# Blood Money (Mobb Deep album)

Blood Money is the seventh studio album by American hip hop duo Mobb Deep. Originally scheduled for a March 21, 2006 release, it was released on May 2, 2006 via G-Unit/Interscope Records, making it the their only studio album for the label.
The recording sessions took place at Bass Clef Studios in Ozone Park, at Right Track Recording and Sound On Sound in New York, at LiveWire Remote Recorders in Toronto, at Digital Insight Recording Studios in Las Vegas, at Record Plant, Nate's Crib and Record One in Los Angeles. The album was produced by Havoc, Sha Money XL, Ky Miller, Chad Beat, Exile, J. R. Rotem, K-Lassik Beats, Product & Whitton, Profile, and the Alchemist, as well as Dr. Dre, Fredwreck and Mike Elizondo, who produced bonus tracks. It features guest appearances from Mary J. Blige and G-Unit members 50 Cent, Lloyd Banks, Tony Yayo and Young Buck, with Nate Dogg on one of the bonus tracks.
The album was supported with singles and accompanying music videos for "Put Em in Their Place", "Give It to Me" and "Creep". Blood Money is the only Mobb Deep studio album to not feature their frequent collaborator Big Noyd.

## Background

Fellow Queens-bred rapper 50 Cent had a personal connection to member Havoc, who provided production on G-Unit tracks, such as Lloyd Banks' "Ain't No Click", The Game's "Don't Need Your Love", and Tony Yayo's "Dear Suzie". In June 2005, Mobb Deep announced they had signed with G-Unit Records. The same year, under their new label, the duo were featured on the special edition of 50 Cent's The Massacre on the track "Outta Control (Remix)" and contributed to Get Rich or Die Tryin': Music from and Inspired by the Motion Picture, including the song "Have a Party".
They set to work on their new album, Blood Money, due March 21, 2006. It was re-scheduled for an April 11, 2006 release, but was postponed to finish sample clearance.

## Critical reception

Professional ratings :
| Aggregate scores ||
| Source | Rating |
| Metacritic | 55/100 |
| Review scores ||
| Source | Rating |
| AllMusic | |
| Blender | |
| Entertainment Weekly | A− |
| Now | |
| Pitchfork | 4.6/10 |
| PopMatters | 5/10 |
| Spin | B |
| Stylus | D |
| USA Today | |
| XXL | 4/5 (XL) |
Blood Money was met with mixed or average reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 55 based on seventeen reviews.
Margeaux Watson of Entertainment Weekly praised the album, calling it "the duo's finest body of work since their 1995 masterpiece, The Infamous". Noah Callahan-Bever, in a review for Vibe, expanded with "although there remains a sheen throughout, the body of the set showcases the Mobb in darker, more familiar territory". Sean Fennessey of Spin stated: "instead of the poppy makeover many anticipated, the Mobb's seventh album is a curious blend of gunz-money anthems, G-Unit-ized sex romps, and visions of the great beyond". Josh Eells of Blender found "their new boss's hooks are often slicke rand less arresting than the minor-key grit they thrive on". Steve 'Flash' Juon of RapReviews resumed: "in terms of their long career of certified bangers it comes as a slight disappointment".
In mixed reviews, Jason Richards of Now saw "not surprisingly, the resulting cameo-plugged record sounds more like a G-Unit album than an Infamous one". AllMusic's Andy Kellman stated: "the flashes of brilliance that were once routinely delivered by Havoc and Prodigy are few and fleeting here". Quentin B Huff of PopMatters wrote: "if Mobb Deep didn't have their own history, their own discography, and their own mythos, contributions from 50 and friends wouldn't be a hindrance. But here, those contributions become intrusions that keep the Mobb from telling their own stories, flashing their own green, getting their own groupies". Tom Breihan of Pitchfork found "too much of Blood Money represents something sad and fascinating-- two demons domesticated, two artists who have willfully transformed themselves into hucksters". Azeem Ahmad of musicOMH concluded: "the album is a 60 minute blur, and while there are brief moments of clarity there's just nothing special about Blood Money".
In negative reviews, Ian Cohen of Stylus Magazine reported that "it's hard to imagine another album in 2006 doing a worse job of justifying its existence than Blood Money".

## Commercial performance

In the United States, the album debuted at number three on the Billboard 200 and number-one on the Top Rap Albums charts with 106,000 copies sold in its first week of release. As of December 2006, Blood Money had sold 257,000 copies in the US. In his 2012 autobiography titled My Infamous Life, Prodigy claims the album went gold, with 500,000 copies sold.

## Track listing
### Sample credits

* Track 3 contains samples from "Puella Puella" by Man.
* Track 4 contains samples from "Dil Tha Akela Akela" by Lata Mangeshkar.
* Track 5 contains samples from "Solitude of the Mountains" by Gil Flat.
* Track 7 contains samples from "Tujhe Yaad Na Meri AA Yee" by Jatin–Lalit.
* Track 8 contains samples from the Knight Rider theme.
* Track 9 contains samples from "The Judgement Day" by Tavares.
* Track 12 contains samples from "Gangbusters" written by Fab Five Freddy with scratch mix by Grand Wizzard Theodore.
* Track 14 contains samples from "The Loneliest Man in Town" by Side Effect.
* Track 15 contains samples from "I Love Rock 'n' Roll" by Joan Jett and the Blackhearts.