# Dave Dee, Dozy, Beaky, Mick & Tich discography

This is the discography of the British band Dave Dee, Dozy, Beaky, Mick & Tich.

## Albums
### Studio albums

| Title | Details | Peak chart positions | Peak chart positions |
| Title | Details | UK | GER |
| Dave Dee, Dozy, Beaky, Mick & Tich | Released: 24 June 1966 Label: Fontana 13 tracks LP/MC (mono/stereo) | 11 | 4 |
| If Music Be the Food of Love... Prepare for Indigestion | Released: 16 December 1966 Label: Fontana 12 tracks LP/MC (mono/stereo) | 27 | 4 |
| If No-One Sang | Released: 31 May 1968 Label: Fontana 12 tracks LP/MC (mono/stereo) Released in the US as Time To Take Off | 45 | 30 |
| Together | Released: 12 September 1969 Label: Fontana Special 10 tracks LP (stereo) | — | — |
| Fresh Ear | Released: October 1970 Label: Philips As D,B,M+T | — | — |
| Dave Dee, Dozy, Beaky, Mick & Tich | Released: 1984 Label: Heartbreak Hotel Album of tracks re-recorded in July 1984 | — | — |
| "—" denotes releases that did not chart or were not released in that territory. ||||

### Compilation albums

| Title | Details | Peak chart positions | Peak chart positions | Peak chart positions |
| Title | Details | UK | NL | US |
| Greatest Hits | Released: July 1967 Label: Fontana US and Canada-only release 10 tracks LP/MC (mono/stereo) | — | — | 155 |
| Golden Hits of Dave Dee, Dozy, Beaky, Mick & Tich | Released: November 1967 Label: Fontana 12 tracks LP (includes 7 tracks first time on LP) | — | — | — |
| D D D B M T (A Plea For Sanity) | Released: 8 March 1968 Label: Fontana Special 10 tracks LP (includes 3 tracks first time on LP) | — | — | — |
| Legend Of... | Released: February 1969 Label: Fontana Special 10 tracks LP (includes 4 tracks first time on LP) | — | — | — |
| Greatest Hits | Released: November 1971 Label: Philips International 12 tracks LP (with 10 UK hits) | — | — | — |
| Greatest Hits | Released: June 1976 Label: Philips Sonic 12 tracks LP/MC (with 12 UK hits) | — | — | — |
| Greatest Hits | Released: May 1984 Label: Philips Price 13 tracks LP/MC (with 13 UK hits) | — | — | — |
| Hits Album | Released: 1987 Label: K-tel Netherlands-only release 18 tracks LP/CD/MC (includes "Tonight Today" & was DDDBM&T's 1st CD release) | — | 18 | — |
| The Best of Dave Dee, Dozy, Beaky, Mick & Tich | Released: 1990 Label: The Collection | — | — | — |
| Greatest Hits | Released: 1991 Label: Fontana | — | — | — |
| Zabadak | Released: 1995 Label: Karussell/Spectrum Music | — | — | — |
| Hold Tight! The Best of the Fontana Years | Released: October 1995 Label: Collectables US-only release | — | — | — |
| The Best of Dave Dee, Dozy, Beaky, Mick & Tich | Released: November 1995 Label: Spectrum Music | — | — | — |
| The Complete Collection | Released: November 1996 Label: Mercury 46 tracks 2 CD | — | — | — |
| All the Hits Plus More | Released: 1997 Label: Startel Entertainment | — | — | — |
| Together | Released: February 1997 Label: BR Music Expansion of the studio album to include a number of unreleased and previously released songs 22 tracks CD | — | — | — |
| Boxed! | Released: April 1999 Label: BR Music 100 tracks 4 CD | — | — | — |
| The Singles | Released: April 1999 Label: BR Music 25 tracks CD | — | — | — |
| Dave Dee, Dozy, Beaky, Mick & Tich | Released: 2001 Label: Forever Gold | — | — | — |
| The BBC Sessions | Released: March 2008 Label: BR Music Netherlands-only release | — | — | — |
| The Very Best of Dave Dee, Dozy, Beaky, Mick & Tich | Released: 8 September 2008 Label: Universal Music TV | 24 | — | — |
| The Complete French EP’s & Singles Collection | Released: September 2023 Label: Magic | — | — | — |
| "—" denotes releases that did not chart or were not released in that territory. |||||

