# List of compositions by Franz Schubert (1828)

Franz Schubert's compositions of 1828 are mostly in the Deutsch catalogue (D) range D 936A–965B, and include:
* Instrumental works:
** Symphony No. 9, D 944 (completed in 1828)
** Symphony No. 10, D 936A
** String Quintet, D 956
** Fantasia in F minor for piano four-hands, D 940
** Three last piano sonatas, D. 958–960
* Vocal music:
** Mass No. 6, D 950
** Schwanengesang, D 957
** "The Shepherd on the Rock", D 965

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1828 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 615 | 936A | | | V, 6 No. 11 & Anh. 2 | Symphony No. 10 | D major | spring– summer 1828? | Sketches for [Allegro maestoso] (two versions) – Andante – Scherzo (two versions) |
| 937 | 937 | (1872) | XX, 10 No. 602 | IV, 14 | Lebensmut, D 937 | Fröhlicher Lebensmut | summer 1828? | Text by Rellstab; Fragment |
| 938 | 938 | (1835) | XX, 9 No. 551 | IV, 14 | Der Winterabend, D 938 | Es ist so still, so heimlich um mich | January 1828 | Text by Leitner |
| 939 | 939 | 96,1 (1828) | XX, 9 No. 552 | IV, 5 | Die Sterne, D 939 | Wie blitzen die Sterne so hell durch die Nacht | January 1828 | Text by Leitner |
| 940 | 940 | 103 (1829) | IX, 3 No. 24 | VII/1, 3 No. 2 & Anh. No. 1 | Fantasy, D 940 | F minor | January– April 1828 | For piano duet |
| 941 | 948 | | | | | | | See D 948, 1st version |
| 942 | 942 | 136p (1839) | XVII No. 9 | III, 2b No. 18 | Mirjams Siegesgesang | Rührt die Zimbel, schlagt die Saiten – Aus ägypten vor dem Volke – Doch der Horizont erdunkelt – S'ist der Herr in seinem Grimme – Tauchst du auf, Pharao? – Drum mit Zimbeln und mit Saiten | March 1828 | Text by Grillparzer; For sSATB and piano |
| 943 | 943 | 119p (1829) | XX, 10 No. 568 | IV, 14 | Auf dem Strom | Nimm die letzten Abschiedsküsse | March 1828 | Text by Rellstab; For voice, horn (or cello) and piano |
| 944 849 | 944 | (1840) | I, 2 No. 7 | V, 4 No. 8 | Symphony No. 9, Great C major | C major | summer 1825?– March 1828 | Andante, Allegro ma non troppo – Andante con moto – Scherzo – Allegro vivace; Probably identical to Gmunden-Gastein Symphony, D 849 |
| 944A | 944A | | | | German Dance, D 944A | | 1/3/1828 | For piano; Lost |
| 945 | 945 | (1895) | XX, 10 No. 589 | IV, 14 | Herbst, D 945 | Es rauschen die Winde | April 1828 | Text by Rellstab |
| 946 | 946 | (1868) | XI No. 13 | VII/2, 5 | Three piano pieces, a.k.a. Impromptus, D 946 | E♭ minor – E♭ major – C major | May 1828 | Allegro assai, Andante – Allegretto – Allegro |
| 947 | 947 | 144p (1840) | IX, 3 No. 23 | VII/1, 3 No. 3 | Allegro, D 947, a.k.a. Lebensstürme | A minor | May 1828 | For piano duet |
| 948 941 964 | 948 | (1891) 154p (1849) | XVI No. 42 (1st v.) & No. 2 (2nd v.) | I, 9 No. 15–16 & Anh. 3 | Hymnus an den heiligen Geist | Komm, heil'ger Geist, erhöre unser Flehen (1st v.); Herr, unser Gott! erhöre unser Flehen (2nd v.) | May 1828 | Text by Schmidl [de]; Two versions: 1st, for ttbbTTBB, was D 941 – 2nd, Op. posth. 154 for ttbbTTBB and winds, was D 964 |
| 949 | 639 | | | | | | | See D 639 |
| 950 | 950 | (1865) | XIII, 2 No. 6 | I, 4 | Mass No. 6 | E♭ major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei | started June 1828 | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678 and 755); For satbSATB and orchestra |
| 951 | 951 | 107 (1829) | IX, 2 No. 13 | VII/1, 3 No. 4 & Anh. No. 2 | Rondo, D 951, a.k.a. Grand Rondeau | A major | June 1828 | For piano duet |
