OpenLLM-France/wikimedia huggingface dataset:
# Sanctuary of Madonna dell'Acqua Santa, Morrovalle

The Sanctuary of the Madonna dell'Acqua Santa (Our Lady of the Holy Water) is a small Roman Catholic church or Marian shrine located on the Strada Provinciale #10, just outside of the town of Morrovalle, province of Macerata, region of Marche, Italy.

## History

The small brick church was built at the site of a small chapel dedicated to Saint Mary of the Snows, putatively named due to a snowfall on January 5 in the distant past. Tradition holds that three leprous individuals entered town through the gate of the Porta di Sant'Agostino but found no hospitality. Sheltering in the chapel, they prayed to the Virgin. In their dreams they had a vision of the Madonna urging them to bathe in the spring outside the temple. After doing so, they putatively healed, leading the town to erect the present shrine. The design was commissioned in 1697 by Girolamo Lazzarini. Adjacent to the church was a dormitory for pilgrims. There is a roadside aedicule. In 1722, the church was made a chapel under the patronage of the Lazzarini.
The interiors of the walls have numerous ex-voto paintings from subsequent centuries. The church held the remains of Pier Francesco Greci, brother of Fausto Greci who restored the church in 1880.
# Sanctuary of Madonna del Sasso

The Madonna del Sasso sanctuary is on a spur over the Lake Orta at 638 m height, in the Madonna del Sasso municipality. From the square in front of the church, called "the Cusio's balcony", there is a great view on the lake, the Mottarone, the Alps and the Novara area.
The sanctuary is constituted by the church, the bell tower, and the parish house.

## History

For centuries the white granite strata on which the church is built has been used as ashlar. Originally there was a chapel here devoted to Our Lady of Sorrows, dating back to the 16th century. In the square women used to bleach the home-made canvas.
Thanks to the many graces occurred, it was decided to build a church as a substitute for the small chapel. In the church was preserved the statue of Our Lady of the Rosary, which was believed miraculous.
The present complex was promoted by the local Pietro Paolo Minola, who received a grace and decided in 1706 to finance the construction of a new sanctuary. The works began in 1725, thanks to the contribution of the inhabitants. In 1748 the church was complete, while the bell tower and the parish house were finished in 1760. The sanctuary was consecrated in 1771 by the bishop of Novara.
The church has a Greek cross design in a Baroque style with two lateral altars; the architecture and the frescos were made by Lorenzo Peracino. The altarpiece, coming from the old sanctuary, is a panel painting by Fermo Stella and represents the Pietà.
In 1998 the complex has been entirely restored.

## Gallery

* The sanctuary seen from Orta San Giulio
* Orta San Giulio seen from the sanctuary
* The sanctuary seen from Madonna del Sasso
# Ferry Gruber

Ferry Gruber (28 September 1926 – 23 July 2004) was an Austrian-German tenor in opera and operetta. A member of both the Bavarian State Opera and Staatstheater am Gärtnerplatz in Munich for half a century, he focused on roles of the buffo genre and operetta. He made recordings, appeared on radio and television, performed internationally at major opera houses and festivals, and worked also as an operetta director and a private voice teacher. He was a favourite with the audience, and received the title Kammersänger.

## Career

Born in Vienna, Gruber studied conducting at the Wiener Musikakademie with Hans Swarowsky and Hermann Gallos. He then worked as a choral conductor in Vienna, but soon turned to singing. He made his debut at the Staatstheater Lucerne in 1950 as Tamino in Mozart's Die Zauberflöte. He moved to the Theater Basel and then went to the Bavarian State Opera in Munich in 1954, where his first role was Alfredo in Verdi's La traviata. He turned to the buffo repertoire, such as Baron Lummer in Intermezzo by Richard Strauss, Benoît in Puccini's La bohème, Dr. Blind in Die Fledermaus by Johann Strauss), Ambrogio in Rossini's Il barbiere di Siviglia, and Ferenc in Smetana's Die verkaufte Braut. From the first year, Gruber also belonged to the ensemble of the Staatstheater am Gärtnerplatz there, specialising in operetta. He became one of the most popular and acclaimed singers of the house, along with Harry Friedauer. Among his opera and operetta partners were Christine Görner, Margit Schramm, Erika Köth, Sári Barabás, Dorothea Chryst, Liselotte Ebnet, Friedauer and John van Kesteren. Gruber was remembered as Monostatos in Die Zauberflöte. He appeared in Prokofiev's Die Liebe zu den drei Orangen with Ingeborg Hallstein, staged in 1960 at the Theater am Gärtnerplatz by Arno Assmann. Gruber performed at the two Munich stages for 50 years, and appeared as a guest at major opera houses in Europe. From 1960, he performed regularly at the Volksoper in Vienna.
Gruber made several recordings with the conductor Franz Marszalek for the broadcaster Westdeutscher Rundfunk in Cologne. He made numerous recordings of operas and operettas. In addition, Gruber appeared in several operetta films and television broadcasts. He worked as an opera and operetta director from 1969 and gave private singing lessons. He was awarded the title Kammersänger.
Gruber died in Munich at the age of 77 and was buried in the cemetery of Gräfelfing near Munich.

