# List of compositions by Franz Schubert (1827)

Franz Schubert's compositions of 1827 are mostly in the Deutsch catalogue (D) range D 896–936, and include:
* Instrumental works:
** Piano Trio No. 2, D 929
** Fantasy for violin and piano, D 934
** Impromptus, D 899 and 935
* Vocal music:
** Der Graf von Gleichen, D 918
** Winterreise, D 911
** "Ständchen", D 920

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1827 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 896 | 896 | | | IV, 14 | Fröhliches Scheiden | Gar fröhlich kann ich scheiden | fall 1827– early 1828 | Text by Leitner; Sketch |
| | 896A | | | IV, 14 | Sie in jedem Liede | Nehm ich die Harfe | fall 1827– early 1828 | Text by Leitner; Sketch |
| | 896B | | | IV, 14 | Wolke und Quelle | Auf meinen heimischen Bergen | fall 1827– early 1828 | Text by Leitner; Sketch |
| 897 | 897 | 148p (1846) | VII, 2 No. 5 | VI, 7 No. 4 | Notturno (Piano Trio, D 897) | E♭ major | 1828? | Adagio |
| 898 | 898 | 99p (1836) | VII, 2 No. 3 | VI, 7 No. 3 | Piano Trio No. 1 | B♭ major | 1828? | Allegro moderato – Andante un poco mosso – Scherzo – Rondo |
| 899 | 899 | 90 (1827) (1857) | XI No. 2 | VII/2, 5 & Anh. | Impromptus Nos. 1–4 | C minor – E♭ major – G♭ major – A♭ major | summer– fall 1827? | For piano; Nos. 1–2 publ. 1827 |
| 900 | 900 | (1897) | XXI, 3 No. 16 | VII/2, 5 Anh. | Allegretto, D 900 | C minor | 1821 or later? | For piano; Fragment |
| 901 | 901 | (1827) | XVI No. 37 | III, 4 No. 58 | Wein und Liebe | Liebchen und der Saft der Reben | before June 1827 | Text by Haug; For ttbb |
| 902 | 902 | 83 (1827) | XX, 10 Nos. 579– 581 | IV, 4 | Drei Gesänge: 1. L'incanto degli occhi (Die Macht der Augen) – 2. Il traditor deluso (Der getäuschte Verräter) – 3. Il modo di prender moglie (Die Art ein Weib zu nehmen) | 1. Da voi, cari lumi (Nur euch, schöne Sterne) – 2. Ahimè, io tremo! (Weh mir, ich bebe!) – 3. Orsù! non ci pensiamo (Wohlan! und ohne Zagen) | 1827 (before September) | Text by Metastasio, from Attilio Regolo II, 5 (No. 1, other version: D 990E) and Gioas re di Giuda II (No. 2); For b and piano |
| 903 | 903 | 81,3 (1827) | XVI No. 11 | III, 3 No. 37 IV, 4 | Zur guten Nacht | Horch auf! Es schlägt die Stunde | January 1827 | Text by Rochlitz; For vocal soloist, TTBB and piano |
| 904 | 904 | 81,1 (1827) | XX, 4 No. 287 | IV, 4 | Alinde | Die Sonne sinkt ins tiefe Meer | January 1827 | Text by Rochlitz |
| 905 | 905 | 81,2 (1827) | XX, 4 No. 288 | IV, 4 | An die Laute | Leiser, leiser, kleine Laute | January 1827 | Text by Rochlitz |
| 906 | 906 | (1832) | XX, 8 No. 514 | IV, 14 | Der Vater mit dem Kind | Dem Vater liegt das kind in Arm | January 1827 | Text by Bauernfeld |
| 907 | 907 | 86 (1828) (1979) | XX, 8 No. 501 | IV, 4 | Romanze des Richard Löwenherz | Großer Taten tat der Ritter fern im heiligen Lande viel | March 1826? | Text by Scott from Ivanhoe transl. by Müller, (K. L.) M. [wikisource:de] (Ch. 17); Two versions: 2nd, in AGA, is Op. 86 |
| 908 | 908 | 82,1 (1827) | IX, 2 No. 17 | VII/1, 3 No. 1 Anh. No. 1 | Eight Variations on a theme from Hérold's Marie | C major | February 1827 | For piano duet |
| 909 | 909 | 96,2 (1828) | XX, 8 No. 515 | IV, 5 | Jägers Liebeslied | Ich schieß' den Hirsch im grünen Forst | February 1827 | Text by Schober |
