OpenLLM-France/wikimedia huggingface dataset:
# Jean Straker

Ethelred Jean Straker (20 April 1913 – 1984), generally known as Jean Straker, was a British photographer and campaigner against censorship.
Born in London, to a Russian émigré father, his mother was an English ballerina. After leaving school, he went to work in a film publicity office. Turning freelance, he ghosted articles for film and theatre magazines, which he illustrated with his photographs.
During the Second World War, he was a conscientious objector, and he combined his duties as an Air Raid Precautions (ARP) Warden with that of a surgical photographer for the Ministry of Information.
He bought a studio in Soho Square in 1945 and set up a firm called the Photo Union. He liked to experiment with colour photography, but this proved expensive. He was also quickly bored of having to deal with clients. This motivated him in 1951 to turn his studio into the Visual Arts Club, which aim was to allow him, through lectures and demonstrations, to pass on his ideas to others and to provide nude models for amateur photographers. Straker came up with the term “appraisers” for those who just wanted to watch and learn. Life drawing classes were also a major part of the club.
The club would often take part in London's Soho Fair with a float of their own and an exhibition called Femina. In 1961, the name of the club changed to The Academy of Visual Arts.
On 22 May 1958, the BBC Third Programme broadcast a discussion on Pin-ups and Figure Studies with Jean Straker and fellow photographers Jack Eston and Walter Bird.
The passing of the 1959 Obscene Publications Act in 1959 resulted in a continuous cycle of prosecutions and appeals as Straker refused to compromise his artistic integrity. He became instrumental in changing the censorship laws of the United Kingdom in the 1960s.
After nearly a decade of litigation, he retired to Sussex. He died in 1984.

## Books

* The Nudes of Jean Straker, Charles Skilton, London. 1958
# Keny Arroyo

Keny Alexander Arroyo Alvarado (born 14 February 2006), sometimes known as Cheche Arroyo, is an Ecuadorian footballer who plays as a winger for Beşiktaş and the Ecuador national team.

## Career

Arroyo is a youth product of Academia Alfaro Moreno before moving to the youth academy of Independiente del Valle in 2016. He made his senior and professional debut with Independiente as a substitute in a 2–1 loss to Nacional on 2 December 2023. On 06.02.2025 He signed a contract with Turkish football club Beşiktaş

## International career

Arroyo was selected by the Ecuador U17s to represent them at the 2023 South American U-17 Championship. Later that same year he was chosen for the 2023 FIFA U-17 World Cup.
He was called up to the senior Ecuador national team for a set of 2026 FIFA World Cup qualification matches in October 2024. He made his senior debut as a substitute in a 0–0 tie with Uruguay on 16 October 2024.
# Tom Sparrow (Australian footballer)

Thomas Frank Sparrow (born 31 May 2000) is a professional Australian rules footballer playing for the Melbourne Football Club in the Australian Football League (AFL). Growing up in the Adelaide Hills, Sparrow began his footballing career at Bridgewater Football Club. He was drafted by Melbourne with their first selection and twenty-seventh overall in the 2018 national draft He made his debut in the twenty-six point loss to Port Adelaide at the Melbourne Cricket Ground in the opening round of the 2019 season as a late inclusion replacing injured teammate Jordan Lewis. On 17 March 2022 Sparrow signed a two-year contract extension with Melbourne.

## Statistics

Updated to the end of 2024.
| Season | Team | No. | Games | Totals | Totals | Totals | Totals | Totals | Totals | Totals | Averages (per game) | Averages (per game) | Averages (per game) | Averages (per game) | Averages (per game) | Averages (per game) | Averages (per game) |
| Season | Team | No. | Games | G | B | K | H | D | M | T | G | B | K | H | D | M | T |
| 2019 | Melbourne | 32 | 2 | 1 | 0 | 17 | 5 | 22 | 2 | 8 | 0.5 | 1.0 | 8.5 | 2.5 | 11.0 | 1.0 | 4.0 |
| 2020 | Melbourne | 32 | 5 | 2 | 1 | 26 | 30 | 56 | 9 | 13 | 0.4 | 0.2 | 5.2 | 6.0 | 11.2 | 1.8 | 2.6 |
| 2021$^#$ | Melbourne | 32 | 21 | 7 | 4 | 102 | 84 | 186 | 40 | 57 | 0.3 | 0.2 | 4.9 | 4.0 | 8.9 | 1.9 | 2.7 |
| 2022 | Melbourne | 32 | 23 | 7 | 8 | 189 | 182 | 371 | 69 | 78 | 0.3 | 0.4 | 8.2 | 7.9 | 16.1 | 3.0 | 3.4 |
| 2023 | Melbourne | 32 | 23 | 11 | 8 | 213 | 182 | 395 | 70 | 81 | 0.5 | 0.3 | 9.3 | 7.9 | 17.2 | 3.0 | 3.5 |
| 2024 | Melbourne | 32 | 21 | 6 | 7 | 193 | 120 | 313 | 74 | 76 | 0.3 | 0.3 | 9.2 | 5.7 | 14.9 | 3.5 | 3.6 |
| Career | Career | Career | 95 | 34 | 30 | 740 | 603 | 1343 | 265 | 313 | 0.4 | 0.3 | 7.8 | 6.3 | 14.1 | 2.8 | 3.3 |
Notes
* ↑ The 2020 season was played with 17 home-and-away matches per team (down from 22) and 16-minute quarters with time on (down from 20-minute quarters with time on) due to the impact of the COVID-19 pandemic.
* ↑ Statistics include two games in which Sparrow was used as a medical substitute (rounds 4 and 11) and five games in which he was an unused medical substitute (rounds 5, 10, 17, 18 and 19).

