# List of compositions by Franz Schubert (1820)

Franz Schubert's compositions of 1820 are mostly in the Deutsch catalogue (D) range D 679–708, and include:
* Instrumental works:
** Quartettsatz, D 703
* Vocal music:
** Lazarus, D 689
** Sakuntala, D 701

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1820 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 681 | 681 | (1930) | | VII/2, 6 | Twelve Ländler, D 681 | Various keys | c. 1815 | For piano; Nos. 1–4 are lost |
| 682 | 682 | (1895) | XX, 10 No. 599 | IV, 12 | Über allen Zauber Liebe | Sie hüpfte mit mir auf grünem Plan | 1820–1824 | Text by Mayrhofer; Fragment |
| 683 | 732 | | | | Die Wolkenbraut | Der Jäger ruhte hingegossen | | See D 732 No. 11 |
| 684 | 684 | (1850) | XX, 6 No. 378 | IV, 12 | Die Sterne, D 684 | Du staunest, o Mensch | 1820 | Text by Schlegel, F., from Abendröte II, 8 |
| 685 | 685 | 4,2 (1821) | XX, 6 No. 379 | IV, 1a | Morgenlied, D 685 | Eh' die Sonne früh aufersteht | 1820 | Text by Werner |
| 686 | 686 | 20,2 (1823) (1970) | XX, 6 No. 380 | IV, 1a & b No. 15 | Frühlingsglaube | Die linden Lüfte sind erwacht | Sep. 1820– Nov. 1822 | Text by Uhland; Three versions: 3rd, in AGA, is Op. 20 No. 2 |
| 687 | 687 | (1872) | XX, 6 No. 372 | IV, 12 | Nachthymne | Hinüber wall' ich | January 1820 | Text by Novalis |
| 688 | 688 | (1871) | XX, 10 Nos. 575– 578 | IV, 12 | Vier Canzonen | 1. Non t'accostar all'urna – 2. Guarda, che bianca luna – 3. Da quel sembiante appresi – 4. Mio ben, ricordati | January 1820 | Text by Vittorelli (Nos. 1–2) and Metastasio (No. 3 from L'eroe cinese I, 3 – No. 4 from Alessandro nell'Indie III, 7) |
| 689 | 689 | (1865) (1892) | XVII No. 1 | II, 10 | Lazarus, oder: Die Feier der Auferstehung | (Scenic oratorio in three acts) | early 1820– Mar. 1820 | Text by Niemeyer; For sssttbSATB and orchestra (piano reduction in 1865 publ.); Unfinished: Nos. 1–21 (Act I) – Nos. 22–29 (Act II) |
| 690 | 690 | (1830) | XX, 6 No. 376 | IV, 12 | Abendröte | Tiefer sinket schon die Sonne | March 1823 | Text by Schlegel, F., from Abendröte I |
| 691 | 691 | 172p,6 (1865) | XX, 6 No. 373 | IV, 12 | Die Vögel | Wie lieblich und fröhlich | March 1820 | Text by Schlegel, F., from Abendröte I, 2 |
| 692 | 692 | (1872) | XX, 6 No. 374 | IV, 12 | Der Knabe | Wenn ich nur ein Vöglein wäre | March 1820 | Text by Schlegel, F., from Abendröte I, 3 |
| 693 | 693 | (1872) | XX, 6 No. 375 | IV, 12 | Der Fluß | Wie rein Gesang sich windet | March 1820 | Text by Schlegel, F., from Abendröte I, 4 |
| 694 | 694 | (1842) | XX, 6 No. 377 | IV, 12 | Der Schiffer, D 694 | Friedlich lieg' ich hingegossen | March 1820 | Text by Schlegel, F. |
| 695 | 695 | (1895) | XX, 10 No. 587 | IV, 12 | Namenstagslied | Vater, schenk' mir diese Stunde | 19/3/1820? | Text by Stadler, A. [scores] |
| 696 | 696 | 113p (1829) | XIV No. 18 | I, 9 No. 11 | Sechs Antiphonen zum Palmsonntag | Hosanna filio David – In monte Oliveti – Sanctus – Pueri Hebraeorum – Cum angelis et pueris – Ingrediente Domino | 26/3/1820 | For SATB |
| 697 | 697 | 18,É6 (1823) (1889) | XII No. 28 No. 2,É6 | VII/2, 6 | Six Écossaises, D 697 | A♭ major | May 1820 | For piano; No. 5 is 6th Écossaise of Op. 18 |
| 698 | 698 | (1832) | XX, 6 No. 381 | IV, 12 | Des Fräuleins Liebeslauschen | Hier unten steht ein Ritter | September 1820 | Text by Schlechta [de] |
| 699 | 699 | (1831) | XX, 6 No. 383 | IV, 12 | Der entsühnte Orest | Zu meinen Füßen brichst du dich | September 1820 | Text by Mayrhofer |
| 700 | 700 | (1831) | XX, 6 No. 384 | IV, 12 | Freiwilliges Versinken | Wohin? o Helios! | September 1820 | Text by Mayrhofer |
| 701 | 701 | (1929) | | II, 15 | Sakuntala (also spelled Sacontala or Sakontala) | (Opera in three acts) | Oct. 1820– spring 1821 | Text by Neumann after Kalidasa's Shakuntala; For ssssssttttttbbbbbbSATB and orchestra; Unfinished (all numbers are sketches): Nos. 1–7 (Act I, last pages publ. in 1929) – Nos. 8a–11 (Act II) |
| 702 | 702 | 8,1 (1822) | XX, 6 No. 385 | IV, 1a | Der Jüngling auf dem Hügel | Ein Jüngling auf dem Hügel | November 1820 | Text by Hüttenbrenner, H. [de] |
| 703 | 703 | (1870) (1897) | V No. 12 XXII v5 | VI, 5 No. 13 & Anh. | String Quartet No. 12 | C minor | December 1820 | Allegro assai (a.k.a. Quartettsatz, publ. 1870) – Andante (fragment) |
| 704 | 714 | | | | | | | See D 714 |
| 705 | 705 | (1897) | XXI, 4 No. 34 | III, 3 Anh. II No. 5 | Gesang der Geister über den Wassern, D 705 | Des Menschen Seele gleicht dem Wasser | December 1820 | Text by Goethe (other settings: D 484, 538 and 714); Sketch for ttbb and piano |
| 706 | 706 | 132p (1832) | XVIII No. 2 | III, 3 No. 25 Anh. III No. 2 Anh. IV No. 5 | Psalm 23 (22) | Gott ist mein Hirt, mir wird nichts mangeln | December 1820 | Text by Mendelssohn, M., translating Psalm 23; For ssaa and piano |
| 707 | 707 | 36,1 (1825) (1895) | XX, 6 No. 387 | IV, 2a & b No. 4 | Der zürnenden Diana | Ja, spanne nur den Bogen | December 1820 | Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 1 |
| 708 | 708 | (1832) | XX, 6 No. 387 | IV, 12 | Im Walde, D 708, a.k.a. Waldesnacht | Windes Rauschen, Gottes Flügel | December 1820 | Text by Schlegel, F. |