OpenLLM-France/wikimedia huggingface dataset:
# Eduard Kaiser

Eduard Kaiser (22 February 1820 in Graz – 30 August 1895 in Vienna) was an Austrian painter and lithographer, as was his brother Alexander Kaiser (1819–1872). He was a celebrated portrait artist who drew the attention of Elisabeth, Empress of Austria.

## Life

Eduard Kaiser was the son of Joseph Franz Kaiser, the owner of a lithographic business in Graz. He studied at the Wiener Akademie beside Josef Danhauser and soon became a serious competitor for the top Vienna portrait-lithographer Josef Kriehuber. Enthused by the ideas of the revolution, in 1848 Kaiser joined the Academic Legion - during this time he made portraits of almost all the main figures of the March Revolution (Josef Radetzky, Franz Schuselka, Hans Kudlich Adolf Fischhof, Carl Giskra). In 1852/53 he lived in Rome. After returning to Austria he developed a very profitable portrait-lithography business, with clients including Franz Joseph I of Austro-Hungary, his empress Elisabeth of Austro-Hungary, Friedrich Hebbel, Robert Schumann and Clara Schumann.
In 1867–1886 he lived in Rome again, where he devoted himself very successfully to watercolour reproductions of classical masterpieces - these reproductions were then sold in Great Britain as colour lithographs. He then returned to Vienna and to portrait painting in oils and watercolour.

## Selected lithographs

* Rosa Csillag
* Karl-Maria Kertbeny
* Ignaz Feigerle
* Robert and Clara Schumann
* Hans Kudlich
# Qaminis and Tukrah salines

Qaminis and Tukrah salines is a protected area of Libya.
# Coleophora isabellina

Coleophora isabellina is a moth of the family Coleophoridae. It is found in Uzbekistan.
Adults are whitish and do not have longitudinal grayish striae. They are on wing from August to the beginning of September.
The larvae feed on the fruit of Arbuscula richteri. They create a case similar to Coleophora tsherkesi.
# MVP Colony

Muvvala Vani Palem Colony, known as MVP Colony is an urban neighborhood in the Indian city of Visakhapatnam and it was once Asia's largest residential township with a population of more than 70,000. The colony is divided into 12 sectors.
It is a well-developed colony in Visakhapatnam with many hotels, restaurants, temples, parks, and also hospitals. A modern auditorium, an amphitheater and three convention halls worth ₹ 20 crore are being constructed here. The foundation stone for these was laid in February 2014.
A track was laid along the foothills of Kailasgiri called the VMRDA Health Arena or Buddha Vanam which was inaugurated in January 2016. It was developed by VUDA after spending nearly ₹8 crores. Buddha Vanam with a 31-foot Buddha statue raised on a three-foot pedestal is an important attraction for tourists. Very quickly, it turned into a popular rendezvous for the health-conscious as well as tourists thronging the city for its impressive landscaping and magnificent grandeur. This is the only park in the city which has a long stretch for walking and cycling for which there is a dedicated track. The Buddha Vanam also attracts several women and senior citizens for meditation. Many visit the imposing statue area for yoga, Suryanamaskar, and laughing exercise.
Tenneti Park, which is at the intersection of Sector-9 and the beach road towards Bhimili (Marine drive), has views of the Bay of Bengal and the anchored ships in the harbor. The Shivaji Park is located adjacent to the colony.

## Transport

APS RTC operates bus services from MVP Colony bus station to every part of the city. MVP Double road and Beach road are major roads. The most important bus route is 540 which runs from MVP Complex to Simhachalam, 900 which runs from Maddilapalem to railway station via MVP Colony. 900K which runs from Bheemili to RTC Complex via MVP and Ushodaya Junction.

