OpenLLM-France/wikimedia huggingface dataset:
# 1999 European Athletics U23 Championships – Women's 200 metres

The women's 200 metres event at the 1999 European Athletics U23 Championships was held in Gothenburg, Sweden, at Ullevi on 30 and 31 July 1999.

## Medalists

| Gold | Manuela Levorato Italy |
| Silver | Muriel Hurtis France |
| Bronze | Sabrina Mulrain Germany |

## Results
### Final

31 July Wind: -0.5 m/s
| Rank | Name | Nationality | Time |
| | Manuela Levorato | Italy | 22.68 |
| | Muriel Hurtis | France | 22.85 |
| | Sabrina Mulrain | Germany | 22.85 |
| 4 | Esther Möller | Germany | 23.06 |
| 5 | Kim Gevaert | Belgium | 23.08 |
| 6 | Fabé Dia | France | 23.20 |
| 7 | Olena Pastushenko | Ukraine | 23.23 |
| 8 | Vukosava Đapić | Yugoslavia | 23.84 |

### Heats

30 July Qualified: first 2 in each heat and 2 best to the Final

#### Heat 1

Wind: 0.1 m/s
| Rank | Name | Nationality | Time | Notes |
| 1 | Manuela Levorato | Italy | 22.94 | Q |
| 2 | Fabé Dia | France | 23.14 | Q |
| 3 | Vukosava Đapić | Yugoslavia | 23.62 | q |
| 4 | Susan Williams | United Kingdom | 23.81 | |
| 5 | Yekaterina Stankevich | Belarus | 24.22 | |
| 6 | Kinga Wéber | Hungary | 24.70 | |

#### Heat 2

Wind: 0.1 m/s
| Rank | Name | Nationality | Time | Notes |
| 1 | Sabrina Mulrain | Germany | 23.16 | Q |
| 2 | Kim Gevaert | Belgium | 23.26 | Q |
| 3 | Agnė Visockaitė | Lithuania | 23.82 | |
| 4 | Naja Dancy | France | 23.88 | |
| 5 | Biljana Mitrović | Yugoslavia | 24.04 | |
| 6 | Elena Córcoles | Spain | 24.41 | |
| 7 | Jelena Savilova | Latvia | 24.56 | |

#### Heat 3

Wind: 0.9 m/s
| Rank | Name | Nationality | Time | Notes |
| 1 | Muriel Hurtis | France | 22.81 | Q |
| 2 | Esther Möller | Germany | 23.04 | Q |
| 3 | Olena Pastushenko | Ukraine | 23.06 | q |
| 4 | Marina Kislova | Russia | 23.73 | |
| 5 | Melanie Purkiss | United Kingdom | 23.89 | |
| 6 | Renáta Balazsic | Hungary | 23.92 | |

## Participation

According to an unofficial count, 19 athletes from 13 countries participated in the event.
* Belarus (1)
* Belgium (1)
* France (3)
* Germany (2)
* Hungary (2)
* Italy (1)
* Latvia (1)
* Lithuania (1)
* Russia (1)
* Spain (1)
* Ukraine (1)
* United Kingdom (2)
* Yugoslavia (2)
# Petite Ouverture à danser

The Petite ouverture à danser (Little Overture to a Dance) is a piece for solo piano composed around 1897 by Erik Satie. Unknown for many years, it is one of the more popular works to emerge from his posthumous manuscripts. A performance lasts under 3 minutes.

## Description

The piece was one of many Satie left unpublished at his death in 1925, an untitled draft without bar lines, dynamic markings or phrasing. Musicologists usually date it to 1897 because the sketch is contemporaneous with those of Satie's Pièces froides, and very much in the early Gnossiennes style he was revisiting at that time. Beginning and ending with an ethereal A flat major melody, the overture passes calmly through various seemingly unrelated keys; a subtle momentum is maintained with offbeat chords in the inner voices. There is harmonic ambiguity but no dissonance or drama to mar the placid musical atmosphere. Pianist Nicolas Horvath noted that "apart from two changes of metre, it would make a rather haunting slow dance, though not much of an overture".
In the late 1960s Robert Caby edited several collections of Satie's unpublished manuscripts from the Bibliothèque nationale de France, for issue by Salabert. These included the first commercial edition (1969) of the notorious Vexations, but the bulk were sketches, drafts, and exercises the composer had reasonable cause to withhold. Critics have questioned the necessity for these volumes as well as Caby's editorial decisions, which included giving unnamed pieces romantic-sounding titles Satie would have hated. Nevertheless a few minor gems emerged from the odds and sods. Caby saw enough potential in the Petite ouverture à danser (his title) to have Salabert publish it as a stand-alone work in 1968. It has since had a respectable number of recordings, being particularly suited to albums of relaxation music.

