OpenLLM-France/wikimedia huggingface dataset:
# Anteater (video game)

Anteater (The Anteater in Britain, Ameisenbär in Germany) is an arcade video game designed by Chris Oberth and released in 1982 by Tago Electronics. The player steers the tongue of the eponymous creature through a maze, retracting it when dangers approach. Though the arcade game was not a hit, it spawned a number of direct clones for home computers; Sierra's Oils Well became better known than the original. Oberth wrote an Apple II version of his own game for Datamost using a different title.

## Gameplay

The player controls an anteater that elongates its tongue through a maze-like ant colony in search of ants. Only the tip of the tongue can eat an ant. If an ant touches any other part of the tongue, then the player loses a life. Pressing the second button quickly retracts the anteater's tongue.
Worms can only be eaten from behind. Eating queen ants at the very bottom of the nest temporarily removes all ants and worms from the screen. Once the sun has traveled across the screen and night falls, a spider appears. The spider climbs down the anteater's tongue, taking a life if it reaches the tip.
The object is to eat all of the larvae before time runs out, clearing the screen. Each larva is worth 10 points. Each ant is worth 100 points, while eating a worm is worth 200. Queen ants are worth 1,000. After losing a life or finishing a level, a bonus of 10 points for each ant eaten is multiplied by the number of worms eaten (for example, eating 5 ants and 2 worms = 50 x 2 = 100).

## Music

Between levels, Anteater plays "In the Hall of the Mountain King".
At the start of each level, the music played is a short fragment of Ranz des Vaches, the third movement of William Tell Overture.

## Ports

The game was ported to the Atari 2600 by Mattel in 1983 but never published. No official ports were released but Datamost's Ardy The Aardvark (1983), which is almost identical, was written for the Apple II by Anteater creator Chris Oberth. That game was converted to the Commodore 64 and Atari 8-bit computers by Jay Ford.

## Legacy

Sierra's 1983 home clone, Oil's Well, was re-themed to be about drilling for oil and was heavily promoted. It sparked its own clones: Pipeline Run for the Commodore 64 in 1990 and Oilmania for the Atari ST and Amiga in 1991 and 1992, respectively. Other clones of Anteater are Bug-Byte’s Aardvark (1986), Jack the Digger (1986) for the Atari 8-bit computers and Blue Ribbon's Diamond Mine (1984) and Diamond Mine II (1985).
The current arcade high score holder is Maria Blasucci.
# Havnegade

Havnegade is a waterfront promenade in central Copenhagen, Denmark, which runs along the Inner Harbour between Knippelsbro and the mouth of the Nyhavn canal. Most of the street is lined with buildings from the 1860s and 1870s that were constructed as part of the redevelopment of the Gammelholm naval dockyards. It is the only place along Copenhagen's main harbourfront where residential buildings of that age face the water, although older warehouses and other industrial buildings elsewhere have been converted into residential use. The Modernist Bank of Denmark building is located at the western end of the street.

## History

The street was created when the Royal Danish Navy decommissioned its last operations in the area, which used to be a naval shipyard, and it came under urban redevelopment.
From about 1960 and until 1999, the street was a hub for tax-free ferries to Malmö on the other side of the Øresund.
Plans to transform Havnegade into a promenade were put on hold in October 2008 due to budget cuts. In the spring of 2011 construction of the project finally began and it is expected to be completed in December 2011.

## Buildings

The free-standing, oval building on the quay (No. 44), nicknamed the pencil case due to irs shape, is a former custom house and ferry terminal. The building was designed by Kristoffer Varming in the Functionalist style and is from 1937. It has now been converted into a jazz club and restaunt complex called The Standard.
The first part of the street (No. 5) passes Bank of Denmark. The Modernist building was designed by Arne Jacobsen as a replacement for the National Bank's old building in Holmens Kanal
No. 23 is the former Navigation School designed by Ferdinand Meldahl and built from 1863 to 1865.
The Levin House (No. 29) was designed by Johan Daniel Herholdt for a grocer named Levin and built from 1865 to 1866. The building served as headquarters for Danish Distillers between 1926 and 1968.
No. 37, which now houses Hotel Copenhagen Strand, was built in 1870. No. 39 was built in 1869 and later came to serve as headquarters for Nordisk Frøkontor ("Nordic Seed Office"), a company founded in 1879, whose name is still seen on the façade. A passageway next to the building opens to a yard and a former warehouse on its rear. The building has now been converted into serviced offices.
The last building in the street, on the corner with Nyhavn, is called The Navigators' House (Navigatørernes Hus, No. 55). Its rounded corner is topped by a dome designed in the style of a diving bell and the façade is decorated with caryatids.

