# List of discontinued photographic films

All the still camera films on this page have either been discontinued, have been updated or the company making the film no longer exists. Often films will be updated and older versions discontinued without any change in the name. Films are listed by brand name.
Photographic films for still cameras that are currently available are in the list of photographic films. Films for movie making are included in the list of motion picture film stocks.

## ADOX

Adox was a German camera and film brand of Fotowerke Dr. C. Schleussner GmbH of Frankfurt am Main, the world's first photographic materials manufacturer. In the 1950s it launched its revolutionary thin layer sharp black and white KB 14 and 17 films, referred to by US distributors as the 'German wonder film'. In the 1970s Dupont the new owners of the ADOX brand sold the recipes and machinery of the film (but not the brand name) to Fotokemika in Croatia who continued to produce the films according to the 1950s ADOX formulas under the Efke brand.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats |
| ADOX | Adox Schleussner Tempo-Gold | 20-30's ? | | | B&W | Print | | Germany | |
| ADOX | Adox Schleussner Tempo-Pan | ~1940 ? | | | B&W | Print | | Germany | |
| ADOX | Adox Schleussner Tempo-Rot 23° | 20-30's ? | | | B&W | Print | | Germany | |
| ADOX | ADOX-21 Schleussner (21°/10 DIN) | ~1939 | | 100 | B&W | Print | | Germany | |
| ADOX | KB 14 / R14 | 1952–1973 | T | 20 | B&W | Print | Ortho-panchromatic classic 1950s single layer emulsion. KB = 'Kleinbild' (Small format 135), R = Rollfilm. | Germany | 135, 120, Sheet film |
| ADOX | KB 17 / R17 | 1952–1973 | T | 40 | B&W | Print | Ortho-panchromatic classic 1950s emulsion. | Germany | 135, 120, Sheet film |
| ADOX | KB 21 / R21 | 1952–1973 | T | 100 | B&W | Print | Ortho-panchromatic classic 1950s emulsion. | Germany | 135, 120, Sheet film |
| ADOX | ADOX Pan R18O Orthochromatic | ~1955 ? | | 50 | B&W | Print | | | |
| ADOX | ADOX Pan R18P Panchromatic | ~1955 ? | | 50 | B&W | Print | | | |
| ADOX | ADOX Pan R21P Panchromatic | 50's ? | | 100 | B&W | Print | | | |
| ADOX | ADOX Pan R21PM Panchromatic | 50's ? | | 100 | B&W | Print | Mate film | | |

### Colour reversal (slide) film

| Make | Name | Dates | ISO | Process | Type | Details |
| ADOX | C15 | 1958-1960 | 25 | Colour | Colour reversal | |
| ADOX | C17 | | 40 | Colour | Colour reversal | |
| ADOX | C18 | 1960-1964 | 50 | Colour | Colour reversal | |
| ADOX | Adox Color CNT Positive | 1955-1958 | | Colour | Colour reversal | Agfa CNT ??? |
| ADOX | Adox Color NC16 Positive | 1958 | | Colour | Colour reversal | |
| ADOX | Adox Color NC17 Positive | 1958-1964 | | Colour | Colour reversal | |

### Colour negative film

| Make | Name | Dates | Process | Type | Details |
| ADOX | Adox Color KB-CNT Negative | 50’s- 60’s | Colour | Colour negative | Agfa CNT ??? |
| ADOX | Adox Color R-CNT Negative | 50’s- 60’s | Colour | Colour negative | Agfa CNT ??? |
| ADOX | Adox Color T | 1955 ?- 1964 ? | Colour | Colour | |
| ADOX | Adox Negativ Color 40 ASA | 1956 ? | Colour | Colour negative | |

## ADOX (Fotoimpex)

The current rights to the ADOX name for photographic products were obtained in 2003 by Fotoimpex of Berlin, Germany, a company founded in 1992 to import photographic films and papers from former eastern Europe. This included the Efke films from Fotokemika which were sold branded as 'ADOX CHS Art' re-uniting the ADOX name with the original Schleussner film formula. Fotoimpex established the ADOX Fotowerke GmbH film factory in Bad Saarow outside Berlin to convert and package their films, papers and chemicals. After the closure of Fotokemika in 2012, ADOX subsequently revived the KB100 film as ADOX CHS II.

### Black and white negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| ADOX | Adox CHS Ortho 25 | 1990-2012 | | 25 | B&W | Print | | Fotokemika/Samobor | | |
| ADOX | ADOX Ortho 25 | | | 25 | B&W | Print | Efke Ortho 25 ? | | | |
| ADOX | ADOX Ortho CT | ~2009 ? | | | B&W | Print | High resolution technical film with a normal grade | | | |
| ADOX | IR-HR PRO 50 | 2018–2021 | P | 80 | B&W | Print | Super-panchromatic fine grain film – Agfa-Gevaert Aviphot 80 as HR-50 without modification. Initial trial batch | Belgium/ Germany | 135-36 | Nothing |
| ADOX | Silvermax | 2016–2020 | T | 100 | B&W | Print | Fine grain ortho-panchromatic film on a clear triacetate base similar to original AGFA APX 100. The film was produced as a single run using end of line Agfa base material and photochemicals in 135 format only. SCALA was the same film but packaged to promote its suitability for reversal. Final stock sold out in late 2020/early 2021. | Germany | 135-36 | Nothing |

### Black and white reversal (slide) film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| ADOX | SCALA 160 | 2016–2020 | T | 160 | B&W | Slide | Same film as the Silvermax but rebranded to show its suitability for reversal process. A near alternative to the discontinued AGFA SCALA.Final stock sold out in late 2020/early 2021. The replacement film SCALA 50 is based on modified Agfa-Gevaert Aviphot Pan 80 | Germany | 135-36 | SCALA 50 |

### Colour negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| ADOX | Color Implosion | 2012–2017 | T | 100 | C-41 | Print | Adox Color Implosion C-IMPL "creative" colour film, designed to intentionally give unpredictable results with skewed colours. Adox (and InovisCoat for coating?) | Germany | 135-36 | Nothing |

## Agfa

Originally founded in Berlin, 1867, this company became known as Agfa (Actien-Gesellschaft für Anilin-Fabrikation) in 1873. The Wolfen factory was established in 1910 and the original Leverkusen works around the same time. By 1925 under IG Farben, the Wolfen plant was specializing in film production and the Leverkusen plant photographic paper. After the war, Agfa was split into two companies: Agfa AG in Leverkusen, West Germany, and VEB Film und Chemiefaserwerk Agfa Wolfen in East Germany. Initially both companies produced film under the Agfa brand with the same names, such as Isopan F. To distinguish them, the film edge markings were L IF for Agfa Leverkusen, and W IF for Agfa Wolfen. After 1964 films from Wolfen were rebranded ORWO (ORiginal WOlfen). (See separate listing). Trading of materials however continued between plants.
Agfa AG (Leverkusen), which saw major investment post war in 1952 as a wholly owned subsidiary of Bayer, subsequently merged with Gevaert based in Mortsel, Belgium, in 1964 to form Agfa-Gevaert with Bayer subsequently acquiring full ownership of the merged company. Agfa-Gevaert film products continued to be sold under the Agfa 'rhombus' brand. The Mortsel plant specialized in commercial film, including aerial photography film, and Leverkusen in consumer film. Following a public flotation in 1999, Agfa-Gevaert Group became independent from Bayer. The consumer film division was spun off into a new company AgfaPhoto in 2004 in a management buyout, a time of significant challenges to the traditional film market with the rapid rise of digital photography, resulting in bankruptcy in 7 months, and the closure of the Leverkusen plant in 2005. Production of aerial film continued at the plant in Mortsel, some of which have been subsequently converted for retail sale by Maco Photo Products.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Agfa | Isopan FF / IFF | c1939–c1960s | T | 25 | B&W | Print | Ultra fine grain panchromatic film. Initially sold only in 135 format. Leverkusen version also referred to as ISOPAN IFF, marginal markings L IFF. | Germany | 135, 120, 127, 620, Sheet film | Nothing |
| Agfa | Isochrom F | c1939–? | T | 40 | B&W | Print | Fine grain orthochromatic film. Roll films were sold in speed of ASA 50. | Germany | 135, Karat, 127, 117, 129, 120, 620, 116 | Nothing |
| Agfa | Isopan F / Isopan / IF17 | c1939–c1979 | T | 40 | B&W | Print | Fine grain panchromatic film. Leverkusen version also referred to as ISOPAN IF 17, marginal markings L IF | Germany | 135, Karat, 127, 117, 129, 120, 620 | Nothing |
| Agfa | Isopan Super Special / ISS | 1935–c1979 | T | 100 | B&W | Print | 'Super Speed' Introduced around 1935 as a replacement for Superpan and originally rated at 19 or 20 DIN, around 1937 this was increased to 21 DIN. For correct rendering a pale yellow filter was required in daylight and a pale green in half-watt illumination. Ultra fine grain ortho-panchromatic film. Leverkusen version also referred to as ISOPAN ISS 21, marginal markings L ISS | Germany | 135, Karat, 127, 117, 120, 620, 116 | Isopan 21 |
| Agfa | Isopan Ultra / ISU | c1939–c1979 | T | 250 | B&W | Print | High speed panchromatic film for short exposures. Initially ASA 160, later increased to 250. Sensitive to overexposure and overdevelopment, which result in coarse grain. | Germany | 135, Karat, 127, 120, Sheet film | Nothing |
| Agfa | Isopan Record / IR | mid-1950s–c1979 | T | 640 | B&W | Print | Ultra high speed (for its time) panchromatic film. Although rated at ASA 640 / 29 DIN, best results were obtained at ASA 2000 / 34 DIN, very similar to how Delta 3200 film is officially rated at ASA 1000 / 31 DIN but is usually shot at ASA 3200 / 36 DIN. | Germany | 135, 120, 127, 620, Sheet film | Nothing |
| Agfa | Isopan 21 | ?–c1979 | T | 100 | B&W | Print | General purpose panchromatic film. | Germany | 135 | Isopan |
| Agfa | Isopan | 1980s | T | 125 | B&W | Print | General purpose panchromatic film. | Germany | 135, 126, 120 | ? |
| Professional films: |||||||||||
| Agfa | Isopan Portrait / IP | ?–1960s | T | 100 | B&W | Print | Professional film for portraiture sold with glossy or matte base. | Germany | Sheet film | Agfapan 200 Professional |
| Agfa | Agfacontour Professional | 1970–c2002 | T | 40 | B&W | Print | Equidensities generating process B&W sheet film using Agfacontour developer. | Germany | 135, 120, Sheet film | ? |
| Agfa | Agfaortho 25 Professional | ?–? | | 25 | B&W | Print | Professional ultra fine-grain orthochromatic film. | Germany | 135, 120, Sheet film | Nothing |
| Agfa | Agfapan 25 Professional | ?–c1989 | T/P | 25 | B&W | Print | Professional general purpose traditional cubic grain panchromatic film. Sheet film P base. | Germany | 135, 120, Sheet film | Agfapan APX 25 |
| Agfa | Agfapan 100 Professional | ?–c1989 | T/P | 100 | B&W | Print | Professional general purpose traditional cubic grain panchromatic film. Roll film and sheet film were sold with matte or glossy back. Sheet film P base. | Germany | 135, 120, Sheet film | Agfapan APX 100 |
| Agfa | Agfapan 200 Professional | ?–c1989 | P | 200 | B&W | Print | Professional sheet film for portraiture. Sold with matte or glossy back. | Germany | Sheet film | ? |
| Agfa | Agfapan 400 Professional | ?–c1989 | T/P | 400 | B&W | Print | Professional general purpose traditional cubic grain panchromatic film. Sheet film P base. | Germany | 135, 120, Sheet film | Agfapan AP 400 |
| Agfa | Agfapan 1000 Professional | ?–c1980 | T/P | 1000 | B&W | Print | Professional Ultra high speed film. | Germany | 135, 120 | Nothing |
| Agfa | Agfapan Vario-XL Professional | ?–c1989 | T | 125 | AP 70 / C-41 | Print | Chromogenic black and white film that can be developed in C-41 color process. Could be exposed from ASA 125 up to ASA 1600. | Germany | 135 | Nothing |
| Agfa | Agfapan APX 25 | 1989–2000 | T | 25 | B&W | Print | Professional general purpose traditional cubic grain panchromatic film, with single layer emulsion and anti-halation layer Discontinued due to low demand | Germany | 135, 120 | Nothing |
| Agfa | Agfapan APX 100 | 1989–2005 | T/P | 100 | B&W | Print | General purpose traditional cubic grain panchromatic film. Wide exposure latitude and tonal range. Sheet film P base (6.5x9, 9x12, 10.2x12.7, 13x18 cm). | Germany | 135, 120, Sheet film | AgfaPhoto APX 100 |
| Agfa | Agfapan AP 400 | ?–c1989 | T/P | 400 | B&W | Print | Professional general purpose traditional cubic grain panchromatic film. Sheet film P base. | Germany | 135, 120, Sheet film | Agfapan APX 400 |
| Agfa | Agfapan APX 400 | c1990s–2005 | T | 400 | B&W | Print | General purpose traditional cubic grain panchromatic film. Wide exposure latitude and tonal range. | Germany | 135, 120 | AgfaPhoto APX 400 |
| Agfa | Agfa Camera CE orthochromatic Line Film | | | | B&W | Print | | | | |

### Black and white reversal (slide) films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Agfa | Dia-Direct | ?–1995 | T/P | 32 | Dia-Direct | slide | Very fine grain, large exposure range there was also a 12 ASA version | Germany | 135 | Scala 200x |
| Agfa | Scala 200x | c1990s–2005 | T/P | 200 | Scala | Slide | General purpose B&W reversal film based on the same emulsion as the APX 100 film. Wide exposure and tonal range. Requires specialist Scala process. ADOX Scala is the nearest replacement. Sheet film P base (4x5"). | Germany | 135, 120, Sheet film | Nothing |

### Color negative films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Agfa | Agfacolor T | 1949–1956 | T | 10-12 | Agfacolor | Print | General purpose color film for Daylight/Tageslicht (T). Introduced 1951 to UK. | Germany | 135, 120, Karat, Sheet film, | Agfacolor CN17 |
| Agfa | Agfacolor K | 1949–1956 | T | 10-12 | Agfacolor | Print | General purpose color film for Tungsten lighting/Kunstlicht (K) Introduced 1951 to UK. | Germany | Sheet film | Agfacolor CN17 |
| Agfa | Agfacolor CN14 | ?–1966 | T | 20 | Agfacolor Process N | Print | Universal unmasked colour film. | Germany | 135 | Nothing |
| Agfa | Agfacolor CN17 | 1956–1971 | T | 40 | Agfacolor Process N | Print | Universal color film, unmasked and balanced for use in daylight and artificial light, corresponding to colour temperatures of about 2500K to 6500K | Germany | 135, 120, 620, 127 Sheet film | Agfacolor CN17S |
| Agfa | Agfacolor CN17M | 1963–1964 | T | 40 | Agfacolor Process N | Print | Short lived general purpose masked color negative film | Germany | Sheet film | Agfacolor CN17S |
| Agfa | Agfacolor CN17S | 1966–1968 | T | 40 | Agfacolor Process N | Print | S= Special. General purpose double masked color negative film with extra fine grain. | Germany | 135, 120 | Agfacolor CNS |
| Agfa | Agfacolor Special CNS | 1968–1975 | T | 80 | Agfacolor Process N | Print | General purpose color film (CNS=Color Negative Special). Integral double mask as for 17S but higher speed. | Germany | 135, Rapid, 126, 127, 120, 620, Sheet film | Agfacolor CNS2 |
| Agfa | Agfacolor Pocket Special | 1971–? | T | 80 | Agfacolor Process N | Print | Updated version of CNS with finer grain for smaller negatives of the new 110 format, higher resolution, and a 25% reduction in layer thickness | Germany | 110 | ? |
| Agfa | Agfacolor CNS2 | 1975–c1981 | T | 80 | Agfacolor Process N | Print | Updated version of CNS as for 'pocket special' (which continued in production) | Germany | 135, 126, 127, 120, 620 | Agfacolor 100 |
| Agfa | Agfacolor CNS 400 | 1978/9–c1984 | T | 400 | AP 70 / C-41 | Print | Higher speed version of CNS2 with fine grain. First Agfa AP70/C-41 film | Germany | 110, 135 | Agfacolor XR 400 |
| Agfa | Agfacolor 100 | 1981–c1984 | T | 100 | AP 70 / C-41 | Print | Consumer color film with C-41 process and ISO 100 replacing CNS2. Orange box. | Germany | 110, 126, 135 | Agfacolor XR 100 |
| Agfa | Agfacolor XR 100 | 1984–1989 | T | 100 | AP 70 / C-41 | Print | Consumer general purpose color film with new structured grain technology. Orange box (Later XR100i in white box) | Germany | 110, 126, 135, 120, Rapid | Agfacolor XRG 100 |
| Agfa | Agfacolor XR 200 | 1984–1989 | T | 200 | AP 70 / C-41 | Print | Consumer general purpose color film with new structured grain technology. First Agfa film to carry DX coding on 135 cartridges. First Agfa ISO 200 consumer color negative film. | Germany | 135, 120 | Agfacolor XRG 200 |
| Agfa | Agfacolor XR 400 | 1984–1989 | T | 400 | AP 70 / C-41 | Print | Consumer general purpose color film with new structured grain technology | Germany | 110, 135, 120 | Agfacolor XRG 400 |
| Agfa | Agfacolor XRG 100 | 1989–? | T | 100 | AP 70 / C-41 | Print | Consumer general purpose fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/3 stop. XRC in US. | Germany | 135, ? | Agfacolor HDC+ 100 |
| Agfa | Agfacolor XRG 200 | 1989–? | T | 200 | AP 70 / C-41 | Print | Consumer general purpose fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/3 stop. XRC in US. | Germany | 135, ? | Agfacolor HDC+ 200 |
| Agfa | Agfacolor XRG 400 | 1989–? | T | 400 | AP 70 / C-41 | Print | Consumer general purpose fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/3 stop. XRC in US. | Germany | 135, ? | Agfacolor HDC+ 400 |
| Agfa | Agfacolor HDC+ 100 | ?–2001 | T | 100 | AP 70 / C-41 | Print | Consumer general purpose fine grain color film | Germany | 135 | Agfa Vista 100 |
| Agfa | Agfacolor HDC+ 200 | ?–2001 | T | 200 | AP 70 / C-41 | Print | Consumer general purpose fine grain color film | Germany | 135 | Agfa Vista 200 |
| Agfa | Agfacolor HDC+ 400 | ?–2001 | T | 400 | AP 70 / C-41 | Print | Consumer general purpose fine grain color film | Germany | 135 | Agfa Vista 400 |
| Agfa | Vista 100 | 2001–2005 | T | 100 | AP 70 / C-41 | Print | Consumer general purpose fine grain color film with Eye vision technology from Professional Optima films. | Germany | 135 | AgfaPhoto Vista 100 |
| Agfa | Vista 200 | 2001–2005 | T | 200 | AP 70 / C-41 | Print | Consumer general purpose fine grain color film with Eye vision technology from Professional Optima films | Germany | 110, 135 | AgfaPhoto Vista 200 |
| Agfa | Vista 400 | 2001–2005 | T | 400 | AP 70 / C-41 | Print | Consumer general purpose fine grain color film with Eye vision technology from Professional Optima films | Germany | 135 | AgfaPhoto Vista 400 |
| Agfa | Vista 800 | 2001–2005 | T | 800 | AP 70 / C-41 | Print | Consumer general purpose fine grain color film with Eye vision technology from Professional Optima films. Agfas first (and last) 800 speed color film. | Germany | 135 | Nothing |
| Professional films: |||||||||||
| Agfa | Agfacolor 80S Professional | 1975–1980s | T | 80 | Agfacolor Process N | Print | Professional version of CNS2 color film | Germany | 135, 120, Sheet film | Agfacolor N100S Professional |
| Agfa | Agfacolor 80L Professional | ?–c1981 | T | 80 | Agfacolor Process N | Print | Professional film for long exposures. Tungsten balanced. | Germany | 135, 120, Sheet film | Agfacolor N80L Professional |
| Agfa | Agfacolor N80L Professional | c1982–? | T | 80 | AP 70 / C-41 | Print | Professional color film for artificial light/Long exposures >1/10 sec. | Germany | 120, Sheet film | ? |
| Agfa | Agfacolor N100S Professional | c1982–? | T | 100 | AP 70 / C-41 | Print | Professional color film for Short exposures <1/10 sec. | Germany | 120, Sheet film | ? |
| Agfa | Agfacolor Pro 100 | c1985 –c2006 | T | 100 | AP 70 / C-41 | Print | Professional color film | Germany | 135 | ? |
| Agfa | Agfacolor Pro 200 | c1985 –c2006 | T | 200 | AP 70 / C-41 | Print | Professional color film. | Germany | 135 | ? |
| Agfa | Agfacolor Pro 400 | c1985 –c2006 | T | 400 | AP 70 / C-41 | Print | Professional color film | Germany | 135 | ? |
| Agfa | Agfacolor Pro 1000 | c1985 –c2006 | T | 1000 | AP 70 / C-41 | Print | Professional color film | Germany | 135 | ? |
| Agfa | Agfacolor XRS 100 | 1984–c1996 | T | 100 | AP 70 / C-41 | Print | Professional fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/6th stop. Revised in 1989 to share XRG technology and similar metallic box packaging. | Germany | 135, 120, Sheet film | Optima 100 |
| Agfa | Agfacolor XRS 200 | 1984–c1996 | T | 200 | AP 70 / C-41 | Print | Professional general purpose fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/th stop. Revised in 1989 to share XRG technology and similar metallic box packaging | Germany | 135, 120 | Optima 200 |
| Agfa | Agfacolor XRS 400 | 1984–c1996 | T | 400 | AP 70 / C-41 | Print | Professional general purpose fine grain color film with high sharpness and saturation with wide exposure latitude, accurate to 1/6th stop. Revised in 1989 to share XRG technology and similar metallic box packaging | Germany | 135, 120 | Optima 400 |
| Agfa | Agfacolor XRS 1000 | 1984–c1996 | T | 1000 | AP 70 / C-41 | Print | Professional general purpose fine grain color film. This was not updated in 1989 | Germany | 135, 120 | Nothing |
| Agfa | Agfacolor Optima 100 | c1996–2005 | T | 100 | AP 70 / C-41 | Print | Professional general purpose color negative films with EYE VISION technology | Germany | 135, 120 | Nothing |
| Agfa | Agfacolor Optima 200 | c1996–2005 | T | 200 | AP 70 / C-41 | Print | Professional range of general purpose color negative films with EYE VISION technology. A similar un-masked variant of the emulsion was made by Agfa-Gevaert for aerial photography and converted by Maco and sold as Rollei CN 200. | Germany | 135, 120 | Nothing |
| Agfa | Agfacolor Optima 400 | c1996–2005 | T | 400 | AP 70 / C-41 | Print | Professional general purpose color negative films with EYE VISION technology | Germany | 135, 120, 220 | Nothing |
| Agfa | Agfacolor Ultra 50 | ?–2005 | T | 50 | AP 70 / C-41 | Print | Professional high saturation color negative film for Landscapes and nature. Part of the Agfa "Triade". | Germany | 135, 120 | Nothing |
| Agfa | Agfacolor Ultra 100 | ?–2005 | T | 100 | AP 70 / C-41 | Print | Professional high saturation color negative film for Landscapes and nature. | Germany | 135, 120 | Nothing |
| Agfa | Agfacolor Optima 125 | ?–2005 | T | 125 | AP 70 / C-41 | Print | Professional color negative film with saturation between Ultra 50 and Portrait 160. Part of the Agfa "Triade". | Germany | 135, 120 | Nothing |
| Agfa | Agfacolor Portrait 160 | ?–2005 | T | 160 | AP 70 / C-41 | Print | Professional color negative film for portrait, wedding and fashion photography. Subtle saturation. Part of the Agfa "Triade". | Germany | 135, 120, 220 | Nothing |
| Agfa | Agfa-Gevaert Color intermediate film 6.43 | | | | | | Agfa Gevaert ? | | | |

