# R. Scott Bakker

Richard Scott Bakker (born February 2, 1967) is a Canadian fantasy author. He grew up on a tobacco farm in the Simcoe area.

## Works
### Fiction
#### The Second Apocalypse

The Second Apocalypse is a fantasy series that includes three sub-series titled The Prince of Nothing, The Aspect-Emperor, and The No-God. The series was originally planned as a trilogy, but when Bakker began writing the series in the early 2000s he found it necessary to split each of the three novels into its own sub-series to incorporate all of the characters, themes and ideas he wished to explore.
The Prince of Nothing trilogy was published between 2004 and 2006, while The Aspect-Emperor series was published between 2009 and 2017. The No-God has not been published at this time, and Bakker has not confirmed a release date.

#### Neuropath

While working on the Prince of Nothing series, Bakker was prompted by a crux of events to write a thriller dealing with the cognitive sciences. He produced a near future science fiction novel involving a serial killer whose knowledge allows them to influence and control the human brain. This book is called Neuropath and was published in 2008.

#### The Disciple of the Dog

Shortly before The Aspect-Emperor's second book, The White-Luck Warrior, was published, Bakker released a second novel outside of his main fantasy series. Titled Disciple of the Dog, it features the private investigator, Disciple Manning, who suffers from a condition reminiscent of hyperthymesia. The story revolves around Disciple's recounting of a case involving a missing girl, a cult, and the small-town drama of Ruddick. It was published in November 2010. Bakker has planned a number of follow up novels to Disciple of the Dog, including The Enlightened Dead, but due to the first novel's poor reception and very few reviews the sequels have not been pursued.

#### Other works

Bakker also has a number of unreleased works in progress, aside from his fantasy opus, most notably Light, Time, and Gravity as well as an eventual anthology of short stories, Atrocity Tales, set within The Second Apocalypse fantasy narrative. A draft of Light, Time, and Gravity was released serially on Bakker's blog, Three Pound Brain, but has since been removed. It is described by a defunct Amazon.ca link as a "novel told from the perspective of a suicidal English professor, recalling his experiences as a seventeen-year-old working on a Southwestern Ontario tobacco farm in the summer of 1984. Part essay, part narrative, part present, part history, Light, Time, and Gravity is a kind of Notes from the Canadian Underground, a portrait of our culture’s abject failure to create a genuine Canadian identity, as well as a stinging indictment of Canada’s literary and intellectual elites."
Two other unreleased works of fiction in progress include the SF novellas Semantica and The Lollipop Factory. The former has been referenced by Bakker a number of times on his blog and is described by fans as a "rumoured title set in a world where nootropic and neurocosmetic techniques have created a class division between those with enhancements and those without, where superhuman Tweakers rebel and are hunted like animals by an oppressive government." The latter, The Lollipop Factory, has only been mentioned once by Bakker in a Reddit r/Fantasy AMA in 2017. Aside that it is a "short SF novel," nothing is yet known about this title.

#### Philosophy

As The Prince of Nothing trilogy was being published in 2003-06 and Bakker experienced his initial rise in popularity, he participated frequently with fans at the now read-only Three-Seas forum. During this time Bakker consistently began to formulate and popularize what would eventually become the foundation for his Blind Brain Theory and Heuristic Neglect Theory then focusing on how studies of human cognitive biases generally and eventually on their impact on academic Philosophy and the greater humanities.

#### Blind Brain Hypothesis

In 2008, Bakker published Neuropath, a near future SF psychothriller which thematically continued Bakker's elucidation of human cognitive biases and their implications regarding human meaning, purpose, and morality, whatever form they may take. While the narrative events of the book make for a compelling thought experiment, Bakker included as an Author Afterword a short essay regarding the blending of factual and fictive premises therein and the eventual advent of the narrative's villain in our own world. The essay marks Bakker first formal mention of his Blind Brain Hypothesis, beyond its use in the narrative proper.
Narrative aside, in the Author Afterword Bakker sources two real world examples concerning illusory consciousness, the inner human experience of temporality and the imperceptible limits of field of vision. In the essay, as in the book via the character Thomas, Bakker argues that the human sense of the "Now," this very moment, might be symptomatic of perceptual thresholds akin to the human inability to perceive beyond the field of vision, certain colours outside within that field, or the perceptual blind spot caused by the lack of receptors in a portion of the back of the eye. Bakker cites the inability of consciousness to experience and perceive but a sliver of all the brain's processing as indicative of consciousness experience being totally illusory, rather than only sometimes in some contexts. As per the world of Neuropath's narrative, Bakker also argues that in time non-invasive brain scanning, via something like the narrative conceit of "low-field fMRI," may result in an entirely new scale of institutional manipulation, moving beyond efforts of associative conditioning given the wealth of data prevalent real-time brain imaging could provide. Finally, central to the essay is Bakker's assertion that the scientific method and its progress would eventually yield unfathomable insights into human behavior and cognition such that the existence of the narrative's villain and his futuristic brain–computer interface are inevitable in real life as well.