### APSRTC routes

| Route Number | Start | End | Via |
| 900 | Maddilapalem | Railway Station | Venkojipalem, MVP Colony, Pedawaltair, Siripuram, RTC Complex |
| 14 | Venkojipalem | Old Head Post Office | Appughar, Chinnawaltair, Siripuram, Jagadamba Centre, Town Kotharoad |
| 17K | Bhimunipatnam | Old Head Post Office | INS Kalinga, Thimmapuram, Rushikonda, Sagarnagar, Appughar, MVP Colony, Pedawaltair, Siripuram, RTC Complex, Jagadamba Centre, Town Kotharoad |
| 900K | Bhimunipatnam | RTC Complex | INS Kalinga, Thimmapuram, Rushikonda, Sagarnagar, Appughar, MVP Colony, Pedawaltair, Siripuram |
| 900T | Tagarapuvalasa | RTC Complex | Bhimili, INS Kalinga, Thimmapuram, Rushikonda, Sagarnagar, Appughar, MVP Colony, Pedawaltair, Siripuram |
| 210 | Ravindra Nagar | Gantyada HB Colony | Hanumanthuwaka, Appughar, MVP Colony, Pedawaltair, Siripuram, RK Beach, Jagadamba Centre, Town Kotharoad, Convent, Scindia, Malkapuram, New Gajuwaka, Pedagantyada |
| 540 | MVP Colony | Simhachalam | Venkojipalem, Maddilapalem, Gurudwar, Birla Junction, NAD Kotharoad, Gopalapatnam |
| 549 | Railway Station | Simhachalam | RTC Complex, Siripuram, Pedawaltair, MVP Colony, Venkojipalem, Maddilapalem, Gurudwar, Birla Junction, NAD Kotharoad, Gopalapatnam |
# Claire Deluca

Claire Deluca (5 June 1933 – 7 April 2020) was a French actress and director.

## Career

Deluca acted in several plays written by Marguerite Duras, such as Les Eaux et Forêts, La Musica, Yes, peut-être, and Le Shaga. She also adapted a theatrical adaptation of La Vie matérielle. She won the Prix d'interprétation féminine at the Festival de Barcelona for her role in La Musica.
In 1993, Deluca participated in the Centre culturel international de Cerisy-la-Salle's dedication to Marguerite Duras. The following year, she contributed to the Comédie-Française by recounting memories of Le Shaga rehearsals in 1967 at Neauphle-le-Château.
In 2008, she offered a lecture-spectacle of Le Shaga at the Théâtre du Temps. She directed the play in 2011 at the Théâtre de l'Athénée alongside Jean-Marie Lehec and Karine Martin-Hulewicz. She became a member of the judicial committee for the Prix Marguerite-Duras.

## Personal life

On 7 April 2020, Deluca died in Paris, France, at the age of 86.

## Theatre

* Et jusqu'à Béthanie (1963)
* Les Eaux et Forêts (1965–1989)
* The Brothers Karamazov (1967)
* The Devil and the Good Lord (1968)
* Yes, peut-être (1968)
* Quelque chose comme Glenariff (1969)
* The Mousetrap (1970–1971)
* Clérambard (1972)
* Antigone (1974)
* Les Larbins (1974)
* La Belle Vie (1977)
* À la nuit, la nuit (1979)
* Deburau (1980–1982)
* Le Paradis à l'amiable (1983)
* Les illes de la voix (1989)
* Héritage (1992)
* Le Shaga (2011)
* La Vie qui va (2013)
# Keysoe Row

Keysoe Row is a hamlet located in the Borough of Bedford in Bedfordshire, England.
The settlement is located to the south of the village of Keysoe, and is part of the wider Bolnhurst and Keysoe civil parish.
Kymbrook Primary School is located in the area.
# Cyrus G. Baldwin

Cyrus Grandison Baldwin (October 10, 1852 – January 10, 1931) was an American minister in the Congregational Church, the first official president of Pomona College, and a pioneer of hydroelectric power in Southern California.

## Early life and career

Baldwin was born in Napoli, New York, in 1852. He moved to Ohio with his family when he was a child and graduated from Oberlin College in 1873. He completed his seminary degree at Andover Theological Seminary in 1876, becoming ordained five years later. After that, he became a professor of Latin at Ripon College, and helped fundraise for the YMCA.