## Recordings

Gruber's recordings include
* Lehár: Das Land des Lächelns (as Graf Gustav von Pottenstein/Gustl)
* Lehár: Die lustige Witwe (as Njegus)
* Orff: Die Kluge (as first vagabond)
* Orff: Der Mond (as third rascal)
* Puccini: Madama Butterfly (as Goro)
* Johann Strauss: Die Fledermaus (as Dr. Blind)
# Sand mandala

Sand mandala (Tibetan: དཀྱིལ་འཁོར།, Wylie: dkyil 'khor, THL kyinkhor; Chinese: 沙壇城/壇城沙畫) is a Tibetan Buddhist tradition involving the creation and destruction of mandalas made from colored sand. Once complete, the sand mandala's ritualistic dismantling is accompanied by ceremonies and viewing to symbolize Buddhist doctrinal belief in the transitory nature of material life.

## Materials and construction

Historically, the mandala was not created with naturally dyed sand, but granules of crushed colored stone. In modern times, plain white stones are ground down and dyed with opaque inks to achieve the same effect. The monks use a special, extremely dense sand in order to limit interference by things such as wind or sneezes. Before laying down the sand, the monks assigned to the project will draw the geometric measurements associated with the mandala. The sand granules are then applied using small tubes, funnels, and scrapers, called chak-pur, until the desired pattern is achieved. Sand mandalas traditionally take several weeks to build due to the large amount of work involved in laying down the sand in such intricate detail. It is common that a team of monks will work together on the project, creating one section of the diagram at a time, working from the middle outwards.

## Themes

The Kalachakra Mandala for instance, contains 722 deities portrayed within the complex structure and geometry of the mandala itself. Other smaller mandalas, such as the one attributed to Vajrabhairava, contain significantly fewer deities and require less geometry, but still take several days to complete. Like all mandalas, these are meant as two-dimensional representations of what is supposed to be a three-dimensional environment. Various buildings have been suggested to be three-dimensional mandalas, such as Borobodur in Java, Indonesia, and the Bayon in Siem Reap, Cambodia, although no academic consensus on either has yet been reached.
Many sand mandala contain a specific outer locality which is clearly identified as a charnel ground.
The colors for the painting are usually made with naturally colored sand, crushed gypsum (white), yellow ocher, red sandstone, charcoal, and a mixture of charcoal and gypsum (blue). Mixing red and black can make brown, red and white make pink. Other coloring agents include corn meal, flower pollen, or powdered roots and bark.

## Ritual destruction

The destruction of a sand mandala is highly ceremonial. Even the deity syllables are removed in a specific order along with the rest of the geometry until at last the mandala has been dismantled to show impermanence. The sand is collected in a jar which is then wrapped in silk and transported to a river (or any place with moving water), where it is released back into nature to disperse the healing energies of the mandala to sentient beings in water and throughout the world.

## Notable sand mandala artists

* Losang Samten
* Dalai Lama
# Norway Bight

Norway Bight (60°37′S 45°49′W﻿ / ﻿60.617°S 45.817°W﻿ / -60.617; -45.817) is a bay 4 nautical miles (7 km) wide indenting the south coast of Coronation Island between Meier Point and Mansfield Point, in the South Orkney Islands. The name appears on a chart by Petter Sorlle, Norwegian whaling captain who made a running survey of the South Orkney Islands in 1912–13.
Cleft Point is a headland on the east side of Norway Bight.
# Sandro Vitiello

