# Curious George (film)

Curious George is a 2006 animated adventure film based on the book series written by H. A. Rey and Margret Rey. It was directed by Matthew O'Callaghan (in his theatrical feature directorial debut), written by Ken Kaufman and produced by Ron Howard, David Kirschner, and Jon Shapiro. Featuring the voices of Frank Welker, Will Ferrell, Drew Barrymore, David Cross, Eugene Levy, Joan Plowright, and Dick Van Dyke, it tells the story of how the Man with the Yellow Hat, a tour guide at a museum, first befriended a curious monkey named George and started going on adventures with him around the city while attempting to save the museum from closure.
It is the first theatrically-released animated film from Universal Pictures since 1995's Balto, the first theatrical animated film from Universal Animation Studios (making this Universal's first in-house theatrical animated film), and the first animated film from Imagine Entertainment. The film had languished in development hell at Imagine Entertainment since at least 1992, but it is possible that it was conceived years before. The film employs a notable blend of traditional animation and computer-animated scenery and objects that make up 20% of its environment. The soundtrack was composed by Heitor Pereira and features several songs by musician Jack Johnson.
Curious George was released in the United States by Universal Pictures on February 10, 2006. It was met with generally positive reviews, but was a box-office failure, grossing only $70 million worldwide against a budget of $50 million. Curious George made $48 million in DVD sales in the home market. It got several direct-to-video sequels after release.

## Plot

In the jungle of Africa, a friendly yet curious orphaned monkey spends his days playing with his fellow animals. However, his mischief often gets himself into trouble with any adult animal in the jungle. Meanwhile, Ted is a tour guide living in New York City, who works at the Bloomsberry Museum and gives weekly presentations to schoolteacher Maggie Dunlop, whom Ted is smitten with, and her students. His boss and the museum owner, Mr. Bloomsberry, informs Ted that the museum is losing money and will have to close. Mr. Bloomsberry's son, Junior, wants to tear down the museum and replace it with a commercial parking lot. To save his job and the museum, Ted impulsively volunteers to retrieve an ancient 40-foot-tall idol, the Lost Shrine of Zagawa, hoping that it will attract new visitors. Jealous of Ted's constant praise from his dad, Junior burns half the map to sabotage the exhibition without them knowing. Ted is outfitted with a bright yellow suit and hat from a clothing store and boards a cargo ship to Africa, becoming humiliated in front of other passengers.
In Africa, Ted finds the idol with the help of his guide, Edu, but it is only three inches tall. He sends a photograph of it to the museum, but the photograph's angle leads Mr. Bloomsberry to believe that the idol is even larger than expected. Ted encounters the monkey who was interested in his yellow hat, who follows him and boards the cargo ship, not wanting to be left alone. Ted returns home and finds advertisements for the shrine all over the city. In Ted's apartment building, the monkey makes his way to the penthouse and vandalizes the walls of Ted's neighbor, Miss Plushbottom, with paint. Due to the building's strict no-pet policy, Ted is evicted by Ivan, the doorman. At the museum, Ted reveals the idol's actual size to Mr. Bloomsberry and is kicked out by Junior after the monkey accidentally destroys an Apatosaurus skeleton.
After a failed call to Animal Control, Ted and the monkey are forced to sleep outside in a park, where they start to bond. The next morning, Ted follows the monkey into the zoo, where Maggie and her students name the monkey "George" after a nearby statue of George Washington. Ted saves George from falling from helium balloons.
At the home of Clovis, an inventor, George discovers that an overhead projector makes the idol appear 40 feet tall. Ted shows the projector to Mr. Bloomsberry, who sees it as the only way to save the museum. Still jealous, Junior pours coffee on the projector and frames George when the projector breaks. A defeated Ted informs the public that the museum will permanently close and that there is no idol. Ted has a falling-out with George and orders him to leave, allowing Animal Control to capture George to be returned to Africa.
Ted takes a walk through the city alone and is constantly reminded of his fun with George and his mischief. He speaks with Maggie, who helps him understand what is important in life. He sneaks onto the ship and reunites with George in the cargo hold. George notices that the idol reveals a pictogram when turned to the light, and Ted realizes that it is a map leading to the real idol, which they find in the jungle.
The real idol is displayed in the museum, which reopens with new exhibits and Ted is praised as a hero for saving the institution. During the reopening celebration, Junior gets a job as a valet and receives acknowledgement from his father, Ivan has grown fond of George and invites Ted to return to his apartment and Ted and Maggie share a romantic moment, but are interrupted by George, who has activated a rocket ship before Ted jumps in and they repeatedly circumnavigate the globe.