## Honours and achievements

Team
* AFL premiership player (Melbourne): 2021
* McClelland Trophy (Melbourne): 2021
# George Grard

George Grard (1901–1984) was a Belgian sculptor, known mostly for his representations of the female, in the manner of Pierre Renoir and Aristide Maillol, modelled in clay or plaster, and cast in bronze.
Grard was born in Tournai to a family of modest means and entered the Académie de Tournai in 1915, but his real calling as a sculptor became apparent when he followed a course in sculpture in 1922 with Maurice De Korte (1889–1971). In his native city he met Pierre Caille, and later, in a Brussels foundry, Charles Leplae. Having won the Prix Rubens (1930), he left for Paris, where he encountered the sculpture of Charles Despiau, Aristide Maillol and Pierre Renoir, which influenced his mature style. In 1931, he set up his studio at Saint-Idesbald, non the coast, where his house became a rendez-vous of artists including Pierre Caille, the Haesaerts brothers, Edgard Tytgat, and Paul Delvaux.
In 1935, he was commissioned to create a sculpture for the rose garden at the Exposition universelle et internationale. Two years later Henry Van de Velde asked him for a work for the Belgian pavilion of the Exposition internationale, 1937. In the nineteen-fifties Grard, still in full possession of his mature powers, received repeated public commissions: the Seated Figure at the Banque Nationale, Brussels (1950), La Mer, fronting the post office at Ostend (1955, illustration), the Naïade at Tournai (1950), and Earth and Water, near the Albert Bridge at Liège (1964).
George Grard died in Saint-Idesbald in 1984.

## Koksijde

* Koksijde
# Lagos bat virus

Lagos bat virus (LBV) is a Lyssavirus of southern and central Africa that causes a rabies-like illness in mammals. It was first isolated from a fruit bat (Eidolon helvum) from Lagos Island, Nigeria in 1956. Brain samples from the bat showed poor cross-reactivity to rabies antibodies but the virus was found to be closely related to the rabies virus. This was the first discovery of a rabies-related virus. Until this time, rabies was thought to have a single causal agent.
Lagos bat virus has been isolated from wild and domestic mammals in southern Africa including bats, cats and one dog. One isolate was detected in France in 1999 when a fruit bat (Rousettus egypticus), which had been displaying signs of aggression, died. The bat had been imported from Africa.
No human cases of Lagos bat virus infection have been documented.
# Arno Lücker

Arno Lücker (born 14 April 1979) is a German composer, musicologist, music critic and music dramaturge. He worked as a journalist in Berlin for press and radio, and as dramaturge at the Konzerthaus Berlin where he installed the series 2 x hören, presenting the same music twice. He has been lecturer of musicology at the University of Marburg, and journalist for Opernwelt, the leading trade journal for opera.

