OpenLLM-France/wikimedia huggingface dataset:
# Liber instrumentorum memorialium

The Liber instrumentorum memorialium is the surviving cartulary of the Lords of Montpellier, the Guilhems (Guillems), and an important source for their history. It was compiled in the early thirteenth century, under the patronage of William VIII, whose lordship is extensively catalogued in it. Its earliest documents date to 1059; its latest to 1204. Its 570 instruments are organised by both type and geography. According to the cartulary's preface, the documents are of two main types: those dealing with the lord's possessions in the Diocese of Maguelonne (which includes papal privileges, privilegia) and those dealing with his possessions elsewhere. Of these 150 record oaths of various sorts, while only 30 are convenientia (conventions). The earliest documents record some agreements of William IV involving the castles of Pouget and Saint-Pons-de-Mauchiens in 1059. The last few documents record the brief independent rule of William VIII's daughter Mary before her marriage (15 June 1204) to Peter the Catholic brought the lordship into the Crown of Aragon.
On the exceptional completeness of the cartulary of the Guilhems, Archibald Ross Lewis wrote:
   The Cartulary of the Guillems of Montpellier presents an unusually full record of the activities of a noble family of southern France between the last decades of the eleventh century and the earliest years of the thirteenth. Only the Cartulary of the Trencavels of Beziers, still unpublished, or the Liber feudorum of the Counts of Barcelona can be compared to it; and each of these is much less complete. The Cartulary is preserved primarily because after 1204 most of the heritage of the Guillems was taken over by the commune or town of Montpellier in a corporate sense. Since the town wished to exercise the rights that originally were those of its noble seigneurs, it was to the advantage of the townsmen to preserve intact the record of those rights and privileges which were contained in the Cartulary.
Some of the earliest provisions of the Coutumes de Montpellier, dating from 1190, can be found in the Liber. The Liber also gives evidence of the weakness of the King of France in the south of his realm during the twelfth century, when he figures only as a tool for dating documents; real authority lay with the Popes. The twelfth-century population of Montpellier has been estimated based on the Liber at 6,000–7,500 for the city and 9,000 when its rural environs are included.

## Editions

* Liber instrumentorum memorialium ou cartulaire des Guillems de Montpellier, 3 vols. A. Germaine and C. Chabanneau, edd. Montpellier: La Société Archéologique de Montpellier, 1884–86.
** Third volume at GoogleBooks
# Campiglossa snowi

Campiglossa snowi is a species of tephritid or fruit flies in the genus Campiglossa of the family Tephritidae.

## Distribution

The species is found in Canada, the United States.
# Down in the Cellar

Down in the Cellar is the fourteenth studio album by Al Stewart, released in 2000 in Europe by EMI. It was released in 2001 by Miramar in the US. It was re-released in 2007 with bonus tracks by Collectors' Choice Music.
Its primary theme is that of wine, and almost all the songs on the album refer to various varieties of the alcoholic beverage, including Chardonnay and Shiraz.

## Track listing

All tracks by Al Stewart except where noted.
* "Waiting for Margaux" – 4:35
* "Tasting History" (Laurence Juber, Stewart) – 4:05
* "Down in the Cellars" – 3:10
* "Turning It into Water" – 4:36
* "Soho" (Bert Jansch) – 4:00
* "The Night That the Band Got the Wine" – 6:09
* "Millie Brown" – 2:40
* "Under a Wine-Stained Moon" – 3:34
* "Franklin's Table" – 4:24
* "House of Clocks" – 3:00
* "Sergio" – 3:20
* "Toutes les Etoiles" – 2:11
* "The Shiraz Shuffle" (Juber, Stewart) – 1:55
2007 Re-release bonus tracks
* "Dark Side"
* "Belsize Blues"

## Personnel

* Simon Boswell – viola
* Ramon Breton – mastering assistant
* Steve Chapman – management
* Jim Cox – piano, organ
* Bruce Dukov – violin
* Joe Gastwirt – mastering
* Dominic Genova – electric bass, bass
* Jimmy Hoyson – assistant
* David P. Jackson – accordion ("Sergio")
* Michael Jochum – percussion, drums
* Laurence Juber – acoustic guitar, arranger, electric guitar, producer, engineer
* Avi Kipper – engineer
* David Low – cello
* Rachel Purkin – violin
* Lori Stoll – photography
* Peter White – accordion ("Toutes Les Etoiles")

## Sources

* Down in the Cellar at www.alstewart.com
# CCK1

CCK1 may refer to:
* CCL28, chemokine
* Cholecystokinin A receptor, GPCR
# Leavin' (Tony! Toni! Toné! song)

"Leavin'" is a song by American R&B group Tony! Toni! Toné! It was released on April 12, 1994, as the fourth single from their 1993 album Sons of Soul. The optimistic, upbeat song features turntable scratches and a sample of A Tribe Called Quest's 1990 song "If the Papes Come". Music critics found the song's style and group member Raphael Wiggins' singing reminiscent of Smokey Robinson.
"Leavin'" charted at number 82 on the Billboard Hot 100 and at number 41 on the Hot R&B Singles. It attained its highest charting in New Zealand, where it peaked at number 30. The song also appeared on the soundtrack to the 1994 film Beverly Hills Cop III.