## Public art

Kirsten Ortwed's sculpture, Full Length was installed on the square in 2016.

## Ships

Havnegade is a hub for ferries to the Swedish island Ven.
The restaunt cruise ship Saga Queen for many years docked at Havnegade but was in 2012 sold and moved to London.

## Cultural references

Havnegade is used as a location in several Olsen-banden films, for instance in The Olsen Gang in a Fix (0:45:17 ), The Last Exploits of the Olsen Gang (0:59:05 ), and The Olsen Gang Outta Sight (0:29:05).
# 1998 Oxelösund municipal election

Oxelösund Municipality held a municipal election on 20 September 1998 as part of the local elections. This was held on the same day as the general election.

## Results

The number of seats remained at 31 with the Social Democrats winning the most at 20, a gain of one from 1994, retaining their overall majority. There were 6,984 valid ballots cast.
| Party | Party | Votes | % | Seats | ± |
| | Social Democrats | 4,362 | 62.5 | 20 | +1 |
| | Left Party | 903 | 12.9 | 4 | +1 |
| | Moderates | 901 | 12.9 | 4 | 0 |
| | People's Party | 387 | 5.5 | 2 | 0 |
| | Centre Party | 192 | 2.7 | 1 | 0 |
| | Christian Democrats | 116 | 1.7 | 0 | 0 |
| | Green Party | 87 | 1.2 | 0 | -2 |
| | Others | 36 | 0.5 | 0 | 0 |
| Invalid/blank votes | Invalid/blank votes | 122 | | | |
| Total | Total | 7,106 | 100 | 31 | 0 |
| Source: SCB ||||||

### Electoral wards

All electoral wards were located within the Oxelösund urban area in a single constituency. For a detailed map of the electoral wards, see the 2010 official results held within the same boundaries.
| Location | # | Turnout | Share | Votes | S | V | M | FP | C | KD | MP | Other |
| Dalgången | 3 | 84.3 | 15.0 | 1,048 | 58.1 | 11.6 | 18.9 | 5.9 | 2.7 | 1.5 | 1.0 | 0.3 |
| Danvik | 7 | 82.6 | 12.1 | 846 | 53.1 | 11.7 | 18.8 | 8.9 | 3.5 | 2.2 | 1.7 | 0.1 |
| Frösäng | 4 | 75.9 | 12.0 | 841 | 68.4 | 15.8 | 7.5 | 2.7 | 3.0 | 1.7 | 0.5 | 0.5 |
| Norra innerstaden | 1 | 67.1 | 13.0 | 908 | 71.6 | 16.4 | 5.0 | 1.5 | 1.9 | 1.1 | 1.4 | 1.1 |
| Peterslund | 6 | 87.9 | 15.8 | 1,103 | 64.8 | 11.4 | 10.5 | 8.2 | 2.0 | 1.6 | 1.1 | 0.4 |
| Sunda | 5 | 89.6 | 17.0 | 1,184 | 58.0 | 9.5 | 18.6 | 7.3 | 3.4 | 1.6 | 1.2 | 0.5 |
| Södra innerstaden | 2 | 70.3 | 14.7 | 1,027 | 64.8 | 15.5 | 9.3 | 3.3 | 2.8 | 1.9 | 1.8 | 0.8 |
| Postal vote | | | 0.4 | 27 | | | | | | | | |
| Total | | 79.7 | 100.0 | 6,984 | 62.5 | 12.9 | 12.9 | 5.5 | 2.7 | 1.7 | 1.2 | 0.5 |
| Source: val.se |||||||||||||
# Arken

Arken can refer to:
* Arken Abdulla, a Uyghur traditional folk song and pop music artist from Xinjiang, China
* The ARKEN Museum of Modern Art near Copenhagen, Denmark
* The Åsane Storsenter in Bergen, Norway
# The Wilderness Years (Nick Lowe album)

The Wilderness Years is a CD by British singer-songwriter Nick Lowe. It was released in 1991 in the United Kingdom. It was not released in the United States. The album contains material recorded following the demise of the band Brinsley Schwarz, which featured Lowe as the singer and bass player, and before the release of Lowe's first solo album, Jesus of Cool (titled Pure Pop for Now People in the U.S.) in early 1978.
Three tracks were previously released on other albums, while others were issued on singles or EP's. "I Love My Label" was included on the 1977 Stiff Records sampler album A Bunch of Stiff Records. "Rollers Show" and the studio version of "Heart of the City" were both included on Pure Pop for Now People (but were not contained on Jesus of Cool).

