# List of compositions by Franz Schubert (1826)

Franz Schubert's compositions of 1826 are mostly in the Deutsch catalogue (D) range D 863–895, and include:
* Instrumental works:
** String Quartet No. 15, D 887
** Rondo in B minor for violin and piano, D 895
** Piano Sonata in G major, D 894
* Vocal music:
** Deutsche Messe, D 872
** "Im Frühling", D 882
** "Ständchen", D 889
** "An Sylvia", D 891

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1826 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 863 | 863 | | | IV, 13 | An Gott | Kein Auge hat dein Angesicht geschaut | 1827 or earlier | Text by Hohlfeld (setting by Rindler publ. 1826); Music lost |
| 864 | 864 | | | IV, 13 | Das Totenhemdchen | Starb das Kindlein | 1825 or later | Text by Bauernfeld; Music lost |
| 865 | 865 | 105,1 (1828) | XVI No. 12 | III, 3 No. 34 IV, 5 | Widerspruch | Wenn ich durch Busch und Zweig | 1826?–1828? | Text by Seidl; Two versions: 1st for ttbb and piano |
| 866 | 866 | 95 (1828) | XX, 8 Nos. 508– 511 | IV, 5 | Vier Refrainlieder: 1. Die Unterscheidung – 2. Bei dir allein – 3. Die Männer sind méchant – 4. Irdisches Glück | 1. Die Mutter hat mich jüngst gescholten – 2. Bei dir allein empfind ich, daß ich lebe – 3. Du sagtest mir es, Mutter – 4. So mancher sieht mit finstrer Miene | Summer 1828? | Text by Seidl |
| 867 | 867 | 105,2 (1828) | XX, 8 No. 512 | IV, 5 | Wiegenlied, D 867 | Wie sich der Äuglein kindlicher Himmel | 1826?–1828? | Text by Seidl |
| 869 | 869 | (1832) | XX, 8 No. 496 | IV, 14 | Totengräber-Weise | Nicht so düster und so bleich | 1826 | Text by Schlechta [de] |
| 870 | 870 | 80,1 (1827) | XX, 8 No. 506 | IV, 4 | Der Wanderer an den Mond | Ich auf der Erd', am Himmel du | 1826 | Text by Seidl |
| 871 | 871 | 80,2 (1827) (1979) | XX, 8 No. 507 | IV, 4 | Das Zügenglöcklein | Kling die Nacht durch, klinge | 1826 | Text by Seidl; Two versions: 2nd, in AGA, is Op. 80 No. 2 |
| 872 | 872 | (1854) (1870) | XIII, 2 No. 7 | I, 6 | Deutsche Messe mit dem Anhang "Das Gebet des Herrn" (German Mass with The Lord's Prayer appended): 1. Zum Eingang – 2. Zum Gloria – 3. Zum Evangelium und Credo – 4. Zum Offertorium – 5. Zum Sanctus – 6. Nach der Wandlung – 7. Zum Agnus Dei – 8. Schlussgesang – Anh.: Das Gebet des Herrn | 1. Wohin soll ich mich wenden – 2. Ehre, Ehre sei Gott in der Höhe! – 3. Noch lag die Schöpfung formlos da – 4. Du gabst, o Herr, mir Sein und Leben – 5. Heilig, heilig, heilig, heilig ist der Herr! – 6. Betrachtend deine Huld und Güte – 7. Mein Heiland, Herr und Meister! – 8. Herr, du hast mein Flehn vernommen – Anh.: Anbetend deine Macht und Größe | summer or early fall 1827 | Text by Neumann; Two versions: 1st for SATB and organ – 2nd, in AGA, adds winds, and optional double bass; Ferd. Schubert started publishing his arrangements from before 1838; Vocal score publ. in 1854 |
| 873 | 873 | (1974) | | III, 4 Anh. II No. 2 VIII, 2 No. 29 | Canon, D 873 | A major | January 1826? | For six voices; Sketch |
| | 873A | | | III, 4 Anh. II No. 3 | Nachklänge | | January 1826? | For ttbb; Sketch |
| 874 | 874 | | | IV, 14 | O Quell, was strömst du rasch und wild | O Quell, was strömst du rasch und wild | January 1826? | Text by Schulze; Sketch |
| 875 | 875 | 102 (1831) | XVI No. 27 | III, 3 No. 35 | Mondenschein | Des Mondes Zauberblume lacht | January 1826 | Text by Schober; For ttbbb and piano (only voices in AGA, piano score in 1st ed. not original) |