| 910 | 910 | (1833) | XX, 8 No. 516 | IV, 14 | Schiffers Scheidelied | Die Wogen am Gestade schwellen | February 1827 | Text by Schober |
| 911 | 911 | 89 (1828) | XX, 9 Nos. 517– 540 | IV, 4 | Winterreise: —Part I— 1. Gute Nacht – 2. Die Wetterfahne – 3. Gefror'ne Tränen – 4. Erstarrung – 5. Der Lindenbaum – 6. Wasserflut – 7. Auf dem Flusse – 8. Rückblick – 9. Irrlicht – 10. Rast – 11. Frühlingstraum – 12. Einsamkeit —Part II— 13. Die Post – 14. Der greise Kopf – 15. Die Krähe – 16. Letzte Hoffnung – 17. Im Dorfe – 18. Der stürmische Morgen – 19. Täuschung – 20. Der Wegweiser – 21. Das Wirtshaus – 22. Mut – 23. Die Nebensonnen – 24. Der Leiermann | —Part I— 1. Fremd bin ich eingezogen – 2. Der Wind spielt mit der Wetterfahne – 3. Gefror'ne Tropfen fallen – 4. Ich such' im Schnee vergebens – 5. Am Brunnen vor dem Tore – 6. Manche Trän' aus meinen Augen – 7. Der du so lustig rauschtest – 8. Es brennt mir unter beiden Sohlen – 9. In die tiefsten Felsengründe – 10. Nun merk' ich erst, wie müd ich bin – 11. Ich träumte von bunten Blumen – 12. Wie eine trübe Wolke —Part II— 13. Von der Straße her ein Posthorn klingt – 14. Der Reif hat einen weißen Schein – 15. Eine Krähe war mit mir aus der Stadt gezogen – 16. Hie und da ist an den Bäumen – 17. Es bellen die Hunde – 18. Wie hat der Sturm zerrissen – 19. Ein Licht tanzt freundlich vor mir her – 20. Was vermeid' ich denn die Wege – 21. Auf einen Totenacker hat mich mein Weg gebracht – 22. Fliegt der Schnee mir ins Gesicht – 23. Drei Sonnen sah ich – 24. Drüben hinterm Dorfe steht ein Leiermann | February 1827 (Part I started); October 1827 (Part II started) | Text by Müller, W.; Two versions for Nos. 7, 10, 11, 22 and 23; Music of No. 19 partly based on D 732 No. 11 |
| 912 | 912 | 151p (1845) | XVI No. 28 | III, 4 No. 59 | Schlachtlied, D 912 | Mit unserm Arm ist nichts getan | 28/2/1827 | Text by Klopstock, from Oden (other setting: D 443); For TTBBTTBB |
| 913 | 913 | 139pII (1846) | XVI No. 1 | III, 1 | Nachtgesang im Walde | Sei uns stets gegrüßt, o Nacht! | April 1827 | Text by Seidl; For ttbb and four horns |
| 914 | 914 | (1897) | XXI, 4 No. 36a | III, 4 No. 60 | Frühlingslied, D 914 | Geöffnet sind des Winters Riegel | April 1827 | Text by Pollak; Music reappears in other setting D 919); For ttbb |
| 915 | 915 | (1870) | XI No. 12 | VII/2, 5 | Allegretto, D 915 | C minor | 26/4/1827 | For piano |
| 916 | 916 | (1961) | | III, 4 Anh. II No. 4 | Das stille Lied | Schweige nur, süßer Mund | May 1827 | Text by Seegemund; For ttbb; Sketch |
| | 916A | | | IV, 14 | Liedentwurf, D 916A | C major | May 1827? | Sketch without text |
| | 916B | (1978) | | VII/2, 5 Anh. | Piano piece, D 916B | C major | summer– fall 1827? | Sketch |
| | 916C | (1978) | | VII/2, 5 Anh. | Piano piece, D 916C | C minor | summer– fall 1827? | Sketch |
| 917 | 917 | 115p,1 (1829) | XX, 9 No. 543 | IV, 14 | Das Lied im Grünen | Ins Grüne, ins Grüne | June 1827 | Text by Reil [de] |
| 918 | 918 | (1868) (1962) | | II, 17 | Der Graf von Gleichen | (Opera in two acts) | started 19/6/1827 | Text by Bauernfeld; For ssssttbbbbbbSATB and orchestra; Music for Nos. 1–20f (sketches); No. 13 partly based on D 260 and No. 20c on D 102; Completions of No. 1 publ. in 1868, as "Morgengesang im Walde", and of No. 14 in 1962; Act I: Nos. 1–11 – Act II: Nos. 12–22 |
