# Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Motion Picture – Documentary

The Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Motion Picture – Documentary is an annual award given by the Cinema Audio Society to documentary motion picture sound mixers for their outstanding achievements in sound mixing. It has been awarded since 2017.

## Winners and nominees
### 2010s

| Year | Film | Nominees |
| 2016 (24th) | The Music of Strangers | Dennis Hamlin, Dimitri Tisseyre (production mixers); Pete Horner (re-recording mixer) |
| 2016 (24th) | 13th | Jeffrey Perkins (production mixer) |
| 2016 (24th) | Eat That Question: Frank Zappa in His Own Words | Marc Fragstein, Marvin Keil, Armelle Mahé (re-recording mixers) |
| 2016 (24th) | Gleason | Mark A. Rozett, James Scullion (re-recording mixers) |
| 2016 (24th) | O.J.: Made in America | Keith Hodne, Eric di Stefano (re-recording mixers) |
| 2017 (25th) | Jane | Lee Smith (production mixer); David E. Fluhr, Warren Shaw (re-recording mixers); Derick Lee (scoring mixer); Chris Navarro (ADR mixer); Ryan Maguire (foley mixer) |
| 2017 (25th) | An Inconvenient Sequel: Truth to Power | Gabriel Monts (production mixer); Zach Martin, Gary A. Rizzo, Kent Sparling (re-recording mixers); Jeff Beal (scoring mixer); Jason Butler (foley mixer) |
| 2017 (25th) | Eric Clapton: Life in 12 Bars | Tim Cavagin, Brad Zoern, William Miller (re-recording mixers); Adam Mendez (ADR mixer) |
| 2017 (25th) | Gaga: Five Foot Two | Jason Dotts, Jonathan Wales (re-recording mixers) |
| 2017 (25th) | Long Strange Trip | David Silberberg (production mixer); Bob Chefalas, Jacob Ribicoff (re-recording mixers) |
| 2018 (26th) | Free Solo | Jim Hurst (production mixer); Tom Fleischman, Ric Schnupp (re-recording mixers); Tyson Lozensky (scoring mixer); David Boulton (ADR mixer); Joana Niza Braga (foley mixer) |
| 2018 (26th) | Fahrenheit 11/9 | Mark Roy (production mixer); Andy Kris, Skip Lievsay, Lee Salevan (re-recording mixers) |
| 2018 (26th) | Quincy | Alan Hicks (production mixer), Jonathan Wales (re-recording mixers) |
| 2018 (26th) | They'll Love Me When I'm Dead | Rob Fillmore (production mixer), Brian Riordan (re-recording mixer) |
| 2018 (26th) | Won't You Be My Neighbor? | Pete Horner, Jeff King (re-recording mixers) |
| 2019 (27th) | Making Waves: The Art of Cinematic Sound | David J. Turner (production mixer); Tom Myers (re-recording mixer); Dan Blanck (scoring mixer); Frank Rinella (foley mixer) |
| 2019 (27th) | Apollo 11 | Brian Eimer, Eric Milano (re-recording mixers) |
| 2019 (27th) | Echo in the Canyon | John W. Rampey (production mixer); Chris Jenkins, Paul Karpinski (re-recording mixers); Dave Way (music mixer) |
| 2019 (27th) | Miles Davis: Birth of the Cool | Gautam Choudhury (production mixer), Benny Mouthon (re-recording mixer) |
| 2019 (27th) | Woodstock: Three Days That Defined a Generation | Kevin Peters (production mixer), Ryan Collison (re-recording mixer) |

### 2020s

| Year | Film | Nominees |
| 2020 (28th) | The Bee Gees: How Can You Mend a Broken Heart | Jeff King, Gary A. Rizzo (re-recording mixers) |
| 2020 (28th) | David Attenborough: A Life on Our Planet | Graham Wild (production mixer), Gareth Cousins (scoring mixer) |
| 2020 (28th) | My Octopus Teacher | Barry Donnelly (production mixer); Charl Moster (foley mixer) |
| 2020 (28th) | The Social Dilemma | Mark A. Crawford (production mixer), Scott R. Lewis (re-recording mixers), Mark Venezia (scoring mixer), Jason Butler (foley mixer) |
| 2020 (28th) | Zappa | Montgomery Buckles (production mixer); Lon Bender, Martyn Zub (re-recording mixers) |
| 2021 (29th) | Summer of Soul (...Or, When the Revolution Could Not Be Televised) | Paul Hsu, Robert Fernandez, Paul Massey (re-recording mixers) |
| 2021 (29th) | Becoming Cousteau | Phil McGowan, Tony Volante (re-recording mixers) |
| 2021 (29th) | Tina | Caleb Mose (production mixer); Lawrence Everson, Phil McGowan (re-recording mixers) |
| 2021 (29th) | Val | Michael Haldin (production mixer), John Bolen (re-recording mixer), Garth Stevenson (scoring mixer), Mitch Dorf (adr mixer) |
| 2021 (29th) | The Velvet Underground | Juliana Henao Mesa (production mixer); Leslie Shatz (re-recording mixer) |
| 2022 (30th) | Moonage Daydream | Paul Massey, David Giammarco (re-recording mixers); Jens Rosenlund Petersen (ADR mixer) |
| 2022 (30th) | Good Night Oppy | Mark Mangini (re-recording mixer); Greg Hayes (scoring mixer) |
| 2022 (30th) | Hallelujah: Leonard Cohen, A Journey, A Song | Bob Edwards, Scott R. Lewis (re-recording mixers) |
| 2022 (30th) | Louis Armstrong’s Black and Blues | Leslie Shatz (re-recording mixer); Louis Schultz (scoring mixer) |
| 2022 (30th) | The Volcano: Rescue from Whakaari | Joe Milner (re-recording mixer); Jacob Johnston (scoring mixer); Kevin Carvalho (foley mixer) |
| 2023 (31st) | 32 Sounds | Laura Cunningham (production mixer); Mark Mangini (re-recording mixer); Ben Greenberg (scoring mixer); Bobby Johanson (ADR mixer); Blake Collins (foley mixer) |
| 2023 (31st) | American Symphony | Tom Paul, Tristan Baylis (re-recording mixers); Ryan Collison (foley mixer) |
| 2023 (31st) | Little Richard: I Am Everything | Tom Paul (re-recording mixer) |
| 2023 (31st) | Still: A Michael J. Fox Movie | Skip Lievsay, Paul Urmson, Joel Dougherty (re-recording mixers); John Michael Caldwell (scoring mixer); Micah Blaichman (foley mixer) |
| 2023 (31st) | Taylor Swift: The Eras Tour | Jacob Farron Smith (production mixer); John Ross, David Payne, Christopher Rowe (re-recording mixers) |
| 2024 (32nd) | Music by John Williams | Noah Alexander (production mixer), Christopher Barnett, Roy Waldspurger (re-recording mixers) |
| 2024 (32nd) | The Blue Angels | Sean Peterson (production sound mixer), Lindsey Alvarez (re-recording mixer), Forest Christenson (scoring mixer) |
| 2024 (32nd) | Elton John: Never Too Late | Jae Kim (production sound mixer), Elmo Ponsdomenech, Teddy Salas (re-recording mixers) |
| 2024 (32nd) | I Am: Celine Dion | Irene Taylor (production mixer), Lora Hirschberg (re-recording mixer), Tim Oliver (scoring mixer) |
| 2024 (32nd) | Super/Man: The Christopher Reeve Story | Austin Plocher (production sound mixer), Greg Gettens (re-recording mixer), Steve McLaughlin (scoring mixer), Daniel Nicholls (foley mixer) |