OpenLLM-France/wikimedia huggingface dataset:
# Basie's Beat

Basie's Beat is a 1967 album by Count Basie and his orchestra.
The trombonist Richard Boone sings on two of the tracks, "Boone's Blues" and "I Got Rhythm".

## Track listing

* "It's Only a Paper Moon" (Harold Arlen, E.Y. "Yip" Harburg, Billy Rose) – 2:43
* "Squeeze Me" (Fats Waller, Clarence Williams) – 4:56
* "St. Louis Blues" (W. C. Handy) – 5:26
* "I Got Rhythm" (George Gershwin, Ira Gershwin) – 2:37
* "Frankie and Johnny" (Traditional) – 3:43
* "Boone's Blues" (Richard Boone) – 2:50
* "St. Thomas" (Sonny Rollins) – 3:06
* "Hey Jim" – 4:10
* "Happy House" – 4:23
* "Makin' Whoopee" (Walter Donaldson, Gus Kahn) – 5:09

## Personnel

* The Count Basie Orchestra
* Count Basie – piano, arranger
* Richard Boone – vocals, trombone
* Bobby Plater, Marshall Royal – alto saxophone
* Charlie Fowlkes – baritone saxophone
* Norman Keenan – double bass
* Ed Shaughnessy, Rufus Jones – drums
* Freddie Green – guitar
* Billy Mitchell, Eddie "Lockjaw" Davis, Eric Dixon, Marshall Brown – tenor saxophone
* Al Grey, Grover Mitchell, Harlan Floyd, Henderson Chambers – trombone
* Bill Hughes – bass trombone
* Al Aarons, Gene Goe, Harry "Sweets" Edison, Phil Guilbeau, Sonny Cohn, Wallace Davenport – trumpet

### Production

* Acy R. Lehman – cover design
* Phil Ramone, Bob Arnold – engineer
* Val Valentin – director of engineering
* Stanley Dance – liner notes
* Chuck Stewart – photography
* Teddy Reig – producer
# Basie/Eckstine Incorporated

Professional ratings :
| Review scores ||
| Source | Rating |
| Allmusic | |
| The Rolling Stone Jazz Record Guide | |
Basie/Eckstine Incorporated is a 1959 studio album featuring Billy Eckstine and the Count Basie Orchestra. It was released by Roulette Records and marked Eckstine and Basie's only recorded collaboration.

## Track listing

* "Stormy Monday Blues" - 3:11
* "Lonesome Lover Blues" (Billy Eckstine, Gerald Valentine) - 3:08
* "Blues, the Mother of Sin" (Eckstine, Sid Kuller) - 3:41
* "Jelly, Jelly" (Eckstine, Earl Hines) - 3:02
* "Don't Cry Baby" (James P. Johnson, Saul Bernie, Stella Unger) - 3:31
* "Trav'lin' All Alone" (J. C. Johnson) - 2:54
* "Little Mama" (Eckstine, Kuller) - 3:29
* "I Want a Little Girl" (Billy Moll, Murray Mencher) - 3:25
* "Drifting" (Charles Brown, Johnny Moore, Eddie Williams) - 3:59
* "Song of the Wanderer" (Neil Moret) - 3:22
* "Piano Man" (Eckstine, Kuller) - 4:04

## Personnel

* Billy Eckstine - vocals

### The Count Basie Orchestra

* Count Basie - piano
* Marshal Royal - lead alto saxophone
* Frank Wess - alto saxophone, flute
* Frank Foster, Billy Mitchell - tenor saxophone
* Charlie Fowlkes - baritone saxophone
* Thad Jones, Wendell Culley, Joe Newman, Snooky Young - trumpet
* Henry Coker, Al Grey, Benny Powell - trombone
* Freddie Green - guitar
* Eddie Jones - double bass
* Sonny Payne - drums
* Bobby Tucker - additional piano
* Quincy Jones, Thad Jones & Bobby Tucker - arrangers

## Production

* Teddy Reig - producer
* Michael Cuscuna - CD reissue producer
# The Farewell Symphony