## Album Notes

* ↑ At the last minute the track "007" because of a copyright infringement with the Ian Fleming/James Bond Organisation had to be hurriedly re-recorded & came out as "Double Agent". If you look carefully at the back of the UK LP cover/sleeve you will find a different print font size where the master artwork had to be corrected.
* ↑ The UK album release came out with an unusual and original sleeve idea plus title with three members and the first part of the title on the front and the other two members and the second part of the title on the back of the sleeve/cover (Canada, New Zealand & South Africa used the same sleeve design/format as the UK). Whether it was initially/originally envisaged as a gatefold sleeve is not known. One way you can see the 'complete & full image' was to place both the stereo and mono releases front and back alongside each other. In Germany and Australia they chose/devised different ways to have all five members on the front sleeve but hence missing its original/novel concept. The German sleeve though was quite bright/colourful losing the dark more somber background of the UK issue. Concerning the "…Prepare For Indigestion" addition to the title then some involved in the album did not like this, but finally the heads of UK Fontana/Philips had the final say (note that Australia dropped the "…Prepare For Indigestion" part). It is not known whether reaching agreement & manufacturing of the final cover design/concept delayed the UK release or not.
* ↑ One of the key tracks on the album is the humorous/fun "Loos Of England" which received a quasi-ban in the UK (i.e. see Record Mirror 25 February 1967 p.4 where they were not allowed to perform the track on Doddy's Music Box (Ken Dodd's show)). From all historical accounts "Loos" was never performed on UK TV and also seemingly never played on the BBC (i.e. there is no special BBC re-recording for "Loos" as there was for 6 other tracks on the album). It was an effort to veer away from standard love song fare into lavatories and "Loos Of England" was a track that was either 'pure genius' or 'an embarrassment' as it ran through the public conveniences of England, France, USA, Greece, Russia and Australia with respective clever unusual musical interludes for each country. "Loos" never really created the buzz intended, though Fontana/Philips a couple of months after the album release, released 'Loos" as the flagship track for an EP which did reach No. 8 in the UK EP chart.
* ↑ Reviews at the time by NME, Record Mirror, Melody Maker (each in their respective 17th December 1966 magazine editions) for "If Music Be The Food Of Love…" were very positive with comments such as: "which make the LP a remarkable one", "it is a good example of some of the best pop music this country is producing", "they have come up with an excellent album". The Disc & ME review 24th December 1966 issue p.12 states "for sheer good spirits & energy you can't beat them" but with an almost contradictory statement (like a double edged sword) in "but by far & away the best track is the Eddie Cochran styled "Help Me"". Strange statement considering that according to the other reviews there were many other strong tracks in "Bend It", "Hideaway", "All I Want", "Loos Of England", "You Make It Move", "Shame", "Master Llewellyn", "Bang", "I'm On The Up", "Hair Of My Chinny-Chin-Chin" & "Hands Off".
* ↑ The album had been completed by end of October 1966 with original release date scheduled as 25th November 1966 (i.e. see NME 4th November 1966 p.9 & where also next single "Save Me" was going to be released on the same day). There was a small advert for the album in the Disc & Music Echo issue 26th November on p.17. The Record Mirror 3rd December 1966 p.4 then stated that "IMBTFOL…" & "Save Me" would both be released on 2nd December. For various reasons the album release date then eventually slipped another 2 weeks to 16th December 1966 thus missing out on the all-important 1966 UK pre-teen/teen Xmas market (only really getting into the shops after Christmas and hence eventually first charting on 7th January 1967). This delay into the new year also coincided with the arrival of The Monkees who were at this moment storming the UK charts (with an instant fame) & would have attracted away some of the potential audience for the DDDBM&T LP. Perhaps this overall release delay therefore was a partial reason for the LP's eventual relatively poorer than expected chart performance. The single "Save Me" (was not on the album) was released on the 2nd December & entered the 10th December chart at the No. 32 position, hence was nicely timed for the Xmas market.