| | 875A | | | III, 2b Anh. No. 8 | Die Allmacht, D 875A | Groß ist Jehova, der Herr! | January 1826 | Text by Pyrker (other setting: D 852); For SATB and piano; Sketch |
| 876 | 876 | (1838) | XX, 8 No. 487 | IV, 14 | Im Jänner 1817 a.k.a. Tiefes Leid | Ich bin von aller Ruh' geschieden | January 1826 | Text by Schulze |
| 877 | 877 | 62 (1827) | XX, 8 Nos. 488– 491 | III, 2b No. 23 IV, 3 | Gesänge aus Wilhelm Meister (Songs from Wilhelm Meister): 1. Mignon und der Harfner – 2.–4. Lied der Mignon | 1.&4. Nur wer die Sehnsucht kennt – 2. Heiß mich nicht reden, heiß mich schweigen – 3. So laßt mich scheinen, bis ich werde | January 1826 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 469, 481, 656, 726 and 727); No. 1 for two voices and piano; No. 2 has two versions; No. 4 reuses music of D 403 |
| 878 | 878 | 105,3 (1828) | XX, 8 No. 492 | IV, 5 | Am Fenster | Ihr lieben Mauern hold und traut | March 1826 | Text by Seidl |
| 879 | 879 | 105,4 (1828) | XX, 8 No. 493 | IV, 5 | Sehnsucht, D 879 | Die Scheibe friert, der Wind ist rauh | March 1826 | Text by Seidl |
| 880 | 880 | 80,3 (1827) | XX, 8 No. 494 | IV, 4 | Im Freien | Draußen in der weiten Nacht | March 1826 | Text by Seidl |
| 881 | 881 | 96,4 (1828) (1895) | XX, 8 No. 495 | IV, 5 | Fischerweise | Den Fischer fechten Sorgen und Gram und Leid nicht an | March 1826 | Text by Schlechta [de]; Two versions: 2nd is Op. 96 No. 4 |
| 882 | 882 | 101p,1 (1828) | XX, 8 No. 497 | IV, 5 | Im Frühling | Still sitz' ich an des Hügels Hang | March 1826 | Text by Schulze |
| 883 | 883 | (1832) | XX, 8 No. 498 | IV, 14 | Lebensmut, D 883 | O wie dringt das junge Leben | March 1826 | Text by Schulze |
| 884 | 884 | 108,1 (1829) | XX, 8 No. 500 | IV, 5 | Über Wildemann | Die Winde sausen am Tannenhang | March 1826 | Text by Schulze |
| 885 | 885 | 66 (1826) | IX, 1 No. 5 | VII/1, 4 | Grande Marche Héroique | A minor | c. 3/9/1826 | For piano duet |
| 887 | 887 | 161p (1851) | V No. 15 | VI, 5 No. 16 | String Quartet No. 15 | G major | 20– 30/6/1826 | Allegro molto moderato – Andante un poco mosso – Scherzo – Allegro assai |
| 888 | 888 | (1850) | XX, 8 No. 502 | IV, 14 | Trinklied, D 888 | Bacchus, feister Fürst des Weins | July 1826 | Text by Shakespeare from Antony and Cleopatra II, 7, transl. by Mayerhofer von Grünbühel [de] and Bauernfeld |
| 889 | 889 | (1830) | XX, 8 No. 503 | IV, 14 | Ständchen, D 889 | Horch, horch! die Lerch im Ätherblau | July 1826 | Text by Shakespeare from Cymbeline II, 3, transl. by Schlegel, A. W. |
| 890 | 890 | (1830) | XX, 8 No. 504 | IV, 14 | Hippolits Lied | Laßt mich, ob ich auch still verglüh | July 1826 | Text by Gerstenberg [scores] |
| 891 | 891 | 106,4 (1828) | XX, 8 No. 505 | IV, 5 | An Sylvia a.k.a. An Silvia a.k.a. Gesang, D 891 | Was ist Silvia, saget an | July 1826 | Text by Shakespeare from The Two Gentlemen of Verona IV, 2, transl. by Bauernfeld |
| 892 | 892 | 134p (1839) | XVI No. 13 | III, 3 No. 36 | Nachthelle | Die Nacht ist heiter | September 1826 | Text by Seidl; For tenor solo, ttbb and piano |
| 893 | 893 | (1827) | XVI No. 41 | III, 4 No. 57 | Grab und Mond | Silberblauer Mondenschein fällt herab | September 1826 | Text by Seidl; For ttbb |
| 894 | 894 | 78 (1827) | X No. 12 | VII/2, 3 No. 16 | Piano Sonata, D 894 ("Fantasie") | G major | October 1826 | Molto moderato e cantabile – Andante – Minuet – Allegretto |
| 895 | 895 | 70 (1827) | VIII No. 1 | VI, 8 No. 7 | Rondo, D 895, a.k.a. Rondeau brillant | B minor | October 1826 | For violin and piano |