The Farewell Symphony is a 1997 semi-autobiographical novel by Edmund White.
It is the third of a trilogy of novels, being preceded by A Boy's Own Story (1982) and The Beautiful Room Is Empty (1988). It depicts the later adulthood of its protagonist and documents his experience of homosexuality from the 1960s to the 1990s. Each of the three novels in this series assumes a progression in tone and style which may be measured in part by the sexual content, which starts in A Boy's Own Story, expands in The Beautiful Room Is Empty and becomes more detailed in The Farewell Symphony.
Also, the first two novels in the series are shorter and come in at around 300 pages, told through the inner dialogue of their unnamed narrator. The Farewell Symphony is a considerably longer at 500 pages. Another distinguishing characteristic that sets The Farewell Symphony apart from its predecessors is the former were largely concerned with struggle, whereas in the third volume White/the narrator encounters gradually increasing professional success and is thus initiated into the American literary elite, whilst continuing to deal with the struggles he encounters. This changes the tone and flow of The Farewell Symphony in comparison with the previous two installments, with the tone and direction changing on multiple occasions.

## Allusions to other works

The title alludes to the "Farewell" Symphony by Joseph Haydn.

## Reception

Writing in The Wall Street Journal, the journalist James Wolcott suggested that the book "might have been more honestly titled Hilly Buttocks I Have Known," wherein the author "invites us to join him as he revisits the beloved rear ends of yesteryear. This is not the sort of invitation many people will leap to accept." Wolcott concluded, "Edmund White the writer has given way to Edmund White the trashy raconteur. It's the same fate that befell Truman Capote, and it wasn't pretty then either." Review magazine Publishers Weekly gave the novel a starred review, praising the "luminous snapshots of New York, Paris and Rome and [...] vital parade of men--dowdy, forbiddingly gorgeous, sylph-like, ephebic, closeted, defiantly and militantly out--that crowd its pages." Katherine Knorr, in a review for The New York Times applauded The Farewell Symphony for its handling of the AIDS crisis, and noting the novel's "dramatic" nature.
# Metius kulti

Metius kulti is a species of ground beetle in the subfamily Pterostichinae. It was described by Straneo in 1952.
# Pettah of Ahmednagar

In 1803 the Pettah of Ahmednagar, had forty bastions, or round towers: eight of them were large, with two guns in each; the remainder had only loopholes. There were twelve gates, without any detached works for defence. The walls were of mud, about 10 feet (3.0 m) high without a ditch.
A gunshot to the east of the pettah was the Fort of Ahmednagar. A small river came from the northward, round the west side of the pettah, and passed to the southward of the fort. A nullah also passed from the northward, between the fort and a town called Bhingar, about a gunshot to the eastward, and joined the river.
Two nills or covered aqueducts came from the hills, a mile or more to the north, passed through and supplied the pettah and the town, and then went into the fort, either under or through the ditch, into which the waste water fell.

## Capture during Second Anglo-Maratha War

On 8 August 1803, during the Second Anglo-Maratha War, forces under the command of Sir Arthur Wellesley (later the Duke of Wellington) stormed and captured the town.
Wellesley sent forward his stormers against the pettah, having first pointed out to the leaders where they were to fix their ladders. The assault was gallantly led; but within ten minutes five of the officers leading the first attacking party were killed or wounded, the ladders were thrown down and broken; the attack had failed.
Another attacking party had only two ladders; the rush of the stormers broke down one; but, on the other, the stormers, commanded by Captain Vesey and headed by Lieutenant Colin Campbell, forced their way up. About 150 men had scaled the rampart when a cannon-shot smashed the ladder. The fate of the stormers, now cut off, might have seemed hopeless; but they leaped down the inner side of the wall, forced their way through the streets to the central gate, against which another party of stormers were battering on the outside, opened it, let in their comrades, and the town was won. Wellesley then turned his attention to the nearby fort, which after a cannonade surrendered on terms and the garrison marched out with full military honours. The successful assault carried out with such apparent ease made a strong impression on the Indians. Golka, a Mahratta chief, wrote to a friend shortly after the incident:
   The English, are a strange people, and their general an extraordinary man. They arrive here in the morning, examine the walls, carry them, have killed all the garrison in the place, and have now gone back to breakfast. Who can resist such men as these?
# Maha Kali Mandir

