# List of compositions by Franz Schubert (1817)

Franz Schubert's compositions of 1817 are mostly in the Deutsch catalogue (D) range D 511–598, and include:
* Instrumental works:
** Symphony No. 6, D 589 (composition started in October 1817)
** String Trio, D 581
** Violin Sonata in A major, D 574
** Piano Sonata in A minor, D 537
** Piano Sonata in A-flat major, D 557
** Piano Sonata in E minor, D 566
** Piano Sonata in D-flat major, D 568
** Piano Sonata in E-flat major, D 568
** Piano Sonata in F-sharp minor, D 571
** Piano Sonata in B major, D 575
* Vocal music:
** "Der Tod und das Mädchen", D 531
** "An die Musik", D 547
** "Die Forelle", D 550 (not all versions of this Lied were composed in 1817)

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1817 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 511 | 511 | | | VII/2, 6 | Écossaise, D 511 | E♭ major | c. 1817 | For piano |
| 513 | 513 | (1891) | XVI No. 19 | III, 3 Anh. II No. 4 | La pastorella al prato, D 513 | La pastorella al prato | 1817? | Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 528); For ttbb and piano |
| | 513A | | | IV, 11 | Nur wer die Liebe kennt | Nur wer die Liebe kennt | 1817? | Text by Werner; Sketch |
| 514 | 514 | 7,1 (1823) | XX, 5 No. 300 | IV, 1a | Die abgeblühte Linde | Wirst du halten, was du schwurst | 1817? | Text by Széchényi [scores] |
| 515 | 515 | 7,2 (1823) | XX, 5 No. 301 | IV, 1a | Der Flug der Zeit | Es floh die Zeit im Wirbelfluge | 1817? | Text by Széchényi [scores] |
| 516 | 516 | 8,2 (1822) | XX, 6 No. 386 | IV, 1a & Anh. No. 5 | Sehnsucht, D 516 | Der Lerche wolkennahe Lieder | 1816? | Text by Mayrhofer |
| 517 | 517 | 13,1 (1822) (1972) | XX, 5 No. 293 | IV, 1a | Der Schäfer und der Reiter | Ein Schäfer saß im Grünen | April 1817 | Text by Motte Fouqué; Two versions: 2nd, in AGA, is Op. 13 No. 1 |
| 518 | 518 | (1824) | XX, 5 No. 326 | IV, 5 | An den Tod | Tod, du Schrecken der Natur | 1816 or 1817 | Text by Schubart; For b and piano |
| 519 | 519 | 173p,5 (1867) | XX, 5 No. 299 | IV, 11 | Die Blumensprache | Es deuten die Blumen des Herzens Gefühle | 1817? | Text by Platner [scores] (?) |
| 520 | 520 | (1850) (1895) | XX, 5 No. 289 | IV, 11 | Frohsinn | Ich bin von lockerem Schlage | January 1817 | Text by Castelli; Two versions: 1st in AGA |
| 521 | 521 | (1830) (1895) | XX, 5 No. 290 | III, 3 No. 16 Anh. I No. 6 | Jagdlied | Trarah! Trarah! Wir kehren daheim | January 1817 | Text by Werner, from Wanda, Königin der Sarmaten I (other text in 1830 ed.); For voice (or: unison choir) and piano |
| 522 | 522 | (1895) | XX, 5 No. 291 | IV, 11 | Die Liebe, D 522 | Wo weht der Liebe hoher Geist? | January 1817 | Text by Leon [de] |
| 523 | 523 | (1885) | XX, 5 No. 292 | IV, 11 | Trost, D 523 | Nimmer lange weil' ich hier | January 1817 | |
| 524 | 524 | 13,3 (1822) (1895) (1970) | XX, 5 No. 295 | IV, 1a & b No. 12 | Der Alpenjäger, D 524 | Auf hohem Bergesrücken | January 1817 | Text by Mayrhofer; Three versions: 2nd, not in AGA, is for b and piano – 3rd is Op. 13 No. 3 |
