# List of films shown at the New York Film Festival

This is a list of feature-length films (at least 45 minutes) shown at the New York Film Festival. Films previously released in the U.S. and screened as retrospectives are not included.

## Films at the first New York Film Festival (1963)

* Opening Night: The Exterminating Angel (Luis Buñuel, Mexico)
* Closing Night: Sweet and Sour (Jacques Baratier, France)
* All the Way Home (Alex Segal, USA)
* An Autumn Afternoon (Yasujirō Ozu, Japan)
* Barravento (Glauber Rocha, Brazil)
* Elektra at Epidaurus (Ted Zarpas, Greece)
* The Fiances (Ermanno Olmi, Italy)
* Glory Sky (Takis Kanellopoulos, Greece)
* In the Midst of Life (Robert Enrico, France)
* Hallelujah the Hills (Adolfas Mekas, USA)
* Harakiri (Masaki Kobayashi, Japan)
* Knife in the Water (Roman Polanski, Poland)
* Le Joli Mai (Chris Marker, France)
* Love in the Suburbs (Tamás Fejér, Hungary)
* Magnet of Doom (Jean-Pierre Melville, France)
* Muriel, or The Time of Return (Alain Resnais, France)
* RoGoPaG (Roberto Rossellini, Ugo Gregoretti, Jean-Luc Godard and Pier Paolo Pasolini, Italy)
* The Sea (Giuseppe Patroni Griffi, Italy)
* The Servant (Joseph Losey, UK)
* The Terrace (Leopoldo Torre Nilsson, Argentina)
* The Trial of Joan of Arc (Robert Bresson, France)

## Films at the second New York Film Festival (1964)

* Opening Night: Hamlet (Grigori Kozintsev, USSR)
* Closing Night: The Big City (Satyajit Ray, India)
* Alone Across the Pacific (Kon Ichikawa, Japan)
* Band of Outsiders (Jean-Luc Godard, France)
* Before the Revolution (Bernardo Bertolucci, Italy)
* The Brig (Jonas Mekas & Adolfas Mekas, USA)
* Cyrano et d'Artagnan (Abel Gance, France)
* Diary of a Chambermaid (Luis Buñuel, France)
* Enjō (Kon Ichikawa, Japan)
* Fail-Safe (Sidney Lumet, USA)
* Hands Over the City (Francesco Rosi, Italy)
* The Inheritance (Ricardo Alventosa, Argentina)
* King & Country (Joseph Losey, UK)
* Life Upside Down (Alain Jessua, France)
* Lilith (Robert Rossen, USA)
* Nobody Waved Good-bye (Don Owen, Canada)
* Nothing but a Man (Michael Roemer, USA)
* Passenger (Andrzej Munk, Poland)
* Salvatore Giuliano (Francesco Rosi, Italy)
* She and He (Susumu Hani, Japan)
* Siberian Lady Macbeth (Andrzej Wajda, Poland/Yugoslavia)
* Tales of the Taira Clan (Kenji Mizoguchi, Japan)
* To Love (Jörn Donner, Sweden)
* Woman in the Dunes (Hiroshi Teshigahara, Japan)
* A Woman Is a Woman (Jean-Luc Godard, France/Italy, 1961)

## Films at the 3rd New York Film Festival (1965)

* Opening Night: Alphaville (Jean-Luc Godard, France)
* Closing Night: Red Beard (Akira Kurosawa, Japan)
* Black Peter (Miloš Forman, Czechoslovakia)
* Charulata (Satyajit Ray, India)
* Fists in the Pocket (Marco Bellocchio, Italy)
* Gertrud (Carl Theodor Dreyer, Denmark)
* Identification Marks: None (Jerzy Skolimowski, Poland)
* The Koumiko Mystery (Chris Marker, France)
* Mickey One (Arthur Penn, USA)
* Not Reconciled (Jean-Marie Straub, West Germany)
* Paris vu par... (Claude Chabrol, Jean Douchet, Jean-Luc Godard, Jean-Daniel Pollet, Eric Rohmer and Jean Rouch, France)
* Le Petit soldat (Jean-Luc Godard, France)
* Raven's End (Bo Widerberg, Sweden)
* Sandra (Luchino Visconti, Italy)
* Shakespeare Wallah (James Ivory, India)
* The Shop on Main Street (Ján Kadár & Elmar Klos, Czechoslovakia)
* Sweet Substitute (Larry Kent, Canada)
* Thomas the Impostor (Georges Franju, France)
* Walkover (Jerzy Skolimowski, Poland)

## Films at the 4th New York Film Festival (1966)

* Opening Night: Loves of a Blonde (Miloš Forman, Czechoslovakia)
* Closing Night: La guerre est finie (Alain Resnais, France)
* Accattone (Pier Paolo Pasolini, Italy)
* Almost a Man (Vittorio De Seta, Italy)
* Au hasard Balthazar (Robert Bresson, France)
* Les Créatures (Agnès Varda, France)
* Do You Keep a Lion at Home? (Pavel Hobl, Czechoslovakia)
* The Eavesdropper (Leopoldo Torre Nilsson, Argentina)
* The Grim Reaper (Bernardo Bertolucci, Italy)
* The Hawks and the Sparrows (Pier Paolo Pasolini, Italy)
* Hunger (Henning Carlsen, Denmark)
* The Hunt (Carlos Saura, Spain)
* Intimate Lighting (Ivan Passer, Czechoslovakia)
* The Man Who Had His Hair Cut Short (André Delvaux, Belgium)
* Masculin Féminin (Jean-Luc Godard, France)
* Pearls of the Deep (Jirí Menzel, Jan Nemec, Evald Schorm, Vera Chytilová and Jaromil Jires, Czechoslovakia)
* Pierrot le Fou (Jean-Luc Godard, France)
* The Round-Up (Miklós Jancsó, Hungary)
* Shadows of Forgotten Ancestors (Sergei Parajanov, USSR)
* The Shameless Old Lady (René Allio, France)
* Simon of the Desert (Luis Buñuel, Mexico)
* Three (Aleksandar Petrovic, Yugoslavia)
* Troublemakers (Norman Fruchter & Robert Machover, USA)
* The War Game (Peter Watkins, UK)

## Films at the 5th New York Film Festival (1967)

* Opening Night: The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
* Closing Night: Far from Vietnam (Jean-Luc Godard, Joris Ivens, William Klein, Claude Lelouch, Chris Marker, Alain Resnais, and Agnès Varda, France)
* Barrier (Jerzy Skolimowski, Poland)
* Benefit of the Doubt (Peter Whitehead, UK)
* Les Carabiniers (Jean-Luc Godard, France)
* Le Départ (Jerzy Skolimowski, Belgium)
* Elvira Madigan (Bo Widerberg, Sweden)
* Father (István Szabó, Hungary)
* The Feverish Years (Dragoslav Lazic, Yugoslavia)
* Funnyman (John Korty, USA)
* Hugs and Kisses (Jonas Cornell, Sweden)
* The Lion Hunters (Jean Rouch, France)
* Love Affair, or The Case of the Missing Switchboard Operator (Dusan Makavejev, Yugoslavia)
* Made in U.S.A. (Jean-Luc Godard, France)
* Memorandum (Donald Brittain & John Spotton, Canada)
* A Mother's Heart (Mark Donskoy, USSR)
* Portrait of Jason (Shirley Clarke, USA)
* Samurai Rebellion (Masaki Kobayashi, Japan)
* The Taking of Power by Louis XIV (Roberto Rossellini, France)
* Tonite Let's All Make Love in London (Peter Whitehead, UK)
* L'Une et l'Autre (René Allio, France)
* Yesterday Girl (Alexander Kluge, West Germany)
* Young Törless (Volker Schlöndorff, West Germany)