#### The Semantic Apocalypse

Shortly thereafter in 2008, Bakker presented The End of the World As We Know It: Neuroscience and the Semantic Apocalypse at Western University's Centre for the Study of Theory and Criticism, which was rebutted by then students Nick Srnicek and Ali McMillan. The title of Bakker's lecture, familiar to readers of Neuropath, references the Semantic Apocalypse, a theory attributed to one of the protagonist's professors.
Bakker begins the talk with a call to writers in the audience to reach beyond the confines of academia and their peers and instead write to challenge audiences who don't share the author's values and attitudes. He then summarizes again the narrative underpinnings of Neuropath's world where the technologies of neuroscience have reached technical and social maturity and prevalence.
The Semantic Apocalypse continues with a number of secondary arguments concerning pessimistic induction and what Bakker calls "Cognitive Closure FAPP." Regarding the former, Bakker explains that in all arenas historically science has replaced "intentional [or folk] explanations of natural phenomena with functional explanations." For Bakker it follows that this will inevitably extend to the brain and human cognition. On the latter, Bakker suggests that human culture and society have continually ignored the facts of our cognitive biases without due consideration of their impact. This gives rise to what Bakker refers to as the "Magical Belief Lottery:" the ignorance of a growing battery of confirmation biases concerning how humans rationalize behaviour and thought leading to conviction in long-held intentional or folk explanations of humans and their place in the world.
Building on his elucidations from Neuropath's Author Afterword, Bakker presents the metaphor of the Blind Brain Hypothesis as a magician's coin trick. By Bakker's argument the brain has evolved to process a prodigious amount of perceptual information regarding its local environment tracking natural objects with causal histories. Coin tricks through sleight of hand or misdirection exploit the brain's need for that causal history, confounding the brain's ability to process the coin's causal history. Given the central assumption of Blind Brain Hypothesis, that "information that finds its way to consciousness represents only a small fraction of the brain’s overall information load," humans are likely likewise unable to account for the causal history of thoughts and behaviours. It supposes that our conscious awareness of information processed by the brain is preceded by what Bakker calls here information horizons. Again Bakker draws upon the analogy of the eye's perceptual thresholds, this time highlighting that half of all the retinal nerves process information exclusively from the receptor rich fovea, and also extends that metaphor to speculate about the information horizons of our temporal field and the experience of the "Now."
Finishing his lecture and corresponding transcript, Bakker speaks on the money invested into using the advances in neuroscience to improve marketing techniques. Bakker also uses a metaphor on alien cognition describing beings whose brains and nervous systems had evolved to track their brain's causal history.