### Color reversal (slide) film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Agfa | Agfacolor Neu | 1936 ? | T | 2–25 | Agfacolor | Slide | Color Neu, also known as Agfacolor 111, went on public sale in November 1936 in 135 format as an ISO 2-4 film and was the first subtractive 3 layer color film incorporating dye couplers in each of the layers which could be processed at the same time by a single color developer. This arrangement formed the basis for all subsequent color slide and negative films. In comparison, Kodak Kodachrome which launched a year earlier required the processing of each color layer separately. Agfa Color Neu was initially made available on a trial basis from April 1936 with use in the August 1936, Berlin Olympics. Speed was later increased to ISO 25 by 1938. | Germany | 135 | ? |
| Agfa | Agfacolor/Agfachrome CT18 | 1958–1984 | T | 50 | AP 41 | Slide | General purpose consumer color reversal film. Renamed Chrome in 1978. Warm pleasing colors, but not very stable in long-term storage. Also sold under Perutz brand. A similar film was produced by ORWO in the former Agfa plant in East Germany as OrwoChrom UT18 until the 1990s. | Germany | 135, Rapid, 127, 120, 620 | ? |
| Agfa | Agfacolor CK20 | c1963–? | T | 80 | AP 41 | Slide | General purpose consumer color reversal film balanced for artificial light. | Germany | 135, 120 | ? |
| Agfa | Agfacolor/Agfachrome CT21 | 1974–1984 | T | 100 | AP 41 | Slide | General purpose consumer color reversal film, similar to CT18 but rated at ISO 100. Renamed Chrome in 1978. | Germany | 135 | ? |
| Agfa | Agfachrome 64 | 1974–1983 | T | 64 | AP 41 | Slide | Consumer color reversal film for the North American market | Germany | 135, 126 | ? |
| Agfa | Agfachrome CT 100 | 1984–1992 | T | 100 | AP 44 / E-6 | Slide | General purpose consumer color reversal film. | Germany | 135 | Agfachrome CT100i |
| Agfa | Agfachrome CT 200 | 1982–1992 | T | 200 | AP 44 / E-6 | Slide | General purpose consumer color reversal film. First Agfa AP44/ E-6 process film | Germany | 135 | ? |
| Agfa | Agfachrome CT 100i | 1992–1995 | T | 100 | AP 44 / E-6 | Slide | Consumer general purpose color slide film. Launched at Photokina | Germany | 135 | Agfachrome CT 100x |
| Agfa | Agfachrome CT 100x | 1995–1999 | T | 100 | AP 44 / E-6 | Slide | Consumer general purpose color slide film. Launched at Photo Marking Association in 1995 with improvements in color intensity, accuracy, and edge definition along with enhanced pushability. | Germany | 135 | Agfa CT Precisa 100 |
| Agfa | CT Precisa 100 | 1999–2005 | T | 100 | AP 44 / E-6 | Slide | Consumer general purpose color slide film The film boasted stronger colors and softer tones After 2005 replaced by Agfa Photo CT Precisa made by Ferrania and subsequently FujiFilm. | Germany | 135 | AgfaPhoto CT Precisa 100 |
| Agfa | CT Precisa 200 | 1999–2005 | T | 200 | AP 44 / E-6 | Slide | Consumer general purpose color slide film. | Germany | 135 | Nothing |
| Professional films: |||||||||||
| Agfa | Agfachrome 50S Professional | 1968–1984 | T | 50 | AP 41 | Slide | Professional color reversal film. For short exposures <1 sec. Last batches expired around 1987/88 | Germany | 135, 120, sheet film | ? |
| Agfa | Agfachrome 50L Professional | 1968–1983 | T | 50 | AP 41 | Slide | Professional color reversal film. For long exposures over 1 sec. Last batches expired around 1987/88 | Germany | 135, 120, sheet film | Nothing |
| Agfa | Agfachrome 64 Professional | | T | 64 | AP 41 | Slide | | Germany | 135 | ? |
| Agfa | Agfachrome 100 Professional | | T | 100 | AP 41 | Slide | Professional colour film balanced for daylight. | Germany | 135 | ? |
| Agfa | Agfachrome R100S Professional | | T | 100 | AP 44 / E-6 | Slide | Professional colour film balanced for daylight. | Germany | 135, 120 | ? |
| Agfa | Agfachrome 50 RS | 1984–1995 | T | 50 | AP 44 / E-6 | Slide | Professional general purpose color slide film. Agfa process 44 compatible with Kodak E-6, replacing Agfa process 41 films. Improved emulsion from 1992 | Germany | ? | Agfachrome RSX 50 |
| Agfa | Agfachrome 100 RS | 1984–1995 | T | 100 | AP 44 / E-6 | Slide | Professional general purpose color slide film. Improved emulsion from 1992 | Germany | 135, 120 | Agfachrome RSX 100 |
| Agfa | Agfachrome 200 RS | 1984–1995 | T | 200 | AP 44 / E-6 | Slide | Professional general purpose color slide film. Improved emulsion from 1992 | Germany | 135, 120 | Agfachrome RSX 200 |
| Agfa | Agfachrome 1000 RS | 1984–1995 | T | 1000 | AP 44 / E-6 | Slide | Professional very high speed color slide film | Germany | 135 | Nothing |
| Agfa | Agfachrome RSX 50 | 1995–1998 | T | 50 | AP 44 / E-6 | Slide | Professional general purpose color slide film | Germany | 135, 120 | Agfachrome RSX II 50 |
| Agfa | Agfachrome RSX 100 | 1995–1998 | T | 100 | AP 44 / E-6 | Slide | Professional general purpose color slide film | Germany | 135, 120, Sheet film | Agfachrome RSX II 100 |
| Agfa | Agfachrome RSX 200 | 1995–1998 | T | 200 | AP 44 / E-6 | Slide | Professional general purpose color slide film | Germany | 135, 120 | Agfachrome RSX II 200 |
| Agfa | Agfachrome RSX II 50 | 1999–2005 | T | 50 | AP 44 / E-6 | Slide | Professional general purpose color slide film | Germany | 135, 120 | Nothing |
| Agfa | Agfachrome RSX II 100 | 1999–2005 | T | 100 | AP 44 / E-6 | Slide | Professional general purpose color slide film. The "Pro" RSX II film "made with extremely narrow production tolerances to ensure maximum consistency as required by professionals" does not require refrigeration except in hot/humid conditions. Consumer equivalent CT Precisa | Germany | 135, 120, Sheet film | Nothing |
| Agfa | Agfachrome RSX II 200 | 1999–2005 | T | 200 | AP 44 / E-6 | Slide | Professional general purpose color slide film, Slightly subdued perceived by many users as natural and producing flattering skin tones. After the demise of AgfaPhoto Agfa-Gevaert continued producing the emulsion for aerial photography on a polyester base as Aviphot Chrome 200 PE1. Maco converted this as Rollei CR 200. Also sold as Lomography X-Pro 200. | Germany | 135, 120 | Nothing |

## AGFA PHOTO

The AGFA consumer film division with its plant in Leverkusen, Germany was spun off by Agfa-Gevaert into a new company AGFA PHOTO in 2004. At buy out the firm was split into a holding company Agfa-Photo Holding GMBH (licenses) and manufacturing company Agfa-Photo GMBH (leverkusen). The manufacturing company went bankrupt in 7 months resulting in the closure of the Leverkusen plant in 2005. The holding company was unaffected and retains a trademark license from Agfa-Gevaert for the use of the AgfaPhoto brand and 'red dot' logo on products having a photographic application. Since 2005 these rights for consumer film products have been sub-licensed to Lupus Imaging & Media. After 2005 the colour films were initially made by Ferrania while black and white films continued to be AGFA material converted by Ferrania from cold stored master rolls of AGFA APX. Ferrania itself closed in 2009 and so Lupus procured replacement Agfa Photo branded films from Fujifilm (colour) and Harman/Ilford (black and white). The contract with Fujifilm ended in early 2018 ending the sale of colour film under the AgfaPhoto brand.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| AGFA PHOTO | APX 100 | 2005–2012 | T | 100 | B&W | Print | General purpose traditional cubic grain panchromatic film with wide exposure and tonal range. Film was converted by Ferrania, Italy from AGFA Leverkusen APX master rolls that had been cold stored until this material was exhausted. ADOX Silvermax is a near equivalent to the original AGFA APX 100. | Germany | 135, 120 | New Agfa Photo APX 100, ADOX Silvermax |
| AGFA PHOTO | APX 400 | 2005–2012 | T | 400 | B&W | Print | General purpose traditional cubic grain panchromatic film with wide exposure and tonal range. Film was converted by Ferrania, Italy from AGFA Leverkusen APX master rolls that had been cold stored until this material was exhausted. ADOX test-produced a slightly improved version of AGFA APX 400 as ADOX Pan 400 during 2010. Due to Fotokemika stopping general production in 2012 priority was given to ADOX CHS II instead. | Germany | 135, 120 | New Agfa Photo APX 400 |

### Colour negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| AGFA PHOTO | Vista 200 | 2005–2009 | T | 200 | C-41 | Print | Consumer color film produced by Ferrania post Leverkusens closure, based on Solaris 200 | Italy | 135 | Vista Plus 200 |
| AGFA PHOTO | Vista 400 | 2005–2009 | T | 400 | C-41 | Print | Consumer color film, produced by Ferrania post Leverkusens closure based on Solaris 400. | Italy | 135 | Vista Plus 400 |
| AGFA PHOTO | Vista 800 | 2005–2009 | T | 800 | C-41 | Print | Consumer color film, produced by Ferrania post Leverkusens closure based on Solaris 800. Production was not continued when supply switched to Fuji so there is no 'plus' variant | Italy | 135 | Nothing |
| AGFA PHOTO | Vista Plus 200 | 2009-2018 | T | 200 | C-41 | Print | General purpose budget colour film (Re-branded FujiColor C200). Sold in 24/36 exp. rolls and 3 packs. Production ended 2018, last stock expiry dated 4.2020. | Japan | 135 | Nothing |
| AGFA PHOTO | Vista Plus 400 | 2009-2018 | T | 400 | C-41 | Print | General purpose budget colour film (assumed to be Fujicolor Superia 400). Sold in 24/36 exp. rolls and 3 packs. Production ended 2018. | Japan | 135 | Nothing |

### Colour reversal (slide) films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| AGFA PHOTO | CT Precisa 100 | 2005–2009 | T | 100 | E-6 | Slide | General purpose slide film produced by Ferrania, initially using Agfa chemicals. Ferrania version identified by picture of yellow boats on outer box. | Italy | 135-36 | CT Precisa 100 (2009) |
| AGFA PHOTO | CT Precisa 100 (new) | 2009–2018 | T | 100 | E-6 | Slide | General purpose slide film produced by Fujifilm. Packaging box shows coloured beach huts. Considered to be based on either FujiChrome Provia 100F (possibly cut from edges of master rolls) which was still in production or discontinued FujiChrome Sensia emulsion. Production ended early 2018 and by mid 2018 was sold out. | Japan | 135-36 | Nothing |

## Azomureș

Azomureș or AZO, produced by Târgu-Mureș Nitrogenous Fertilizer Plant, was the photographic brand of Romania since the 1981. The photosensitive materials plant in Târgu Mureș, a city in northern Romania, covering an area of about 7 hectares. The plant produced black and white and color photographic paper and films for general photography, industrial and medical use and black and white and color cinematographic films. Film production ended in 2003.
The plant was designed by Japan's Fujitsu to withstand a 9.4 degree earthquake on the Richter scale, consequently due to high cost of demolition the company decided to use the buildings to host cultural events and the photosensitive materials plant was re-opened for this purpose in May 2016.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| AZOPAN | PS-18 | 1981–? | T | 50 | B&W | Print | Panchromatic film. | Romania | 135, 120 | Nothing |
| AZOPAN | PS-21 | 1981–? | T | 100 | B&W | Print | Panchromatic film. | Romania | 135, 120, sheet film | Nothing |
* Azopan logo
* Packaging of black and white panchromatic negative films (cardboard and plastic boxes), Azopan PS-18 and PS-21 with 36 frames.

### Colour negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| AZOCOLOR | ACN-100 | ?–? | T | 100 | C-41 | Print | General purpose film for colour prints | Romania | 135, 120 | Nothing |

## Dan-Di film

Was a film manufactured in Belgium.

### Dan-Di Orthochromatic safety film

* Type: Safety Film – Orthochromatic
* Available formats: 116 N-16(known)
* Speed: Rating of High Speed (?) on box EM-N°
* Granularity:
* Latitude:
* Resolving Power:
* History:
* Primary Usage:

## dekopan

VEB Fotochemische Werke Berlin [de] produced films under the brand "dekopan". DEKO stands for DEutsche KOdak. Originally a Kodak subsidiary in Germany. After the founding of German Democratic Republic, the Kodak AG was nationalised and used Kodak branding until 1956 when it was renamed to VEB Fotochemische Werke Berlin. The factory became a part of VEB Fotochemisches Kombinat Wolfen in 1970 and ceased production of photographic films.
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| dekopan | FF 14 | c1956–c1965 | T | 20 | B&W | Print | Ultra fine-grain orthopanchromatic film. | GDR | 135-36, 635-36, 935-36, 127, 120, 116 | dekopan FF 16 |
| dekopan | F 17 | c1956–c1965 | T | 40 | B&W | Print | Very fine-grain orthopanchromatic film. | GDR | 135-36, 635-36, 935-36, 127, 120, 116, sheet film | dekopan F 19 |
| dekopan | S 21 | c1956–c1965 | T | 100 | B&W | Print | Fine-grain orthopanchromatic film. | GDR | 135-36, 635-36, 935-36, 127, 120, 116 | dekopan S 22 |
| dekopan | U 24 | c1956–c1965 | T | 200 | B&W | Print | High speed orthopanchromatic film. | GDR | 135-36, 635-36, 935-36, 127, 120, 116 | dekopan U 25 |
| dekopan | Porträt | c1956–? | T | 80 | B&W | Print | Orthochromatic film for portraiture. | GDR | sheet film | ? |
| dekopan | FF 16 | c1965–1970 | T | 32 | B&W | Print | Ultra fine-grain orthopanchromatic film. | GDR | 135-36, 120 | Nothing |
| dekopan | F 19 | c1965–1970 | T | 64 | B&W | Print | Very fine-grain orthopanchromatic film. | GDR | 135-36, 120 | Nothing |
| dekopan | S 22 | c1965–1970 | T | 125 | B&W | Print | Fine-grain black and white film. | GDR | 135-36, 120 | Nothing |
| dekopan | U 25 | c1965–1970 | T | 250 | B&W | Print | High speed black and white film. | GDR | 135-36, 120 | Nothing |

## efke

efke was a brand of (mainly, but not limited to) black and white films and photographic paper produced by Fotokemika Zagreb d.d based in Samobor (near Zagreb), Croatia (former Yugoslavia). Fotokemika d.d acquired the rights to the ADOX film recipes and the production machinery from owners Dupont in the 1970s. As Dupont retained the ADOX brand name, Fotokemika sold the films under the efke brand and continued to manufacture them according to the original 1950s film formulas. The films were also sold by Fotoimpex (Berlin, Germany) under the original ADOX brand name after they acquired the rights to this in 2003. After Fotokemika's closure in 2012, ADOX (Fotoimpex) subsequently revived the KB100 film as ADOX CHS II.
Furthermore Fotokemika had a short lived line of color films and color reversal films called "efkecolor" and "efkechrome" in the 1980s.
Both lines were discontinued in the 1990s due to unknown reasons, presumably due to supply shortages and infrastructural damage as a result of the Yugoslav Wars.
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Efke | KB14 / R14 | 1974–? | T | 20 | B&W | Print | Ortho-panchromatic classic 1950s style single layer emulsion. | Yugoslavia | 135, 120 | KB25 / R25 |
| Efke | KB17 / R17 | 1974–? | T | 40 | B&W | Print | Ortho-panchromatic classic 1950s style emulsion. | Yugoslavia | 135, 120 | KB50 / R50 |
| Efke | KB21 / R21 | 1974–? | T | 100 | B&W | Print | Ortho-panchromatic classic 1950s style emulsion. | Yugoslavia | 135, 120 | KB100 / R100 |
| Efke | KB25 / R25 | ?–2012 | T | 25 | B&W | Print | Ortho-panchromatic classic 1950s style single layer emulsion. 135(KB25), 120 (R25) and sheet size (4×5, 5×7 and 8×10. | Croatia (formerly Yugoslavia) | 135, 120, Sheet film | Nothing |
| Efke | KB50 / R50 | ?–2012 | T | 50 | B&W | Print | Ortho-panchromatic classic 1950s style emulsion. 135(KB50), 120 (R50) and sheet size (4×5, 5×7 and 8×10 | Croatia (formerly Yugoslavia) | 135, 120, Sheet film. | Nothing |
| Efke | KB100 / R100 | ?–2012 | T | 100 | B&W | Print | Ortho-panchromatic classic 1950s style emulsion. 135(KB100), 120 (R100), 127 (R100-127) and sheet size (4×5, 5×7 and 8×10. The same film was subsequently produced for ADOX by Inoviscoat, Germany as ADOX CHS II 100. | Croatia (formerly Yugoslavia) | 135, 127, 120, Sheet film | ADOX CHS II |
| Efke | IR820 | 1974–2012 | T | 100 | B&W | Print | Superpanchromatic classic 1950s style emulsion. 135(KB100), 120 (R100) and sheet size (4×5, 5×7 and 8×10 | Croatia (formerly Yugoslavia) | 135, 120, Sheet film | Nothing |

### Color negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Efke | Efkecolor NM 19 | ?–? | T | 64 | C-22 | Print | Masked colour negative film for daylight. Rebranded 3M material. | Yugoslavia | 135, 120 | Efkecolor NM 20 |
| Efke | Efkecolor NM 20 | ?–? | T | 80 | C-41 | Print | Masked colour negative film for daylight. Rebranded 3M material. | Yugoslavia | 135, 120 | Efkecolor NM 21 |
| Efke | Efkecolor NM 21 | ?–? | T | 100 | C-41 | Print | Masked colour negative film for daylight. Rebranded 3M material. | Yugoslavia | 135, 120 | ? |
| Efke | efkecolor | 1986–1999 | ? | 100, 400 | C-41 | Print | presumed to be rebranded Scotch Color Print 100, manufactured by 3M | Yugoslavia | 135 | Nothing |
| Efke | efkecolor spektar | c1992–? | ? | 100, 200, 400 | C-41 | Print | presumed to be rebranded Konica Color Super SR | Croatia | 135 | Nothing |
| Efke | Super HG | c1996–? | ? | 100 | C-41 | Print | presumed to be rebranded Fujicolor Super G Plus | Croatia | 135 | Nothing |

### Color reversal film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Efke | Efkecolor RD 17 | ?–? | T | 40 | AP 41 | Slide | Colour reversal film for daylight. | Yugoslavia | 135 | Efkecolor RD 21 |
| Efke | Efkecolor RD 21 | ?–? | T | 100 | E-6 | Slide | Colour reversal film for daylight. Rebranded 3M Color Slide. | Yugoslavia | 135, 120 | ? |
| Efke | efkechrome | 1984–1999 | ? | 100 | E-6 | Slide | presumed to be rebranded Konica Chrome 100 (also known as Sakurachrome R-100) | Croatia (formerly Yugoslavia) | 135 | Nothing |

## Eisenberger

Eisenberger Trockenplattenfabrik Otto Kirschten was a German manufacturer of dry plates. Eisenberger Trockenplattenfabrik

## ERA

ERA's factory was originally founded in 1950 in Shantou, China. It was named Shantou ERA Limited Corporation (ERA) in 1999. Its main products were black and white film, resin coated papers and x-ray film. Kodak China acquired an 80% share of their assets in 1998 and reputedly invested in a color film line. Production of film emulsion seem to have ended, c2008.
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| ERA | 100 | 1999–c2008 | T | 100 | B&W | Print | Traditional B&W film with anti-halation layer | China | 135, Sheet film | Nothing |

## Ferrania

Ferrania was an Italian filmmaker based in Ferrania (Liguria), Italy founded in 1923 as a maker of photographic film, papers, and photographic equipment, including cameras. The company was purchased in 1964 by the 3M corporation (US) to become Ferrania 3M and made photographic film sold under the 'Scotch' brand. The films and data storage division was spun off from 3M in 1996 becoming Imation. In 1999, Ferrania was acquired by Schroder Ventures and subsequently sold on to Gruppo Messina (Ignazio Messina & Co. S.p.A.) in 2000, as Ferrania Imaging Technology with film being sold again under the Ferrania brand. However photographic film manufacture ended in 2009. Whilst originally a producer of B&W cine/still films such as P30, as Ferrania 3M it became a significant producer of 'white label' consumer colour films for both retailers and traditional B&W film producers needing a colour film to repackage under their own brand. Examples include; Fortecolor film (also supplied by Konica), the Boots UK pharmacy chain color negative products from ca. 1973 until 2003 and AgfaPhoto color negative and slide films from 2005 until plant closure in 2009 (for Lupus Imaging). Ferrania Technology continues to produce chemicals for medical use and solar panels on part of the original factory complex whilst the film plant was demolished. In 2013 a new company was founded as FILM Ferrania to build a film manufacturing company using the former Ferrania Research laboratory building, its coating machine and other equipment salvaged from the original Ferrania production plant prior to its demolition.