| 919 | 919 | (1897) | XXI, 4 No. 36b | IV, 14 | Frühlingslied, D 919 | Geöffnet sind des Winters Riegel | spring 1827? | Text by Pollak; Music based on other setting D 914 |
| 920 921 | 920 | 135p (1840) (1891) | XVI No. 14 XVIII No. 4 | III, 3 No. 38 | Ständchen, D 920, a.k.a. Notturno | Zögernd leise | July 1827 | Text by Grillparzer; For a, choir and piano; Two versions: choir TTBB in 1st, and SSAA in 2nd (which was D 921, publ. as Op. posth. 135) |
| 922 | 922 | 106,1 (1828) (1895) | XX, 9 No. 544 | IV, 5 | Heimliches Lieben | O du, wenn deine Lippen mich berühren | September 1827 | Text by Klen(c)ke [de]; Two versions: 2nd is Op. 106 No. 1 |
| 923 | 923 | 165p,5 (1862) (1895) (1971) | XX, 9 No. 545 | III, 2b No. 24 IV, 14 | Eine altschottische Ballade | Dein Schwert, wie ist’s von Blut so rot | September 1827 | Text by Herder after "Edward, Edward" from Percy's Reliques of Ancient English Poetry; For male voice, female voice and piano; Three versions: 1st is Op. posth. 165 No. 5 – 2nd for voice and piano – 3rd publ. in 1971 |
| 924 | 924 | 91 (1828) | XII No. 7 | VII/2, 7a | Twelve Grazer Waltzes | Various keys | September 1827? | For piano |
| 925 | 925 | (1828) | XII No. 24 | VII/2, 7a | Grazer Galopp | C major | September 1827? | For piano |
| 926 | 926 | 106,2 (1828) | XX, 9 No. 546 | IV, 5 | Das Weinen | Gar tröstlich kommt geronnen | fall 1827– early 1828 | Text by Leitner |
| 927 | 927 | 106,3 (1828) | XX, 9 No. 547 | IV, 5 | Vor meiner Wiege | Das also, das ist der enge Schrein | fall 1827– early 1828 | Text by Leitner |
| 928 | 928 | (1870) | IX, 1 No. 7 | VII/1, 4 | March, D 928, a.k.a. Kindermarsch | G major | 12/10/1827 | For piano duet |
| 929 | 929 | 100 (1828) (1975) | VII, 2 No. 4 | VI, 7 No. 2 & Anh. | Piano Trio No. 2 | E♭ major | started Nov. 1827 | Allegro – Andante con moto – Scherzando – Allegro moderato; Shortened version, in AGA, is Op. 100 |
| 930 | 930 | 104p (1829) | XIX No. 2 | III, 2a No. 15 | Der Hochzeitsbraten | Ach liebes Herz, ach Theobald | November 1827 | Text by Schober; For stb and piano |
| 931 | 931 | (1835) | XX, 9 No. 548 | IV, 14 | Der Wallensteiner Lanzknecht beim Trunk | He! schenket mir im Helme ein! | November 1827 | Text by Leitner |
| 932 | 932 | (1832) | XX, 9 No. 549 | IV, 14 | Der Kreuzzug | Ein Münich steht in seiner Zell | November 1827 | Text by Leitner |
| 933 | 933 | (1835) | XX, 9 No. 550 | IV, 14 | Des Fischers Liebesglück | Dort blinket durch Weiden | November 1827 | Text by Leitner |
| 934 | 934 | 159p (1850) | VIII No. 5 | VI, 8 No. 8 | Fantasy, D 934 | C major | December 1827 | For violin and piano; Reuses music of D 741 |
| 935 | 935 | 142p (1839) | XI No. 3 | VII/2, 5 & Anh. | Impromptus Nos. 5–8 | F minor – A♭ major – B♭ major – F minor | December 1827 | For piano; 7th Impromptu reuses music of D 797 |
| 936 | 936 | (1892) | XVII No. 15 | III, 2a No. 16 | Kantate für Irene Kiesewetter a.k.a. Cantate zur Feier der Genesung der Irene Kiesewetter | Al par del ruscelletto chiaro | 26/12/1827 | for ttbbSATB and piano duet |