## Life

Born in Braunschweig, Lücker grew up in Langenhagen near Hanover. As a boy, he received piano lessons. He studied musicology and philosophy in Hanover, Freiburg and Berlin from 1999. He completed studies of musicology at the Free University of Berlin with a work about Gustav Mahler's Lieder.
In 2000, he earned the Hans Stieber Prize, a composition prize of the Hallische Musiktage, for Variations on a Theme by Sergei Prokofiev, premiered by Ensemble Sortisatio. He has published in various musicological journals, and has been active as a music critic, among others for the Berliner Zeitung and the Neue Musikzeitung. His works have been produced by various radio stations, such as Bayerischer Rundfunk, Deutschlandfunk and Deutschlandradio.
Lücker lives and works as a composer, musicologist and freelance journalist for rbb Kultur [de] in Berlin. Since 2008, he has worked as the managing director of the Berliner Gesellschaft für Neue Musik [de]. From 2010, he was dramaturge for contemporary music at the Konzerthaus Berlin. He installed a concert series, 2 x hören (listen twice), focused each time on one piece of music, which was first performed without any introduction or program notes, followed by interviews with performers and sometimes the composer, and finally presenting the music a second time. The series alternated between 2 x hören klassisch, with Lücker as the moderator, and 2 x hören zeitgenössisch with contemporary music, moderated by Christian Jost. In 2018, Lücker's career at the Konzerthaus Berlin was ended after a controversy surrounding a parody shred video. The violinist Daniel Hope, dubbed in it with lewd remarks, had threatened legal action. Lücker then deleted the video from his YouTube channel, and reconciled with Hope.
In 2021, Lücker developed a website to find women composers. He has been lecturer of musicology at the University of Marburg, and journalist for Opernwelt, the leading trade journal for opera.

## Awards

* 2000: Hans Stieber Prize

## Publications

* Reinhard Keisers Orpheus-Opern – Anmerkungen zu den Libretti. In Frankfurter Zeitschrift für Musikwissenschaft. 7 (2004) 9, pp. 69–92.
* „Mahlers Gefahr ist die des Rettenden“. Trost bei Adorno und das „Lied von den schönen Trompeten“. In Musik & Ästhetik. 11 (2007) 43, pp. 68–79.
* So normal wie ein Audioguide im Museum. Ein Gespräch über Vermittlungsmotivationen. In positionen [de]. 92 (2012), pp. 21–23.
* Arno Lücker: op. 111 / Ludwig van Beethovens letzte Klaviersonate Takt für Takt (in German) Wolke-Verlag 2020
# Orient Manufacturing Company-Chadwick-Hoskins No. 3

Orient Manufacturing Company-Chadwick-Hoskins No. 3, also known as Alpha-Orient Cotton Mill, is a historic cotton mill located at Charlotte, Mecklenburg County, North Carolina. It was built in 1901–1902, and is a two-story, Romanesque Revival-style brick building. It incorporates portions of an original mill building built about 1889. The building has a low, front gable roof with exposed rafters, brick exterior walls, and segmental arched windows. It features a three-story staircase tower with a castellated parapet, tall, narrow windows, and a round arched entrance.
It was added to the National Register of Historic Places in 2006. The building had been converted into an apartment complex named Alpha Mill Apartments.
# Bouvier-Lothrop House

The Bouvier-Lothrop House is a historic house located at 1600 Emerson Street in Denver, Colorado. Built in 1890, it was added to the National Register of Historic Places on September 4, 1980.
The 2+1⁄2-story, Queen Anne style house was designed by partners Robert G. Balcomb and Eugene R. Rice. Balcomb was a carpenter who came to Denver in 1885, while Rice was a trained architect. The two worked together under the name Balcomb and Rice—later Balcomb and Rice Real Estate Company—from 1886 to 1897.
The house is named for Michel Charles Bouvier and Wilbur C. Lothrop. Bouvier was the owner of the house from 1891 to 1921. Lothrop, one of the house's tenants, helped establish the public school system in Colorado.
# Tout l'univers

"Tout l'univers" (French pronunciation:; transl. "The Whole Universe") is a song by Swiss singer Gjon's Tears released as a single on 10 March 2021 by Jo & Co and Sony Music Entertainment. It was written and composed by the singer himself alongside Nina Sampermans, Wouter Hardy and Xavier Michel. The song represented Switzerland in the Eurovision Song Contest 2021 in Rotterdam, the Netherlands, after being internally selected by the Swiss Broadcasting Corporation (SRG SSR). The song finished in 3rd place, receiving 432 points, the best result for Switzerland since 1993. It also won the Composer Award in the 2021 edition of the Marcel Bezençon Awards, voted on by a panel of participating composers in the 2021 contest.

## Release and promotion

"Tout l'univers" was made available for digital download and streaming by Jo & Co and Sony Music on 10 March 2021. The accompanying music video premiered on the official YouTube channel of the Eurovision Song Contest simultaneously with the digital release on 10 March 2021 at 16:00 (CET).

## At Eurovision
### Internal selection

On 20 March 2020, SRG SSR confirmed that Gjon's Tears would represent Switzerland in the 2021 contest.

