# Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action

The Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action is an annual award given by the Cinema Audio Society to live-action motion picture sound mixer for their outstanding achievements in sound mixing. The award came to its current title in 2013, when feature motion pictures were separated into two categories; achievement in live-action sound mixing, and achievement in animated sound mixing (later, documentary features would get their own category as well). Before this, the category was labeled Outstanding Achievement in Sound Mixing for Motion Pictures, and was given annually starting in 1994 (for films released the previous year).

## Winners and nominees
### 1990s

Outstanding Achievement in Sound Mixing for Motion Pictures
| Year | Film | Nominees |
| 1993 (1st) | The Fugitive | Scott D. Smith (production mixer); Donald O. Mitchell, Michael Herbick, Frank A. Montaño (re-recording mixers) |
| 1993 (1st) | Cliffhanger | Tim Cooney (production mixer); Bob Beemer, Michael Minkler (re-recording mixers) |
| 1993 (1st) | In the Line of Fire | Willie D. Burton (production mixer); Kevin O'Connell, Rick Kline (re-recording mixers) |
| 1993 (1st) | Jurassic Park | Ron Judkins (production mixer); Gary Rydstrom, Gary Summers, Shawn Murphy (re-recording mixers) |
| 1993 (1st) | Schindler's List | Ron Judkins (production mixer); Andy Nelson, Steve Pederson, Scott Millan (re-recording mixers) |
| 1994 (2nd) | Forrest Gump | William B. Kaplan (production mixer); Randy Thom, Tom Johnson, Dennis S. Sands (re-recording mixers) |
| 1994 (2nd) | Clear and Present Danger | Art Rochester (production mixer); Donald O. Mitchell, Michael Herbick, Frank A. Montaño (re-recording mixers) |
| 1994 (2nd) | The Lion King | Doc Kane (original dialogue mixer); Terry Porter, Mel Metcalfe, David J. Hudson (re-recording mixers) |
| 1994 (2nd) | Speed | David MacMillan (production mixer); Gregg Landaker, Steve Maslow, Bob Beemer (re-recording mixers) |
| 1994 (2nd) | True Lies | Lee Orloff (production mixer); Michael Minkler, Bob Beemer (re-recording mixers) |
| 1995 (3rd) | Apollo 13 | David MacMillan (production mixer); Rick Dior, Steve Pederson, Scott Millan (re-recording mixers) |
| 1995 (3rd) | Braveheart | Brian Simmons (production mixer); Andy Nelson, Scott Millan, Anna Behlmer (re-recording mixers) |
| 1995 (3rd) | Crimson Tide | William B. Kaplan (production mixer); Kevin O'Connell, Rick Kline, Gregory H. Watkins (re-recording mixers) |
| 1995 (3rd) | Heat | Lee Orloff (production mixer); Chris Jenkins, Ron Bartlett, Mark Smith (re-recording mixers) |
| 1995 (3rd) | Jumanji | Rob Young (production mixer); Randy Thom, Gary Summers, Shawn Murphy (re-recording mixers) |
| 1996 (4th) | The English Patient | Christopher Newman (production mixer); Walter Murch, Mark Berger, David Parker (re-recording mixers) |
| 1996 (4th) | The Birdcage | Gene Cantamessa (production mixer), Lee Dichter (re-recording mixer) |
| 1996 (4th) | Independence Day | Jeff Wexler (production mixer); Chris Carpenter, Bob Beemer, Bill W. Benton (re-recording mixers) |
| 1996 (4th) | The Rock | Keith A. Wester (production mixer); Kevin O'Connell, Greg P. Russell (re-recording mixers) |
| 1996 (4th) | Twister | Geoffrey Patterson (production mixer); Steve Maslow, Gregg Landaker, Kevin O'Connell (re-recording mixers) |
