# New Moon Daughter

New Moon Daughter is a studio album by American jazz singer Cassandra Wilson that was released by Blue Note in 1995. The album reached No. 1 on the Billboard magazine jazz album chart and also won the Grammy Award as the Best Jazz Vocal Performance.

## Background

In an interview for New York magazine, Wilson explained that the album's name comes from an old Ashanti proverb—"Sickness comes with the waning moon; the new moon cures disease". The album contains twelve songs, five of which were written by Wilson.

## Reception

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| DownBeat | |
| Entertainment Weekly | A− |
| The Guardian | |
| Houston Chronicle | |
| Los Angeles Times | |
| The Penguin Guide to Jazz | |
| Rolling Stone | |
| The Rolling Stone Album Guide | |
| The Village Voice | B− |
Critical reception to New Moon Daughter was highly positive, with many critics comparing it favorably to its widely-celebrated predecessor, Blue Light 'til Dawn, and hailing it as one of the year's best. Gary Giddins wrote in 2008 for The New Yorker that both albums "uncovered her Mississippi roots, hardly noted in her earlier work, and freed her to revisit more recent pop songs, from the Monkees to U2...She also emerged as a nonpareil blues singer—a natural, reclaiming the Delta tradition of Robert Johnson and Son House. Even today, those albums convey the excitement of an artist coming into her own, testing her mettle and rejoicing in its supple strength."
Howard Reich of The Chicago Tribune wrote that "Blue Light 'til Dawn was so original and haunting that one wondered whether the singer would be able to match it with her next release. Somehow, she not only has equalled the classic 1993 recording but has topped it with an even more daring album. Like its predecessor, New Moon Daughter explores a broad range of musical influences...yet Wilson bridges all of these idioms, and then some, with the incantatory nature of her phrasing, the deep amber quality of her alto and the lush and exotic instrumentation that has marked her work in recent years."
Regarding her choice to include more pop material, Peter Margasak of The Chicago Reader argued that "whereas jazzers feebly covered Beatles tunes three decades ago, Wilson transforms these covers to fit her own aesthetic. Her take on U2’s Love Is Blindness turned the song into a sumptuous evocation of luminous, primordial sorrow, sculpting a highly original, moving piece of sensual beauty."
A reviewer for Gramophone was generally positive about the album, praising Wilson's voice and her interpretations of the standards included. However, they said that compared to the originals, Wilson's versions may not be as powerful. They noted that with this album, Wilson appears to move away "from jazz heartlands or cutting edges and towards the embrace of 'pop cult' status." The reviewer particularly enjoyed "Skylark" (calling it "sublime") and "Last Train to Clarksville" ("a delight").
In a positive review of the album, Rolling Stone's Geoffrey Himes noted its similarity to Wilson's previous album Blue Light 'til Dawn, but added that New Moon Daughter has more feeling and a darker tone. He wrote that Wilson makes Billie Holiday's "Strange Fruit" "her own". Himes noted the album's overall slow tempo as a weakness, wishing for a little more rhythmic diversity. Scott Yanow of AllMusic described Wilson's voice on the album as "quite bored and emotionally detached" but noted that she was "stretching herself".
Village Voice critic Robert Christgau was less impressed, claiming that too many jazz singers like Wilson "have trouble figuring out what to make of their material" and arguing "most of these songs escape her attentions without a mark on them. Which isn't to mention the 'Strange Fruit' that establishes the surpassing weirdness of Billie's original, or the disastrous Monkees cover, designed to prove [Wilson] has a sense of humor I'm now convinced isn't there."

## Appearances in other media

The song "Death Letter" from the album was used as an opening theme in the third season of television series True Detective released in 2019.

## Personnel
### Music

* Cassandra Wilson – vocals, acoustic guitar
* Cyro Baptista – percussion, Jew's-Harp, shaker
* Dougie Bowne – percussion, drums, whistle, vibraphone
* Gary Breit – Hammond organ
* Kevin Breit – acoustic & electric guitar, banjo, bouzouki
* Brandon Ross – acoustic & electric guitar
* Charles Burnham – violin
* Tony Cedras– accordion
* Graham Haynes – cornet
* Lawrence "Butch" Morris – cornet
* Jeff Haynes – percussion, bongos
* Peepers – background vocals
* Mark Peterson – bass
* Lonnie Plaxico – bass
* Gib Wharton – pedal steel guitar
* Chris Whitley – guitar (1)

### Production

* Craig Street – producer
* Danny Kopelson – engineer, mixing
* Greg Calbi – mastering
* John Chiarolanzo – assistant engineer
* Bill Emmons – assistant engineer
* Scott Gormley – assistant engineer
* Fred Kervorkian – editing, assistant engineer
* Steve Regina – assistant engineer
* John R. Reigart III – assistant engineer
* Tom Schick – assistant engineer

### Design

* David Mayenfisch – photography
* Berkeley Barnhill Stewart;- graphic design

## Chart positions

| Year | Chart | Position |
| 1996 | Billboard Top Jazz Albums | 1 |
| 1996 | Billboard The Billboard 200 | 141 |
| 1996 | Billboard Heatseekers | 9 |