# List of compositions by Franz Schubert (copies)

Anhang III (Anh. III; third Annex) of the 1978 edition of the Deutsch catalogue lists thirteen copies by Franz Schubert, of compositions by other composers.

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for Anh. III :
| D '51 | D utd | Name | Key / incipit | Date | Additional info |
| | Anh. III/1 | Schubert's copy of nine canons by Michael Haydn and other composers: Nos. 1, 3, 4 and 6 by M. Haydn – No. 2 by M. or J. Haydn – No. 5 by Otter [Wikisource:de] – No. 9 by Mozart | 1. Es packe dich das Glück beim Kragen (F major) – 2. Vom Glück sei alles dir beschert (B♭ major) – 3. Glück fehl dir vor allem (G major) – 4. Wohlsein und Freude (C major) – 5. Drum habe Dank, o Vater Hayden – 6. Adam hat siebn Söhn (F major) – 7. Cato, Plato, Cicero (F major) – 8. Was i beim Tag mit der Leiern gwinn (E minor) – 9. Alleluia (C major) | summer 1810 | No. 1: for five voices (MH 577, also K. Anh. C.10.14) – No. 2: for four voices (MH 619 or Hob. XXVIIb:Bb1) – No. 3: for four voices (MH 582) – No. 4: for five voices (MH 584) – No. 5: for nine voices – No. 6: for four voices (MH 699, also K. 562b) – No. 7: (MH 714) – No. 8: (MH 723) – No. 9: for four voices (K. 553 [scores]) |
| | Anh. III/2 | Schubert's copy of Roser [scores]'s Die Teilung der Erde [de] | Nehmt hin die Welt! rief Zeus aus seinen Höhen | c. 1810 | Text by Schiller; Also Hob. XXVIa:C1 |
| | Anh. III/3 | Schubert's copy of part of Mozart's Symphony No. 41 | C major | after 29/3/1813 | Start of Minuet (3rd movement) |
| | Anh. III/4 | Schubert's copy of a canon from Zumsteeg's Elbondocani | Hoffnung Kind des Himmels | before fall 1813? | Text by Haug (transl. from French); For sstb and piano |
| | Anh. III/5 | Schubert's copy of Zumsteeg's Chor der Derwische | Ein Gott, ein wahrer Gott ist nur | spring 1813? | Text by Iffland, from Achmet und Zenide; for ttb |
| 85 | Anh. III/6 | Schubert's copy of Preindl [de]'s Offertory "Clamavi ad te", Op. 16 | C major | November 1813? | Only the start of the s part is extant in Schubert's copy |
| | Anh. III/7 | Schubert's copy of Reichardt's Monolog aus Goethe's Iphigenie [scores] | Heraus in eure Schatten | 1815 | Text by Goethe, from Iphigenia in Tauris; For voice, women's choir and piano |
| | Anh. III/8 | Schubert's copy of part of Beethoven's Symphony No. 4 | B♭ major | 1821 or later | Start of Adagio, Allegro vivace (1st movement) |
| | Anh. III/9 | Schubert's copy of the organ part of M. Haydn's Deutsches Hochamt, MH 560 | Hier liegt vor deiner Majestät B♭ major | ? | Text by Kohlbrenner; For SATB and organ; Schubert's autograph lost |
| | Anh. III/10 | Schubert's copy of Preindl [de]'s Mass in C major | C major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei | 1821 or later | Text: Mass ordinary (Schubert's settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Copied by Schubert and his brother Ferdinand |
| 92 | Anh. III/11 | Schubert's copy of a canon by Mozart, K. 440d (formerly K. Anh. 134), after K. 410/484d [scores] | Laß immer in der Jugend Glanz | ? | For two voices; Schubert's autograph lost |
| 127 | Anh. III/12 | Schubert's copy of a canon by Mozart, K. 230/382b [scores] | Selig, selig alle, die im Herrn entschliefen! | ? | Text by Hölty; For two voices; Schubert's autograph lost |
| | Anh. III/13 | Schubert's copy of Beethoven's Abendlied unterm gestirnten Himmel, WoO 150 [scores] | Wenn die Sonne niedersinket | after March 1820 | Text by Goeble; Schubert's autograph transposed, incomplete |