# List of Cultural Properties of Japan – paintings (Toyama)

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This list is of the Cultural Properties of Japan designated in the category of paintings (絵画, kaiga) for the Prefecture of Toyama.

## National Cultural Properties

As of 1 January 2015, three Important Cultural Properties have been designated, being of national significance.
| Property | Date | Municipality | Ownership | Comments | Dimensions | Coordinates |
| Lotus Sutra Mandala, colour on silk 絹本著色法華経曼荼羅図 kenpon chakushoku Hoke-kyō mandara zu | 1326-28 | Toyama | Honpō-ji (本法寺) | 21 scrolls | | 36°33′11″N 137°09′45″E﻿ / ﻿36.553120°N 137.162547°E﻿ / 36.553120; 137.162547﻿ (Honpōji) |
| Scenes in and around the Capital, colours on paper with gold ground 紙本金地著色洛中洛外図〈／六曲屏風〉 shihon kinji chakushoku rakuchū rakugai zu (rokkyoku byōbu) | Momoyama period | Takaoka | Shōkō-ji (勝興寺) (kept at the Takaoka Municipal Museum (高岡市立博物館)) | pair of six-panel screens | | 36°44′47″N 137°01′16″E﻿ / ﻿36.746450°N 137.021055°E﻿ / 36.746450; 137.021055﻿ (Takaoka Municipal Museum) |
| Ittō Ryōson (one stupa two deities) - Nichiren - Kishimojin and the Ten Rasetsunyo - Thirty Guardian Deities colour on silk, by Hasegawa Tōhaku 紙本著色一塔両尊像〈長谷川信春筆／〉 紙本著色日蓮像〈長谷川信春筆／〉 紙本著色鬼子母神十羅刹女像〈長谷川信春筆／〉 絹本著色三十番神像〈長谷川信春筆／〉 kenpon chakushoku ittō ryōson zō (Hasegawa Tōhaku hitsu) kenpon chakushoku Nichiren zō (Hasegawa Tōhaku hitsu) kenpon chakushoku Kishimojin jū-rasetsunyo zō (Hasegawa Tōhaku hitsu) kenpon chakushoku sanjū banshin zō (Hasegawa Tōhaku hitsu) | 1564-66 | Takaoka | Daihō-ji (大法寺) | four scrolls | 86.0 centimetres (2 ft 9.9 in) by 40.0 centimetres (1 ft 3.7 in); 85.7 centimetres (2 ft 9.7 in) by 40.5 centimetres (1 ft 3.9 in); 86.4 centimetres (2 ft 10.0 in) by 39.9 centimetres (1 ft 3.7 in); 94.7 centimetres (3 ft 1.3 in) by 39.0 centimetres (1 ft 3.4 in) | 36°44′48″N 137°00′27″E﻿ / ﻿36.746648°N 137.007483°E﻿ / 36.746648; 137.007483﻿ (Daihōji) |