## Music and lyrics

Tony! Toni! Toné! recorded the song for their third album Sons of Soul, which was recorded and released in 1993. The song was produced by the group and written by group member Raphael Wiggins and guitarist John "Jubu" Smith.
"Leavin'" has an upbeat mood, a light, affectionate tone, soulful vocals, and sweeping string arrangements. Musically, it exemplifies the group's incorporation of traditional soul styles on Sons of Soul. It also features snippets of turntable scratches. It contains a sample of "If the Papes Come" by A Tribe Called Quest. Billboard observes "an overall summery feel" on "Leavin'" and calls it "a smile-inducer for pop and urban outlets." Gil Griffin of The Washington Post writes that the "sensual" song "evokes Temptations-style optimism" and that its strings and blues guitar riffs recall Smokey Robinson's 1967 song "I Second That Emotion". Laura Zucker of The Sacramento Bee compares Saadiq's falsetto singing on "Leavin'" to that of Robinson.

## Music video

A music video for "Leavin'" was released in April 1994. It featured elaborate graphics and showed the group in alternating settings, including a lush country meadow, a hillside vista, and an urban hub at night, the latter of which featured lurid peep show marquees and pimps watching their prostitutes. Michael Saunders of The Boston Globe finds the video analogous to the group's musical fusion of classic and contemporary styles on Sons of Soul, writing that it "attempts to capture that merger visually with high-tech graphics, with a slinky soundtrack powering the mood."

## Personnel

Credits adapted from CD single (PolyGram #855763-2).
* The B Company – artwork
* Gerry Brown – mixing
* Ed Eckstine – executive producer
* Nicky Kalliongis – editing
* Tony! Toni! Toné! – producer

## Charts

| Chart (1994) | Peak position |
| New Zealand (RIANZ) | 30 |
| U.S. Billboard Hot 100 | 82 |
| U.S. Hot R&B Singles (Billboard) | 41 |
# Museum of Life (film)

Museum of Life is a 2010 BBC Two documentary, that takes a look behind the scenes at the Natural History Museum, London. It is introduced and co-presented by Jimmy Doherty, who was a volunteer at the Natural History Museum ten years previously. Other presenters are Kate Bellingham, Liz Bonnin, Mark Carwardine, and Chris van Tulleken.
The six-part program ranges over topics such as the care and maintenance of the museum's 70 million specimens, and the relevance of research by the museum scientists to contemporary problems such as biodiversity loss and the spread of tropical disease.

## Episodes

| Episode No. | Title of Episode | Original Air Date |
| 1. | "A Museum in a Modern World" | 18 March 2010 |
| 2. | "Digging Up the Past" | 25 March 2010 |
| 3. | "All Creatures Great and Small" | 1 April 2010 |
| 4. | "Discovery" | 8 April 2010 |
| 5. | "The Power of Insects" | 15 April 2010 |
| 6. | "A Collection for the Future" | 22 April 2010 |
# William Barrow (Jesuit)

William Barrow (alias Waring, alias Harcourt) (1609 – 30 June 1679) was an English Jesuit, executed as a result of the fictitious so-called Popish Plot, that between 1678 and 1681 gripped the Kingdoms of England and Scotland in anti-Catholic hysteria. Barrow is regarded as a martyr of the Roman Catholic church and was beatified in 1929.

