# List of compositions by Franz Schubert (1823)

Franz Schubert's compositions of 1823 are mostly in the Deutsch catalogue (D) range D 768–798, and include:
* Instrumental works:
** Piano Sonata in E minor, D 769A
** Piano Sonata in A minor, D 784
** Moments musicaux, D 780 (composition dates however uncertain)
** Valses Sentimentales, D 779 (not necessarily all composed in 1823)
* Vocal music:
** Die Verschworenen, D 787 (completed in 1823)
** Fierabras, D 796
** Rosamunde, D 797
** Die schöne Müllerin, D 795
** "Auf dem Wasser zu singen", D 774
** "Du bist die Ruh", D 776
** "Lachen und Weinen", D 777

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1823 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 768 | 768 | 96,3 (1827) | XX, 7 No. 420 | IV, 5 | Wandrers Nachtlied, D 768 | Über allen Gipfeln ist Ruh | before July 1824 | Text by Goethe; Publ. as Op. 96 No. 3 in 1828 |
| 769 | 769 | (1823) (1889) | XII No. 18 | VII/2, 6 & 7a | Two German Dances, D 769 | Various keys | before 19/12/1823 –Jan. 1824 | For piano; No. 2 publ. in 1823 |
| 994 | 769A | | | VII/2, 2 | Piano Sonata, D 769a | E minor | c. 1823 | Allegro; Fragment |
| 770 | 770 | 71 (1823) | XX, 7 No. 424 | IV, 3 | Drang in die Ferne | Vater, du glaubst es nicht | early 1823 | Text by Leitner; Publ. as Op. 71 in 1827 |
| 771 | 771 | 22,1 (1823) | XX, 7 No. 425 | IV, 1a | Der Zwerg | Im trüben Licht verschwinden schon die Berge | 1822? | Text by Collin, M. C. |
| 772 | 772 | 22,2 (1823) | XX, 7 No. 426 | IV, 1a | Wehmut, D 772 | Wenn ich durch Wald und Fluren geh' | 1822 or 1823? | Text by Collin, M. C. |
| 773 | 773 | 69 (1826) | | VII/1, 5 No. 5 | Overture to Alfonso und Estrella, D 773 | | 1823 | For piano duet; Arranged from D 732 (see also: D 759A); Publ. as Op. 69 in 1830 |
| 774 | 774 | 72 (1823) | XX, 7 No. 428 | IV, 3 | Auf dem Wasser zu singen | Mitten im Schimmer der spiegelnden Wellen | 1823 | Text by Stolberg-Stolberg; Publ. as Op. 72 in 1827 |
| 775 | 775 | 59,2 (1826) | XX, 8 No. 453 | IV, 3 | Daß sie hier gewesen | Daß der Ostwind Düfte hauchet | 1823? | Text by Rückert |
| 776 | 776 | 59,3 (1826) | XX, 8 No. 454 | IV, 3 | Du bist die Ruh | Du bist die Ruh, der Friede mild | 1823 | Text by Rückert |
| 777 | 777 | 59,4 (1826) | XX, 8 No. 455 | IV, 3 | Lachen und Weinen | Lachen und Weinen zu jeglicher Stunde | 1823? | Text by Rückert |
| 778 | 778 | 60,1 (1826) | XX, 8 No. 456 | IV, 3 | Greisengesang | Der Frost hat mir bereifet | before June 1823 | Text by Rückert; For b and piano; Two versions; 2nd, in AGA, is Op. 60 No. 1 |
| | 778A | (1969) | | IV, 13 | Die Wallfahrt | Meine Tränen im Bußgewand | 1823? | Text by Rückert; For b and piano |
| | 778B | | | VIII, 3 | Ich hab' in mich gesogen | Ich hab' in mich gesogen den Frühling treu und lieb | 1823? | Text by Rückert; Sketch; For ttbb |