## Recordings

Aldo Ciccolini (twice, for Angel in 1970 and EMI in 1987), Reinbert de Leeuw (Phillips, 1975), France Clidat (Forlane, 1980), Jean-Pierre Armengaud (Le Chant du Monde, 1986), Jean-Joël Barbier (Accord, 1987), Anne Queffélec (Virgin Classics, 1988), Johannes Cernota (Jaro, 1988), Yitkin Seow (Hyperion, 1989), Peter Lawson (EMI, 1989), Gabriel Tacchino (Disques Pierre Verany, 1993), Klára Körmendi (Naxos Records, 1994), Bojan Gorišek (Audiophile Classics, 1994), Ulrich Gumpert (ITM Media, 1995), Olof Höjer (Swedish Society Discofil, 1996), Pascal Rogé (Decca, 1997), Mari Tsuda (JVC, 1997), Perfecto Garcia Chornet (Arcobaleno, 1997), John White (Arte Nova, 1998), Patrick Cohen (Glossa, 2000), Jean-Yves Thibaudet (Decca, 2003), Steffen Schleiermacher (MDG, 2003), Alessandra Celletti (KHA, 2004), Håkon Austbø (Brilliant Classics, 2006), Cristina Ariagno (Brilliant Classics, 2006), Alexandre Tharaud (Harmonia Mundi, 2009), Michal Tal (Romeo Records, 2009), Christoph Deluze (Praga, 2013), Jeroen van Veen (Brilliant Classics, 2016), Marcel Worms (Zefir, 2016), Ludmilla Guilmault (Disques Triton, 2016), Antoinette van Zabner (Gramola, 2017), Nicolas Horvath (Grand Piano, 2019).
# Petite Ouverture à danser

The Petite Ouverture à danser (Little Overture to a Dance) is a piece for solo piano composed around 1897 by Erik Satie. Unknown for many years, it is one of the more popular works to emerge from his posthumous manuscripts. A performance lasts under 3 minutes.

## Description

The piece was one of many Satie left unpublished at his death in 1925, an untitled draft without bar lines, dynamic markings or phrasing. Musicologists usually date it to 1897 because the sketch is contemporaneous with those of Satie's Pièces froides, and very much in the early Gnossiennes style he was revisiting at that time. Beginning and ending with an ethereal A flat major melody, the overture passes calmly through various seemingly unrelated keys; a subtle momentum is maintained with offbeat chords in the inner voices. There is harmonic ambiguity but no dissonance or drama to mar the placid musical atmosphere. Pianist Nicolas Horvath noted that "apart from two changes of metre, it would make a rather haunting slow dance, though not much of an overture".
In the late 1960s Robert Caby edited several collections of Satie's unpublished manuscripts from the Bibliothèque nationale de France, for issue by Salabert. These included the first commercial edition (1969) of the notorious Vexations, but the bulk were sketches, drafts, and exercises the composer had reasonable cause to withhold. Critics have questioned the necessity for these volumes as well as Caby's editorial decisions, which included giving unnamed pieces romantic-sounding titles Satie would have hated. Nevertheless a few minor gems emerged from the odds and sods. Caby saw enough potential in the Petite ouverture à danser (his title) to have Salabert publish it as a stand-alone work in 1968. It has since had a respectable number of recordings, being particularly suited to albums of relaxation music.

## Recordings

Aldo Ciccolini (twice, for Angel in 1970 and EMI in 1987), Reinbert de Leeuw (Phillips, 1975), France Clidat (Forlane, 1980), Jean-Pierre Armengaud (Le Chant du Monde, 1986), Jean-Joël Barbier (Accord, 1987), Anne Queffélec (Virgin Classics, 1988), Johannes Cernota (Jaro, 1988), Yitkin Seow (Hyperion, 1989), Peter Lawson (EMI, 1989), Gabriel Tacchino (Disques Pierre Verany, 1993), Klára Körmendi (Naxos Records, 1994), Bojan Gorišek (Audiophile Classics, 1994), Ulrich Gumpert (ITM Media, 1995), Olof Höjer (Swedish Society Discofil, 1996), Pascal Rogé (Decca, 1997), Mari Tsuda (JVC, 1997), Perfecto Garcia Chornet (Arcobaleno, 1997), John White (Arte Nova, 1998), Patrick Cohen (Glossa, 2000), Jean-Yves Thibaudet (Decca, 2003), Steffen Schleiermacher (MDG, 2003), Alessandra Celletti (KHA, 2004), Håkon Austbø (Brilliant Classics, 2006), Cristina Ariagno (Brilliant Classics, 2006), Alexandre Tharaud (Harmonia Mundi, 2009), Michal Tal (Romeo Records, 2009), Christoph Deluze (Praga, 2013), Jeroen van Veen (Brilliant Classics, 2016), Marcel Worms (Zefir, 2016), Ludmilla Guilmault (Disques Triton, 2016), Antoinette van Zabner (Gramola, 2017), Nicolas Horvath (Grand Piano, 2019).
# Nilgün Çelebi