## Films at the 6th New York Film Festival (1968)

* Opening Night: Capricious Summer (Jirí Menzel, Czechoslovakia)
* Closing Night: The Firemen's Ball (Miloš Forman, Czechoslovakia)
* Artists Under the Big Top: Perplexed (Alexander Kluge, West Germany)
* Beyond the Law (Norman Mailer, USA)
* Les Biches (Claude Chabrol, France)
* The Chronicle of Anna Magdalena Bach (Jean-Marie Straub & Danièle Huillet, Italy/West Germany)
* Faces (John Cassavetes, USA)
* Hugo and Josephine (Kjell Grede, Sweden)
* The Immortal Story (Orson Welles, France)
* Kaya, I'll Kill You (Vatroslav Mimica, Yugoslavia)
* Mouchette (Robert Bresson, France)
* Naked Childhood (Maurice Pialat, France)
* The Nun (Jacques Rivette, France)
* Partner. (Bernardo Bertolucci, Italy)
* The Red and the White (Miklós Jancsó, Hungary)
* A Report on the Party and the Guests (Jan Nemec, Czechoslovakia)
* Signs of Life (Werner Herzog, West Germany)
* Tropics (Gianni Amico, Italy)
* 24 Hours in the Life of a Woman (Dominique Delouche, France)
* Two or Three Things I Know About Her (Jean-Luc Godard, France)
* Week End (Jean-Luc Godard, France)

## Films at the 7th New York Film Festival (1969)

* Opening Night: Bob & Carol & Ted & Alice (Paul Mazursky, USA)
* Closing Night: Oh! What a Lovely War (Richard Attenborough, UK)
* Ådalen 31 (Bo Widerberg, Sweden)
* Boy (Nagisa Oshima, Japan)
* Charles Lloyd: Journey Within (Eric Sherman, USA)
* The Deserter and the Nomads (Juraj Jakubisko, Czechoslovakia)
* Destroy, She Said (Marguerite Duras, France)
* Duet For Cannibals (Susan Sontag, Sweden)
* The Epic That Never Was (Bill Duncalf, UK)
* Feast of Friends (Paul Ferrara, USA)
* Une femme douce (Robert Bresson, France)
* Le Gai Savoir (Jean-Luc Godard, France)
* Goto, Island of Love (Walerian Borowczyk, France)
* Herostratus (Don Levy, Great Britain)
* High School (Frederick Wiseman, USA)
* The Joke (Jaromil Jireš, Czechoslovakia)
* The Lady from Constantinople (Judit Elek, Hungary)
* Lions Love (Agnès Varda, USA)
* The Money Order (Ousmane Sembène, Senegal)
* My Girfriend's Wedding (Jim McBride, USA)
* My Night at Maud's (Éric Rohmer, France)
* One Fine Day (Ermanno Olmi, Italy)
* Pierre & Paul (René Allio, France)
* Porcile (Pier Paolo Pasolini, Italy)
* The Rite (Ingmar Bergman, Sweden)

## Films at the 8th New York Film Festival (1970)

* Opening Night: The Wild Child (François Truffaut, France)
* Closing Night: Tristana (Luis Buñuel, Italy/France/Spain)
* Bleu Shut (Robert Nelson, USA)
* Le Boucher (Claude Chabrol, France)
* The Cannibals (Liliana Cavani, Italy)
* Comrades (Marin Karmitz, France)
* The Conformist (Bernardo Bertolucci, Italy)
* Days and Nights in the Forest (Satyajit Ray, India)
* Double Pisces (Dick Fontaine, UK)
* Even Dwarfs Started Small (Werner Herzog, West Germany)
* Five Easy Pieces (Bob Rafelson, USA)
* From Lumière to Langlois: The French Silent Cinema (Henri Langlois, France)
* The Garden of Delights (Carlos Saura, Spain)
* Harry Munter (Kjell Grede, Sweden)
* The Inheritors (Carlos Diegues, Brazil)
* Je t'aime, je t'aime (Alain Resnais, France)
* Kes (Ken Loach, UK)
* Langlois (Elia Hershon & Roberto Guerra)
* Mistreatment (Lars Lennart Forsberg, Sweden)
* La Musica (Marguerite Duras, France)
* Original Cast Album: Company (D. A. Pennebaker, USA)
* Othon (Jean-Marie Straub & Danièle Huillet, West Germany)
* Praise Marx and Pass the Ammunition (Maurice Hatton, UK)
* The Scavengers (Ermanno Olmi, Italy)
* Une simple histoire (Marcel Hanoun, France)
* The Spider's Stratagem (Bernardo Bertolucci, Italy)
* Street Scenes 1970 (Martin Scorsese, USA)
* Wind from the East (Dziga Vertov Group, Italy/France/West Germany)
* Zorns Lemma (Hollis Frampton, USA)

## Film at the 9th New York Film Festival (1971)

* Opening Night: The Beginning (Gleb Panfilov, USSR)
* Closing Night: Murmur of the Heart (Louis Malle, France)
* Bonaparte and the Revolution (Abel Gance, France)
* Born to Win (Ivan Passer, USA)
* The Decameron (Pier Paolo Pasolini, Italy)
* Directed by John Ford (Peter Bogdanovich, USA)
* Dodes'ka-den (Akira Kurosawa, Japan)
* Family Life (Krzysztof Zanussi, Poland)
* Fata Morgana (Werner Herzog, West Germany)
* Four Nights of a Dreamer (Robert Bresson, France)
* In the Name of the Father (Marco Bellocchio, Italy)
* In the Summertime (Ermanno Olmi, Italy)
* The Last Picture Show (Peter Bogdanovich, USA)
* Pioneers in Ingolstadt (Rainer Werner Fassbinder, West Germany)
* Punishment Park (Peter Watkins, USA)
* A Safe Place (Henry Jaglom, USA)
* The Sorrow and the Pity (Marcel Ophuls, France)
* W.R.: Mysteries of the Organism (Dusan Makavejev, Yugoslavia)

## Films at the 10th New York Film Festival (1972)

* Opening Night: Chloe in the Afternoon (Éric Rohmer, France)
* Closing Night: Last Tango in Paris (Bernardo Bertolucci, Italy/France)
* The Adversary (Satyajit Ray, India)
* L'amour fou (Jacques Rivette, France)
* The Assassination of Trotsky (Joseph Losey, Italy/France)
* Bad Company (Robert Benton, USA)
* Behind the Wall (Krzysztof Zanussi, Poland)
* The Discreet Charm of the Bourgeoisie (Luis Buñuel, France)
* Family Life (Ken Loach, UK)
* Going Home (Adolfas Mekas, USA)
* Heat (Paul Morrissey, USA)
* Images (Robert Altman, Ireland)
* The Inner Scar (Philippe Garrel, France)
* The King of Marvin Gardens (Bob Rafelson, USA)
* Letter to Jane (Jean-Luc Godard & Jean-Pierre Gorin, France)
* Love (Károly Makk, Hungary)
* The Merchant of Four Seasons (Rainer Werner Fassbinder, West Germany)
* Nathalie Granger (Marguerite Duras, France)
* Red Psalm (Miklós Jancsó, Hungary)
* Reminiscences of a Journey to Lithuania (Jonas Mekas, USA)
* A Sense of Loss (Marcel Ophüls, Switzerland/USA)
* Summer Soldiers (Hiroshi Teshigahara, Japan)
* Tout va bien (Jean-Luc Godard & Jean-Pierre Gorin, France)
* Two English Girls (François Truffaut, France)
* We Won't Grow Old Together (Maurice Pialat, France/Italy)

## Films at the 11th New York Film Festival (1973)

* Opening Night: Day for Night (François Truffaut, France)
* Closing Night: Badlands (Terrence Malick, USA)
* Andrei Rublev (Andrei Tarkovsky, USSR)
* The Bitter Tears of Petra von Kant (Rainer Werner Fassbinder, West Germany)
* Distant Thunder (Satyajit Ray, India)
* A Doll's House (Joseph Losey, UK)
* History Lessons (Jean-Marie Straub & Danièle Huillet, West Germany/Italy)
* The Illumination (Krzysztof Zanussi, Poland)
* Israel, Why? (Claude Lanzmann, France)
* Just Before Nightfall (Claude Chabrol, France)
* Kid Blue (James Frawley, USA)
* Land of Silence and Darkness (Werner Herzog, West Germany)
* Mean Streets (Martin Scorsese, USA)
* The Mother and the Whore (Jean Eustache, France)
* Réjeanne Padovani (Denys Arcand, Canada)
* Return (Gianni Amico, Italy)
* La Rupture (Claude Chabrol, France)