| 779 | 779 | 50 (1825) | XII No. 4 & Anh. | VII/2, 6 & 7a | 34 Valses sentimentales | Various keys | Feb. 1823 –before 21/11/1825 | For piano; Early versions of Nos. 1, 2, 4, 8, 9, 12, 14 and 33 in AGA Anh. |
| 780 | 780 | 94 (1823) (1824) (1828) | XI No. 4 | VII/2, 5 | Six Moments musicaux | Various keys | before Dec. 1823 –before 11/7/1828 | For piano; No. 3 publ. in 1823; No. 6 publ. in 1824; Publ. as Op. 94 in 1828 |
| 781 | 781 | (1824) (1825) (1889) | XII No. 25 & No. 3 | VII/2, 6 & 7a | Twelve Écossaises, D 781 | Various keys | January 1823 | For piano; No. 1 (=Écossaise No. 2 of D 783 and AGA XII No. 3) publ. in 1825; Nos. 4 and 7 publ. in 1824 |
| 782 | 782 | (1824) | | VII/2, 7a | Écossaise, D 782 | D major | before 21/2/1824 | For piano |
| 783 | 783 | 33 (1825) | XII No. 3 | VII/2, 6 & 7a | Sixteen German Dances and Two Écossaises | Various keys | Jan. 1823 –before 8/1/1825 | For piano; Related to other dances, e.g. D 790 No. 2, D 781 No. 1 |
| 784 | 784 | 143p (1839) | X No. 8 | VII/2, 2 No. 12 | Piano Sonata, D 784 | A minor | February 1823 | Allegro giusto – Andante – Allegro vivace |
| 785 | 785 | (1831) | XX, 7 No. 421 | IV, 13 | Der zürnende Barde | Wer wagt's, wer wagt's | February 1823 | Text by Bruchmann [de]; For b and piano |
| 786 | 786 | 123p (1830) | XX, 7 No. 423 | IV, 13 | Viola | Schneeglöcklein, o Schneeglöcklein | March 1823 | Text by Schober |
| 787 | 787 | (1889) (1964) | XV, 3 No. 6 | II, 7 | Die Verschworenen, a.k.a. Der haüsliche Krieg | (Singspiel in one act) | completed April 1823 | Text by Castelli; For ssss(s)aatt(t)bbSATB and orchestra; Overture (fragment publ. in 1964) – Nos. 1–11 |
| 788 | 788 | (1838) | XX, 7 No. 427 | IV, 13 | Lied, D 788, a.k.a. Die Mutter Erde | Des Lebens Tag ist schwer und schwül | April 1823 | Text by Stolberg-Stolberg |
| 789 | 789 | (1832) | XX, 7 No. 429 | IV, 13 | Pilgerweise | Ich bin ein Waller auf der Erde | April 1823 | Text by Schober |
| 790 | 790 | 171p (1864) | XII No. 9 | VII/2, 6 | Twelve German Dances, D 790, a.k.a. Twelve Ländler | Various keys | May 1823 | For piano; No. 2 = D 783 No. 1; No. 8 similar to D. 783 No. 1 |
| 791 | 791 | (1867) | | II, 16 | Rüdiger | (Opera) | May 1823 | Text by Mosel?; For ttTTBB and orchestra; Sketches of two numbers |
| 792 | 792 | (1833) | XX, 7 No. 430 | IV, 13 | Vergißmeinnicht | Als der Frühling | May 1823 | Text by Schober |
| 793 | 793 | 173p,2 (1867) | XX, 7 No. 431 | IV, 13 | Das Geheimnis, D 793 | Sie konnte mir kein Wörtchen sagen | May 1823 | Text by Schiller (other setting: D 250) |
| 794 | 794 | 37,1 (1825) (1909) | XX, 7 No. 432 | IV, 2a & b No. 6 | Der Pilgrim | Noch in meines Lebens Lenze | May 1823 | Text by Schiller; Two versions (merged into one in AGA): 1st is fragment – 2nd is Op. 37 No. 1 |