### Black and white film

* P24 ISO 20.
* P30 ISO 80. 135, 120, 127. Introduced in 1960 in three versions: Cinema, Leica and Portrait.
* P33 ISO 160. 135, 120, 127, 116
* P36 ISO 320. 120
* P.3 17/10 DIN. 135
* U.2 18/10 DIN. 135

### Color negative film

* Ferrania Solaris From early 2000 by Ferrania Imaging Technologies. It was also sold under different names of imported supermarket chains and under the name of several companies such as Polaroid, Samung and others
* Ferrania Solaris FG 100 135 (2000–2003)
* Ferrania Solaris FG 200 135, APS 110, 12 (2000–2003)
* Ferrania Solaris FG 400 135, APS (2000–2003)
* Ferrania Solaris FG 800 135 (2000–2003)
* Ferrania Solaris FG 100 Plus 135 (2003–2009)
* Ferrania Solaris FG 200 Plus 135, APS (2003–2009) (also 110, 126 to 2007)
* Ferrania Solaris FG 400 Plus 135 (2003–2009) FG 400i to c2005?
* Ferrania Solaris FG 800 Plus 135 (2003–2009) FG 800i to c2005?

### Color reversal film

* Ferraniacolor 135, 120, photographic plate. Introduced in 1947 until the 1970s. it was available in sizes 135, 120, photographic plate
* Ferrania CR 50 for daylight, ISO 50
* Ferrania CR 50 A for artificial light, ISO 50
* Scotch Chrome ISO 100, 400, 1000. 135
* Imation Chrome ISO 100, 400. 135
* Ferrania Solaris Chrome 100 [135]. 2000–2005

## FILM Ferrania

FILM Ferrania s.r.l. is a photographic film manufacturing company located in Ferrania (Liguria), Italy. Following closure of the original Ferrania factory in 2009 the company was re-founded in 2013 on a small part of the original site to build a new film manufacturing base using the former Ferrania research laboratory (L.R.F.) and its narrow coater. FILM Ferrania commenced manufacturing a black and white still film in February 2017 based on P30, a classic 1960s motion picture film stock.
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Ferrania | P30 ALPHA | 2017–2018 | P | 80 | B&W | Print | Classic 1960s B&W panchromatic motion picture film for still photography. 'ALPHA' prototype version .Launched in February 2017, due to production constraints for 135 format conversion only a limited supply of film was made until early 2018 A 120 format version had been planned for 2018, but was not produced. | Italy | 135-36 | P30 |

## Film Photography Project

Established in 2009 by Michael Raso, Film Photography Project (FPP) sources a variety of still films including those originally made for technical, motion pictures, industrial or aerial applications for creative purposes. Therefore, films are often available for a limited period.

### Black and white films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats |
| FPP | Kodak Vintage 1960 Expired – Linagraph Ortho | - | ? | 0 | B&W | Print | ASA 0, expired 9/1960. Film of this age and unknown storage will have a base fog | US | 135-20 |
| FPP | Kodak Positive Microfilm | - | ? | 0.8 | B&W | Print | Kodak Direct Duplicating Microfilm 2468 this film has no sprocket holes but also produces a black and white positive slide when processed normal Kodak BW Positive Microfilm | US | 135-20 |
| FPP | Kodak Camera 2000 CGP | - | ? | 0.8 | B&W | Print | Kodak Camera 2000 CG is an extremely high contrast, orthochromatic film | US | 135-20 |
| FPP | Eastman SO-331 High Contrast | - | ? | 25 | B&W | Print | Eastman SO-331 High Contrast Pan Film | US | 135-20 |
| FPP | Kodak LPD4 High Contrast | - | ? | | B&W | Print | | US | 135 |
| FPP | Kodak Fine Grain 2366 | - | ? | | B&W | Print | | US | 135 |
| FPP | KODAK HIGH CON 5363 | - | ? | 25 | B&W | Print | Eastman High Contrast 5363 is a motion picture film originally designed for direct contact copying titles and mats in motion picture work. This blue-sensitive film* is characterized by high contrast, excellent sharpness, and very high resolving power. DX Coded. | US | 135-24 |
| FPP | Kodak Kodalith | - | ? | | B&W | Print | | US | 135 |
| FPP | BW IR | - | P | 200 | B&W | Print | Film with ifra-red characteristics | | 135-24 |
| FPP | Mr Brown Low ISO | - | ? | | B&W | Print | | | 135 |

### Color negative films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| FPP | Red Scale | - | T/P | | | | | | 135 | Nothing |
| FPP | Fuji ITn Color Negative | - | T/P | 6 | C-41 | Print | Fujifilm IT-N – a film originally designed to make negatives from slides. Low-speed stock that leans towards green. Yields unusual skin tones and great for night shots. | Japan | 135-20 | Nothing |
| FPP | Color 125 | - | T/P | 100 | C-41 | Print | A subdued, unique, fine grained, color film with a retro look unlike other color print film. The film boasts an unusual color palette. | | 120 | Nothing |
| FPP | Kodak Hawkeye Super Color | - | T/P | 200–400 | C-41 | Print | Traffic Surveillance Film. Film is balanced for daylight or electronic flash and can be used under mixed lighting. T-Grain fine grain film with high sharpness. DX Coded for 200 iso. | US | 135-24 | Nothing |

### Color reversal (slide) films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| FPP | Color IR | unavailable | T/P | 400 | E-6 | Slide | Color Infrared Film is identical to Kodak Aerochrome III 1443 – a true color positive infrared film that produces a color slide. | | 135 | Nothing |
| FPP | FUJICHROME CDU II TUNGSTEN | unavailable | T/P | 20 | E-6 | Slide | Lab duplicating film, CDU II is a low-iso film designed to be shot in tungsten or indoor light, this film will produce a blue hue when shot in daylight. No DX coding | Japan | 135-24 | Nothing |

## Film Washi

Factory in Saint-Nazaire, France. Film Washi launched in 2013, producing a handcrafted film, handcoated on traditional Washi paper. Also converting other films industrially coated in larger factories and originally made for technical, motion pictures, industrial or aerial applications.

### Black and white films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Film Washi | 'G' | ?–2018 | P | 80 | B&W | Print | Green sensitive X-ray film | France | Sheet film | Nothing |
| Film Washi | 'K' | ?–2018 | P | 100 | B&W | Print | Vintage aerial film – Converted from 3 km of (expired 2000) Kodak Plus-X Aerographic Film 2402 | France | Sheet film | Nothing |
| Film Washi | 'B' | ?–2018 | P | 125 | B&W | Print | Blue sensitive X-ray film | France | Sheet film | Nothing |
| Film Washi | 'A' | ?–2022 | P | 12 | B&W | Print | Orthochromatic leader film normally used as leader and protection tail for motion picture film copy. Fine grain and a very high contrast. Discontinuation announced 30 May 2022, stated due to price increases for new stock. | France | 135 | Nothing |
| Film Washi | 'D' | ?–2022 | P | 500 | B&W | Print | Panchromatic Russian aerial surveillance negative film, offering high contrast and moderate grain. 75 μm base. Russian origin, Discontinuation announced 30 May 2022, stated due to the Russian invasion of Ukraine. | Russia/ France | 135 | Nothing |
| Film Washi | 'R' | ?–2022 | P | 100 | B&W | Print | Panchromatic paper designed for photo booth, converted and perforated to be used in classic 135 cameras. Russian origin, Discontinuation announced 30 May 2022, stated due to the Russian invasion of Ukraine. | Russia/ France | 135 | Nothing |
| Film Washi | 'S' | ?–2022 | P | 50 | B&W | Print | Panchromatic motion picture sound recording film very fine grain and ultra high definition. Discontinuation announced 30 May 2022, stated due to price increases for new stock. | France | 135, 120 | Nothing |

### Colour film

* "X" – 100 iso (35mm), C-41 without mask, can be processed in E-6. Kodak AeroColor stock. Discontinued.

## Forte

Forte (Forte Photochemical Industry, Vác) was a Hungarian manufacture of photographic film and paper products originally established in 1922. They ceased to manufacture products in January 2007. Only B&W films were coated by Forte. Colour films were supplied by other manufacturers, and packaged into Forte branding.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Forte | Fortepan | 1960's–c1980 | T | 40 | B&W | Print | | Hungary | 120, 620, 135 | Fortepan 50 |
| Forte | Fortepan Super | 1960's–c1980 | T | 80 | B&W | Print | | Hungary | 120, 135 | Fortepan 100 |
| Forte | Fortepan Rapid | 1960's–c1980 | T | 160 | B&W | Print | | Hungary | 120, 135 | Fortepan 200 |
| Forte | Fortepan 50 | 1980's–? | T | 50 | B&W | Print | | Hungary | 120, 135 | Nothing |
| Forte | Fortepan 100 | 1980's–2007 | T | 100 | B&W | Print | Traditional B&W film | Hungary | 120, 135 | Nothing |
| Forte | Portraitpan 100 | 1980's–2007 | T | 100 | B&W | Print | B&W film for portraits | Hungary | 120 | Nothing |
| Forte | Fortepan 200 | 1980's–2007 | T | 200 | B&W | Print | Traditional B&W film | Hungary | 120, 135, Sheet film | Nothing |
| Forte | Fortepan 400 Professional | 1980's–? | T | 400 | B&W | Print | | Hungary | 120 | Fortepan 400 |
| Forte | Fortepan 400 Professional Extra | 1980's–? | T | 400 | B&W | Print | | Hungary | 120 | Fortepan 400 |
| Forte | Fortepan 400 | ?–2007 | T | 400 | B&W | Print | Traditional B&W film | Hungary | 120, 135, Sheet film | Nothing |

### Colour negative films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Forte | Fortecolor | c1980–? | T | 80 | Agfacolor | Print | General purpose daylight balanced colour negative film with mask. Manufactured in cooperation with Agfa. | Germany, Hungary | 120, 135 | ? |
| Forte | Fortecolor II | c1985–? | T | 100 | C-41 | Print | General purpose daylight balanced colour negative film. Repacked 3M stock. | Italy, Hungary | 110, 126, 120, 135 | ? |
| Forte | Fortecolor 400 | c1985–? | T | 400 | C-41 | Print | General purpose daylight balanced colour negative film. Repacked 3M stock. | Italy, Hungary | 135 | ? |
| Forte | Fortecolor Super FG plus | ?–c2000 | T | 100 | C-41 | Print | ISO 100 consumer color film – Ferrania Solaris FG | Italy, Hungary | 135 | Nothing |
| Forte | Fortecolor Super FR | c1990–2007 | T | 100 | C-41 | Print | Consumer color film – Konica Color Super SR or Scotch Color | Japan, Hungary | 135 | Nothing |
| Forte | Fortecolor Super FR | c1990–2007 | T | 200 | C-41 | Print | Consumer color film – Konica Color Super SR or Scotch Color | Japan, Hungary | 135 | Nothing |
| Forte | Fortecolor Super HR | ?–2007 | T | 200 | C-41 | Print | Consumer color film – Konica Color Super SR200 | Japan/Italy, Hungary | 110 | Nothing |

### Colour reversal (slide) film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Forte | Fortecolor Slide | ?–? | T | 50 | Forte | Slide | General purpose daylight balanced slide film. | ? | 135 | ? |
| Forte | Fortechrom | c1980–c1986 | T | 50 | ORWO 9165 | Slide | General purpose daylight balanced slide film. Repacked ORWOCHROM UT 18. | GDR, Hungary | 135 | ? |

## Fotochema (Foma)

Fotochema, n.p. Hradec Králové was a manufacturer of photographic materials in socialist Czechoslovakia. It was established in 1921 as a priavate company. In 1946 it was nationalized by a decree from the president of the republic. In 1950 all photochemical factories in Czechoslovakia were united under the leadership of n.p. Fotochema Hradec Králové. Fotochema had a broad manufacturing program which included black and white negative films, photographic papers, technical materials for medical, industrial and scientific use as well as colour papers and colour reversal film.
In 1990 Fotochema's legal status was changed from national enterprise to state enterprise and all their subsidiary factories became independent. In 1995 Fotochema was privatised and underwent a substantial change in manufacturing plan and focused solely on black and white photographic materials.

### Black and white films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Foma | Super Antihalo | 1932–? | T | 40 | B&W | Print | Orthochromatic film with antihalation layer. | Czechoslovakia | 120 | ? |
| Foma | Super Brillant | 1932–? | T | 40 | B&W | Print | Orthochromatic film. Steeper gradation than Super Antihalo. 135 films had prefix "Perfor" . | Czechoslovakia | 135, 120 | ? |
| Foma | Gradual | 1932–? | T | 40 | B&W | Print | Orthochromatic film with softer gradation. 135 films had prefix "Perfor" . | Czechoslovakia | 135, 120, sheet film | ? |
| Foma | Ortopan Super | 1932–? | T | 40 | B&W | Print | General purpose orthopanchromatic film. | Czechoslovakia | 120 | ? |
| Foma | Panchro Super | 1935–c1959 | T | 40 | B&W | Print | General purpose panchromatic film. Before WWII 135 films had prefix "Perfor" . | Czechoslovakia | 135, 120, sheet film | Fomapan 17 |
| Foma | Panchro Ultra / Ultrapan | ?–c1959 | T | 100 | B&W | Print | General purpose high speed panchromatic film. | Czechoslovakia | 135, 120, sheet film | Fomapan 21 |
| Foma | Ultrapan Special | ?–c1965 | T | 100 | B&W | Print | Similar properties as Ultrapan, but with smaller tolerance margins. | Czechoslovakia | 135, 120 | Nothing |
| Foma | Universal | ?–c1959 | T | 40, 100 | B&W | Print | Films that didn't match quality standards sold for a cheaper price under the label "Foma Universal". | Czechoslovakia | 135, 120 | Pionýr 17, Pionýr 21 |
| Foma | Pionýr 17 | c1958–c1965 | T | 40 | B&W | Print | Cheaper black and white print film that didn't match quality standards. Intended for children and amateurs. Production stopped in early 70's. | Czechoslovakia | 935, 127, 120, 620 | Nothing |
| Foma | Pionýr 21 | c1958–c1965 | T | 100 | B&W | Print | Cheaper black and white print film that didn't match quality standards. Intended for children and amateurs. Production stopped in early 70's. | Czechoslovakia | 935, 127, 120, 620 | Nothing |
| Foma | Mikropan 15 | c1953–c1965 | T | 25 | B&W | Print | Very fine grain orthopanchromatic film for Mikroma cameras. | Czechoslovakia | 16mm | Mikropan 17 |
| Foma | Mikropan 17 | 1965–? | T | 40 | B&W | Print | Very fine grain panchromatic film for Mikroma cameras. | Czechoslovakia | 16mm | Nothing |
| Foma | Fomapan 17 / Fomapan N 17 | c1958–1983 | T | 40 | B&W | Print | Very fine-grain panchromatic film. | Czechoslovakia | 135-36, 635-36, 935-36, 127, 120, 620, 116, sheet film | Fomapan F 17 |
| Foma | Fomapan 17 Brilant | c1961–? | T | 40 | B&W | Print | Very fine-grain panchromatic film. Higher contrast than Fomapan 17. Production stopped in the mid-70's. | Czechoslovakia | 135-36, 635-36, 935-36, 127, 120, 620 | Nothing |
| Foma | Fomapan 21 / Fomapan N 21 | c1958–1983 | T | 100 | B&W | Print | General purpose fine-grain panchromatic film. | Czechoslovakia | 135-36, 635-36, 935-36, 127, 120, 620, 116, sheet film | Fomapan F 21 |
| Foma | Fomapan 21 Brilant | c1961–? | T | 100 | B&W | Print | Fine-grain panchromatic film. Higher contrast than Fomapan 21. Production stopped in the mid-70's. | Czechoslovakia | 135-36, 635-36, 935-36, 127, 120, 620 | Nothing |
| Foma | Fomapan 24 / Fomapan N 24 | c1961–1983 | T | 200 | B&W | Print | General-purpose panchromatic film. | Czechoslovakia | 135-36, 635-36, 935-36, 127, 120, 620, sheet film | Nothing |
| Foma | Fomapan 30 / Fomapan N 30 | 1967–1983 | T | 800 | B&W | Print | High-speed panchromatic film with coarse grain and increased red sensitivity. | Czechoslovakia | 135-36, 635-36, 935-36, 120, sheet film | Fomapan F 27 |
| Foma | Fomapan F 17 | 1982–c1990 | T | 40 | B&W | Print | Very fine-grain panchromatic film. Fomapan F films had a unified developing time for all speeds. | Czechoslovakia | 135-36, 120 | Nothing |
| Foma | Fomapan F 21 | 1982–1991 | T | 100 | B&W | Print | General purpose fine-grain panchromatic film. Fomapan F films had a unified developing time for all speeds. | Czechoslovakia | 135-36, 120 | Fomapan 100 |
| Foma | Fomapan F 27 | 1982–c1990 | T | 400 | B&W | Print | General purpose panchromatic film. Fomapan F films had a unified developing time for all speeds. | Czechoslovakia | 135-36, 120 | Fomapan 400 |
| Foma | Fomapan F 21 Professional | 1984–c1991 | T | 100 | B&W | Print | High-quality fine-grain panchromatic film for professional use | Czechoslovakia | 120 | Fomapan 100 Professional |
| Foma | Fomapan Special | 1987–c1990 | T | 800 | B&W | Print | High-speed panchromatic film for low-light conditions and short exposure times | Czechoslovakia | 135, 120 | Fomapan T800 |
| Foma | Fomapan Variant | 1987–1991 | T | ? | C-41 | Print | Chromogenic film for black and white prints, could be exposed between EI 100-3200 and retain sufficient image quality. It was recommended for high-contrast scenes. | Czechoslovakia | 135, 120 | Nothing |
| Foma | Dokument K | 1984–c1990 | T | 2 | B&W | Print/Slide | Microfilm film for making negative copies of documents, other uses include black and white slides and title cards | Czechoslovakia | 135-36, sheet film | Nothing |
| Foma | Fomapan T200 | c1994–2001 | T/P | 200 | B&W | Print | New-generation film combining cubic grain and tabular grain technology. Kodak sued Foma due to the use of tabular grain. Later renamed to Fomapan 200. | Czech republic | 135, 120, sheet film | Fomapan 200 |
| Foma | Fomapan T800 | c1994–2001 | T/P | 800 | B&W | Print | New-generation film combining cubic grain and tabular grain technology. Kodak sued Foma due to the use of tabular grain. Discontionued in 2001. | Czech republic | 135, 120 | Nothing |
| Foma | Retropan 320 | 2015–2021 | T/P | 320 | B&W | Print | Retro panchromatic film with wide tonality and "soft" images. 135 format discontinued in 2019. | Czech republic | 135-36, 120, sheet film | Nothing |

### Black and white reversal (slide) films

Black and white reversal films were initially sold as Fomapan 17, 21 and 24 with label on the box saying "black and white reversal film". During the 70's or at the beginning of the 80's the name was changed to "Fomapan R" (R for reversal).
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Foma | Inverzní Fomapan 17 / Fomapan R 17 | c1964–1991 | T | 40 | Fomaset | Slide | Very fine-grain panchromatic slide film with slightly higher contrast. | Czechoslovakia | 135-36, 935-36 | Nothing |
| Foma | Inverzní Fomapan 21 / Fomapan R 21 | c1964–1991 | T | 100 | Fomaset | Slide | General purpose fine-grain panchromatic slide film for daylight and artificial light. | Czechoslovakia | 135-36, 935-36 | Fomapan R 100 |
| Foma | Inverzní Fomapan 24 / Fomapan R 24 | c1964–1991 | T | 200 | Fomaset | Slide | High-speed panchromatic film for artificial light and heavy overcast weather. Extended red sensitivity. | Czechoslovakia | 135-36, 935-36 | Nothing |