## Pomona College presidency

His success at the latter endeavor led to his election as the first official president of Pomona College in 1890 by its board of trustees, succeeding trustee Charles B. Sumner, who had led the college during its founding years. He became popular among both students and community members, enjoying a loyal following.
During his tenure, he sought to raise desperately needed funds for the fledgling school, ultimately increasing its endowment by $100,000 (equivalent to $3.7 million in 2023). When a donor offered to fund a second building for the college, he argued for it to be built in Claremont, rather than the college's planned permanent location at Piedmont Mesa north of Pomona. The decision was supported by the college's board of trustees in a seven-to-four vote, establishing Claremont as the college's permanent home.
In 1891, as part of his fundraising efforts, Baldwin founded the San Antonio Light and Power Company, which built a hydroelectric power station in San Antonio Canyon that transmitted power to the valley via high-voltage transmission, the first such instance in California. The venture was ultimately unprofitable, though, due to the inconsistency of the water supply.
By 1897, he had become overwhelmed with the pressure of fundraising and resigned at the request of the board of trustees. Upon his retirement, the class of 1898 commissioned an oil portrait for him, noting "his keen sense of justice, his insight into human nature, his scholarly attainments, his broad humanity and his liberal culture," and adding "but more than that, we love the man."
He maintained close ties with Pomona following his presidency, and his daughter, Florence, graduated from the college in 1901.

## Later life and death

After leaving higher education, Baldwin continued his efforts with the San Antonio Light and Power Company, seeking to build another power station and irrigation project at Mill Creek in San Bernardino County. However, the venture failed due to a combination of lack of funding, drought, and water rights disputes.
He moved to Palo Alto in 1902, where he served as the pastor of the city's Congregational church from 1902 to 1910. He died of a stroke on January 10, 1931.
# Catholic Organizations for Youth in Asia

Catholic Organizations for Youth in Asia (COYA) is a network of Catholic youth organizations in Asia.

## History

In 2007 the Youth Desk of the Federation of Asian Bishops' Conferences initiated a meeting of Catholic youth organizations active in Asia. COYA was founded in 2008.

## Member organizations

| Country | Name | Acronym | Further remarks |
| India, Sri Lanka, Philippines | International Federation of Catholic Parochial Youth Movements - Asian Bureau | Fimcap Asia | Asian member organizations of Fimcap: Chiro Youth Movement Philippines, Indian Catholic Youth Movement, Kithu Dana Pubuduwa (Sri Lanka) |
| South Korea | Hatsal Youth Ministry Institute | | |
| | Fondacio Asia | | |
| | | ICPE | |
| | Jesus Youth | | |
| | Couples For Christ - Youth For Christ | CFC-YFC | |
# Mimi Wagensonner

Maria Wagensonner-Schipper (13 March 1897 – 21 August 1970), best known as "Mimi Wagensonner," was an Austrian composer and poet.
Wagensonner was born in Aussig an der Elbe in what is now the Czech Republic to Franz Schipper and Maria Stangl Schipper. She had one brother and one sister. The family moved to Vienna during her childhood. She married Josef Wagensonner in 1923. She had one son (Diether) and one stepson (Hermann).
Wagensonner studied piano with A. Subak and Mannheimer; harmony with Richard Stohr; and composition with Karl Weigl at the New Vienna Conservatory. She also studied and taught at the Music Academy in Vienna (today known as the University of Music and Performing Arts Vienna).
Wagensonner set 13 poems by Josef Weinheber to music. Her other publications included:

## Music for voice or piano

* Adagio
* Andante
* Before NIght
* Singing Sheets for Music Education (1969)

## Poetry

* Die Katz von Ravenna (The Cat of Ravenna)
# Milos wall lizard

The Milos wall lizard (Podarcis milensis) is a small Mediterranean lizard.
The lizard's body length is no more than 6.5 cm, and the tail is twice as long. The lizard looks sturdy, and has a broad head. The male's appearance is characteristic for the species. The back is usually brown, and has a slight longitudinal line in the middle of it. Flanks, throat and the sides of the head are black with white, yellow, blue or light green spots. The belly has often black patterning. A typical female has white stripes on the edges of its back, and some distinctive spots in the throat.
The Milos wall lizard inhabits a few Aegean islands in Greece. They are Milos, Kimolos, Falkonera, Antimilos and Parapola. The species prefers cultivated lands. These lizards bask in the sun in the banks and piles of stones. They hunt in the open ground or among plants.
Subspecies:
* Podarcis milensis milensis
* Podarcis milensis gerakuniae
* Podarcis milensis schweizeri
The species is becoming rare due to habitat loss.

