# List of compositions by Franz Schubert (1813)

Franz Schubert's compositions of 1813 are mostly in the Deutsch catalogue (D) range D 37A–91, and include:
* Instrumental works:
** Symphony No. 1, D 82
** String Quartet No. 4, D 46
** String Quartet No. 5, D 68
** String Quartet No. 6, D 74
** String Quartet No. 10, D 87
* Vocal music:
** Des Teufels Lustschloß, D 84 (composition started late October 1813)
** "Trinklied", D 75
** "Sehnsucht", D 52
** "Der Taucher", D 77

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1813 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 967 | 37A | | | VII/2, 4 Anh. VIII, 2 No. 13 | Fugue sketches, D 37A | | 1813? | For piano |
| 38 | 38 | (1892) | XIX No. 20 | III, 4 No. 1 | Totengräberlied, D 38 | Grabe, Spaden, grabe! | 1813? | Text by Hölty (other setting: D 44); For ttb |
| 39 | 39 | (1969) | | IV, 6 Anh No. 2 | Lebenstraum | Ich saß an einer Tempelhalle | early 1810? | Text by Baumberg; Sketch; Music related to D 1A |
| | 39A | | | VI, 9 | Three Minuets with Trios, D 39A | | 1813 | For orchestra; Lost |
| 41 | 41 | (1889) | XII No. 30 | VII/2, 6 | Thirty Minuets with Trios, D 41 | Various keys | 1813 | For piano; Nos. 1–8, 11–18 and 20–23 are extant |
| | 41A | | | VII/2, 4 Anh. | Fugue, D 41A | E minor | 1813 | For piano; Fragment |
| 42 | 42 | (1895) (1969) | XX, 10 No. 570 | IV, 6 No. 5 Anh. No. 3 | Aria di Timante | Misero pargoletto | 1813? | Text by Metastasio, from Demofoonte III, 5; For s and piano; Two settings: 1st, not in AGA, consisting of two variant fragments |
| 43 | 43 | (1897) | XXI, 4 No. 43 | III, 4 No. 2 VIII, 2 No. 34 | Sprüche des Confucius, D 43 | Dreifach ist der Schritt der Zeit | 8/7/1813 | Text by Schiller (other settings: D 69 and 70); For ttb |
| 44 | 44 | (1894) | XX, 1 No. 7 | IV, 6 No. 6 | Totengräberlied, D 44 | Grabe, Spaden, grabe! | 19/1/1813 | Text by Hölty (other setting: D 38) |
| 45 | 45 | (1888) | XIV No. 21 | I, 5 | Kyrie, D 45 | B♭ major Kyrie | 1/3/1813 | Text: Mass ordinary (other settings: D 24E, 31, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB |
| 46 | 46 | (1890) | V No. 4 | VI, 3 No. 6 | String Quartet No. 4 | C major | 3/3/1813– 7/3/1813 | Adagio – Andante con moto – Minuet – Finale |
| 47 | 47 | (1974) | | III, 2b Anh. No. 1 | Dithyrambe, D 47 | Nimmer, das glaubt mir, erscheinen die Götter | 29/3/1813 | Text by Schiller (other setting: D 801); For tbSATB and piano; Fragment |
| 48 | 48 | (1871) (1888) | IX, 3 No. 32 | VII/1, 1 No. 3 | Fantasy, D 48, a.k.a. Grand Sonata | C minor | April 1813– 10/6/1813 | For piano duet; AGA includes concluding fugue |
| 49 | 49 | (1888) | XIV No. 15 | I, 5 | Kyrie, D 49 | D minor Kyrie | early April 1813– 15/4/1813 | Text: Mass ordinary (other settings: D 24E, 31, 45, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For satbSATB and orchestra; First part of a Mass |