### Rotterdam

The 65th edition of the Eurovision Song Contest took place in Rotterdam, the Netherlands and consisted of two semi-finals on 18 May and 20 May 2021, and the grand final on 22 May 2021. According to the Eurovision rules, all participating countries, except the host nation and the "Big Five", consisting of France, Germany, Italy, Spain and the United Kingdom, are required to qualify from one of two semi-finals to compete for the final, although the top 10 countries from the respective semi-final progress to the grand final. On 17 November 2020, it was announced that Switzerland would be performing in the second half of the second semi-final of the contest.

## At The 2022 Winter Olympics

The track was used by Georgian figure skater Morisi Kvitelashvili in his short program for 2021–2022 season, which was also presented at 2022 Winter Olympics.

## Charts

Chart performance for "Tout l'univers" :
| Chart (2021–2022) | Peak position |
| Austria (Ö3 Austria Top 40) | 68 |
| Belgium (Ultratop 50 Flanders) | 50 |
| Finland (Suomen virallinen lista) | 5 |
| Germany (GfK) | 86 |
| Global Excl. US (Billboard) | 119 |
| Greece (IFPI) | 27 |
| Iceland (Tónlistinn) | 13 |
| Ireland (IRMA) | 52 |
| Lithuania (AGATA) | 9 |
| Netherlands (Single Top 100) | 16 |
| Norway (VG-lista) | 36 |
| Portugal (AFP) | 118 |
| Sweden (Sverigetopplistan) | 21 |
| Switzerland (Schweizer Hitparade) | 1 |
| UK Singles (OCC) | 93 |
| US World Digital Song Sales (Billboard) | 9 |

## Release history

Release history and formats for "Tout l'univers" :
| Region | Date | Format(s) | Version | Label | Ref. |
| Various | 10 March 2021 | Digital downloadstreaming | Original | Jo & CoSony Music | |
| Various | 28 July 2021 | Digital downloadstreaming | Tiery F Remix | Jo & CoSony Music | |
# Lidor Cohen

Lidor Cohen (Hebrew: לידור כהן; born 16 December 1992) is an Israeli professional footballer who plays as a winger for Israeli Premier League club Ironi Kiryat Shmona.
# List of Hot 100 number-one singles of 2023 (Japan)

The following is a list of weekly number-one singles on the Billboard Japan Hot 100 chart in 2023.

## Chart history

Number-one singles of 2023 on the Japan Hot 100 :
| Issue date | Song | Artist(s) |
| January 2 | "Subtitle" | Official Hige Dandism |
| January 9 | "Subtitle" | Official Hige Dandism |
| January 16 | "Subtitle" | Official Hige Dandism |
| January 23 | "Subtitle" | Official Hige Dandism |
| January 30 | "Subtitle" | Official Hige Dandism |
| February 6 | "Fearless" | Le Sserafim |
| February 13 | "Stars" | Sandaime J Soul Brothers |
| February 20 | "Fighting" | BSS featuring Lee Young-ji |
| February 27 | "Boom Boom Back" | Be First |
| March 6 | "Life Goes On" | King & Prince |
| March 13 | "Subtitle" | Official Hige Dandism |
| March 20 | "Paradise" | NiziU |
| March 27 | "Tapestry" | Snow Man |
| April 3 | "Bye-Bye Show" | Bish |
| April 10 | "Here I Stand" | Treasure |
| April 17 | "Tiger" | JO1 |
| April 24 | "Idol" | Yoasobi |
| May 1 | "Idol" | Yoasobi |
| May 8 | "Idol" | Yoasobi |
| May 15 | "Idol" | Yoasobi |
| May 22 | "Idol" | Yoasobi |
| May 29 | "Idol" | Yoasobi |
| June 5 | "Idol" | Yoasobi |
| June 12 | "Idol" | Yoasobi |
| June 19 | "Idol" | Yoasobi |
| June 26 | "Idol" | Yoasobi |
| July 3 | "Idol" | Yoasobi |
| July 10 | "Idol" | Yoasobi |
| July 17 | "Idol" | Yoasobi |
| July 24 | "Idol" | Yoasobi |
| July 31 | "Idol" | Yoasobi |
| August 7 | "Idol" | Yoasobi |
| August 14 | "Idol" | Yoasobi |
| August 21 | "Idol" | Yoasobi |
| August 28 | "Idol" | Yoasobi |
| September 4 | "Idol" | Yoasobi |
| September 11 | "Idol" | Yoasobi |
| September 18 | "Dangerholic" | Snow Man |
| September 25 | "Mainstream" | Be First |
| October 2 | "Show" | Ado |
| October 9 | "Show" | Ado |
| October 16 | "Show" | Ado |
| October 23 | "Show" | Ado |
| October 30 | "Shōnin Yokkyū" | Sakurazaka46 |
| November 6 | "Show" | Ado |
| November 13 | "Show" | Ado |
| November 20 | "Show" | Ado |
| November 27 | "Show" | Ado |
| December 4 | "Show" | Ado |
| December 11 | "Show" | Ado |
| December 18 | "Monopoly" | Nogizaka46 |
| December 25 | "Show" | Ado |
# Oy vey

Oy vey (Yiddish: אױ װײ) is a Yiddish phrase expressing dismay or exasperation. Also spelled oy vay, oy veh, or oi vey, and often abbreviated to oy, the expression may be translated as "oh, woe!" or "woe is me!" Its Hebrew equivalent is oy vavoy (אוי ואבוי, óy va'avóy). Sometimes the phrase is elongated to oi yoi yoi (with the yoi being repeated as many times as desired).