| 1997 (5th) | Titanic | Mark Ulano (production mixer); Gary Rydstrom, Tom Johnson, Gary Summers (re-recording mixers) |
| 1997 (5th) | Air Force One | Keith A. Wester (production mixer); Paul Massey, Doug Hemphill, Rick Kline (re-recording mixers) |
| 1997 (5th) | Contact | William B. Kaplan (production mixer); Randy Thom, Tom Johnson, Dennis S. Sands (re-recording mixers) |
| 1997 (5th) | L.A. Confidential | Kirk Francis (production mixer); Andy Nelson, Anna Behlmer (re-recording mixers) |
| 1997 (5th) | Men in Black | Peter Kurland (production mixer); Skip Lievsay, Lee Dichter, Michael Barry (re-recording mixers) |
| 1998 (6th) | Saving Private Ryan | Ron Judkins (production mixer); Gary Rydstrom, Gary Summers, Andy Nelson (re-recording mixers) |
| 1998 (6th) | Armageddon | Keith A. Wester (production mixer); Kevin O'Connell, Greg P. Russell (re-recording mixers) |
| 1998 (6th) | The Horse Whisperer | Tod A. Maitland (production mixer); Tom Johnson, Lora Hirschberg, Dennis S. Sands (re-recording mixers) |
| 1998 (6th) | The Mask of Zorro | Pud Cusack (production mixer); Kevin O'Connell, Greg P. Russell (re-recording mixers) |
| 1998 (6th) | The X-Files | Geoffrey Patterson (production mixer); Andy Nelson, Anna Behlmer (re-recording mixers) |
| 1999 (7th) | The Matrix | David Lee (production mixer); John T. Reitz, Gregg Rudloff, David E. Campbell (re-recording mixers) |
| 1999 (7th) | American Beauty | Richard Van Dyke (production mixer); Scott Millan, Bob Beemer (re-recording mixers) |
| 1999 (7th) | Any Given Sunday | Peter J. Devlin (production mixer); Patrick Cyccone Jr., Michael Keller, Tom Fleischman (re-recording mixers) |
| 1999 (7th) | The Sixth Sense | Allan Byer (production mixer); Reilly Steele, Michael Kirchberger (re-recording mixers) |
| 1999 (7th) | Star Wars: Episode I – The Phantom Menace | John Midgley (production mixer); Gary Rydstrom, Tom Johnson, Shawn Murphy (re-recording mixers) |

### 2000s

| Year | Film | Nominees |
| 2000 (8th) | Gladiator | Ken Weston (production mixer); Scott Millan, Bob Beemer (re-recording mixers) |
| 2000 (8th) | Cast Away | William B. Kaplan (production mixer); Randy Thom, Tom Johnson, Dennis S. Sands (re-recording mixers) |
| 2000 (8th) | The Patriot | Lee Orloff (production mixer); Kevin O'Connell, Greg P. Russell (re-recording mixers) |
| 2000 (8th) | The Perfect Storm | Keith A. Wester (production mixer); John T. Reitz, David E. Campbell, Gregg Rudloff (re-recording mixers) |
| 2000 (8th) | U-571 | Ivan Sharrock (production mixer); Steve Maslow, Gregg Landaker, Rick Kline (re-recording mixers) |
| 2001 (9th) | The Lord of the Rings: The Fellowship of the Ring | Hammond Peek (production mixer); Christopher Boyes, Michael Semanick, Gethin Creagh (re-recording mixers) |
| 2001 (9th) | Black Hawk Down | Chris Munro (production mixer); Michael Minkler, Myron Nettinga (re-recording mixers) |
| 2001 (9th) | Moulin Rouge! | Guntis Sics (production mixer); Andy Nelson, Anna Behlmer, Roger Savage (re-recording mixers) |
| 2001 (9th) | Pearl Harbor | Peter J. Devlin (production mixer); Kevin O'Connell, Greg P. Russell (re-recording mixers) |
| 2001 (9th) | Shrek | Charleen Richards (production mixer); Andy Nelson, Anna Behlmer (re-recording mixers) |
| 2002 (10th) | Road to Perdition | John Pritchett (production mixer); Scott Millan, Bob Beemer (re-recording mixers) |