## Films at the 12th New York Film Festival (1974)

* Opening Night: Don't Cry With Your Mouth Full (Pascal Thomas, France)
* Closing Night: The Phantom of Liberty (Luis Buñuel, France)
* Ali: Fear Eats the Soul (Rainer Werner Fassbinder, West Germany)
* Alice in the Cities (Wim Wenders, West Germany)
* The Bench of Desolation (Claude Chabrol, France)
* A Bigger Splash (Jack Hazan, UK)
* Celine and Julie Go Boating (Jacques Rivette, France)
* The Circumstance (Ermanno Olmi, Italy)
* From These Roots (Bill Greaves, USA)
* Italianamerican (Martin Scorsese, USA)
* Lacombe, Lucien (Louis Malle, France)
* Lancelot du Lac (Robert Bresson, France)
* The Middle of the World (Alain Tanner, Switzerland)
* The Night of the Scarecrow (Sérgio Ricardo, Brazil)
* Old-Fashioned Woman (Martha Coolidge, USA)
* Out 1: Spectre (Jacques Rivette, France)
* La Paloma [fr] (Daniel Schmid, Switzerland)
* Part-Time Work of a Domestic Slave (Alexander Kluge, West Germany)
* Rome Wants Another Caesar (Miklós Jancsó, Hungary)
* Stavisky (Alain Resnais, France)
* A Woman Under the Influence (John Cassavetes, USA)
* Yudie (Mirra Bank, USA)

## Films at the 13th New York Film Festival (1975)

* Opening Night: Conversation Piece (Luchino Visconti, Italy)
* Closing Night: The Story of Adele H. (François Truffaut, France)
* Autobiography of a Princess (James Ivory, UK)
* Black Moon (Louis Malle, France)
* Compañero: Victor Jara of Chile (Stanley Forman & Martin Smith, Chile)
* Electra, My Love (Miklós Jancsó, Hungary)
* The Enigma of Kaspar Hauser (Werner Herzog, West Germany)
* Exhibition (Jean-François Davy, France)
* F for Fake (Orson Welles, France)
* Fox and His Friends (Rainer Werner Fassbinder, West Germany)
* French Provincial (André Téchiné, France)
* Grey Gardens (Albert Maysles & David Mayles & Ellen Hovde & Muffie Meyer, USA)
* Hearts of the West (Howard Zieff, USA)
* India Song (Marguerite Duras, France)
* The Lost Honour of Katharina Blum (Volker Schlöndorff & Margarethe von Trotta, West Germany)
* Milestones (Robert Kramer & John Douglas, USA)
* Moses and Aaron (Jean-Marie Straub & Danièle Huillet, West Germany/France/Italy)
* Smile (Michael Ritchie, USA)
* The Wonderful Crook (Claude Goretta, Switzerland)
* Xala (Ousmane Sembène, Senegal)

## Films at the 14th New York Film Festival (1976)

* Opening Night: Small Change (François Truffaut, France)
* Closing Night: The Marquise of O (Eric Rohmer, West Germany/France)
* Bernice Bobs Her Hair (Joan Micklin Silver, USA)
* Dersu Uzala (Akira Kurosawa, USSR/Japan)
* Duelle (Jacques Rivette, France)
* Fear of Fear (Rainer Werner Fassbinder, West Germany)
* Harlan County, USA (Barbara Kopple, USA)
* Illustrious Corpses (Francesco Rosi, Italy)
* Jonah Who Will Be 25 in the Year 2000 (Alain Tanner, Switzerland)
* Kings of the Road (Wim Wenders, West Germany)
* The Memory of Justice (Marcel Ophuls, USA)
* The Middleman (Satyajit Ray, India)
* Sérail (Eduardo de Gregorio, France)
* The Story of Sin (Walerian Borowczyk, Poland)
* Strongman Ferdinand (Alexander Kluge, West Germany)
* A Touch of Zen (King Hu, Hong Kong)

## Films at the 15th New York Film Festival (1977)

* Opening Night: One Sings, the Other Doesn't (Agnès Varda, France)
* Closing Night: That Obscure Object of Desire (Luis Buñuel, France/Spain)
* The American Friend (Wim Wenders, West Germany)
* Le Camion (Marguerite Duras, France)
* Children of Labor (Noel Buckner & Mary Dore & Richard Boardman & Al Gedicks, USA)
* Citizens Band (Jonathan Demme, USA)
* The Devil, Probably (Robert Bresson, France)
* Heart of Glass (Werner Herzog, West Germany)
* Hot Tomorrows (Martin Brest, USA)
* The Lacemaker (Claude Goretta, France)
* The Man Who Loved Women (François Truffaut, France)
* Men of Bronze (Bill Miles, USA)
* 1900 (Bernardo Bertolucci, Italy)
* Omar Gatlato (Merzak Allouache, Algeria)
* Padre Padrone (Paolo and Vittorio Taviani, Italy)
* Pafnucio Santo (Rafael Corkidi, Mexico)
* Roseland (James Ivory, USA)
* Salò, or The 120 Days of Sodom (Pier Paolo Pasolini, Italy)
* Short Eyes (Robert M. Young, USA)
* Tent of Miracles (Nelson Pereira dos Santos, Brazil)
* Women (Márta Mészáros, Hungary)

## Films at the 16th New York Film Festival (1978)

* Opening Night: A Wedding (Robert Altman, USA)
* Closing Night: Violette (Claude Chabrol, France)
* American Boy: A Profile of Steven Prince (Martin Scorsese, USA)
* The Apple Game (Vera Chytilová, Czechoslovakia)
* Bloodbrothers (Robert Mulligan, USA)
* Camouflage (Krzysztof Zanussi, Poland)
* The CIA Case Officer (Saul Landau, USA)
* Despair (Rainer Werner Fassbinder, West Germany)
* Dossier 51 (Michel Deville, France)
* Elective Affinities (Gianni Amico, Italy)
* Gates of Heaven (Errol Morris, USA)
* Get Out Your Handkerchiefs (Bertrand Blier, France)
* The Green Room (François Truffaut, France)
* The Left-Handed Woman (Peter Handke, West Germany)
* Like a Turtle on Its Back (Luc Béraud, France)
* Manimals (Robin Lehman, USA)
* The Miracle of the Wolves (1924) (Raymond Bernard, France)
* Movies Are My Life (Peter Hayden, USA)
* Newsfront (Phillip Noyce, Australia)
* Perceval le Gallois (Eric Rohmer, France)
* The Shout (Jerzy Skolimowski, Poland)
* Skip Tracer (Zale Dalen, Canada)
* Spies (1928) (Fritz Lang, Germany)
* They Are Their Own Gifts (Lucille Rhodes & Margaret Murphy, USA)
* With Babies and Banners: Story of the Women's Emergency Brigade (Lorraine Gray, USA)

## Films at the 17th New York Film Festival (1979)

* Opening Night: Luna (Bernardo Bertolucci, Italy/USA)
* Closing Night: The Marriage of Maria Braun (Rainer Werner Fassbinder, West Germany)
* Alexandria... Why? (Youssef Chahine, Egypt/Algeria)
* Angi Vera (Pál Gábor, Hungary)
* Best Boy (Ira Wohl, USA)
* Black Jack (Ken Loach, UK)
* The Black Stallion (Carroll Ballard, USA)
* The Bugs Bunny/Road Runner Movie, (Chuck Jones, USA)
* The Europeans (James Ivory, UK)
* In a Year of Thirteen Moons (Rainer Werner Fassbinder, West Germany)
* The Maids of Wilko (Andrzej Wajda, Poland)
* Molière (Ariane Mnouchkine, France)
* My Brilliant Career (Gillian Armstrong, Australia)
* Nosferatu the Vampyre (Werner Herzog, West Germany)
* Other People's Money (Christian de Chalonge, France)
* A Scream from Silence (Anne Claire Poirier, Canada)
* Short Memory (Eduardo de Gregorio, France)
* Wise Blood (John Huston, USA)
* Without Anesthesia (Andrzej Wajda, Poland)
* The Wobblies (Stewart Bird & Deborah Shaffer, USA)