Sandro B. Vitiello (born February 21, 1958) is an Italian former American football placekicker who played one season for the Cincinnati Bengals of the National Football League (NFL). He also played two seasons with the Washington Federals of the United States Football League (USFL).
Vitiello was born on February 21, 1958, in Broccostella, Italy. His family moved to Long Island, New York, when he was 7. He went to East Meadow High School and played soccer there. When he went to college he became a placekicker. He went to college at UMass. He was left–footed but could also kick field goals with his right foot. He was drafted in the 10th round (252nd overall) by the Cincinnati Bengals in the 1980 NFL draft. Vitiello played two games with the Bengals his rookie season, and was signed and released twice by the team. In his two games he made two field goal attempts, and an extra point. The next season he signed with the Washington Redskins but did not make any appearances. Two years later he signed with the Washington Federals of the USFL. In his first season with the Federals, he played in eight games, and made 10 of 17 field goal attempts. He also played in two games the next season, going 0 for 4 on field goals but 2 for 3 on extra points. 1984 was his last season of professional football.
# Feva

Feva, FeVA, or FEVA can refer to:
* RS Feva, a brand of sailing dinghy
* Argentine Volleyball Federation (abbreviated FeVA), which governs volleyball in Argentina
* Sandra Feva (1947 – 2020), an American singer
* FEVA TV, a Canadian TV channel
* Feletheus (fl. 475 – died 487), the king of the Rugii tribe, located in modern-day Austria
* Federació d'Escacs Valls d'Andorra, which organizes the Andorran Chess Championship
# Sandra L. Pack

Sandra Lee "Sandy" Pack was United States Assistant Secretary of the Army (Financial Management and Comptroller) from 2001 to 2003 and Assistant Secretary of the Treasury for Management & Chief Financial Officer from 2005 to 2006.

## Biography

Sandy Pack was educated at the College of Notre Dame of Maryland. After college, she worked at the accounting firm of Ernst & Young.
In February 1999, Pack became director of treasury / chief financial officer for George W. Bush's 2000 presidential campaign, reporting to campaign manager Joe Allbaugh. Following George W. Bush's victory in the 2000 U.S. presidential campaign, President Bush nominated Pack to be Assistant Secretary of the Army (Financial Management and Comptroller) and, after Senate confirmation, Pack held this office from November 2001 to December 2003.
In December 2003, Pack resigned from her office in the United States Department of the Army to become CFO of George W. Bush's 2004 presidential campaign, reporting to campaign manager Ken Mehlman. After Bush's victory in the 2004 U.S. presidential election, Bush nominated Pack to be Assistant Secretary of the Treasury for Management & Chief Financial Officer. Pack subsequently held this office from August 2005 to December 2006.
From December 2006 to December 2008, Pack was the CFO of the Rudy Giuliani U.S. presidential campaign. From April 2008 to September 2009, she was the John McCain presidential campaign's senior advisor to treasury and accounting.
Since September 2009, Pack has been the chief audit executive of the United States Army Corps of Engineers.
# Virginia State Route 219

The following highways in Virginia have been known as State Route 219:
* State Route 219 (Virginia 1930-1933), Ferrum to Boones Mill
* State Route 219 (Virginia 1933), 1933 – late 1930s, spur of State Route 30 to Chelsea Plantation
* U.S. Route 219#Virginia, late 1930s – present
# Sandy Dillon

Sandra Ann Dillon (May 19, 1960 – August 4, 2022) was an American singer-songwriter. She released several solo albums, describing her music as "jazz-punk western blues", and also worked with Ensemble Modern and Man Parrish.

## Career

Born near Cape Cod, Dillon took up piano at the age of 6, and studied Orchestral Composition at Berklee College of Music in Boston, before moving to New York City where she lived at the Chelsea Hotel. She played Janis Joplin on Broadway in Rock n Roll: The First 5,000 Years where she was spotted by Tony DeFries, who had managed both David Bowie and Iggy Pop. DeFries steered her to Elektra, for whom she recorded two (unreleased) albums Candy From A Stranger (produced by Man Parrish) and Flowers (co-produced by Mick Ronson and Dieter Meier), those songs previewed in a performance at Ronnie Scotts alongside Ronson on guitar. Elektra released her third set as her debut album.
Dillon moved to London where she met her husband Steve Bywaters, who was a member of the Churchfitters (also known as the Blue Lighthouse Brigade in alternate form) alongside Pete Brown (bass and sax), Geoff Coombs (mandolin, whistles and vocals) and Angus Wallace (guitar and vocals). Steve Bywaters subsequently went on to produce several of Dillon's albums. She signed to One Little Indian for whom she recorded Electric Chair. In 2000 she released Las Vegas Is Cursed, a collaboration with Hector Zazou and East Overshoe. In 2001 Steve Bywaters died after suffering a heart attack. Dillon went on and recorded the well-received Nobody's Sweetheart, produced by Julius from Kinobe and featuring guest vocals from Heather Nova, which was the first of Dillon's albums to be released in the US, in 2004. She then recorded the album Pull the Strings, which was released in 2006. Her 2008 album, Living in Dreams, was recorded in Germany together with her new husband Ray Majors (Mott The Hoople, The Yardbirds) and produced by David Coulter. Dillon and Majors also contributed vocals and guitar to Sisters Euclid's album 96 Tears, a collection of cover versions.
Dillon died in London in August 2022. Her death occurred just hours apart from that of her husband, Ray Majors.