### Colour negative films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Foma | Fomacolor Negativ 16 / Fomacolor N 17 | 1962–c1969 | T | 32 | Fomacolor SN | Print | Unmasked colour negative film for daylight. Speed changed to ASA 40 by the late 60's | Czechoslovakia | 135-20, 120 | Fomacolor ND 17 |
| Foma | Fomacolor ND 17 | c1969–c1975 | T | 40 | Fomacolor SN | Print | Unmasked colour negative film for daylight. | Czechoslovakia | 135, 120, sheet film | Nothing |
| Foma | Fomacolor NU 17 | ?–c1971 | T | 40 | Fomacolor SN | Print | Unmasked colour negative film for artificial light. Last mention in 1971. | Czechoslovakia | 135, 120, sheet film | Nothing |
| Foma | Fomacolor CN 100 | 1988–1990 | T | 100 | C-41 | Print | General purpose film for colour prints. Rebranded Agfa stock. | Germany | 135 | Nothing |
| Foma | Equicolor HR 100 | 1985–1988 | T | 100 | C-41 | Print | General purpose film for colour prints. Made in partnership with austrian company Equipex, which was working on behalf of Fujifilm. It was a rebranded Fujifilm HR 100 stock. | Japan | 135 | Equicolor Super HR II 100 |
| Foma | Equicolor Super HR II 100 | 1989–1991 | T | 100 | C-41 | Print | General purpose film for colour prints. Made in partnership with austrian company Equipex, which was working on behalf of Fujifilm. It was a rebranded Fujifilm Super HR 100 stock. | Japan | 135 | Equicolor Super HG 100 |
| Foma | Equicolor Super HG 100 | c1996–c2000 | T | 100 | C-41 | Print | General purpose film for colour prints. Made in partnership with austrian company Equipex, which was working on behalf of Fujifilm. It was a rebranded Fujifilm Super HG 100 stock. | Japan | 135 | Equicolor 100 Supria 2000 |
| Foma | Equicolor 100 Supria 2000 | c2000–c2007 | T | 100 | C-41 | Print | General purpose film for colour prints. It was a rebranded Fujifilm stock. | Japan | 135 | Equicolor Premium 100 |
| Foma | Equicolor 200 Supria 2000 | c2000–c2007 | T | 200 | C-41 | Print | General purpose film for colour prints. It was a rebranded Fujifilm stock. | Japan | 135 | Equicolor Premium 200 |
| Foma | Fomacolor 100 | 1997–c2004 | T | 100 | C-41 | Print | General purpose film for colour prints. Lower quality than Equicolor. Rebranded film made by 3M Ferrania. Sold in the 90's and early 00's. | Italy | 135 | Nothing |
| Foma | Fomacolor 200 | 1997–c2004 | T | 200 | C-41 | Print | General purpose film for colour prints. Lower quality than Equicolor. Rebranded film made by 3M Ferrania. Sold in the 90's and early 00's. | Italy | 135 | Nothing |
| Foma | Fomacolor 400 | 1997–c1999 | T | 400 | C-41 | Print | General purpose film for colour prints. Lower quality than Equicolor. Rebranded film made by 3M Ferrania. | Italy | 135 | Nothing |
| Foma | Equicolor Premium 100 | c2009–2011 | T | 100 | C-41 | Print | General purpose film for colour prints. It was a rebranded Fujifilm stock. | Japan | 135 | Nothing |
| Foma | Equicolor Premium 200 | c2009–2011 | T | 200 | C-41 | Print | General purpose film for colour prints. It was a rebranded Fujifilm stock. | Japan | 135 | Nothing |
| Foma | Equicolor Premium 400 | 2006–2012 | T | 400 | C-41 | Print | General purpose film for colour prints. It was a rebranded Fujifilm stock. | Japan | 135 | Nothing |

### Colour reversal (slide) films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Foma | Fomachrom D 16 | 1970–c1973 | T | 32 | similar to Agfa | Slide | Colour reversal film for daylight (5500K). It was a test run and was only available for a short time. | Czechoslovakia | 135 | Nothing |
| Foma | Fomachrom D 18 | 1971–1978 | T | 50 | similar to Agfa | Slide | Colour reversal film for daylight (5500K). | Czechoslovakia | 135 | Fomachrom II D 18 |
| Foma | Fomachrom D 20 | 1971–1978 | T | 80 | similar to Agfa | Slide | Colour reversal film for daylight (5500K). | Czechoslovakia | 135 | Fomachrom II D 20 |
| Foma | Fomachrom D 22 | 1971–1978 | T | 125 | similar to Agfa | Slide | Colour reversal film for daylight (5500K). | Czechoslovakia | 135 | Fomachrom II D 22 |
| Foma | Fomachrom A | c1975–c1978 | T | 25 | similar to Agfa | Slide | Colour reversal film for artificial light (3200K). Last mention in 1978. | Czechoslovakia | 135 | Nothing |
| Foma | Fomachrom-II D 18 | 1978–1990 | T | 50 | compatible with AP 41 and ORWO 9165 | Slide | Second-generation colour reversal film for daylight (5500K) | Czechoslovakia | 135, 120 | Nothing |
| Foma | Fomachrom-II D 20 | 1978–1990 | T | 80 | compatible with AP 41 and ORWO 9165 | Slide | Second-generation colour reversal film for daylight (5500K) | Czechoslovakia | 135, 120 | Nothing |
| Foma | Fomachrom-II D 22 | 1978–1990 | T | 125 | compatible with AP 41 and ORWO 9165 | Slide | Second-generation colour reversal film for daylight (5500K) | Czechoslovakia | 135, 120 | Nothing |
| Foma | Fomachrom-II D 24 | c1988–1990 | T | 200 | compatible with AP 41 and ORWO 9165 | Slide | Fomachrom II D with speed of 24° DIN was introduced later around 1988-1989. | Czechoslovakia | 135, 120 | Nothing |
| Foma | Fomachrom RD 21 | 1989–1991 | T | 100 | E-6 | Slide | First Fomachrom film made for E-6 process. Balanced for daylight. It had to go four times through the coating machine in order to coat 7-8 layers onto the film base. | Czechoslovakia | 135 | Fomachrom CR 100 |
| Foma | Fomachrom CR 100 | ?–c2001 | T | 100 | E-6 | Slide | General purpose slide film balanced for daylight. Rebranded film made by 3M Ferrania. | Italy | 135-36 | Nothing |

## FOTOIMPEX

FOTOIMPEX of Berlin, Germany, is a company founded in 1992 to import photographic films and papers from the former Eastern Bloc. They acquired the rights to the ADOX name in 2003. Two Black & White films produced by Harman Technology were sold under their own name.
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| FOTOIMPEX | CHM 100 | ?–c2022 | T | 100 | B&W | Print | General purpose, panchromatic film similar to Kentmere 100 | UK | 135 | Kentmere 100 |
| FOTOIMPEX | CHM 400 | ?–c2022 | T | 400 | B&W | Print | General purpose, panchromatic film similar to Kentmere 400 | UK | 135 | Kentmere 400 |

## FOTON

FOTON was the brand name of Warszawskie Zaklady Fototechniczne (Warsaw Phototechnical works) a Polish state owned enterprise established in 1949 in Warsaw producing photographic film. The company was established in a surviving building from the former Jozef Franaszek works on Ul. Wolska (Wolska Street) which had produced photographic and other specialised paper. The Franaszek works was burnt out in the Wola massacre in 1944 during the Warsaw Uprising.
The company manufactured X-ray and black and white cinema film, still camera film (from 1950) and microfilm. At the end of the 1950s, FOTONKOLOR cinematographic positive film for making screen copies was launched and for a brief period colour negative film produced in the 1960s until a decision for the GDR (ORWO) to supply colour film in Comecon countries. Black and white papers and plates and photochemicals and later colour photographic papers under the FOTON brand were produced by a sister company at Bydgoskie Photochemical works dating from 1925 also in Warsaw at Ul. Garbary 3 (from 1970s at Ul. Piękna 13). In 1969 FOTON signed a licensing agreement with Ilford for the production of X-ray and photographic film, however various delays meant the new production line was not opened until the late 70s. FOTON ceased producing film in the 1990s. The buildings were taken over by FOTON Trading Sp. z o.o. and now they serve for commercial activity. Bydgoskie Photochemical works was acquired by Foma Bohemia in 1997 but due to decline of the traditional film market was declared bankrupt in 2007.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| WZF | | c1950–1955 | T | 40 | B&W | Print | Fine grain orthopanchromatic film. The first film produced by Warszawskie Zaklady Fototechniczne. The trade names Foton or Fotopan had yet to be adopted. White packaging | Poland | 120 | Fotopan |
| FOTON | Fotopan | c1955–1958 | T | 40 | B&W | Print | Fine grain orthopanchromatic film. Green packaging | Poland | 120 | Fotopan F |
| FOTON | Fotopan F | c1958–1974 | T | 50 | B&W | Print | Fine-grained, orthopanchromatic, with anti-halation coating for amateur and professional photography in daylight and artificial light. Green packaging. 135 format was sold as Type 1, film in black wrapper (darkroom loading), Type 3 on a spool with paper leader (loading in dim light) and Type 4 in a film cartridge (daylight loading) | Poland | 135, 120, 127, 620 | Fotopan FF |
| FOTON | Fotopan FF | c1974–mid 80s | T | 50 | B&W | Print | Panchromatic film. ISO 50 in daylight, 40 in tungsten. Green on white packaging. | Poland | 135, 120, 635 | Fotopan FL |
| FOTON | Fotopan FL | mid 80s–1990s | T | 50 | B&W | Print | Panchromatic film. Blue on white packaging but often packaged in the older Fotopan FF box with 'FL' stamped across due to a shortage of new materials | Poland | 135, 120 | Nothing |
| FOTON | Fotopan Super /S | c1958–mid 70s | T | 100* | B&W | Print | Highly sensitive, orthopanchromatic, with anti-halation coating for photos in low daylight and artificial light. *ISO 100 later 125. Yellow packaging. 135 format was sold as Types 1, 3, 4 as Fotopan F | Poland | 135, 120 | Negatyw NB01 |
| FOTON | Negatyw NB01 | c1983–? | T | 100 | B&W | Print | General purpose Panchromatic film for amateur, professional, artistic and scientific photography. Blue on white packaging | Poland | 135, 120, 127, 620, 635 | Foton 100 |
| FOTON | 100 | 1989–late 90s | T | 100 | B&W | Print | General purpose panchromatic film from the Bydgoskie works. Final film sold under the FOTON brand. | Poland | 120, 135 | Nothing |
| FOTON | Fotopan Ultra /U | mid 50s–early 70s | T | 200 | B&W | Print | Superpanchromatic emulsions with the highest sensitivity for night and reporter photos. Orange packaging | Poland | 135, 120 | Fotopan SR / N200 |
| FOTON | Fotopan N200 | early 70s–? | T | 200 | B&W | Print | Superpanchromatic emulsion. In the 1970s FOTON received a large export order for a 200 speed film developed from Fotopan U and sold the surplus under its own brand as N200. black/orange packaging | Poland | 135 | Fotopan SR |
| FOTON | Fotopan SR | early 70s–80s | T | 200 | B&W | Print | Superpanchromatic successor to Fotopan U with improved emulsion. | Poland | 135, 120 | Nothing |
| FOTON | Negatyw NB04 | c1983–? | T | 200 | B&W | Print | General purpose panchromatic film for use in amateur, professional, artistic and scientific photography. Red on white packaging | Poland | 135, 120, 127, 620, 635 | Nothing |
| FOTON | Fotopan CD | early 70s–c1979 | T | 400 | B&W | Print | Panchromatic film, manufactured to early 90s. Brown on white packing | Poland | 135, 120 | Fotopan HL |
| FOTON | Fotopan HL | c1979–1990s | T | 400 | B&W | Print | High speed panchromatic film, manufactured under licence from Ilford, based on HP4 film. Brown on white packing, later green on black | Poland | 135, 120 | Nothing |
| FOTON | Mikrofilm Negatyw | ?–? | T | ? | B&W | Print | Fine-grain, ortho film for line reproduction of documents, prints and drawings. | Poland | 135 | Nothing |

### Colour film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| FOTON | Fotoncolor NS | c1960–late 60s | T | 32/50 | ? | Print | Negative daylight color film, speed initially ISO 32 later increased to ISO 50. Prices were cut by 25% in 1963 from 20zl to 15zl for a 120 roll film. The film was discontinued due to a decision for the GDR (ORWO) to supply colour film in COMECON countries. The colour coating plant was moved to the Bydgoskie works and used to produce colour photographic papers. | Poland | 120, 127, 135, Sheet film | Fotopan |

## Fuda

Xiamen Fuda Photographic Materials or Fuda was a Chinese manufacturer of photographic material based in Shanghai, China. In 1984, Kodak helped Fuda build their color film production line with color film being produced under license from Kodak. Kodak China acquired their assets in 1998.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| FUDA | Fudapan | ?–? | T | 100 | B&W | Print | Traditional B&W film | China | 120 | Nothing |

### Colour negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| FUDA | Color 100 | c1984–c1990 | T | 100 | C-41 | Print | Consumer color film | China | 135 | Nothing |
| FUDA | Color GA 100 | c1990–? | T | 100 | C-41 | Print | Consumer color film | China | 135 | Nothing |

## Fujifilm

FUJIFILM is a Japanese manufacturer of photographic films, papers and cameras established in 1934. Fujifilm stopped making traditional black and white films and photographic papers in 2018 but in 2019 announced a return to black and white film. They also produce a range of traditional color negative and reversal films (and associated photographic papers and photochemicals) as well as instant film. See Fujifilm photographic films and List of photographic films. Historically, however, they were one of the major producers of colour negative and slide films producing a wide range of own brand professional and consumer films in competition with Kodak and Agfa-Gevaert. (The other main colour film producers; Konica and 3M Ferrania specialising in 'white label' consumer product). The film range is divided into black and white film Neopan, Color negative film Fujicolor and Colour slide film Fujichrome together with instant 'pack film'. They also undertook contract manufacture for AGFA PHOTO colour negative/slide films from c2008-2018.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| FUJIFILM | Neopan 100 SS | ?–2012 | T | 100 | B&W | Print | General purpose classical cubic-crystal ortho-panchromatic film with wide exposure latitude. Asia and selected markets only (Parallel import elsewhere) | Japan | 135 | ACROS 100 |
| FUJIFILM | Neopan ACROS 100 | ?–Apr 2018 | T/P | 100 | B&W | Print | Fine grain ortho-panchromatic 'T' grain film noted for its low rate of reciprocity failure making it ideal for long exposures. 135, 120 (T base), 4x5", 8x10" (P base). Sheet film was discontinued May 17. 135 and 120 formats were discontinued in April 2018. 120 format was sold out by June 2018, while 135 format remained on sale until Jan-May 2019 (Varies by market). As Fujifilm's final Black and white process film – Fujifilm black and white papers were discontinued in Japan at the same time. | Japan | 135, 120, ”4x5”, 8”x10” | ACROS II |
| FUJIFILM | Neopan 400 Professional | 1978–2014 | T | 400 | B&W | Print | Professional general purpose monosize cubic-crystal grain panchromatic film. Called 'Presto' in Japan. | Japan | 135, 120 | Nothing |
| FUJIFILM | Neopan 1600 Professional | ?–2010 | T | 1600 | B&W | Print | Professional high speed panchromatic film with E.I. 1600 for sports, journalism, stage shows and low light situations. Called 'Super Presto' in Japan. Same development time as Neopan 400. | Japan | 135 | Nothing |
| FUJIFILM | Neopan 400CN | 2003–2020 | T | 400 | C-41 | Print | General purpose C-41 process chromogenic black and white film. Ilford were Fuji's partners for this film which has therefore similar characteristics to Ilford XP2 plus. UK market only. Discontinued in 2020. | UK | 135–36, 120 (UK only) | Nothing |

### Color negative film

* 200 ISO (135)
* 100 ISO HR 1983
* 400 ISO HR 1983
* 1600 ISO HR 1984
* 100 ISO Super HR CN 135/120 (Practical photography July 1989)
* 200 ISO Super HR CA 120
* 400 ISO Super HR CH 135/120
* 1600 ISO Super HR CU 120
* 200 ISO Super HQ (135)
* 200 ISO Super HG II (135) 4th color-sensitive emulsion layer; Captures true color even under fluorescent lights; Two-Stage Timing DIR Couplers improve color brilliance; Enhance edges for outstanding sharpness
* 400 ISO Super HG c1991 on (DIRR couplers, sigma crystal emulsion)
* 1600 ISO Super HG (135) 135-36
* 100 ISO Super G (110) ?–1995
* 100 ISO Super G Plus (135) 1995–2000 "Plus films" = "RT (Real-Tone) Technology" controls the interlayer (color saturation enhancing) effect to produce natural, fine textured skin tones and "ELS (Emulsion Layer Stabilizing) Technology." film stabilser to maintain control the more than 100 organic chemical compounds found in the Super G Plus films
* 200 ISO Super G plus (110, 135) 1995–2000
* 400 ISO Super G plus (135, 120) 1995–2000
* 800 ISO Super G Plus CZ (135) 1995–2000
* 100 ISO Quality (135) (Brazil)
* 100 ISO Quality II (135) (Brazil)
* C100 ISO Basic color film
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Consumer films |||||||||||
| FUJIFILM | Fujicolor Superia Reala | 1989–2013 | T | 100 | C-41 | Print | A premium ISO 100-speed emulsion delivering exceptional color accuracy. The finest, smoothest grain and the best sharpness of all Superia films. First 4th layer technology film for improved colors (no greenish cast) under fluorescent lighting later extended to fujifilm Superia and Pro color negative films (CS). Last available in 120 format | Japan | 135, 120, 220 | Nothing |
| FUJIFILM | Fujicolor Superia 100 | 1998–2009? | T | 100 | C-41 | Print | General purpose consumer color film using 4th layer technology (CN). | Japan | 135, 120 | Fujicolor 100 (Japan only) |
| FUJIFILM | FujiColor C200 | c1990–2021 | T | 200 | C-41 | Print | General purpose budget color film updated 2017 with super fine grain technology. No official discontinuation announcement but now replaced by 'Fujifilm 200' in new packaging Multipacks and 24 exp rolls discontinued 2017. (Code CA24). Discontinued US market from 2021 and Europe 2022 on. | Japan | 135-36 | Fujifilm 200 |
| FUJIFILM | Fujicolor Superia 200 | 1998–2017 | T | 200 | C-41 | Print | General purpose consumer color film using 4th layer technology (CA). Along with the iso 400 variant, the unbiquitous consumer film of the late 90s/early 2000s competing with Kodacolor Gold 200/400. On discontinuation older tech Fujifilm C200 advised as alternative. | Japan | 135 | Fujicolor C200 |
| FUJIFILM | Fujicolor 400 (Fujicolor F-II 400 prior 1980) | 1976–2017 | T | 400 | C-41 | Print | World first 400 ASA film. Announced at Photokina 1976. Renamed Fujicolor 400 in 1980. General purpose color film sold in 24 or 36 exp packs. Sold in plain white box to companies. Available in 100 pack. Also sold individually by retailers as a budget film. Discontinued 2017. (Edge markings same as Superia X-tra 400). Parallel import elsewhere | Japan | 135 |
| FUJIFILM | Fujicolor Superia 400 | 1998?–c2003 | T | 400 | C-41 | Print | General purpose consumer color film. Replaced by X-tra 400 with sigma fine grain technology from Pro films. | Japan | 135 | Superia X-tra 400 |
| FUJIFILM | Fujicolor True Definition 400 | c2004–? | T | 400 | C-41 | Print | General purpose consumer color film using 4th layer technology, US market only. More natural colors than Superia 400 (CH-11) | Japan | 135 | Superia X-tra 400 |
| FUJIFILM | FujiColor Superia X-tra 400 | 2003–2024 | T | 400 | C-41 | Print | 'All conditions' consumer color film updated 2011, with improved shelf life and super uniform fine grain technology. (Originally with a 4th cyan color layer for improved colors under fluorescent lighting, omitted in recent revisions) (code CH23). Discontinued SKU; 120 in 2013; 135 x3 (except Japan/US) and 24 exp rolls in 2017. 135 in 2024 | Japan | 135-36 | Fujifilm 400 |
| FUJIFILM | Fujicolor Superia X-tra 800 | 2000–2016 | T | 800 | C-41 | Print | General purpose consumer color film using 4th layer & sigma fine grain technology (CZ). Superia 800 branded stock discontinued 2016 outside Japan with final stock dated exp. 8/18. Japanese market version, Venus 800 remained on sale for a further 3 years. | Japan | 135-36 | Venus 800 (Japan) |
| FUJIFILM | FujiColor Superia Venus 800 | ?–May 2019 | T | 800 | C-41 | Print | High speed consumer color film using 4th layer and nano grain technology aimed at zoom lens compact cameras. Superia X-tra 800 discontinued 2016 outside Japan. Venus 800 Japanese market variant, parallel import elsewhere. Discontinuation in Japan announced May 2019. European retailers also reported parallel imports have stopped. Stock in Japan lasted until Spring 2020. The 800 iso waterproof camera was discontinued at the same time. | Japan | 135-27 /36 | Nothing |
| FUJIFILM | Fujicolor Superia 1600/ Natura 1600 | 2003–2017 | T | 1600 | C-41 | Print | General purpose high speed color film using 4th layer & sigma fine grain technology (CU). Superia 1600 discontinued 2016 outside Japan, with final stock dated exp. 8/18. Natura 1600 the Japanese market version continued on sale, parallel import elsewhere. Natura discontinued Oct 2017, stock lasted on sale to mid 2018. | Japan | 135-36 | Nothing |
| Professional films |||||||||||
| FUJIFILM | Fujicolor Press 400 | ?–? | T | 400 | C-41 | Print | Professional version of Superia 400 (cold stored) | Japan | 135 | Nothing |
| FUJIFILM | Fujicolor Press 800 | ?–c2008 | T | 800 | C-41 | Print | Professional version of Superia 800 (cold stored). Last batch exp. 2009 | Japan | 135 | Nothing |
| FUJIFILM | FujiColor Press 1600 | ?–? | T | 800 | C-41 | Print | Professional version of Superia 1600 (cold stored) | Japan | 135 | Nothing |
| FUJIFILM | FujiColor NPL 160 | ?–2004 | T | 160 | C-41 | Print | Professional Tungsten balanced color film primarily for studio portraits and copying, suitable for 'L'ong exposures. Not carried forward into Pro line | Japan | 135, 120, 220 | Nothing |
| FUJIFILM | FujiColor NPC 160 | ?–2004 | T | 160 | C-41 | Print | Daylight-type color negative film designed for professional use, higher 'C'ontrast than NPS' | Japan | 135, 120, 220 | Pro 160C |
| FUJIFILM | FujiColor NPS 160 | ?–2004 | T/P | 160 | C-41 | Print | Daylight-type color negative film for 'S'hort exposures designed for professional use. 120, 220 (T base), 4x5", 8x10"(P base) | Japan | 120, 220, sheet film | Pro 160S |
| FUJIFILM | Fujicolor Pro 160C | 2004–2010 | T | 160 | C-41 | Print | Daylight-type colour negative film with 4th color layer & sigma fine grain technology designed for professional use, featuring a gradation design optimized for exposures requiring high-contrast results. | Japan | 135, 120, 220 | Nothing |
| FUJIFILM | Fujicolor Pro 160S | 2004–2010 | T/P | 160 | C-41 | Print | Daylight balanced natural color professional film with 4th color layer & sigma fine grain technology, featuring more highly optimized skin tone reproduction and neutral gray balance, especially important for wedding and portrait photography. Renamed Pro 160NS in 2010. 120, 220 (T base), 4x5", 8x10"(P base) | Japan | 135, 120, 220, Sheet film | Pro 160 NS |
| FUJIFILM | Fujicolor Pro 160NS | 2010–2021 (To 2017 UK, 2018 rEU) | T | 160 | C-41 | Print | Professional color film with 4th color layer offering fine grain, low contrast and natural skin tones for weddings, portraits, fashion. Europe, Asia and Australia markets, renamed from 160S. Discontinued; 220, sheet film (2016), 120 (UK late 2017, rest of Europe late 2018) and Japan October 2021, which ended the Fujicolor Pro range of colour negative films, predicted end of supply March 2022 but sold out almost immediately in Japan. | Japan | 120, Sheet film | Nothing |
| FUJIFILM | FujiColor NPH 400 | 2002–2004 | T | 400 | C-41 | Print | Professional fine-grained 400 speed film now features improved skin tones, much more accurate color reproduction, better shadow detail, and wider exposure latitude. It features Fuji's new peel and stick paper backing. Renamed in 2004 Pro 400H with no change to the emulsion. | Japan | 135, 120, 220 | Pro 400H |
| FUJIFILM | Fujicolor Pro 400H | 2004-2021 | T | 400 | C-41 | Print | Professional color film with 4th color layer offering fine grain, low contrast and natural skin tones for weddings, portraits, fashion, renamed from NPH400 at launch of the Pro 160S/C emulsions. Discontinued; 220 format in 2013, end of 135 and 120 formats in all markets was announced 14 January 2021 due to difficulty sourcing some raw materials. End of supply; (135 format) immediate, (120 format) March 2022, later brought forward to June 21 in Japan due to demand, final stock remained on sale in Europe to Summer 2022. | Japan | 135–36, 120 | Nothing |
| FUJIFILM | FujiColor NPZ 800 | 2002–2004 | T | 800 | C-41 | Print | Professional fine-grained 800 speed film now features improved skin tones, much more accurate color reproduction, better shadow detail, and wider exposure latitude. It features Fuji's new peel and stick paper backing. Renamed in 2004 Pro 800Z with no change to the emulsion. | Japan | 135, 120, 220 | Pro 800Z |
| FUJIFILM | Fujicolor Pro 800Z | 2004–2009 | T | 800 | C-41 | Print | Fine grain high speed natural color professional film for Weddings, portraits, fashion with 4th color layer, Renamed from NPZ 800 to bring it into line with the new 160 line of films | Japan | 135, 120, 220 | Nothing |

