# List of compositions by Franz Schubert (1825)

Franz Schubert's compositions of 1825 are mostly in the Deutsch catalogue (D) range D 823–862, and include:
* Instrumental works:
** Piano Sonata in C major, D 840
** Piano Sonata in A minor, D 845
** Piano Sonata in D major, D 850
* Vocal music:
** "Ave Maria", D 839, and six other songs from Walter Scott's Lady of the Lake, Op. 52

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1825 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 823 | 823 | 63 & 84 (1826) (1827) | IX, 3 Nos. 20–22 | VII/1, 2 No. 4 | Divertissement sur des motifs originaux français | E minor | before 17/6/1826– before 6/7/1827 | For piano duet; Tempo di Marcia (publ. as Divertissement en Forme d'une Marche brillante et raisonnée Op. 63 in 1826) – Theme and variations (publ. as Andantino varié Op. 84 No. 1 in 1827) – Rondo (publ. as Rondeau brillant Op. 84 No. 2 in 1827) |
| 824 | 824 | 61 (1826) | IX, 3 No. 25 | VII/1, 4 | Six Polonaises | Various keys | April 1826 | For piano duet |
| 825 No. 1 | 825 | 64,1 (1828) | XVI No. 24 | III, 4 No. 52 | Wehmut, D 825 | Die Abendglocke tönet | before summer 1826 | Text by Hüttenbrenner, H. [de]; For ttbb |
| 825 No. 2 | 825A | 64,2 (1828) | XVI No. 25 | III, 4 No. 53 | Ewige Liebe | Ertönet, ihr Saiten, in nächtlicher Ruh | before summer 1826 | Text by Schulze; For ttbb |
| 825 No. 3 | 825B | 64,3 (1828) | XVI No. 26 | III, 4 No. 54 | Flucht | In der Freie will ich leben | early 1825 | Text by Lappe [de]; For ttbb |
| 826 | 826 | (1892) | XVII No. 14 | III, 2a No. 17 | Der Tanz | Es redet und träumet die Jugend so viel | early 1828 | Text by Schnitzer von Meerau [scores]?; For satb and piano |
| 827 | 827 | 43,2 (1825) (1975) | XX, 8 No. 470 | IV, 2a & b No. 10 | Nacht und Träume | Heil'ge Nacht, du sinkest nieder! | before June 1823 | Text by Collin, M. C.; Two versions: 2nd, in AGA, is Op. 43 No. 2 |
| 828 | 828 | 43,1 (1825) | XX, 8 No. 469 | IV, 2a | Die junge Nonne | Wie braust durch die Wipfel | early 1825 | Text by Craigher de Jachelutta [de] |
| 829 | 829 | (1873) | XX, 10 No. 603 | IV, 13 | Abschied, D 829, a.k.a. Abschied von der Erde | Leb' wohl du schöne Erde | before 17/2/1826 | Text by Pratobevera [cs]; Melodrama for spoken voice and piano |
| 830 | 830 | 85,1 (1828) | XX, 9 No. 541 | IV, 4 | Lied der Anne Lyle | Wärst du bei mir im Lebenstal | early 1825? | Text by Macdonald quoted in Scott's Montrose (transl.) |
| 831 | 831 | 85,2 (1828) | XX, 9 No. 542 | IV, 4 | Gesang der Norna | Mich führt mein Weg wohl meilenlang | early 1825 | Text by Scott from The Pirate transl. by Spiker [de] |
| 832 | 832 | (1830) | XX, 8 No. 466 | IV, 13 | Des Sängers Habe | Schlagt mein ganzes Glück in Splitter | February 1825 | Text by Schlechta [de] |
| 833 | 833 | 101p,2 (1827) (1895) | XX, 8 No. 468 | IV, 5 | Der blinde Knabe | O sagt, ihr Lieben, mir einmal | April 1825 | Text by Cibber transl. by Craigher de Jachelutta [de]; Two versions: 2nd publ. as Op. posth. 101 No. 2 in 1828 |
| 834 | 834 | 93,1 (1828) (1835) | XX, 8 No. 476 | IV, 5 | Im Walde, D 834 | Ich wandre über Berg und Tal | March 1825 –Sep. 1827 | Text by Schulze; Two versions: 2nd, publ. 1828, in AGA |
| 835 | 835 | 52,3 (1826) | XVI No. 10 | III, 3 No. 33 IV, 3 | Bootgesang a.k.a. Boat Song | Triumph, er naht (Hail to the chief) | 1825 | Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto II, 19); For ttbb and piano |
| 836 | 836 | 52,4 (1826) | XVIII No. 1 | III, 3 No. 9 IV, 3 | Coronach: Totengesang der Frauen und Mädchen | Er ist uns geschieden (He is gone to the mountain) | 1825 | Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto III, 16); For SSA and piano |
| 837 | 837 | 52,1 (1826) | XX, 8 No. 471 | IV, 3 | Ellens Gesang I a.k.a. Ellen's Song (I) | Raste, Krieger, Krieg ist aus (Soldier rest! thy warfare o'er) | April– July 1825 | Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto I, 31) |