## Derivation

According to etymologist Douglas Harper, the phrase is derived from Yiddish and is of Germanic origin. It is cognate with the German expression o weh, or auweh, combining the German and Dutch exclamation au! meaning "ouch/oh" and the German word Weh, a cognate of the English word woe (as well as the Dutch wee meaning pain). The expression is also related to oh ve, an older expression in Danish and Swedish, and oy wah, an expression used with a similar meaning in the Montbéliard region in France. The Latin equivalent is heu, vae!; a more standard expression would be o, me miserum, or heu, me miserum.
According to Chabad.org, an alternative theory for the origin of the Yiddish expression is that "oy" stems from Biblical Hebrew, and that "vey" is its Aramaic equivalent. It is alternatively spelled אוי, הוי, or הו in Biblical Hebrew and ווי, וי, ואי, and ויא in Aramaic. The term is occasionally doubled, as הו הו in Amos 5:16 and וי וי in Targum Pseudo-Jonathan on that verse, but two versions were never combined classically.

## Significance

The expression is often abbreviated to simply oy, or elongated to oy vey iz mir ("Oh, woe is me"). The fuller lament is sometimes found as the more Germanic oy vey ist mir. The main purpose or effect of elongating it is often dramatic, something like a "cosmic ouch". An Oy is not merely an ordinary word, but rather expresses an entire world view, according to visual anthropologist Penny Wolin. Its meaning is approximately opposite that of mazel tov. A related expression is oy gevalt, which can have a similar meaning, or also express shock or amazement.

## Antisemitic usage

"Oy vey" has been used as an antisemitic dog whistle to imply that the person referred to is Jewish or of Jewish origin, commonly posted under videos or other media. It is similar to, and often used in the same context as, the triple parentheses also known as "an echo". In March 2019 the phrase "Oy vey! This is MAGA country" was one of many used to vandalize Jewish headstones. The phrase was also used with the antisemitic catchphrase "The Goyim Know" seen with "Oy vey, the Goyim Know". "Oy vey, it's anuddah shoah!" a mocking way of saying "Oh woe, it's another holocaust" used to belittle those who are against antisemitism.

## Similar phrases

There exist similar phrases in other languages, such as German: Ach und Weh, Dutch: ach en wee, Swedish: ack och ve, Polish: Ojojoj etc. Also compare Yiddish: אוי געוואַלד (oy gevald), meaning “oh woe”.
# Liu Shaw-chen

Liu Shaw-chen (Chinese: 劉紹臣; born 26 April 1944) is a Taiwanese atmospheric scientist.

## Education and career

Liu obtained his bachelor's degree in physics at the National Cheng Kung University in 1966. He then attended the University of Pittsburgh from 1967 to 1972, and after completing his doctoral dissertation, Collisionless Models of the Ion-Exosphere under the direction of Thomas Michael Donahue, remained at Pitt through 1974 to conduct postdoctoral research. Subsequently, Liu moved to the Space Physics Research Laboratory at the University of Michigan, where he was an associate research scientist. In 1978, Liu joined the National Oceanic and Atmospheric Administration's Aeronomy Laboratory as a supervisory research physicist and, from 1980, headed the Aeronomy Laboratory's Theoretical Aeronomy Program. He left NOAA in 1996 for a Georgia Power/Georgia Research Alliance Eminent Scholar chair professorship at Georgia Tech, which he held until 1999.
Liu returned to Taiwan in 1999 for a distinguished research fellowship at Academia Sinica's Institute of Earth Sciences. The following year, he was an adjunct professor at National Central University and National Taiwan University in Taiwan, and Peking University in China. Liu founded the Academia Sinica-affiliated Research Center for Environmental Changes in 2004, and remained director of the research center until 2016, when he accepted a professorship at Jinan University in China.

## Awards and honors

Liu was elected a fellow of the American Geophysical Union in 1994, a member of Academia Sinica in 2012, and a fellow of The World Academy of Sciences in 2013.