31°39′01″N 74°53′04″E﻿ / ﻿31.6503275°N 74.8844102°E﻿ / 31.6503275; 74.8844102 The Maha Kali Mandir is a temple situated on the national highway near the Majitha bypass on the Jalandhar-Rajasansi airport road, in the state of Punjab, India. The temple was built by the late Sh. Ramesh Chander Sharma, and is run by the Mahakali Mandir Trust, currently headed by Mr. Ritesh Kumar Sharma, who runs the trust and organises the events.

## Religious facilities

The Mandir has temples of Maha Kali, Ram Parivar, Maa Durga, Shri Radha Krishan, Sindori Hanuman Ji, Maa Saraswati, Luxmi Narayan Mandir, and Shiv Parivar. The Mandir has a Chamakari Shivling which changes the colour, and a great Murti of the god Hanuman on the roof.
This temple is the only temple in Amritsar which has Nav Grah Mandirs (Temples of the nine Planets).
The temple celebrates all major Hindu festivals, such as Shivratri, Holi, Janamashtami, Diwali, and Dusshera. Dusshera is celebrated on large scale, with any politicians and religious gurus taking part, and addendance of 15,000 to 20,000 people. The temple trust provides food at all the major festivals.

## Charity programmes

Maha Kali Mandir runs various charity programmes, such as an eye checkup every Sunday, a dispensary, and a sewing school for girls. Temple welcomes other charity organisations and will host events without any religion restriction.

## Film industry

The temple is becoming famous in the film and music industry, as a lot of religious albums have been shot on the temple premises.
# Ventidius

Ventidius may refer to:
* Publius Ventidius (fl. 89–38 BC), Roman general, protégé of Julius Caesar
* Ventidius (bug), genus of water striders
# Saihō-ji (disambiguation)

Saihō-ji (西芳寺 and 西方寺) Temples in Japan.

## Saihō-ji (西芳寺) temples

* Saihō-ji (Kyoto) - Rinzai-shū - World Heritage Site

## Saihō-ji (西方寺) temples

* Saihō-ji (Tokiwadeguchi-chō, Ukyō-ku, Kyoto) - Jōdokyō
* Saihō-ji (Nishikyōgokukitaura-chō, Ukyō-ku, Kyoto)
* Saihō-ji (Gōno-chō, Shimogyō-ku, Kyoto)
* Saihō-ji (Shijo Ōmiya-chō, Shimogyō-ku, Kyoto)
* Saihō-ji (Daigo Nakayama-chō, Fushimi-ku, Kyoto)
* Saihō-ji (Hazukashi Furukawa-chō, Fushimi-ku, Kyoto)
* Saihō-ji (Furoya-machi, Fushimi-ku, Kyoto)
* Saihō-ji (Kita-ku, Kyoto)
* Saihō-ji (Nara)
* Saihō-ji (Sendai)
* Saihō-ji (Kiryu)
* Saihō-ji (Takaoka)
* Saihō-ji (Nagano)
* Saihō-ji (Hekinan)
* Saihō-ji (Kurume)
* Saihō-ji (Sasebo)
* Saihō-ji (Gotō)
* Saihō-ji (Kanoya)
* Saihō-ji (Satsumasendai)
* Saihō-ji (Tokyo)
* Saihō-ji (Kashiwa)
* Saihō-ji (Takehara)
# Soldier, Soldier (song)

"Soldier, Soldier" is a song recorded by the German eurodance group Captain Jack. It was released in May 1996 as the third single from their album, The Mission. The song had a great success in many countries, particularly in the Czech Republic and the Netherlands where it peaked at number 3. The song also reached number 6 in Finland and number 11 in Germany. On the Eurochart Hot 100, "Soldier, Soldier" reached number 19.
The song has connection with the traditional ballad "Soldier, Soldier".