## Voice cast

* Will Ferrell as Ted / The Man with the Yellow Hat, a tour guide at the Bloomsberry Museum. In a deleted scene, his last name was revealed to be Shackleford. Ferrell described the character as "a blank canvas" and "a guy who's lived his life in a box". O'Callaghan said that Ferrell's casting led to an expanded role for the character, in contrast to The Man with the Yellow Hat's relatively limited presence in the book series.
* Drew Barrymore as Maggie Dunlop, an elementary school teacher and Ted's love interest. The character was named after Margret Rey, who created the Curious George series with her husband, H. A. Rey. O'Callaghan favored Barrymore for the role, saying: "I've always been a big fan of Drew Barrymore so I suggested her to the studio and they all loved the idea of her".
* Dick Van Dyke as Mr. Bloomsberry, the owner of the Bloomsberry Museum. O'Callaghan said he was surprised that Van Dyke had never done voice work before, explaining that "as an animation director you always want to use people who are fresh, who haven't done animated voices—at least I do. So it was really exciting to get [Van Dyke] in the room and work with him".
* David Cross as Junior, the son of the museum's owner. An early version of the screenplay involved several antagonists; O'Callaghan and screenwriter Ken Kaufman eventually replaced the multiple characters with Junior in order to simplify the story.
* Frank Welker as George, a curious tailless monkey and Ted's comic relief sidekick in the movie. The film's press notes mentioned that while George would be more accurately described as a chimpanzee, he was referred to as a monkey for tradition and consistency with the book series. Welker described the character as "the nicest little monkey you would ever want to meet". Director Matthew O'Callaghan said that it was challenging to effectively convey the monkey's emotions because the character does not speak; because of this, George's original design from the books' illustrations was modified, including replacing his black-dot eyes with larger, more expressive eyes that have irises.
* Eugene Levy as Clovis, an inventor who builds robotic animals. Levy has said that his experience with the character (his first voice role since 1981's Heavy Metal) informed his approach to subsequent voice work; although he prepared extensively with the script, he found that he had to do "just about everything 10 or 15 different ways until they get what it is they're actually looking for", and remarked that the recording process "is a really interesting way to work".
* Ed O'Ross as Ivan, the doorman of Ted's apartment. He strictly enforces his "No-Pet" policy and suspects Ted of having one with him. He speaks with a thick Russian accent.
* Joan Plowright as Ms. Plushbottom, Ted's wealthy neighbor and opera singer, whose apartment gets vandalized by George.

## Production
### Development

Producers Jon Shapiro and David Kirschner contacted Margret Rey in 1990 about the possibility of producing a film based on the classic children's stories that she wrote with her husband, H. A. Rey. Shapiro recalled that he promised her to make the best version of Curious George as possible. Rey agreed and Imagine Entertainment secured the film rights for Curious George in June 1990, with plans to produce a live action film jointly with Hanna-Barbera Productions.
Universal Pictures acquired the merchandising rights to Curious George from publisher Houghton Mifflin in September 1997, after Margret Rey's death the previous year. Larry Guterman signed on to direct in 1998 and worked closely with Imagine Entertainment co-chairman Ron Howard to develop the film. However, Guterman left the project reportedly after budget concerns about the film's special effects led Universal and Imagine to postpone production. By January 1999, the project continued to be "in active development".
Universal and Imagine were finalizing a deal with Brad Bird to write and direct a Curious George film that combined live action and computer-generated imagery (CGI) in October 1999, but Bird left the project in 2000 when he was hired at Pixar. In July 2001, the newly merged Vivendi Universal acquired Houghton Mifflin, with plans to make Curious George the company's new mascot, coincident with the film's development and release (Houghton Mifflin would be sold the following year due to Vivendi's mounting financial pressures). Bird left the project after the studios decided to shift the film to all-CGI, and in December, Universal was in negotiations with David Silverman to direct the film. By September 2003, Jun Falkenstein signed on to direct the screenplay, but was later fired by the studio and replaced by Matthew O'Callaghan in August 2004.