Nilgün Çelebi (born 1950) is a Turkish academic.
She studied sociology at the Hacettepe University in Ankara and worked as Professor of General Sociology and Methodology at the Department of Sociology, at the University of Ankara and the University of Mugla. She is interested in the linkage between ontological and epistemological-methodological approaches in sociology, the logic of science, conceptualizations, the concept of socius, the role of adjectives and cultural peculiarities, women's entrepreneurship. She has published several books and articles mostly in Turkish.

## References and selected books

* Sosyoloji Notlari, Published by Ani, Ankara, 2007, ISBN 9789944474207
* Sosyoloji ve Metodoloji Yazilari, published by Ani, Ankara, 2004, ISBN 9756956542
* Turizm Sektöründeki Küçük İşyeri Örgütlerinde Kadin Girişimciler, published by TC.Başbakanlık Kadinin Statüsü ve Sorunlari Genel Müdürlügü, Ankara, 1997, ISBN 9751919010
* Bagımsız İşyeri Sahibi Kadinların Aile ve Iş Ilişkileri, Published by TC Başbakanlik Kadin ve Sosyal Hizmetler Müsteşarligi, Ankara, 1993, ISBN 9751907853
* http://www.goodreads.com/author/show/6903074.Nilg_n_elebi
* http://www.ankara.edu.tr/english/bolum.php?bodb=14&alt=2&bodb1=23
* This biography of an Asian sociologist is a stub. You can help Wikipedia by expanding it.
* v
* t
* e
# Rose Marie (disambiguation)

Rose Marie (1923–2017) was an American actress.
Rose Marie or Rose-Marie may also refer to:
* Rose-Marie, an operetta by Rudolph Friml
** Rose-Marie (1928 film), a silent film starring Joan Crawford
** Rose Marie (1936 film), a black-and-white musical starring Jeanette MacDonald and Nelson Eddy
** Rose Marie (1954 film), a color musical starring Ann Blyth, Howard Keel and Fernando Lamas
*** "Rose Marie" (song), the title song, which became a hit in 1955 for Slim Whitman
** Rose-Marie (1958 cast recording)
* Rose-Marie (singer) (1956–2024), Northern Irish singer
* Rose-Marie Carlsson (born 1954), Swedish politician
* Dr Rose Marie, a character in A Very Peculiar Practice
# 1999 European Athletics U23 Championships – Women's 100 metres hurdles

The women's 100 metres hurdles event at the 1999 European Athletics U23 Championships was held in Gothenburg, Sweden, at Ullevi on 31 July and 1 August 1999.

## Medalists

| Gold | Agnieszka Karaczun Poland |
| Silver | Julie Pratt United Kingdom |
| Bronze | Eva Miklos Romania |

## Results
### Final

1 August Wind: -0.4 m/s
| Rank | Name | Nationality | Time |
| | Agnieszka Karaczun | Poland | 13.32 |
| | Julie Pratt | United Kingdom | 13.40 |
| | Eva Miklos | Romania | 13.40 |
| 4 | Tessy Prediger | Germany | 13.43 |
| 5 | Juliane Sprenger | Germany | 13.46 |
| 6 | Urška Beti | Slovenia | 13.52 |
| 7 | Hanna Korell | Finland | 13.63 |
| 8 | Johanna Halkoaho | Finland | 13.75 |

### Heats

31 July Qualified: first 2 in each heat and 2 best to the Final

#### Heat 1

Wind: -1.2 m/s
| Rank | Name | Nationality | Time | Notes |
| 1 | Eva Miklos | Romania | 13.42 | Q |
| 2 | Juliane Sprenger | Germany | 13.44 | Q |
| 3 | Karin Jönsson | Sweden | 13.75 | |
| 4 | Nadia Weber | Switzerland | 13.76 | |
| 5 | Bianca Liston | United Kingdom | 13.94 | |
| 6 | Petra Lam | Finland | 14.05 | |
| 7 | Joanna Bujak | France | 23.80 | |