## Music video

The music video was directed by Mark Glaeser and filmed on the island of Saint Barthélemy.

## Charts
### Weekly charts

| Chart (1996) | Peak position |
| Austria (Ö3 Austria Top 40) | 12 |
| Belgium (Ultratop 50 Flanders) | 21 |
| Czech Republic (IFPI CR) | 3 |
| Europe (Eurochart Hot 100) | 19 |
| Finland (Suomen virallinen lista) | 6 |
| Germany (Media Control Charts) | 11 |
| Netherlands (Dutch Top 40) | 3 |
| Netherlands (Single Top 100) | 3 |
| Switzerland (Schweizer Hitparade) | 12 |

### Year-end charts

| Chart (1996) | Position |
| Germany (Official German Charts) | 69 |
| Netherlands (Dutch Top 40) | 54 |
| Netherlands (Single Top 100) | 47 |
# Tasiilaq Heliport

Tasiilaq Heliport or Ammassalik Heliport (IATA: AGM, ICAO: BGAM) is a heliport in Tasiilaq, a town located on the Ammassalik Island in the Sermersooq municipality, in southeastern Greenland. Until 1997 the heliport was known as Ammassalik Heliport and is still listed by the Danish authorities under that name.

## Airlines and destinations

| Airlines | Destinations |
| Air Greenland | Kulusuk |
| Air Greenland (settlement flights) | Isortoq, Kuummiit, Sermiligaaq, Tiniteqilaaq |
Air Greenland operates government contract flights to villages in the Tasiilaq regions. These are mostly cargo flights that are not featured in the timetable, although they can be pre-booked. Departure times for these flights as specified during booking are by definition approximate, with the settlement service optimized on the fly depending on local demand for a given day.

## Future

There are political discussions on building a new airport at Tasiilaq, the major settlement in the region, and to close the Kulusuk Airport.
# Renegades of Sonora

Renegades of Sonora is a 1948 American Western film directed by R. G. Springsteen and written by M. Coates Webster. The film stars Allan Lane, Eddy Waller, Roy Barcroft, Frank Fenton, Mauritz Hugo and George J. Lewis. The film was released on November 24, 1948 by Republic Pictures.

## Cast

* Allan Lane as Rocky Lane
* Black Jack as Black Jack
* Eddy Waller as Nugget Clark
* Roy Barcroft as George Keeler
* Frank Fenton as Sheriff Jim Crawford
* Mauritz Hugo as Henchman Pete Lasker
* George J. Lewis as Chief Eagle Claw
* Mike Ragan as Henchman
* Dale Van Sickel as Brad
* Marshall Reed as Deputy
* House Peters, Jr. as Courier
# Asiccia

Asiccia is a monotypic moth genus of the family Noctuidae. Its only species, Asiccia lithosiana, is found in India. Both the genus and species were first described by George Hampson in 1926.
# Asemic

Asemic may refer to:
* Asemia, a communication disorder
* Asemic writing
# Saek people

The Saek (Thai: แสก) or Tai Saek are an ethnic group of Laos and Thailand. The Saek are a part of the larger Tai ethnicity.

## Geographic distribution

The center of the Saek population is the Mekong River in central Laos. A smaller Saek community makes its home in the Isan region of northeast Thailand, near the border with Laos.

## Language

The language of the Saek people is also called Saek, and it is part of the northern Tai branch of the Tai–Kadai language family. Many Saek have also adopted Lao.

## Culture

Most Saek cultural practices were either absorbed from the surrounding Lao and Thai cultures, or were practices common to the greater Tai ethnicity. However, the Saek are known for their round dances.

