* Hermit Saints Triptych
* c. 1495–1505
* Oil on wood
* 86 × 100 cm
* Gallerie dell'Accademia, Venice
* The Last Judgment
* c. 1495–1505
* Oil on wood
* 99.5 × 117.5 cm
* Groeningemuseum, Bruges, Belgium
* Attributed to Bosch and/or his workshop. The outer panels form a single image, Christ Crowned with Thorns.
* Outside panels of "The Last Judgment"
* c. 1495–1505
* Oil on wood
* 99.5 × 117.5 cm
* Groeningemuseum, Bruges, Belgium
* The outer panels form a single image, Christ Crowned with Thorns
* The Martyrdom of St. Julia
* c. 1495–1505
* Oil on wood
* 104 × 119 cm
* Gallerie dell'Accademia, Venice, Italy
* The Martyrdom of St. Julia
* c. 1495–1505
* Oil on wood
* 104 × 119 cm
* Gallerie dell'Accademia, Venice, Italy
* X-rays of The Martyrdom of St. Julia showing the painting originally depicted donors on the left and right
* The Temptation of St. Anthony (left, central and right panels)
* c. 1500–1510
* Oil on wood
* 131.5 × 225 cm
* Museu Nacional de Arte Antiga, Lisbon, Portugal
* The Temptation of St. Anthony (Reverse side of the outer panels)
* c. 1500–1510
* Oil on wood
* 131.5 × 225 cm
* Museu Nacional de Arte Antiga, Lisbon, Portugal
* The outer panels show two images: The Arrest of Christ and Christ Bearing the Cross, both rendered in grisaille.
* The Last Judgment
* c. 1500–1505
* Oil on wood
* 163.7 × 127 cm (central panel)
* 167.7 × 60 cm (left wing)
* 167 × 60 cm (right wing)
* Academie für Bildenden Künste, Vienna, Austria
* The outer panels show two images: Saint James the Greater and Saint Bavo, both rendered in grisaille.
* Outside panels of The Last Judgment
* c. 1500–1505
* Oil on wood
* 167.7 × 60 cm (left wing)
* 167 × 60 cm (right wing)
* Academie für Bildenden Künste, Vienna, Austria
* The outer panels show two images: Saint James the Greater and Saint Bavo, both rendered in grisaille.
* The Haywain
* 1510–1516
* Oil on wood
* 147 × 232 cm (Escorial version)
* 135 x 190 cm (Prado version)
* El Escorial, Spain (version 1)
* Museo del Prado, Madrid, Spain (version 2)
* The outer panels form a single image, usually referred to as The Path of Life.
* Outside panels of The Haywain Triptych"
* 1510–1516
* Oil on wood
* 135 x 190 cm (Prado version)
* Museo del Prado, Madrid, Spain (version 2)
* The outer panels form a single image, usually referred to as The Path of Life aka The Pedlar.
* Passion Triptych
* c. 1530
* Commissioned by Mencía de Mendoza (1508–1554) for her burial chapel (the Chapel of the Epiphany) in the convent of Santo Domingo, Valencia
* Oil on panel
* 163 × 382 cm
* Museu de Belles Arts de València, Valencia, Spain
* Probably not a work by Bosch, but by a Flemish follower.

## Diptychs and polyptychs

| Image | Details |
| ; | Diptych (Hell and the Flood [nl]) Mankind Beset by Devils (Panel at left Outside of The Fall of the Rebel Angels) The Fall of the Rebel Angels Noah's Ark on Mount Ararat Mankind Beset by Devils (Panel at right outside of Noah's Ark on Mount Ararat) Oil on wood 69.5 × 35 cm (each panel) 34.5 cm (diameter of paintings on the reverse sides) Museum Boijmans Van Beuningen, Rotterdam, Netherlands |
| | Polyptych (Visions of the Hereafter) Fall of the Damned Hell Terrestrial Paradise Ascent of the Blessed 1505–15 Oil on wood 86.5 × 39.5 (each) Gallerie dell'Accademia, Venice, Italy   Also known as Cardinal Grimani's Altarpiece. Probably part of a larger (four more paintings) altarpiece, now lost. |

