# Shaka

ky terrain. He also drilled the troops to carry out encirclement tactics.
Historian John Laband dismisses these stories as myth, writing: "What are we to make, then, of [European trader Henry Francis] Fynn's statement that once the Zulu army reached hard and stony ground in 1826, Shaka ordered sandals of ox-hide to be made for himself?"
Laband also dismissed the idea of an 80-kilometre (50 mi) march in a single day as ridiculous. He further claims that even though these stories have been repeated by "astonished and admiring white commentators," the Zulu army covered "no more than 19 kilometres [12 mi] a day, and usually went only about 14 kilometres [8+1⁄2 mi]." Furthermore, Zulus under Shaka sometimes advanced more slowly. They spent two whole days recuperating in one instance, and on another they rested for a day and two nights before pursuing their enemy. Several other historians of the Zulu and the Zulu military system, however, affirm the mobility rate of up to 80 kilometres (50 mi) per day.

### Logistic support by youths

Boys aged six and over joined Shaka's force as apprentice warriors (udibi) and served as carriers of rations, supplies such as cooking pots and sleeping mats, and extra weapons until they joined the main ranks. It is sometimes held that such support was used more for very light forces designed to extract tribute in cattle and slaves from neighboring groups. LEBRON
* The "loins," a large reserve, was hidden, seated, behind the "chest" with their backs to the battle, for the sake of them not losing any confidence. The "loins" would be committed wherever the enemy impi threatened to break out of the encirclement.

### Discipline

Shaka created ruthless determination in his army by instilling in his warriors the knowledge of what would happen if their courage failed them in battle or their regiments were defeated. A brutal fate awaited them and their families if they did not perform well in combat. H. Rider Haggard learned about Shaka's methods from his nephew and late 19th-century Zulu king, Cetshwayo kaMpande:
   As Shaka conquered a tribe, he enrolled its remnants in his army, so that they might in their turn help to conquer others. He armed his regiments with the short stabbing Iklwa, instead of the throwing assegai which they had been accustomed to use, and kept them subject to an iron discipline. If a man was observed to show the slightest hesitation about coming to close quarters with the enemy, he was executed as soon as the fight was over. If a regiment had the misfortune to be defeated, whether by its own fault or not, it would on its return to headquarters find that a goodly proportion of the wives and children belonging to it had been beaten to death on Shaka's orders, and that he was waiting their arrival to complete his vengeance by dashing out their brains. The result was, that though Shaka's armies were occasionally defeated, they were rarely annihilated, and they never ran away.

### Shaka's methods versus European technology

The expanding Zulu power inevitably clashed with European hegemony in the decades after Shaka's death. In fact, European travellers to Shaka's kingdom demonstrated advanced technology such as firearms and writing, but the Zulu monarch was less than convinced. There was no need to record messages, he held, since his messengers stood under penalty of death should they bear inaccurate tidings. As for firearms, Shaka acknowledged their utility as missile weapons after seeing muzzle-loaders demonstrated, but he argued that in the time a gunman took to reload, he would be swamped by charging spear-wielding warriors.
The first major clash after Shaka's death took place under his successor Dingane, against expanding European Voortrekkers from the Cape. Initial Zulu success rested on fast-moving surprise attacks and ambushes, but the Voortrekkers recovered and dealt the Zulu a severe defeat from their fortified wagon laager at the Battle of Blood River. The second major clash was against the British during 1879. Once again, most Zulu successes rested on their mobility, ability to screen their forces and to close when their opponents were unfavourably deployed. Their major victory at the Battle of Isandlwana was the most prominent one, but they also forced back a British column at the Battle of Hlobane, by deploying fast-moving regiments over a wide area of rugged ravines and gullies, and attacking the British who were forced into a rapid disorderly fighting retreat, back to the town of Kambula.