* ↑ After having spent during 1966 a total of 50 weeks in the UK Singles Chart (more than any other act for that year 1966 i.e. see p. 387 of Guinness British Hit Singles 9th Edition ISBN 0-85112-526-3) (Note that in 1965 The Seekers had won that accolade with their 51 weeks in the UK Singles Chart), plus coming after a No. 2 hit in "Bend It" & with now "Save Me" currently at No. 4, & further supported by four very positive/favourable album reviews by the UK music press, then big things were expected with this album release. Therefore after having only reached a HP of No. 27 & 5 weeks in the chart (chart progress positions were No. 37, 29, 27, 27, 32) there was a sense of disappointment & concern within the DDDBM&T camp. Their 'fun & friendly' left field beat music along with the variety & versality demonstrated on the LP should have surely performed better? For supporting information & some possible reasons for its lack of success then see the other 'Album Notes' for this LP. Just after the album had quickly exited the charts then Dave Dee in Record Mirror 11th February 1967 p. 3 explained to the interviewer Norman Jopling that "the group were very pessimistic about their future", "seemed to be up against a brick wall" & that they "now needed to change". Because of the album's lack of success, then from this point on in the UK, DDDBM&T became known as a "Singles Act" & afterwards had very little major album success. In Germany (the World's 3rd largest record market at the time) then the album did well & reached HP No.4 & was 20 weeks in the charts…'unusually' much better than what it had achieved in the UK (DDDBM&T's home-country) & where Germans liked that solid drum & bass beat music sound that DDDBM&T produced.
* ↑ Coincident with the chart high position of No. 4 (in the Bravo LP Chart it reached No. 3) they had just been voted in Germany by the Bravo magazine as the World's Top Act (the Bravo Otto Wahl Award). This was in the 27th March 1967 edition of the magazine where they had won the award with 82,034 votes with The Beatles coming 2nd with 79,669 votes & The Beach Boys 3rd with 28,986 votes.
* ↑ The "Together" album was released on the "Fontana Special" label which was budget priced & so therefore the album was ineligible for the UK Album Charts. It was also released just after Dave Dee had left the group with now DBM&T proceeding down a completely different musical path & so there would be no promotion! Coupled with its shorter than normal album playing time (31m41s), then Fontana/Philips Records decided on a "budget price release" & also being cheaper as a sort of gift to the DDDBM&T fans. Probably due to these reasons then neither NME, Record Mirror nor Melody Maker reviewed the album (for Disc & ME it is not known if there was a review or not?) plus there were no images or promotion of the LP presented within any of these UK music papers. Instead of going out with a bang then DDDBM&T & the Swinging Sixties went out with a whimper! To note that the NME did report in their 4th October 1969 edition on p.8 that the LP was released on the 4th October 1969. Notwithstanding this indifference the album proved to be a very reasonable effort. As an All Music review states "There were at least 7 possible singles here." "magnificent harmonies & production" "Not a dud track & a pity the album is so underrated/underestimated." "Star tracks "Love Is A Drum", "Mountains Of The Moon" & "Margareta Lidman"." The full review can be found here:
* ↑ Fontana/Mercury Records USA decided not to release either of their first two LPs Dave Dee, Dozy, Beaky, Mick & Tich & If Music Be the Food of Love... Prepare for Indigestion & instead belatedly released this 10 track affair as DDDBM&T's first USA album. Why though incongruously only 10 tracks (26m11s in length) when there were then 34 DDDBM&T studio tracks currently available & where a 14 track album (circa 37mins long i.e. at the time the No. 1 U.S. album was The Beatles Sgt. Pepper's Lonely Hearts Club Band which was 39m38s in length) might have at least attracted via better value the more casual record buyer & given a slightly improved chance for success into the USA. Suggested additional tracks would have been "Frustration", "Hard to Love You", "Shame" & "Help Me". The DDDBM&T camp made it clear that they were unhappy with the performance of their U.S. record company Fontana/Mercury & shortly after this release changed/switched to Imperial/Liberty Records.