#### Heat 2

Wind: 2.6 m/s
| Rank | Name | Nationality | Time | Notes |
| 1 | Julie Pratt | United Kingdom | 13.29 w | Q |
| 2 | Tessy Prediger | Germany | 13.43 w | Q |
| 3 | Hanna Korell | Finland | 13.46 w | q |
| 4 | Lydie Potin | France | 13.62 w | |
| 5 | Natalya Chulkova | Russia | 13.73 w | |
| 6 | Miriam Tschomba | Belgium | 13.74 w | |

#### Heat 3

Wind: 1.5 m/s
| Rank | Name | Nationality | Time | Notes |
| 1 | Urška Beti | Slovenia | 13.32 | Q |
| 2 | Agnieszka Karaczun | Poland | 13.33 | Q |
| 3 | Johanna Halkoaho | Finland | 13.55 | q |
| 4 | Sarah Claxton | United Kingdom | 13.59 | |
| 5 | Tetyana Ledovska | Ukraine | 13.67 | |
| 6 | Cynthia Octavia | France | 14.09 | |

## Participation

According to an unofficial count, 19 athletes from 12 countries participated in the event.
* Belgium (1)
* Finland (3)
* France (3)
* Germany (2)
* Poland (1)
* Romania (1)
* Russia (1)
* Slovenia (1)
* Sweden (1)
* Switzerland (1)
* Ukraine (1)
* United Kingdom (3)
# Disappearance of Sudiksha Konanki

Sudiksha Konanki (/suːˈdɪkʃə koʊˈnɑːŋki/ soo-DIK-shə koh-NAHNG-ki; born December 13, 2004) is a 20-year-old Indian student at University of Pittsburgh who went missing on March 6, 2025. On spring break with a few of her friends, at a RIU Hotel in Punta Cana, she was reported to last been seen with Joshua Steven Riibe, a 22-year-old American man on the beach before her disappearance.

## Background

Konanki was born in 2004 to her parents Subbarayudu and Sreedevi Konanki, and is a permanent U.S. resident since 2006. She lived in South Riding, Virginia and studied at Thomas Jefferson High School for Science and Technology. She attends the University of Pittsburgh and studies Biology and Chemistry with the goal of pursuing a career in medicine.

## Disappearance

On Monday, March 3, 2025, Konanki and five fellow students traveled to the Dominican Republic for spring break, staying at the Riu República hotel. On March 6, at around 3:00 a.m., Konanki was seen drinking with a group of five women and two men at the hotel bar. Surveillance footage captured the group heading to the beach at 4:15 a.m. with Konanki seen walking arm in arm with Joshua Steven Riibe (/ˈriːbə/), a 22-year-old college student from Iowa. While the others departed at around 5:00 a.m., Konanki remained with Riibe. According to Riibe, a wave swept them out to sea, and he attempted to rescue Konanki. He claimed to have last seen her walking in knee-deep water. After asking Konanki if she was okay, Riibe vomited seawater he had swallowed and was unable to hear her response. Following this, Riibe did not see Konanki and assumed she had left. He then fell asleep on a beach chair. Surveillance footage shows Riibe leaving the beach at 8:55 a.m.

## Aftermath

On March 18, 2025, Konanki's parents requested the authorities to declare their daughter legally dead. However, this request cannot legally proceed since the Civil Code of the Dominican Republic, in provisions contained between articles 112 and 140, stipulates that after 4 years of disappearance, a state of "legal absence" can be requested, which can only be approved 1 year after being requested; the presence of the corpse before a forensic doctor is essential in order to declare a person as deceased.
# Petite Ouverture à danser

The Petite Ouverture à danser (Little Overture to a Dance) is a piece for solo piano composed around 1897 by Erik Satie. Unknown for many years, it is one of the more popular works to emerge from his posthumous manuscripts. A performance lasts under 3 minutes.

