# The Fortune Cookie

The Fortune Cookie (alternative British title: Meet Whiplash Willie) is a 1966 American black comedy film directed, produced and co-written by Billy Wilder. It is the first film on which Jack Lemmon collaborated with Walter Matthau. Matthau won an Academy Award for Best Supporting Actor for his performance. The film was co-produced by Wilder's Phalanx Productions in cooperation with Lemmon's independent film production company, Jalem Productions.

## Plot

CBS cameraman Harold "Harry" Hinkle is injured when football player Luther "Boom Boom" Jackson of the Cleveland Browns runs into him during a home game at Municipal Stadium. Harry's injuries are minor, but his conniving lawyer brother-in-law, William H. "Whiplash Willie" Gingrich, convinces him to pretend that his leg and hand have been partially paralyzed so that they can receive a huge indemnity from the insurance company.
Harry reluctantly goes along with the scheme because he is still in love with his ex-wife, Sandy, and being injured might bring her back. The insurance company's lawyers at O'Brien, Thompson and Kincaid suspect that the paralysis is fake, but all but one of their medical experts say that it is real. The experts are convinced by the remnants of a compressed vertebra (in fact, Hinkle suffered the injury as a child), and Hinkle's responses, helped by the numbing injections of novocaine that Gingrich has had a paroled dentist provide. The one holdout, Swiss Professor Winterhalter, is convinced that Hinkle is a fraud.
With no medical evidence to base their case on, O'Brien, Thompson and Kincaid hire Cleveland's best private detective, Chester Purkey, to keep Hinkle under constant surveillance. Gingrich, however, sees Purkey entering the apartment building across the street and lets Hinkle know that they are being watched and recorded. After Sandy arrives, he also warns Hinkle not to indulge in any hanky-panky with her. He proceeds to feed misinformation to Purkey; he incorporates the "Harry Hinkle Foundation", a non-profit charity to which all the proceeds of any settlement are to go, above and beyond the medical expenses.
When Sandy questions Gingrich about this in private, he tells her that it is just a scam to put pressure on the insurance company to settle, and that there will be enough money in the settlement for everyone. Hinkle begins to enjoy having Sandy back again, but he feels bad when he sees that Boom-Boom is so guilt-ridden that his performance on the field suffers. He is booed by the fans, then grounded by the team for getting drunk and involved in a bar fight.
Hinkle wants Gingrich to represent Boom-Boom, but to Hinkle's displeasure, Gingrich says that he is too busy negotiating with O'Brien, Thompson and Kincaid. Hinkle learns that Sandy has returned to him strictly out of greed. Hinkle obtains a $200,000 settlement check. However, Purkey has a plan to expose the scam. He shows up at the apartment supposedly to collect his microphones. He begins to make racist remarks about Boom-Boom. Hinkle, incensed, jumps up from his wheelchair and decks Purkey, but Purkey's assistant Max is not sure if he recorded it on film because "it's a little dark". Hinkle asks Purkey if he would like a second take, turns on a light and advises the cameraman on how to set his exposure. He punches Purkey again, and follows up by swinging from curtain rods and bouncing on the bed. Sandy is crawling on the floor looking for her lost contact lens, and just before Hinkle leaves the apartment, he pushes her down to the ground with his foot.
Gingrich claims that he had no idea that his client was deceiving him, and announces his intention to sue the insurance company lawyers for invasion of privacy, as well as report Purkey's racist remarks to various organizations. Hinkle drives to the stadium, where he finds Boom-Boom leaving the team to become a wrestler named "The Dark Angel". He manages to snap him out of the state, and the two run down the field passing a football back and forth.

