# Innerspace

Innerspace is a 1987 American science fiction comedy film directed by Joe Dante and produced by Michael Finnell, inspired by the 1966 film Fantastic Voyage. The film stars Dennis Quaid, Martin Short, Meg Ryan, Robert Picardo, and Kevin McCarthy.
Innerspace was released in the United States by Warner Bros. The film received positive reviews from critics, grossed an estimated $95 million worldwide, and won an Academy Award for Best Visual Effects, the only film directed by Dante to do so.

## Plot

In San Francisco, down-on-his-luck U.S. Navy aviator Lt. Tuck Pendleton resigns his commission and volunteers for a secret miniaturization experiment. He is placed in a submersible pod and both are shrunk to microscopic size. They are transferred into a syringe to be injected into a rabbit, but the lab is attacked by a rival organization, led by scientist Dr. Margaret Canker, that plans to seize the experiment and steal the miniaturization technology.
Experiment supervisor Ozzie Wexler, knowing their intentions, escapes with the syringe. A chase ensues with one of Canker's henchmen, Mr. Igoe, which ends at a nearby shopping mall with Igoe shooting Ozzie. In a last-ditch effort to stop the experiment from falling into the rivals' hands, the wounded Ozzie injects Tuck and the pod into an unsuspecting passerby - Jack Putter, a hypochondriac Safeway grocery clerk, who is exploited by his boss and belittled by Wendy, a superficial co-worker on whom he has a crush.
On regaining consciousness, Tuck is unaware of what has happened and believes he has been injected into the rabbit. After attempts to radio the lab are unsuccessful, he navigates the pod to the optic nerve and implants a camera so he is able to see what the "host" sees. Realizing he is inside a human, he makes contact by attaching another device to Jack's inner ear, enabling him to talk to Jack. He explains that the pod has only a few hours' supply of oxygen and needs his help to extract him by going back to the lab.
At the lab, the scientists explain to Tuck and Jack that the other group stole one of two computer chips that are vital to the process. Their mastermind is Victor Scrimshaw. His henchmen include Canker, Igoe, and "the Cowboy".
Jack contacts Tuck's estranged girlfriend, Lydia Maxwell, a reporter who has had dealings with the Cowboy. They learn that he plans to buy the computer chip from Scrimshaw and stake out his hotel. After following him to a local nightclub, Lydia allows him to pick her up as Jack encounters Wendy, who, thinking he has been living a double life, shows an interest in him. Jack follows the Cowboy and Lydia back to the hotel, where he knocks the Cowboy unconscious and Tuck uses the pod's equipment to control Jack's facial muscles, altering his features so he looks like the Cowboy. Lydia and Jack, posing as the Cowboy, meet with Scrimshaw to steal the chip from him. However, as they are about to take possession of it, Jack's nervousness overrides the transformation of his face, exposing the scam. Igoe captures Lydia and him, and takes them to their laboratory. While imprisoned, Jack and Lydia share a kiss, which, unknown to them, transfers Tuck into Lydia's body through their saliva. Once taken to the laboratory, the criminals shrink Igoe and inject him into Jack to locate Tuck, kill him, and obtain the other chip that is attached to the pod.
After Igoe has been injected, Jack and Lydia free themselves and order everyone in the laboratory, including Scrimshaw and Canker, into the miniaturization device at gunpoint. Not knowing how to operate it, though, they accidentally and unknowingly shrink everyone to half their original size while trying to retrieve the chip. Tuck, now inside Lydia, finds a growing baby and realizes that she is pregnant with his child. By going to her eardrum and playing their song (Sam Cooke's "Cupid"), he is able to alert them what has happened. Jack and Lydia kiss again to transfer him back. They frantically drive back to the lab to enlarge him, not realizing that the shrunken Scrimshaw and Canker have escaped and are hiding in the back seat. While they attempt to subdue Jack and Lydia, Igoe locates Tuck in Jack's esophagus and attacks him. Tuck disables Igoe's craft and the latter is killed when Tuck drops him into Jack's stomach after agitating Jack's anxiety to increase his stomach acid.
Back at the lab, with only minutes of supplemental oxygen left in the pod, Jack follows Tuck's instructions to eject it from his lungs by making himself sneeze due to his hairspray allergy. Tuck and the pod are successfully enlarged, and he is reunited with Lydia and finally gets to meet Jack in person. At Tuck and Lydia's wedding, held at Wayfarers Chapel, Jack is Tuck's best man. Tuck is seen wearing the chips from the experiment as cufflinks. When they climb into the limousine, the Cowboy is shown to be the driver, and the shrunken Scrimshaw and Canker are hiding inside a suitcase in the trunk. Now confident and in control of his life, Jack recognizes the Cowboy and tells his doctor that he is cured, tells Wendy she has no chance with him, and informs his manager that he quits; he then jumps into Tuck's vintage 1967 Mustang, pursuing the limousine to rescue the newlyweds.