* ↑ This their debut U.S. album was issued a long 18 months after the release in January 1966 of their first U.S. single "You Make It Move". At the time other acts (i.e. The Cyrkle, The Happenings, Crispian St. Peters…also The Palm Beach Band Boys who had actually issued a cover version of "Bend It!") had debut LPs immediately coming out in the U.S. (along with their single releases)! One possible explanation for this long delay was that DDDBM&T's five singles issued so far in the U.S. had had little success. DDDBM&T were also caught up in the 'British Invasion Backlash' (instigated in order to protect home-grown U.S. talent from a previous domination by UK acts) which meant a continual rejection of their work permits/visas, therefore not allowing/clearing DDDBM&T to come to the U.S. & promote their singles. The band had made it known from the beginning, since 1962 as Dave Dee & The Bostons playing Hamburg & impressing the U.S. sailors stationed there, that they wanted to be successful in the U.S. Therefore with their debut U.S. single issued in the January, they had planned already to come in February 1966 (i.e. see NME 31st December 1965 p.6 & Billboard 15th January 1966 page 23). Throughout 1966 & early 1967 DDDBM&T/Mercury Records could never get visas/work permits cleared & that it was finally only in April 1967 that the permission was granted. In Billboard 28th April 1967 p.3 it states: "Mercury UK Group OK’d In U.S. Tour. Chicago – Mercury Records has overcome the usual stringent obstacles to foreign talent imports into the U.S. and announced last week that its recording group, known as Dave Dee, Dozy, Beaky, Mick & Tich, has been cleared for an April 26-May 4 tour of some 10 cities. The rare clearance came as a result of co-operation by the U.S. State Department and the U.S. Department of Naturalization and Immigration. The group obtained an H-1 visa." The piece went on to state, "Fontana is rushing out an album". This clearance though had taken Fontana/Mercury by surprise because when DDDBM&T finally came there was no single nor album out then to support their tour. Noting that it was just a "promotion" tour with no "live" performances (actually being DDDBM&T's forte) permitted. Along with this there was also the previous banning of their 4th U.S. single "Bend It", which added to the adversity encountered & hence taking everything into consideration produced the long delay to the album release date.
* ↑ Calling it "Greatest Hits" even if the release does include 6 UK hits was a misnomer as there were incongruously no U.S. hits on it. In the Billboard Magazine 22nd January 1966 issue then "Spotlight Singles" p.16 predicted that DDDBM&T's debut U.S. single "You Make It Move" (on the album) would go Top 60 "this hard driving rocker loaded with teen dance appeal has all the earmarks of a smash in the U.S." Billboard Spotlight predicted for 2nd U.S. single "Hold Tight!" to go Top 60; "Hideaway" Top 100; "Bend It!" Top 60; "Save Me" Top 100. If Billboard had been correct in at least one of their 5 single release predictions (all are on the album), then DDDBM&T's story in the U.S. may have been different. Billboard Magazine 19th March 1966 p.16 stated for "Hold Tight!": "Good group vocal on ultra-big beat dance rhythm for a left field winner. Top-of-the chart contender." Concerning "Bend It!" then this may have made the Top 60 but then there was a record ban placed onto it. Fontana/Mercury for the first 4 singles put no publicity into Billboard magazines. There was for "Save Me" though a full-page advert along with the first photo of the band (actually seen in Billboard) placed in the 28th January 1967 issue p.35. Fontana/Mercury were a relatively small record company based in Chicago & lacked the clout that the major labels had throughout the vast U.S., which could partially explain why none of the 5 DDDBM&T singles on the album became hits. Perhaps also the DJ's & Radio Station Programmers were also somehow swayed by the "British Invasion Backlash" and so did not give the DDDBM&T records a fair spin. In Lillian Roxon's famed 1969 Rock Encyclopedia (Library Of Congress Catalog Card Number: 77-75342) it is stated for DDDBM&T "The group specializes in good, clean, wildly entertaining very sexy off-colour fun, beautifully staged. They should have made it in America by now. Almost everyone else has, and they're better than some." The album was finally released in the July of 1967 & in the 29th July 1967 Billboard issue on p.37 in the "New Action Albums" section then the DDDBM&T album was mentioned/presented along with 2 others. Billboard though did not do any review for the album in their "Album Reviews" section. Fontana/Mercury never placed any publicity into Billboard for the "Greatest Hits" album but confusingly the parent/partner company in the Netherlands Fontana/Philips, probably due to what was amounting to extreme frustration, placed a full page advert into the Billboard issue 22nd July 1967 p.51 for instead the If Music Be the Food of Love... Prepare for Indigestion album (utilizing the Germany/Netherlands artwork) with supporting words "Now taking a big bite of the cherry in the $ market"! That album was never issued in the U.S. There seemed to be forces against the band in ever having any success in the U.S.
* ↑ The album was actually available in at least 6 formats…mono vinyl LPs, stereo vinyl LPs, reel-to-reel tapes, both 4 & 8 track cartridges & music cassettes.