## Sources

* E. N. Arnold, J. A. Burton (1978). A Field Guide to Reptiles and Amphibians of Britain and Europe
* Amphibians and Reptiles of Europe
# Milosaurus

Milosaurus is an extinct genus of non-mammalian synapsids native to Illinois that was alive during the latest Carboniferous and earliest Permian. It was named in 1970 on the basis of FMNH 701, a partial skeleton, as well as referred material.

## Discovery

The holotype of Milosaurus was found in the Falmouth locality in Jasper County, Illinois. At the time, the discovery was only the second sphenacodont found in Illinois, the first being Macromerion. Since then the assignment of Milosaurus to Sphenacodontia has been refuted.
The name Milosaurus mccordi refers to Milo Flynn and Chester McCord, the men on whose property the fossils were found.
The material recovered from the area includes the holotype, which consists of a pelvis, hind limb and pes, and caudal vertebrae. Referred material from nearby was also recovered and were thought to possibly be from the same individual which consisted of a lumbar vertebra, a neural spine, a "rib", and a piece of maxilla with teeth. The validity of this referred material has been debated. The main reason this material was referred to Milosaurus was because at the time there had been no other known synapsid discoveries in the area, leading to the assumption that all discovered material belonged to Milosaurus. However, since the 1970 publication, an undescribed neural spine that belongs to an edaphosaurid has been found in the area. Additionally, the maxilla and poorly-described neural arch have since been lost.
The "rib" was later identified as actually being a femur much smaller than the holotype, indicating it may be from a juvenile Milosaurus.

## Description

Milosaurus was one of the largest synapsids of its time, estimated to have weighed around 41 kilograms. It may be a third example of large body size developing in synapsids in the Carboniferous, the other two instances being herbivorous edaphosaurids and then sphenacodontids. Like its close relative Ianthodon, it would likely have a relatively tall snout and, as is common for early non-mammalian synapsids, a sprawling posture.

## Classification

Milosaurus was recovered within the Haptodontiformes which currently includes Ianthodon. However, due to the known material of Milosaurus and Ianthodon, it is impossible to determine their relationship to each other. Milosaurus can confidently be placed outside of the clade containing Edaphosauridae and Sphenacodontia because of the lack of a anterodorsal expansion on its ilium and the presence of a groove on its dorsal surface.
# Minasniyuq

Minasniyuq (Spanish minas mines, Quechua -ni, -yuq suffixes, "the one with mines", Hispanicized spellings Minasnioc, Minasnioj, Minasniyoc) may refer to:
* Minasniyuq (Arequipa-Cusco), a mountain on the border of the Arequipa Region and the Cusco Region, Peru
* Minasniyuq (Castilla), a mountain in the Castilla Province, Arequipa Region, Peru
* Minasniyuq (Caylloma), a mountain in the Caylloma Province, Arequipa Region, Peru
* Minasniyuq (Cusco), a mountain in the Cusco Region, Peru
# Cello Concerto No. 1 (Villa-Lobos)

The Cello Concerto No. 1 (Grande Concerto para Violoncello), Op. 50, was composed by Heitor Villa-Lobos in 1913 as his first large-scale work, showing the influence of Tchaikovsky.

## History

Villa-Lobos was trained as a cellist, beginning at age 6 when his father, an amateur cellist, gave him first lessons on a viola converted to a small cello. He became a professional cellist.
He composed his first cello concerto in 1913, as he dated the manuscript. It was his first large scale orchestral composition, written when he had not yet developed a personal style.
The cello concerto was premiered at the Teatro Municipal in Rio de Janeiro on 10 May 1919 with soloist Newton Pádua and the composer conducting.

## Structure and scoring

The concerto is in three movements:
* Allegro con brio
* Tempo de Gavotte – Assai moderato
* Allegro Moderato
It is scored for an orchestra consisting of piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, three trumpets, three trombones, tuba, timpani, harp and strings.
The music has been described as "full of youthful energy". The music shows the influence of Tchaikovsky. A performance lasts about twenty minutes.