### Creator of a revolutionary warfare style

A number of historians argue that Shaka "changed the nature of warfare in Southern Africa" from "a ritualised exchange of taunts with minimal loss of life into a true method of subjugation by wholesale slaughter." Others dispute this characterization. A number of writers focus on Shaka's military innovations such as the iklwa – the Zulu thrusting spear, and the "buffalo horns" formation. This combination has been compared to the standardization supposedly implemented by the reorganized Roman legions under Marius.
   Combined with Shaka's "buffalo horns" attack formation for surrounding and annihilating enemy forces, the Zulu combination of iklwa and shield—similar to the Roman legionaries' use of gladius and scutum—was devastating. By the time of Shaka's assassination in 1828, it had made the Zulu kingdom the greatest power in southern Africa and a force to be reckoned with, even against Britain's modern army in 1879.
Much controversy still surrounds the character, methods and activities of the Zulu king. From a military standpoint, historian John Keegan notes exaggerations and myths that surround Shaka, but nevertheless maintains:
   Fanciful commentators called him Shaka, the Black Napoleon, and allowing for different societies and customs, the comparison is apt. Shaka is without doubt the greatest commander to have come out of Africa.

### As a borrower, not an innovator

Some scholars hold that popular depictions of Shaka as a suddenly appearing genius creating innovation are overstated, and that to the contrary, Shaka was a borrower and imitator of indigenous methods, customs and even ruler-lineages already in place. They also argue that Shaka's line was relatively short-lived and receives undue attention, compared to other, longer established lines and rulers in the region.
   It seems much more likely that Shaka, seeking to build the power of a previously insignificant chiefdom, drew on an existing heritage of statecraft known to his immediate neighbors. J.H. Soga implied as much when he used genealogical evidence to argue that the Zulu were an upstart group inferior in dignity and distinction to established chiefdoms in their region, for example, the Hlubi, Ndwandwe, and Dlamini lines. Using different informants and genealogical charts, A.T. Bryant arrived at similar conclusions. The Zulu line – "a royal house of doubtful pedigree" – was very short in comparison to the Langene, Ndwandwe, Swazi, and Hlubi lines. Using his standard formula of eighteen years per reign, Bryant calculated that the Swazi, Ndwandwe, and Hlubi lines could be traced back to the beginning of the fifteenth century, while the eponymous chief Zulu had died at the beginning of the eighteenth century.
Shaka's triumphs did not succeed in obliterating or diminishing the memories of his better-born rivals. The hypothesis that several states of a new kind arose about the same time does not take account of the contrast between the short line of Shaka and the long pedigrees of his most important opponents – especially the coalition grouped around his deadly enemy Zwide (d. 1822). The founders of the states which Omer-Cooper called "Zulu-type states," including the Ndebele, the Gasa, the Ngoni, and the Swazi had all been closely associated with Zwide. Instead of hypothesizing that they all chose to imitate Shaka, it is easier to imagine that he modeled his state on theirs. And as they stemmed from ancient families it is entirely possible that states of that type existed in a more remote past. Soga and Bryant related each of them to a larger grouping they called Mho.

## Scholarship
### Biographical sources

Scholarship in recent years has revised views of the sources on Shaka's reign. The earliest are two eyewitness accounts written by European adventurer-traders who met Shaka during the last four years of his reign. Nathaniel Isaacs published his Travels and Adventures in Eastern Africa in 1836, creating a picture of Shaka as a degenerate and pathological monster, which survives in modified forms to this day. Isaacs was aided in this by Henry Francis Fynn, whose diary (actually a rewritten collage of various papers) was edited by James Stuart only in 1950. Their accounts may be balanced by the rich resource of oral histories collected around 1900 by the same James Stuart, now published in six volumes as The James Stuart Archive. Stuart's early 20th century work was continued by D. McK. Malcolm in 1950. These and other sources such as A.T. Bryant gives us a more Zulu-centered picture. Most popular accounts are based on E.A. Ritter's novel Shaka Zulu (1955), a pot boiling romance that was re-edited into something more closely resembling a history. John Wright (history professor at University of KwaZulu-Natal, Pietermaritzburg), Julian Cobbing and Dan Wylie (Rhodes University, Grahamstown) are among a number of writers who have modified these stories.
Various modern historians writing on Shaka and the Zulu point to the uncertain nature of Fynn and Isaac's accounts of Shaka's reign. A general reference work in the field is Donald Morris's "The Washing of The Spears", which notes that the sources, as a whole, for this historical era are not the best. Morris references a large number of sources, including Stuart, and A. T. Bryant's "Olden Times in Zululand and Natal", which is based on four decades of interviews of tribal sources. After sifting through these sources and noting their strengths and weaknesses, Morris generally credits Shaka with a large number of military and social innovations. This is the general consensus in the field.
A 1998 study by historian Carolyn Hamilton summarizes much of the scholarship on Shaka towards the dawn of the 21st century in areas ranging from ideology, politics and culture, to the use of his name and image in a popular South African theme park, Shakaland. It argues that in many ways, the image of Shaka has been "invented" in the modern era according to whatever agenda persons hold. This "imagining of Shaka" it is held, should be balanced by a sober view of the historical record, and allow greater scope for the contributions of indigenous African discourse.
Military historians of the Zulu War describe Zulu fighting methods and tactics, including authors Ian Knight and Robert Edgerton. General histories of Southern Africa include Noel Mostert's "Frontiers" and a detailed account of the results from the Zulu expansion, J.D. Omer-Cooper's "The Zulu Aftermath", which advances the traditional Mfecane/Difaqane theory.