## Discography
### Albums

* Dancing on the Freeway (1995), Elektra
* Skating (1996), Bonjour
* Electric Chair (1999), One Little Indian/Virgin
* 12 (Las Vegas is Cursed) by Sandy Dillon & Hector Zazou (2000), Crammed Discs
* East Overshoe (2001), One Little Indian
* Nobody's Sweetheart (2003), One Little Indian
* Pull the Strings (2006), One Little Indian
* Living in Dreams (2008), Tradition & Moderne
* Flowers (2013), NRX
* Shipwrecked (2013)

### Singles

* "Flowers" (1985), Mainman
* "Shoreline" (2007), One Little Indian
# Fiat A.50

The Fiat A.50 was a seven-cylinder, air-cooled radial engine for aircraft use built in Italy in the 1930s. It was first run in 1928, it had a bore and stroke of 100 mm × 120 mm (3.94 in × 4.72 in)(6.6 L / 402.6 cuin) and was rated at 78 kW (105 hp) at 1,800 rpm.

## Applications

* Ambrosini SAI.3
* Ambrosini SAI.10
* CANSA C.5
* CANT 26
* Caproni Ca.100
* Fiat AS.1
* IMAM Ro.5

## Specifications

Data from

### General characteristics

* Type: Seven-cylinder radial engine
* Bore: 100 mm (3.94 in)
* Stroke: 120 mm (4.72 in)
* Displacement: 6.6 L (402.6 cu in)

### Components

* Fuel system: Carburettor
* Cooling system: Air-cooled

### Performance

* Power output: 78 kW (105 hp)
# Villiers, Vienne

Villiers (French pronunciation:) is a commune in the Vienne department in the Nouvelle-Aquitaine region in western France.
# Villiers-Louis

Villiers-Louis (French pronunciation:,) is a commune in the Yonne department in Bourgogne-Franche-Comté in north-central France.
# Sanjay Shakkottai

Sanjay Shakkottai is the Temple Foundation Endowed Professor No. 3 at the Department of Electrical and Computer Engineering at the University of Texas at Austin. Prior to joining the faculty at the University of Texas at Austin, Shakkottai obtained his Ph.D. in 2002 from the University of Illinois at Urbana–Champaign. He was named Fellow of the Institute of Electrical and Electronics Engineers (IEEE) in 2014 for contributions to the modeling, design, and analysis of wireless networks.
# Numanice 2

Numanice 2 (stylized as Numanice #2) is the fourth studio album by Brazilian singer Ludmilla, released on January 26, 2022, through Warner Music Brasil. The album won the 23rd edition of the Latin Grammy Awards in the category Best Samba/Pagode Album.

## Accolades

Awards and nominations for Numanice 2 :
| Year | Organization | Award | Result | Ref. |
| 2022 | Multishow Brazilian Music Award | Album of the Year | Nominated | |
| 2022 | Latin Grammy Awards | Best Samba/Pagode Album | Won | |

## Track listing

All tracks produced by Rafael Castilhol.

## Certifications

Certifications for Numanice 2 :
| Region | Certification | Certified units/sales |
| Brazil (Pro-Música Brasil) | Gold | 40,000$^‡$ |
| $^‡$ Sales+streaming figures based on certification alone. |||

## Release history

Release dates and formats for Numanice 2 :
| Region | Date | Format | Version | Label | Ref. |
| Various | 26 January 2022 | digital downloadstreaming | Standard | Warner Music Brazil | |
# Numancia (Madrid)

Numancia is an administrative neighborhood (barrio) of Madrid belonging to the district of Puente de Vallecas.
It has an area of 1.849172 km$^2$ (0.713969 sq mi). As of 1 March 2020, it has a population of 48,815.
# Santo Stefano, Belluno

Santo Stefano is a Roman Catholic, Gothic-style parish church in Belluno, region of Veneto, Italy.