### Writing

According to Stacey Snider, then-chairman of Universal Pictures, it was challenging to turn the relatively simple Curious George books into a full-length film with substantial character development. During the film's production process, many screenwriters wrote potential scripts for the project, including Joe Stillman, Dan Gerson, Babaloo Mandel, Lowell Ganz, Mike Werb, Brian Levant, David Reynolds, and Audrey Wells. Kirschner said that screenwriter Pat Proft wrote a live action draft of the film that contained a lot of "funny stuff", but was also focusing on the relationship between The Man with the Yellow Hat and George the monkey, which was "really difficult to capture the innocence of that". Brewster recalled that earlier versions of the script by Brad Bird and William Goldman were darker in tone and more adult.
When O'Callaghan signed on to direct, replacing Falkenstein, he and screenwriter Ken Kaufman rewrote the story, saying that they took some elements from the existing story and created new characters, simplified the story elements, and came up with the story of the film. They expanded the role of The Man in the Yellow Hat and gave him a name, making the script more like a buddy film rather than one that was focused primarily on George. The final script contained scenes inspired by many of the earlier books, including Curious George, Curious George Takes a Job, and Curious George Flies a Kite.

### Animation

When Imagine Entertainment obtained the rights to Curious George in 1990, a live action feature was planned; by 1999, Brad Bird was in talks to direct the film as a combination of live action and CG. The success of Shrek in 2001 led Imagine co-chairman Brian Grazer to shift the film towards all-CG, saying at the time that George would be easy to convey in CGI animation rather than in a live-action mix. Eventually, a final decision was made to use traditional 2D animation for the film to recreate the look and feel of the Curious George books. According to executive producer Ken Tsumura, CGI animation was used to create the environments for 20 percent of the film, including the city scenes, in order to allow objects to move in 3D space.
A strict production schedule resulted in all animation work having to be completed within 18 months; Tsumura oversaw the outsourcing of the animation to studios around the world, including studios in the United States, Canada, France, Taiwan, and South Korea. The proportions of George and Ted were kept consistent with the books' illustrations, but their character designs were updated to accommodate the big screen, with O'Callaghan noting that they gave them eyes, pupils, teeth, etc. so Ted could enunciate dialog or to create strong expressions with George. CG supervisor Thanh John Nguyen states that they tried to duplicate the look of the cars in the book, which Tsumura describes as bearing the look of the 1940s and 1950s; according to production designer Yarrow Cheney, the filmmakers also partnered with Volkswagen to design Clovis' red car that Ted drives, simplifying the design and rounding the edges.

### Music

   Music is so important to the movie. Our main character doesn't speak. He makes little noises. He squeaks. ... Since George doesn't speak, Jack [Johnson] decided he wanted to be the voice of George. So his songs provide the narrative.
The film's instrumental score was composed by Heitor Pereira, who replaced Klaus Badelt. Hans Zimmer and Kathy Nelson served as the film's executive music producers.
Jack Johnson was hired to write and perform the songs in the film. Johnson said that he was originally asked to write two songs for Curious George, but his enthusiasm for the film led him to write more. He worked closely with the animation team and described a back-and-forth process in which he would provide a sketch of a song in response to a preliminary drawing of a scene, then followed by more detailed animations and lyrics. Describing the songwriting process, Johnson recalled: "The balance was writing lyrics that didn't match things too perfectly, but would kind of reference what was going on in the film. I tried to make metaphors that describe the scene better than trying to exactly match what was going on". Johnson said that many of the film's songs were written for or inspired by his eldest son.

## Release

The world premiere of Curious George took place on January 28, 2006 at the ArcLight Hollywood in Los Angeles, California. The film was released to 2,566 theaters in the following month on February 10, opened alongside the 2006 remake of The Pink Panther, Firewall and Final Destination 3, and ranked at #3 with a total opening weekend gross of $14.7 million averaging $5,730 per theater. The film grossed $58.4 million in the United States and $11.5 million overseas, totaling $70 million worldwide. The film was released in the United Kingdom on May 26, and opened on #5.

### Home media

The film was released on DVD on September 26, 2006 by Universal Studios Home Entertainment in separate widescreen and full-screen versions. It was then released on Blu-ray on March 3, 2015. Curious George grossed a total of $48.3 million in DVD and Blu-ray sales.