| 795 | 795 | 25 (1824) | XX, 7 Nos. 433– 452 | IV, 2a & Anh. No. 2–5 | Die schöne Müllerin (1. Das Wandern – 2. Wohin? – 3. Halt! – 4. Danksagung an den Bach – 5. Am Feierabend – 6. Der Neugierige – 7. Ungeduld – 8. Morgengruß – 9. Des Müllers Blumen – 10. Tränenregen – 11. Mein! – 12. Pause – 13. Mit dem grünen Lautenbande – 14. Der Jäger – 15. Eifersucht und Stolz – 16. Die liebe Farbe – 17. Die böse Farbe – 18. Trockne Blumen – 19. Der Müller und der Bach – 20. Des Baches Wiegenlied) | 1. Das Wandern ist des Müllers Lust – 2. Ich hört' ein Bächlein rauschen – 3. Eine Mühle seh' ich blinken – 4. War es also gemeint – 5. Hätt' ich tausend Arme zu rühren – 6. Ich frage keine Blume – 7. Ich schnitt' es gern in alle Rinden ein – 8. Guten Morgen, schöne Müllerin – 9. Am Bach viel kleine Blumen stehn' – 10. Wir saßen so traulich beisammen – 11. Bächlein, laß dein Rauschen sein – 12. Meine Laute hab' ich gehängt an die Wand – 13. Schad' um das schöne grüne Band – 14. Was sucht denn der Jäger – 15. Wohin so schnell – 16. In Grün will ich mich kleiden – 17. Ich möchte zieh'n in die Welt hinaus – 18. Ihr Blümlein alle – 19. Wo ein treues Herze – 20. Gute Ruh', gute Ruh' | October?– November 1823 | Text by Müller, W. |
| 796 333 | 796 | 76 (1827) (1840) (1867) (1872) (1886) | XV, 6 No. 10 | II, 8a–c | Fierabras, also spelled Fierrabras | (Opera in three acts) Vocal numbers include 5. Laß uns mutvoll hoffen and 6b. Was quälst du mich, o Mißgeschick | 25/5/1823– 2/10/1823 | Text by Kupelwieser; Music for three sopranos, three tenors, three basses, baritone, SATB and orchestra; Overture (Schubert's piano duet version is D 798, Czerny's piano duet version publ. in 1827 as Schubert's Op. 76, orchestral score publ. in 1867) – Act I: Nos. 1–6 – Act II: Nos. 7–17 (No. 7 reuses music of D 982 No. 3, No. 15 reuses music of D 326 No. 14) – Act III: Nos. 18–23 (No. 21 publ. with piano reduction in 1840, last part of No. 21 was D 333, No. 22 publ. with piano reduction in 1872) |
| 797 | 797 | 26 (1824) (1828) (1866) (1867) (1891) | XV, 4 No. 8 | II, 9 III, 2b Anh. No. 6–7 III, 3 No. 31 IV, 2a | Rosamunde, Fürstin von Zypern (1. Entre'acte I – 2. Ballet I – 3a. Entre'acte II – 3b. Romanze a.k.a. Ariette – 4. Geisterchor – 5. Entre'acte III – 6. Hirtenmelodien – 7. Hirtenchor – 8. Jagerchor – 9. Ballet II) | (Incidental music for a play in three acts) Vocal numbers: 3b. Der Vollmond strahlt auf Bergeshöhn – 4. In der Tiefe wohnt das Licht – 7. Hier auf den Fluren – 8. Wie lebt sich's so fröhlich im Grünen | autumn 1823 | Text by Chézy; For aSATB and orchestra; (Overture: see D 644 and 732) – Nos. 1–9 (Nos. 1 and 5 publ. in 1866, Nos. 2 and 9 publ. in 1867, No. 3b publ. with piano reduction as Op. 26 in 1824, Nos. 4, 7 and 8 publ. with piano reduction in 1828 or 1834, No. 4 publ. 1828; No. 5 partly reused in D 935 No. 3 and Andante of D 804) |
| 798 | 798 | (1897) | XXI, 2 No. 7 | VII/1, 5 No. 6 | Overture to Fierabras | | after 2/10/1823 | Arrangement for piano duet of D 796's overture |