## Films at the 18th New York Film Festival (1980)

* Opening Night: Melvin and Howard (Jonathan Demme, USA)
* Closing Night: The Last Metro (François Truffaut, France)
* And Quiet Rolls the Dawn (Mrinal Sen, India)
* Bye Bye Brazil (Carlos Diegues, Brazil)
* Camera Buff (Krzysztof Kieslowski, Poland)
* The Color of Pomegranates (Sergei Parajanov, Armenia)
* Confidence (István Szabó, Hungary)
* The Constant Factor (Krzysztof Zanussi, Poland)
* Every Man for Himself (Jean-Luc Godard, France/Switzerland)
* Handicapped Love (Marlies Graf, Switzerland)
* The Handyman (Micheline Lanctôt, Canada)
* Here's Looking at You, Kid (William Edgar Cohen, USA)
* Kagemusha (Akira Kurosawa, Japan)
* The Life and Times of Rosie the Riveter (Connie Field, USA)
* Loulou (Maurice Pialat, France)
* Masoch (Franco Brogi Taviani, Italy)
* Nights at O'Rear's (Robert Mandel, USA)
* The Orchestra Conductor (Andrzej Wajda, Poland)
* Rush (Evelyn Purcell, USA)
* Special Treatment (Goran Paskaljevic, Yugoslavia)
* Sunday Daughters (János Rózsa, Hungary)

## Films at the 19th New York Film Festival (1981)

* Opening Night: Chariots of Fire (Hugh Hudson, UK)
* Closing Night: Man of Iron (Andrzej Wajda, Poland)
* The Aviator's Wife (Éric Rohmer, France)
* The Beads of One Rosary (Kazimierz Kutz, Poland)
* Beau-père (Bertrand Blier, France)
* Contract (Krzysztof Zanussi, Poland)
* Documenteur (Agnès Varda, USA)
* Fit to Be Untied (Silvano Agosti & Marco Bellocchio & Sandro Petraglia & Stefano Rulli, Italy)
* Graduate First (Maurice Pialat, France)
* Hopper's Silence (Brian O'Doherty, USA)
* The Last to Know (Bonnie Friedman, USA)
* Lightning Over Water (Wim Wenders & Nicholas Ray, West Germany)
* Looks and Smiles (Ken Loach, UK)
* Mephisto (István Szabó, Hungary)
* Mur Murs (Agnès Varda, USA)
* The Mystery of Oberwald (Michelangelo Antonioni, Italy)
* My Dinner with Andre (Louis Malle, USA)
* Passion of Love (Ettore Scola, Italy)
* Le Pont du Nord (Jacques Rivette, France)
* Resurgence: The Movement for Equality vs. the Ku Klux Klan (Pamela Yates & Tom Sigel, USA)
* Soldier Girls (Nick Broomfield & Joan Churchill, USA)
* Stations of the Elevated (Manfred Kirchheimer, USA)
* Taxi zum Klo (Frank Ripploh, West Germany)
* Tighten Your Belts, Bite the Bullet (James Gaffney & Martin Lucas & Jonathan Miller, USA)
* Trances (Ahmed El Maanouni, Morocco)
* Vernon, Florida (Errol Morris, USA)
* We Were German Jews (Michael Blackwood, West Germany)
* The Witness (Péter Bacsó, Hungary)
* The Woman Next Door (François Truffaut, France)

## Films at the 20th New York Film Festival (1982)

* Opening Night: Veronika Voss (Rainer Werner Fassbinder, West Germany)
* Closing Night: Fitzcarraldo (Werner Herzog, West Germany)
* Another Way (Károly Makk, Hungary)
* Before the Nickelodeon: The Early Cinema of Edwin S. Porter (Charles Musser, USA)
* City Lovers (Barney Simon, South Africa)
* Coming of Age (Josh Hanig, USA)
* Dark Circle (Judy Irving & Chris Beaver, USA)
* The Draughtsman's Contract (Peter Greenaway, UK)
* Eating Raoul (Paul Bartel, USA)
* Identification of a Woman (Michelangelo Antonioni, Italy)
* Koyaanisqatsi (Godfrey Reggio, USA)
* Little People (Jan Krawitz & Thomas Ott, USA)
* Little Wars (Maroun Bagdadi, Lebanon)
* Moonlighting (Jerzy Skolimowski, UK)
* The Night of the Shooting Stars (Paolo and Vittorio Taviani, Italy)
* One Man's War (Edgardo Cozarinsky, France)
* Say Amen, Somebody (George T. Nierenberg, USA)
* The Stationmaster's Wife (Rainer Werner Fassbinder, West Germany)
* Tex (Tim Hunter, USA)
* Time Stands Still (Péter Gothár, Hungary)
* The Trout (Joseph Losey, France)
* The Tyrant's Heart (Miklós Jancsó, Hungary)
* Vortex (Scott B and Beth B, USA)
* Yol (Serif Gören & Yilmaz Güney, Turkey)

## Films at the 21st New York Film Festival (1983)

* Opening Night: The Big Chill (Lawrence Kasdan, USA)
* Closing Night: Streamers (Robert Altman, USA)
* L'Argent (Robert Bresson, France)
* Boat People (Ann Hui, Hong Kong)
* Burroughs: The Movie (Howard Brookner, USA)
* Danton (Andrzej Wajda, France/Poland)
* Dhrupad (Mani Kaul, India)
* The Eighties (Chantal Akerman, Belgium)
* Entre Nous (Diane Kurys, France)
* Eréndira (Ruy Guerra, Mexico)
* Forbidden Relations (Zsolt Kézdi-Kovács, Hungary)
* Heart Like a Wheel (Jonathan Kaplan, USA)
* In the White City (Alain Tanner, Portugal/Switzerland)
* Last Night at the Alamo (Eagle Pennell, USA)
* Life Is a Bed of Roses (Alain Resnais, France)
* Lost Illusions (Gyula Gazdag, Hungary)
* Nostalghia (Andrei Tarkovsky, Italy)
* Passion (Jean-Luc Godard, France/Germany)
* Red Love (Rosa von Praunheim, West Germany)
* Rumble Fish (Francis Ford Coppola, USA)
* Seeing Red (James Klein & Julia Reichert, USA)
* So Far From India (Mira Nair, India/USA)
* The Story of Piera (Marco Ferreri, Italy)
* Vietnam: The Secret Agent (Jacki Ochs, USA)
* The Wind (Souleymane Cissé, Mali)

## Films at the 22nd New York Film Festival (1984)

* Opening Night: Country (Richard Pearce, USA)
* Closing Night: Paris, Texas (Wim Wenders, West Germany)
* À nos amours (Maurice Pialat, France)
* America and Lewis Hine (Nina Rosenblum, USA)
* Blood Simple (Joel Coen, USA)
* Cammina Cammina (Ermanno Olmi, Italy)
* Class Relations (Jean-Marie Straub & Danièle Huillet, West Germany/France)
* Diary for My Children (Márta Mészáros, Hungary)
* A Flash of Green (Victor Nuñez, USA)
* A Hill on the Dark Side of the Moon (Lennart Hjulström, Sweden)
* The Holy Innocents (Mario Camus, Spain)
* A Love in Germany (Andrzej Wajda, West Germany)
* Love on the Ground (Jacques Rivette, France)
* Man of Flowers (Paul Cox, Australia)
* Memoirs of Prison (Nelson Pereira dos Santos, Brazil)
* Once Upon a Time in America (Sergio Leone, USA)
* Shivers (Wojciech Marczewski, Poland)
* Stranger Than Paradise (Jim Jarmusch, USA)
* Strikebound (Richard Lowenstein, Australia)
* A Sunday in the Country (Bertrand Tavernier, France)
* Los Sures (Diego Echeverria, USA)
* Three Crowns of the Sailor (Raúl Ruiz, France)
* The Times of Harvey Milk (Rob Epstein, USA)