| 50 | 50 | (1894) | XX, 1 No. 8 | IV, 6 No. 7 | Die Schatten | Freunde, deren Grüfte sich schon bemoosten! | 12/4/1813 | Text by Matthisson |
| 51 | 51 | (1897) | XXI, 4 No. 37 | III, 4 No. 3 | Unendliche Freude, D 51 | Unendliche Freude durchwallet das Herz | 15/4/1813 | Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 53, 54, 57, 58, 60 and 584); For ttb |
| 52 | 52 | (1868) | XX, 1 No. 9 | IV, 2b No. 8 | Sehnsucht, D 52 | Ach, aus dieses Tales Gründen | 15/4/1813– 17/4/1813 | Text by Schiller (other setting: D 636); For b and piano |
| 53 | 53 | (1892) | XIX No. 9 | III, 4 No. 4 | Vorüber die stöhnende Klage | Vorüber die stöhnende Klage! | 18/4/1813 | Text by Schiller, stanza 1 from "Elysium" (other stanzas and settings: D 51, 54, 57, 58, 60 and 584); For ttb |
| 54 | 54 | (1873) | XIX No. 22 | III, 4 No. 5 VIII, 2 No. 17 | Unendliche Freude, D 54 | Unendliche Freude durchwallet das Herz | 19/4/1813 | Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 51, 53, 57, 58, 60 and 584); Canon for three male voices |
| 55 | 55 | (1892) | XIX No. 12 | III, 4 No. 6 | Selig durch die Liebe | Selig durch die Liebe Götter | 21/4/1813 | Text by Schiller, from "Der Triumph der Liebe": stanza 1; Other: D 61, 62, 63, 64, 983A; For ttb |
| 56 | 56 | (1892) | XIX No. 29 | I, 5 VIII, 2 No. 18 | Sanctus, D 56 | B♭ major Sanctus | 21/4/1813 | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 66, 105, 167, 324, 452, 678, 755 and 950); Canon for three voices; Two versions |
| 57 | 57 | (1897) | XXI, 4 No. 38 | III, 4 No. 7 | Hier strecket der wallende Pilger | Hier strecket der wallende Pilger | 29/4/1813 | Text by Schiller, stanza 4 from "Elysium" (other stanzas and settings: D 51, 53, 54, 58, 60 and 584); For ttb |
| 58 | 58 | (1892) | XIX No. 10 | III, 4 No. 8 | Dessen Fahne Donnerstürme wallte | Dessen Fahne Donnerstürme wallte | May 1813 | Text by Schiller, stanza 5 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 60 and 584); For ttb |
| 59 | 59 | (1832) | XX, 1 No. 10 | IV, 6 No. 8 | Verklärung | Lebensfunke, vom Himmel entglüht | 4/5/1813 | Text by Herder after Pope's "The dying Christian to his soul" |
| 60 | 60 | (1892) | XIX No. 11 | III, 4 No. 16 | Hier umarmen sich getreue Gatten | Hier umarmen sich getreue Gatten | 3/10/1813 | Text by Schiller, stanza 6 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 58 and 584); For ttb |
| 61 | 61 | (1897) | XXI, 4 No. 39 | III, 4 No. 9 VIII, 2 No. 19 | Ein jugendlicher Maienschwung | Ein jugendlicher Maienschwung | 8/5/1813 | Text by Schiller, from "Der Triumph der Liebe": stanza 9; Other: D 55, 62, 63, 64, 983A; Canon for three voices |
| 62 | 62 | (1897) | XXI, 4 No. 40 | III, 4 No. 10 VIII, 2 No. 35 | Thronend auf erhabnem Sitz | Thronend auf erhabnem Sitz | 9/5/1813 | Text by Schiller, from "Der Triumph der Liebe": stanza 15; Other: D 55, 61, 63, 64, 983A |