| 838 | 838 | 52,2 (1826) | XX, 8 No. 472 | IV, 3 | Ellens Gesang II a.k.a. Ellen's Song (II) | Jäger, ruhe von der Jagd! (Huntsman rest! thy chase is done) | April– July 1825 | Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto I, 32) |
| 839 | 839 | 52,6 (1826) | XX, 8 No. 474 | IV, 3 | Ave Maria a.k.a. Ellens Gesang III: Hymne an die Jungfrau | Ave Maria! Jungfrau mild (Ave Maria! maiden mild) | April 1825 | Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto III, 29) |
| 840 | 840 | (1839) (1861) | XXI, 3 No. 14 | VII/2, 2 No. 13 | Piano Sonata, D 840 ("Reliquie") | C major | April 1825 | Moderato – Andante (publ. 1839) – Minuet (fragment) – Rondo (fragment) |
| 841 | 841 | (1930) | | VII/2, 6 | Two German Dances, D 841 | Various keys | April 1825 | For piano |
| 842 | 842 | (1833) | XX, 8 No. 467 | IV, 13 | Totengräbers Heimwehe | O Menschheit, o Leben, was soll's? | April 1825 | Text by Craigher de Jachelutta [de] |
| 843 | 843 | 52,7 (1826) | XX, 8 No. 475 | IV, 3 | Lied des gefangenen Jägers – Lay of the Imprisoned Huntsman | Mein Roß so müd – My hawk is tired | April 1825 | Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto VI, 24) |
| 844 | 844 | (1897) | XXI, 3 No. 31 | VII/2, 6 | Waltz, D 844, a.k.a. Albumblatt | G major | 16/4/1825 | For piano |
| 845 | 845 | 42 (1826) | X No. 9 | VII/2, 2 No. 14 | Piano Sonata, D 845 | A minor | before end May 1825 | Moderato – Andante – Scherzo – Rondo |
| 846 | 846 | 52,5 (1826) | XX, 8 No. 473 | IV, 3 | Normans Gesang | Die Nacht bricht bald herein | April 1825 | Text by Scott from The Lady of the Lake transl. by Storck [de] (Canto II, 23) |
| 847 | 847 | 155p (1849) | XVI No. 29 | III, 4 No. 55 | Trinklied aus dem 16. Jahrhundert | | July 1825 | Text by Gräffer; For ttbb |
| 848 | 848 | 156p (1849) | XVI No. 30 | III, 4 No. 56 | Nachtmusik | Wir stimmen dir mit Flötensang | July 1825 | Text by Seckendorff; For ttbb |
| 849 | 944 | | | | Gmunden-Gastein Symphony | C major | Jun.–Sep. 1825 | Probably identical to D 944 (if not: lost); See also D Anh. I/6A |
| 850 | 850 | 53 (1826) | X No. 11 | VII/2, 2 No. 15 | Piano Sonata, D 850 ("Gasteiner") | D major | August 1825 | Allegro vivace – Con moto – Scherzo – Rondo |
| 851 | 851 | 79,1 (1827) (1895) | XX, 8 No. 478 | IV, 3 | Das Heimweh, D 851 | Ach, der Gebirgssohn | August 1825 | Text by Pyrker; Two versions: 2nd is Op. 79 No. 1 |
| 852 | 852 | 79,2 (1827) | XX, 8 No. 479 | IV, 3 | Die Allmacht, D 852 | Groß ist Jehova, der Herr! | August 1825 | Text by Pyrker (other setting: D 875A); Two versions: 2nd, in AGA, is Op. 79 No. 2 |
| 853 | 853 | 93,2 (1828) (1835) | XX, 8 No. 477 | IV, 5 | Auf der Bruck | Frisch trabe sonder Ruh' und Rast | Mar. or Aug. 1825– Sep. 1827 | Text by Schulze; Two versions: 2nd, publ. 1828, in AGA |
| 854 | 854 | (1830) | XX, 8 No. 480 | IV, 13 | Fülle der Liebe | Ein sehnend Streben teilt mir das Herz | August 1825 | Text by Schlegel, F. |
| 855 | 855 | (1842) | XX, 8 No. 481 | IV, 13 | Wiedersehn | Der Frühlingssonne holdes Lächeln | September 1825 | Text by Schlegel, A. W. |
| 856 | 856 | 88,1 (1827) | XX, 8 No. 482 | IV, 4 | Abendlied für die Entfernte | Hinaus mein Blick, hinaus ins Tal | September 1825 | Text by Schlegel, A. W. |
| 857 | 857 | 124p (1829) | XX, 8 Nos. 483– 484 | IV, 13 | Two scenes from Lacrimas: 1. Lied der Delphine – 2. Lied des Florio | 1. Ach, was soll ich beginnen vor Liebe? – 2. Nun, da Schatten niedergleiten | September 1825 | Text by Schütz |
| 859 | 859 | 55 (1826) | IX, 1 No. 4 | VII/1, 4 | Grande Marche Funèbre | C minor | after 1/12/1825 | For piano duet |
| 860 | 860 | (1832) | XX, 8 No. 485 | IV, 13 | An mein Herz | O Herz, sei endlich stille | December 1825 | Text by Schulze |
| 861 | 861 | (1832) | XX, 8 No. 486 | IV, 13 | Der liebliche Stern | Ihr Sternlein, still in der Höhe | December 1825 | Text by Schulze |
| 862 | 862 | 88,3 (1827) | XX, 8 No. 499 | IV, 4 | Um Mitternacht | Keine Stimme hör' ich schallen | Dec. 1825– Mar. 1826? | Text by Schulze; Two versions: 2nd is Op. 88 No. 3 |