| 2002 (10th) | Catch Me if You Can | Ron Judkins (production mixer); Andy Nelson, Anna Behlmer (re-recording mixers) |
| 2002 (10th) | Chicago | David Lee (production mixer); Michael Minkler, Dominick Tavella (re-recording mixers) |
| 2002 (10th) | The Lord of the Rings: The Two Towers | Hammond Peek (production mixer); Christopher Boyes, Michael Semanick, Michael Hedges (re-recording mixers) |
| 2002 (10th) | Spider-Man | Ed Novick (production mixer); Kevin O'Connell, Greg P. Russell (re-recording mixers) |
| 2003 (11th) | Master and Commander: The Far Side of the World | Art Rochester (production mixer); Paul Massey, Doug Hemphill (re-recording mixers) |
| 2003 (11th) | The Last Samurai | Jeff Wexler (production mixer); Andy Nelson, Anna Behlmer (re-recording mixers) |
| 2003 (11th) | The Lord of the Rings: The Return of the King | Hammond Peek (production mixer); Christopher Boyes, Michael Semanick, Michael Hedges (re-recording mixers) |
| 2003 (11th) | Pirates of the Caribbean: The Curse of the Black Pearl | Lee Orloff (production mixer); Christopher Boyes, David Parker, David E. Campbell (re-recording mixers) |
| 2003 (11th) | Seabiscuit | Tod A. Maitland (production mixer); Andy Nelson, Anna Behlmer (re-recording mixers) |
| 2004 (12th) | The Aviator | Petur Hliddal (production mixer), Tom Fleischman (re-recording mixer) |
| 2004 (12th) | The Bourne Supremacy | Kirk Francis (production mixer); Scott Millan, Bob Beemer (re-recording mixers) |
| 2004 (12th) | Finding Neverland | David Crozier (production mixer); Lora Hirschberg, Brandon Proctor (re-recording mixers) |
| 2004 (12th) | Ray | Steve Cantamessa (production mixer); Scott Millan, Greg Orloff, Bob Beemer (re-recording mixers) |
| 2004 (12th) | Spider-Man 2 | Joseph Geisinger (production mixer); Kevin O'Connell, Greg P. Russell, Jeffrey J. Haboush (re-recording mixers) |
| 2005 (13th) | Walk the Line | Peter Kurland (production mixer); Paul Massey, Doug Hemphill (re-recording mixers) |
| 2005 (13th) | Crash | Richard Van Dyke (production mixer); Marc Fishman, Adam Jenkins, Rick Ash (re-recording mixers) |
| 2005 (13th) | King Kong | Hammond Peek (production mixer); Christopher Boyes, Michael Semanick, Michael Hedges (re-recording mixers) |
| 2005 (13th) | Memoirs of a Geisha | John Pritchett (production mixer); Kevin O'Connell, Greg P. Russell, Rick Kline (re-recording mixers) |
| 2005 (13th) | War of the Worlds | Ron Judkins (production mixer); Andy Nelson, Anna Behlmer (re-recording mixers) |
| 2006 (14th) | Dreamgirls | Willie D. Burton (production mixer); Michael Minkler, Bob Beemer (re-recording mixers) |
| 2006 (14th) | Babel | José Antonio García (production mixer); Jon Taylor, Christian P. Minkler (re-recording mixers) |
| 2006 (14th) | Blood Diamond | Ivan Sharrock (production mixer); Andy Nelson, Anna Behlmer (re-recording mixers) |
| 2006 (14th) | Flags of Our Fathers | Walt Martin (production mixer); John T. Reitz, Gregg Rudloff, David E. Campbell (re-recording mixers) |
| 2006 (14th) | Pirates of the Caribbean: Dead Man's Chest | Lee Orloff (production mixer); Christopher Boyes, Paul Massey (re-recording mixers) |
| 2007 (15th) | No Country for Old Men | Peter Kurland (production mixer); Skip Lievsay, Craig Berkey, Greg Orloff (re-recording mixer) |