## Single panels and fragments of lost altarpieces
### The life of Christ

* Details
* Adoration of the Child
* Oil on wood
* 66 × 43 cm
* Wallraf-Richartz Museum, Cologne, Germany
* Bosch's authorship is disputed; possibly a copy after a lost Bosch original. Another, wider version of the same painting is kept in Noordbrabants Museum, 's-Hertogenbosch (on loan from the Rijksmuseum, Amsterdam), and yet another is in the Royal Museums of Fine Arts of Belgium in Brussels.
* Adoration of the Child
* Noordbrabants Museum, 's-Hertogenbosch (on loan from the Rijksmuseum, Amsterdam),
* Wider copy
* Adoration of the Magi
* c. 1470–1480
* Oil on wood
* 71.1 × 56.5 cm
* Metropolitan Museum of Art, New York, USA
* Described by Friedländer as ‘an especially early work by the master’; later deemed a 16th-century pastiche; more recently thought to be a work dating back to the 1470s from Bosch's immediate circle
* Adoration of the Magi
* Oil on wood
* 94 × 74 cm
* Museum of Art, Philadelphia, USA
* Crucifixion With a Donor
* Oil on wood
* 74.7 × 61 cm
* Royal Museums of Fine Arts of Belgium, Brussels, Belgium
* Christ Carrying the Cross (Vienna)[top panel]
* Christ Child with a Walking Frame(Vienna)[bottom panel]
* c. 1490–1510
* Oil on wood
* 57 × 32 cm
* Kunsthistorisches Museum, Vienna, Austria
* The reverse side of the panel has another painting on it, Christ Child with a Walking Frame (diameter 28 cm).
* Christ Carrying the Cross (Ghent)
* c. 1530–1540
* Oil on wood
* 74 × 81 cm
* Museum voor Schone Kunsten, Ghent, Belgium
* Bosch's authorship is disputed.
* Christ Carrying the Cross (Escorial)
* c. 1495–1505
* Oil on wood
* 150 × 94 cm
* El Escorial, Spain
* Christ Crowned with Thorns (London)
* c. 1490–1500
* Oil on wood
* 73 × 59 cm
* National Gallery, London, UK
* Christ Crowned with Thorns (Escorial)
* c. 1530–1540
* Oil on wood
* 165 × 195 cm
* El Escorial, Spain
* Painted neither by Bosch nor his workshop.
* Ecce Homo (Philadelphia)
* Oil on wood
* 52 × 54 cm
* Museum of Art, Philadelphia, USA
* Previously attributed to Bosch; dendrochronological analysis proved it to be a late 16th-century work by a follower
* Ecce Homo (Frankfurt)
* c. 1475–1485
* Oil on wood
* 71 × 61 cm
* Städel Museum, Frankfurt, Germany
* The Marriage Feast at Cana
* Oil on wood
* 93 × 72 cm
* Museum Boijmans Van Beuningen, Rotterdam, Netherlands
* Several versions of this painting exist. However, none of these date from Bosch’s lifetime.
* Descent of Christ into Limbo
* Oil on panel
* 100 cm (39.3 in); Width: 74 cm (29.1 in)
* private Collection
* Christ descent into Hell
* National Museum of Warsaw

