# List of compositions by Franz Schubert (1821)

Franz Schubert's compositions of 1821 are mostly in the Deutsch catalogue (D) range D 708A–732, and include:
* Instrumental works:
** Symphony No. 7, D 728
* Vocal music:
** Alfonso und Estrella, D 732 (composition started in September 1821)

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1821 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 615 | 708A | | | V, 6 No. 10 | Symphony, D 708A | D major | 1821 or later | Sketches of four movements |
| 709 | 709 | (1891) | XVI No. 31 | III, 4 No. 47 | Frühlingsgesang, D 709 | Schmücket die Locken mit duftigen Kränzen | March 1822 or earlier | Text by Schober (other setting, partly reusing music of this setting: D 740); For ttbb |
| 710 | 710 | (1849) | XVI No. 15 | III, 3 No. 26 | Im Gegenwärtigen Vergangenes | Ros und Lilie morgentaulich | March 1821? | Text by Goethe; For ttbb and piano |
| 711 | 711 | 13,2 (1822) (1970) | XX, 5 No. 294 | IV, 1a & b No. 11 | Lob der Tränen | Laue Lüfte, Blumendüfte | 1818–1821? | Text by Schlegel, A. W.; Two versions: 2nd, in AGA, is Op. 13 No. 2 |
| 712 | 712 | (1842) | XX, 6 No. 389 | IV, 13 | Die gefangenen Sänger | Hörst du von den Nachtigallen | January 1821 | Text by Schlegel, A. W. |
| 713 | 713 | 87,1 (1827) (1895) | XX, 6 No. 390 | IV, 4 | Der Unglückliche | Die Nacht bricht an | January 1821 | Text by Pichler; Two versions: 2nd is Op. 87 No. 1 |
| 714 704 | 714 | 167p (1858) (1891) | XVI No. 3 & No. 45 | III, 1 | Gesang der Geister über den Wassern, D 714 | Des Menschen Seele gleicht dem Wasser | Dec. 1820– Feb. 1821 | Text by Goethe (other settings: D 484, 538 and 705); For ttttbbbb, two violas, two cellos and double bass; Two versions: 1st, a sketch, was D 704 – 2nd is Op. posth. 167 |
| 715 | 715 | (1845) | XX, 6 No. 391 | IV, 13 | Versunken | Voll Locken kraus ein Haupt so rund | February 1821 | Text by Goethe |
| 716 | 716 | (1832) | XX, 6 No. 393 | IV, 13 | Grenzen der Menschheit | Wenn der uralte heilige Vater | March 1821 | Text by Goethe; For b and piano |
| 717 | 717 | 31 (1825) | XX, 6 No. 397 | IV, 2a | Suleika II | Ach um deine feuchten Schwingen | March? 1821 | Text by Willemer |
| 718 | 718 | (1824) | XI No. 8 | VII/2, 4 | Variation on a Waltz by Anton Diabelli | C minor | March 1821 | For piano; No. 38 in Vaterländischer Künstlerverein Vol. II |
| 719 | 719 | 14,2 (1822) | XX, 6 No. 392 | IV, 1a | Geheimes | Über meines Liebchens Äugeln | March 1821 | Text by Goethe |
| 720 | 720 | 14,1 (1822) | XX, 6 No. 396 | IV, 1a & b No. 13 | Suleika I | Was bedeutet die Bewegung? | March 1821 | Text by Willemer; Two versions; 2nd, in AGA, is Op. 14 No. 1 |
| 721 | 721 | (1895) | XX, 10 No. 600 | IV, 13 | Mahomets Gesang, D 721 | Seht den Felsenquell | March 1821 | Text by Goethe (other setting: D 549); For b and piano; Fragment |
| 722 | 722 | (1889) | XII No. 19 | VII/2, 6 | German Dance, D 722 | G♭ major | 8/3/1821 | For piano |
| 723 | 723 | (1893) | XV, 7 No. 15 | II, 18 | Duet and Aria for Hérold's Das Zauberglöckchen | Nein, nein, nein, nein, das ist zu viel – Der Tag entflieht, der Abend glüht | Apr.–May 1821 | Text by Théaulon, transl. by Treitschke;Duet for tb and aria for t (both with orchestra) |
| 724 | 724 | 11,2 (1822) | XVI No. 5 | III, 3 No. 27 | Die Nachtigall | Bescheiden verborgen im buschigten Gang | 22/4/1821 or earlier | Text by Unger [Wikisource:de]; For ttbb and piano |
| 725 | 725 | (1929) | | III, 2b Anh. No. 5 | Duet, D 725 | Linde Lüfte wehen, or: Linde Weste wehen | April 1821 | Fragment for mezzo-soprano, tenor and piano |
| 726 | 726 | (1870) | XX, 6 No. 394 | IV, 3 | Mignon I, D 726 | Heiß mich nicht reden | April 1821 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 877 No. 2) |
| 727 | 727 | (1850) | XX, 6 No. 395 | IV, 3 | Mignon II, D 727 | So laßt mich scheinen, bis ich werde | April 1821 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 469 and 877 No. 3) |
| 728 | 728 | (1895) | XX, 10 No. 601 | IV, 13 | Johanna Sebus | Der Damm zerreißt | April 1821 | Text by Goethe; Fragment |
| 729 | 729 | (1894) (1934) | | V, 6 No. 7 & Anh 1 | Symphony No. 7 | E major | August 1821 | Adagio, Allegro – Andante – Scherzo – Allegro giusto; Sketches; First editions are completions by others (piano reduction in 1894) |
| 730 | 730 | (1926) | | I, 9 No. 8 | Tantum ergo, D 730 | B♭ major | 16/8/1821 | Text by Aquinas (other settings: D 460, 461, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra |
| 731 | 731 | 173p,4 (1821) | XX, 6 No. 399 | IV, 5 | Der Blumen Schmerz | Wie tönt es mir so schaurig | September 1821 | Text by Majláth; Publ. as Op. posth. 173 No. 4 in 1867 |
| 732 683 | 732 | (1833) (1834) (1867) (1882) (1892) | XV, 4 No. 8 (Ov.) XV, 5 No. 9 | II, 6a–c IV, 14 | Alfonso und Estrella | (Opera in three acts) | 20/9/1821– 27/2/1822 | Text by Schober; For two sopranos, two tenors, bass, two baritones, SATB and orchestra (piano reduction in 1882 publ.); Overture (also used as overture to D 797, publ. 1867, piano reductions: D 759A and 773) – Act I: Nos. 1–10 (No. 8 publ. 1833 with piano reduction) – Act II: Nos. 11–22 (No. 11 was also D 683 and some of its music reappears in No. 19 of D 911, No. 13 publ. 1834 with piano reduction) – Act III: Nos. 23–34 |