# Palace on the Isle

The Palace on the Isle (Polish: Pałac Na Wyspie), also known as the Baths Palace (Polish: Pałac Łazienkowski), is a classicist palace in Warsaw's Royal Baths Park, the city's largest park, occupying over 76 hectares of the city center.
From 1674 this palace and the nearby Ujazdów Castle belonged to Prince Stanisław Herakliusz Lubomirski, who commissioned a Baroque bath-house, or "Łazienka", named similarly to a number of other European historic sites, including England's city of Bath. The building, erected on a square plan, was richly decorated with stuccos, statues, and paintings; some of the original decorations and architectural details survive.
In 1766 King Stanisław August Poniatowski purchased the estate and converted the bathing pavilion into a classicist summer residence with an English garden.
During the final stages of World War II, the retreating Germans devastated the interior of the Palace and drilled holes in the structure in preparation for destruction with explosives. However, the plan was never carried out.
In 2019 the palace was 11th on the list of most visited palaces and monuments in the world, attracting over 4.9 million visitors.

## History

The building began as a bath-house for Stanisław Herakliusz Lubomirski, owner of the adjacent Ujazdów Castle. After 1678 the Lubomirski palace complex in Warsaw's Ujazdów district was enhanced with four park pavilions: Arcadia, Hermitage, Frascati, and the largest, the Bath-house. The marble building was constructed before 1683 to a design by Tylman Gamerski.
Finished in 1689, it was intended to serve as a bath-house, habitable pavilion, and a garden grotto. Interiors of the newly built structure were embellished with profuse stucco decorations, also designed by Gamerski. External decorations included water deities (e.g., a Nereus) surrounding the pavilion's main decorative feature, the fountain.
Other chambers had richly decorated plafonds and supraportes, and the walls were covered with Delft tiles. The façades and interiors were decorated with sculptures, reliefs, Latin inscriptions (e.g., "Musa Dryas, Nymphaeque boves et Pastor Apollo / Hic maneant, fugiat diva Minerva domus" – "Muse, dryad and nymphs, bullocks, and Apollo the shepherd let stay here / divine Minerva let disdain this house", on the portal of the southern façade), and the Lubomirski coat of arms, Szreniawa.
King Stanisław August Poniatowski decided to convert the property into private quarters, and between 1764 and 1795 it was remodeled by Domenico Merlini.
During the Nazi occupation, the Palace (along with Belweder) was marked as a potential future Warsaw residence for Adolf Hitler; these two were among a select few pre-war buildings to have been spared from the destruction of the city contemplated by the so-called Pabst Plan. Prior to evacuating Warsaw, the Germans drilled holes into the walls for explosives, but in the end did not blow up the Palace. The Palace also served as a German barracks during the German occupation.

## Architecture

The palace is built on an artificial island that divides the lake into two parts, a smaller northern lake and a larger southern one. The palace is connected to the surrounding park by two Ionic-colonnaded bridges. The façades are unified by an entablature carried by giant Corinthian pilasters that link its two floors and are crowned by a balustrade that bears statues of mythologic figures. The north façade is relieved by a central pedimented portico. On the south front, a deep central recess lies behind a screen of Corinthian columns.

## Interiors

On the palace's ground floor is the Bacchus Room, decorated with 17th-century Dutch blue tiles and a painting by Jacob Jordaens depicting Silenus and Bacchantes. The 1778 ceiling painting, Bacchus, Ceres, Venus and Cupid by Jan Bogumił Plersch, was burned by German forces in 1944. The Rotunda, designed by Domenico Merlini, occupies the central portion of the palace. Decorated in yellow and white marble, with figures of the Polish kings, it is one of the most important examples of neoclassical decoration within the palace. It leads to the Bath Room and the Ballroom.
On the other side of the Rotunda is the lower Picture Gallery, which contains works by Rubens and Rembrandt, and the chapel. Also on the ground floor is the Dining Room in which the famous Thursday Dinners took place, to which King Stanislaus Augustus invited leading Freemasons and other notables of the Polish Enlightenment. Its furniture and paintings are in the Classicist style.
The Solomon Room, one of the largest of the palace's ground-floor interiors, was embellished with a series of paintings depicting the History of Solomon. It comprised six paintings: The Dream of Solomon (plafond), The Queen of Sheba before Solomon, The Judgment of Solomon, Consultation with King Hiram (friezes), Dedication of the Temple and Solomon's Sacrifice (walls). They were executed for Stanislaus Augustus in 1791–93 by Marcello Bacciarelli and depicted the monarch himself as the biblical king. All these paintings were deliberately and completely destroyed by the Germans in 1944 (burned in a fire before the palace) during the preparations to blow up the building. On the first floor are the royal apartments, the upper picture gallery, the balcony room, the king's cabinet, the royal bed chambers, the cloakroom, and the officer's room.
In the years 2012–2015, the palace underwent further renovations, which covered the roof as well as all the rooms of the palace including the Ball Room in which 17th-century wall paintings by Jan Bogumił Plersch were unveiled. In 2016, the palace and park received an estimated 2.1 million visitors.

## Gallery

* Palace on the Isle
* Paintings gallery
* Solomon Room (1892), by Ludomir Dymitrowicz (1844-1923)
* Bathing Room (1875), by Aleksander Gryglewski
* The northern façade of the palace
* One of two bridges leading to the palace
* Statue depicting allegory of the Bug River
* Lake surrounding the palace
* The palace and park
* Palace on the Isle at night
* Artwork
* Portrait of Jacqueline de Caestre, Peter Paul Rubens, ca. 1618
* Portrait of Jean Charles de Cordes, Peter Paul Rubens, ca. 1618
* Temptation of St. Anthony, Jan Brueghel the Younger, 17th century
* Portrait of Philip Herbert, 4th Earl of Pembroke, Anthony van Dyck, ca, 1634
* Portrait of Francis Bacon, Frans Pourbus the Younger, 1617
* Silenus and Bacchantes, Jacob Jordaens, first half of 17th century
* Allegory of Graciousness, Marcello Bacciarelli, ca. 1792
* View of the Royal Baths Palace in Summer, Marcin Zaleski, ca. 1837
* Allegory of Africa, turn of 17/18th century
* China earthenware, 18th century
* Japanese Imari vase with Foo Dog, late 18th century
* A Rococo putto by André Le Brun, ca. 1783
* Table top with a bull by Pompeo Savini, ca. 1788