### Video albums

| Title | Details |
| Greatest Hits | Released: 2003 Label: BR Music Netherlands-only release |
| The Legend of Xanadu | Released: 2005 Label: Universal, BR Music Germany and Netherlands-only release |
| Beat Beat Beat | Released: 2008 Label: ABC Entertainment Split album with the Troggs |

## EPs

| Title | Details | Peak chart positions |
| Title | Details | UK |
| Loos of England | Released: February 1967 Label: Fontana | 8 |
| Classic Cuts | Released: October 1980 Label: Philips | — |
| "—" denotes releases that did not chart. |||

## Singles

| Title | Year | Peak chart positions | Peak chart positions | Peak chart positions | Peak chart positions | Peak chart positions | Peak chart positions | Peak chart positions | Peak chart positions | Peak chart positions | Peak chart positions | Peak chart positions | Album |
| Title | Year | UK | AUS | BE (FLA) | BE (WA) | CAN | GER | IRE | NL | NZ | SA | US | Album |
| "No Time" b/w "Is It Love?" | 1965 | — | — | — | — | — | — | — | — | — | — | — | Dave Dee, Dozy, Beaky, Mick & Tich |
| "All I Want" b/w "It Seems A Pity" | 1965 | — | — | — | — | — | — | — | — | — | — | — | If Music Be the Food of Love... |
| "You Make It Move" b/w "I Can't Stop | 1965 | 26 | — | — | — | — | — | — | — | — | — | — | If Music Be the Food of Love... |
| "Hold Tight!" b/w "You Know What I Want" | 1966 | 4 | 21 | — | — | 52 | 4 | — | — | 8 | 7 | — | Dave Dee, Dozy, Beaky, Mick & Tich |
| "Hideaway" b/w "Here's a Heart" | 1966 | 10 | 80 | — | — | 69 | 3 | 10 | — | 13 | — | — | If Music Be the Food of Love... |
| "Bend It!" b/w "She's So Good" | 1966 | 2 | 16 | 16 | 22 | 94 | 1 | 3 | 4 | 1 | 1 | — | If Music Be the Food of Love... |
| "Bend It!" (re-recording) b/w "She's So Good" | 1966 | — | — | — | — | — | — | — | — | — | — | 110 | Greatest Hits |
| "Hard to Love You" b/w "No Time" / "Frustration" | 1966 | — | — | — | — | — | 10 | — | — | 17 | — | — | Dave Dee, Dozy, Beaky, Mick & Tich |
| "Save Me" b/w "Shame" | 1966 | 3 | 25 | 17 | 20 | 93 | 2 | 14 | 8 | 5 | 8 | — | Non-album singles |
| "Touch Me, Touch Me" b/w "Marina" | 1967 | 13 | — | — | 39 | — | 8 | — | — | 7 | — | — | Non-album singles |
| "Okay!" b/w "He's a Raver" | 1967 | 4 | — | 10 | 29 | — | 5 | 7 | 3 | 10 | — | — | Non-album singles |
| "Zabadak!" b/w "The Sun Goes Down" | 1967 | 3 | 32 | 4 | 16 | 1 | 6 | 7 | 4 | 4 | 13 | 52 | If No-One Sang |
| "Zabadak!" (Italian version) b/w "Follemente Vivo (Save Me)" | 1967 | — | — | — | — | — | — | — | — | — | — | — | If No-One Sang |
| "I'll Love You" b/w "Things Go Better with Coke" | | — | — | — | — | — | — | — | — | — | — | — | Non-album single |
| "The Legend of Xanadu" b/w "Please" | 1968 | 1 | 6 | 6 | 10 | 10 | 5 | 1 | 5 | 1 | 7 | 123 | If No-One Sang |
| "Break Out" b/w "Mrs. Thursday" | 1968 | — | — | — | — | 28 | — | — | — | — | — | — | If No-One Sang |
| "Last Night in Soho" b/w "Mrs. Thursday" | 1968 | 8 | — | — | — | — | 13 | 11 | 15 | 4 | — | — | Non-album singles |
| "The Wreck of the 'Antoinette'" b/w "Still Life" | 1968 | 14 | — | 19 | — | — | 21 | — | — | 1 | 17 | — | Non-album singles |
| "Run Colorado" b/w "Margareta Lidman" | 1969 | — | — | — | — | — | — | — | — | — | — | — | Together |
| "Don Juan" b/w "Margareta Lidman" | 1969 | 23 | 13 | 4 | 9 | — | 22 | — | 3 | 13 | — | — | Together |
| "Snake in the Grass" b/w "Bora Bora" | 1969 | 23 | — | 17 | 46 | — | 18 | — | — | — | — | — | Together |
| "Tonight Today" (as D B M & T) b/w "Bad News" | 1969 | — | — | 17 | 49 | — | 39 | — | 4 | — | — | — | Non-album singles |
