OpenLLM-France/wikimedia huggingface dataset:
# On/Off (Japanese band)

On/Off (stylized as ON/OFF) was a Japanese musical duo consisting of twin brothers Naoya and Kazuya Sakamoto. The duo debuted in 2007 with the single "Eien no Setsuna" (永遠の刹那, "Eternal Moment").

## History
### 2007–2011

On November 21, 2007, On/Off debuted with the single "Eien no Setsuna", which was used as the ending theme song the live-action adaptation of Fūma no Kojirō. The single debuted at number 59 on the Oricon charts.
On June 4, 2008, they released their second single "Futatsu no Kodō to Akai Tsumi". The single charted at 19. "Futatsu no Kodō to Akai Tsumi" was used as the opening theme song for the first season of anime series Vampire Knight.
On October 15, the duo released the single, "Rinne: Rondo", which became the opening song for Vampire Knight's second season.
On March 4, 2009, the duo released their single "Hana Kagari", which charted at number 18. On April 22, the two released their debut album ''Legend of Twins I: Futago Densetsu''.
On June 9, 2010, they released their single "Butterfly", which was also used in the anime Durarara!! as its ending theme song.

### 2011–2015

On February 11, 2011 they released their new single "Akatsuki". On May 4, they released their a second single "Hajimaru no wa, Sayonara", which was used as second opening for anime series Beelzebub and was composed and produced by popular J-pop artist Daisuke Asakura.
On December 7, they released their last and final work, their second album 'Legend of Twins II: Zoku Futago Densetsu'.
In 2015, On/Off broke-up with the brothers pivoting to other careers.

## Members

* Naoya Sakamoto (坂本 直弥, Sakamoto Naoya)
* Kazuya Sakamoto (坂本 和弥, Sakamoto Kazuya)

## Discography
### Albums

| Title | Details | Chart positions |
| Title | Details | JP |
| Legend of Twins I: Futago Densetsu (Legend of Twins I－双子伝説－, Legend of Twins I: The Legend Twins) | Released: April 22, 2009 Label: Music Ray'n Inc. Formats: CD, CD+DVD, Box set | |
| Legend of Twins II: Zoku Futago Densetsu | Released: December 7, 2011 Label: Music Rayn' Inc. |

### Singles

| Title | Year | Chart positions |
| Title | Year | JP |
| "Eien no Setsuna" (永遠の刹那, "Eternal Bond") | 2007 | 59 |
| "Futatsu no Kodō to Akai Tsumi" (ふたつの鼓動と赤い罪, "Two Beats and a Red Sin") | 2008 | 19 |
| "Rinne: Rondo" (輪廻－ロンド－, "Cycle: Rondo") | 2008 | |
| "Hana Kagari" (花篝－ハナカガリ－, "Hanakagari: Bamboo Flower") | 2009 | 18 |
| "Butterfly" | 2010 | 15 |
| "Akatsuki" | 2011 | |
| "Hajimaru no wa, Sayonara" (始まるのは、サヨナラ) | 2011 | 31 |
# Eustice Huang

Eustice Huang, often referred to as Ms. Huang or Miss Huang, is a fictional character on the Apple TV + series Severance, portrayed by Sarah Bock.

## Overview

Huang is a student and works at Lumon as part of the Wintertide Fellowship. Though young she asserts herself as a manager to the severed employees.
Huang has a subtly contentious relationship with her supervisor, Seth Milchick. She questions his decision making and is implied to have sabotaged his performance review by anonymously complaining that he too often uses big words and uses paperclips incorrectly.
After completing her time as a Wintertide Fellow she is given a bust of Jame Eagan commemorating the occasion and is sent to live Gunnel Egan Empathy Center in a remote location, leaving her parents' home.

## Development

Series creator Dan Erickson stated that the idea of a child supervisor appealed to them as "strange and funny." He added "Lumon is always trying to present itself as the good guy, and it’s awfully hard to hate a child." On casting Bock in the role, Erickson said "she was just so good at the smiling corporate thing, and she felt authentically like a piece of that world."
The ring toss water toy she plays was designed as a childlike distraction to correspond with her actual age, despite her managerial role on the severed floor. According to Severance prop master Catherine Miller, the ring toss water game was designed as a "Severed floor’s version of what kids do, being distracted by a cell phone."