| 2007 (15th) | The Bourne Ultimatum | Kirk Francis (production mixer); Scott Millan, David Parker (re-recording mixers) |
| 2007 (15th) | Into the Wild | Edward Tise (production mixer); Lora Hirschberg, Michael Minkler (re-recording mixers) |
| 2007 (15th) | 300 | Patrick Rousseau (production mixer); Chris Jenkins, Frank A. Montaño (re-recording mixers) |
| 2007 (15th) | Transformers | Peter J. Devlin (production mixer); Kevin O'Connell, Greg P. Russell (re-recording mixers) |
| 2008 (16th) | Slumdog Millionaire | Resul Pookutty (production mixer); Ian Tapp, Richard Pryke (re-recording mixers) |
| 2008 (16th) | The Dark Knight | Ed Novick (production mixer); Lora Hirschberg, Gary A. Rizzo (re-recording mixers) |
| 2008 (16th) | Iron Man | Mark Ulano (production mixer); Christopher Boyes, Lora Hirschberg (re-recording mixers) |
| 2008 (16th) | Quantum of Solace | Chris Munro (production mixer); Mike Prestwood Smith, Mark Taylor (re-recording mixers) |
| 2008 (16th) | WALL-E | Ben Burtt (original dialogue mixer); Tom Myers, Michael Semanick (re-recording mixers) |
| 2009 (17th) | The Hurt Locker | Ray Beckett (production mixer), Paul N. J. Ottosson (re-recording mixer) |
| 2009 (17th) | Avatar | Tony Johnson (production mixer); Christopher Boyes, Gary Summers, Andy Nelson (re-recording mixers) |
| 2009 (17th) | District 9 | Ken Saville (production mixer); Michael Hedges, Gilbert Lake (re-recording mixers) |
| 2009 (17th) | Star Trek | Peter J. Devlin (production mixer); Andy Nelson, Anna Behlmer, Paul Massey (re-recording mixers) |
| 2009 (17th) | Transformers: Revenge of the Fallen | Geoffrey Patterson (production mixer); Greg P. Russell, Gary Summers (re-recording mixers) |

### 2010s

| Year | Film | Nominees |
| 2010 (18th) | True Grit | Peter Kurland (production mixer); Skip Lievsay, Craig Berkey, Greg Orloff (re-recording mixers) |
| 2010 (18th) | Black Swan | Ken Ishii (production mixer); Dominick Tavella, Craig Henighan (re-recording mixers) |
| 2010 (18th) | Inception | Ed Novick (production mixer); Lora Hirschberg, Gary A. Rizzo (re-recording mixers) |
| 2010 (18th) | Shutter Island | Petur Hliddal (production mixer), Tom Fleischman (re-recording mixer) |
| 2010 (18th) | The Social Network | Mark Weingarten (production mixer); Ren Klyce, Michael Semanick, David Parker (re-recording mixers) |
| 2011 (19th) | Hugo | John Midgley (production mixer); Tom Fleischman (re-recording mixer); Simon Rhodes (scoring mixer) |
| 2011 (19th) | Hanna | Roland Winke (production mixer); Christopher Scarabosio, Craig Berkey (re-recording mixers); Andrew Dudman (scoring mixer) |
| 2011 (19th) | Moneyball | Ed Novick (production mixer); Deb Adair, Ron Bochar, David Giammarco (re-recording mixers); Brad Haehnel (scoring mixer) |
| 2011 (19th) | Pirates of the Caribbean: On Stranger Tides | Lee Orloff (production mixer); Christopher Boyes, Paul Massey (re-recording mixers); Alan Meyerson (scoring mixer) |
| 2011 (19th) | Super 8 | Mark Ulano (production mixer); Tom Johnson, Andy Nelson, Anna Behlmer (re-recording mixers); Dan Wallin (scoring mixer) |
Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action
| Year | Film | Nominees |
| 2012 (20th) | Les Misérables | Simon Hayes (production mixer); Andy Nelson, Mark Paterson (re-recording mixers); Jonathan Allen (scoring mixer); Robert Edwards (ADR mixer); Peter D. Smith (foley mixer) |
