# Éric de Chassey

Éric de Buretel de Chassey (born 1965, Pittsburgh, Pennsylvania, U.S.) is a French historian of French art, art critic, and professor of contemporary art history at François Rabelais University in Tours, France. He has had students from many different countries, one of whom is the Iranian artist Bahram Ahmadi.
On 4 September 2009, he was named director of the French Academy in Rome, succeeding Frédéric Mitterrand.

## Education

Éric de Chassey studied at the École normale supérieure (Ulm – 1986, philosophy major) and Sciences Po in Paris.
He holds an art history Ph.D (1994) from Sorbonne University, under the supervision of Pr. Bruno Foucart, and an Habilitation à diriger des recherches (1998), under the supervision of Pr. Serge Lemoine.

## Career
### Academic career

During the academic year 1989-1990, he was a French lecturer at Yale University.
From 1992 to 1996, he was Teaching Assistant in Modern and Contemporary History of Art at Sorbonne University.
In 1996, he was elected Assistant Professor of Contemporary Art History at Sorbonne University.
In 1999, at the precocious age of 33, he was elected full chair Professor of Modern and Contemporary History of the Arts at Université François-Rabelais in Tours (1999-2012). There, in 2008, he created the InTRu interdisciplinary Resarch Laboratory (Interactions, transferts et ruptures artistiques et culturels, EA 6301).
From 2004 to 2009, he was a fellow of the Institut Universitaire de France.
In 2012, he was elected full chair professor of Modern and Contemporary Art History at the École normale supérieure in Lyon, France.

### French Academy in Rome – Villa Medici [Académie de France à Rome – Villa Médicis]

In 2009 he was appointed director of the French Academy in Rome - Villa Medici, where he served two terms, until 2015.
He initiated important restoration programs of the Villa, its interior and garden (with a special focus on the co-presence of the late Mannerist decorations and 20th century interventions by Balthus), enriched the collection with major acquisitions of works from the Renaissance (Jacopo Zucchi) and today (Claudio Parmiggiani), organized and curated a residency program for artists from all fields and origins, as well as exhibitions, concerts, cinema and literature programs, and conferences and lectures in art history and philosophy.
In particular, he initiated 3 yearly festivals of classical music (Autunno in musica), contemporary classical (Controtempo), and pop, rock, electro (Villa Aperta), as well as 3 yearly festivals of cinema dedicated to documentary films from the global South (CineMondo), restored films (Re/visioni), and surveys of the cinematography of an Italian or French actor or actress (Cinema all'aperto): these festivals, variously addressed to the specialists and/or the general public received a wide public and critical success.
His leadership of Villa Medici made the board of this public entity award him the title of Honorary Director in 2016.

### French National Institute of Art History [Institut national d’histoire de l’art]

In 2016, he was appointed director of the French National Institute of Art History (INHA), in Paris, a government sponsored organization which leads innovative research programs in the discipline, maintains and enriches the largest art library in the world, and furthers the dissemination of art history for the general public.
Under his leadership, the institute has added to its previous fields of research several programs on provenance (with focuses on the art market in France during German occupation and on African objects in French public collections), material culture (with collaborations between art historians and conservation specialists, on chemical colors in 19th and 20th century France or the use of gold in European paintings of the 17th century), new subjects (choreographic notation from the 16th century to now), and extra-occidental art histories (Islamic and African arts).
Its library has expanded its special collections with exceptional gifts and sponsored acquisitions of prints by non-French artists (German expressionists, Ellsworth Kelly, Thomas Schütte, Vera Molnár, Takesada Matsutani, Luc Tuymans, etc.) as well as major archives of art historians and dealers (Henri Focillon, Guy Loudmer and Alphonse Bellier, Galerie Jean Fournier, etc.), and successfully opened its new reading room in the Salle Labrouste, which now welcomes more than 400 readers a day (MA and PhD students, art historians and professionals from the art world).
Éric de Chassey has thoroughly increased the reach-out programs of INHA, launching podcasts and a YouTube channel which features the entirety of the seminars, lectures and conferences of the institute, creating collections of books (“Dits” and “Inédits”), widening the attractiveness of the Festival of Art History (a yearly manifestation operated jointly with the Palace of Fontainebleau) and creating tools for teaching art history in primary and secondary schools (distributed in the whole country by the French department of Education).

### Public activities

He has served on the administrative boards of the Institut national du patrimoine, Paris (since 2017), Fondation Angladon-Dubrujeaud, Avignon (since 2022), École Nationale Supérieure des Beaux-Arts de Lyon (2011-2017), and Établissement public du Grand Palais (2007-2010), and has been a member of the scientific committees of various French public institutions, such as Bibliothèque nationale de France (2016-2019), École nationale des Chartes (since 2017), Musée du Louvre (since 2017), Musée du Quai Branly-Jacques Chirac (since 2017), Centre Pompidou (since 2020), Monnaie de Paris (since 2022), Centre de Création Contemporaine - Olivier Debré de Tours (since 2022), and Musée des arts décoratifs (since 2023).
In 2022, he was elected chair of the international network of Research Institutes in Art History (RIHA) and, since 2021, has chaired the editorial board of the international project “The Visual Arts in Europe: An Open History” (EVA), a project that he initiated in 2019 and that gathers 46 research institutes in art history and museums representing the 46 countries of the European Council.
Éric de Chassey frequently intervenes in public debates related to arts and culture, notably on public policies in the realm of culture, on the social and political necessity of art history for democratic societies, on repatriations and restitutions.
Between 2018 and 2024, he published a monthly column in the French edition of The Art Newspaper, addressing current issues in art history and culture, from all periods and geographies.

## Music

While in high school, Eric de Chassey produced and hosted two weekly radio programs on New Wave and PostPunk: “Young and Hip” (1981-1982) and “Methods of Trance” (1982-1983) on independent radio station Ciel FM, in Lyon.
Between 1998 and 2001, he was “academic counselor” for Kung Fu Fighting Recordings, an independent music label founded by Daniel Dauxerre, where he curated the compilation Social Bodies (1999), commissioning tracks by acts such as Tommy Hools, Tahiti 80, Stereolab, Arab Strap, and Dominique A.
In 2014, during his concert on the Piazzale of Villa Medici, the French singer Christophe opened a song with the words: “Petit hommage à mon Italien préféré. J’allais dire Éric de Chassey mais c’était gonflé. Non, parce que c’est vrai, Enzo Ferrari, Éric de Chassey, c’est quand même des gens qui comptent pour moi. »
In 2019, he wrote the liner notes for French composer of contemporary classical music Raphaël Cendo’s record Corps, published by L’Empreinte digitale.
In 2023, he commented a selection of tracks that appeared in the early 1980s on the independent eclectic record label Les Disques du Crepuscule.

## Publications

As a scholar, he has worked extensively on the art of Henri Matisse, US and European art and transatlantic cultural relationships, abstraction in the 20th and 21st centuries, photography, the visual culture of the second half of the 20th century and its relations with music (Punk) and politics (May 68 and its aftermath), as well as general essays on the state of art history.

## Exhibitions

He has also curated over 45 exhibitions.