| 525 | 525 | 21,3 (1823) (1970) | XX, 5 No. 296 | IV, 1a & b No. 18 | Wie Ulfru fischt | Der Angel zuckt, die Rute bebt | January 1817 | Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 3 |
| 526 | 526 | (1832) | XX, 5 No. 297 | IV, 11 | Fahrt zum Hades | Der Nachen dröhnt | January 1817 | Text by Mayrhofer; For b and piano |
| 527 | 527 | 24,2 (1823) (1975) | XX, 5 No. 298 | IV, 2a & b No. 2 | Schlaflied a.k.a. Abendlied a.k.a. Schlummerlied | Es mahnt der Wald | January 1817 | Text by Mayrhofer; Two versions: 2nd, in AGA, is Op. 24 No. 2 |
| 528 | 528 | (1872) | XX, 10 No. 574 | IV, 11 | La pastorella al prato, D 528 | La pastorella al prato | January 1817 | Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 513); Arietta for soprano and piano |
| 529 | 529 | (1871) (1897) | XII No. 11 XXI, 3 No. 30 | VII/2, 6 | Eight Écossaises, D 529 | Various keys | February 1817 | For piano; Nos. 1–3, 6 and 8 publ. 1871 |
| 530 | 530 | 109p,3 (1829) | XX, 4 No. 273 | IV, 11 | An eine Quelle | Du kleine grünumwachs'ne Quelle | February 1817 | Text by Claudius |
| 531 | 531 | 7,3 (1823) | XX, 5 No. 302 | IV, 1a | Der Tod und das Mädchen | Vorüber, ach vorüber | February 1817 | Text by Claudius; Music partly reappears in D 810 |
| 532 | 532 | (1895) | XX, 5 No. 303 | IV, 11 | Das Lied vom Reifen | Seht meine lieben Bäume an | February 1817 | Text by Claudius; Fragment (completed in AGA) |
| 533 | 533 | (1876) (1895) | XX, 5 No. 304 | IV, 11 | Täglich zu singen | Ich danke Gott und freue mich | February 1817 | Text by Claudius; 1876 publ. is piano reduction |
| 534 | 534 | (1830) | XX, 5 No. 305 | IV, 11 | Die Nacht, D 534 | Die Nacht ist dumpfig und finster | February 1817 | Text by Macpherson (Ossian), from Domhnull mac Fhionnlaidh, transl. by E. Baron de Harold |
| 535 | 535 | (1853) (1895) | XX, 10 No. 585 | III, 1 | Lied, D 535 | Brüder, schrecklich brennt die Träne | February 1817 | For s and small orchestra; 1853 ed. is arrangement |
| 536 | 536 | 21,2 (1823) (1970) | XX, 5 No. 318 | IV, 1a & b No. 17 | Der Schiffer, D 536 | Im winde, im Sturme | 1817? | Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 2 |
| 537 | 537 | 164p (1852) | X No. 6 | VII/2, 1 No. 4 | Piano Sonata, D 537 | A minor | March 1817 | Allegro ma non troppo – Allegretto quasi Andantino – Allegro vivace |
| 538 | 538 | (1891) | XVI No. 33 | III, 4 No. 42 | Gesang der Geister über den Wassern, D 538 | Des Menschen Seele gleicht dem Wasser | March 1817 | Text by Goethe (other settings: D 484, 705 and 714); For ttbb |
| 539 | 539 | 8,4 (1822) | XX, 5 No. 306 | IV, 1a | Am Strome | Ist mir's doch, als sei mein Leben | March 1817 | Text by Mayrhofer |
| 540 | 540 | (1831) | XX, 5 No. 307 | IV, 11 | Philoktet | Da sitz' ich ohne Bogen | March 1817 | Text by Mayrhofer |
| 541 | 541 | 6,1 (1821) | XX, 5 No. 308 | IV, 1a | Memnon | Den Tag hindurch nur einmal mag ich sprechen | March 1817 | Text by Mayrhofer |
| 542 | 542 | 6,2 (1821) | XX, 5 No. 309 | IV, 1a | Antigone und Oedip | Ihr hohen Himmlischen | March 1817 | Text by Mayrhofer |
| 543 | 543 | 92,2 (1828) (1895) | XX, 5 No. 310 | IV, 5 | Auf dem See | Und frische Nahrung | March 1817 | Text by Goethe; Two versions: 2nd is Op. 92 No. 2 |