| 2012 (20th) | The Hobbit: An Unexpected Journey | Tony Johnson (production mixer); Christopher Boyes, Michael Semanick, Michael Hedges (re-recording mixers); Peter Cobbin (scoring mixer); Chris Ward (ADR mixer); Peter D. Smith (foley mixer) |
| 2012 (20th) | Lincoln | Ron Judkins (production mixer); Gary Rydstrom, Andy Nelson (re-recording mixers); Shawn Murphy (scoring mixer); Bobby Johanson (ADR mixer); Frank Rinella (foley mixer) |
| 2012 (20th) | Skyfall | Stuart Wilson (production mixer); Scott Millan, Greg P. Russell (re-recording mixers); Simon Rhodes (scoring mixer); Peter Gleaves (ADR mixer); James Ashwill (foley mixer) |
| 2012 (20th) | Zero Dark Thirty | Ray Beckett (production mixer); Paul N. J. Ottosson (re-recording mixer); Sam Okell (scoring mixer); Brian Smith (ADR mixer); John Sanacore (foley mixer) |
| 2013 (21st) | Gravity | Chris Munro (production mixer); Skip Lievsay, Niv Adiri, Christopher Benstead (re-recording mixers); Gareth Cousins (scoring mixer); Chris Navarro, Thomas J. O'Connell (ADR mixers); Adam Mendez (foley mixer) |
| 2013 (21st) | Captain Phillips | Chris Munro (production mixer); Mike Prestwood Smith, Chris Burdon, Mark Taylor (re-recording mixers); Al Clay (scoring mixer); Howard London (ADR mixer); Glen Gathard (foley mixer) |
| 2013 (21st) | Inside Llewyn Davis | Peter Kurland (production mixer); Skip Lievsay, Greg Orloff (re-recording mixers); Bobby Johanson (ADR mixer); George A. Lara (foley mixer) |
| 2013 (21st) | Iron Man 3 | José Antonio Garcia (production mixer); Mike Prestwood Smith, Michael Keller (re-recording mixers); Joel Iwataki (scoring mixer); Greg Steele (ADR mixer); James Ashwill (foley mixer) |
| 2013 (21st) | Lone Survivor | David Brownlow (production mixer); Andy Koyama, Beau Borders (re-recording mixers); Satoshi Mark Noguchi (scoring mixer); Greg Steele (ADR mixer); Nerses Gezalyan (foley mixer) |
| 2014 (22nd) | Birdman or (The Unexpected Virtue of Ignorance) | Thomas Varga (production mixer); Jon Taylor, Frank A. Montaño (re-recording mixers); Gustavo Borner (scoring mixer); Jason Oliver (ADR mixer); John Sanacore (foley mixer) |
| 2014 (22nd) | American Sniper | Walt Martin (production mixer); Gregg Rudloff, John T. Reitz (re-recording mixers); Robert Fernandez (scoring mixer); Thomas J. O'Connell (ADR mixer); James Ashwill (foley mixer) |
| 2014 (22nd) | Guardians of the Galaxy | Simon Hayes (production mixer); Christopher Boyes, Lora Hirschberg (re-recording mixers); Gustavo Borner (scoring mixer); Doc Kane (ADR mixer); Chris Manning (foley mixer) |
| 2014 (22nd) | Interstellar | Mark Weingarten (production mixer); Gary A. Rizzo, Gregg Landaker (re-recording mixers); Alan Meyerson (scoring mixer); Thomas J. O'Connell (ADR mixer); Mary Jo Lang (foley mixer) |
| 2014 (22nd) | Unbroken | David Lee (production mixer); Jon Taylor, Frank A. Montaño (re-recording mixers); Jonathan Allen (scoring mixer); Paul Drenning (ADR mixer); John Guentner (foley mixer) |
| 2015 (23rd) | The Revenant | Chris Duesterdiek (production mixer); Randy Thom, Jon Taylor, Frank A. Montaño (re-recording mixers); Conrad Hensel (scoring mixer); Michael Miller (ADR mixer); Geordy Sincavage (foley mixer) |
| 2015 (23rd) | Bridge of Spies | Drew Kunin (production mixer); Gary Rydstrom, Andy Nelson (re-recording mixers); Thomas Vicari (scoring mixer); Bobby Johanson (ADR mixer); Chris Manning (foley mixer) |