### Colour reversal (slide) film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| FUJIFILM | FujiChrome Velvia RVP | 1990–2005 | T | 50 | E-6 | Slide | Velvia for Professionals (RVP). Professional-quality, medium-speed, daylight-type color reversal film with high sharpness, highly saturated colors, and fine grain for landscapes, marine and product photography. Sheet film 4x5, 8x10 | Japan | 135, 120, 220, Sheet film | Velvia RVP50 |
| FUJIFILM | FujiChrome Velvia 100F | 2002–2021 (To 2012 Eur. NOAM) | T/P | 100 | E-6 | Slide | Professional-quality, medium-speed, daylight-type color reversal film with ultrafine grain, designed to produce high-contrast images with the highest color saturation among 100F series films for landscape, nature, commercial, food, and interior applications (RVP100F). Sheet film 4x5, 8x10. All formats discontinued 2012 outside Japan, Discontinued in Japan; 120 (2015) Sheet film; 4x5, 8x10 remained on sale until 2021. | Japan | 135, 120, 220, Sheet film | Nothing |
| FUJIFILM | FujiChrome Astia 100 | 1997–2003 | T/P | 100 | E-6 | Slide | Professional-quality, medium-speed, daylight-type color reversal film with ultrafine grain, subdued color reproduction and the softest tone reproduction among the 100 ISO films. Portrait/fashion orientated film with soft tones and lower contrast (RAP100). Sheet film 4x5, 8x10 | Japan | 135, 120, 220, Sheet film | Astia 100F |
| FUJIFILM | FujiChrome Astia 100F | 2003–2012 | T/P | 100 | E-6 | Slide | Professional-quality, medium-speed, daylight-type color reversal film with ultrafine grain, subdued color reproduction and the softest tone reproduction among the 100F films. Portrait/fashion orientated film with soft tones and lower contrast (RAP100F). Sheet film 4x5, 8x10 | Japan | 135, 120, 220, Sheet film | Nothing |
| FUJIFILM | FujiChrome Fortia/Fortia SP | 2004–2007 | T | 50 | E-6 | Slide | A Japan only ultra high saturation slide film released for the cherry blossom season, possibly a variant of Velvia 50. Initially released a limited run in 2004 as Fortia, following by Fortia SP (2005–07) | Japan | 135, 120 | Nothing |
| FUJIFILM | FujiChrome 100 Professional D | 1978–1994 | T | 100 | E-6 | Slide | Professional-quality, medium-speed, daylight-type color reversal film with ultrafine grain, designed to provide medium color saturation and contrast (RDP). | Japan | 135, 120 | Provia 100 |
| FUJIFILM | FujiChrome Provia 100 | 1994–2000 | T | 100 | E-6 | Slide | Professional-quality, medium-speed, daylight-type color reversal film with ultrafine grain, designed to provide medium color saturation and contrast (RDPII). | Japan | 135, 120 | Provia 100F |
| FUJIFILM | FujiChrome 400 Professional D | 1980–1994 | T | 400 | E-6 | Slide | Professional-quality, high-speed, daylight-type color reversal film with the finest grain in its class and highly saturated colors (RHP). Suited to such uses as sports photography, reportage, and stage show coverage. Emulsion changes were made in 1992. | Japan | 135, 120 | Provia 400 |
| FUJIFILM | FujiChrome Provia 400 | 1994–2000 | T | 400 | E-6 | Slide | Professional-quality, high-speed, daylight-type color reversal film with the finest grain in its class and highly saturated colors (RHPII). Suited to such uses as sports photography, reportage, and stage show coverage | Japan | 135, 120 | Provia 400F |
| FUJIFILM | FujiChrome Provia 400F | 2000–2006 | T | 400 | E-6 | Slide | Professional-quality, high-speed, daylight-type color reversal film with the finest grain in its class and highly saturated colors (RHPIII). Suited to such uses as sports photography, reportage, and stage show coverage | Japan | 135, 120 | Provia 400X |
| FUJIFILM | FujiChrome Provia 400X | 2006–2013 | T | 400 | E-6 | Slide | Professional-quality, daylight-type ISO 400 color reversal film, fine grain (Epitaxial Sigma Crystal technology) and sharpness, vivid color reproduction and regulated gray balance to match Provia 100F with improved colour image storage permanence (RXP) | Japan | 135, 120 | Nothing |
| FUJIFILM | FujiChrome 1600 Professional D | ?–1994 | T | 1600 | E-6 | Slide | Highly suited for low light photography, this film is appropriate to indoor and nighttime sports as well as nightfall illuminated and available light photography (RSP) | Japan | 135 | Provia 1600 |
| FUJIFILM | FujiChrome Provia 1600 | 1994–2000 | T | 1600 | E-6 | Slide | Highly suited for low light photography, this film is appropriate to indoor and nighttime sports as well as nightfall illuminated and available light photography (RSPII) | Japan | 135 | Nothing |
| FUJIFILM | FujiChrome 64 Professional Type T | 1979–1999 | T/P | 64 | E-6 | Slide | Professional-quality, medium-speed, tungsten-type color reversal film with natural color reproduction for product photography, interiors and for reproducing illustrations and paintings (RTP). Emulsion changed in 1983 and name changed to FujiChrome Professional T. Emulsion changed again in 1987 | Japan | 135, 120, Sheet film | FujiChrome 64T |
| FUJIFILM | FujiChrome 64T | 1999–2005 | T/P | 64 | E-6 | Slide | Professional-quality, medium-speed, tungsten-type color reversal film with natural color reproduction for product photography, interiors and for reproducing illustrations and paintings (RTPII). | Japan | 135, 120, Sheet film | FujiChrome T64 |
| FUJIFILM | FujiChrome T64 | 2005–? | T/P | 64 | E-6 | Slide | Professional-quality, medium-speed, tungsten-type color reversal film with natural color reproduction for product photography, interiors and for reproducing illustrations and paintings (RTPIII?). Sheet film 4x5, 8x10 | Japan | 135, 120, Sheet film | Nothing |
| FUJIFILM | FujiChrome Sensia 100 | 1994–1997 | T | 100 | E-6 | Slide | General purpose consumer, daylight-type color reversal film with faithful color reproduction and fine grain (RA) | Japan | 135 | FujiChrome Sensia II 100 |
| FUJIFILM | FujiChrome Sensia II 100 | 1997–2003 | T | 100 | E-6 | Slide | General purpose consumer, daylight-type color reversal film with faithful color reproduction and fine grain (RAII) | Japan | 135 | FujiChrome Sensia III 100 |
| FUJIFILM | FujiChrome Sensia III 100 | 2003–2011 | T | 100 | E-6 | Slide | General purpose consumer, daylight-type color reversal film with faithful color reproduction and fine grain (RAIII). | Japan | 135 | Nothing |
| FUJIFILM | FujiChrome Sensia 200 | 1994–2010 | T | 200 | E-6 | Slide | General purpose consumer, daylight-type color reversal film with faithful color reproduction and fine grain (RM). | Japan | 135 | Nothing |
| FUJIFILM | FujiChrome Sensia 400 | 1994–2010 | T | 400 | E-6 | Slide | Multi-use, high-speed, daylight-type color reversal film providing fine grain and vibrant color reproduction in spite of its high speed for sports, portraiture, nighttime photography, astrophotography, portraiture, and snapshots (RH). | Japan | 135 | Nothing |
| FUJIFILM | FujiChrome MS 100/1000 | ?–? | T | 100/ 1000 | E-6 | Slide | Variable ISO Slide Film. | Japan | 135, 120 | Nothing |

### Instant film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| FUJIFILM | Instant Color Film FP-100C/FP-100C Silk | 2003–2016 | T | 100 | Instant | Print | Professional peel-apart type ISO 100 instant color film for daylight / electronic flash suited for identification, portraiture and other general imaging applications. 10-exposure packs. Gloss or Silk finish. Traditionally used with medium format camera instant backs for studio test shots but high volumes also used for visas and other identity documents. Discontinuation of pack film in 2016 made a large amount of camera equipment redundant. Photosize 85x108mm & 102x131mm. | Japan | 3.25x4.25", 5x4" | Nothing |
| FUJIFILM | Instant Black & White Film FP-3000B Super Speedy | 2003–2013 | T | 3000 | Instant | Print | Professional peel-apart panchromatic material suited for identification, portraiture and other general imaging applications. 10 exposure packs. Photosize 85x108mm and 102x131mm | Japan | 3.25×4.25", 4×5" | Nothing |

## Gevaert

Gevaert manufactured photographic films before the merger with Agfa.
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Gevaert | Gevapan 27 | ?–? | T | 40 | B&W | Print | Traditional B&W film | Belgium | 135, 120 | Nothing |
| Gevaert | Gevapan 30 | ?–? | T | 80 | B&W | Print | Traditional B&W film | Belgium | 135, 120 | Nothing |
| Gevaert | Gevapan 33 | ?–? | T | 160 | B&W | Print | Traditional B&W film | Belgium | 135, 120 | Nothing |
| Gevaert | Gevapan 36 | ?–? | T | 320 | B&W | Print | Traditional B&W film | Belgium | 135, 120 | Nothing |
| Gevaert | Gevacolor N5 | ?–? | T | 25 / 40 | Gevacolor | Print | General purpose color negative unmasked film balanced for daylight. Speed later increased to ASA 40. | Belgium | 135-20, 120, 620 | Nothing |
| Gevaert | Gevacolor N5 Mask | ?–? | T | 40 | Gevacolor | Print | General purpose color negative masked film balanced for daylight. | Belgium | 135-20, 120, 620, sheet film | Nothing |
| Gevaert | Gevacolor N3 | ?–? | T | 16 / 20 | Gevacolor | Print | Negative studio film balanced for artificial light. Unmasked. Speed later increased to ASA 20. | Belgium | sheet film | Nothing |
| Gevaert | Gevacolor R5 | ?–? | T | 12 / 25 / 50 | Gevacolor | Slide | General purpose color reversal film balanced for daylight. Speed later increased to ASA 25 and then again to ASA 50. | Belgium | 135-20, 120, 620 | Nothing |
| Gevaert | Gevacolor R3 | ?–? | T | 12 | Gevacolor | Slide | Reversal studio film balanced for artificial light. Most likely discontinued in the 50's. | Belgium | sheet film | Nothing |

## Gigabit

* Type: Black and white
* Speed: ISO 40, DIN 17°
* Available formats: 35 mm
* Granularity: Extremely fine
* Resolving power: Extremely high
* History: said to be Agfa Copex micrography film, sold with special low-contrast developer to increase dynamic range
* Primary usage: General black-and-white photography, with scanning in mind
* General characteristics: PET base for better film flatness, strong contrast and low exposure tolerance, fine grain not much subject to grain aliasing in usual resolution scans
* Discontinued

## Herzog

Johannes Herzog & Co. was a German manufacturer of photographic materials: since 1988 dry plates ("Sonja EW"), B&W films (1901–1964), 1929 "Duxochrom" (sold in USA as "Colorstil“) and Roentgen X-ray films

## Ilford

Ilford is a UK manufacturer of photographic materials based in Mobberley, Cheshire known worldwide for its black and white films, papers and chemicals. Following bankruptcy in 2004 it was rescued in a management buy out and is now a brand of Harman Technology Ltd trading as Ilford Photo. Discontinued film versions include:

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| ILFORD | Pan F | ?–? | ? | 50 | B&W | Print | Fine grain Panchromatic | UK | ? | Pan F Plus |
| ILFORD | FP | 1934–1939 | ? | 40 | B&W | Print | General purpose panchromatic film. | UK | ? | FP2 |
| ILFORD | FP2 | 1939–1942 | ? | 40 | B&W | Print | General purpose panchromatic film. | UK | ? | FP3 |
| ILFORD | FP3 | 1942–1968 | ? | 64/125 | B&W | Print | General purpose panchromatic film. Originally 64 ASA, changed to 125 ASA in 1960. | UK | ? | FP4 |
| ILFORD | FP4 | 1968–1990 | ? | 125 | B&W | Print | General purpose panchromatic film. | UK | ? | FP4 Plus |
| ILFORD | HP | 1935–1939 | ? | 100 | B&W | Print | High speed traditional panchromatic emulsion. | UK | ? | HP2 |
| ILFORD | HP2 | 1939–1941 | ? | 100 | B&W | Print | High speed traditional panchromatic film. This film was essentially the same as HP3. The difference in specified sensitivity reflects a safety factor that the manufacturer deemed necessary before general availability of exposure meters. | UK | ? | HP3 |
| ILFORD | HP3 | 1941–1969 | ? | 200/400 | B&W | Print | High speed traditional panchromatic film. Between 1965 and 1969 it appears that both HP3 and HP4 were available. The Ilford HP page contains conflicting information about the sensitivity. | UK | 5x4-inch glass plate | HP4 |
| ILFORD | HP4 | 1965–1976 | ? | 400 | B&W | Print | High speed traditional panchromatic film. | UK | 120, 135 | HP5 |
| ILFORD | HP5 | 1976–1989 (?) | ? | 400 | B&W | Print | High speed traditional panchromatic film. The discontinued date of this film was well into the late 1990s. | UK | 120, 135 | HP5 Plus |
| ILFORD | HPS | 1954–1998 | ? | 800 | B&W | Print | Very high speed traditional panchromatic film. The Ilford HP page has conflicting information about the sensitivity | UK | ? | Ilford Delta 3200 |
| ILFORD | Mark V | ?–? | ? | ? | B&W | Print | Origin uncertain, possibly motion picture stock | UK | ? | Nothing |
| ILFORD | XP-1 | 1981–1993 | T | 400 | C-41 | Print | As a chromogenic film, XP-1 it can be exposed with an exposure index from ISO 50/18° to 800/30° on a single roll and be developed in traditional C-41 processing. | UK | 120, 135 | XP-2 |
| ILFORD | XP-2 | 1991–1996 | T | 400 | C-41 | Print | As a chromogenic film, XP-2 it can be exposed with an exposure index from ISO 50/18° to 800/30° on a single roll and be developed in traditional C-41 processing. | UK | 120, 135 | XP-2 PLUS |

### Colour negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| ILFORD | Ilfocolor 100 | c1983–? | T | 100 | C-41 | Print | General purpose colour negative film, manufactured by Konica according to Ilford specification. | UK, Japan | 135 | Ilfocolor HR 100 |
| ILFORD | Ilfocolor 400 | c1983–? | T | 400 | C-41 | Print | General purpose colour negative film, manufactured by Konica according to Ilford specification. | UK, Japan | 135 | Ilfocolor HR 400 |
| ILFORD | Ilfocolor HR 100 | c1985–? | T | 100 | C-41 | Print | General purpose colour negative film, manufactured by Konica according to Ilford specification. | UK, Japan | 135 | Super HR 100 |
| ILFORD | Ilfocolor HR Disc | c1985–? | T | 200 | C-41 | Print | General purpose colour negative film, manufactured by Konica according to Ilford specification. | UK, Japan | Disc | ? |
| ILFORD | Ilfocolor HR 200 | c1985–? | T | 200 | C-41 | Print | General purpose colour negative film, manufactured by Konica according to Ilford specification. | UK, Japan | 135 | ? |
| ILFORD | Ilfocolor HR 400 | c1985–? | T | 400 | C-41 | Print | General purpose colour negative film, manufactured by Konica according to Ilford specification. | UK, Japan | 135 | ? |
| ILFORD | Ilfocolor Super HR | 1985–1988 | T | 100 | C-41 | Print | General purpose colour negative, repackaged Agfacolor XR | UK | 135 | Nothing |

### Colour reversal film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| ILFORD | Ilfochrome 50 | c1985–? | T | 50 | E-6 | Slide | General purpose colour reversal film, repackaged Agfachrome stock. | UK, Germany | 135 | ? |
| ILFORD | Ilfochrome 100 | c1985–? | T | 100 | E-6 | Slide | General purpose colour reversal film, originally manufactured by Konica, later replaced with Agfachrome stock. | UK, Japan, Germany | 135 | ? |
| ILFORD | Ilfochrome 200 | c1985–? | T | 200 | E-6 | Slide | General purpose colour reversal film, repackaged Agfachrome stock. | UK, Germany | 135 | ? |
| ILFORD | Ilfochrome 1000 | c1985–? | T | 1000 | E-6 | Slide | General purpose colour reversal film, repackaged Agfachrome stock. | UK, Germany | 135 | ? |

## Kodak

Eastman Kodak was founded in 1888. During most of the 20th century, Kodak held a dominant position in photographic film. However Kodak struggled to manage the transition to digital photography and filed for Chapter 11 bankruptcy in 2012. Whilst Kodak films for still cameras continue to be manufactured by Eastman Kodak in Rochester, New York, US since its Chapter 11 bankruptcy they are now sold and marketed by Kodak Alaris, a separate company controlled by the Kodak UK Pension fund based in Hertfordshire, UK.
See web page taphilo.com for a list of Kodak film number to film type.

