# List of compositions by Franz Schubert (1812)

Franz Schubert's compositions of 1812 are mostly in the Deutsch catalogue (D) range D 13–37, and include:
* Instrumental works:
** String Quartet No. 1, D 18
** String Quartet No. 2, D 32
** String Quartet No. 3, D 36
* Vocal music:
** Klaglied, D 23

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1812 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 13 | 13 | | | VII/2, 4 | Fugue, D 13 | D minor | c. 1812 | For piano?; By Schubert? |
| 14 | 14 | | | | Overture, D 14 | | c. 1812 | Piano sketch; Lost |
| 15 | 15 | (1895) | XX, 10 No. 590/1 | IV, 7 Anh. No. 5 | Der Geistertanz, D 15 | Die bretterne Kammer der Toten erbebt | c. 1812 | Text by Matthisson (other settings: D 15A, 116 and 494); Fragment |
| 15 | 15A | (1895) | XX, 10 No. 590/2 | IV, 7 Anh. No. 6 | Der Geistertanz, D 15A | Die bretterne Kammer der Toten erbebt | c. 1812 | Text by Matthisson (other settings: D 15, 116 and 494); Fragment |
| 16 | 16 | (1940) | | VIII, 2 No. 11 | Counterpoint exercises, D 16 | G minor (Nos. 1–4); A minor (Nos. 5–7) | 1823? | Seven exercises in double counterpoint |
| 17 | 17 | (1940) | | VIII, 2 No. 37 | Composition exercises, D 17 | Quell' innocente figlio | 1812? | Text by Metastasio, from Isacco I, "Aria dell' Angelo"; Nine settings with corrections by Salieri; No. 1, for s, related to D 30; No. 2 for ss; Nos. 3 and 5–6 for sat; Nos. 4 and 7–8 for satb (No. 7 not in 1940 publ.) |
| 18 | 18 | (1890) | V No. 1 | VI, 3 No. 1 | String Quartet No. 1 | G minor / B major | 1810–1811 | Andante, Presto vivace – Minuet – Andante – Presto |
| 19 | 19 | | | | String Quartet, D 19 | | 1810–1811 | Lost |
| 19A | 19A | | | | String Quartet, D 19A | | 1810–1811 | Lost |
| | 19B | | | | Waltzes and a March, D 19B | | 1812–1813? | For piano; Lost |
| 20 | 20 | | | | Overture, D 20 | B♭ major | 1812 | For string quartet; Lost |
| 21 | 21 | | | | Six Variations, D 21 | E♭ major | 1812 | For piano; Lost |
| 22 | 22 | | | | Twelve Minuets with Trios, D 22 | | 1812 | For piano; Lost |
| 23 | 23 | 131p,3 (1830) | XX, 1 No. 6 | IV, 6 No. 4 | Klaglied | Meine Ruh ist dahin, meine Freud ist entflohn | 1812 | Text by Rochlitz |
| 24 | 24 | | | | Seven Variations, D 24 | F major | 1812? | For piano; Fragment; Lost |
| | 24A | | | VII/2, 4 | Fugue, D 24A | C major | summer 1812? | For keyboard (organ or piano); Partly reused in D 24E |
| | 24B | | | VII/2, 4 | Fugue, D 24B | G major | summer 1812? | For keyboard (organ or piano); Two versions |
| | 24C | | | VII/2, 4 | Fugue, D 24C | D minor | summer 1812? | For keyboard (organ or piano) |
| | 24D | | | VII/2, 4 Anh. | Fugue, D 24D | C major | summer 1812? | For piano; Fragment; Partly reused in D 46 |
| | 24E | | | I, 5 Anh. | Mass, D 24E | F major? Gloria – Credo | summer 1812? | Text: Mass ordinary (other settings: D 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Fragment of a Gloria and a Credo; Partly based on D 24A |
| 25 | 25 | | | VIII, 2 | Counterpoint exercises, D 25 | | started 18/6/1812 | Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises |
| | 25A | | | VIII, 2 | Counterpoint exercises, D 25A | | summer 1812? | Two 4-part counterpoint exercises |
| | 25B | | | VIII, 2 | Counterpoint exercises, D 25B | | summer 1812? | Fifteen 3-part counterpoint exercises |
| | 25C | | | VIII, 2 | Fugue, D 25C | F major | summer 1812? | Counterpoint exercise for two voices; Fragment |
| 26 | 26 | (1886) | II No. 2 | V, 5 | Overture, D 26 | D major | 26/6/1812 | For orchestra |
| 27 | 27 | (1928) | | I, 8 | Salve Regina, D 27 | F major Salve Regina | 28/06/1812 | Text: Salve Regina (other settings: D 106, 223, 386, 676 and 811); For s and orchestra |
| 28 | 28 | (1923) | | VI, 7 No. 1 | Piano Trio, D 28, a.k.a. Sonata | B♭ major | 27/7/1812– 28/8/1812 | Allegro |
| 29 | 29 | (1888) | XI No. 9 | VII/2, 4 | Andante, D 29 | C major | 9/9/1812 | For piano; Related to D 3 and 36 |
| 30 | 30 | (1894) | XX, 1 No. 5 | IV, 4 | Der Jüngling am Bache, D 30 | An der Quelle saß der Knabe | 24/9/1812 | Text by Schiller (other settings: D 192 and 638) |
| 31 | 31 | (1888) | XIV No. 14 | I, 5 | Kyrie, D 31 | D minor Kyrie | 25/9/1812 | Text: Mass ordinary (other settings: D 24E, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For stSATB and orchestra; First part of a Mass |
| 32 | 32 | (1890) (1897) (1954) | V No. 2 XXII v5 | VI, 3 No. 4 | String Quartet No. 2 | C major | Sep.–Oct. 1812 | Presto (publ. in 1890) – Andante – Minuet (publ. in 1890, music partly reappears in D 128 No. 12) – Allegro con spirito (publ. partly in 1897) |
| 33 | 33 | (1940) | | VIII, 2 No. 38 | Composition exercises, D 33 | Entra l'uomo allor che nasce | Sep.–Oct. 1812 | Text by Metastasio, from Isacco II, "Aria di Abramo"; Six settings (No. 1 for s, Nos. 2 for sa, No. 3 for sat, Nos. 4–6 for satb) and an Allegretto (b?), with corrections by Salieri |
| 34 | 34 | (1940) | | VIII, 2 No. 39 | Composition exercises, D 34 | Te solo adoro | 5/11/1812 | Text by Metastasio, from Betulia liberata II, "Aria di Achior"; For satb; Two versions of start; With corrections by Salieri |
| 35 | 35 | (1940) | | VIII, 2 No. 40 | Composition exercises, D 35 | Serbate, o Dei custodi | Oct.–Dec. 1812 | Text by Metastasio, from La clemenza di Tito I, 5; Three settings (No. 1 for satb, No. 2 for SATB, No. 3 for t and accompaniment); With corrections by Salieri |
| 36 | 36 | (1890) | V No. 3 | VI, 3 No. 5 | String Quartet No. 3 | B♭ major | 19/11/1812– 21/2/1813 | Allegro – Andante – Minuet – Allegretto |
| 37 | 37 | 74 (1827) | XIX No. 1 | III, 3 No. 1 | Die Advokaten | Mein Herr, ich komm' mich anzufragen | 25/12/1812– 27/12/1812 | Text by Rustenfeld [scores]; For ttb and piano |