# List of compositions by Franz Schubert (1819)

Franz Schubert's compositions of 1819 are mostly in the Deutsch catalogue (D) range D 633–678, and include:
* Instrumental works:
** Trout Quintet, D 667 (year of composition however uncertain)
** Piano Sonata in C-sharp minor, D 655
** Piano Sonata in A major, D 664 (or 1825?)
* Vocal music:
** Mass No. 5, D 678 (first version started in 1819)
** Die Zwillingsbrüder, D 647
** "Prometheus", D 674

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1819 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 633 | 633 | 57,1 (1826) | XX, 3 No. 179 | IV, 3 | Der Schmetterling | Wie soll ich nicht tanzen | 1819–1823? | Text by Schlegel, F., from Abendröte I, 7 |
| 634 | 634 | 57,2 (1826) | XX, 3 No. 180 | IV, 3 | Die Berge | Sieht uns der Blick gehoben | 1819–1823? | Text by Schlegel, F., from Abendröte I, 1 |
| 635 | 635 | (1900) (1906– 1907) | | III, 4 No. 44 | Leise, leise laßt uns singen, later also: Ruhe, and: (Nächtliches) Ständchen | Leise, leise laßt uns singen, schlummre sanft (later also: Leise, leise laßt uns singen, still schon sieht der Mond) | c. 1819 | For ttbb; later text versions, from 1900, by Robert Graf and Anton Weiß |
| 636 | 636 | 39 (1826) (1895) (1975) | XX, 6 No. 357 | IV, 2a & b No. 9 | Sehnsucht, D 636 | Ach, aus dieses Tales Gründen | early 1821? | Text by Schiller (other setting: D 52); Three versions: 1st not in AGA – 3rd is Op. 39 |
| 637 | 637 | 87,2 (1827) | XX, 6 No. 358 | IV, 4 | (Die) Hoffnung, D 637 | Es reden und träumen die Menschen viel | c. 1819? | Text by Schiller (other setting: D 251) |
| 638 | 638 | 87,3 (1827) (1895) | XX, 6 No. 359 | IV, 4 | Der Jüngling am Bache, D 638 | An der Quelle saß der Knabe | April 1819 | Text by Schiller (other settings: D 30 and 192); Two versions: 2nd is Op. 87 No. 3 |
| 639 949 | 639 | (1820) (1832) | XX, 9 No. 553 | IV, 5 | Widerschein | Fischer harrt am Brückenbogen; Tom Lehnt harrend auf der Brücke | 1820; May/Sept. 1828 | Text by Schlechta [de]; Two versions; 1st publ. 1820 – 2nd, in AGA with another text variant ("Harrt ein Fischer auf der Brücke"), was D 949 |
| 641 | 598 | | | | | | | See D 598 |
| 642 | 642 | (1937) | | III, 2a No. 1 | Viel tausend Sterne prangen | Viel tausend Sterne prangen | 1812? | Text by Eberhard; For satb and piano |
| 643 | 643 | (1889) | XII No. 21 | VII/2, 6 | German Dance and Écossaise | C♯ minor (German dance) D♭ major (Écossaise) | 1819 | For piano |
| | 643A | (1972) | | III, 2a No. 11 | Das Grab, D 643A | Das Grab ist tief und stille | 1819 | Text by Salis-Seewis (other settings: D 329A, 330, 377 and 569); For satb |
| 644 | 644 | (1855) (1887) (1891) (1975) | XV, 4 No. 7 | II, 4 | Die Zauberharfe | (Incidental music) Was belebt die schöne Welt? (Romanze from No. 9) – Durch der Töne Zaubermacht (final choir) | Apr.–Aug. 1820 | Text by Georg von Hofmann; Music for tSATB and orchestra; Three acts: Overture (reused in D 797, publ. 1855) and Nos. 1–4 – Nos. 5–9 (Romanze from No.9, not in AGA, publ. 1887 with piano reduction and 1975 in concert version) – Overture and Nos. 10–13 |