| 952 | 952 | 152p (1848) | IX, 3 No. 28 | VII/1, 3 No. 5 | Fugue, D 952 | E minor | 3/6/1828 | For organ duet or piano duet |
| 953 | 953 | (1841) | XVII No. 19 | III, 2b No. 19 | Psalm 92 (91) | tôw l'hôdôs ladônoj | July 1828 | Text: Psalm 92; For baritone and satbSATB |
| 954 | 954 | (1828) | XVII No. 5 | III, 2b No. 20 | Glaube, Hoffnung und Liebe, D 954 | Gott, laß die Glocke glücklich steigen | before 2/9/1828 | Text by Reil [de]; For ttbbSATB acc. by winds or piano |
| 955 | 955 | 97 (1828) | XX, 8 No. 462 | IV, 5 | Glaube, Hoffnung und Liebe, D 955 | Glaube, hoffe, liebe! | August 1828 | Text by Kuffner [de] |
| 956 | 956 | 163p (1853) | IV No. 1 | VI, 2 No. 2 | String Quintet | C major | September 1828? | Allegro ma non troppo – Adagio – Presto – Allegretto; For two violins, viola and two cellos |
| 957 Nos. 1–13 | 957 | (1829) | XX, 9 Nos. 554– 566 | IV, 14 | Schwanengesang, D 957, a.k.a. 13 Lieder nach Gedichten von Rellstab und Heine: —Rellstab— 1. Liebesbotschaft – 2. Kriegers Ahnung – 3. Frühlingssehnsucht – 4. Ständchen – 5. Aufenhalt – 6. In der Ferne – 7. Abschied —Heine— 8. Der Atlas – 9. Ihr Bild – 11. Die Stadt – 12. Am Meer – 13. Der Doppelgänger | 1. Rauschendes Bächlein, so silber und hell – 2. In tiefer Ruh liegt um mich her – 3. Säuselnde Lüfte wehen so mild – 4. Leise flehen meine Lieder – 5. Rauschender Strom, brausender Wald – 6. Wehe dem Fliehenden – 7. Ade! du muntre, du fröhliche Stadt – 8. Ich unglückselger Atlas – 9. Ich stand in dunkeln Träumen – 10. Das Fischermädchen – 11. Am fernen Horizonte – 12. Das Meer erglänzte weit hinaus – 13. Still ist die Nacht, es ruhen die Gassen | August– September? 1828 | Text by Rellstab (Nos. 1–7) and Heine, H. (Nos. 8–13); D 965A was No. 14; Early versions for Nos. 1 and 3; Variant for No. 4 |
| 958 | 958 | (1839) | X No. 13 | VII/2, 3 No. 17 | Piano Sonata, D 958 | C minor | September 1828 | Allegro – Adagio – Minuet – Allegro |
| 959 | 959 | (1839) | X No. 14 | VII/2, 3 No. 18 | Piano Sonata, D 959 | A major | September 1828 | Allegro – Andantino – Scherzo – Allegretto (partly based on 2nd movement of D 537) |
| 960 | 960 | (1839) | X No. 15 | VII/2, 3 No. 19 | Piano Sonata, D 960 | B♭ major | September 1828 | Molto moderato – Andante sostenuto – Scherzo – Allegro ma non troppo |
| 961 | 452 | | | | | | | See D 452 |
| 962 | 962 | (1890) | XXI, 4 No. 32 | I, 9 No. 10 & Anh. 4 | Tantum ergo, D 962 | E♭ major | October 1828 | Text by Aquinas (other settings: D 460, 461, 730, 739, 750 and Anh. I/17); For satbSATB and orchestra; Sketch in AGA XIV No. 22 |
| 963 | 963 | (1890) | XXI, 4 No. 33 | I, 8 | Intende voci, a.k.a. Offertory, D 963, or Aria for tenor with choir | B♭ major | October 1828 | Text: Psalm 5:3–4a, offertory for the Friday after Oculi Sunday; For tSATB and orchestra |
| 964 | 948 | 154p (1849) | XVI No. 2 | | | Herr, unser Gott! erhöre unser Flehen | | See D 948, 2nd version |
| 965 | 965 | 129p (1830) | XX, 10 No. 569 | IV, 14 | Der Hirt auf dem Felsen | Wenn auf dem höchsten Fels ich steh | October 1828 | Text by Müller, W., and Varnhagen von Ense; For voice, clarinet and piano |
| 957 No. 14 | 965A | (1829) | XX, 9 No. 567 | IV, 14 | Die Taubenpost | Ich hab' eine Brieftaub in meinem Sold | October 1828 | Text by Seidl; Was D 957 No. 14 |
| | 965B | | | VIII, 2 Nos. 15–16 | Fugal exercises, D 965B | | November 1828 | Partly similar to D 952 |