## History

The first church at the site was dedicated to Santa Maria della Gracie, but rededicated and built in 1486. The main altarpiece depicting a Baptism of Jesus is by followers of Titian. Along the nave are canvases by Cesare Vecellio depicting Abraham, Melchisedec and the Venetian Podesta Marcantonio Cornaro; attributed to Leonardo Corona is a Mannah in the Desert with Podesta Marco Giustiniano; and the presbytery has two life-size angels sculpted in wood by Andrea Brustolon. Some of the works were moved here from other suppressed churches. The altarpiece dedicated to St Anthony Abbot was painted by Nicolò de Stefani. The altar of the Virgin of the Rosary has a crucifix by Brustoloni and paintings by Francesco Frigimelica. Other works include: Carrying the Cross and a Deposition from the Cross by Antonio Lazzarini.
The piazza in front, once displayed a sarcophagus of a Roman cavalry officer, Caius Flavius Hostilius found under the choir of the present church. The sarcophagus is now on display in the civic museum of Palazzo Crepadona.
# Fiery-shouldered parakeet

The fiery-shouldered parakeet (Pyrrhura egregia), also known as the fiery-shouldered conure, is a species of parrot in the family Psittacidae. It is found in Brazil, Guyana, and Venezuela. Its natural habitat is subtropical or tropical moist montane forests. There are two subspecies, P. e. egregia and P. e. obscura.

## Description

The fiery-shouldered parakeet grows to a length of about 26 cm (10 in) and weighs about 75 g (2.6 oz). In the nominate subspecies (P. e. egregia), the head is grey and the neck and upper parts of the body and wings are green. The front edge of the wing and the underwing coverts are yellow with orange markings. The breast is green barred with brown and yellowish-white. The central part of the abdomen is reddish-brown, as is the upper side of the tail while the underside of the tail is grey. The eye is brown and surrounded by bare white skin, and the beak is horn-coloured. In the other subspecies, P. e. obscura, the upper parts are a deeper shade of green and there is little or no bright colour on the abdomen.

## Distribution and habitat

The fiery-shouldered parakeet is endemic to an area of tropical rainforest in South America that includes Bolivia, Guyana, Brazil and Venezuela. Its total area of occupancy is about 50,000 square kilometres (19,000 sq mi) and includes part of the Canaima National Park. The subspecies P. e. egregia is found in southeastern Venezuela and southwestern Guyana while P. e. obscura occurs in southern Venezuela and northeastern Brazil. These parrots are found in primary and secondary forests at altitudes between 700 and 1,800 metres (2,300 and 5,900 ft) and also woodland verges, sometimes visiting parks and gardens.

## Behaviour

The fiery-shouldered parakeet is usually seen in small groups of up to 25 individuals. They fly fast and agilely between trees, often emitting shrill cries when they take off. They are rather shy and are adept at hiding themselves among the foliage. They forage in the canopy for plant material and particularly appreciate feeding on Cecropia trees. Little is known of the breeding habits of these birds.

## Conservation status

Although the fiery-shouldered parakeet has a restricted range it has been described as being "fairly common". Its rainforest habitat is under threat from logging and its numbers are thought to be declining, however the rate of decline is slow and the International Union for Conservation of Nature has assessed the bird as being of "least concern".
# Fiery-capped manakin

The fiery-capped manakin (Machaeropterus pyrocephalus) is a species of bird in the family Pipridae, the manakins. It is one of the five species in the genus Machaeropterus. It is named for its bright yellow head feathers.

## Distribution and habitat

The fiery-capped manakin is found in the southern Amazon Basin of Brazil, southeast Peru, and northern Bolivia; also Venezuela. Its natural habitat is subtropical or tropical moist lowland forest.
Its range is in the south-central Amazon Basin, then spreads east–west, and is mostly associated with River drainages. The range, shaped like an inverted "Y" starts at the Amazon River outlet in southern Amapá state and Pará. At the Tapajós-Amazon River confluence, the range goes south, upstream on the Tapajós and forks east–west. The eastern range extends to the upstream third of the Xingu River, then further east to the upstream half of the Araguaia in the Araguaia-Tocantins River system. The range narrows eastward another 600 km at the very headwaters of the adjacent Tocantins River.
The westward extension of the range covers northern Amazonian Bolivia, the tributary headwaters to the northeast-flowing Madeira River; the range continues through southeast and central Amazonian Peru beyond the north-flowing Amazon River tributary, the Ucayali River.
Two small disjunct populations of the fiery-capped manakin occur; one in northeast Roraima state on the south-flowing Branco River; the other further northwest on the lower reaches of the Caribbean-flowing Orinoco River in east-central Venezuela, 500 km upstream.