| 544 | 544 | 19,3 (1825) | XX, 5 No. 311 | IV, 1a | Ganymed | Wie im Morgenglanze | March 1817 | Text by Goethe |
| 545 | 545 | (1872) (1895) | XX, 5 No. 312 | IV, 11 | Der Jüngling und der Tod | Die Sonne sinkt, o könnt ich | March 1817 | Text by Spaun; Two versions: 1st is duet – 2nd publ. 1872 |
| 546 | 546 | 101p,3 (1827) | XX, 5 No. 313 | IV, 5 | Trost im Liede | Braust des Unglücks Sturm empor | March 1817 | Text by Schober; Publ. as Op. posth. 101 No. 3 in 1828 |
| 547 | 547 | 88,4 (1827) (1895) | XX, 5 No. 314 | IV, 4 | An die Musik | Du holde Kunst | March 1817 | Text by Schober; Two versions: 2nd is Op. 88 No. 4 |
| 548 | 548 | (1831) | XX, 6 No. 382 | IV, 11 | Orest auf Tauris | Ist dies Tauris | March 1817 | Text by Mayrhofer |
| 549 | 549 | (1895) | XX, 10 No. 595 | IV, 13 | Mahomets Gesang, D 549 | Seht den Felsenquell | March 1817 | Text by Goethe (other setting: D 721); Fragment |
| 550 | 550 | 32 (1820) (1895) (1975) | XX, 5 No. 327 | IV, 2a & b No. 3 | Die Forelle | In einem Bächlein helle | late 1816– October 1821 | Text by Schubart; Five versions: 1st–4th in AGA – 4th publ. as Op. 32 in 1827; Music partly reappears in D 667 |
| 551 | 551 | (1831) | XX, 5 No. 315 | IV, 11 | Pax vobiscum | Der Friede sei mit euch! | April 1817 | Text by Schober |
| 552 | 552 | 20,3 (1823) (1970) | XX, 5 No. 316 | IV, 1a & b No. 16 | Hänflings Liebeswerbung | Ahidi! ich liebe | April 1817 | Text by Kind; Two versions: 2nd, in AGA, is Op. 20 No. 3; Music related to D 972 No. 3 |
| 553 | 553 | 21,1 (1823) | XX, 5 No. 317 | IV, 1a | Auf der Donau | Auf der Wellen Spiegel | April 1817 | Text by Mayrhofer; For b and piano |
| 554 | 554 | (1895) | XX, 5 No. 319 | IV, 11 | Uraniens Flucht | Laßt uns, ihr Himmlischen, ein Fest begehen! | April 1817 | Text by Mayrhofer |
| 555 | 555 | (1934) | | IV, 11 | Liedentwurf, D 555 | A minor | May 1817? | Sketch without text |
| 556 | 556 | (1886) | II No. 4 | V, 5 | Overture, D 556 | D major | May 1817 | For orchestra |
| 557 | 557 | (1888) | X No. 3 | VII/2, 1 No. 5 | Piano Sonata, D 557 | A♭ major | May 1817 | Allegro moderato – Andante – Allegro |
| 558 | 558 | (1887) | XX, 3 No. 120 | IV, 11 | Liebhaber in allen Gestalten | Ich wollt', ich wär' ein Fisch | May 1817 | Text by Goethe |
| 559 | 559 | (1885) | XX, 3 No. 121 | IV, 11 | Schweizerlied | Uf'm Bergli bin i g'sässe | May 1817 | Text by Goethe |
| 560 | 560 | (1850) | XX, 3 No. 122 | IV, 11 | Der Goldschmiedsgesell | Es ist doch meine Nachbarin | May 1817 | Text by Goethe |
| 561 | 561 | (1872) | XX, 5 No. 320 | IV, 11 | Nach einem Gewitter | Auf den Blumen | May 1817 | Text by Mayrhofer |
| 562 | 562 | (1895) | XX, 5 No. 321 | IV, 11 | Fischerlied, D 562 | Das Fischergewerbe gibt rüstigen Mut | May 1817 | Text by Salis-Seewis (other settings: D 351 and 364) |
| 563 | 563 | (1887) | XX, 5 No. 322 | IV, 11 | Die Einsiedelei, D 563 | Es rieselt klar und wehend ein Quell | May 1817 | Text by Salis-Seewis (other settings: D 337 and 393) |
| 564 | 564 | (1838) | XX, 10 No. 596 | IV, 11 | Gretchen im Zwinger a.k.a. Gretchens Bitte | Ach neige, du Schmerzensreiche | May 1817 | Text by Goethe, from Faust I, 18; Fragment |