## Reception

Alan Sepinwall of Rolling Stone compared her work style to that of Milchick, writing "Despite her size and youth, her omnipresent smile and serene demeanor evoke Milchick, which inherently makes her a threat." Sepinwall also notes the contention between the two, stating, "Tramell Tillman plays every scene with Bock as if Milchick has never hated anyone more than he hates this little girl."
James Poniewozik of The New York Times commented on the tone of the character by describing her as "a new manager who happens to be a young child and seems to have wandered off the set of a Wes Anderson movie."
# Tanner Rosborough

Tanner Rosborough (born March 21, 2008) is a professional footballer who plays as a forward for Major League Soccer club New York Red Bulls and MLS Next Pro side New York Red Bulls II.

## Club career
### Early career

Born in Pittsburgh, Pennsylvania, Rosborough began playing at age four, through age 14 with Beadling Soccer Club. In 2022 he joined the New York Red Bulls Academy featuring within Red Bulls Academy at the U-15 level. On 7 September 2023, Rosborough signed an MLS NEXT Pro contract. As part of the contract, Rosborough joined the first team on an MLS contract starting in 2025 through the 2028 MLS season, with an option for 2029.

### New York Red Bulls II

On 21 April 2023, Rosborough made his professional debut with New York Red Bulls II against New England Revolution II, making him one of the youngest players to appear in a match in club history. On 30 June 2024, Rosborough scored his first goal as a professional in a 1–3 loss to Columbus Crew 2. On 4 August 2024, Rosborough scored the opening goal for New York in a 4–3 victory over Chicago Fire FC II, as a result recording a goal in five straight matches, the second-longest streak in franchise history.

## International

Rosborough has represented the United States at the U-15 and U-16 level. Rosborough scored two goals in six matches helping the United States claim the U15 CONCACAF Championship title.
On 3 February 2025 Rosborough was selected to the United States U-17 National Team roster for the U-17 CONCACAF qualifiers.

## Career statistics

    As of match played 26 December 2024
Appearances and goals by club, season and competition :
| Club | Season | League | League | League | National Cup | National Cup | League Cup | League Cup | Continental | Continental | Total | Total |
| Club | Season | Division | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals | Apps | Goals |
| New York Red Bulls II | 2023 | MLS Next Pro | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 |
| New York Red Bulls II | 2024 | MLS Next Pro | 23 | 7 | 0 | 0 | 0 | 0 | — | — | 23 | 7 |
| New York Red Bulls II | 2025 | MLS Next Pro | 1 | 1 | 0 | 0 | 0 | 0 | — | — | 1 | 1 |
| New York Red Bulls II | Total | Total | 26 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 26 | 8 |
| Career total | Career total | Career total | 26 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 26 | 8 |
* ↑ Includes U.S. Open Cup
# Bığır, Ismailli

40°57′N 48°09′E﻿ / ﻿40.950°N 48.150°E﻿ / 40.950; 48.150
Bığır (also called Bugur) is a village in the Ismailli Rayon of Azerbaijan.
# Lydie Pongault

Lydie Pongault (born 1959) is a Congolese museum director, financier and politician, who was appointed Minister of Cultural Industry, Tourism, Arts and Leisure of the Republic of Congo on 24 September 2022.

## Biography

Born Marie-France Lydie Hélène Pongault in 1959, she studied for diplomas in accounting, management and private law, and subsequently held positions in finance for several years within several Congolese companies, before changing career to focus on culture and the arts.
One of her first roles as financial director was at Les Dépêches de Brazzaville. She was also a financial director for GKM Audit & Conseil. She also held the position of director of the Musée Galerie du Bassin du Congo and the Les manguiers bookstore. As museum director, Pongault worked to extend the international reputation of the institution and its collection. During her tenure she curated several exhibitions, including one on the Kébé-Kébé dance. In 2013, she was appointed as an advisor to the Head of the Department of Culture, Arts and Tourism within the Congolese presidency.
On 24 September 2022, following a cabinet reshuffle, Pongault joined the second Makosso government as Minister of Cultural Industry, Tourism, Arts and Leisure, replacing Dieudonné Moyongo [fr] and Destinée Doukaga, who had held the respective positions of Minister of Culture and Arts and Minister of Tourism and Leisure in the first Makosso government. As minister she has reiterated the importance of Congolese investment in the arts and tourism for the government.
# Daisy Wood-Davis

Daisy Wood-Davis is a British singer and actress. She has appeared in several stage productions, including Dreamboats and Petticoats as Tansy, cousin of Poppy in EastEnders as Laura and The Rocky Horror Show as Janet Weiss. From 2014 to 2018, she played the role of Kim Butterfield in Hollyoaks. In 2019, she recurred as Phoebe Palmer in Holby City.