## Religion

Most of the Saek in Laos adhere to their traditional beliefs, which include ancestor worship, with a small number adhering to Theravada Buddhism. Offerings are often made to spirits to prevent illness. Spirits often represent the forces of nature, and each Saek village typically has a guardian spirit.
# Symmachus

Symmachus is a name from Roman antiquity. It may refer to:
* Symmachus (translator) (late 2nd century), author of one of the Greek versions of the Old Testament
* Symmachus ben Joseph, a Jewish Tanna sage of the fifth generation
* Symmachus (consul 522), son of Boethius
* Pope Symmachus, bishop of Rome from 498 to 514
* Symmachi, a Roman aristocratic family
** Aurelius Valerius Tullianus Symmachus, consul in 330
** Lucius Aurelius Avianius Symmachus, praefectus urbi in 364–365
** Quintus Aurelius Symmachus (c. 340–c. 402), orator, author, and politician, the most influential of the Symmachi
** Quintus Fabius Memmius Symmachus (383/384 – after 402), praetor
** Quintus Aurelius Symmachus, consul in 446
** Quintus Aurelius Memmius Symmachus (died 526), consul in 485 and wrote a history of Rome
# Sai-in

Saiin may refer to:
* Saiin (priestess), female relatives of the Emperor of Japan who served at Kamo Shrine
* Saiin Station, Hankyu Kyoto line train station
* Sai-in Temple (Nara), the western structure of the greater Hōryū-ji complex in Nara
# Sai (caste)

The Sai or sometimes pronounced Sayee are a Muslim community found in the states of Bihar and Uttar Pradesh in India. They are also known as the Sain.
# Saint-Jean-d'Heurs

Saint-Jean-d'Heurs is a commune in the Puy-de-Dôme department in Auvergne in central France.
# Safipur Assembly constituency

Safipur is a constituency of the Uttar Pradesh Legislative Assembly covering the city of Safipur in the Unnao district of Uttar Pradesh, India.
Safipur is one of six assembly constituencies in the Unnao Lok Sabha constituency. Since 2008, this assembly constituency is numbered 163 amongst 403 constituencies.
Currently this seat belongs to Bharatiya Janata Party candidate Bamba Lal who won in last Assembly election of 2017 Uttar Pradesh Legislative Elections defeating Bhujan Samaj Party candidate Ram Baran by a margin of 27,236 votes.
# Saint-Groux

Saint-Groux (French pronunciation:) is a commune in the Charente department in southwestern France.
# Saint-Grégoire

Saint-Grégoire or variation, may refer:

## People

* Pope Gregory I, also known as Saint Gregory/Saint Grégoire
* Nicolas Saint Grégoire (born 1983), American-French artist

## Places
### Canada

* Saint-Grégoire, Quebec, a community of the city of Bécancour, Quebec
* Mont Saint-Grégoire, mountain in the Montérégie region of southern Quebec
* Mont-Saint-Grégoire, Quebec, Canada; a municipality
* Saint-Grégoire-de-Greenlay, Quebec, Canada; a village municipality

### France

A commune in France:
* Saint-Grégoire, Ille-et-Vilaine, in the Ille-et-Vilaine department
* Saint-Grégoire, Tarn, in the Tarn department
* Saint-Grégoire-d'Ardennes, in the Charente-Maritime department
* Saint-Grégoire-du-Vièvre, in the Eure department
# Synorthocladius

Synorthocladius is a genus of European non-biting midges in the subfamily Orthocladiinae of the bloodworm family (Chironomidae).
# Ashton Park Parade railway station

Ashton Park Parade railway station was a station on the line between Guide Bridge and Stalybridge in Greater Manchester, England. This station served the town of Ashton-under-Lyne, now served only by Ashton Charlestown, north of this former station.

## Location

The down platform of Ashton Park Parade station was located on what is now a grass site to the south of Ashton's Park Parade Bypass and before the construction of the Bypass the down platform was approached directly from the end of Warrington Street where there was a large cobbled yard for passenger and parcel vehicles. The up platform stood on the edge of the escarpment, supported by arches and overlooking Lower Wharf Street. To the east of this platform were coal staithes where coal was dropped into vehicles waiting below in the coal yard. The lines serving the coal staithes were controlled by a signal box located on the opposite side of the line and just to the east of the down line platform where there was also a substantial goods siding. When the sidings were built Ashton's Old Baronial Hall was demolished to make way for them. These sidings occupied the land where the Bypass runs between the Parish Church and the railway line with the only remaining signs of the sidings being two wooden buildings in Church Street which once served the goods yard.