## Films at the 23rd New York Film Festival (1985)

* Opening Night: Ran (Akira Kurosawa, Japan)
* Closing Night: Kaos (Paolo and Vittorio Taviani, Italy)
* Angry Harvest (Agnieszka Holland, West Germany)
* Bliss (Ray Lawrence, Australia)
* Boy Meets Girl (Leos Carax, France)
* Chain Letters (Mark Rappaport, USA)
* City of Pirates (Raúl Ruiz, Portugal)
* Colonel Redl (István Szabó, Hungary)
* Destroyed Time (Pierre Beuchot, France)
* Himatsuri (Mitsuo Yanagimachi, Japan)
* Hail Mary (Jean-Luc Godard, France)
* Harvest of Despair (Slavko Nowytski, Canada)
* Huey Long (Ken Burns, USA)
* Jean Cocteau: Self-Portrait of a Man Unknown (Edgardo Cozarinsky, France)
* No Man's Land (Alain Tanner, Switzerland)
* Oriana (Fina Torres, Venezuela)
* Private Conversations (Christian Blackwood, USA)
* The Satin Slipper (Manoel de Oliveira, Portugal)
* Steaming (Joseph Losey, UK)
* Sugarbaby (Percy Adlon, West Germany)
* 28 Up (Michael Apted, UK)
* When Father Was Away on Business (Emir Kusturica, Yugoslavia)
* A Year of the Quiet Sun (Krzysztof Zanussi, Poland)

## Films at the 24th New York Film Festival (1986)

* Opening Night: Down by Law (Jim Jarmusch, USA)
* Closing Night: Peggy Sue Got Married (Francis Ford Coppola, USA)
* The Blind Director (Alexander Kluge, West Germany)
* Cactus (Paul Cox, Australia)
* Charlotte and Lulu (Claude Miller, France)
* Dancing in the Dark (Leon Marr, Canada)
* The Decline of the American Empire (Denys Arcand, Canada)
* Directed by William Wyler (Aviva Slesin, USA)
* Isaac in America: A Journey with Isaac Bashevis Singer (Amram Nowak, USA)
* Malandro (Ruy Guerra, Brazil)
* Marlene (Maximilian Schell, West Germany)
* Ménage (Bertrand Blier, France)
* No End (Krzysztof Kieslowski, Poland)
* Police (Maurice Pialat, France)
* Round Midnight (Bertrand Tavernier, USA)
* The Sacrifice (Andrei Tarkovsky, Sweden)
* Scene of the Crime (André Téchiné, France)
* Sid and Nancy (Alex Cox, UK)
* Thérèse (Alain Cavalier, France)
* A Time to Live and a Time to Die (Hou Hsiao-hsien, Taiwan)
* To Sleep so as to Dream (Kaizo Hayashi, Japan)
* True Stories (David Byrne, USA)
* A Zed & Two Noughts (Peter Greenaway, UK)

## Films at the 25th New York Film Festival (1987)

* Opening Night: Dark Eyes (Nikita Mikhalkov, Italy)
* Closing Night: House of Games (David Mamet, USA)
* Anita: Dances of Vice (Rosa von Praunheim, West Germany)
* Anna (Yurek Bogayevicz, USA)
* Babette's Feast (Gabriel Axel, Denmark)
* Barfly (Barbet Schroeder, USA)
* The Belly of an Architect (Peter Greenaway, UK/Italy)
* Boyfriends and Girlfriends (Eric Rohmer, France)
* Diary for My Lovers (Márta Mészáros, Hungary)
* Fire From the Mountain (Deborah Shaffer, USA)
* Hail! Hail! Rock 'n' Roll (Taylor Hackford, USA)
* Hope and Glory (John Boorman, UK)
* Horowitz Plays Mozart (Albert Maysles & Susan Froemke & Charlotte Zwerin, USA)
* Mauvais sang (Leos Carax, France)
* Mélo (Alain Resnais, France)
* A Month in the Country (Pat O'Connor, UK)
* Police Story (Jackie Chan, Hong Kong)
* Radium City (Carole Langer, USA)
* A Taxing Woman (Juzo Itami, Japan)
* The Theme (Gleb Panfilov, USSR)
* Under the Sun of Satan (Maurice Pialat, France)
* Yeelen (Souleymane Cissé, Mali)

## Films at the 26th New York Film Festival (1988)

* Opening Night: Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
* Closing Night: Red Sorghum (Zhang Yimou, China)
* Ashik Kerib (Sergei Parajanov, USSR)
* Bird (Clint Eastwood, USA)
* Daughter of the Nile (Hou Hsiao-hsien, Taiwan)
* Distant Voices, Still Lives (Terence Davies, UK)
* Falkenau, the Impossible (Emil Weiss, France)
* Felix (Christel Buschmann/Helke Sander/Helma Sanders-Brahms/Margarethe von Trotta, Germany)
* Golub (Jerry Blumenthal & Gordon Quinn, USA)
* Hard Times (João Botelho, Portugal)
* High Hopes (Mike Leigh, UK)
* Hôtel Terminus: The Life and Times of Klaus Barbie (Marcel Ophuls, USA)
* Jacob (Mircea Daneliuc, Romania)
* The Last of England (Derek Jarman, UK)
* The Man with Three Coffins (Lee Jang-ho, South Korea)
* Mapantsula (Oliver Schmitz, South Africa)
* La maschera (Fiorella Infascelli, Italy)
* Opening Night (John Cassavetes, USA)
* Pelle the Conqueror (Bille August, Denmark)
* Salaam Bombay! (Mira Nair, India)
* 36 Fillette (Catherine Breillat, France)
* A Winter Tan (Jackie Burroughs & Louise Clark & John Frizzell & John Walker & Aerlyn Weissman, Canada)

## Films at the 27th New York Film Festival (1989)

* Opening Night: Too Beautiful for You (Bertrand Blier, France)
* Closing Night: Breaking In (Bill Forsyth, USA)
* Ariel (Aki Kaurismäki, Finland)
* Black Rain (Shohei Imamura, Japan)
* Book of Days (Meredith Monk, USA)
* A City of Sadness (Hou Hsiao-hsien, Taiwan)
* Confession: A Chronicle of Alienation (Georgiy Gavrilov, USSR)
* Current Events (Ralph Arlyck, USA)
* Dancing for Mr. B: Six Balanchine Ballerinas (Anne Belle & Deborah Dickson, USA)
* The Documentator (István Dárday & Györgyi Szalai, Hungary)
* Life and Nothing But (Bertrand Tavernier, France)
* The Mahabharata (Peter Brook, France/UK/USA)
* Monsieur Hire (Patrice Leconte, France)
* My Left Foot (Jim Sheridan, Ireland)
* Mystery Train (Jim Jarmusch, USA)
* Near Death (Frederick Wiseman, USA)
* The Plot Against Harry (Michael Roemer, USA)
* Roger & Me (Michael Moore, USA)
* A Short Film About Killing (Krzysztof Kieslowski, Poland)
* Speaking Parts (Atom Egoyan, Canada)
* Strapless (David Hare, UK)
* Sweetie (Jane Campion, New Zealand)
* A Tale of the Wind (Joris Ivens & Marceline Loridan, France)
* Thelonious Monk: Straight, No Chaser (Charlotte Zwerin, USA)
* Yaaba (Idrissa Ouedraogo, Burkina Faso)

## Films at the 28th New York Film Festival (1990)

* Opening Night: Miller's Crossing (Joel Coen, USA)
* Closing Night: The Nasty Girl (Michael Verhoeven, West Germany)
* American Dream (Barbara Kopple, USA)
* An Angel at My Table (Jane Campion, New Zealand)
* Doctor Petiot (Christian de Chalonge, France)
* Freeze Die Come to Life (Vitali Kanevsky, USSR)
* The Golden Boat (Raúl Ruiz, USA)
* Golden Braid (Paul Cox, Australia)
* I Hired a Contract Killer (Aki Kaurismäki, Finland)
* Ju Dou (Zhang Yimou, China)
* King of New York (Abel Ferrara, USA)
* Listen Up: The Lives of Quincy Jones (Ellen Weissbrod & Courtney Sale Ross, USA)
* The Match Factory Girl (Aki Kaurismäki, Finland)
* Night Sun (Paolo and Vittorio Taviani, Italy)
* No, or the Vain Glory of Command (Manoel de Oliveira, Portugal)
* Nouvelle Vague (Jean-Luc Godard, Switzerland/France)
* Open Doors (Gianni Amelio, Italy)
* Privilege (Yvonne Rainer, USA)
* Siddheshwari (Mani Kaul, India)
* The Sting of Death (Kohei Oguri, Japan)
* A Tale of Springtime (Eric Rohmer, France)
* Taxi Blues (Pavel Lungin, USSR)
* Tilaï (Idrissa Ouédraogo, Burkina Faso)
* To Sleep with Anger (Charles Burnett, USA)
* A Woman's Revenge (Jacques Doillon, France)