## Early life

Wood-Davis grew up in Petts Wood, and attended Crofton School and later Darrick Wood School. She trained at the Italia Conti Academy of Theatre Arts.

## Career

While she was at Italia Conti, Wood-Davis saw an advertisement for open auditions for Bill Kenwright's production of Dreamboats and Petticoats. She attended the audition and was given the lead role of Laura. She stated, "I had my West End debut as a lead part at the age of 18. It was unbelievable, it was all my dreams and more. It was amazing." Wood-Davis also toured with the production, and featured on a cast album, which has sold over 60,000 copies.
Wood-Davis later signed a record deal with Universal Music. She also played Janet Weiss in the European tour of the musical The Rocky Horror Show.
In November 2012, Wood-Davis appeared in one episode of BBC soap opera EastEnders as Tansy Meadow, the sister of established character Poppy Meadow (Rachel Bright). She also appears as Tansy in a 15-minute spin-off episode called "All I Want for Christmas".
From 2014 to 2018, she played the role of Kim Butterfield in Hollyoaks, the sister of Lindsey Butterfield (Sophie Austin).
Following her departure from Hollyoaks, Wood-Davis made a guest appearance as Phoebe Palmer in Holby City. She later returned to film further appearances, which aired in late 2019.
In 2019, she played the role of Sheila in Hair the Musical, in Glasgow and Edinburgh. In November 2019, it was announced that Wood-Davis would play singer-songwriter Carole King in the UK and Ireland touring production of Beautiful: The Carole King Musical in 2020.

## Personal life

Wood-Davis announced her engagement to her Hollyoaks co-star Luke Jerdy in August 2019. In May 2021, Wood-Davis and Jerdy announced that they were expecting their first child together, and their first son was born on 28 September 2021. On 18 June 2022, Jerdy and Wood-Davis married. In June 2024, the couple announced that they were expecting their second child together, and their second son was born on 8 December 2024.
# Lynn Colella

Lynn Ann Colella (born June 13, 1950) is an American former swimmer and Olympic medalist. She represented the United States at the 1972 Summer Olympics in Munich, Germany, where she won a silver medal in the 200-meter butterfly, finishing behind compatriot Karen Moe. She is the sister of Rick Colella, an Olympic bronze medalist in swimming.
Lynn Colella was born June 13, 1950, in Seattle, Washington and attended Seattle's Nathan Hale High School, where she graduated in 1968. In her youth, she swam for Cascade Swim Club, a strong program, and was an eight time winner at the city wide Seattle All-City Swim Carnival.
Colella attended the University of Washington as an undergraduate roughly from 1968-1972, and completed an undergraduate degree in electrical engineering, while later pursuing post-graduate studies at Washington. She received a scholarship to aid with her tuition from Phillips Petroleum, a company that had also sponsored at least one California age-group swim team. Lynn trained with the men's swim team at Washington and in her Freshman year was coached by John Tallman who served as Washington's Head Coach after 1962. For most of her time swimming with the Huskies, she was trained by ASCAA Hall of Fame Head Coach Earl Ellis who coached the Husky's swim team from 1969-1998. Lynn also trained with the Washington Club team, and the University of Washington Intramural women's swimming group that competed at the nation-wide Association for Intercollegiate Athletics for Women (AIAW) national championships. Lynn captured three titles at an AIAW meet, and set three records at the AIAW National Collegiate Championship in 1972.

### 1972 Olympic silver medal

At the 1972 Munich Olympics, Colella received a silver medal in the women's 200 m butterfly event, finishing with a time of 2:15.57. In the final, American Ellie Daniel, the 1968 Mexico Olympic bronze medalist in the event, took the lead on the first lap over the 100-meter butterfly champion, Mayumi Aoki of Japan, but Rosemarie Kother of East Germany took a substantial 100 meter lead over both competitors. Kother held her lead through 150 meters, but at the 150-meter turn Daniel recaptured the lead, with world record holder Karen Moe on her heels. Moe of the American team, permanently took the lead at the 170 meter mark. At roughly the same time American Karen Moe took the lead at the 170-meter mark with the two-thirds of the race completed, Colella passed both Daniel and Kother. In a highly competitive race, and close finish, the Americans swept the finals, with Karen Moe winning the gold, Collela taking the silver only .77 seconds behind Moe, and American teammate Elie Daniel taking the bronze only .4 seconds behind Collela.
In international competition in 1973, Lynn won
# Charles McKeown