| 565 | 565 | (1876) | XX, 5 No. 324 | IV, 11 | Der Strom | Mein Leben wälzt sich murrend fort | June 1817? | For b and piano |
| 566 | 566 | (1888) (1907) (1928- 29) | X No. 4 | VII/2, 1 No. 6 & Anh. No. 3 | Piano Sonata, D 566 | E minor | June 1817 | Moderato (in AGA) – Allegretto (publ. 1907) – Scherzo (publ. 1928/29); D 506 4th movement? |
| 567 568 | 568 | 122p (1829) (1897) | X No. 7 XXI, 2 No. 9 | VII/2, 1 No. 7 & Anh. Nos. 4–6 | Piano Sonata in D♭ major, D 568; Piano Sonata in E♭ major, D 568 | D♭ major; E♭ major | June 1817 | Two versions: 1st, in D♭ major, composed June 1817 – 2nd, in E♭ major, is Op. posth. 122; Allegro moderato – Andante molto – Minuet (2nd version only, D 593 No. 2 for 1st version?) – Allegro moderato (2nd version), Allegretto (fragment, 1st version) |
| 569 | 569 | (1895) | XX, 5 No. 323 | III, 3 No. 17 | Das Grab, D 569 | Das Grab ist tief und stille | June 1817 | Text by Salis-Seewis (other settings: D 329A, 330, 377 and 643A); For unison men's choir and piano |
| 570 | 570 | (1897) | XXI, 3 No. 20 | VII/2, 1 No. 8 Anh. Nos. 8–9 | Scherzo and Allegro | D major (scherzo) F♯ minor (allegro) | July 1817? | For piano; Allegro is fragment; Last movements of D 571? |
| 571 | 571 | (1897) | XXI, 2 No. 10 | VII/2, 1 Anh. No. 7 | Piano Sonata, D 571 | F♯ minor | July 1817 | Allegro moderato; Fragment; Completed by (D 604 and) 570? |
| 572 | 572 | (1872) | XVI No. 34 | III, 4 No. 43 | Lied im Freien, D 572 | Wie schön ist's im Freien | July 1817 | Text by Salis-Seewis (other setting: D Anh. I/19; For ttbb |
| 573 | 573 | 98,3 (1829) | XX, 5 No. 325 | IV, 5 | Iphigenia | Blüht denn hier an Tauris Strande | July 1817 | Text by Mayrhofer |
| 574 | 574 | 162p (1851) | VIII No. 6 | VI, 8 No. 4 | Violin Sonata, D 574, a.k.a. (Grand) Duo | A major | August 1817 | Allegro moderato – Scherzo – Andantino – Allegro vivace |
| 575 | 575 | 147p (1846) | X No. 5 | VII/2, 1 No. 9 & Anh. No. 10 | Piano Sonata, D 575 | B major | August 1817 | Allegro ma non troppo – Andante – Scherzo – Allegro giusto |
| 576 | 576 | (1867) | XI No. 7 | VII/2, 4 | 13 Variations on a theme by Anselm Hüttenbrenner | A minor | August 1817 | For piano |
| 577 | 577 | (1895) | XX, 10 No. 597 | IV, 10 | Entzückung an Laura, D 577 | Laura, über diese Welt | August 1817 | Text by Schiller (other setting: D 390); Two fragments of a sketch |
| 578 | 578 | (1838) | XX, 10 No. 586 | IV, 11 | Abschied, D 578 | Lebe wohl! Du lieber Freund! | 24/08/1817 | Text by Schubert |
| 579 | 579 | (1872) (1897) | XX, 5 No. 335 XXII, 11 No. 335 | IV, 11 | Der Knabe in der Wiege | Er schläft so süß | Autumn 1817 | Text by Ottenwalt [scores]; Two versions: 1st publ. 1872 – 2nd is fragment |
| 989 | 579A | (1970) | | IV, 11 | Vollendung | Wenn ich einst das Ziel errungen habe | Sept. or Oct. 1817? | Text by Matthisson |
| 989A | 579B | (1970) | | IV, 11 | Die Erde | Wenn sanft entzückt mein Auge sieht | Sept. or Oct. 1817? | Text by Matthisson |
| 580 | 580 | (1928) | | V, 7 No. 3 | Polonaise, D 580 | B♭ major | September 1817 | For violin and orchestra |