## Prefectural Cultural Properties

As of 1 January 2015, twelve properties have been designated at a prefectural level.
| Property | Date | Municipality | Ownership | Comments | Coordinates |
| Monju Bosatsu Riding a Lion, colour on silk 絹本著色騎獅文殊菩薩像 kenpon chakushoku kishi Monju bosatsu zō | early Kamakura period | Toyama | Raikō-ji (来迎寺) | | 36°40′59″N 137°13′16″E﻿ / ﻿36.683125°N 137.220987°E﻿ / 36.683125; 137.220987﻿ (Raikōji) |
| Shōtoku Taishi Aged 16, colour on silk 絹本著色聖徳太子孝養像図 kenpon chakushoku Shōtoku Taishi kōyō-zō zu | | Toyama | private | | 36°41′02″N 137°12′54″E﻿ / ﻿36.683770°N 137.214893°E﻿ / 36.683770; 137.214893﻿ (Nishinakanomachi, Toyama) |
| Nichiren Shū Honzon Mandala, colour on silk 絹本著色日蓮宗本尊曼荼羅図 kenpon chakushoku Nichiren-shū honzon mandara zu | Momoyama period | Takaoka | Daihō-ji (大法寺) | the title of the 南無妙法蓮華経; by Hasegawa Tōhaku | 36°44′48″N 137°00′27″E﻿ / ﻿36.746648°N 137.007483°E﻿ / 36.746648; 137.007483﻿ (Daihōji) |
| Pure Land based on the Amitayurdhyana Sutra, colour on silk 絹本著色観経浄土変相図 kenpon chakushoku kangyō jōdo hensō zu | Kamakura period | Imizu | Mandara-ji (曼陀羅寺) | | 36°46′46″N 137°05′21″E﻿ / ﻿36.779446°N 137.089269°E﻿ / 36.779446; 137.089269﻿ (Mandaraji) |
| Blue Fudō, colour on silk 絹本著色青不動 kenpon chakushoku ao Fudō | late Kamakura period | Imizu | Mandara-ji (曼陀羅寺) | | 36°46′46″N 137°05′21″E﻿ / ﻿36.779446°N 137.089269°E﻿ / 36.779446; 137.089269﻿ (Mandaraji) |
| Standing Yakushi Nyorai, colour on silk 絹本著色薬師如来立像 kenpon chakushoku Yakushi Nyorai ryū-zō | Kamakura period | Tonami | Jōfuku-ji (常福寺) | | 36°39′14″N 136°58′59″E﻿ / ﻿36.653865°N 136.983075°E﻿ / 36.653865; 136.983075﻿ (Mandaraji) |
| Daiitoku Myōō, colour on silk 絹本著色大威徳明王図 kenpon chakushoku Daiitoku Myōō zu | early Muromachi period | Tonami | Senkō-ji (千光寺) | | 36°38′10″N 137°01′55″E﻿ / ﻿36.636158°N 137.031806°E﻿ / 36.636158; 137.031806﻿ (Senkōji) |
| Mandala of the Two Realms, colour on silk 絹本著色両界曼荼羅図 kenpon chakushoku ryōkai mandara zu | late Kamakura period | Tonami | Senkō-ji (千光寺) | pair of scrolls with supplementary scroll | 36°38′10″N 137°01′55″E﻿ / ﻿36.636158°N 137.031806°E﻿ / 36.636158; 137.031806﻿ (Senkōji) |
| Nirvana Painting, colour on silk 絹本著色仏涅槃図 kenpon chakushoku Butsu nehan zu | Nanboku-chō period | Toyama | Ōyama Centre for Administration (大山総合行政センター) | | 36°36′08″N 136°53′08″E﻿ / ﻿36.602110°N 136.885679°E﻿ / 36.602110; 136.885679﻿ (Ōyama Centre for Administration) |
| Ema at Angō-ji 安居寺の絵馬 Angōji no ema | Momoyama period | Nanto | Angō-ji (安居寺) | three ema; said to be the work of Kanō Eitoku and his pupil Sanraku | 36°36′08″N 136°53′08″E﻿ / ﻿36.602110°N 136.885679°E﻿ / 36.602110; 136.885679﻿ (Angōji) |
| Kitano Shrine Okuni Kabuki Byōbu 北野神社阿国歌舞伎図 Kitano Jinja Okuni kabuki zu | early Edo period | Nanto | Fukuno Shimeisha (福野神明社) | | 36°35′36″N 136°55′19″E﻿ / ﻿36.593419°N 136.921996°E﻿ / 36.593419; 136.921996﻿ (Fukuno Shinmeisha) |
| Three Thousand Buddhas, colour on silk 絹本著色三千仏図 kenpon chakushoku sanzen butsu zu | Muromachi period | Toyama | split between Tairyū-ji (帝龍寺), Ōyama Historical Folk Material Museum (富山市大山歴史民俗資料館), and Ōyama Centre for Administration (大山総合行政センター) | three scrolls | 36°33′48″N 137°13′52″E﻿ / ﻿36.563272°N 137.231244°E﻿ / 36.563272; 137.231244﻿ (Tairyūji) |