## Life

Barrow was born in Lancashire. He made his studies at the Jesuit College, St. Omer's, and entered the Society of Jesus at Watten in 1632. He was sent to the English mission in 1644 and worked in the London district for thirty-five years, becoming, at the beginning of 1678, its superior.
At the outbreak of the Plot, Barrow was one of the most sought-after of the alleged plotters, although his use of the alias Harcourt caused the Government great confusion, as several other Jesuits also used it. He went into hiding in London, and for several months eluded capture. Finally, in May 1679, he was arrested and committed to Newgate on the charge of complicity in the plot brought against him by Titus Oates. The trial, in which he had as fellow-prisoners his colleagues, Thomas Whitebread, John Fenwick, John Gavan, and Anthony Turner, commenced on 13 June 1679.
Lord Chief Justice Scroggs presided, assisted by no less than six junior judges. Oates, William Bedloe, and Stephen Dugdale were the principal witnesses for the Crown. The prisoners were charged with having conspired to kill King Charles II and subvert the Protestant religion. They defended themselves by the testimony of their own witnesses and their cross-examinations of their accusers. Oates' claim that he had heard some of them plotting treason in the White Horse Tavern in London in late April 1678 was something they could in could conscience deny, although they did not feel obliged to mention that they had been at a meeting of the Jesuit chapter in Whitehall Palace at the time. John Gavan, the youngest and ablest of the five, bore the main burden of conducting his colleagues' defence as well as his own.
Scroggs in directing the jury laid down two crucial legal principles-
* as the witnesses for the prosecution had recently received the royal pardon, none of their undeniable previous misdemeanours could be legally admitted as impairing the value of their testimony; and
* that no Catholic witness was to be believed, as it was to be assumed that he had received a dispensation to lie.
Barrow and the others were found guilty, and condemned to undergo the punishment for high treason. They were executed together at Tyburn, 20 June 1679. The King, who was well aware that they were innocent, ordered as an act of grace that they be spared drawing and quartering, and given proper burial. The behaviour of the crowd, which listened in respectful silence as each man maintained his innocence, suggests that popular opinion was turning against the Plot. They were buried in St Giles in the Fields.

## Beatification

By a papal decree of 4 December 1886, this martyr's cause was introduced, but under the name of "William Harcourt". This is the official name of beatification.
# Ujukatā

Ujukatā (Pali) is a Buddhist term translated as "rectitude", and it is the basis for the following pair of mental factors within the Theravada Abhidharma teachings:
* Kāya-ujukatā – rectitude of mental body
* Citta-ujukatā – rectitude of consciousness
These two mental factors have the characteristic of uprightness of the mental body and consciousness, respectively.

## Definition

Bhikkhu Bodhi states:
    Rectitude is straightness. The twofold rectitude has the characteristic of uprightness of the mental body and consciousness, respectively. Its function is to crush tortuousness of the mental body and consciousness, and its manifestation is non-crookedness. Its proximate cause is the mental body and consciousness. It should be regarded as opposed to hypocrisy and fraudulence, etc., which create crookedness in the mental body and consciousness.
Nina van Gorkom explains:
    According to the Dhammasangani (par 50, 50), this pair of cetasikas consists in straightness and rectitude, being without deflection, twist or crookedness.
    The Atthasālinī (I, Book I, Part IV, Chapter I, 131) explains that uprightness of cetasikas and of citta crush crookedness and that they are the opponents of the corruptions, such as deception and craftiness, which cause crookedness in mental factors and consciousness.
    Uprightness is the opponent of deception and craftiness.
# A Rage to Live (novel)

A Rage to Live is a 1949 novel by John O'Hara. It was a bestseller upon release. The novel is described as a large-scale social chronicle, depicting a wide swath of American society, set in the fictional locale of Fort Penn, PA.
The book achieved commercial success, appearing at fourth place in Publishers Weekly's list of the top ten best-selling fiction works in the United States in the year 1949. A film based on the book was released in 1965.
# GCS

GCS may refer to:

## Cartography

* Galactic coordinate system
* Geographic coordinate system

## Computing

* Game creation system
* Gauss Centre for Supercomputing, in Germany
* Google Cloud Storage
* Group communication system
* Group Control System, an IBM VM Operating system component

## Education

* Gadsden County School District, in Florida, United States
* Gallantry Cross, Silver, an honour of the Republic of Venda
* Gaston Christian School, in Lowell, North Carolina, United States
* German Church School, in Addis Ababa, Ethiopia
* Glenelg Country School, in Ellicott City, Maryland, United States
* Gorey Community School, in County Wexford, Ireland
* Government College of Science, Lahore, Pakistan
* Grace Christian School (Florida), in Valrico, Florida, United States
* Grace Church School, in New York City
* Granville County Schools, in North Carolina, United States
* Greenfield Community School, in Dubai
* Greenville Christian School, in Mississippi, United States
* Greenwood College School, in Toronto, Ontario, Canada
* Guadalupe Catholic School, in Makati, Philippines
* Guildford County School, in England

## Medicine

* Gamma-glutamylcysteine synthetase
* Gender confirming surgery
* Glasgow Coma Scale
* Glucocorticosteroids
* Glycine cleavage system