## Films at the 29th New York Film Festival (1991)

* Opening Night: The Double Life of Veronique (Krzysztof Kieslowski, France)
* Closing Night: Homicide (David Mamet, USA)
* Adam's Rib (Vyacheslav Krishtofovich, Russia)
* The Adjuster (Atom Egoyan, Canada)
* Amelia Lópes O'Neill (Valeria Sarmiento, Chile)
* Beauty and the Beast [work-in-progress] (Gary Trousdale & Kirk Wise, USA)
* La Belle Noiseuse (Jacques Rivette, France)
* Delicatessen (Jean-Pierre Jeunet & Marc Caro, France)
* Intimate Stranger (Alan Berliner, USA)
* Inventory (Krzysztof Zanussi, Poland)
* Jacquot de Nantes (Agnès Varda, France)
* Life on a String (Chen Kaige, China)
* Locked-Up Time (Sibylle Schönemann, Germany)
* My Own Private Idaho (Gus Van Sant, USA)
* Night on Earth (Jim Jarmusch, USA)
* No Life King (Jun Ichikawa, Japan)
* The Other Eye (Johanna Heer & Werner Schmiedel, Austria)
* Pictures From a Revolution (Susan Meiselas & Richard P. Rogers & Alfred Guzzetti, USA)
* Prospero's Books (Peter Greenaway, UK)
* The Rapture (Michael Tolkin, USA)
* The Suspended Step of the Stork (Theo Angelopoulos, Greece)
* Toto le héros (Jaco Van Dormael, Belgium)
* Woman of the Port (Arturo Ripstein, Mexico)
* Zombie and the Ghost Train (Mika Kaurismäki, Finland)

## Films at the 30th New York Film Festival (1992)

* Opening Night: Olivier, Olivier (Agnieszka Holland, France)
* Closing Night: Night and the City (Irwin Winkler, USA)
* Allah Tantou (David Achkar, Guinea/France)
* And Life Goes On (Abbas Kiarostami, Iran)
* Autumn Moon (Clara Law, Hong Kong)
* Benny's Video (Michael Haneke, Austria)
* Careful (Guy Maddin, Canada)
* The Crying Game (Neil Jordan, Ireland/UK)
* Delivered Vacant (Nora Jacobsen, USA)
* Dream of Light (Víctor Erice, Spain)
* Hyenas (Djibril Diop Mambéty, Senegal)
* Idiot (Mani Kaul, India)
* In the Soup (Alexandre Rockwell, USA)
* Léolo (Jean-Claude Lauzon, Canada)
* The Lovers on the Bridge (Leos Carax, France)
* Lumumba, Death of a Prophet (Raoul Peck, Germany/Switzerland)
* Man Bites Dog (Rémy Belvaux & André Bonzel & Benoît Poelvoorde, Belgium)
* The Oak (Lucian Pintilie, Romania)
* La Sentinelle (Arnaud Desplechin, France)
* Stone (Alexander Sokurov, Russia)
* The Story of Qiu Ju (Zhang Yimou, China)
* Strictly Ballroom (Baz Luhrmann, Australia)
* A Tale of Winter (Eric Rohmer, France)
* La Vie de bohème (Aki Kaurismäki, Finland)
* Zebrahead (Anthony Drazan, USA)

## Films at the 31st New York Film Festival (1993)

* Opening Night: Short Cuts (Robert Altman, USA)
* Closing Night: The Piano (Jane Campion, France/Australia)
* Aileen Wuornos: The Selling of a Serial Killer (Nick Broomfield, USA)
* Birthplace (Pawel Lozinski, Poland)
* Blue (Derek Jarman, UK)
* The Blue Kite (Tian Zhuangzhuang, China)
* Calendar (Atom Egoyan, Canada/Armenia)
* Farewell My Concubine (Chen Kaige, China)
* Fiorile (Paolo and Vittorio Taviani, Italy)
* It's All True: Based on an Unfinished Film by Orson Welles (Bill Krohn & Myron Miesel & Richard Wilson, Brazil/France/USA)
* Naked (Mike Leigh, UK)
* The Night (Mohammad Malas, Syria/Lebanon)
* The Nightmare Before Christmas (Henry Selick, USA)
* The Puppetmaster (Hou Hsiao-hsien, Taiwan)
* Raining Stones (Ken Loach, UK)
* Ruby in Paradise (Victor Nuñez, USA)
* The Scent of Green Papaya (Tran Anh Hung, Vietnam/France)
* Shades of Doubt (Aline Issermann, France)
* The Snapper (Stephen Frears, UK)
* Three Colours: Blue (Krzysztof Kieslowski, France)
* Totally F***ed Up (Gregg Araki, USA)
* Valley of Abraham (Manoel de Oliveira, Portugal)
* The War Room (D.A. Pennebaker & Chris Hegedus, USA)
* Wendemi (S. Pierre Yameogo, Burkina Faso)
* The Wonderful, Horrible Life of Leni Riefenstahl (Ray Müller, Germany/Belgium/UK)

## Films at the 32nd New York Film Festival (1994)

* Opening Night: Pulp Fiction (Quentin Tarantino, USA)
* Centerpiece: Bullets over Broadway (Woody Allen, USA)
* Closing Night: Hoop Dreams (Steve James, USA)
* Amateur (Hal Hartley, USA)
* Caro diario (Nanni Moretti, Italy)
* Chungking Express (Wong Kar-wai, Hong Kong)
* Cold Water (Olivier Assayas, France)
* A Confucian Confusion (Edward Yang, Taiwan)
* Crumb (Terry Zwigoff, USA)
* Ed Wood (Tim Burton, USA)
* Exotica (Atom Egoyan, Canada)
* Ladybird, Ladybird (Ken Loach, UK)
* Postcards From America (Steve McLean, USA)
* The Red Lotus Society (Stan Lai, Taiwan)
* Sátántangó (Béla Tarr, Hungary)
* See How They Fall (Jacques Audiard, France)
* The Silences of the Palace (Moufida Tlatli, Tunisia)
* Strawberry and Chocolate (Tomás Gutiérrez Alea & Juan Carlos Tabío, Cuba)
* Theremin: An Electronic Odyssey (Steven M. Martin, USA)
* Through the Olive Trees (Abbas Kiarostami, Iran)
* Three Colours: Red (Krzysztof Kieslowski, France)
* To Live (Zhang Yimou, China)
* To the Starry Island (Park Kwang-su, South Korea)
* The Troubles We've Seen (Marcel Ophuls, France)
* Wild Reeds (André Téchiné, France)

