# Gramercy Pictures

Gramercy Pictures was an American film production label. It was founded on May 20, 1992 as a joint venture between PolyGram Filmed Entertainment and Universal Pictures. Gramercy was the distributor of PolyGram films in the United States and Canada and also served as Universal's art-house division. After Seagram's buyout of PolyGram, Gramercy along with October Films and Interscope Communications were merged by Barry Diller to form USA Films in 1999. On May 20, 2015, Focus Features (the current art-house division for Universal) revived the name as a label for action, horror and sci-fi genre films; the label was phased out after the release of Ratchet & Clank on April 29, 2016.

## History

Gramercy Pictures was formed on May 20, 1992 as a joint venture between PolyGram Filmed Entertainment and Universal Pictures. Gramercy Pictures released its first film, the Mario Van Peebles western Posse, on May 14, 1993.
On January 11, 1996, PolyGram bought the 50% stake owned by Universal thus assuming full control of Gramercy. The distributor also had box office hits in 1994's Four Weddings and a Funeral, 1996's Fargo and 1997's Bean. Several Gramercy releases of the 1990s have grown in stature to become cult classics in the present day: The Big Lebowski, Dazed and Confused, Clay Pigeons and Mallrats. In addition, 1995's The Usual Suspects won two Oscars, for Best Original Screenplay (Christopher McQuarrie) and Best Supporting Actor (Kevin Spacey).
When Seagram acquired PolyGram on May 22, 1998, PolyGram was merged and folded into Universal; as a result, it reacquired Gramercy as it controlled Universal. In turn, Seagram sold the bulk of the PolyGram film library titles released up until March 31, 1996 to Metro-Goldwyn-Mayer (MGM) in 1999, and later on, it sold Gramercy and two other specialty divisions, Interscope Communications and October Films, to Barry Diller's USA Networks, which merged all three companies into USA Films. USA Films was then merged with Universal's own art-house division, Universal Focus, and transformed into Focus Features in 2002 after Vivendi Universal acquired USA Networks from Diller.

### Revival

On May 20, 2015, Focus Features announced that the Gramercy label has been revived to release action, horror and sci-fi genre films. Its first release was Insidious: Chapter 3 on June 5, 2015. The revived label was later phased out following the box-office failure of Ratchet & Clank (2016) and a shift from genre films by Focus Features.

## Filmography

Focus Features and Universal Pictures own the distribution rights to Gramercy's films unless otherwise mentioned.