| "My Woman's Man" (as Dave Dee) b/w "Gotta Make You Part Of Me" | 1970 | 42 | 52 | — | — | — | — | — | — | — | — | — | Non-album singles |
| "I'm Going Back" (as David) b/w "Sellpin" | 1970 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "Annabella" (as Dave Dee) b/w "Kelly" | 1970 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "Mr. President" (as D. B. M. & T.) b/w "Frisco Annie" | 1970 | 33 | — | — | — | — | — | — | — | — | — | — | Fresh Ear |
| "Everything About Her" (as Dave Dee) b/w "If I Believed In Tomorrow" | 1970 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "Festival" (as D. B. M. & T.) b/w "Leader of a Rock 'n' Roll Band" | 1970 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "Wedding Bells" (as Dave Dee) b/w "Sweden" | 1971 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "I Want To Be There" (as D.B.M. & T.) b/w "For The Use Of Your Son" | 1971 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "Hold On" (as Dave Dee) b/w "Mary Morning, Mary Evening" | 1971 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "Swingy" (as Dave Dee) b/w "Don't You Ever Change Your Mind" | 1971 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "They Won't Sing My Song" (as Dozy, Beaky, Mick & Tich) b/w "Soukie" | 1972 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "My Woman's Man" (as Dave Dee) b/w "Gotta Make You Part Of Me" (single re-released/re-issued) | 1972 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "When Freedom Come" (as Mason) b/w "It's All Gone Wrong" | 1973 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "Fading" (as Mason) b/w "It's Alright" | 1973 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "Follow Me" (as Mason) b/w "Peacefully" | 1974 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "She's My Lady" b/w "Babeigh" | 1974 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "I Have No Hold On You" (Dave Dee with Jean Musy) b/w "Few & Far Between" | 1975 | — | — | — | — | — | — | — | — | — | — | — | Few & Far Between |
| "You've Got Me on the Run" (as Dozy, Beaky, Mick & Tich) b/w "Rock and Roll" | 1979 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "In the Coven" (as D.B.M. & T.) b/w "I Can't Stop Wanting You" | 1981 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "The Ballad Of Bulldog Bobby" (as Dave & The Bulldogs) b/w "Instrumental Version" | 1982 | — | — | — | — | — | — | — | — | — | — | — | The World Cup Commemorative LP |
| "Do-Wah-Diddy..." b/w "Waiting" | 1983 | — | — | — | — | — | — | — | — | — | — | — | Non-album single |
| "La Leyenda de Xanadu" (live) b/w "What'd I Say" (live) | 1983 | — | — | — | — | — | — | — | — | — | — | — | Heroes & Villains |
| "Staying with It" b/w "Sure Thing" | 1983 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "Here We Go" (as the Boys) b/w "Here We Go Again" | 1986 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "Matthew & Son" (as Dozy, Beaky, Mick & Tich) b/w "Matthew & Son (Instrumental)" | 1986 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "Zabadak (Karakakora)" (as Dave Dee + Klaus & Klaus) b/w "Trunkenbold" | 1989 | — | — | — | — | — | — | — | — | — | — | — | Ach Du Dickes Ei |
| "Scirocco"(as Dave Dee & Marmalade) b/w "I Don't Believe In Love Anymore" | 1989 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "What You Are"(as Dozy, Beaky, Mick & Tich) | 2019 | — | — | — | — | — | — | — | — | — | — | — | Non-album singles |
| "—" denotes releases that did not chart or were not released in that territory. ||||||||||||||