## Cast

* Jack Lemmon as Harold "Harry" Hinkle
* Walter Matthau as William H. "Whiplash Willie" Gingrich
* Ron Rich as Luther "Boom Boom" Jackson
* Judi West as Sandy Hinkle
* Cliff Osmond as Chester Purkey
* Lurene Tuttle as Hinkle's mother
* Harry Holcombe as O'Brien
* Les Tremayne as Thompson
* Lauren Gilbert as Kincaid
* Marge Redmond as Charlotte Gingrich
* Noam Pitlik as Max
* Keith Jackson as football announcer
* Harry Davis as Dr. Krugman
* Ann Shoemaker as Sister Veronica
* Ned Glass as Doc Schindler
* Sig Ruman as Professor Winterhalter
* Archie Moore as Mr. Jackson
* Howard McNear as Mr. Cimoli
* William Christopher as Intern (credited as Bill Christopher)
* Dodie Heath as Nun

## Production

Wilder had Matthau in mind when he wrote the part of "Whiplash Willy". He hoped it would boost his career in movies, but the studio wanted a bigger name. Lemmon originally had two other actors proposed to star with him—Frank Sinatra and Jackie Gleason—but Wilder insisted that he do the picture with Walter Matthau.
Production on the film was halted for weeks after Matthau had a heart attack. By the time he was healthy enough to work and filming started up again, he had slimmed down from 190 to 160 pounds and had to wear a heavy black coat and padded clothing to conceal the weight loss. Lemmon also lost 25 pound during the production.
Scenes were filmed at Cleveland Municipal Stadium during the Cleveland Browns' 27–17 loss to the Minnesota Vikings at Cleveland Stadium in the afternoon of October 31, 1965. Over 10,000 Clevelanders served as extras. According to The Saturday Evening Post, additional footage was shot the day after the game with Browns players as themselves and the Vikings.
Luther "Boom Boom" Jackson's uniform number 44 was actually worn by Leroy Kelly, who was deemed "too small to pass for actor Ron Rich at close range" according to the Post. Ernie Green and a stunt performer stood in for Rich, with the latter for only the sideline-collision scene. In the third consecutive day of shooting, the Kent State University freshman football team replaced the Browns, who were unavailable due to beginning preparations for their next opponent.
Saint Mark's Hospital in the film is the newly completed St. Vincent Charity Hospital, a curved building considered ultramodern at that time. An exterior scene was filmed on East 24th Street, outside an older section of the hospital. Terminal Tower served as the exterior of the law firm. In one scene, one can see Erieview Tower and the steel skeleton of the Anthony J. Celebrezze Federal Building under construction.
It featured the 1942 Cole Porter song "You'd Be So Nice to Come Home To" sung by Judi West.

## Reception

Vincent Canby of The New York Times called the film "a fine, dark, gag-filled hallucination, peopled by dropouts from the Great Society" and "an explosively funny live-action cartoon about petty chiselers who regard the economic system as a giant pinball machine, ready to pay off to anyone who tilts it properly".
Variety found the film "generally amusing (often wildly so), but overlong".
The Hollywood Reporter asserted that The Fortune Cookie was "Billy Wilder's best picture since The Apartment, his funniest since Some Like It Hot".

## Box office

The film grossed $6,000,000 at the North American box office, making it the 31st highest-grossing film of 1966. The film earned $6.8 million worldwide.

## Awards and Accolades

| Award | Category | Nominee(s) | Result |
| Academy Awards | Best Supporting Actor | Walter Matthau | Won |
| Academy Awards | Best Story and Screenplay – Written Directly for the Screen | Billy Wilder and I. A. L. Diamond | Nominated |
| Academy Awards | Best Art Direction – Black-and-White | Robert Luthardt and Edward G. Boyle | Nominated |
| Academy Awards | Best Cinematography – Black-and-White | Joseph LaShelle | Nominated |
| Golden Globe Awards | Best Actor in a Motion Picture – Musical or Comedy | Walter Matthau | Nominated |
| Kansas City Film Critics Circle Awards | Best Supporting Actor | Walter Matthau | Won |
| Laurel Awards | Top Male Supporting Performance | Walter Matthau | Won |
| Writers Guild of America Awards | Best Written American Comedy | Billy Wilder and I. A. L. Diamond | Nominated |