### The Mfecane
#### History and legacy

The increased military efficiency led to more and more clans being incorporated into Shaka's Zulu empire, while other tribes moved away to be out of range of Shaka's impis. The ripple effect caused by these mass migrations would become known (though only in the twentieth century) as the Mfecane/Difaqane (annihilation).
Shaka's army set out on a massive programme of expansion & killing those who resisted in the territories he conquered. His impis (armies) were rigorously disciplined: failure in battle meant death.
At the time of his death, Shaka ruled over 250,000 people and could muster more than 50,000 warriors. His 12-year-long kingship resulted in a massive number of deaths, mostly due to the disruptions the Zulu caused in neighbouring tribes, although the exact death toll is a matter of scholarly dispute. Further unquantifiable deaths occurred during mass tribal migrations to escape his armies.
The Mfecane produced Mzilikazi of the Khumalo, a general of Shaka's. He fled Shaka's employ, and in turn conquered an empire in Zimbabwe, after clashing with European groups like the Boers. The settling of Mzilikazi's people, the Ama Ndebele or Matabele, in the south of Zimbabwe with the concomitant driving of the Mashona into the north caused a tribal conflict that still resonates today. Other notable figures to arise from the Mfecane/Difaqane include Soshangane, who expanded from the Zulu area into what is now Mozambique, and Zwangendaba.

#### Disruptions of the Mfecane/Difaqane

The theory of the Mfecane holds that the aggressive expansion of Shaka's armies caused a brutal chain reaction across the southern areas of the continent, as dispossessed tribe after tribe turned on their neighbours in a deadly cycle of fight and conquest. Some scholars contend that this theory must be treated with caution as it generally neglects several other factors such as the impact of European encroachment, slave trading and expansion in that area of Southern Africa around the same time. Normal estimates for the death toll range from 1 million to 2 million. These numbers are, however, controversial.
According to Julian Cobbing, the development of the view that Shaka was the monster responsible for the devastation is based on the need of apartheid era historians to justify the apartheid regime's racist policies. Other scholars acknowledge distortion of the historical record by apartheid supporters and shady European traders seeking to cover their tracks, but dispute the revisionist approach, noting that stories of cannibalism, raiding, burning of villages, or mass slaughter were not developed out of thin air but based on the clearly documented accounts of hundreds of black victims and refugees. Confirmation of such accounts can also be seen in modern archaeology of the village of Lepalong, an entire settlement built underground to shelter remnants of the Kwena people from 1827 to 1836 against the tide of disruption that engulfed the region during Shakan times.
William Rubinstein wrote that "Western guilt over colonialism, have also accounted for much of this distortion of what pre-literate societies actually were like, as does the wish to avoid anything which smacks of racism, even when this means distorting the actual and often appalling facts of life in many pre-literate societies". Rubinstein also notes:
   One element in Shaka's destruction was to create a vast artificial desert around his domain... 'to make the destruction complete, organized bands of Zulu murderers regularly patrolled the waste, hunting for any stray men and running them down like wild pig'... An area 200 miles [320 km] to the north of the center of the state, 300 miles [480 km] to the west, and 500 miles [800 km] to the south was ravaged and depopulated...
South African historian Dan Wylie has expressed skepticism of the portrayal of Shaka as a pathological monster destroying everything within reach. He argues that attempts to distort his life and image have been systematic— beginning with the first European visitors to his kingdom. One visitor, Nathaniel Isaacs, wrote to Henry Fynn, a white adventurer, trader and quasi-local chieftain:
    Here you are about to publish. Do make Shaka out to be as bloodthirsty as you can; it helps swell out the work and make it interesting.
Fynn, according to Wylie, complied with the request, and Wylie notes that he had an additional motive to distort Shaka's image— he applied for a huge grant of land— an area allegedly depopulated by Shaka's savagery.
    [Fynn] stated that Shaka had killed 'a million people.' You will still find this figure, and higher, repeated in today's literature. However, Fynn had no way of knowing any such thing: it was a thumb-suck based in a particular view of Shaka—Shaka as a kind of genocidal maniac, an unresting killing-machine. But why the inventive lie? ... Fynn was bidding for a stretch of land, which allegedly had been depopulated by Shaka.. [he insinuated], Shaka didn't deserve that land anyway because he was such a brute, while he—Fynn— was a lonely, morally upright pioneer of civilization.
Michal Lesniewski has criticised Wylie for some of his attempts to revise Western thinking about Shaka.