## Cast

* Dennis Quaid as Lieutenant Tuck Pendleton
* Martin Short as Jack Putter
* Meg Ryan as Lydia Maxwell
* Kevin McCarthy as Victor Scrimshaw
* Fiona Lewis as Dr. Margaret Canker
* Henry Gibson as Mr. Wormwood
* John Hora as Dr. Ozzie Wexler
* Robert Picardo as The Cowboy
* Wendy Schaal as Wendy
* William Schallert as Dr. Greenbush
* Harold Sylvester as Pete Blanchard
* Mark Taylor as Dr. Niles
* Vernon Wells as Mr. Igoe
* Neil Ross as Pod Computer (voice)
In addition, the film's director, Joe Dante, has an uncredited cameo as a Vectorscope employee, while Short's SCTV cast mates Joe Flaherty and Andrea Martin have cameos as waiting-room patients. Chuck Jones and Rance Howard appear briefly as grocery shoppers in one scene.

## Production

The film began as an original script by Chip Proser, who called it "basically a rip off of Fantastic Voyage. My idea was that the big guy was up and moving around and could react to what was going on inside." The script was optioned by Peter Guber at Warner Bros. in 1984. Guber offered the script to Joe Dante, who turned it down. Guber then had the script rewritten by Jeffrey Boam as a comedy. Boam says, "The idea was kind of ridiculous, which was a person miniaturized and put into someone else's body. That's all I kept from the original script. They originally thought it might be Michael J. Fox inside Arnold Schwarzenegger's body. I actually kept turning it down, and they were persistent and kept coming back to me."
According to Dante, Boam "approached it ... from the concept of what would happen if we shrank Dean Martin down and injected him inside Jerry Lewis." Dante says that Steven Spielberg had become involved on the project as an executive producer and he may have been responsible for the comedy. "It was such a goofy idea that there were no limits to it," said Boam. "I felt I could do anything, and so the script I wrote was very loony and far out there but everybody loved it. Dick Donner, Joe Dante, John Carpenter and even Steven Spielberg wanted to do it. So when Steven wanted to do it, Warners thought I was a God and any amount of money it would take to do the movie they would spend. Steve ultimately decided he only wanted to produce so Joe came along and really latched on to the idea."
Quaid's role was originally envisioned to be played by an older actor, but then they decided to make the character younger. Dante recalled during filming scenes where Quaid and Short's characters interacted, "Dennis would be on the set in a booth, so the interaction was really happening. Dennis would hew to the script a little more than Marty. After you got a scene in the can, he'd beg for more takes, in the voice of Katharine Hepburn, which was hard to resist."
Dante says Spielberg would "protect you from the studio and sometimes from the other producers. It was a very filmmaker-friendly atmosphere over there [at Amblin]. You got all the best equipment and all the best people and all the toys you wanted to play with. Plus, you had somebody on your side who was also a filmmaker and they knew exactly what you were talking about when you had a problem or you had a question."
"It's a dumb, stupid comedy, which is exactly what people need in the summertime," said Quaid. "It's very idiotic and I love it. We encounter every dumb, stupid cliché in the book. Leave your brain at home and you'll have a good time."
Meg Ryan met Quaid on set and they later married.

## Awards

* 1988 Academy Award for Best Visual Effects, Won (Bill George, Dennis Muren, Harley Jessup and Kenneth F. Smith)
* 1988 Academy of Science Fiction, Fantasy & Horror Films: Best Director, Best Science Fiction Film, Best Special Effects, nominated

## Reception
### Box office

The film grossed $25.9 million in the United States and Canada, generating $14 million in theatrical rentals. Internationally, it grossed $32.7 million in its first 37 days and was expected to gross $75 million ($30 million in rentals). It eventually returned $28 million in rentals, for a worldwide total rentals of $42 million and a worldwide gross in the region of $95 million against a budget of $27 million.

### Critical response

The film had a positive reception from critics. On the review aggregator website Rotten Tomatoes, 82% of 44 critics' reviews are positive, with an average rating of 6.8/10. The website's consensus reads: "A manic, overstuffed blend of sci-fi, comedy, and romance, Innerspace nonetheless charms, thanks to Martin Short's fine performance and the insistent zaniness of the plot." Metacritic, which uses a weighted average, assigned the film a score of 66 out of 100, based on 15 critics, indicating "generally favorable" reviews.
Roger Ebert of the Chicago Sun-Times gave the film 3 stars out of 4, stating "Here is an absurd, unwieldy, overplotted movie that nevertheless is entertaining - and some of the fun comes from the way the plot keeps laying it on". Proser later said, "I never actually have been able to sit through it all at once. They don't pay me to watch this crap. Like H. L. Hughgly, I wear a mask to cash the check."
Joe Dante later said the film "was a hit on video. It was one of the first big videos, and it was discovered on video, basically. Although audiences liked it in theaters—when I went, they were in stitches—the ad campaign was so terrible for that movie. It was just a giant thumb with a little tiny pod on it. You couldn't tell that it was a comedy—you couldn't tell anything—and it had a terrible title, because we could never figure out a better one. And the studio botched the selling of it. I mean, they liked the movie, and they tried to reissue it, even, with a different campaign, and it still bombed."
"It's been looked back on as if it was some great success whereas, in fact, it was pretty much a disappointment in its day," he said. Dante later called the film "probably the movie that I had made up to then that was the closest to my intention. As a result, I was very happy with it. When I look at it today I still think it's a tremendous amount of fun."