# List of compositions by Franz Schubert (1824)

Franz Schubert's compositions of 1824 are mostly in the Deutsch catalogue (D) range D 799–822, and include:
* Instrumental works:
** Octet, D 803
** String Quartet No. 13, D 804 (Rosamunde)
** String Quartet No. 14, D 810 (Death and the Maiden)
** Arpeggione Sonata, D 821
** Sonata in C major for piano four-hands, D 812 (Grand Duo)
* Vocal music:
** "Gebet", D 815

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1824 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 799 | 799 | (1832) | XX, 8 No. 463 | IV, 13 | Im Abendrot, D 799 | Oh, wie schön ist deine Welt | 1824 or Feb. 1825 | Text by Lappe [de] |
| 800 | 800 | 41 (1825) (1827) | XX, 8 No. 465 | IV, 2a | Der Einsame | Wann meine Grillen schwirren | early 1825 | Text by Lappe [de]; Two near-identical versions: 2nd publ. as Op. 41 in 1827 |
| 801 | 801 | 60,2 (1826) | XX, 8 No. 457 | IV, 3 | Dithyrambe, D 801 | Nimmer, das glaubt mir, erscheinen die Götter | before 10/6/1826 | Text by Schiller (other setting: D 47); For b and piano |
| 802 | 802 | 160p (1850) | VIII No. 7 | VI, 8 No. 5 & anh. 2 | Variations on "Trockne Blumen" | E minor | January 1824 | For flute and piano; Introduction, Theme (D 795 No. 18) and 7 Variations |
| 803 | 803 | 166p (1851) (1898) | III No. 1 | VI, 1 No. 3 | Octet, D 803 | F major | February– 1/3/1824 | For clarinet, bassoon, horn, string quartet and double bass; Movements 4 and 5 missing in 1st publ. |
| 804 | 804 | 29 (1824) | V No. 13 | VI, 5 No. 14 | String Quartet No. 13 Rosamunde | A minor | Feb.–early March 1824 | Allegro ma non troppo – Andante (after D 797 No. 5) – Minuet – Allegro moderato |
| 805 | 805 | (1833) | XX, 8 No. 458 | IV, 13 | Der Sieg | O unbewölktes Leben | early March 1824 | Text by Mayrhofer; For b and piano |
| 806 | 806 | (1833) | XX, 8 No. 459 | IV, 13 | Abendstern | Was weilst du einsam an dem Himmel | early March 1824 | Text by Mayrhofer |
| 807 | 807 | (1842) | XX, 8 No. 460 | IV, 13 | Auflösung | Verbirg dich, Sonne | March 1824 | Text by Mayrhofer |
| 808 | 808 | (1872) | XX, 8 No. 461 | IV, 13 | Gondelfahrer, D 808 | Es tanzen Mond und Sterne | early March 1824 | Text by Mayrhofer (other setting: D 809) |
| 809 | 809 | 28 (1824) | XVI No. 9 | III, 3 No. 32 | Gondelfahrer, D 809 | Es tanzen Mond und Sterne | March 1824 | Text by Mayrhofer (other setting: D 808); For ttbb and piano |
| 810 | 810 | (1831) | V No. 14 | VI, 5 No. 15 | String Quartet No. 14 Death and the Maiden | D minor | March 1824 | Allegro – Andante con moto (after D 531) – Scherzo – Presto |
| 811 | 811 | 149p (1850) | XIV No. 19 | I, 9 No. 14 | Salve Regina, D 811 | C major Salve Regina | April 1824 | Text: Salve Regina (other settings: D 27, 106, 223, 386 and 676); For ttbb |
| 812 | 812 | 140p (1837) | IX, 2 No. 12 | VII/1, 2 No. 1 | Sonata, D 812, a.k.a. Grand Duo | C major | June 1824 | For piano duet; Allegro moderato – Andante – Scherzo – Allegro vivace |
| 813 | 813 | 35 (1825) | IX, 2 No. 16 | VII/1, 2 No. 2 | Eight Variations on an original theme | A♭ major | late May–mid July 1824 | For piano duet |
| 814 | 814 | (1869) | IX, 3 No. 27 | VII/1, 4 | Four Ländler, D 814 | Various keys | July 1824 | For piano duet; No. 1 also as Allemande D 366 No. 17 |
| 815 | 815 | 139pI (1840) | XVII No. 10 | III, 2a No. 14 | Gebet, D 815 | Du Urquell aller Güte | September 1824 | Text by Motte Fouqué; For satb and piano |
| 816 | 816 | (1956) | | VII/2, 6 | Three Écossaises | Various keys | September 1824 | For piano |
| 817 | 817 | (1928) | | VII/2, 5 | Ungarische Melodie | B minor | 2/9/1824 | For piano; Reappears in D 818 |
| 818 | 818 | 54 (1826) | IX, 3 No. 19 | VII/1, 2 No. 3 | Divertissement à l'hongroise | G minor | autumn 1824? | For piano duet; Partly based on D 817 |
| 819 | 819 | 40 (1825) | IX, 1 No. 2 | VII/1, 4 | Six Grandes Marches | Various keys | 1818 or 1824 | For piano duet |
| 820 | 820 | (1931) | | VII/2, 6 | Six German Dances, D 820 | Various keys | October 1824 | For piano |
| 821 | 821 | (1871) | VIII No. 8 | VI, 8 No. 6 | Arpeggione Sonata | A minor | November 1824 | Allegro moderato – Adagio – Allegretto |
| 822 | 822 | (1842) | XX, 8 No. 464 | III, 3 Anh. II No. 6 | Lied eines Kriegers | Des stolzen Männerlebens schönste Zeichen | 31/12/1824 | For b, unison men's choir and piano |