Charles McKeown (/məˈkjuːən/ mə-KEW-ən; born 1946) is a British actor and writer, perhaps best known for his collaborations with Terry Gilliam. The two met while shooting Monty Python's Life of Brian (1979), and further collaborated with the Monty Python team in Ripping Yarns (1977), Fawlty Towers (1979), Time Bandits (1981), The Missionary (1982), A Private Function (1984), Brazil (1985), East of Ipswich (1987), The Adventures of Baron Munchausen (1988), The Imaginarium of Doctor Parnassus (1989), Erik the Viking (1989), and American Friends (1991). Other credits include Yes Minister (1980), The Hitchhiker's Guide to the Galaxy (1981), Prick Up Your Ears (1987), and The Young Indiana Jones Chronicles (1992).

## Early life and career

Charles McKeown studied acting at the Bristol Old Vic Theatre School.

### Acting

McKeown has had a number of appearances in films and television series associated with the Monty Python comedy group. He started off his career with minor roles on Ripping Yarns (1977), which starred Michael Palin and Terry Jones, and Fawlty Towers (1979), which starred John Cleese. Around the same time, he played some minor roles in Life of Brian, where he met Gilliam.
Since then, he has had acting roles in a number of the films he helped to write with Gilliam, including an appearance as Harvey Lime in Brazil and as Adolphus and Rupert in The Adventures of Baron Munchausen. In addition, he had roles in other Python-associated films such as Time Bandits (1981), The Missionary (1982), A Private Function (1984), East of Ipswich (1987), Erik the Viking (1989), and American Friends (1991).
McKeown has also made some film appearances not associated with the Monty Python troupe such as his minor role as Jerry Hadley in Spies Like Us (1985), (although Terry Gilliam also had a small role in that film) (1985), and Mr. Cunliffe in Prick Up Your Ears (1987).
McKeown has also appeared on numerous television series including: Yes Minister (1980), The Hitchhiker's Guide to the Galaxy (1981), Pinkerton's Progress (1983 which he also wrote for) and The Young Indiana Jones Chronicles (1992).

### Screenwriting

McKeown co-wrote the screenplay for Brazil (1985) with Gilliam and Tom Stoppard, for which they were collectively nominated for an Academy Award. McKeown also co-wrote the screenplay for The Adventures of Baron Munchausen (1988) with Gilliam. After nearly twenty years apart, the two collaborated again on the screenplay for The Imaginarium of Doctor Parnassus (2009). Additionally, McKeown wrote the BBC sitcom, Hold the Sunset.
He went uncredited for his work on Batman (1989), but other notable screenwriting credits include Plunkett & Macleane (1999), and Ripley's Game (2002),
# The Overview (album)

Professional ratings :
| Aggregate scores ||
| Source | Rating |
| Metacritic | 82/100 |
| Review scores ||
| Source | Rating |
| AllMusic | |
| Clash | 8/10 |
| Classic Rock | |
| Mojo | |
| Sputnikmusic | 2.9/5 |
The Overview (stylised TH5 OV5RV95W) is the eighth studio album by English progressive rock musician Steven Wilson, released on 14 March 2025 via Fiction Records. Featuring only two 20-minute tracks, it returned to a progressive rock sound after Wilson had previously moved into more electronic territory with recent releases.

## Background

The record is a concept album about the Overview effect, a cognitive shift caused by viewing the Earth from space. This concept was utilized as a starting point for the sound of the record, which was described by Wilson as being similar to acts such as Pink Floyd, Tangerine Dream, and Vangelis in "a modern context". Wilson has stated that the album is going to be considerably more progressive rock influenced than much of his recent work, stating that he felt the concept geared itself well to the genre.
On 25 February 2025, the record premiered at the BFI IMAX alongside a commissioned film by Miles Skarin. Alongside the main album, a deluxe edition titled The Alterview, featuring an additional hour of music, will be released. A tour will also start in promotion of the record on 1 May 2025, Wilson's first headlining solo tour in over seven years.