## Recordings

The cello concerto was recorded, together with the composer's second cello concerto, in 1989 by soloist Ulrich Schmid with the Nordwestdeutsche Philharmonie conducted by Dominique Roggen. A CD of both cello concertos combined with the composer's Fantasia for cello and orchestra was released in 2023, with soloist Antonio Meneses and the São Paulo Symphony Orchestra conducted by Isaac Karabtchevsky.
# Cello Concerto No. 2 (Shostakovich)

Dmitri Shostakovich wrote his Cello Concerto No. 2, Op. 126, in 1966 in the Crimea. Like the first concerto, it was written for Mstislav Rostropovich, who gave the premiere in Moscow under Yevgeny Svetlanov on 25 September 1966 at the composer's 60th birthday concert. The concerto is sometimes listed as in the key of G, but the score gives no such indication.
Along with the Eleventh String Quartet, the Preface to the Complete Works, and the Seven Romances on Texts by Alexander Blok, the Second Cello Concerto signals the beginning of Shostakovich's late style.

## Composition

Like the Fourth Symphony and Ninth String Quartet before it and the Fifteenth Symphony after it, the Second Cello Concerto gave Shostakovich some compositional problems. The opening Largo was originally conceived as the start of a new symphony. But Shostakovich abandoned that idea, and reworked the movement into its present form. The finale also gave him trouble. He confessed to Rostropovich that he had a finale completely written out but decided it was weak, scrapped it, and replaced it with the one we know today. Shostakovich also allowed Rostropovich to make a few changes to the concerto's cadenzas.

## Scoring

The concerto is scored for solo cello, one piccolo, one flute, two oboes, two clarinets (each doubling B♭ and A), two bassoons, contrabassoon (doubling 3rd bassoon), two horns, timpani, slapstick, wood block, tom-tom, tambourine, snare drum, bass drum, xylophone, two harps (always in unison as indicated on the score), and strings.
The concerto lasts around 35 minutes and has three movements:
* Largo
* Allegretto
* Allegretto

## Structure
### First movement

The first movement begins with solo cello, later joined by cellos and basses in octaves, interrupted by the cadenza before the opening theme returns. It then builds up with a series of interjections by the xylophone. The exchanges continue until the cello leads the orchestra into a climax, which gives way to a cadenza restating the opening material, punctuated by bass drum thumps. The movement ends softly.

### Second movement

The second movement is based on a theme from an Odessa street song, Bubliki, kupitye, bubliki (Buy My Bread Rolls).

### Third movement

The finale begins with French horn fanfares, followed by a cello cadenza accompanied only by tambourine. The Allegretto then moves through lyric, march, and dance sections. It builds in intensity, rising with an exchange of cello bursts countered by the snare drum, eventually developing into a climax; first restating the fanfare theme, then reverting to a grotesque variation of the Odessa theme. The whip is cracked twice during the climax, then ending the tutti. The cello then revisits the dancelike statement from earlier in the movement. In the coda the cello sustains a D over a percussion motif, concluding with a solo sforzando.
# Equal Exchange

Equal Exchange is a for-profit, Fairtrade, worker-owned cooperative headquartered in West Bridgewater, Massachusetts. Equal Exchange distributes organic, gourmet coffee, tea, sugar, bananas, avocados, cocoa, and chocolate bars produced by farmer cooperatives in Latin America, Africa, and Asia. Founded in 1986, it is the oldest and largest Fair Trade coffee company in the United States. The highest paid employee of Equal Exchange may not make more than four times what the lowest paid employee receives.

## History

Equal Exchange was founded in 1986 by Rink Dickinson, Jonathan Rosenthal, and Michael Rozyne. Before founding Equal Exchange, Dickinson, Rosenthal, and Rozyne were managers at a food cooperative in New England, and were actively involved in American food industry reform.
For three years prior to Equal Exchange's birth, the three founders met once weekly to discuss how global food trade could be changed to increase incomes and stabilize economic situations of farmers. The meetings resulted in the development of an alternative trade model that utilized direct trade, established long-term contracts, and offered higher-than-market prices to small coffee farmers. This differs from the traditional trade model, in which buyers go through a series of middlemen to purchase coffee beans from plantation farmers.

## Café

Equal Exchange operates three cafés in the United States. The cafés, located in Washington, Illinois, and Ohio, serve Equal Exchange tea, coffee, and espresso drinks as well as locally sourced pastries, sandwiches, and other lunch items.

## EEUK

Equal Exchange co-operative based in the UK has close ties to Equal Exchange US where they both share various product lines and farmer co-op producers. Both share the same name and produce coffee, chocolate, and cocoa products among many other items. This relationship was made permanent in 2017 when EE Wholesale UK became a subsidiary of Equal Exchange US.