### Saints

* Details
* St. Jerome at Prayer
* c. 1485–1495
* Oil on wood
* 77 × 59 cm
* Museum voor Schone Kunsten, Ghent, Belgium
* St. Christopher Carrying the Christ Child
* c. 1490–1500
* Oil on wood
* 113 × 71.5 cm
* Museum Boijmans Van Beuningen, Rotterdam, Netherlands
* St. John the Baptist in the Wilderness
* c. 1490–1495
* Oil on wood
* 48.5 × 40 cm
* Museo Lázaro Galdiano, Madrid, Spain
* St. John the Evangelist on Patmos
* c. 1490–1495
* Oil on wood
* 63 × 43.3 cm
* Gemäldegalerie, Berlin, Germany
* The reverse side of the panel has a round double painting (diameter 39 cm) on it: Scenes from the Passion of Christ (outer circle) and The Pelican with Her Young (inner circle).
* Outside panel of St. John the Evangelist on Patmos
* c. 1490–1495
* Oil on wood
* diameter 39 cm.
* Gemäldegalerie, Berlin, Germany
* The reverse side of the panel has a round double painting (diameter 39 cm) on it: Scenes from the Passion of Christ (outer circle) and The Pelican with Her Young (inner circle).
* The Temptation of St. Anthony
* c. 1500–1510
* Oil on wood
* 38.6 x 25.1 cm
* Nelson-Atkins Museum of Art, Kansas City, MO, USA
* There was a dispute as to whether this work was a Bosch autograph or a piece by the workshop until the Bosch Research and Conservation Project concluded it to be autograph based on evidence present in the underdrawing.
* The Temptation of St. Anthony
* c. 1530–1540
* Oil on wood
* 70 × 51 cm
* Museo del Prado, Madrid, Spain
* Bosch's authorship is disputed.

### Other works

* Details
* Terrestrial Paradise [left panel]
* Death of the Reprobate [Right panel]
* c. 1500 (1490–1510)
* Oil on wood
* Left panel:Height: 34.5 cm (13.5 in); Width: 21 cm (8.2 in).
* Right panel: 34.6 × 21.2 cm
* Private collection, New York, USA
* "Paradise" and "Reprobate" are the left and right wings of a missing Last Judgement triptych
* Ship of Fools
* c. 1500–1510
* Oil on wood
* 58 × 33 cm
* Louvre, Paris, France
* Fragment of a lost triptych which also included Allegory of Gluttony and Lust (which is the lower part of the Ship of Fools wing) and Death and the Miser (the other outer wing).
* Allegory of Gluttony and Lust
* c. 1500–1510
* Oil on wood
* 35.8 × 32 cm
* Yale University Art Gallery, New Haven, USA
* Fragment of a lost triptych which also included Ship of Fools (the Allegory would be the lower part of that outer wing) and Death and the Miser (the other outer wing).
* Death and the Miser
* c. 1500–1510
* Oil on wood
* 92.6 × 30.8 cm
* National Gallery of Art, Washington, D.C., USA
* Outer wing of a lost triptych. The other outer wing comprised Ship of Fools (top) and Allegory of Gluttony and Lust (bottom).
* The Ship of Fools/Death and the Miser triptych
* A reconstruction of the left and right wings of the triptych: at upper left The Ship of Fools; at lower left: Allegory of Gluttony and Lust. Panel at right is Death and the Miser. At Bottom the outer panel The Wayfarer.
* The Wayfarer
* c. 1500–1510
* Oil on wood
* 71.5 cm (diameter)
* Museum Boijmans Van Beuningen, Rotterdam, Netherlands
* This is the outer panel of a lost triptych. {possibly from the Ship of Fools triptych [?]
* Cutting the Stone
* c. 1500–1520
* Oil on wood
* 48 × 35 cm
* Museo del Prado, Madrid, Spain
* Also known as The Cure of Folly.
* The Seven Deadly Sins and the Four Last Things
* c. 1510–1520
* Oil on wood
* 120 × 150 cm
* Museo del Prado, Madrid, Spain
* Bosch's authorship is disputed.
* The Last Judgment (fragment)
* c. 1530–1540
* Oil on wood
* 60 × 114 cm
* Alte Pinakothek, Munich, Germany
* Fragment of a lost triptych. Bosch's authorship is disputed.
* The Conjurer
* c. 1530–1540
* Oil on wood
* 53 × 65 cm
* Musée Municipal, Saint-Germain-en-Laye, France
* Bosch's authorship is disputed.
* Head of a Halberdier
* Oil on wood
* 28 × 20 cm
* Museo del Prado, Madrid, Spain
* Fragment of a Christ Crowned with Thorns by a follower of Bosch.
* Head of a Woman
* Oil on wood
* 13 × 5 cm
* Museum Boijmans Van Beuningen, Rotterdam, Netherlands
* Fragment. Attribution uncertain.