## Track listing

All tracks composed by Nick Lowe except where noted.
* "Fool Too Long" – 3:05
* "Let's Go to the Disco" – 2:36
* "Everybody Dance" (Lowe/Daniel Adler) – 2:15
* "Bay City Rollers We Love You" – 3:13
* "Allorolla, Part One" – 2:57
* "Rollers Show" – 3:32
* "Heart of the City" (Studio Version) – 2:01
* "Halfway to Paradise" (Gerry Goffin/Carole King) – 2:28
* "Truth Drug" – 1:39
* "Born a Woman" (Martha Sharpe) – 2:30
* "Endless Sleep" – 4:05
* "Shake That Rat" – 2:12
* "I Love My Label" – 3:02
* "I Don't Want the Night to End" – 1:58
* "So Heavy" – 1:53
* "Keep It Out of Sight" (Wilko Johnson) – 2:52
* "Heart" – 3:53
* "I Got a Job" – 3:06
# Oboronia albicosta

Oboronia albicosta is a butterfly in the family Lycaenidae. It is found in Cameroon, the Democratic Republic of the Congo (Equateur, Kinshasa, Sankuru, Lualaba and Kivu), Uganda (from the south-western part of the country to Bwamba) and Zambia. In Seitz it is described - Forewing only at the base feebly dusted with dark, at the distal margin somewhat broader black than pseudopunctatus, more like punctatus. On the hindwing the marginal band is as broad as in punctatus, but the white rings in it are only indistinctly pronounced. Beneath on both wings the black eyespots with white rings are more distinct than in punctatus. On the hindwing all the marginal spots are black, not only that in area 2, which shows blue scales, like in punctatus. The costal margin of the hindwing lacks the spot,and there are only traces noticeable of submarginal yellow lines at the proximal margin and between R 4 and R. 6. Expanse of wings: 30 mm.
# Laurence Stoughton

Sir Laurence Stoughton (1554–1615), of Stoughton, Surrey and West Stoke, Sussex, was an English politician.
He was the son of Thomas Stoughton, MP and the brother of MP, Adrian Stoughton and educated at the Inner Temple. He inherited his father's estates in 1576.

## Career

He was a Member (MP) of the Parliament of England for Guildford in 1572, 1584, 1586 and 1593. He was knighted by King James in 1611.

## Family

He married Rose, the stepdaughter of Guildford MP, William Hammond and had 11 sons and 6 daughters. Two of his sons, George Stoughton and Nicholas Stoughton, were also MPs for Guildford.
# 18th Battalion (Western Ontario), CEF

The 18th Battalion (Western Ontario), CEF, was an infantry battalion of the Canadian Expeditionary Force in the Great War.

## History

The battalion was authorized on 7 November 1914 and embarked for Great Britain on 18 April 1915. It disembarked in France on 15 September 1915, where it fought as part of the 4th Canadian Infantry Brigade, 2nd Canadian Division in France and Flanders until the end of the war. The battalion was disbanded on 15 September 1920.
The 18th Battalion recruited and was mobilized in London, Ontario.
The 18th Battalion had five Officers Commanding:
* Lt.-Col. R.G.E Leckie, 1914 – 18 April 1915
* Lt.-Col. E.W.S. Wigle, 18 April 1915 – 8 July 1916
* Lt.-Col. H.L. Milligan, DSO, 8 July 1916 – 9 October 1916
* Lt.-Col. G.F. Morrison, DSO, 9 October 1916 – 19 April 1917
* Lt.-Col. L.E. Jones, CMG, DSO, 19 April 1917 -Demobilization

## Victoria Cross

One member of the 18th Battalion, Lance-Sergeant Ellis Wellwood Sifton was posthumously awarded the Victoria Cross for his actions on 9 April 1917 during the assault on Vimy Ridge.

## Perpetuations

The 18th Battalion (Western Ontario), CEF, is perpetuated by The Essex and Kent Scottish

## Battle Honours

The 18th Battalion was awarded the following battle honours:
* MOUNT SORREL
* SOMME, 1916, '18
* Flers-Courcelette
* Thiepval
* Ancre Heights
* ARRAS, 1917, '18
* Vimy, 1917
* HILL 70
* Ypres 1917
* Passchendaele
* AMIENS
* Scarpe, 1918
* HINDENBURG LINE
* Canal du Nord
* Cambrai, 1918
* PURSUIT TO MONS
* FRANCE AND FLANDERS, 1915-18
# 1999 Coupe de France final

The 1999 Coupe de France final was a football match held at Stade de France, Saint-Denis on 15 May 1999 that saw FC Nantes Atlantique defeat CS Sedan Ardennes from Division 2 1–0 thanks to a goal by Olivier Monterrubio.