## Track listing

All music is composed by Steven Wilson.
# The Straight Mind and Other Essays

The Straight Mind and Other Essays is a 1992 collection of essays by Monique Wittig.
The collection was translated into French as La pensée straight in 2001. The title essay, "The Straight Mind", was delivered to the Modern Language Association annual convention in 1978, and makes reference to The Savage Mind by Claude Lévi-Strauss.

## Summary

In April 1979, Wittig delivered her essay, "The Straight Mind", as the morning keynote address at Barnard College's event, "The Scholar and the Feminist Conference, The Future of Difference". The essay appeared in French in Questions féministes, where the editorial collective, which included Wittig, splintered over "the lesbian question" leading to a dissolution of the collective and end to the publication. It also appeared in English in Feminist Issues.
"One Is Not Born a Woman", delivered in September 1979 at the "30th Anniversary Conference of the Second Sex" held at New York University, takes up the outcomes of Simone de Beauvoir's feminist political visions for lesbians. Wittig writes "Lesbians Are Not Women" under the assumption that the term "woman" is defined by men. Moreover, she compares lesbians to fugitive slaves.
"The Trojan Horse" explains her theory of literature as a "war machine", echoing Gilles Deleuze.

## Reception

In her review of the collection, Rosemary Hennessy highlights Wittig’s materialist critique of heterosexuality as a political regime. Hennessy contrasts Wittig’s approach with that of queer theory, arguing that while both challenge identity politics and the notion of stable sexual identities, queer theory primarily engages with sexuality as a discursive construct, often neglecting the broader materialist and structural dimensions of oppression. Wittig, on the other hand, emphasizes how heterosexuality is not just a cultural discourse but a system of power and economic exploitation tied to capitalism and patriarchy.
For Teresa de Lauretis, Wittig’s work helped distinguish lesbian theory from feminist theory by conceptualizing lesbians as an "eccentric subject" existing outside the heterosexual framework. She argues that Wittig’s ideas, though sometimes misunderstood and critiqued—especially by Judith Butler—anticipated later developments in queer and postcolonial theory. De Lauretis also emphasizes Wittig’s lasting influence, as contemporary gender studies increasingly move beyond fixed identity categories, inadvertently realizing Wittig’s vision.
Brad Epps and Jonathan Katz draw parallels between Wittig and Herbert Marcuse: both thinkers combine utopian aspirations with a materialist analysis of existing conditions, with Marcuse critiquing the one-dimensionality of advanced industrial society and Wittig challenging the heterosexual regime's oppression of women and lesbians. They both reject essentialist notions of identity, focusing instead on the potential for new forms of subjectivity to resist and transform dominant structures.
# Snuff-Movie

Snuff-Movie is a 2005 Gothic horror film written and directed by British director Bernard Rose.

## Plot

It stars Jeroen Krabbé as horror filmmaker Boris Arkadin, whose pregnant wife Mary was supposedly brutally murdered by a Manson-like gang of hippy psychopaths during the 1960s. An eccentric recluse, Boris makes a comeback when he invites some actors to a large mansion in the English countryside to 'audition' for his new film. Unknown to most of them they are being filmed by hidden cameras linked to a snuff website.

## Cast

* Jeroen Krabbé as Boris Arkadin / Mr. Maezel
* Lisa Enos as Mary Arkardin / Wendy Jones
* Teri Harrison as Pamela / Angie
* Alastair Mackenzie as Justin / Andy / Freddy / Peter
* Lyndsey Marshal as Sandy / X / Janice
* Hugo Myatt as Dr. Culpepper / Leon Bank / Desk Sergeant
* Tedy Necula as Marco Arkadin
* Joe Reegan as James / Jack

## Production

Though set in London, the movie was filmed in Romania, on a budget of £6 million.

## Reception

Philip French in The Observer wrote, "the movie is no fun, makes little sense and takes itself rather seriously". Empire called it a "lurid, DV-shot sleazefest... Disturbing and distasteful, and not in a good way". Derek Elley wrote in Variety, "Dialogue is cheesy in an unfunny way, plotting is unbelievable, even on a genre level, and performances are worthy of summer stock." The Guardian called it "preposterous". Time Out's reviewer wrote, "If there’s some fun to be had it’s in its frenzied plagiarism. It certainly fails as a thriller".
ScreenDaily was more positive: "a deliciously Machiavellian horror movie which has cult hit written all over it".