### Black and white film

* Kodak Verichrome Pan 620 Fast Panchromatic Film (Expired July 1957)
* Kodak Super-XX Panchromatic High Speed 120 Film (Expired December 1939)
* Kodak Panatomic-X 35mm Film (Expire July 1944)
* Kodak Academy 200
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Kodak | Verichrome Safety Film | 1931–1956 | T | ? | B&W | Print | Orthochromatic B&W film. WRATTEN & WAINWRIGHT VERICHROME was introduced around 1907/8 offering greater spectral sensitivity and speed compared to contemporary emulsions of the time. The company was bought by KODAK in 1912. In 1931 KODAK released the film on a safety base as a Roll film, with greater latitude and finer grain than the KODAK NC (Non-Curling) Film that had been the standard since 1903. Replaced by Kodak Verichrome Pan (Panchromatic) film in 1956. | US | 101, 103, 105, 116, 118, 120, 122, 124, 126 (roll film), 127, 130, 616, 620 | Kodak Verichrome Pan |
| Kodak | Panatomic-X | 1933–1987 | T | 32/40 | B&W | Print | Very fine grain general purpose film Speed: 32 ASA (Kodak Publication No. R-20, 3rd Edition, 1967), 40 ASA/17° DIN (Kodak publication FF1062, 1965), 40 ASA (Kodak Publication No. F-13, 2nd Edition, 1965) | US | 120, 127, 135, 828 | TMAX 100 Was also available in 120 format. |
| Kodak | Super-XX | 1940–1992 | T | 200 | B&W | Print | Kodak's standard high-speed film from 1940 to 1954, when Tri-X was introduced in smaller formats. Discontinued before 1960 in roll-film formats, but sheet film was available until 1992. Originally 100, later 200 iso when safety factor was reduced in 1960. Relatively coarse grain. Very long, almost perfectly straight-line characteristic curve, great latitude made it ideal for variable developments, both longer and shorter, water-bath development, special compensating formulas. | US | Sheet film, 116, 118, 120, 122, 124, 127, 130, 616, 620 | Tri-X |
| Kodak | Plus-X Pan | 1954–2011 | T | 125 | B&W | Print | Plus X Pan (PX) and PLUS-X Pan Professional (PXP) films are general purpose medium-speed panchromatic films for outdoor or studio photography with extremely fine grain and excellent sharpness. (Originally ASA 50 later ISO 125). PX in 135 format and (PXP) 120, 220 formats with a retouching surface on the emulsion side. | US | 135, 120, 220 | Nothing |
| Kodak | Verichrome Pan | 1956–2002 | T | 80/125 | B&W | Print | General purpose medium-speed (EI 125) panchromatic film that features extremely fine grain with excellent gradation and wide exposure latitude. (Early 620: EI 80 Daylight, 60 Tungsten) . This film has characteristics similar to those of KODAK PLUS-X Pan Professional Film, but does not have retouching surfaces. Also 8" x 5 feet format for Cirkut cameras. 122 discontinued in 1971, 116 and 616 discontinued in 1984. | US | 110, 116, 616, 118, 120, 620, 122, 124, 126 (cartridge), 127, 130, 828 | Nothing |
| Kodak | Royal-X Pan | 1956–c1987 | T | 1250 | B&W | Print | Royal-X Pan (RX) is ultra high-speed print film for low light situations that had coarse grain. Due to its coarse-grain it was only sold as medium format and large format film. | US | 120, 620, sheet film | Nothing |
| Kodak | EKTAPAN | ?–2002 | T | 100 | B&W | Print | Very Fine grain film for portraiture and close-up work with electronic flash, and for commercial, industrial, and scientific applications. Formats: 4"x5", 5"x7", 8"x10", and 11"x14" sheets, long rolls | US | Sheet film | Nothing |
| Kodak | Technical Pan | c1984–2004 | T/P | 25 | B&W | Print | An ultra-high definition high-contrast microfilm emulsion that was made panchromatic through the addition of sensitizing dyes. Special developer is needed to tame the extreme contrast for use in pictorial photography. Type 2415 in 135 and 4-inch x 5-inch sizes with 4-mil (P)base with light piping suppressing layer and 6415 Film in 120 size with a 3.6-mil (T) base. | US | 135, 120, 4"x5" | Nothing |
| Kodak | Academy/ Panchromatic 200 | ?–2000 | T | 400 | B&W | Print | Low cost wide latitude black and white film marketed in Europe, Asia and India. Coarse grained and low resolution film reminiscent of Super-XX. Very tolerant of processing variations allowing contrast adjustment by altering development times. "Kodak Panchromatic 200" in the Philippines from c1995–2000. | US | 135 | Nothing |
| Kodak | High Speed Infrared | ?–2007 | P | 80 | B&W | Print | Infrared sensitive high-speed film with moderately high contrast, sensitive to light and radiant energy to 900 nanometres (nm). It is useful for haze penetration and for special effects in commercial, architectural, fine art, and landscape photography. EI 80 (daylight) 200 (tungsten)(HIE) | US | 135, 120, 220, sheet film | Nothing |
| Kodak | Eastman Orthochromatic Aero Film | WWI | | | B&W | Print | 1st Kodak aerial film | | | |
| Kodak | Eastman Panchromatic Aero Film | WWI | | | B&W | Print | 1st Kodak aerial film | | | |
| Kodak | Portra 400BW | c2001–? | T | 400 | C-41 | Print | Professional chromogenic B&W film with exposure latitude from EI 50 to EI 1600. | US | 135-36, 120, 220 | ? |
| Kodak | T400CN | ?–2004 | T/P | 400 | C-41 | Print | General purpose C-41 process chromogenic B&W film with wide exposure latitude. | US | 135, 120, 220, 4x5" | BW400CN |
| Kodak | BW400CN | 2004–2014 | T | 400 | C-41 | Print | General purpose C-41 process chromogenic B&W film with wide exposure latitude. Competitor to Ilford XP2 Super. | US | 135, 120, 220 | Nothing |

### Color negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Kodak | Kodacolor | 1942–1963 | T | 25/32 | C-22 | Print | General purpose consumer colour film. Initially processing was included, but following antitrust legislation in 1950s, independent processing using C-22 process became available. Type A (suffix), indicated balanced for 3400K photolamps. 135 format added from 1958. | US | 135, 120, 620, 116, 616, 127, 122 | Kodacolor X |
| Kodak | Kodacolor-X | 1963–1975 | T | 64/80 | C-22 | Print | General purpose consumer colour film. It was introduced along with the Kodak Instamatic cameras which use 126 film. Initially 64 ISO later increased to 80 ISO | US | 135, 120, 620, 116, 616, 126, 127, 828 | Kodacolor II |
| Kodak | Kodacolor II | 1972–1983 | T | 80/100 | C-41 | Print | First general purpose consumer colour film, using new C-41 process. Introduced with launch of the new 110 film cartridge. Initially 80 ISO, increased to 100 ISO from 1975 | US | 110, 135, 120, 620, 116, 616, 126, 127, 828 | Kodacolor VR 100 |
| Kodak | Kodacolor 400 | 1977–1983 | T | 400 | C-41 | Print | High speed general purpose consumer colour film, 120 from 1978. | US | 110, 135, 120 | Kodacolor VR 400 |
| Kodak | Kodacolor HR | 1982–1983 | T | 200? | C-41 | Print | General purpose consumer colour film for disc cameras. It was Kodak's first color negative film to use their T-Grain technology and improved cyan coupler. Quickly replaced with VR series for all film types. | US | Disc | Kodacolor VR 200 |
| Kodak | Kodacolor VR 100 | 1982–1986 | T | 100 | C-41 | Print | General purpose consumer colour film. Emulsion re-introduced in 1990 as 'Kodacolor 100' budget film in 135 format (not us market) (CP) | US | 135, 120 | Kodacolor VR-G 100 |
| Kodak | Kodacolor VR 200 | 1982–1986 | T | 200 | C-41 | Print | General purpose consumer colour film. Emulsion re-introduced in 1990 as 'Kodacolor 200' budget film (not us market), later improved version (VR-G?) ColorPlus (CL) | US | 110, 135, 120, 620, 126, 127, Disc | Kodacolor VR-G 200 |
| Kodak | Kodacolor VR 400 | 1982–1988 | T | 400 | C-41 | Print | General purpose consumer colour film. 110, 135 discontinued in 1986.(CM) | US | 110, 135, 120 | Kodacolor VR-G 400 |
| Kodak | Kodacolor VR 1000 | 1983–1989 | T | 1000 | C-41 | Print | Very high speed general purpose consumer colour film, possible due to new T-Grain technology introduced with HR Disc films. | US | 135 | Kodak Ektar 1000 |
| Kodak | Kodacolor VR-G 100 | 1987–1988 | T | 100 | C-41 | Print | General purpose consumer colour film. First generation 'gold' film (CA) | US | 135, 120 | Kodacolor Gold 100 |
| Kodak | Kodacolor VR-G 200 | 1987–1988 | T | 200 | C-41 | Print | General purpose consumer colour film. First generation 'gold' film (CB) | US | 110, 135, 120, 620, 126, 127 | Kodacolor Gold 200 |
| Kodak | Kodacolor VR-G 400 | 1987–1988 | T | 400 | C-41 | Print | General purpose consumer colour film. First generation 'gold' film (CC) | US | 135, 120 | Kodacolor Gold 400 |
| Kodak | Kodacolor Gold 100 | 1988–1997 | T | 100 | C-41 | Print | General purpose consumer colour film. Only 120 format Gold film. (GA) | US | 135, 120 | Kodak Gold 100 |
| Kodak | Kodacolor Gold 200 | 1988–1997 | T | 200 | C-41 | Print | General purpose consumer colour film (GB). 620 and 127 discontinued in 1995. | US | 110, 135, 120, 620, 126, 127 | Kodak Gold 200 |
| Kodak | Kodacolor Gold 400 | 1988–1997 | T | 400 | C-41 | Print | General purpose consumer colour film (GC) | US | 135, 120 | Kodak Gold 400 |
| Kodak | Ektar 25 | 1989–1997 | T | 25 | C-41 | Print | Professional color film launched at Photokina in 1988 with ultra fine grain, intended to provide the enhanced color saturation and high acutance associated with color slide emulsions. 135 format discontinued in 1994 and renamed Royal Gold. | US | 135, 120 | Royal Gold 25 |
| Kodak | Ektar 125 | 1989–1991 | T | 125 | C-41 | Print | Professional color film with ultra fine grain. The 125 ISO was a poor seller and replaced by a 100 ISO film | US | 135, 120 | Ektar 100 (1991) |
| Kodak | Ektar 1000 | 1989–1997 | T | 1000 | C-41 | Print | Professional color film with ultra fine grain. 135 format discontinued in 1994 | US | 135, 120 | Royal Gold 1000 |
| Kodak | Ektar 100 | 1991–1997 | T | 100 | C-41 | Print | Professional color film with ultra fine grain. 135 format discontinued in 1994 and renamed Royal Gold. | US | 135, 120 | Royal Gold 100 |
| Kodak | Portra 100T | ?–2006 | T/P | 100 | C-41 | Print | Professional color film, 'Tungsten' for outstanding color accuracy under tungsten lightning (3200K). Improved long exposure performance. Suitable for advertising and architecture photography and art reproduction. | US | 135, 120, sheet film | None |
| Kodak | Portra 160NC | 1998–2011 | T/P | 160 | C-41 | Print | Professional color film, 'Natural Color' for subtle color and natural skin tones in controlled lighting situations. | US | 135, 120, 220, Sheet film | Portra 160 |
| Kodak | Portra 160VC | 1998–2011 | T/P | 160 | C-41 | Print | Professional color film, 'Vivid Color' for vibrant color and slightly higher contrast in controlled lighting situations. | US | 135, 120, 220, Sheet film | Portra 160 |
| Kodak | Portra 400NC | 1998–2010 | T/P | 400 | C-41 | Print | Professional color film, 'Natural Color' for subtle color and natural skin tones in low light or with flash. | US | 135, 120, 220, Sheet film | Portra 400 |
| Kodak | Portra 400VC | 1998–2010 | T | 400 | C-41 | Print | Professional color film, 'Vivid Color' for vibrant color and slightly higher contrast to add snap to flat/overcast light. | US | 135, 120, 220 | Portra 400 |
| Kodak | Portra 400UC | ?–c2004 | T | 400 | C-41 | Print | Professional color film, 'Ultra Color' for highly saturated images. | US | 135, 120, 220 | Ultra Color 400 |
| Kodak | Ultra Color 100UC | 2004–? | T | 100 | C-41 | Print | New film for fashion, advertising, editorial, commercial, travel, and nature photography. | US | 135, 120, 220 | Nothing |
| Kodak | Ultra Color 400UC | 2004–? | T | 400 | C-41 | Print | Rebranded Portra 400 UC. | US | 135, 120, 220 | Nothing |
* Kodak Gold 100-3 released in 1992;Kodak Gold 100-4 released in 1994; Kodak Gold 100-5 released in 1995; Kodak Gold 100-6 release in 1997
* Kodak Gold 400 (Replaced by Ultramax 400 in 2007)
* Kodak Royal Gold 25 (replaced original ektar 25) 1996 on
* Kodak Royal Gold 100 (replaced original ektar) end c2002
* Kodak Royal Gold 200 (replaced original ektar) end c2004
* Kodak Royal Gold 400 (replaced original ektar) 1996–c2004
* Kodak Royal Gold 1000 (replaced original ektar) 1998–?
* Kodak High Definition 200 (US) 135-36 /Royal Supra 200 (not US)
* Kodak High Definition 400 (US) 135-24 only/Royal Supra 400 (not US) 135-36

### Color reversal (slide) film

* Kodak Elite Chrome 100
* Kodachrome 64
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Kodak | Kodachrome | 1936–1962 | T | 10/16 | Kodak | Slide | First color film that used a subtractive color method to be successfully mass-marketed. Launched 1935 for motion picture film, 1936 for still cameras. Special development process required, with multiple dyeing steps as each color layer was processed separately, because there were no dye-couplers in film, unlike the contemporary Agfa Color Neu (where color couplers enabled all three layers processed together). This resulted in good color longevity as developed Kodachrome does not retain unused color couplers. However it required more complex processing. Available in daylight (ISO 10) and Type A (ISO 16). | US | 135, 828 | Kodachrome (1955) |
| Kodak | Kodachrome Professional | 1938–1951 | T | 8/10 | Kodak | Slide | Professional Daylight (ISO 8) and Type A film (ISO 10) for 3400$^0$ K photofloods | US | Sheet film | Nothing |
| Kodak | Kodachrome | 1955–1962 | T | 12 | K-11 | Slide | Daylight color slide film (ISO 12) | US | 135, 828. | Kodachrome II |
| Kodak | Kodachrome Professional | 1956–1962 | T | 16 | K-11 | Slide | Professional Type A film (ISO 16) | US | 135 | Kodachrome II |
| Kodak | Kodachrome II | 1961–1974 | T | 25 | K-12 | Slide | Daylight color slide film. | US | 135, 828. | Kodachrome 25 |
| Kodak | Kodachrome II Professional | 1962–1978 | T | 40 | K-12 | Slide | Type A professional color slide film | US | 135 | Kodachrome 40 |
| Kodak | Kodachrome X | 1962–1974 | T | 64 | K-12 | Slide | Daylight color slide film. Launched with 135 format, 126 was added in 1963 and 110 in 1972 | US | 110, 126, 135 | Kodachrome 64 |
| Kodak | Ektachrome E200 | ?–2011 | T | 200 | E-6 | Slide | Ektachrome—general purpose daylight-balanced color transparency film with moderate contrast and the "look" of a lower speed film. Push-processing capable to an E.I. of 800. 'T' Grain emulsion. Discontinued March 2011 | US | 135, 120, 220 | Ektachrome E100G |
| Kodak | Professional Elite Chrome 100 | 1989–2012 | T | 100 | E-6 | Slide | General purpose daylight-balanced color transparency film with natural colours including skin tones, colors, and neutrals. Uses Kodak's color amplifying and T-grain technology (EB). | US | 135 | Nothing |
| Kodak | Professional Elite Chrome Extra Color 100 | 1991–2012 | T | 100 | E-6 | Slide | Daylight-balanced color transparency film featuring the highest color saturation available in a 100-speed consumer slide film, delivering extra bright colors particularly for nature and scenic photos (EBX) | US | 135 | Nothing |
| Kodak | Ektachrome 64T | ?–2012 | T | 64 | E-6 | Slide | Tungsten balanced fine grain color transparency film, for commercial photography for catalogs, room interiors, furniture and architectural subjects. (EPY) | US | 135, 120, Sheet film | Nothing |
| Kodak | Ektachrome 100 Plus | 2001–2009 | T | 100 | E-6 | Slide | Daylight balanced fine grain color transparency film (EPP). | US | 135, 120, 220 | Ektachrome E100G |
| Kodak | Ektachrome E100G | 2000–2012 | T/P | 100 | E-6 | Slide | Daylight balanced fine grain color transparency film with moderately enhanced color saturation and a neutral color balance, for commercial advertising, fashion, editorial, architecture, nature/wildlife photography. Uses Kodak's Color Amplifying and T-GRAIN Emulsion technology. Sheet film 4"x5", 8"x10" 'P' base. | US | 135, 120, 220, Sheet film | Ektachrome E100 |
| Kodak | Ektachrome E100GX | 2001–2009 | T | 100 | E-6 | Slide | Daylight balanced fine grain color transparency film with moderately enhanced color saturation and a warm color balance (compared to neutral color for E100G), for commercial advertising, fashion, editorial, architecture, nature/wildlife photography. Uses Kodak's Color Amplifying and T-grain technology. | US | 135, 120, 220 | Ektachrome E100G |
| Kodak | Ektachrome E100VS | 2002–2012 | T | 100 | E-6 | Slide | Daylight balanced fine grain color transparency film with vivid saturated colors (VS) while maintaining a neutral gray scale. Intended for commercial location and studio shooting of nature, food, jewelry, and subjects that call for brilliant, dramatic hues. Uses Kodak's Color Amplifying and T-grain technology. (E100VS) Sheet film 4x5", 8x10" 'P' base | US | 135, 120, 220, sheet film | Nothing |
| Kodak | Ektachrome Professional Infrared EIR Film | ?–2009 | P | 200 | E-6 | Slide | Infrared sensitive false color reversal film for IR photographic applications e.g. artistic, industrial, scientific, and aerial or technical ground photography. The extent infrared reflectance affects the final color rendition. E.I 200 (daylight), 100 (tungsten). (EIR) | US | 135-36 | Nothing |
| Kodak | Kodak Aerial RA Aerograpic Duplicating Film (7-mil) - Code : 4425 | ~2000's ? | Nothing | Nothing | Nothing | Remplaced by 4416 | Nothing | Nothing | Nothing | |
| Kodak | Kodak Aero Positive Transparency | 1946-1949 | | | | Slide | | | | |
| Kodak | Kodak Aerochrome Color Infrared B158 (ESTAR Thin base) - Code : 3443 | 1976 | P | | | Slide | 2443 on a thin base, EA-5 chem, clear gel backing | | | |
| Kodak | Kodak AEROCHROME Duplicating (ESTAR Base) - Code : 2447 | | P | | | | | | | |
| Kodak | Kodak Aerochrome II Duplicating Film, SP883, 70mm, process EA-5. - Code : 2447 | | | | | | | | | |
| Kodak | Kodak Aerochrome III Infrared ESTAR Base - Code : 1443 | 80s?–2009 | P | | | Slide | 35mm & Large bulk format. AR-5 process | | | |
| Kodak | Kodak AEROCHROME III MS ESTAR Base – Code 2427 | ~ 1971 | P | | | Slide | Process AR-5, positive color transparencies | | | |
| Kodak | Kodak AEROCHROME Infrared (ESTAR Base) - Code : 2443 | ~ 1971 | P | | | Slide | False color IR reversal film for forest surveys and camouflage detection | | | |
| Kodak | Kodak Aerochrome IR - Code : 2443 - EA-5 | | | | | Slide | 70mm and 5 inch formats, process EA-5 | | | |
| Kodak | Kodak Aerochrome IR Infrared - Code : 1443 | | | | | Slide | Replace 2443 | | | |
| Kodak | Kodak Aerochrome MS Aerographic ESTAR Base - Code : 2448 | 1967 | P | | | Slide | Color reversal (EA-5) but could be run through C-22. Same film as Ektachrome MS Aero ? (same code) | | | |
| Kodak | Kodak EKTACHROME infrared Aero EA-4 - Code : 8443 EIR | 1959 ? | | | | Slide | Bulk 70mm to 9.5 inch wide formats | | | |
| Kodak | Kodak EKTACHROME Professional Infrared EIR Film (Kodak 2236?) TI-2323 - (Code DX: 000990) | 1997-2012 | | | | Slide | Kodak Aerochrome III 1443 ? Manuf Eastman Kodak | Made in USA | | |
| Kodak | Kodak (Ektachrome or Cadmium enriched?) - Code : E3443 | | | | | Slide | Aerochrome 2443 on a thin base | | | |
| Kodak | Kodak Aerial Ektachrome military film | ~1941 | | | | Slide | Governmental, scientific and military use only. 1St Ektachrome | | | |
| Kodak | Kodak EASTMAN H5224 Infrared Aerographic - Code : H-5224 | | P | | | Slide | Military infrared Hi-speed | | | |
| Kodak | Kodak EKTACHROME Infrared - Code : 0201 IE | ~80’s ?- Mid 90’s ? | | | | Slide | Ancestor of EIR. E-6 Process ? | | | |

### Kodachrome 25, 64, and 200 Professional

Kodachrome was the first practical color reversal film; essentially first commercially-important color film of any kind. It featured extremely fine grain, high saturation, and extremely high sharpness. Kodachrome entered American popular culture with a 1973 song by Paul Simon, as well as a 2017 Hollywood movie.
* Kodachrome was launched as a 16mm movie film in 1935, with a film speed of ISO 10. The first stills version was released the following year.
* Kodachrome II was introduced in 1961; this was available in daylight balanced speeds of ISO 25 and ISO 64, later rebranded as Kodachrome 25 and Kodachrome 64. Kodachrome 25 ceased production in 2001.
* Kodachrome Type F (for flash; stopped being made in 1950s).
* Kodachrome 200 was introduced in November 1986 and sold through 2007.
* Later Kodachrome Professional 64 and 200 were added.
* Processing purchased with film until Justice Department sued around 1954, claiming this was a monopolistic practice. There were relatively few competitors however, with the complex developing machinery necessary.
* At various times Kodachrome was produced in 126, 120, and 110 stills formats, as well as various movie and cine film formats.
* Also available in larger roll film formats and sheet film (until late 1940s, beginning of 1950s).
* The entire Kodachrome emulsion line was discontinued in 2009. The last processor in the world closed down its Kodachrome line at end of 2010.
* Suggested Replacement: Kodak Ektachrome E100d

#### Ektachrome Lumiere 100

* Professional Film
* Code LPP 6146
* Launch Date: ?
* Discontinued: ?
* Suggested Replacement: ?
* Type: Medium speed color reversal film providing neutral color balance with enhanced color saturation.
* Speed: Temp/EI/Wratten filter no. (Source: Ektachrome Lumiere 100 Data Sht dtd 11–93)
* 5500K/100/none
* 3200K/25/80A
* 3400K/32/80B
* Processing: E-6
* Formats: 135, 120, cut film.
* Kodak Pub No. E-137, "Kodak Ektachrome Lumiere 100 Professional Film"
* Note: A number of photographers noted this film was too cool under some circumstances.
* EKTACHROME 64 Professional Film
* EKTACHROME 100 Professional Film
* EKTACHROME 100 Plus Professional Film
* EKTACHROME 160T Professional Film
* EKTACHROME 320T Professional Film
* EKTACHROME P1600 Professional Film
* EKTACHROME 400X Professional Film
* Ektachrome E100S
* Ektachrome E100D

## Konica

Established 1873 in Japan, Konishiroku (Konica) was a major producer of colour film, cameras and related products, including film development processors and printing technology. Originally Konica film and paper was sold under the brand name of "Sakura" meaning Cherry Blossom in English. Along with 3M Ferrania they were a significant producer of 'white label' consumer color films for both retailers and traditional B&W film producers needing a colour film to repackage under their own brand. Only in later years did they make significant efforts to market film under the Konica brand. In 2003, Konica merged with Minolta to form Konica Minolta. In 2006, the merged company closed down its photo imaging division, which produced color film, color paper, photo chemicals and digital minilab machines (at the time it was the 3rd largest film producer behind Kodak and Fujifilm, AgfaPhoto having collapsed a year earlier). The company produced the following films:

### Black and white film

* Sakura Panchro c1946 Format 120
* KONIPAN SS ASA 100 Format 135, 120, Sheet Film
* KONIPAN SSS ASA 200 Format 135
* Konica Infrared 750 nm Format 135, 120

### Colour negative film

* Sakuracolor N100 (C-22) (1967–1971)
* Sakuracolor N100 (C-22) (1971–1975)
* Sakuracolor II N100 (1974–c1984) employing a DIR color coupler
* Sakuracolor (C-41) c1975–1980
* Sakuracolor 400 c1976–1984
* SR (c1984–1986) SR 100/ 200/400/1600 Formats 135, Disc (also sold as Sakuracolor SR)
* SR-V (1987) 3200 Format 135 (also sold as Sakuracolor with same names) Monodispersed emulsion
* SR-G (1989–c1994) 100, Format 135
* SR-G 160 Professional, Format 120/220
* Super DD (1990) 100/200/400 Format 135
* GX (1987) 100, 3200 Format 135
* Impresa 50 1991, Format 120 only
* Impresa 100
* Super HR (?–c1991)
* Super SR (1991–c1997) 100, 200 Format 135, 110
* Super XG (1993–c1996) 100 Format 135
* VX (c1994–1999) 100, 200 Format 135
* VX Super 100, Format 135
* Centuria (1999). 100/200/400/800 Format 135
* Centuria 100 Format 120
* Centuria Super
* Pro 160, Professional Portrait film Format 135, 120, 220
* Pro 400, Professional Portrait film Format 135, 120, 220 exp2007

### Colour reversal (slide) film

* Sakuracolor R-100 (E-4) (?–1972)
* Sakurachrome R-100 (E-6) (c1983–c1986)
* Konica Chrome 100 (c1986–1990)

## KONO!

Launched in 2014, KONO! is a small European analogue photographic company based in Austria that produces a range of 'creative' 35mm format films under both 'Kono!' and 'dubblefilm' brands, the latter in conjunction with mobile app 'dubble'. Most KONO! films are based on stock originally intended for shooting motion pictures, scientific purposes or other places photosensitive emulsions were used. All films are hand rolled onto recycled 135 film cassettes.