### 1990s

| Release Date | Title | Notes | Budget | Gross |
| May 14, 1993 | Posse | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | $10 million | $18,289,763 |
| August 20, 1993 | King of the Hill | co-production with Wildwood Enterprises and Bona Fide Productions | $8 million | $1,214,231 |
| September 3, 1993 | Kalifornia | distribution only; produced by PolyGram Filmed Entertainment and Propaganda Films | $8.5 million | $2,395,231 |
| September 24, 1993 | Dazed and Confused | distribution only; produced by Alphaville and Detour Filmproduction | $6.9 million | $7,993,039 |
| November 5, 1993 | A Home of Our Own | distribution only; produced by PolyGram Filmed Entertainment | $12 million | $1,677,807 |
| December 3, 1993 | A Dangerous Woman | North American distribution only; co-production with Amblin Entertainment and Island World | | $1,497,222 |
| February 4, 1994 | Romeo Is Bleeding | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | $10 million | $3,275,865 |
| February 25, 1994 | Savage Nights | North American distribution only; produced by Banfilm, La Sept Cinéma and Société Nouvelle de Cinématographie | | $662,341 |
| March 9, 1994 | Four Weddings and a Funeral | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | $4.4 million | $245,700,832 |
| April 15, 1994 | Backbeat | distribution only; produced by PolyGram Filmed Entertainment | | $2,392,589 |
| May 6, 1994 | Dream Lover | distribution only; produced by PolyGram Filmed Entertainment and Propaganda Films | | $256,264 |
| July 29, 1994 | Foreign Student | U.S. distribution only | | |
| August 10, 1994 | The Adventures of Priscilla, Queen of the Desert | distribution only; produced by PolyGram Filmed Entertainment | $2 million | $29,679,915 |
| September 9, 1994 | A Good Man in Africa | North American and U.K. distribution only; produced by Polar Entertainment, Capitol Films and Southern Sun | $20 million | $2,308,390 |
| September 28, 1994 | Jason's Lyric | distribution only; produced by PolyGram Filmed Entertainment and Propaganda Films | $7 million | $20,851,521 |
| October 28, 1994 | Drop Squad | co-production with 40 Acres and a Mule Filmworks | | $734,693 |
| November 4, 1994 | Double Dragon | U.S. distribution only; produced by Imperial Entertainment | $7.8 million | $2,341,309 |
| January 20, 1995 | S.F.W. | distribution only; produced by PolyGram Filmed Entertainment and Propaganda Films | | $63,513 |
| February 10, 1995 | Shallow Grave | North American and select international distribution only; produced by PolyGram Filmed Entertainment | $2.5 million | $19,779,614 |
| February 24, 1995 | Before the Rain | distribution only; produced by PolyGram Filmed Entertainment | | $763,847 |
| March 17, 1995 | Candyman: Farewell to the Flesh | distribution only; produced by PolyGram Filmed Entertainment and Propaganda Films | | $13,940,383 |
| April 19, 1995 | New Jersey Drive | co-production with 40 Acres and a Mule Filmworks | $5 million | $3,565,508 |
| April 28, 1995 | The Underneath | co-production with Populist Pictures | $6.5 million | $536,023 |
| May 3, 1995 | Panther | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | | $6,834,525 |
| August 16, 1995 | The Usual Suspects | distribution only; produced by PolyGram Filmed Entertainment | $6 million | $34,380,094 |
| September 22, 1995 | Canadian Bacon | distribution only; produced by PolyGram Filmed Entertainment and Propaganda Films | $11 million | $178,104 |
| September 29, 1995 | Moonlight and Valentino | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | | $2,484,226 |
| October 20, 1995 | Mallrats | co-production with Alphaville and View Askew Productions | $6.1 million | $2,122,561 |
| November 10, 1995 | Carrington | distribution only; produced by PolyGram Filmed Entertainment | | $3,242,342 |
| December 29, 1995 | Dead Man Walking | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | $11 million | $83,080,768 |
| February 23, 1996 | La Haine | North American distribution only; co-acquisition with PolyGram Filmed Entertainment and Egg Pictures | €2,590,000 | $309,811 |
| March 8, 1996 | Fargo | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | $7 million | $60,611,975 |
| March 22, 1996 | Jack and Sarah | distribution only; produced by PolyGram Filmed Entertainment | | $218,626 (USA) $2,492,000 (UK) |
| March 22, 1996 | Land and Freedom | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | | $228,800 |
| April 19, 1996 | Mystery Science Theater 3000: The Movie | co-production with Best Brains, Inc. | | $1,007,306 |
| May 3, 1996 | Barb Wire | distribution only; produced by PolyGram Filmed Entertainment and Propaganda Films | $9 million | $3,793,614 |
| May 10, 1996 | Cold Comfort Farm | North American distribution only; produced by BBC Films and Thames International | | $5,682,429 |
| August 30, 1996 | The Trigger Effect | co-production with Amblin Entertainment | $8 million | $3,622,979 |
| September 13, 1996 | Grace of My Heart | | $5 million | $660,313 |
| September 20, 1996 | Loch Ness | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | $7 million | £1,239,343 |
| October 4, 1996 | Bound | North American theatrical distribution only; produced by Dino De Laurentiis Company and Spelling Films | $6 million | $3,802,260 |
| October 18, 1996 | Jude | distribution only; produced by PolyGram Filmed Entertainment | $7 million | $409,144 |
| December 24, 1996 | I'm Not Rappaport | co-production with GreeneStreet Films | | $26,011 |
| December 24, 1996 | The Portrait of a Lady | distribution only; produced by PolyGram Filmed Entertainment and Propaganda Films | | $3,692,836 |
| January 29, 1997 | Gridlock'd | distribution only; produced by PolyGram Filmed Entertainment and Interscope Communications | $5 million | $5,571,205 |
| February 14, 1997 | When We Were Kings | distribution only; produced by PolyGram Filmed Entertainment | | $2,789,985 |
| March 7, 1997 | The Eighth Day | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | | $416,401 |
| April 11, 1997 | Keys to Tulsa | distribution only; produced by PolyGram Filmed Entertainment and ITC Entertainment | | $57,252 |
| May 2, 1997 | Commandments | co-production with Northern Lights Entertainment | $5 million | $548,562 |
| May 9, 1997 | Twin Town | distribution only; produced by PolyGram Filmed Entertainment | $3.3 million | $127,923 |
| August 6, 1997 | Def Jam's How to Be a Player | distribution only; produced by PolyGram Filmed Entertainment | $12 million | $14,009,368 |
| September 19, 1997 | Going All the Way | distribution only; produced by PolyGram Filmed Entertainment | | $113,069 |
| October 3, 1997 | The Matchmaker | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | | $3,392,080 |
| November 7, 1997 | Bean | distribution only; produced by PolyGram Filmed Entertainment, Working Title Films and Tiger Aspect Films | $18 million | $251,212,670 |
| December 17, 1997 | Guy | distribution only; produced by PolyGram Filmed Entertainment | | $4,134 |
| February 18, 1998 | I Want You | distribution only; produced by PolyGram Filmed Entertainment | | $1,672 |
| March 6, 1998 | The Big Lebowski | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | $15 million | $46,129,927 |
| March 27, 1998 | No Looking Back | North American distribution only; produced by PolyGram Filmed Entertainment, Good Machine, Marlboro Road Gang and South Fork Pictures; 20th Century Fox handled International distribution | $5 million | $222,099 |
| May 1, 1998 | Go Now | distribution only; produced by PolyGram Filmed Entertainment | | $25,695 |
| May 29, 1998 | The Last Days of Disco | U.S. distribution only; produced by Castle Rock Entertainment | $8 million | $3,020,601 |
| June 12, 1998 | The Land Girls | distribution only; produced by PolyGram Filmed Entertainment | | $238,497 |
| August 21, 1998 | Your Friends & Neighbors | distribution only; produced by PolyGram Filmed Entertainment | $5 million | $4,714,658 |
| September 25, 1998 | Clay Pigeons | distribution only; produced by PolyGram Filmed Entertainment | $8 million | $2,253,139 |
| October 16, 1998 | Reach the Rock | | | $4,960 |
| November 22, 1998 | Elizabeth | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | $30 million | $82,150,642 |
| January 22, 1999 | The Hi-Lo Country | distribution only; produced by PolyGram Filmed Entertainment and Working Title Films | | $166,082 |
| March 5, 1999 | Lock, Stock and Two Smoking Barrels | U.S. distribution only; produced by Summit Entertainment, SKA Films and The Steve Tisch Company | $1.4 million | $28,172,686 |
| October 1, 1999 | Plunkett & Macleane | distributed by USA Films; co-production with Working Title Films | | |
| October 29, 1999 | Being John Malkovich | distributed by USA Films; co-production with PolyGram Filmed Entertainment and Propaganda Films | $13 million | $32,382,381 |