| 645 | 645 | | | IV, 12 | Abend, D 645 | Wie ist es denn, daß trüb und schwer | early 1819 | Text by Tieck; Fragment of a sketch |
| 646 | 646 | (1885) | XX, 6 No. 350 | IV, 12 | Die Gebüsche | Es wehet kühl und leise | January 1819 | Text by Schlegel, F., from Abendröte II, 9 |
| 647 | 647 | (1872) (1889) | XV, 3 No. 5 | II, 5 | Die Zwillingsbrüder | (Singspiel) | Oct. 1818– 1819 | For stbbbSATB and orchestra (piano reduction in 1872 edition); Overture and Nos. 1–10 |
| 648 | 648 | (1886) | II No. 7 | V, 5 | Overture, D 648 | E minor | February 1819 | For orchestra |
| 649 | 649 | 65,2 (1826) | XX, 6 No. 351 | IV, 3 | Der Wanderer, D 649 | Wie deutlich des Mondes Licht zu mir spricht | February 1819 | Text by Schlegel, F., from Abendröte II, 1; Two versions: 2nd is Op. 65 No. 2 |
| 650 | 650 | (1831) | XX, 6 No. 352 | IV, 12 | Abendbilder | Still beginnt's im Hain zu tauen | February 1819 | Text by Silbert [wikisource:de] |
| 651 | 651 | (1831) | XX, 6 No. 353 | IV, 12 | Himmelsfunken | Der Odem Gottes weht | February 1819 | Text by Silbert [wikisource:de] |
| 652 | 652 | (1842) | XX, 6 No. 354 | IV, 12 | Das Mädchen, D 652 | Wie so innig, möcht ich sagen | February 1819 | Text by Schlegel, F., from Abendröte II, 4; Two versions: 1st, in AGA, publ. 1842 |
| 653 | 653 | (1842) | XX, 6 No. 355 | IV, 12 | Bertas Lied in der Nacht | Nacht umhüllt mit wehendem Flügel | February 1819 | Text by Grillparzer |
| 654 | 654 | (1842) | XX, 6 No. 356 | IV, 12 | An die Freunde | Im Wald, im Wald, da grabt mich ein | March 1819 | Text by Mayrhofer |
| 655 | 655 | (1897) | XXI, 2 No. 13 | VII/2, 2 | Piano Sonata, D 655 | C♯ minor | April 1819 | Allegro; Fragment |
| 656 | 656 | (1867) | XVI No. 35 | III, 4 No. 45 | Sehnsucht, D 656 | Nur wer die Sehnsucht kennt | April 1819 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 481 and 877 Nos. 1 & 4); For ttbbb |
| 657 | 657 | (1871) | XVI No. 36 | III, 4 No. 46 | Ruhe, schönstes Glück der Erde | Ruhe, schönstes Glück der Erde | April 1819 | For ttbb |
| 658 | 658 | (1895) | XX, 6 No. 364 | IV, 12 | Marie | Ich sehe dich in tausend Bildern | May 1819? | Text by Novalis, No. 15 from Geistliche Lieder [de] |
| 659 | 659 | (1872) | XX, 6 No. 360 | IV, 12 | Hymn I | Wenige wissen das Geheimnis der Liebe | May 1819 | Text by Novalis, No. 7 from Geistliche Lieder [de] |
| 660 | 660 | (1872) | XX, 6 No. 361 | IV, 12 | Hymn II | Wenn ich ihn nur habe | May 1819 | Text by Novalis, No. 5 from Geistliche Lieder [de] |
| 661 | 661 | (1872) | XX, 6 No. 362 | IV, 12 | Hymn III | Wenn alle untreu werden | May 1819 | Text by Novalis, No. 6 from Geistliche Lieder [de] |
| 662 | 662 | (1872) | XX, 6 No. 363 | IV, 12 | Hymn IV | Ich sag' es jedem, daß er lebt | May 1819 | Text by Novalis, No. 9 from Geistliche Lieder [de] |
