# List of compositions by Franz Schubert (1822)

Franz Schubert's compositions of 1822 are mostly in the Deutsch catalogue (D) range D 733–767, and include:
* Instrumental works:
** Symphony No. 8, D 759, a.k.a. Unfinished Symphony
** Wanderer Fantasy, D 760
** Three Marches militaires, D 733
* Vocal music:
** "Willkommen und Abschied", D 767

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1822 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 733 | 733 | 51 (1826) | IX, 1 No. 3 | VII/1, 4 | Trois Marches militaires | D major G major E♭ major | Summer– Autumn 1818? | For piano duet |
| 734 | 734 | 67 (1826) | XII No. 5 | VII/2, 7a | 16 Ländler and 2 Écossaises, a.k.a. Wiener Damen-Ländler | Various keys | before 15/12/1826 | For piano |
| 735 | 735 | 49 (1825) | XII No. 23 | VII/2, 7a | Galop and Eight Écossaises | Various keys | before 21/11/1825 | For piano |
| 736 | 736 | (1842) | XX, 7 No. 402 | IV, 13 | Ihr Grab | Dort ist ihr Grab | 1822? | Text by Engelhardt (a.k.a. Richard Roos) [de] |
| 737 | 737 | 56,2 (1826) | XX, 7 No. 414 | IV, 3 | An die Leier | Ich will von Atreus Söhnen | 1822 or 1823? | Text by Bruchmann [de] translating Anacreon |
| 738 | 738 | 56,3 (1826) | XX, 7 No. 415 | IV, 3 | Im Haine | Sonnenstrahlen durch die Tannen | 1822 or 1823? | Text by Bruchmann [de] |
| 739 | 739 | 45 (1825) | XIV No. 6 | I, 9 No. 5 | Tantum ergo, D 739 | C major | 1814 | Text by Aquinas (other settings: D 460, 461, 730, 750, 962 and Anh. I/17); For SATB and orchestra |
| 740 | 740 | 16,1 (1823) | XVI No. 7 | III, 3 No. 28 Anh. III No. 3 Anh. IV No. 6 | Frühlingsgesang, D 740 | Schmücket die Locken mit duftigen Kränzen | January– early April 1822 | Text by Schober (other setting, of which the music is partly reused in this setting: D 709); For ttbb and piano |
| 741 | 741 | 20,1 (1823) | XX, 6 No. 400 | IV, 1a | Sei mir gegrüßt | O du Entriß'ne mir | late 1821– autumn 1822 | Text by Rückert |
| 742 | 742 | 68 (1822) | XX, 7 No. 401 | IV, 3 | Der Wachtelschlag | Ach! mir schallt's dorten so lieblich hervor | before 30/7/1822 | Text by Sauter [de]; Publ. as Op. 68 in 1827 |
| 743 | 743 | 23,2 (1823) | XX, 7 No. 406 | IV, 2a | Selige Welt | Ich treibe auf des Lebens Meer | autumn 1822? | Text by Senn; For b and piano |
| 744 | 744 | 23,3 (1823) | XX, 7 No. 407 | IV, 2a | Schwanengesang, D 744 | Wie klag' ich's aus das Sterbegefühl | autumn 1822? | Text by Senn |
| 745 | 745 | 73 (1822) (1895) | XX, 7 No. 408 | IV, 3 | Die Rose | Es lockte schöne Wärme | 1822 | Text by Schlegel, F., from Abendröte I, 6; Two versions: 1st publ. as Op. 73 in 1827 |
| 746 | 746 | (1831) | XX, 7 No. 422 | IV, 13 | Am See, D 746 | In des Sees Wogenspiele | 1822 or 1823? | Text by Bruchmann [de] |
| 747 | 747 | 11,3 (1822) | XVI No. 6 | III, 3 No. 29 | Geist der Liebe, D 747 | Der Abend schleiert Flur und Hain | January 1822 | Text by Matthisson (other setting: D 414); For ttbb and piano |
| 748 | 748 | 157p (1822) | XVII No. 3 | III, 1 | Am Geburtstage des Kaisers | Steig empor, umblüht von Segen | January 1822 | Text by Deinhardstein [de]; For satbSATB and orchestra; Publ. with a modified text as Op. posth. 157 in 1849 |
| 749 | 749 | (1850) | XX, 10 No. 588 | IV, 13 | Herrn Josef Spaun, Assessor in Linz | Und nimmer schreibst du? | January 1822 | Text by Collin, M. C. |