#### The Last Magic Show

In April 2012, Bakker added to Three Pound Brain a link to a draft of a paper he called The Last Magic Show: A Blind Brain Theory for the Appearance of Consciousness. The Last Magic Show was the first cumulative result of Bakker's efforts on Three Pound Brain and consolidated many terms invented or cited and appropriated across the previous two years of philosophic inquiry and analysis. The draft marked the first formal mention of Blind Brain Theory, as evolved from the Blind Brain Hypothesis. In his abstract Bakker describes the paper as addressing "[p]uzzles as profound and persistent as the now, personal identity, conscious unity, and most troubling of all, intentionality, could very well be kinds of illusions foisted on conscious awareness by different versions of the informatic limitation expressed, for instance, in the boundary of your visual field."
The title of Bakker's paper, A Blind Brain Theory for the Appearance of Consciousness, reflects his assertion therein that the Blind Brain Theory serves as a vehicle to describe and distinguish the features of how conscious experience appears to self-reflection rather than the actual specific systems and functioning underlying consciousness. To begin, Bakker imagines an explanatory vehicle he refers to as a Recursive System, the brain architecture which has evolved to track even more the basic architecture of itself, possibly akin to the relationship between the frontal cortex to the rest of the brain. Bakker suggests two parts to a Recursive System, the system "open," all the information processed by the brain, and the system "closed," referring to the information accessible to consciousness. The basic assumption regarding the existence of a Recursive System implies a limit on the information available to the RS-closed, conscious awareness, which Bakker dubs Informatic Asymmetry and its Asymptotic Limit. As specific examples Bakker refers to the cognitive psychology literature citing change blindness and inattentional bias (cognitive bias), wherein there are clear divergences between the information processed by the brain and information from the self-reports of perception.
As Bakker continues he expands on Informatic Asymmetry and the Asymptotic Limits of different Recursive Systems writing of information horizons, "the boundaries that delimit the recursive neural access that underwrites consciousness." Describing consciousness as encapsulated by the global limit of information horizons, Bakker highlights consciousness' inability to perceive any absence of information, that is processing outside of the RS-closed, as in some anosognosias. The information provided to consciousness is perceived as sufficient because the RS-closed is unable to track the discrepancy of the information processed by the whole brain. Bakker returns to the Coin Trick analogy from Neuropath's Author Afterword, using the magician as an extended explanatory metaphor to further elucidate Asymptotic Limits of specific Recursive Systems and the Asymptotic Complex of encapsulation regarding the experience of persistent global sufficiency, from where the paper almost certainly gets the former part of its title.
As before, Bakker builds on previous exposition reframing the experience of "the Now," with a portion of the draft directly referencing an older blog post. Likewise, he again uses the example of the visual field to propose a similar temporal explanation for the conscious experience the Now. Blind Brain Theory, Bakker writes, argues seemingly natural occurring anosognosias but maintains that this becomes ultimately problematic for our experience of identity and intentions.
Further elaborating, Bakker cites the phenomenon in psychophysics known as flicker fusion (or flicker fusion threshold), the point at which consciousness perceives a light as steady. This phenomenon is widely exploited in the modern human environment from light bulbs to screened devices and brings about similar explanatory power akin to Bakker's use of the visual field metaphor.
Nearing the close of The Last Magic Show, Bakker delves into the highly speculative implications of Blind Brain Theory's argument for the appearance of consciousness regarding the use and reference of Intentionality in academic philosophy, as well as, the very underpinnings of humanity's scientific and philosophic endeavours, logic and math, the latter of which might reference an earlier essayistic work posted to Three Pound Brain. He also writes of the "First-person Perspective Show," which almost definitely precedes his draft paper, The Introspective Peep Show. In the footnotes of The Last Magic Show, Bakker mentions that threads of his consideration have found themselves in every novel he's written, but that specifically "[o]nly Neuropath deals with the theory in any sustained manner." Bakker also takes care to distinguish Blind Brain Theory from eliminativism generally, in that, his theory "allows for a systematic diagnosis of the distortions and illusions belonging to the first person perspective."

#### Through the Brain Darkly

A proposed anthology of Three Pound Brain's essays and articles named for a fictional book that appears in Neuropath, mentioned on Three Pound Brain in April 2013. Later in September, 2013, Bakker later posted a draft essay possibly serving as the last piece to be included in Through the Brain Darkly.

#### Back to Square One

An essay published on Scientia Salon, November 2014.

#### Crash Space

A near future SF short announced on Three Pound Brain, November 2015, and released in Midwest Studies in Philosophy.

#### The Digital Dionysus

An anthology of essays published in September 2016 examining "the importance of Nietzsche's thought for decoding the vicissitudes of our digital age" (Keith Ansell-Pearson); Bakker contributed a chapter based on the talk that he presented to the annual Nietzsche Workshop @ Western -- a conference which he had regularly attended in London, the final year of which took place at The New School in New York City..

#### From Scripture to Fantasy

A paper published in Cosmos and History, January 2017.

#### On Alien Philosophy

While an earlier draft of On Alien Philosophy was published on Three Pound Brain, August 2015, Bakker ultimately published the paper in the Journal of Consciousness Studies, Feb 2017.