| 663 | 663 | | | IV, 12 | Psalm 13 (12) | Ach Herr, wie lange willst du mein so ganz vergessen? | June 1819 | Text by Mendelssohn, M., translating Psalm 13; Fragment |
| 664 | 664 | 120p (1829) | X No. 10 | VII/2, 2 No. 11 | Piano Sonata, D 664 | A major | Summer 1819 or 1825 | Allegro moderato – Andante – Allegro |
| 665 | 609 | | | | | | | See D 609 |
| 666 | 666 | 158p (1849) | XIX No. 3 | III, 2a No. 12 | Kantate zum Geburtstag des Sängers Johann Michael Vogl | Sänger, der von Herzen singet – Diese Berge sah'n dich blühen – Da saht ihr Oresten scheiden – Gott bewahr' dein teures Leben | 10/08/1819 | Text by Stadler, A. [scores]; For stb and piano; Publ. 1849, with different text, as Der Frühlingsmorgen |
| 667 | 667 | 114p (1829) | VII, 1 No. 1 | VI, 7 No. 6 | Trout Quintet | A major | 1819? | Allegro vivace – Andante – Scherzo – Theme and variations – Allegro giusto; For violin, viola, cello, double bass and piano; Reuses music of D 550 |
| 668 | 668 | (1897) | XXI, 2 No. 6 | VII/1, 5 No. 3 | Overture, D 668 | G minor | October 1819 | For piano duet |
| 669 | 669 | (1829) | XX, 6 No. 365 | IV, 12 | Beim Winde | Es traümen die Wolken | October 1819 | Text by Mayrhofer |
| 670 | 670 | 165p,2 (1862) | XX, 6 No. 366 | IV, 12 | Die Sternennächte | In monderhellten Nächten | October 1819 | Text by Mayrhofer; Two versions: 2nd is Op. posth. 165 No. 2 |
| 671 | 671 | (1849) | XX, 6 No. 367 | IV, 12 | Trost, D 671 | Hörnerklänge rufen klagend | October 1819 | Text by Mayrhofer |
| 672 | 672 | 36,2 (1825) (1975) | XX, 6 No. 368 | IV, 2a & b No. 5 | Nachtstück | Wenn über Berge sich der Nebel breitet | October 1819 | Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 2 |
| 673 | 673 | 165p,1 (1832) (1862) | XX, 6 No. 369 | IV, 12 | Die Liebende schreibt | Ein Blick von deinen Augen | October 1819 | Text by Goethe; Two versions: 1st publ. in 1832 – 2nd is Op. posth. 165 No. 1 |
| 674 | 674 | (1850) | XX, 6 No. 370 | IV, 12 | Prometheus, D 674 | Bedecke deinen Himmel, Zeus | October 1819 | Text by Goethe; For b and piano |
| 675 | 675 | 34 (1825) | IX, 2 No. 8 | VII/1, 5 No. 4 | Overture, D 675 | F major | November 1819? | For piano duet |
| 676 | 676 | 153p (1845) (1888) | XIV No. 3 | I, 8 | Salve Regina, D 676, a.k.a. Drittes Offertorium | A major Salve Regina | November 1819 | Text: Salve Regina (other settings: D 27, 106, 223, 386 and 811); For s and orchestra; Shortened in 1st ed., Op. posth. 153 |
| 677 | 677 | (1848) (1895) | XX, 6 No. 371 | IV, 12 | Stanza from "Die Götter Griechenlands" | Schöne Welt, wo bist du? | November 1819 | Text by Schiller; Two versions: 2nd publ. in 1848 |
| 678 | 678 | (1875) (1887) | XIII, 2 No. 5 | I, 3 | Mass No. 5 | A♭ major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei | Nov. 1819– Sept. 1822 | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 755 and 950); For satbSATB and orchestra; Two versions: 1st publ. in 1875 – 2nd in AGA |