| 2015 (23rd) | The Hateful Eight | Mark Ulano (production mixer); Michael Minkler, Christian P. Minkler (re-recording mixers); Fabio Venturi (scoring mixer); Nerses Gezalyan (foley mixer) |
| 2015 (23rd) | Mad Max: Fury Road | Ben Osmo (production mixer); Chris Jenkins, Gregg Rudloff (re-recording mixers); Thomas J. O'Connell (ADR mixer); Ryan Squires (foley mixer) |
| 2015 (23rd) | Star Wars: The Force Awakens | Stuart Wilson (production mixer); Christopher Scarabosio, Andy Nelson (re-recording mixers); Shawn Murphy (scoring mixer); Charleen Richards (ADR mixer); Chris Manning (foley mixer) |
| 2016 (24th) | La La Land | Steven A. Morrow (production mixer); Andy Nelson, Ai-Ling Lee (re-recording mixers); Nicholai Baxter (scoring mixer); David Betancourt (ADR mixer); James Ashwill (foley mixer) |
| 2016 (24th) | Doctor Strange | John Midgley (production mixer); Tom Johnson, Juan Peralta (re-recording mixers); Peter Cobbin (scoring mixer); Doc Kane (ADR mixer); Scott Curtis (foley mixer) |
| 2016 (24th) | Hacksaw Ridge | Peter Grace (production mixer); Kevin O'Connell, Andy Wright, Robert Mackenzie (re-recording mixers); Daniel Fresco (scoring mixer); Diego Ruiz (ADR mixer); Alex Francis (foley mixer) |
| 2016 (24th) | Rogue One: A Star Wars Story | Stuart Wilson (production mixer); Christopher Scarabosio, David Parker (re-recording mixers); Joel Iwataki (scoring mixer); Nick Kray (ADR mixer); Frank Rinella (foley mixer) |
| 2016 (24th) | Sully | José Antonio Garcia (production mixer); John T. Reitz, Tom Ozanich (re-recording mixers); Bobby Fernandez (scoring mixer); Thomas J. O'Connell (ADR mixer); James Ashwill (foley mixer) |
| 2017 (25th) | Dunkirk | Mark Weingarten (production mixer); Gregg Landaker, Gary A. Rizzo (re-recording mixers); Alan Meyerson (scoring mixer); Thomas J. O'Connell (ADR mixer); Scott Curtis (foley mixer) |
| 2017 (25th) | Baby Driver | Mary H. Ellis (production mixer); Julian Slater, Tim Cavagin (re-recording mixers); Gareth Cousins (scoring mixer); Mark Appleby (ADR mixer); Glen Gathard (foley mixer) |
| 2017 (25th) | The Shape of Water | Glen Gauthier (production mixer); Christian T. Cooke, Brad Zoern, Robert Mackenzie (re-recording mixers); Peter Cobbin (scoring mixer); Chris Navarro (ADR mixer); Peter Persaud (foley mixer) |
| 2017 (25th) | Star Wars: The Last Jedi | Stuart Wilson (production mixer); Ren Klyce, Michael Semanick, David Parker (re-recording mixers); Shawn Murphy (scoring mixer); Doc Kane (ADR mixer); Frank Rinella (foley mixer) |
| 2017 (25th) | Wonder Woman | Chris Munro (production mixer); Chris Burdon, Gilbert Lake (re-recording mixers); Alan Meyerson (scoring mixer); Nick Kray (ADR mixer); Glen Gathard (foley mixer) |
| 2018 (26th) | Bohemian Rhapsody | John Casali (production mixer); Paul Massey, Tim Cavagin, Niv Adiri (re-recording mixers); Alan Meyerson (scoring mixer); Thomas J. O'Connell (ADR mixer); Glen Gathard, Jemma Riley Tolch (foley mixers) |
| 2018 (26th) | Black Panther | Peter J. Devlin (production mixer); Steve Boeddeker, Brandon Proctor (re-recording mixers); Christopher Fogel (scoring mixer); Doc Kane (ADR mixer); Scott Curtis (foley mixer) |
| 2018 (26th) | First Man | Mary H. Ellis (production mixer); Jon Taylor, Frank A. Montaño, Ai-Ling Lee (re-recording mixers); Nick Baxter (scoring mixer); Thomas J. O'Connell (ADR mixer); Richard Duarte (foley mixer) |