## Films at the 33rd New York Film Festival (1995)

* Opening Night: Shanghai Triad (Zhang Yimou, China)
* Centerpiece: Strange Days (Kathryn Bigelow, USA)
* Closing Night: Carrington (Christopher Hampton, UK)
* Augustin (Anne Fontaine, France)
* Beyond the Clouds (Michelangelo Antonioni, France/Italy/Germany)
* The Celluloid Closet (Rob Epstein and Jeffrey Friedman, USA)
* Cinema of Unease: A Personal Journey by Sam Neill (Sam Neill & Judy Rymer, New Zealand/UK)
* Citizen Langlois (Edgardo Cozarinsky, France)
* The Convent (Manoel de Oliveira, Portugal)
* Cyclo (Tran Anh Hung, France/Vietnam)
* Dead Presidents (Hughes brothers, USA)
* Flamenco (Carlos Saura, Spain)
* Flirt (Hal Hartley, USA)
* The Flower of My Secret (Pedro Almodóvar, Spain)
* Le Franc (Djibril Diop Mambéty, Senegal/Switzerland)
* From the Journals of Jean Seberg (Mark Rappaport, USA)
* The Gate of Heavenly Peace (Richard Gordon & Carma Hinton, USA)
* Georgia (Ulu Grosbard, USA)
* Good Men, Good Women (Hou Hsiao-hsien, Taiwan)
* Guimba the Tyrant (Cheick Oumar Sissoko, Mali/Burkina Faso)
* La Haine (Mathieu Kassovitz, France)
* Kicking and Screaming (Noah Baumbach, USA)
* Lamerica (Gianni Amelio, Italy/France)
* Land and Freedom (Ken Loach, UK)
* The Neon Bible (Terence Davies, UK)
* Sixteen-Oh-Sixty (Vinicius Mainardi, Brazil)
* The Son of Gascogne (Pascal Aubier, France)
* The White Balloon (Jafar Panahi, Iran)

## Films at the 34th New York Film Festival (1996)

* Opening Night: Secrets & Lies (Mike Leigh, UK)
* Centerpiece: Thieves (André Téchiné, France)
* Closing Night: The People vs. Larry Flynt (Miloš Forman, USA)
* Beyond the Clouds (Michelangelo Antonioni, France/Italy/Germany)
* Breaking the Waves (Lars von Trier, Denmark)
* Emigration, N.Y. (Egon Humer, Austria)
* Fire (Deepa Mehta, Canada/India)
* Frantz Fanon: Black Skin, White Mask (Isaac Julien, UK)
* Gabbeh (Mohsen Makhmalbaf, Iran)
* Le Garçu (Maurice Pialat, France)
* Goodbye South, Goodbye (Hou Hsiao-hsien, Taiwan)
* illtown (Nick Gomez, USA)
* Irma Vep (Olivier Assayas, France)
* Lilies (John Greyson, Canada)
* Mahjong (Edward Yang, Taiwan)
* Mandela (Angus Gibson & Jo Menell, USA)
* My Sex Life... or How I Got into an Argument (Arnaud Desplechin, France)
* Nobody's Business (Alan Berliner, USA)
* La Promesse (Jean-Pierre & Luc Dardenne, Belgium)
* Salut cousin! (Merzak Allouache, France/Algeria)
* A Self Made Hero (Jacques Audiard, France)
* Sling Blade (Billy Bob Thornton, USA)
* subUrbia (Richard Linklater, USA)
* Suzanne Farrell: Elusive Muse (Anne Belle & Deborah Dickson, USA)
* Temptress Moon (Chen Kaige, China)
* Three Lives and Only One Death (Raúl Ruiz, France)
* Umm Kulthum: A Voice Like Egypt (Michal Goldman, USA)
* Underground (Emir Kusturica, France/Germany)

## Films at the 35th New York Film Festival (1997)

* Opening Night: The Ice Storm (Ang Lee, US)
* Centerpiece: The Sweet Hereafter (Atom Egoyan, Canada)
* Closing Night: Live Flesh (Pedro Almodóvar, Spain)
* The Apostle (Robert Duvall, USA)
* Boogie Nights (Paul Thomas Anderson, USA)
* Deep Crimson (Arturo Ripstein, Mexico)
* Destiny (Youssef Chahine, Egypt)
* Fallen Angels (Wong Kar-wai, Hong Kong)
* Fast, Cheap & out of Control (Errol Morris, USA)
* Fireworks (Takeshi Kitano, Japan)
* From Today Until Tomorrow (Jean-Marie Straub & Danièle Huillet, France)
* Happy Together (Wong Kar-wai, Hong Kong)
* Kiss or Kill (Bill Bennett, Australia)
* Kitchen (Yim Ho, Hong Kong)
* Love and Death on Long Island (Richard Kwietniowski, UK)
* Ma vie en rose (Alain Berliner, Belgium)
* Marcello Mastroianni: I Remember (Anna Maria Tatò, Italy)
* Martín (Hache) (Adolfo Aristarain, Argentina)
* Mother and Son (Alexander Sokurov, Russia)
* Post Coitum (Brigitte Roüan, France)
* Public Housing (Frederick Wiseman, USA)
* Taste of Cherry (Abbas Kiarostami, Iran)
* Telling Lies in America (Guy Ferland, USA)
* La Vie de Jésus (Bruno Dumont, France)
* Voyage to the Beginning of the World (Manoel de Oliveira, Portugal)
* Washington Square (Agnieszka Holland, USA)

## Films at the 36th New York Film Festival (1998)

* Opening Night: Celebrity (Woody Allen, USA)
* Centerpiece: Black Cat, White Cat (Emir Kusturica, Yugoslavia/Germany/France)
* Closing Night: The Dreamlife of Angels (Erick Zonca, France)
* The Apple (Samira Makhmalbaf, Iran/France)
* Autumn Tale (Eric Rohmer, France)
* The Book of Life (Hal Hartley, USA)
* The Celebration (Thomas Vinterberg, Denmark)
* Dr. Akagi (Shohei Imamura, Japan)
* Flowers of Shanghai (Hou Hsiao-hsien, Taiwan)
* The General (John Boorman, Ireland)
* Gods and Monsters (Bill Condon, USA)
* Happiness (Todd Solondz, USA)
* I Stand Alone (Gaspar Noé, France)
* The Inheritors (Stefan Ruzowitzky, Austria)
* Khrustalyov, My Car! (Aleksei German, Russia/France)
* Late August, Early September (Olivier Assayas, France)
* Life on Earth (Abderrahmane Sissako, France/Mauritania/Mali)
* My Name Is Joe (Ken Loach, UK)
* River of Gold (Paulo Rocha, Portugal)
* Rushmore (Wes Anderson, USA)
* Same Old Song (Alain Resnais, France)
* Slam (Marc Levin, USA)
* Velvet Goldmine (Todd Haynes, USA)
* You're Laughing (Paolo and Vittorio Taviani, Italy)

## Films at the 37th New York Film Festival (1999)

* Opening Night: All About My Mother (Pedro Almodóvar, Spain)
* Centerpiece: Topsy-Turvy (Mike Leigh, UK)
* Closing Night: Felicia's Journey (Atom Egoyan, UK/Canada)
* Beau travail (Claire Denis, France)
* Being John Malkovich (Spike Jonze, USA)
* Boys Don't Cry (Kimberly Peirce, USA)
* The Carriers Are Waiting (Benoît Mariage, France/Belgium/Switzerland)
* The Color of Paradise (Majid Majidi, Iran)
* Dogma (Kevin Smith, USA)
* Holy Smoke! (Jane Campion, Australia)
* Juha (Aki Kaurismäki, Finland)
* julien donkey-boy (Harmony Korine, USA)
* The Letter (Manoel de Oliveira, France/Portugal)
* License to Live (Kiyoshi Kurosawa, Japan)
* Mobutu, King of Zaire (Thierry Michel, Belgium)
* The Other (Youssef Chahine, France/Egypt)
* Pola X (Leos Carax, France)
* Princess Mononoke (Hayao Miyazaki, Japan)
* Pripyat (Nikolaus Geyrhalter, Austria)
* Rien sur Robert (Pascal Bonitzer, France)
* Rosetta (Jean-Pierre & Luc Dardenne, France/Belgium)
* Set Me Free (Léa Pool, Canada)
* Sicilia! (Danièle Huillet & Jean-Marie Straub, Italy)
* Time Regained (Raúl Ruiz, France)
* The Woman Chaser (Robinson Devor, USA)