| 750 | 750 | (1888) | XIV No. 8 | I, 9 No. 9 | Tantum ergo, D 750 | D major | 22/3/1822 | Text by Aquinas (other settings: D 460, 461, 730, 739, 962 and Anh. I/17); For SATB and orchestra |
| 751 | 751 | 23,1 (1823) | XX, 7 No. 410 | IV, 2a | Die Liebe hat gelogen | Die Liebe hat gelogen | before 17/4/1822 | Text by Platen |
| 752 | 752 | (1872) | XX, 7 No. 403 | IV, 13 | Nachtviolen | Nachtviolen, Nachtviolen | April 1822 | Text by Mayrhofer |
| 753 | 753 | 65,3 (1826) | XX, 7 No. 404 | IV, 3 | Heliopolis I a.k.a. Aus Heliopolis | Im kalten, rauhen Norden | April 1822 | Text by Mayrhofer |
| 754 | 754 | (1842) | XX, 7 No. 405 | IV, 13 | Heliopolis II a.k.a. Im Hochgebirge | Fels auf Felsen hingewälzet | April 1822 | Text by Mayrhofer; For b and piano |
| 755 | 755 | | | I, 5 Anh. | Kyrie, D 755 | A minor Kyrie | May 1822 | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678 and 950); For satbSATB, strings and organ; Sketch |
| 756 | 756 | 59,1 (1826) (1895) | XX, 7 No. 409 | IV, 3 | Du liebst mich nicht | Mein Herz ist zerrissen, du liebst mich nicht! | July 1822 | Text by Platen; Two versions: 2nd is Op. 59 No. 1 |
| 757 | 757 | 133p (1839) | XVIII No. 3 | III, 3 No. 30 Anh. III No. 4 | Gott in der Natur | Groß ist der Herr! | August 1822 | Text by Kleist; For ssaa and piano |
| | 757A | | | VII/2, 4 | March, D 757A | B minor | 1822 | For piano |
| 758 | 758 | 108,2 (1829) | XX, 7 No. 411 | IV, 5 | Todesmusik | In des Todes Feierstunde | September 1822 | Text by Schober; Two versions: 2nd is Op. 108 No. 2 |
| 759 | 759 | (1867) | I, 2 No. 8 XXII v1 | V, 3 No. 7 | Symphony No. 8, a.k.a. Unfinished Symphony | B minor | 30/10/1822 | Allegro moderato – Andante con moto – Scherzo (Fragment); D 797 No. 1 may be its 4th movement |
| 732 (Ov.) | 759A | 69 (1839) | | VII/2, 4 | Overture to Alfonso und Estrella, D 759A | D major | November 1822 | For piano; Arranged from D 732 (see also: D 773) |
| 760 | 760 | 15 (1823) | XI No. 1 | VII/2, 5 | Fantasy, D 760, a.k.a. Wanderer Fantasy | C major | November 1822 | For piano; Reuses music of D 489 |
| 761 | 761 | 23,4 (1823) (1795) | XX, 7 No. 412 | IV, 2a & b No. 1 | Schatzgräbers Begehr | In tiefster Erde ruht ein alt Gesetz | November 1822 | Text by Schober; Two versions: 2nd is Op. 23 No. 4 |
| 762 | 762 | (1833) | XX, 7 No. 413 | IV, 13 | Schwestergruß | Im Mondenschein' wall' ich auf und ab | November 1822 | Text by Bruchmann [de] |
| 763 | 763 | 146p (1842) | XVII No. 11 | III, 2a No. 13 | Des Tages Weihe | Schicksalslenker, blicke nieder | 22/11/1822 | For satb and piano |
| 764 | 764 | 92,1 (1828) (1895) | XX, 7 No. 416 | IV, 5 | Der Musensohn | Durch Feld und Wald zu schweifen | early Dec. 1822 | Text by Goethe; Two versions: 2nd is Op. 92 No. 1 |
| 765 | 765 | (1868) | XX, 7 No. 417 | IV, 13 | An die Entfernte | So hab' ich wirklich dich verloren? | early Dec. 1822 | Text by Goethe |
| 766 | 766 | (1872) | XX, 7 No. 418 | IV, 13 | Am Flusse, D 766 | Verfließet, vielgeliebte Lieder | early Dec. 1822 | Text by Goethe (other setting: D 160) |
| 767 | 767 | 56,1 (1826) (1895) | XX, 7 No. 419 | IV, 3 | Willkommen und Abschied | Es schlug mein Herz | early Dec. 1822 | Text by Goethe; Two versions: 2nd is Op. 56 No. 1 |