| 581 | 581 | (1897) | XXI, 1 No. 5 | VI, 6 No. 2–3 | String Trio, D 581 | B♭ major | September 1817 | Allegro moderato – Andante – Minuet – Rondo |
| 583 | 583 | 24,1 (1823) | XX, 5 No. 328 | IV, 2a | Gruppe aus dem Tartarus, D 583 | Horch, wie Murmeln des empörten Meeres | September 1817 | Text by Schiller (other settings: D 65 and 396) |
| 584 | 584 | (1830) | XX, 5 No. 329 | IV, 11 | Elysium | Vorüber die stöhnende Klage! | September 1817 | Text by Schiller (settings of separate stanzas: D 51, 53, 54, 57, 58 and 60) |
| 585 | 585 | (1833) | XX, 5 No. 330 | IV, 11 | Atys | Der Knabe seufzt übers grüne Meer | September 1817 | Text by Mayrhofer |
| 586 | 586 | 8,3 (1818) | XX, 5 No. 331 | IV, 1a | Erlafsee | Mir ist so wohl, so weh' | September 1817 | Text by Mayrhofer; Publ. as Op. 8 No. 3 in 1822 |
| 587 245 | 587 | (1885) (1895) | XX, 3 No. 107 | IV, 11 | An den Frühling, D 587 | Willkommen, schöner Jüngling! | October 1817 | Text by Schiller (other settings: D 283 and 338); Two versions: 1st publ. 1885 – 2nd was D 245 |
| 588 | 588 | 37,2 (1825) (1897) (1975) | XX, 5 No. 332 XXII, 11 No. 332 | IV, 2a & b No. 7 | Der Alpenjäger, D 588 | Willst du nicht das Lämmlein hüten? | October 1817 | Text by Schiller; Two versions: 1st incomplete in AGA – 2nd is Op. 37 No. 2 |
| 589 | 589 | (1885) | I, 2 No. 6 | V, 2 No. 6 | Symphony No. 6 Little C major | C major | Oct. 1817– Feb. 1818 | Adagio, Allegro – Andante – Scherzo – Allegro moderato |
| 590 | 590 | (1886) | II No. 5 | V, 5 | Overture in the Italian Style, D 590 | D major | November 1817 | For orchestra; Piano duet arrangement: D 592; Music partly reappears in D 644 |
| 591 | 591 | 170p (1865) | II No. 6 | V, 5 | Overture in the Italian Style, D 591 | C major | November 1817 | For orchestra; Piano duet arrangement: D 597 |
| 592 | 592 | (1872) | IX, 2 No. 10 | VII/1, 5 No. 1 | Overture in the Italian Style, D 592 | D major | December 1817 | For piano duet; Arrangement of D 590 |
| 593 | 593 | (1871) | XI No. 15 | VII/2, 4 | Two Scherzi | Various keys | November 1817 | For piano; No. 2 related to D 568 |
| 594 | 594 | 110p (1829) | XX, 5 No. 333 | IV, 11 | Der Kampf | Nein, länger werd' ich diesen Kampf nicht kämpfen | November 1817 | Text by Schiller; For b and piano |
| 595 | 595 | 88,2 (1827) (1895) | XX, 5 No. 334 | IV, 4 | Thekla: Eine Geisterstimme, D 595 | Wo ich sei, und wo mich hingewendet | November 1817 | Text by Schiller (other setting: D 73); Two versions: 2nd is Op. 88 No. 2 |
| 596 | 596 | (1895) | XX, 10 No. 598 | IV, 11 | Lied eines Kindes | Lauter Freude fühl' ich | November 1817 | Fragment |
| 597 | 597 | (1872) | IX, 2 No. 9 | VII/1, 5 No. 2 | Overture in the Italian Style, D 597 | C major | Nov. or Dec. 1817 | For piano duet; Arrangement of D 591 |
| 597A | 597A | | | | Variations | A major | December 1817 | Lost sketch for violin |
| 598 641 | 598 | 11,1 (1822) (1891) | XVI No. 4 & No. 46 | III, 3 No. 24 Anh. IV No. 4 | Das Dörfchen | Ich rühme mir mein Dörfchen hier | December 1817 | Text by Bürger; For ttbb and piano; Two versions: 1st is sketch without piano – 2nd, Op. 11 No. 1, was D 641 |