### 2000s

| Release Date | Title | Notes | Budget | Gross |
| February 18, 2000 | Pitch Black | distributed by USA Films; co-production with PolyGram Filmed Entertainment and Interscope Communications | $23 million | $53,187,659 |
| March 24, 2000 | Waking the Dead | distributed by USA Films; co-production with PolyGram Filmed Entertainment | $8.5 million | $327,418 |
| April 14, 2000 | Where the Money Is | distributed by USA Films; co-production with PolyGram Filmed Entertainment and Universal Pictures | $28 million | $7,243,669 |
| August 4, 2000 | Mad About Mambo | distributed by USA Films; co-production with Phoenix Pictures | | $65,283 |
| September 8, 2000 | Nurse Betty | distributed by USA Films; co-production with IMF and Universal Pictures | $25 million | $29,360,400 |

### 2010s

| Release Date | Title | Notes | Budget | Gross |
| June 5, 2015 | Insidious: Chapter 3 | U.S. theatrical distribution only; produced by Stage 6 Films, Entertainment One and Blumhouse Productions | $10 million | $112,983,889 |
| July 10, 2015 | Self/less | studio credit; produced by Endgame Entertainment; distributed by Focus Features | $26 million | $30,523,226 |
| August 21, 2015 | Sinister 2 | U.S. distribution only; co-production with Entertainment One, Blumhouse Productions and IM Global | $10 million | $52,882,018 |
| January 8, 2016 | The Forest | North American distribution only; co-production with AI Film and Lava Bear Films | $10 million | $37,608,299 |
| March 4, 2016 | London Has Fallen | U.S. distribution only; co-production with G-BASE and Millennium Films | $60 million | $191,094,450 |
| April 29, 2016 | Ratchet & Clank | distribution only with Focus Features; produced by Cinema Management Group, Blockade Entertainment, PlayStation Originals and Rainmaker Entertainment; final film released before Gramercy's dissolution | $20 million | $12,880,804 |