## Description

The piece was one of many Satie left unpublished at his death in 1925, an untitled draft without bar lines, dynamic markings or phrasing. Musicologists usually date it to 1897 because the sketch is contemporaneous with those of Satie's Pièces froides, and very much in the early Gnossiennes style he was revisiting at that time. Beginning and ending with an ethereal A flat major melody, the overture passes calmly through various seemingly unrelated keys; a subtle momentum is maintained with offbeat chords in the inner voices. There is harmonic ambiguity but no dissonance or drama to mar the placid musical atmosphere. Pianist Nicolas Horvath noted that "apart from two changes of metre, it would make a rather haunting slow dance, though not much of an overture".
In the late 1960s Robert Caby edited several collections of Satie's unpublished manuscripts from the Bibliothèque nationale de France, for issue by Salabert. These included the first commercial edition (1969) of the notorious Vexations, but the bulk were sketches, drafts, and exercises the composer had reasonable cause to withhold. Critics have questioned the necessity for these volumes as well as Caby's editorial decisions, which included giving unnamed pieces romantic-sounding titles Satie would have hated. Nevertheless a few minor gems emerged from the odds and sods. Caby saw enough potential in the Petite Ouverture à danser (his title) to have Salabert publish it as a stand-alone work in 1968. It has since had a respectable number of recordings, being particularly suited to albums of relaxation music.

## Recordings

Aldo Ciccolini (twice, for Angel in 1970 and EMI in 1987), Reinbert de Leeuw (Phillips, 1975), France Clidat (Forlane, 1980), Jean-Pierre Armengaud (Le Chant du Monde, 1986), Jean-Joël Barbier (Accord, 1987), Anne Queffélec (Virgin Classics, 1988), Johannes Cernota (Jaro, 1988), Yitkin Seow (Hyperion, 1989), Peter Lawson (EMI, 1989), Gabriel Tacchino (Disques Pierre Verany, 1993), Klára Körmendi (Naxos Records, 1994), Bojan Gorišek (Audiophile Classics, 1994), Ulrich Gumpert (ITM Media, 1995), Olof Höjer (Swedish Society Discofil, 1996), Pascal Rogé (Decca, 1997), Mari Tsuda (JVC, 1997), Perfecto Garcia Chornet (Arcobaleno, 1997), John White (Arte Nova, 1998), Patrick Cohen (Glossa, 2000), Jean-Yves Thibaudet (Decca, 2003), Steffen Schleiermacher (MDG, 2003), Alessandra Celletti (KHA, 2004), Håkon Austbø (Brilliant Classics, 2006), Cristina Ariagno (Brilliant Classics, 2006), Alexandre Tharaud (Harmonia Mundi, 2009), Michal Tal (Romeo Records, 2009), Christoph Deluze (Praga, 2013), Jeroen van Veen (Brilliant Classics, 2016), Marcel Worms (Zefir, 2016), Ludmilla Guilmault (Disques Triton, 2016), Antoinette van Zabner (Gramola, 2017), Nicolas Horvath (Grand Piano, 2019).
# Ulrich Hagen

Ulrich Hagen (February 21, 1925 – November 25, 2007), a German scientist, was one of the German pioneers in the field of molecular radiation biology.
Hagen developed analytical techniques that would allow an examination and analysis of various types of DNA damage. He was among the first German radiation biologists to become aware of the important role of DNA repair in endpoints such as mutagenesis, aberration formation, cell death, and carcinogenesis.

## Life

Hagen was born in Frankfurt am Main and raised in Augsburg, Germany where he attended the Anna Gymnasium. His father Wilhem Hagen was a pediatrician and later an important public health official in Germany. Ulrich Hagen graduated from the Ludwig Maximilian University of Munich with doctoral degrees in Medicine and Biology. In 1953, he was given a fellowship position at Heiligenberg Institute (one of the leading German institutes for Radiation Biology after WWII), which was then under the directorship of Hanns Langendorff.
In the early days at Heiligenberg, Professor Hagen researched the radioprotective substances and cell death in lymphocytes and conducted research in Stockholm, in Professor Forssberg's laboratory. It was in Stockholm that Professor Hagen became acquainted with isolated DNA. There he realized the importance of the cellular effects of ionising radiation in relationship with DNA damage repair. Immediately following this, he began developing analytical techniques that would allow an examination and analysis of various types of DNA damage, which made Hagen an important pioneer in the field of Molecular Radiation Biology.
Ulrich Hagen continued his research work as 'Privatdozent' at the Radiological Institute of the University of Freiburg, from 1961 to 1965. In 1965, he accepted an appointment at the Institute of Radiation Biology of the Kernforschungszentrum Karlsruhe (under the leadership of Karl Günter Zimmer). He remained there for 12 years studying the structure of irradiated DNA. During those years, he recognized and documented the problem of RNA polymerase inhibition by damaged DNA templates and was among the first German radiation biologists to become aware of the important role of DNA repair, as relates to endpoints: mutagenesis, aberration formation, cell death, and carcinogenesis. Ulrich Hagen became the Director of the Institute of Radiation Biology of the GSF – Gesellschaft für Strahlenforschung in Neuherberg (which was later renamed GSF – National Research Center for Environment and Health), in 1979. As the Director of Radiation Biology of the GSF, he was able to unify a number of heterogeneous radiological disciplines that had arisen at the GSF institute. In 1995, he was elected President of the 10th International Congress of Radiation Research in Würzburg, Germany and was, for 16 years, the Managing Editor of Radiation and Environmental Biophysics, Springer-Verlag.