| 2018 (26th) | A Quiet Place | Michael Barosky (production mixer); Brandon Proctor, Michael Barry (re-recording mixers); Tyson Lozensky (scoring mixer); Bob Lacivita (ADR mixer); Peter Persuad (foley mixer) |
| 2018 (26th) | A Star Is Born | Steven A. Morrow (production mixer); Tom Ozanich, Dean A. Zupancic, Jason Ruder (re-recording mixers); Nick Baxter (scoring mixer); Thomas J. O'Connell (ADR mixer); Richard Duarte (foley mixer) |
| 2019 (27th) | Ford v Ferrari | Steven A. Morrow (production mixer); David Giammarco, Paul Massey (re-recording mixers); Tyson Lozensky (scoring mixer); David Betancourt (ADR mixer); Richard Duarte (foley mixer) |
| 2019 (27th) | The Irishman | Tod A. Maitland (production mixer); Tom Fleischman, Eugene Gearty (re-recording mixers); Mark DeSimone (ADR mixer); George A. Lara (foley mixer) |
| 2019 (27th) | Joker | Tod A. Maitland (production mixer); Tom Ozanich, Dean A. Zupancic (re-recording mixers); Daniel Kresco (scoring mixer); Thomas J. O'Connell (ADR mixer); Richard Duarte (foley mixer) |
| 2019 (27th) | Once Upon a Time in Hollywood | Mark Ulano (production mixer); Christian Minkler, Michael Minkler (re-recording mixers); Kyle Rochlin (foley mixer) |
| 2019 (27th) | Rocketman | John Hayes (production mixer); Mathew Collinge, Mike Prestwood Smith (re-recording mixers); Mark Appleby (ADR mixer); Glen Gathard (foley mixer) |

### 2020s

| Year | Film | Nominees |
| 2020 (28th) | Sound of Metal | Phillip Bladh (production mixer); Jaime Baksht, Nicolas Becker, Michelle Couttolenc (re-recording mixers); Carlos Cortés Navarrete (ADR mixer); Kari Vähäkuopus (foley mixer) |
| 2020 (28th) | Greyhound | David Wyman (production mixer); Beau Borders, Richard Kitting, Christian Minkler, Michael Minkler (re-recording mixers); Greg Hayes (scoring mixer); George A. Lara (foley mixer) |
| 2020 (28th) | Mank | Drew Kunin (production mixer); Ren Klyce, David Parker, Nathan Nance (re-recording mixers); Alan Meyerson (scoring mixer); Charleen Richards-Steeves (ADR mixer); Scott Curtis (foley mixer) |
| 2020 (28th) | News of the World | John Patrick Pritchett (production mixer); William Miller, Mike Prestwood Smith (re-recording mixers); Shawn Murphy (scoring mixer); Mark DeSimone (ADR mixer); Adam Fil Méndez (foley mixer) |
| 2020 (28th) | The Trial of the Chicago 7 | Thomas Varga (production mixer); Michael Babcock, Julian Slater (re-recording mixers); Daniel Pemberton (scoring mixer); Justin W. Walker (ADR mixer); Kevin Schultz (foley mixer) |
| 2021 (29th) | Dune | Mac Ruth (production mixer); Ron Bartlett, Douglas Hemphill (re-recording mixers); Alan Meyerson (scoring mixer); Tommy O'Connell (ADR mixer); Don White (foley mixer) |
| 2021 (29th) | No Time to Die | Simon Hayes (production mixer); Paul Massey, Mark Taylor (re-recording mixers); Stephen Lipson (scoring mixer); Mark Appleby (ADR mixer); Adam Mendez (foley mixer) |
| 2021 (29th) | The Power of the Dog | Richard Flynn (production mixer); Robert Mackenzie, Tara Webb (re-recording mixers); Graeme Stewart (scoring mixer); Steve Burgess (foley mixer) |
| 2021 (29th) | Spider-Man: No Way Home | Willie Burton (production mixer); Tony Lamberti, Kevin O’Connell (re-recording mixers); Warren Brown (scoring mixer); Howard London (ADR mixer); Randy K. Singer (foley mixer) |