### Color negative films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| KONO! | WINTERMÄRCHEN 200 | ?–2018 | T | 200 | C-41 | Print | Creative colour film 'Winter fairytale' pre-exposed with festive images | Austria | 135-24 | Nothing |

## Lomography

Headquarters in Vienna, Austria. Lomography is a globally-active organization dedicated to analogue, experimental and creative photography. Lomography offers films under its own brand procured from various manufacturers.

### Color negative films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Lomography | LomoChrome Turquoise XR | 2017–2017 | tbc | 100-400 | C-41 | Print | Creative colour negative film with turquoise hues, limited run of 5000 rolls. | tbc | 135, 120 | Updated version |
| Lomography | F$^2$ 400 | 2018 | T? | 400 | C-41 | Print | Limited edition run of 120 film cut from a long stored master roll acquired by lomography in 2010, thought to be Ferrania Solaris 400. Previous limited run in 2017 in 135 format only. Pre-order with delivery in Aug 2018, sold out. | Italy | 135 (2017), 120 (2018) | Nothing |

### Color reversal (slide) films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Lomography | XPro 200 | 2010–2018 | tbc | 200 | C-41 (E-6) | Print (slide) | Cross Processing Slide Film. Needs UV filter for normal colours in E6. Film is the discontinued Agfa-Gevaert Aviphot Chrome (same formulation as Agfa RSX 200). Unavailable since 2018. | Belgium | 135#, 120# | Nothing |

## Luckyfilm

Lucky Group Corporation in Baoding, Héběi province, China produced a range of colour, black and white, and chromogenic black and white consumer films. Colour film was produced initially in conjunction with Kodak after signing a 20-year partnership which Kodak ended in 2007 after four years. Production of all consumer films ceased in 2012. In 2017 Luckyfilm, an offshoot of Lucky Group re-released an improved black and white film for the consumer market, however this had ceased to be available by 2019.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Lucky | SHD 100 | ?–2012 | T | 100 | B&W | Print | General purpose, panchromatic film | China | 135, 120 | New SHD 100 |
| Lucky | New SHD 100 | 2017–2019 | P | 100 | B&W | Print | General purpose, panchromatic film | China | 135 | Nothing |
| Lucky | SHD 400 | ?–2012 | T | 400 | B&W | Print | General purpose, panchromatic film | China | 135 | Nothing |
| Lucky | SHD 400 CN | ?–2012 | T | 100 | C-41 | Print | General purpose chromogenic film | China | 135 | Nothing |

### Color negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Lucky | GBR 100 | 2003–2012 | T | 100 | B&W | Print | General purpose consumer colour film | China | 135 | Nothing |
| Lucky | GBR 200 | 2003–2012 | T | 200 | B&W | Print | General purpose consumer colour film | China | 135 | Nothing |
| Lucky | GBR 400 | 2003–2012 | T | 400 | B&W | Print | General purpose consumer colour film | China | 135 | Nothing |

## Maco

Headquarters in Stapelfeld, Germany. Film sales through www.macodirect.de

### ORT

* Type: Black and White (orthochromatic)
* Speed: ISO 25, DIN 15°
* Available formats: 35 mm, 120, Sheet Film
* Granularity: Extremely Fine
* Resolving power: Extremely High (>330lp/mm)
* History: evolution of Agfa Ort25c, same emulsion as MACO EM micrography film, evolved later in ORTO25
* Primary usage: Reprography, Micrography, specialty black and white photography
* General characteristics:
* Discontinued

## Negra

Negra Industrial, S A. was a film manufacturer based in Barcelona, Spain established c1928 producing black and white negative film, photographic paper and chemicals. Color film was rebranded stock from other producers mainly Konishiroku (Konica) and 3M (Ferrania). Film production appears to have ended in 1984.

### Black and white film

* Negra Negrapan 21 (ISO 100) panchromatic film in 135, 120, 127, 110 and 126 sizes. last films expired 1989.

### Color negative film

* Negracolor AR ?–1984 Konica Color
* Negracolor NC80 1970–1973 3M Color Print
* Negracolor NC100 1973–1976 Sakuracolor (Konica)
* Negracolor II 1976–1984 Sakuracolor II (Konica)
* Negracolor 400 1976–1984 Sakuracolor 400 (Konica)

### Color reversal (slide) film

* Negracrome 50 1969–1974 3M color slide

## ORWO

After WW2, Agfa was split into two companies: Agfa AG, Leverkusen in West Germany, and VEB Film- und Chemiefaserwerk Agfa Wolfen in East Germany. Initially both companies produced films under the AGFA brand with the same names, such as Isopan F. To distinguish them, the film edge markings were L IF for Agfa Leverkusen, and W IF for Agfa Wolfen. In 1953 in a trade agreement it was agreed that VEB Filmfabrik Agfa Wolfen would have the sole rights to the AGFA brand in Eastern Europe and Agfa AG, would retain sole rights to the AGFA brand in the rest of the world. This hampered Wolfen's exports and therefore after 1964 films from Wolfen were rebranded ORWO (ORiginal WOlfen). ORWO ceased production of film in 1994 following the collapse of the company after German reunification and privatisation. After a brief revival re-branding other manufacturers' products the company was again insolvent in 1997, and the constituent parts were sold off. Part of the original factory survives as the Industry and Film museum Wolfen. However the association of the ORWO name with film lives on as a brand of FilmoTec GmbH who since 1998 produce high quality black and white cinema and technical films, based in Wolfen with coating contracted out. Their cine camera films UN54 and N74 plus are also re-packaged by third parties as still camera film.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Agfa | Isopan FF | ?–c1964 | T | 8 | B&W | Print | Ultra fine grain orthopanchromatic film. Wolfen version also referred to as ISOPAN FF, marginal markings W IFF. | GDR | 135, 635, 935, SL, 127, 120, 620 | ORWO NP 10 |
| Agfa | Isopan F /Isopan | c1939–c1964 | T | 40 | B&W | Print | Fine grain orthopanchromatic film. Wolfen version also referred to Agfa-Isopan-Feinkorn, marginal markings W IF. Sheet films were sold with glossy or matt base. | GDR | 135, 635, 935, SL, 127, 120, 620, 116, 616, sheet film | ORWO NP 18 |
| Agfa | Isochrom F | c1933–1964 | T | 40 | B&W | Print | General purpose fine grain orthochromatic film. Roll films were sold with speed of ISO 50/18°. | GDR | 135, 635, 935, SL, 127, 120, 620, 116, 616 | ORWO NO 22 |
| Agfa | Isopan SS | 1935–1964 | T | 100 | B&W | Print | 'Super Speed' Introduced around 1935 as a replacement for Superpan and originally rated at 19 or 20 DIN, around 1937 this was increased to 21° DIN (100ASA). For correct rendering a pale yellow filter was required in daylight and a pale green in half-watt illumination. Ultra fine grain orthopanchromatic film. Wolfen version also referred to as ISOPAN ISS 21, marginal markings W ISS. Sheet films were sold with glossy or matt base. | GDR | 135, 635, 935, SL, 127, 120, 620, 116, 616, sheet film | ORWO NP 22 |
| Agfa | Isopan Ultra | c1952–c1958 | T | 160 | B&W | Print | General purpose high speed panchromatic film. | GDR | 135, 635, 935, 127, 120, 620, 116, 616 | Isopan Rapid |
| Agfa | Isopan Rapid | c1958–1964 | T | 250 | B&W | Print | General purpose high speed super panchromatic film. | GDR | 135, 635, 935, SL, 127, 120, 620, 116, 616, sheet film | ORWO NP 27 |
| ORWO | NP 10 | 1964–c1970 | T | 8 | B&W | Print | Ultra fine grain panchromatic film. | GDR | 135-36, 635-36, SL, 120 | ORWO NP 15 |
| ORWO | NP 15 | c1968–c1990 | T | 25 | B&W | Print | General purpose fine grain panchromatic film. | GDR | 135, 127, 120, 220, sheet film | ORWO PAN 25 |
| ORWO | NP 18 | 1964–c1970 | T | 50 | B&W | Print | General purpose fine grain panchromatic film. | GDR | 135, 635-36, SL, 127, 120, 620, 116, sheet film | Nothing |
| ORWO | NP 20 | c1968–c1990 | T | 80 | B&W | Print | General purpose fine grain panchromatic film. | GDR | 135, 120, Kassette 16, sheet film | ORWO NP 22 |
| ORWO | NO 22 | 1964-c1970 | T | 125 | B&W | Print | General purpose orthochromatic film with sensitivity from purple to light orange. | GDR | 135-36, SL, 127, 120, 620 | Nothing |
| ORWO | NP 22 | 1964–c1970 c1981–c1990 | T | 125 | B&W | Print | General purpose ultra fine grain panchromatic film. Discontinued by the 70's, reintroduced in the 80's. | GDR | 135, 635-36, SL, 127, 120, 220, 620, sheet film | ORWO NP 20 ORWO PAN 100 |
| ORWO | NP 27 | 1964–c1990 | T | 400 | B&W | Print | General purpose ultra high speed (for its time) super panchromatic film. Extended red sensitivity. | GDR | 135, 635-36, SL, 127, 120, 220, 620, sheet film | ORWO PAN 400 |
| ORWO | NP 30 | ?–c1990 | T | 800 | B&W | Print | General purpose ultra high speed panchromatic film. Introduced in the 80's. Due to its coarse grain only available as a roll film. | GDR | 120 | Nothing |
| ORWO | NI 750 | 1964-? | T | n/a | B&W | Print | Special infrared film with sensitivity up to 750-760nm. Only edge markings are "ORWO". | GDR | 135-36 | Nothing |
| ORWO | PAN 25 | 1990s–? | T | 25 | B&W | Print | General purpose low speed panchromatic film. Last films expired 1995. | Germany | 135, 120 | Nothing |
| ORWO | PAN 100 | 1990s–c1999 | T | 100 | B&W | Print | General purpose medium speed panchromatic film. Last films expired 1998. | Germany | 135 | ORWO PAN 125 |
| ORWO | PAN 125 | 1990s–2000s | T | 125 | B&W | Print | General purpose high speed panchromatic film. Last films expired 2005. | Germany | 135 | Nothing |
| ORWO | PAN 400 | 1990s–2000s | T | 400 | B&W | Print | General purpose high speed panchromatic film. Last films expired 1999. | Germany | 135, 120 | Nothing |
| Professional films |||||||||||
| Agfa | Isochrom Portrait-Film | ?–1964 | T | 50 | B&W | Print | Orthochromatic film for portraiture in daylight. Sold with glossy or matte base. | GDR | sheet film | Nothing |
| Agfa | Isopan Portrait-Film | ?–1964 | T | 80 | B&W | Print | Orthopanchromatic film for portraiture. Sold with glossy or matte base. | GDR | sheet film | ORWO NP 21 Porträt |
| Agfa | Isopan Portrait-Rollfilm | ?–1964 | T | 100 | B&W | Print | Orthopanchromatic film for portraiture with matte back for retouching. | GDR | 120 | ORWO NP 22 Porträt |
| ORWO | NP 21 Porträt | 1964–? | T | 100 | B&W | Print | Panchromatic portrait film with increased red sensitivity. Sold in two variants, shiny and matte. | GDR | sheet film | ? |
| ORWO | NP 22 Porträt | 1964–? | T | 125 | B&W | Print | Fine grain panchromatic film for portraiture with a matte back for retouching. | GDR | 120 | ? |

### Black and white reversal (slide) films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| ORWO | UP 15 | 1964–c1990 | T | 25 | ORWO 4105 | Slide | Ultra fine grain panchromatic slide film. | GDR | 135-36 | Nothing |

### Color negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Agfacolor | Negativ T | ?–c1958 | T | 16 | Agfacolor | Print | General purpose colour film without mask balanced for daylight. | GDR | 135, 120, sheet film | Agfacolor Negativ-Ultra T |
| Agfacolor | Negativ K | ?–c1958 | T | 16 | Agfacolor | Print | General purpose colour film without mask balanced for artificial light. | GDR | 135, 120, sheet film | Agfacolor Negativ-Ultra K |
| Agfacolor | Negativ-Ultra T | 1956–1964 | T | 40 | Agfacolor | Print | General purpose colour film without mask balanced for daylight. In 1964 replaced by ORWOCOLOR NT 18. | GDR | 135, 120, sheet film | ORWOCOLOR NT 18 |
| Agfacolor | Negativ-Ultra K | 1956–1964 | T | 40 | Agfacolor | Print | General purpose colour film without mask balanced for artificial light. In 1964 replaced by ORWOCOLOR NK 18. | GDR | 135, 120, sheet film | ORWOCOLOR NK 18 |
| ORWO COLOR | NK 16 | 1964–c1970 | T | 32 | ? | Print | Tungsten balanced colour negative film. Processing differs from standard ORWO/Agfacolor processing. | GDR | 120 | Nothing |
| ORWO COLOR | NT 18 | 1964–c1970 | T | 50 | ORWO 5160 | Print | General purpose colour film without mask balanced for daylight (5500K). | GDR | 135, SL, 127, 120, 620, sheet film | Nothing |
| ORWO COLOR | NK 18 | 1964–? | T | 50 | ORWO 5160 | Print | General purpose colour film without mask balanced for artificial light (3200K). | GDR | 135, SL, 127, 120, 620, sheet film | Nothing |
| ORWO COLOR | NC 16 | 1964–c1977 | T | 32 | ORWO 5160 / 5165 | Print | General purpose colour negative film without mask. Color balance "universal" film with balance of 4200K. | GDR | 135, SL, 127, 120, 620, sheet film | ORWOCOLOR NC 19 MASK |
| ORWO COLOR | NC 17 MASK | 1965–c1970 | T | 40 | ORWO 5165 | Print | General purpose colour negative film with mask. Recommended exposure index from ORWO is 16 DIN for daylight and 18 DIN for tungsten light. | GDR | 135, 120, 127 | ORWOCOLOR NC 19 MASK |
| ORWO COLOR | NC 19 MASK | c1972–1980s | T | 64 | ORWO 5166 / 5168 | Print | General purpose colour negative film with mask. Balanced for 4200K. | GDR | 135, 120, 127, sheet film | ORWOCOLOR NC 19 |
| ORWO COLOR | NC 19 | ?–1990s | T | 64 | ORWO 5166 / 5168 | Print | General purpose colour negative film without mask. Last films 120 expired 1993. Balanced for 4200K. | GDR | 135, 120, sheet film | ORWOCOLOR NC 21 |
| ORWO COLOR | NC 20 | 1978–1990s | T | 80 | ORWO 5166 / 5168 | Print | General purpose colour negative film for daylight. Specially made for Pentacon K 16. Similar but not identical to 110 film. | GDR | Kassette 16 | Nothing |
| ORWO COLOR | NC 21 | ?–1990s | T | 100 | ORWO 5166 / 5168 | Print | General purpose colour negative film for daylight. | GDR | 135, 120 | ? |
| ORWO COLOR | QRS 100 | 1990s–c1998 | T | 100 | ORWO 5860 (C-41) | Print | General purpose colour negative film for daylight. Probably a repackaged stock. | Germany | 135, SL | ? |
| ORWO COLOR | CNG 100 | 1990s–? | T | 100 | ORWO 5860 (C-41) | Print | General purpose colour negative film for daylight. Probably a repackaged stock. | Germany | 135, SL | ? |
| ORWO | CNN 100 | ?–c2004 | T | 100 | C-41 | Print | General purpose colour negative film for daylight. Probably a repackaged stock. | Germany | 135 | Nothing |
| ORWO | CNN 400 | ?–c2004 | T | 400 | C-41 | Print | General purpose colour negative film for daylight. Probably a repackaged stock. | Germany | 135 | Nothing |
| Professional films |||||||||||
| ORWO COLOR | Professional | c1980–? | T | 40 | ORWO 5166 / 5168 | Print | Professional colour negative film balanced for 4200K. | GDR | 120 | Nothing |
| ORWO COLOR | Professional L | c1972–? | T | 40 | ORWO 5166 / 5168 | Print | Professional colour negative film balanced for artificial light and long exposures. | GDR | sheet film | Nothing |

### Color reversal (slide) film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Agfacolor | Umkehr T | ?–c1958 | T | 16 | Agfacolor | Slide | General purpose slide film for daylight. | GDR | 135, 120, sheet film | Agfacolor Umkehr-Ultra T |
| Agfacolor | Umkehr K | ?–c1958 | T | 16 | Agfacolor | Slide | General purpose slide film for artificial light. | GDR | 135, 120, sheet film | Agfacolor Umkehr-Ultra K |
| Agfacolor | Umkehr-Ultra T | c1956–1964 | T | 32 | Agfacolor | Slide | General purpose slide film for daylight. In 1964 replaced by ORWOCOLOR UT 16. | GDR | 135, 120, sheet film | ORWOCOLOR UT 16 |
| Agfacolor | Umkehr-Ultra K | c1956–1964 | T | 32 | Agfacolor | Slide | General purpose slide film for artificial light. In 1964 replaced by ORWOCOLOR UK 14. | GDR | 135, 120, sheet film | ORWOCOLOR UK 14 |
| ORWO COLOR | UT 16 | 1964–c1970 | T | 32 | ORWO 9160 | Slide | General purpose slide film for daylight. Later sold as ORWOCHROM UT 16. | GDR | 135, SL, 127, 120, 620, sheet film | ORWOCHROM UT 18 |
| ORWO COLOR | UK 14 | 1965–c1970 | T | 20 | ORWO 9160 | Slide | Slide film for artificial light (3200K). | GDR | 135, SL, 127, 120, 620, sheet film | ORWOCOLOR UK 18 |
| ORWO CHROM | UT 21 | 1965–c1972 1980's–1990 | T | 100 | ORWO 9165 | Slide | General purpose slide film for daylight. | GDR | 135, 120, sheet film | ORWOCHROM UT 20 Nothing |
| ORWO COLOR | UK 18 | ?–c1972 | T | 50 | ORWO 9160 | Slide | Slide film for artificial light (3200K). | GDR | 135 | ORWOCHROM UK 20 |
| ORWO CHROM | UT 18 | 1968–1990 | T | 50 | ORWO 9165 | Slide | General purpose slide film for daylight. | GDR | 135, 120, sheet film | Nothing |
| ORWO CHROM | UK 20 | c1971–c1977 | T | 80 | ORWO 9165 | Slide | High-speed slide film for artificial light (3200K). | GDR | 135, 120, sheet film | ORWOCHROM UK 17 |
| ORWO CHROM | UK 17 | c1978–1990 | T | 40 | ORWO 9165 | Slide | Slide film for artificial light (3200K). | GDR | 135, 120 | Nothing |
| ORWO CHROM | UT 20 | c1978–? | T | 80 | ORWO 9165 | Slide | General purpose slide film for daylight. | GDR | 135 | ORWOCHROM UT 21 |
| ORWO CHROM | UT 23 | c1983–1990 | T | 160 | ORWO 9165 | Slide | High speed slide film for daylight. | GDR | 135 | Nothing |
| Professional films |||||||||||
| ORWO CHROM | Professional S | c1972–? | T | 50 | ORWO 9165 | Slide | Professional slide film balanced for daylight and short exposures. | GDR | 120, sheet film | Nothing |
| ORWO CHROM | Professional L | c1978–? | T | 40 | ORWO 9165 | Slide | Professional slide film balanced for artificial light and long exposures. | GDR | 120, sheet film | Nothing |

## Rera

Rera is a small range of photographic films for 127 (4x4) format roll film cameras assembled in Japan by Kawauso-Shoten. Film is bought in and converted for 127 format and sold through main retailers. Discontinued films include:

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Rera | Pan 100 | ?–2018 | T | 100 | B&W | Print | General purpose panchromatic traditional, medium-speed, black and white film. Discontinued 2018 according to retailers. Replaced by 400 speed emulsion | tbc | 127 | Pan400 |

### Color reversal (slide) film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Rera | Chrome 100 | c2016–2017 | P | 100 | E-6 | Slide | General purpose color slide film. Possibly an Aviphot Chrome film. | tbc | 127 | Chrome 100 (2018) |

## Perutz

Perutz was a German film manufacturer. It was taken over by Agfa-Gevaert in 1964. Films included.