| 63 | 63 | (1892) | XIX No. 13 | III, 4 No. 11 | Wer die steile Sternenbahn | Wer die steile Sternenbahn | 10/5/1813 | Text by Schiller, from "Der Triumph der Liebe": stanza 26; Other: D 55, 61, 62, 64, 983A; For ttb |
| 64 | 64 | (1897) | XXI, 4 No. 41 | III, 4 No. 12 VIII, 2 No. 36 | Majestät'sche Sonnenroße | Majestät'sche Sonnenroße | 10/5/1813 | Text by Schiller, from "Der Triumph der Liebe": stanza 16; Other: D 55, 61, 62, 63, 983A; For ttb |
| 65 | 65 | (1892) | XIX Anh. I, No. 35 | III, 4 Anh. II No. 1 VIII, 2 No. 20 | Schmerz verzerret ihr Gesicht | Schmerz verzerret ihr Gesicht | 11/5/1813 | Text by Schiller, from "Gruppe aus dem Tartarus": stanza 2 (other settings: D 396 and 583); For ttb; Sketch |
| 66 | 66 | (1888) | XIV No. 16 | I, 5 | Kyrie, D 66 | F major Kyrie | 12/5/1813 | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra |
| 67 | 67 | (1897) | XXI, 4 No. 42 | III, 4 No. 13 | Frisch atmet des Morgens lebendiger Hauch | Frisch atmet des Morgens lebendiger Hauch | 15/5/1813 | Text by Schiller (other setting: D 402); For ttb |
| 68 | 68 | (1890) | V No. 5 | VI, 3 No. 7 | String Quartet No. 5 | B♭ major | 8/6/1813– 18/8/1813 | Allegro maestoso – Allegro; Middle movements missing |
| 69 | 69 | (1892) | XIX No. 23 | III, 4 No. 14 VIII, 2 No. 21 | Sprüche des Confucius, D 69 | Dreifach ist der Schritt der Zeit | 8/7/1813 | Text by Schiller (other settings: D 43 and 70); Canon for three voices |
| 70 | 70 | (1974) | | III, 4 Anh. I No. 1 VIII, 2 No. 33 | Sprüche des Confucius, D 70 | Dreifach ist der Schritt der Zeit | 8/7/1813 | Text by Schiller (other settings: D 43 and 69); For ttb; Fragment |
| 71 | 71 | (1892) | XIX No. 14 | III, 4 No. 15 | Die zwei Tugendwege | Zwei sind der Wege | 15/7/1813 | Text by Schiller; For ttb |
| | 71A | (1956) | | I, 8 VIII, 2 No. 22 | Alleluja, D 71A | F major | July 1813? | Canon for three voices |
| | 71B | | | VII/2, 4 Anh. VIII, 2 No. 14 | Fugue, D 71B | E minor | July 1813 | For piano; Fragment |
| 966A | 71C | | | V, 6 No. 5 | Orchestral piece, D 71C | D major | Aug. or Sep. 1813 | Fragment; First pages, a.k.a. D 74A, based on D 74 |
| 72 | 72 | (1889) (1890) | III No. 2 XXII v1 | VI, 1 No. 1 & Anh. | Wind Octet | F major | completed 18/8/1813 | Allegro (fragment, publ. in 1890) – Minuet – Allegro; Slow middle movement lost? |
| 73 | 73 | (1868) | XX, 1 No. 11 | IV, 4 | Thekla: Eine Geisterstimme, D 73 | Wo ich sei, und wo mich hingewendet | 22/8/1813– 23/8/1813 | Text by Schiller (other setting: D 595) |
| 74 | 74 | (1890) | V No. 6 | VI, 4 No. 8 | String Quartet No. 6 | D major | 22/8/1813– Sep. 1813 | Allegro ma non troppo – Andante – Minuet – Allegro |
| 966A | 74A | | | V, 6 No. 4 | Orchestral piece, D 74A | D major | Aug. or Sep. 1813 | Fragment; Variant D number for first pages of D 71C |
| 75 | 75 | (1850) | XVI No. 16 | III, 3 No. 18 | Trinklied, D 75 | Freunde, sammelt euch im Kreise | 29/08/1813 | Text by Schäffer [scores]; For bTTB and piano |