## Reception

On the review aggregation website Rotten Tomatoes, Curious George has a 70% approval rating based on 107 reviews and an average rating of 6.10/10. The website's consensus reads: "Curious George is a bright, sweet, faithful adaptation of the beloved children's books". On Metacritic, the film has an average score of 62 out of 100 based on reviews from 28 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore during opening weekend gave the film an average grade of "A−" on an A+ to F scale. Reviews frequently praised the film's light-hearted tone and its traditional animation style, though some criticized the plot and modern references.
In The New York Times, Dana Stevens called the film "an unexpected delight", praising its "top-drawer voice talent" and "old-fashioned two-dimensional animation that echoes the simple colors and shapes of the books". The Austin Chronicle's Marrit Ingman wrote positively of the film's "sweet, simple message" that "children see the world differently and have much to teach the people who love them". Christy Lemire of the Associated Press praised George's character design, writing that "with his big eyes and bright smile and perpetually sunny disposition, he's pretty much impossible to resist". Roger Ebert gave the film three out of four stars, noting that it remained "faithful to the spirit and innocence of the books" and writing that the visual style was "uncluttered, charming, and not so realistic that it undermines the fantasies on the screen". Ebert wrote that while he did not particularly enjoy the film himself, he nevertheless gave the film a "thumbs up" on his Ebert & Roeper show because he felt that it would be enjoyable for young children.
Richard Roeper, Ebert's co-host, criticized the film for similar reasons and said that he could not "tell people my age, or someone twenty-five [years old], that they should spend nine or ten bucks to see this movie". Brian Lowry of Variety felt that the plot was too simplistic, writing that the film consisted primarily of "various chases through the city" and was "rudimentary on every level". On the other hand, Michael Phillips of the Chicago Tribune wrote that the film was "overplotted and misfocused" and that "the script's jokes are tougher to find than the shrine", though he praised the film for staying "relatively faithful to the style of the original and delightful H. A. Rey illustrations". Jan Stuart of Newsday criticized the modern references in the film, including cell phones and lattes, writing that they resulted in "modernization traps that the makers of the very respectable Winnie the Pooh films managed to avoid". Owen Gleiberman of Entertainment Weekly also negatively noted the anachronisms in the film, such as the use of caller ID.
The song "Upside Down" by Jack Johnson received a Satellite Award nomination for Best Original Song.

## Soundtrack

Sing-A-Longs and Lullabies for the Film Curious George is the soundtrack to the film, featuring songs by Jack Johnson and others. In its first week on Billboard 200 albums chart, the soundtrack made it to the #1 spot, making it Jack Johnson's first number one album (In Between Dreams peaked at two, On and On peaked at three) and making it the first soundtrack to reach number one since the Bad Boys II soundtrack in August 2003 and the first soundtrack to an animated film to top the Billboard 200 since the Pocahontas soundtrack reigned for one week in July 1995.

## Future
### Television series

The PBS Kids animated television series, also called Curious George, was developed concurrent to the feature film. It also stars Frank Welker reprising his voice role of Curious George and with William H. Macy (later Rino Romano) narrating.

### Sequels

A sequel, Curious George 2: Follow That Monkey!, was released on March 2, 2010. The plot of the sequel centers around George becoming friends with a young elephant named Kayla. George tries to help Kayla travel across the country to be reunited with her family. A second sequel, Curious George 3: Back to the Jungle was released on June 23, 2015. A third sequel, Curious George: Royal Monkey, serving as the fourth film of the series, which is flash-animated instead of traditionally animated was released on DVD on September 10, 2019. A fourth sequel titled Curious George: Go West, Go Wild premiered on September 8, 2020 on Peacock, and was also released on DVD and digital on December 15. A fifth sequel, Curious George: Cape Ahoy, serving as the sixth and final film of the series, was released on Peacock on September 30, 2021. With the exceptions of Frank Welker and Ed O'Ross, none of the voice cast from the original film returned for the sequels.

### Reboot

In July 2010, shortly after the release of their first film, Despicable Me, Illumination Entertainment was reportedly developing an animated film based on the book, but the project never materialized.
In August 2016, Andrew Adamson was in negotiations to direct, write, and produce a live-action adaptation of Curious George for Universal Pictures, along with Ron Howard, Brian Grazer, David Kirschner, Jon Shapiro, and Erica Huggins serving as executive producers for it. By March 2020, Jim Taylor was brought to re-write the film.