## Other uses

* General Campaign Star (Canada), a Canadian Forces medal
* Grand Central Station, in New York City
* Satellite ground control station
* UAV ground control station
* Global Civic Sharing, a South Korean charity
* Global Combat Ship, of the Royal Navy
* Gold Coast Suns, an Australian Football League team
* Green Cove Springs, Florida
# Cameron County Courthouse

Cameron County Courthouse may refer to:
* Cameron County Courthouse (1882) in Brownsville, Texas
* Cameron County Courthouse (1914) in Brownsville, Texas
* Cameron County Courthouse (1980), as covered in List of county courthouses in Texas
* Cameron County Courthouse (Pennsylvania) in Emporium, Pennsylvania
# Down in the Bunker

Down in the Bunker is the third studio album by the Steve Gibbons Band. The album was produced by Tony Visconti. The reissue tracks were produced by Bobby Priden, who is best known for working with The Who.
The song "Any Road Up" did not appear on the band's earlier-released album of the same title.

## Critical reception

Professional ratings :
| Review scores ||
| Source | Rating |
| Christgau's Record Guide | A− |
| Mojo | |
The Globe and Mail deemed the album "smooth, if not eccentric country songs and the odd ballad, all brought into sharp relief by a particularly burning rock and roll."

## Track listing

All tracks composed by Steve Gibbons
* "No Spitting On the Bus"
* "Any Road Up"
* "Down in the Bunker"
* "Big J.C."
* "Mary Ain't Goin' Home"
* "Down in the City"
* "Let's Do It Again"
* "Eddy Vortex"
* "Chelita"
* "When You Get Outside"
* "Grace"

## 1988 Reissue tracks

All tracks composed by Steve Gibbons except where stated
* "Tulane" (Chuck Berry)
* "Gold Coast"
* "Body Talk"
* "Let Me Go"
* "Satisfying Moves" (R. Ireson, Trevor Ireson)
* "I Am Here"
* "The Great Escape"
* "Get Up and Dance"

## Personnel
### The Steve Gibbons Band

* Steve Gibbons - acoustic guitar, electric guitar, rhythm guitar, harmonica, vocals
* Trevor Burton - bass, piano, vocals, backing vocals
* Bob Wilson - electric guitar, electric piano, bass, Moog synthesizer, acoustic guitar, organ, 12-string guitar, backing vocals
* Bob Lamb - drums, percussion
with:
* Nick Pentelow - saxophone
* Tony Visconti - bass
* Dave Carroll - fiddle, lap steel guitar, backing vocals
* Harry Rix - drums
* Robbie Blunt - guitar

### Technical

* John Shaw - cover photography
# CCKM

Cisco Centralized Key Management (CCKM) is a form of Fast Roaming and a subset of the Cisco Compatible EXtensions (CCX) specification.
When a wireless LAN is configured for fast reconnection, a Lightweight Extensible Authentication Protocol (LEAP) enabled client device can roam from one wireless access point to another without involving the main server. Using CCKM, an access point configured to provide Wireless Domain Services (WDS) takes the place of the RADIUS server, and authenticates the client without perceptible delay in voice or other time-sensitive applications.
The WDS (which can be run as a service on a Cisco Access Point or on various router modules) caches the user credentials after the initial log-on. The user must authenticate with the Radius server the first time – then they can roam between access points using cached credentials. This saves time in the roaming process, especially valuable for VoIP devices.
The current implementation of CCKM requires Cisco compatible hardware and either LEAP, EAP-FAST (CCXv3) or PEAP-GTC, PEAP-MSCHAP, EAP-TLS (CCXv4).
# Leavin' Trunk/She Said, She Said

Leavin' Trunk/She Said, She Said is a limited edition vinyl single by The Black Keys. It was released on the independent label, Isota Records - only 1,000 hand-numbered copies were produced. The two songs were pressed onto a clear vinyl record, and the hand-printed slip cover included a photograph of a child with birds. The artwork was designed by Nat Russell.