## Road to the final

| Nantes | Nantes | Nantes | Round | Sedan | Sedan | Sedan |
| Opponent | H/A | Result | 1998–99 Coupe de France | Opponent | H/A | Result |
| La Roche | A | 1–0 | Round of 64 | Chaumont | A | 3–0 |
| Paris SG | A | 1–1 (a.e.t.) 5−4 pen. | Round of 32 | Dijon | A | 4–0 |
| Metz | A | 3–1 | Round of 16 | Amiens | A | 2–1 |
| Guingamp | H | 2–0 | Quarter-finals | Rouen | A | 2–0 |
| Nîmes | H | 1–0 | Semi-finals | Le Mans | H | 4–3 (a.e.t.) |

## Match details

| GK | 1 | Mickaël Landreau (c) |
| DF | 2 | Jean-Marc Chanelet |
| DF | 4 | Éric Decroix |
| DF | 5 | Nestor Fabbri | 67' |
| DF | 3 | Salomon Olembé |
| MF | 10 | Yves Deroff |
| MF | 9 | Eric Carrière |
| MF | 6 | Sébastien Piocelle |
| MF | 7 | Charles Devineau | 87' |
| FW | 8 | Frédéric Da Rocha | 93' |
| FW | 11 | Olivier Monterrubio |
| Substitutes: ||
| DF | 15 | Nicolas Gillet | 67' |
| MF | 16 | Nicolas Savinaud | 87' |
| FW | 14 | Patrick Suffo | 93' |
| Manager: ||
| Reynald Denoueix ||
| GK | 1 | Nicolas Sachy |
| DF | 4 | Christophe Borbiconi | 77' |
| DF | 5 | Eduardo Oliveira | 70' |
| DF | 3 | Luis Satorra (c) |
| DF | 11 | Cédric Elzéard |
| MF | 7 | Pierre Deblock |
| MF | 6 | Bruno Pabois | 61' |
| MF | 2 | Jean-Philippe Faure |
| MF | 8 | Olivier Quint |
| FW | 9 | Cédric Mionnet |
| FW | 10 | Alex Di Rocco |
| Substitutes: ||
| FW | 12 | Pius N'Diefi | 61' |
| DF | 14 | Hippolyte Dangbeto | 70' |
| MF | 15 | Éric Crosnier | 77' |
| Manager: ||
| Patrick Rémy ||
# TheocracyWatch

TheocracyWatch is a project run by the Center for Religion, Ethics and Social Policy (CRESP) at Cornell University. It was founded by Joan Bokaer, an environmental activist because, she says, "After the 2000 election she realized that few people understood that the religious right had taken working control of the Republican Party..."
TheocracyWatch's major area of interest is what it considers to be the influence of dominionism in the U.S. government. TheocracyWatch has a "mission to spread the word about the complete restructuring of our government. We want to get the word out to as many people as possible because the agenda of the Christian right is to replace the Constitution with biblical law," said Kathleen Damiani, president of TheocracyWatch.
TheocracyWatch's method for gauging the influence of dominionism is studying the voting patterns of members of Congress. Legislators whose voting pattern matches such organizations as the Christian Coalition, the Family Research Council, the Eagle Forum, and The Heritage Foundation are said to "illustrate the strength of dominionists in Congress" even though none of these groups identifies themselves with the dominionist movement and two of them are specifically secular.
TheocracyWatch makes free videos available to the general public so they can be distributed through public-access television stations.
The Center for Religion, Ethics and Social Policy is an independent not-for-profit agency and an affiliate of Cornell University with administrative offices in Cornell's Anabel Taylor Hall. TheocracyWatch is one of sixteen projects sponsored by CRESP.
# The Whitby

The Whitby is the name of the residential property at 325 West 45th Street in Hell's Kitchen, Manhattan, New York. The Whitby was designed by architect Emery Roth and built by Bing & Bing general contractors. It was originally commissioned as a hotel by The Gresham Realty Company in 1924 and opened for business on October 1, 1924. The building was converted into a residential cooperative in 1988 by Premiere Marketing Services. The 10-story dwelling between Eighth and Ninth Avenues has 215 apartments.