## Awards and honors

Hagen's scientific career is documented by numerous publications and by several eminent awards:
* Röntgen Award, University of Giessen (1966)
* Weiss Medal, British Association for Radiation Research (1976)
* Hanns-Lagendorff Medal (1997)
# Scott Bemand

Scott Bemand (born 21 September 1978 in Hereford) is a retired English rugby union player and current rugby coach. He formerly played for Harlequins, Leicester Tigers and Bath.
He was a member of the senior England squad that toured Australia in 2006.
Bemand played for three seasons at Leicester Tigers before injury forced him out of the team at the end of the 2006–7 season. After a year blighted by injury, he signed to play for Bath Rugby from the 2008/9 season.
Further injury forced his retirement at the end of the 2009–10 season.
Bemand coached at Dorchester RFC within the senior squad on a weekly basis until 21 May 2015 when he was announced as the new England Women's team attack coach. He completed his last game with the team in front of over 58000 people as England won another 6 Nations grand slam on April 29, 2023.
On 27 July 2023, the Irish Rugby Football Union (IRFU) announced the appointment of Bemand as head coach of their women's team on a 3-year contract.
# 1937 Detroit Lions season

The 1937 Detroit Lions season was their eighth in the National Football League (NFL) and fourth in Detroit. The team failed to improve on their previous season's output of 8–4, winning only seven games, and did not qualify for the playoffs (league championship game) for a second consecutive season.
Through 2022, the most recent field goal by drop kick in the NFL was made this season by Lions' player-coach Dutch Clark. Made from nine yards out, it was the first score in a 16–7 home win over the Chicago Cardinals on September 19.

## Schedule

| Week | Date | Opponent | Result | Record | Venue | Recap |
| 1 | September 10 | at Cleveland Rams | W 28–0 | 1–0 | League Park | Recap |
| 2 | September 19 | Chicago Cardinals | W 16–7 | 2–0 | University of Detroit Stadium | Recap |
| 3 | October 3 | at Green Bay Packers | L 6–26 | 2–1 | City Stadium | Recap |
| 4 | October 10 | Pittsburgh Pirates | W 7–3 | 3–1 | University of Detroit Stadium | Recap |
| 5 | October 17 | Brooklyn Dodgers | W 30–0 | 4–1 | University of Detroit Stadium | Recap |
| 6 | October 24 | at Chicago Bears | L 20–28 | 4–2 | Wrigley Field | Recap |
| 7 | October 31 | Green Bay Packers | L 13–14 | 4–3 | University of Detroit Stadium | Recap |
| 8 | November 7 | Cleveland Rams | W 27–7 | 5–3 | University of Detroit Stadium | Recap |
| 9 | November 14 | at New York Giants | W 17–0 | 6–3 | Polo Grounds | Recap |
| 10 | November 21 | at Chicago Cardinals | W 16–7 | 7–3 | Wrigley Field | Recap |
| 11 | November 25 | Chicago Bears | L 0–13 | 7–4 | University of Detroit Stadium | Recap |
Note: Intra-division opponents are in bold text.

## Standings

NFL Western Division :
| viewtalkedit | W | L | T | PCT | DIV | PF | PA | STK |
| Chicago Bears | 9 | 1 | 1 | .900 | 7–1 | 201 | 100 | W4 |
| Green Bay Packers | 7 | 4 | 0 | .636 | 6–2 | 220 | 122 | L2 |
| Detroit Lions | 7 | 4 | 0 | .636 | 4–4 | 180 | 105 | L1 |
| Chicago Cardinals | 5 | 5 | 1 | .500 | 3–5 | 135 | 165 | L2 |
| Cleveland Rams | 1 | 10 | 0 | .091 | 0–8 | 75 | 207 | L9 |
    Note: Tie games were not officially counted in the standings until 1972.