## History

Opened by the Manchester, Sheffield and Lincolnshire Railway, as the Stalybridge branch extension it later became part of the Great Central Railway, it then became part of the London and North Eastern Railway during the Grouping of 1923. The station then passed on to the London Midland Region of British Railways on nationalisation in 1948. It was then closed by the British Railways Board in 1956. It closed to goods on 2 November 1963.

## Present day

No remains of the former station are evident other than the well preserved flight of stone steps which ascend from Lower Wharf Street and led into the former Station Yard at the down platform entrance. The railway line is still open; TransPennine Express services between Liverpool/Manchester and the North East still run through the site of the old station, as does the once-weekly parliamentary service on the Stockport to Stalybridge Line. The only other clue of its existence is "The Station", a pub on Warrington Street, near the former station. The building of the Ashton by-pass sealed the fate of this station which cut it off from the towns main shopping street.
| Preceding station | Historical railways | Historical railways | Historical railways | Following station |
| Stalybridge Line and station open | | Great Central Railway Manchester, Sheffield and Lincolnshire Railway | | Dukinfield Central Line open, station closed |
# Sala Neoplastyczna

Sala Neoplastyczna (Neoplastic Room) is a permanent exhibition space at Muzeum Sztuki in Łódź originally designed by the Polish avant-garde artist Władysław Strzemiński in collaboration with the director of the museum Marian Minich in 1948. It was intended to showcase the works by European avant-garde artists of the interwar period, including Katarzyna Kobro, Theo van Doesburg and Henryk Berlewi, among others.

## History
### Design and installation (1948)

The idea for the Neoplastic Room emerged in the aftermath of World War II when the director Marian Minich, who had been leading the institution since 1935, expressed a desire to create a dedicated space for displaying works by European interwar avant-garde artists from the museum's collection. It was intended for the museum's new location at the Poznański family palace on Więckowskiego Street.
The Neoplastic Room was designed in 1948 by Władysław Strzemiński, one of the pivotal artists associated with Polish Constructivism and a co-founder of the a.r. group, which formed the core of the museum's pre-war collection. Strzemiński's project for the room was based on a 1931 manifesto he wrote together with his wife Katarzyna Kobro, titled Composition of Space: Calculations of Space-Time Rhythm.
Intended to achieve a "balance of harmony of space", the Neoplastic Room and its name were inspired by the ideas and visual vocabulary of the Dutch Neoplasticism movement originally established by Piet Mondrian and Theo van Doesburg. The space, "divided into planes based on strict mathematical calculations and painted with basic colours (red, blue, and yellow)", was augmented by vertical and horizontal arrangement in white, gray, and black.$^{:221}$The Neoplastic Room originally featured works by Berlewi, van Doesburg, Sophie Taeuber-Arp, Vilmos Huszár, Jean Hélion, Henryk Stażewski, and Georges Vantongerloo.$^{:221}$In addition to displaying paintings, the room showcased abstract sculptures by Kobro called Spatial Compositions (Kompozycje Przestrzenne), which were placed on custom-designed glass pedestals.$^{:70}$

### Later history (1960-now)

The Neoplastic Room survived only until October 1, 1950, when it was shut down due to the imposition of the Socialist Realist doctrine in Stalinist Poland. This followed the firing of Strzemiński from the Łódź Academy of Fine Arts earlier that year by the deputy minister of culture and arts Włodzimierz Sokorski. The space was painted over and the works were moved to warehouses, as modernism and avant-garde ran counter to Stalinist cultural policies. The room was reconstructed in 1960 by Bolesław Utkin, a student of Strzemiński, based on preserved photos. Since then, the room has been renovated multiple times and has become the most prominent permanent exhibition space at the museum.