## Track listing

* "Leavin' Trunk" (traditional) - 2:55
* "She Said, She Said" (Lennon–McCartney) - 2:29

## Personnel

* Dan Auerbach: guitar, vocals
* Patrick Carney: drums
# Defensive attribution hypothesis

The defensive attribution hypothesis (or bias, theory, or simply defensive attribution) is a social psychological term where an observer attributes the causes for a mishap to minimize their fear of being a victim or a cause in a similar situation. The attributions of blame are negatively correlated to similarities between the observer and the people involved in the mishap, i.e. more responsibility is attributed to the people involved who are dissimilar to the observer. Assigning responsibility allows the observer to believe that the mishap was controllable and thus preventable.
A defensive attribution may also be used to protect the person's self-esteem if, despite everything, the mishap does occur, because blame can be assigned to the "other" (person or situation). The use of defensive attributions is considered a cognitive bias because an individual will change their beliefs about a situation based upon their motivations or desires rather than the factual characteristics of the situation.$^{:112}$

## Research

Walster (1966) hypothesized that it can be frightening to believe that a misfortune could happen to anyone at random, and attributing responsibility to the person(s) involved helps to manage this emotional reaction.
Shaver (1970) recognized that the similarity of the witness to the person(s) involved in the misfortune – in terms of situation, age, gender, personality, etc. – changes the amount of responsibility one is ready to ascribe. Where Walster's work suggested increases in attributed responsibility, Shaver's concept of "defensive attribution" argued for minimization of assigned responsibility based on perceived similarities between the attributor and the person(s) involved. Shaver was able to demonstrate this response by describing events to test subjects; varying the situations and people described to either match or be significantly different from the subjects: as similarity with witnesses increased, attributions of responsibility decreased.
In 1981 Jerry Burger published a meta-analysis of 22 peer-reviewed studies on the defensive attribution hypothesis, in which he found strong evidence to support Shaver's hypothesized negative relationship between similarity and responsibility.

## Sexual assault

Researchers examining sexual assault have consistently found that male participants blamed rapists less than female participants did, and that male participants blamed the rape victims more than female participants did. These findings support Shaver's similarity-responsibility hypothesis: male participants, who are personally similar to (male) rapists, blame rapists less than female participants who are dissimilar to rapists. On the other hand, female participants, who are personally similar to (female) rape victims, blame the victims less than male participants.
# William Barron

William Barron may refer to:
* William Augustus Barron (1751–1812), British landscape painter
* William Barron (gardener) (1805-1891), English gardener and garden designer
* William Barron (politician) (1837–1916), New Zealand Member of Parliament
* William N. Barron (1859–1935), English-born lawyer and businessman in Missouri
* Wally Barron (William Wallace Barron, 1911–2002), American politician in West Virginia
* Bill Barron (1917–2006), English footballer and cricketer
* Bill Barron (musician) (1927–1989), American jazz saxophonist
# Ujumqin horse

The Ujumqin (simplified Chinese: 乌珠穆沁马; traditional Chinese: 烏珠穆沁馬; pinyin: Wū zhū mù qìn mǎ) is a type of Chinese Mongolian horse. Larger and reputedly better conformed than other horses of this breed, it is mainly ridden, the mares being milked for their milk.

## History

Also known as Wuchumutsin and Wuzhumuqin. The CAB International encyclopedia (2016) calls it "improved white Ujumqin". It is the result of selective breeding under human control, which has increased its size.
A technical communication from Commonwealth Agricultural Bureaux in 1969, followed by an official Chinese report in 1978, indicated the existence of these horses as a distinct breed or type. In 1982, around 100,000 Ujumqin-type horses were recorded in China, with a downward trend in numbers.

## Description

The Ujumqin is a light, steppe-type horse. It is considered an "improved", more elegant version of the classic Chinese Mongolian horse.
Different size data are available. In his 1984 study, Piliu Zheng mentions an average height of 1.35 m for males and 1.29 m for females. Caroline Puel (1989) cites an overall average of 1.35 m. CAB International (2016) indicates more than 1.30 m. The data are 1.27 m for females and 1.30 m for males according to the DAD-IS database, managed by the FAO. The University of Oklahoma study (2007) gives a lower overall average of around 1.25 m.
The Ujumqin is reputed to be better conformed than other strains of Chinese Mongolian, thanks to the quality of the grass in its native territory.
The breed has great endurance, and is faster than other Mongolian horses. Among the various types of Chinese Mongolian horse, the Ujumqin is the closest genetically to the Wushen, which is surprising given the great geographical distance between the two breeding areas. It is possible that this genetic proximity is the result of exchanges of breeding stock between breeders.

## Usage

The Ujumqin has a remarkable aptitude for work. The breed is mainly used as a saddle horse and transport horse. Ujumqin mares are milked for their milk: lactation lasts an average of 125 days, with an average yield of 350 kg per lactation.

## Breeding distribution

DAD-IS registers it as a local Chinese breed. It is mainly found in the Xilingol League in eastern Inner Mongolia, but has also spread to neighboring agricultural regions in northern China. No threat level is given. In 2007 the FAO listed it as 'not at risk'.