## Building history

The building's architect, Emery Roth, drew inspiration from the Choragic Monument of Lysicrates. The Athenian monument was known to Roth from the reproduction that had featured in the World's Columbian Exposition in Chicago, 1893. Roth also designed The Beresford and other apartment houses and office blocks in New York. Construction began in 1923. The lobby, while completed with terrazzo tile, is of modest size, intended to maintain a residential feel and limit access to press and spectators. The construction process took approximately one year and when the building was completed in October 1924 it opened as a hotel, which it remained until the 1980s.
Six years after the building opened, New York and the rest of the nation was headed into the economic distress of the Stock Market Crash and World War II. During the Great Depression, many of the larger units in the building were subdivided to make them easier to rent. The larger '06-line' and '03-line' one bedroom units were divided into single studio units. As a result, the total number of apartments in the building was expanded by approximately 20 units. This was a fate that fell upon other similar buildings who resorted to unorthodox methods (deferred rent schemes, subdivision of apartments) to remain solvent.
Since that time, however, the market for residential real estate in New York City has changed significantly. The Whitby is now one of the most desirable pre-war apartment buildings in Hell's Kitchen. It converted to a coop in 1988, meaning that most tenants in the apartments are actually shareholders in the corporation that owns the building. The few units that were not purchased at that time by sponsors or tenants that did not buy into the coop, are currently rent regulated or owned by the 325 W 45 St Owners Corporation, whose board of directors presently manages building operations.

## Prominent guests and residents

Because of its central location in the heart of the Theater District, The Whitby has had a large following among theatre professionals. Doris Day and Betty Grable were former residents. Even today, many who call The Whitby home are associated with the performing arts in one way or another. Legendary cryptozoologist, Ivan T. Sanderson called the Whitby his home. The Whitby is approximately across the street from the Al Hirschfeld Theatre (formerly the Martin Beck Theatre). "Room 1411" by Glenn Miller and Benny Goodman was named after the suite number where they lived at The Whitby in the late 1920s.
# Laurie Lambrecht

Laurie Lambrecht (born 1955) is an American artist working primarily in photography and fiber. Beyond her own work, she is known for her photographs of Roy Lichtenstein, for whom she was an assistant in the early 1990s.

## Career

Lambrecht received her undergraduate degree from Marymount College in Tarrytown, New York. She completed her graduate degree at the Visual Studies Workshop in Rochester, New York.
In the early 1990s, Lambrecht was an administrative assistant to Roy Lichtenstein. In 2011, the photographs she took of him and his process was published in the monograph Roy Lichtenstein in His Studio by Monacelli Press.
Lambrecht's works are in the collections of the National Gallery of Art (Washington, D.C.), Parrish Art Museum (Southampton, NY), Portland Art Museum (Portland, OR), among others. She has had solo exhibitions across the US and abroad.

## Work

In 2011, Lambrecht showed a selection of photographs from her time as studio assistant to pop artist Roy Lichtenstein at the Drawing Room gallery in East Hampton. The exhibition, Laurie Lambrecht: In Roy Lichtenstein’s Studio, 1990-1992, showed 16 images, at least three of which had never been on public view before.
In 2018, Lambrecht had a solo exhibition titled Jungle Road at Blue Sky in Portland, Oregon.
In 2019, Lambrecht displayed her work in a group exhibition at the Southampton Arts Center, Takeover! Artists in Residence. That same year she was an artist in residence at The Watermill Center in Water Mill, New York alongside sculptor Toni Ross.
In 2022, Lambrecht exhibited a collection of tapestries at the Drawing Room gallery in East Hampton in a show titled Weaving the Unraveled. These works employed photography, embroidery, and weaving into a series of works that alluded to famous paintings.
In 2023, Lambrecht showed embroidered photographs on linen alongside photographs by Wendi Schneider at the Etherton Gallery in Tucson, Arizona in an exhibition titled Reverence: Laurie Lambrecht and Wendi Schneider. That same year she participated in an exhibition titled This Earth following a residency at the Montello Residency in Montello, Nevada.
# Lawrencia densiflora

Lawrencia densiflora is a species of plant in the mallow family, Malvaceae. It is endemic to Western Australia

## Description

L. densiflora is a perennial shrub/herb, growing to a height from 0.07 to 0.6 m. The stems are hairy. The leaves are irregularly lobed, 10 to 40 mm long and 5 to 20 mm wide, with stellate hairs. The flowers have both a calyx and a corolla, and are yellow to cream and seen between July and October.

## Habitat

It grows on limestone and sandy or clayey soils, and is found in dry watercourses, claypans, salty depressions and limestone ridges.

## Distribution

It is found in Beard's Eremaean Province and in the IBRA regions of Carnarvon, Gascoyne, Little Sandy Desert, Murchison, Pilbara and Yalgoo.

## Taxonomy

L. densiflora was first described as Plagianthus densiflorus by Baker in 1892, and in 1967, was redescribed by Melville who assigned it to the genus, Lawrencia, with the plant thereby becoming Lawrencia densiflora.