| 76 | 76 | (1871) (1969) | XX, 10 No. 571 | IV, 6 No. 9 Anh. No. 4 | Aria di Fronimo | Pensa, che questo istante | 7 and 13 Sep. 1813 | Text by Metastasio, from Alcide al bivio, 1; For b and piano; Two versions (2nd in AGA) |
| 77 111 | 77 | (1831) (1894) | XX, 1 No. 12 | IV, 6 No. 10 | Der Taucher | Wer wagt es, Rittersmann oder Knapp | 17/9/1813– early 1815 | Text by Schiller; Two versions: 2nd, publ. in 1894, was D 111 |
| 78 | 78 | (1895) | XX, 10 No. 572 | IV, 6 No. 11 | Aria di Venere | Son fra l'onde | 18/9/1813 | Text by Metastasio, from Gli orti esperdi, I; For s and piano |
| 79 | 79 | (1889) | III No. 3 | VI, 1 No. 2 | Wind Nonet, a.k.a. Eine kleine Trauermusik or Franz Schuberts Begräbniß-Feyer | E♭ minor | 19/9/1813 | Grave con espressione |
| 80 | 80 | (1892) | XIX No. 4 | III, 3 No. 2 Anh. III No. 1 Anh. IV No. 1 | Zur Namensfeier meines Vaters | Ertöne Leier zur Festesfeier! | 27/9/1813 | Text by Schubert; For ttb and guitar |
| 81 | 81 | (1895) | XX, 10 No. 583 | IV, 14 | Auf den Sieg der Deutschen | Verschwunden sind die Schmerzen | fall 1813 | Text by Schubert? (other setting: D 88); For voice, two violins and cello |
| 82 | 82 | (1884) | I, 1 No. 1 | V, 1 No. 1 | Symphony No. 1 | D major | completed 28/10/1813 | Adagio, Allegro vivace – Andante – Minuet – Allegro vivace |
| 83 | 83 | (1895) | XX, 10 No. 582 | IV, 14 | Zur Namensfeier des Herrn Andreas Siller | Des Phöbus Strahlen | 28/10/1813– 4/11/1813 | For voice, violin and harp |
| 84 | 84 | (1888) | XV, 1 No. 1 | II, 1 | Des Teufels Lustschloß | (Singspiel in three acts) | 30/10/1813– 22/10/1814 | Text by Kotzebue; Music for sssttbbbSSSATTBB and orchestra; Two versions: Overture (2nd version in AGA) – Act I (Nos. 1–11, 2nd version in AGA) – Act II (Nos. 12–17, 1st version only, in AGA) – Act III (Nos. 18–23, 1st version Nos. 21 and 23 only, 2nd version in AGA); Sketch of an orchestral piece (from 1st version of Act III?): compare D 94A |
| 86 | 86 | (1886) | II No. 10 | VI, 4 Anh. No. 1 VI, 9 | Minuet, D 86 | D major | November 1813? | For string quartet |
| 87 | 87 | 125p,1 (1840) | V No. 10 | VI, 4 No. 9 | String Quartet No. 10 | E♭ major | November 1813 | Allegro più moderato – Scherzo – Adagio – Allegro |
| | 87A | | | VI, 4 Anh. No. 2 | Andante, D 87A | C major | November 1813 | For four voices (string quartet or vocal ensemble?); Fragment |
| 88 | 88 | (1892) | XIX No. 21 | III, 4 No. 17 VIII, 2 No. 23 | Verschwunden sind die Schmerzen | Verschwunden sind die Schmerzen | 15/11/1813 | Text by Schubert? (other setting: D 88); Canon for ttb |
| 89 90 | 89 | (1886) | II No. 8 and No. 9 | VI, 9 | Five Minuets and Five German Dances | Various keys | 19/11/1813 | For string quartet; Minuets have six Trios, German Dances have seven Trios and a Coda |
| 91 | 91 | (1956) | | VII/2, 6 | Two Minuets, D 91 | Various keys | 22/11/1813 | For piano; Each minuet with two Trios |