| 2021 (29th) | West Side Story | Tod A. Maitland (production mixer); Gary Rydstrom, Andy Nelson (re-recording mixers); Shawn Murphy (scoring mixer); Doc Kane (ADR mixer); Frank Rinella (foley mixer) |
| 2022 (30th) | Top Gun: Maverick | Mark Weingarten (production mixer); Chris Burdon, Mark Taylor (re-recording mixers); Al Clay, Stephen Lipson (scoring mixers); Blake Collins (foley mixer) |
| 2022 (30th) | All Quiet on the Western Front | Viktor Prášil (production mixer); Lars Ginzel, Stefan Korte (re-recording mixers); Daniel Kresco (scoring mixer); Jan Meyerdierks (ADR mixer); Hanse Warns (foley mixer) |
| 2022 (30th) | Avatar: The Way of Water | Julian Howarth (production mixer); Christopher Boyes, Gary Summers, Michael Hedges (re-recording mixer); Simon Rhodes (scoring mixer); Bill Higley (ADR mixer); Tavish Grade (foley mixer) |
| 2022 (30th) | The Batman | Stuart Wilson (production mixer); Will Files, Andy Nelson (re-recording mixers); Kirsty Whalley (scoring mixer); Ryan D. Young (ADR mixer); Darrin Mann (foley mixer) |
| 2022 (30th) | Elvis | David Lee (production mixer); Andy Nelson, Michael Keller, Wayne Pashley (re-recording mixers); Geoff Foster (scoring mixer); Tami Treadwell (ADR mixer); Amy Barber (foley mixer) |
| 2023 (31st) | Oppenheimer | Willie D. Burton (production mixer); Gary A. Rizzo, Kevin O'Connell (re-recording mixers); Chris Fogel (scoring mixer); Tavish Grade, Jack Cucci, Mikel Parraga-Wills (foley mixers) |
| 2023 (31st) | Barbie | Nina Rice (production mixer); Kevin O'Connell, Ai-Ling Lee (re-recording mixers); Peter Cobbin, Kirsty Whalley (scoring mixers); Bobby Johanson (ADR mixer); Kevin Schultz (foley mixer) |
| 2023 (31st) | Ferrari | Lee Orloff (production mixer); Andy Nelson, Tony Lamberti, Luke Schwarzweller (re-recording mixers); Andrew Dudman (scoring mixer); Matthew Wood (ADR mixer); Giorgi Lekishvili (foley mixer) |
| 2023 (31st) | Killers of the Flower Moon | Mark Ulano (production mixer); Tom Fleischman, Eugene Gearty (re-recording mixers); George A. Lara (foley mixer) |
| 2023 (31st) | Maestro | Steven A. Morrow (production mixer); Tom Ozanich, Dean A. Zupancic (re-recording mixers); Nick Baxter (scoring mixers); Bobby Johanson (ADR mixer); Walter Spencer (foley mixer) |
| 2024 (32nd) | A Complete Unknown | Tod A. Maitland (production sound mixer); Paul Massey, David Giammarco (re-recording mixers); Nick Baxter (scoring mixer); David Betancourt (ADR mixer); Kevin Schultz (foley mixer) |
| 2024 (32nd) | Deadpool & Wolverine | Colin Nicolson (production sound mixer); Lora Hirschberg, Craig Henighan (re-recording mixers); Peter Cobbin (scoring mixer); Bobby Johanson (ADR mixer); Peter Persaud (foley mixer) |
| 2024 (32nd) | Dune: Part Two | Gareth John (production sound mixer); Ron Bartlett, Doug Hemphill (re-recording mixers); Alan Meyerson (scoring mixer); Jason Oliver (ADR mixer); Tavish Grade, Mikel Parraga-Wills (foley mixers) |
| 2024 (32nd) | Gladiator II | Stephane Bucher (production sound mixer); Paul Massey, Matthew Collinge (re-recording mixers); Alan Meyerson (scoring mixer); Filipe Pereira (ADR mixer); Rob Weatherall (foley mixer) |
| 2024 (32nd) | Wicked: Part One | Simon Hayes (production sound mixer); Andy Nelson, John Marquis (re-recording mixers); John Michael Caldwell (scoring mixer); Jason Oliver (ADR mixer); Mikel Parraga-Wills (foley mixer) |