## Polaroid
### Instant Roll Film

* Type 40 – Sepia tone 100/21°
* Type 41 – Orthochromatic 100/21°
* Type 42 – Panchromatic 200/24° One of Polaroid's longest-lasting film stocks
* Type 43 – Panchromatic 200/24° Introduced for a short while as a higher-end alternative to type 42
* Type 44 – Panchromatic 400/27°
* Type 46 – Panchromatic 800/30° Produced 8 black and white transparencies
* Type 46L – Panchromatic 800/30° Same as 46, but with a slightly larger slides
* Type 47 – Panchromatic 3000/36° Another one of Polaroid's longest-lasting film stocks
* Type 48 – Color 75/20° Polaroid's first color film stock, produced 6 prints instead of the typical 8
* Type 31 – Panchromatic100/21° All films in the 30 series were made for smaller cameras than the 40 series and produced smaller prints
* Type 32 – Panchromatic 200/24°
* Type 37 – Panchromatic 3000/36°
* Type 38 – Color 75/20°
* Type 20 – Panchromatic 3000/36° The 20 series of films were made for use in the Swinger, Polaroid's first budget camera retailing at $19.95 in 1965
* Type 20c – Panchromatic 3000/36° The first black and white Polaroid film to not require a protective coating on the prints

### 4x5 instant sheet film

Type 55
* Type: Black and white Pos/Neg instant film
* Speed: 50/18° (pos), 35/16° (neg)
* Available formats: 4×5 Sheet film
* Granularity:
* Latitude:
* Resolving power:
* History: Discontinued by Polaroid in 2008; production process licensed out
* Primary usage: Test shots, fine art

### Instant 35mm slide film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Polaroid | PolaChrome CS | c1985–c2004 | ? | 40 | ? | Slide | Instant colour slide film based on Polavision. Not a true colour slide film. Combination of black and white instant slide film with coloured matrix to produce colour image. | USA | 135-12, 135-36 | Nothing |
| Polaroid | High Contrast PolaChrome HCP | ?–c2003 | ? | 40 | ? | Slide | Intended for reproduction of coloured charts and graphics. Produces high contrast images. Same as PolaChrome CS, sold with developing chemicals for PolaGraph HC to produce higher contrast. | USA | 135-12 | Nothing |
| Polaroid | PolaPan CT | c1985–c2003 | ? | 125 | ? | Slide | Black and white instant slide film. | USA | 135-12, 135-36 | Nothing |
| Polaroid | PolaGraph HC | c1985–c2003 | ? | 400 | ? | Slide | Intended for reproducing graphics. Produces high contrast images. | USA | 135-12 | Nothing |
| Polaroid | PolaBlue BN | ?–c2003 | ? | 8 | ? | Slide | Intended for title slides and reproducing charts. Not a true slide film, produces negative white on blue images. | USA | 135-12 | Nothing |

## Polaroid B.V.

Polaroid B.V. is a Dutch photography company that was founded in 2008 as the 'Impossible Project' to re-introduce instant film for Polaroid cameras. Impossible bought the production machinery from Polaroid for $3.1 million and leased a building, called Building Noord, which was formerly part of the Polaroid plant in Enschede, Netherlands but had to re-invent the emulsions and processes. Polaroid Corporation's brand and intellectual property were acquired by Impossible Project's largest shareholder in 2017 and the company was later renamed 'Polaroid Originals' before becoming 'Polaroid' in 2020. Based in Enschede, Polaroid manufactures film for its own and selected original Polaroid instant cameras. Instant films are marketed by format rather than emulsion.
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Polaroid Originals | Spectra film | 2013–2019 | N/A | 640 | Instant | Print | General purpose instant color or black and white film in various frame styles. In October 2019, Polaroid Originals announced the discontinuation of the Spectra film format due to poor reliability of the remaining Spectra cameras. | Netherlands | 103x 101mm | Nothing |

## Rollei

The Rollei brand for photographic film is licensed to Maco (Hans O. Mahn GmbH & Co. KG, Maco Photo Products) a German-based supplier of photographic films. They offer a range of black and white and colour films produced by Agfa-Gevaert and other suppliers. Discontinued films are listed below:

### Black and white films
#### R3

* Speed: ISO 200, DIN 24° (can be used from ISO25 to ISO6400)
* Available formats: 35 mm, 120, Sheet Film
* Granularity: Fine
* Resolving power: High
* History: launched in 2004
* Primary usage: General black and white photography
* General characteristics: Fairly wide latitude, PET base for better film flatness, extended spectral sensitivity from IR to near-UV, to be stored in special black cartridges
* Discontinued

#### ATO (Advanced Technical Ortho)

* same emulsion as Maco Genius Film
* clear base
* suitable for reversal process

#### ATP1.1 (Advanced Technical Pan)

* Formats: 120
* Speed: ISO 32
* High resolution Super-panchromatic film (extended red sensitivity).
* Converted and packaged by Foma

#### Rollei Ortho

* orthochromatic film with a clear base
* spectral sensitivity 380–610 nm
* resolving power of 330 lines/mm (with a fine-grain developer)
* especially suited for digital scanning
* Replaced by Ortho Plus in 2017

#### Rollei Pan

* ISO 25
* clear base, well suited for black and white slides

#### Retro Tonal

* same emulsion as Maco PO100C
* an orthopanchromatic ("RectePan") film
* clear base
* suitable for reversal process

#### RSD

* same emulsion as Agfa Copex Slide Direct
* a pre-fogged orthochromatic film specially for negative or slide duplication
* exposure index (EI) in daylight around 0.2 (thus it has a DIN value of -6 !) = about EI 6 + 5 f stops (not many cameras will handle this correctly)
* after a massive exposure will produce a positive in traditional B&W process, i.e. is NOT run through a reversal process; see also solarisation
* contrast adjustment using different developers, i.e. lower contrast: for ex. Rodinal/Adonal (1:25 about 10 mins., 1:50 about 20 mins.) or higher contrast: any paper developer 1+4 about 5 mins.

### Color negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Rollei | CN 200 | 2008–2017 | P | 200 | C-41 | Print | Unmasked colour film of an older aesthetic well suited for scanning. (Agfa Aviphot Color X100). Originally called digibase CN 200 pro. Final stocks in 120 lasted until mid 2018. | Belgium | 135, 120 | Nothing |

### Color reversal (slide) film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Rollei | CR 200 | ?–2017 stock only | P | 200 | E-6 | Slide | General purpose older aesthetic slide film (Agfa-Gevaert Aviphot Chrome 200, Same emulsion as Agfa RSX II 200) 135 sold out. Originally called digibase CR 200 pro | Belgium | 120 | CrossBird |
| Rollei | Vario Chrome | 2017–2017 | T? | 200 | E-6 | Slide | Limited edition film in 2017 converted from expired slide stock. Can be exposed between 200/24° to 400/27° ISO without adjusting development. Gives earthy grainy colors. | Belgium? | 135 | Nothing |

### ScanFilm

* same emulsion as Agfa Aviphot Color X400 without a mask, very well suited for scanning

## Silberra

The company based in Saint Petersburg, Russia was founded in 2009 producing analog film products. It adopted the Silberra name in 2017 to introduce a range of black and white films.

### Black and white films

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Silberra | Orta 100 | 2018–2019 | P | 100 | B&W | Print | Orthochromatic film (insensitive to red light) with high contrast | Russia | 135-36 | Nothing |
| Silberra | Cinema 74N+ | 2018–2019 | P | 400 | B&W | Print | Converted from ORWO N74 plus cinema film | Russia/ Germany | 135-36 | Cinema 75N+ |

## SPUR

SPUR (Speed Photography & Ultra high Resolution) is a supplier of own brand specialist photochemistry and films based in Langerwehe, Germany.
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| SPUR | UR | ?–2019 | P | 20 | B&W | Print | Agfa-Gevaert Copex HDP microfilm. Resolution of up to 800 LP/mm. Same film as ADOX CMS20 II | Belgium | 135, 120 | Ultra R 800 |

## Street Candy

Vincent Moschetti, the proprietor of the website OneYearWithFilmOnly.com (later renamed OnFilmOnly.com) released his own branded film in 2018. In April 2022 the founder announced closure of the brand due to rising costs. Film cassettes are uniquely packaged in cardboard film canisters.
| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Street Candy | MTN 100 | 2021–2022 | P | 100 | B&W | Print | Panchromatic B&W Cine film negative film stock also capable of reversal processing. Stated to be 'from a German manufacturer with a century long tradition in motion picture film' Probably ORWO UN54. Loaded on recycled cassettes which are not DX coded. | Germany | 135-36 | Nothing |
| Street Candy | ATM 400 | 2018–2022 | P | 400 | B&W | Print | Panchromatic B&W film stock originally designed for use in security and surveillance cameras in banks and ATM machines. Loaded on recycled cassettes which are not DX coded. | ? | 135-36 | Nothing |

## Svema

Svema (Russian: Свема, Светочувствительные Материалы) was the former name ("NPO "Svema") of the Shostka Chemical Plant, located in Shostka, Sumy Oblast, Ukraine. It was founded in 1931 in Ukrainian SSR.
"Svema" was the major photographic film manufacturer in the USSR and the second largest film producer in Europe, but their film lost market share in former Soviet countries to imported products during the late 1990s. They made black-and-white photographic film, photographic paper, B&W/colour cine film and magnetic tapes until 2000. Colour film was made with equipment dismantled from the Agfa-Wolfen Factory after World War II. The plant's production of photographic products slowed through the 1990s and ceased film production entirely in 2003 with the final coating of X-ray films there and the plant closed completely in 2005. After attempts by the state to sell the business, bankruptcy processes were completed in 2015. The coating machinery was sold for scrap and the main buildings were demolished c2018.
A decade prior to the plant's closure a small group of Svema employees had founded Astrum holdings in a rented building on the site in 1995, buying bulk film from various sources which they converted and packaged, for retail sale. Originally sold under the Astrum name (film expiring up to 2019), they later acquired rights to the Svema trademark and now apply the name to a range of films for nostalgic value, but this no longer manufactured in Ukraine, only re-packaged there.
All consumer film was produced in 135 and 120 formats, some stocks were also available in sheets, 16mm and 8mm/super 8.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Factory № 3 | Ortochrom | ?–? | T | 50, 80 | B&W | Print | General purpose orthochromatic film. Also manufactured by Slavich. Sold in two speeds. Speed and development time were stamped on the box. | Ukraine | 935, 120 | Nothing |
| Factory № 3 | Isopanchrom | ?–c1965 | T | 50, 80 | B&W | Print | General purpose panchromatic film sold in three gradations: soft, normal and hard. Also manufactured by Slavich. Sold in two speeds. Speed and development time were stamped on the box. | Ukraine | 935, 120 | Foto 32, Foto 65 |
| Type ca. 1981 (old GOST speed scale) |||||||||||
| Svema | Foto 32 | c1965–1987 | T | 40 | B&W | Print | General purpose fine grain panchromatic film. | Ukraine | 135, 635, 935, 120, sheet film | Foto 32 |
| Svema | Foto 65 | c1965–1987 | T | 80 | B&W | Print | General purpose panchromatic film. | Ukraine | 135, 635, 935, 120, sheet film | Foto 64 |
| Svema | Foto 130 | c1965–1987 | T | 160 | B&W | Print | General purpose panchromatic film. | Ukraine | 135, 635, 935, 120, sheet film | Foto 125 |
| Svema | Foto 250 | c1965–1987 | T | 320 | B&W | Print | General purpose super panchromatic film. For exposures in artificial light, it should be rated at ISO 400/27°. | Ukraine | 135, 635, 935, 120, sheet film | Foto 250 |
| Svema | FN 32 | ?–? | T | 32 | B&W | Print | "Non-standard" film conforming to ASA scale. Fine grain panchromatic film. | Ukraine | 135, 120 | Nothing |
| Svema | FN 64 | ?–? | T | 64 | B&W | Print | "Non-standard" film conforming to ASA scale. Panchromatic film. Bulk last expired 1/94. | Ukraine | 135, 120, sheet film | Nothing |
| Svema | FN 125 | ?–? | T | 125 | B&W | Print | "Non-standard" film conforming to ASA scale. Panchromatic film. | Ukraine | 135, 120 | Nothing |
| Svema | FN 250 | ?–? | T | 250 | B&W | Print | "Non-standard" film conforming to ASA scale. Super panchromatic film. For exposures in artificial light, it should be rated at ISO 320/26°. | Ukraine | 135, 120 | Nothing |
| Type ca. 1987 (new GOST speed scale, same as ASA) |||||||||||
| Svema | Foto 32 | 1987–? | T | 32 | B&W | Print | General purpose fine grain panchromatic film. | Ukraine | 135, 120 | Foto 50 |
| Svema | Foto 64 | 1987–? | T | 64 | B&W | Print | General purpose panchromatic film. | Ukraine | 135, 120 | Foto 100 |
| Svema | Foto 125 | 1987–? | T | 125 | B&W | Print | General purpose panchromatic film. | Ukraine | 135, 120 | Foto 200 |
| Svema | Foto 250 | 1987–? | T | 250 | B&W | Print | General purpose super panchromatic film. For exposures in artificial light, it should be rated at ISO 320/26°. | Ukraine | 135, 120 | Foto 400 |
| Type after 1990 |||||||||||
| Svema | Foto 50 | 1990-? | T | 50 | B&W | Print | General purpose panchromatic film. | Ukraine | 135, 120 | Nothing |
| Svema | Foto 100 | 1990-? | T | 100 | B&W | Print | General purpose panchromatic film. | Ukraine | 135, 120 | Nothing |
| Svema | Foto 200 | 1990-? | T | 200 | B&W | Print | General purpose panchromatic film. | Ukraine | 135, 120 | Nothing |
| Svema | Foto 400 | 1990-? | T | 400 | B&W | Print | General purpose panchromatic film. | Ukraine | 135, 120 | Nothing |

### Colour negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Svema | DS-2 | 1960's–1970's | T | 50 | GOST 5554-70 | Print | Unmasked color negative film, daylight-balanced. 45 GOST (old). | Ukraine | 135, 120 | DS-4 |
| Svema | LN-5M | 1960's–1970's | T | 40 | GOST 5554-70 | Print | Masked color negative film, tungsten-balanced. 32 GOST (old). | Ukraine | 135, 120 | Nothing |
| Svema | CND-32 | ?–c1987 | T | 40 | GOST 5554-70 | Print | Masked color negative film, daylight-balanced, after 1987 changed to ISO 32/16°. | Ukraine | 135, 120, sheet film | Nothing |
| Svema | CND-65 | ?–c1987 | T | 80 | GOST 5554-70 | Print | Masked color negative film, daylight-balanced. | Ukraine | 135, 120 | CND-64 |
| Svema | CNL-32 | ?–? | T | 40 | GOST 5554-70 | Print | Masked color negative film, tungsten-balanced. | Ukraine | 135, 120 | Nothing |
| Svema | CNL-65 | ?–c1987 | T | 80 | GOST 5554-70 | Print | Masked color negative film, tungsten-balanced. | Ukraine | 135, 120, sheet film | CNL-90 |
| Svema | DS-4 | ?–c1990 | T | 50 | GOST 5554-70 | Print | Unmasked color negative film, daylight-balanced. Originally 45 GOST (old), after 1987 changed to 50 GOST. | Ukraine | 135, 120, sheet film | Nothing |
| Svema | CND-64 | c1987–? | T | 64 | GOST 5554-70 | Print | Masked color negative film, daylight-balanced. | Ukraine | 135, 120 | Nothing |
| Svema | CNL-90 | c1987–? | T | 80 | GOST 5554-70 | Print | Masked color negative film, tungsten-balanced. | Ukraine | 135, 120 | Nothing |
| Svemacolor | DS-100 | c1990-? | T | 100 | C-41 | Print | Masked colour negative film, daylight-balanced. | Ukraine | 135, 120 | Nothing |

### Colour reversal (slide) film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Svema | CO-2 | 1960's–1970's | T | 40 | GOST | Slide | Daylight-balanced color reversal film. 32 GOST (old). | Ukraine | 135, 120 | ? |
| Svema | CO-22D | ?–c1987 | T | 25 | GOST | Slide | Daylight-balanced color reversal film. | Ukraine | 135, 120 | Nothing |
| Svema | CO-32D | ?–c1987 | T | 40 | GOST | Slide | Daylight-balanced color reversal film. | Ukraine | 135, 120 | Nothing |
| Svema | CO-65D | ?–c1987 | T | 80 | GOST | Slide | Daylight-balanced color reversal film. | Ukraine | 135, 120 | Nothing |
| Svema | CO-90L | ?–? | T | 100 | GOST | Slide | Tungsten-balanced color reversal film. After 1987 speed changed to ISO 80/20°. | Ukraine | 135, 120 | Nothing |
| Svema | CO-180L | ?–? | T | 200 | GOST | Slide | Tungsten-balanced color reversal film. | Ukraine | 135, 120 | Nothing |
| Svema | CO-50D | c1987–? | T | 50 | GOST | Slide | Daylight-balanced color reversal film. | Ukraine | 135, 120 | Nothing |

## Tasma

Tasma – Тасма in Russian Cyrillic characters was a manufacturer of photographic films located in Kazan, Russia, it has been in operation since 1933 (starting as “Film Factory No. 8”. The name “Tasma” is derived from the Russian phrase «Татарские светочувствительные материалы» “TAtarskie Sveto MAterialiy.” – “TAtar Sensitized Materials;”it was adopted by the company in 1974. Prior to the fall of the Soviet Union, the company offered an array of color photographic products from the year 1950 as well, but these were discontinued following the fall of the Iron Curtain. After the dissolution of the Soviet Union, the company was reorganized as a free enterprise and privatized in 1992. Photographic film production ceased in the 1990s and today they specialise in industrial films including aerial photography films. Films generally supplied without spool in a black paper wrapper and box.

### Black and white film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Tasma | Foto 32 | ?–1987 | T | 40 | B&W | Print | General purpose fine grain panchromatic film. | Russia | 935 | Foto 32 |
| Tasma | Foto 65 | ?–1987 | T | 80 | B&W | Print | General purpose panchromatic film. | Russia | 935, sheet film | Foto 64 |
| Tasma | Foto 130 | ?–1987 | T | 160 | B&W | Print | General purpose panchromatic film. | Russia | 935 | Foto 125 |
| Tasma | Foto 250 | ?–1987 | T | 320 | B&W | Print | General purpose super panchromatic film. For exposures in artificial light, it should be rated at ISO 400/27°. | Russia | 935 | Foto 250 |
| Tasma | MZ-3L | ?–1990 | T | 6 | B&W | Positive | Slow speed orthochromatic positive film. | Russia | 935 | Nothing |
| Tasma | Foto 32 | 1987–? | T | 32 | B&W | Print | General purpose fine grain panchromatic film. | Russia | 935 | Nothing |
| Tasma | Foto 64 | 1987–? | T | 64 | B&W | Print | General purpose panchromatic film. | Russia | 935 | Nothing |
| Tasma | Foto 125 | 1987–? | T | 125 | B&W | Print | General purpose panchromatic film. | Russia | 935 | Nothing |
| Tasma | Foto 250 | 1987–? | T | 250 | B&W | Print | General purpose super panchromatic film. For exposures in artificial light, it should be rated at ISO 320/26°. | Russia | 935 | Nothing |
| Tasma | 100 Super | 1990–? | T | 100 | B&W | Print | General purpose panchromatic film. | Russia | 135-36 | Nothing |

### Colour negative film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Tasma | DS-4 | ?–1990 | T | 50 | GOST 5554-70 | Print | Unmasked color negative film, daylight-balanced. 45 GOST (old). | Russia | 935 | Nothing |
| Tasma | CND-32 | ?–1990 | T | 40 | GOST 5554-70 | Print | Masked color negative film, daylight-balanced, after 1987 changed to ISO 32/16°. | Russia | 935 | Nothing |
| Tasma | CNL-32 | ?–? | T | 40 | GOST 5554-70 | Print | Masked color negative film, tungsten-balanced. | Russia | 935 | Nothing |

### Colour reversal (slide) film

| Make | Name | Dates | Base | ISO | Process | Type | Details | Origin | Formats | Replaced by |
| Tasma | CO-22D | ?–c1987 | T | 25 | GOST | Slide | Daylight-balanced color reversal film. | Russia | 935 | Nothing |
| Tasma | CO-32D | ?–c1987 | T | 40 | GOST | Slide | Daylight-balanced color reversal film. | Russia | 935 | Nothing |
| Tasma | CO-65D | ?–c1987 | T | 80 | GOST | Slide | Daylight-balanced color reversal film. | Russia | 935 | Nothing |
| Tasma | CO-50D | c1987–? | T | 50 | GOST | Slide | Daylight-balanced color reversal film. | Russia | 935 | Nothing |

## Valca

Valca was a Spanish film manufacturer established in 1940 headquartered in Bilbao. The company name comes from the factory location in Sopeñano, Burgos; Valle de Mena (Mena Valley) through which flows the Rio Cadagua (Cadagua River) which provided cooling water for the factory. The company produced black and white negative film, photographic paper and X ray films. Ilford acquired an equity interest in Valca in 1960, resulting in technical co-operation and Valca acting as Ilford distributors in Spain. The agreement lasted until 1976 when Ilford sold its shares. It was particularly successful in the X-ray film market and in 1991 it had a 17% share of its national market and 1% of the US market, the latter accounting for 60% of production, with 65% of X-ray film exported in total. While black and white film was produced in-house, colour film was rebranded stock from other suppliers. The company underwent re-structuring in 1991 due to financial problems, reportedly due to poor management and the factory finally closed in 1993.

### Black and white film

* Valca Sheet Film Autographica – Panchromatica Antihalo
* Valca Sheet Film Retrato V Orthochromatic
* Valca Sheet Film Retrato VV Panchromatic
* Valca Sheet Film Retrato ES Panchromatic
* Valca Diapositiva Dura
* Valca F22 – ASA 125 (sheet film 9×12 cm, 35mm, 120, 620 & 126) Possibly based on FP4
* Valca H27 – ASA 400 Possibly based on Ilford HP3
* Valca H29 – ASA 400 (sheet film, 35mm, 120) Possibly based on Ilford HP4

### Colour negative films

* Valcolor, 1974–1975 Sakuracolor N100
* Valcolor II – 1975–1977 Sakuracolor II
* Valcolor II – 1977–1980 (35mm, 126, 120, 110) 3M color print 100
* Valcolor HR100 – ?–1991 (35mm & 126) Konica color 100