## Physical descriptions

Though much remains unknown about Shaka's personal appearance, sources tend to agree he had a strong, muscular body. He was tall and his skin tone was dark brown.
Shaka's enemies described him as ugly in some respects. He had a big nose, according to Baleka of the Qwabe, as told by her father. He also had two prominent front teeth. Her father also told Baleka that Shaka spoke as though "his tongue were too big for his mouth." Many said that he spoke with a speech impediment.
There is an anecdote that Shaka joked with one of his friends, Magaye, that he could not kill Magaye because he would be laughed at. Supposedly if he killed Magaye, it would appear to be out of jealousy because Magaye was so handsome and "Shaka himself was ugly, with a protruding forehead".

## In Zulu culture

The figure of Shaka still sparks interest among not only the contemporary Zulu but many worldwide who have encountered the tribe and its history. The current tendency appears to be to lionise him; popular film and other media have certainly contributed to his appeal. Certain traditional Zulu cultural forms are still used to express reverence for the dead monarch. The praise song is one of the most widely used poetic forms in Africa, applying not only to spirits but to men, animals, plants and even towns.
   He is Shaka the unshakeable, Thunderer-while-sitting, son of Menzi He is the bird that preys on other birds, The battle-axe that excels over other battle-axes in sharpness, He is the long-strided pursuer, son of Ndaba, Who pursued the sun and the moon. He is the great hubbub like the rocks of Nkandla Where elephants take shelter When the heavens frown...
Other Zulu sources are sometimes critical of Shaka, and numerous negative images abound in Zulu oral history. When Shaka's mother Nandi died for example, the monarch ordered a massive outpouring of grief including mass executions, forbidding the planting of crops or the use of milk, and the killing of all pregnant women and their husbands. Oral sources record that in this period of devastation, a single Zulu, a man named "Gala", eventually stood up to Shaka and objected to these measures, pointing out that Nandi was not the first person to die in Zululand. Taken aback by such candid talk, the Zulu king is supposed to have called off the destructive edicts, rewarding the blunt teller-of-truths with a gift of cattle.
The figure of Shaka thus remains an ambiguous one in African oral tradition, defying simplistic depictions of the Zulu king as a heroic, protean nation builder on one hand, or a depraved monster on the other. This ambiguity continues to lend the image of Shaka its continued power and influence, almost two centuries after his death.

## Legacy

* uShaka Marine World, an aquatic theme park on the Durban beach front opened in 2004.
* The King Shaka International Airport at La Mercy, 35 km (22 mi) north of the Durban city centre was opened on 1 May 2010 in preparation for the 2010 FIFA World Cup after a protracted debate over the naming of the airport.

## In popular culture

* Jah Shaka, British Jamaican sound system operator, prolific conscious roots reggae and dub record producer and sound engineer was named in honour of Shaka Zulu.
* A large wooden statue representing Shaka is located at Camden Market in London.
* Shaka features in Nada the Lily (1892), an historical adventure novel by Sir H. Rider Haggard. Haggard refers to him using the alternate spelling of Chaka.
* Shaka Zulu, a 10-part 1986 SABC TV miniseries about Shaka, which starred Henry Cele in the title role. The series was written by Joshua Sinclair.
* Shaka has been featured as a playable leader for the Zulu civilization in the first six out of seven games in the Civilization series.
* A television series entitled King Shaka is being developed at Showtime, with Antoine Fuqua directing and executive producing.
* Shaka Ilembe is a 13-episode South African TV show on Mzansi Magic.
* Shaka Zulu (portrayed by DeStorm Power) appeared in an episode of the comedy series Epic Rap Battles of History, pitted against Julius Caesar.