## Films at the 38th New York Film Festival (2000)

* Opening Night: Dancer in the Dark (Lars von Trier, Denmark/Sweden/France)
* Centerpiece: Pollock (Ed Harris, USA)
* Closing Night: Crouching Tiger, Hidden Dragon (Ang Lee, Taiwan)
* Amores perros (Alejandro González Iñárritu, Mexico)
* Before Night Falls (Julian Schnabel, USA)
* Boesman and Lena (John Berry, France/South Africa)
* Brother (Takeshi Kitano, Japan/France/USA/UK)
* Chronically Unfeasible (Sergio Bianchi, Brazil)
* Chunhyang (Im Kwon-taek, South Korea)
* The Circle (Jafar Panahi, Iran)
* The Comedy of Innocence (Raúl Ruiz, France)
* Eureka (Shinji Aoyama, Japan)
* Faithless (Liv Ullmann, Sweden)
* George Washington (David Gordon Green, USA)
* The Gleaners and I (Agnès Varda, France)
* The House of Mirth (Terence Davies, UK/USA)
* In the Mood for Love (Wong Kar-wai, Hong Kong)
* Kippur (Amos Gitai, Israel/France)
* Krapp's Last Tape (Atom Egoyan, Canada/UK)
* Platform (Jia Zhangke, China/Japan)
* Smell of Camphor, Fragrance of Jasmine (Bahman Farmanara, Iran)
* Taboo (Nagisa Oshima, Japan)
* The Taste of Others (Agnès Jaoui, France)
* Yi Yi (Edward Yang, Taiwan/Japan)

## Films at the 39th New York Film Festival (2001)

* Opening Night: Va savoir (Jacques Rivette, France)
* Centerpiece: Mulholland Drive (David Lynch, USA)
* Closing Night: In Praise of Love (Jean-Luc Godard, Switzerland/France)
* All About Lily Chou-Chou (Shunji Iwai, Japan)
* Baran (Majid Majidi, Iran)
* Deep Breath (Damien Odoul, France)
* Fat Girl (Catherine Breillat, France/Italy)
* I'm Going Home (Manoel de Oliveira, Portugal/France)
* Intimacy (Patrice Chéreau, France)
* Italian for Beginners (Lone Scherfig, Denmark)
* La ciénaga (Lucrecia Martel, Argentina/Spain)
* La Libertad (Lisandro Alonso, Argentina)
* The Lady and the Duke (Eric Rohmer, France)
* The Royal Tenenbaums (Wes Anderson, USA)
* Silence...We're Rolling (Youssef Chahine, Egypt/France)
* Sobibor, October 14, 1943, 4 p.m. (Claude Lanzmann, France)
* The Son's Room (Nanni Moretti, Italy)
* Storytelling (Todd Solondz, USA)
* That Old Dream That Moves (Alain Guiraudie, France)
* Time Out (Laurent Cantet, France)
* Waking Life (Richard Linklater, USA)
* Warm Water Under a Red Bridge (Shohei Imamura, Japan)
* What Time Is It There? (Tsai Ming-liang, Taiwan/France)
* Y tu mamá también (Alfonso Cuarón, Mexico)

## Films at the 40th New York Film Festival (2002)

* Opening Night: About Schmidt (Alexander Payne, USA)
* Centerpiece: Punch-Drunk Love (Paul Thomas Anderson, USA)
* Closing Night: Talk to Her (Pedro Almodóvar, Spain)
* Auto Focus (Paul Schrader, USA)
* Blind Spot: Hitler's Secretary (André Heller & Othmar Schimderer, Austria)
* Bloody Sunday (Paul Greengrass, UK)
* Chi-hwa-seon (Im Kwon-taek, South Korea)
* Divine Intervention (Elia Suleiman, France/Palestine)
* Friday Night (Claire Denis, France)
* Love & Diane (Jennifer Dworkin, USA/France)
* The Magdalene Sisters (Peter Mullan, UK)
* The Man Without a Past (Aki Kaurismäki, Finland)
* Monday Morning (Otar Iosseliani, France/Italy)
* My Mother's Smile (Marco Bellocchio, Italy)
* Russian Ark (Alexander Sokurov, Russia/Germany)
* Safe Conduct (Bertrand Tavernier, France)
* The Son (Jean-Pierre & Luc Dardenne, Belgium/France)
* Springtime in a Small Town (Tian Zhuangzhuang, China)
* Ten (Abbas Kiarostami, Iran/France)
* To Be and to Have (Nicolas Philibert, France)
* Turning Gate (Hong Sang-soo, South Korea)
* The Uncertainty Principle (Manoel de Oliveira, Portugal/France)
* Unknown Pleasures (Jia Zhangke, China/Japan)
* Waiting for Happiness (Abderrahmane Sissako, Mauritania/France)

## Films at the 41st New York Film Festival (2003)

* Opening Night: Mystic River (Clint Eastwood, USA)
* Centerpiece: The Fog of War (Errol Morris, USA)
* Closing Night: 21 Grams (Alejandro González Iñárritu, USA)
* The Barbarian Invasions (Denys Arcand, Canada)
* Bright Leaves (Ross McElwee, USA)
* Crimson Gold (Jafar Panahi, Iran)
* Distant (Nuri Bilge Ceylan, Turkey)
* Dogville (Lars von Trier, Denmark/Sweden/France)
* Elephant (Gus Van Sant, USA)
* The Flower of Evil (Claude Chabrol, France)
* Free Radicals (Barbara Albert, Austria)
* Good Morning, Night (Marco Bellocchio, Italy)
* Goodbye, Dragon Inn (Tsai Ming-liang, Taiwan)
* Mansion by the Lake (Lester James Peries, Sri Lanka)
* Mayor of the Sunset Strip (George Hickenlooper, USA)
* Pornography (Jan Jakub Kolski, Poland)
* PTU (Johnnie To, Hong Kong)
* Raja (Jacques Doillon, France)
* S-21: The Khmer Rouge Killing Machine (Rithy Panh, France)
* Since Otar Left (Julie Bertuccelli, France)
* A Thousand Months (Faouzi Bensaïdi, France/Morocco)
* Young Adam (David Mackenzie, UK)

## Films at the 42nd New York Film Festival (2004)

* Opening Night: Look at Me (Agnès Jaoui, France)
* Centerpiece: Bad Education (Pedro Almodóvar, Spain)
* Closing Night: Sideways (Alexander Payne, USA)
* Café Lumière (Hou Hsiao-hsien, Japan/Taiwan)
* The Gate of the Sun (Yousry Nasrallah, France/Egypt)
* The Holy Girl (Lucrecia Martel, Argentina)
* House of Flying Daggers (Zhang Yimou, China)
* In the Battlefields (Danielle Arbid, Lebanon/France)
* Keane (Lodge Kerrigan, USA)
* Kings and Queen (Arnaud Desplechin, France)
* Moolaadé (Ousmane Sembène, Senegal)
* Notre musique (Jean-Luc Godard, Switzerland/France)
* Or (My Treasure) (Keren Yedaya, Israel)
* Palindromes (Todd Solondz, USA)
* Rolling Family (Pablo Trapero, Argentina)
* Saraband (Ingmar Bergman, Sweden)
* Tarnation (Jonathan Caouette, USA)
* The 10th District Court: Moments of Trial (Raymond Depardon, France)
* Triple Agent (Eric Rohmer, France)
* Tropical Malady (Apichatpong Weerasethakul, Thailand)
* Undertow (David Gordon Green, USA)
* Vera Drake (Mike Leigh, UK)
* Woman Is the Future of Man (Hong Sang-soo, South Korea/France)
* The World (Jia Zhangke, China)

## Films at the 43rd New York Film Festival (2005)

* Opening Night: Good Night, and Good Luck. (George Clooney, USA)
* Centerpiece: Breakfast on Pluto (Neil Jordan, USA)
* Closing Night: Caché (Michael Haneke, France)
* Avenge But One of My Two Eyes (Avi Mograbi, Israel/France)
* Bubble (Steven Soderbergh, USA)
* Capote (Bennett Miller, USA)
* The Death of Mr. Lazarescu (Cristi Puiu, Romania)
* L'Enfant (Jean-Pierre & Luc Dardenne, Belgium/France)
* Gabrielle (Patrice Chéreau, France)
* I Am (Dorota Kedzierzawska, Poland)
* Manderlay (Lars von Trier, Denmark/Sweden/France)
* Methadonia (Michel Negroponte, USA)
* Paradise Now (Hany Abu-Assad, Netherlands/Germany/France)
* The President's Last Bang (Im Sang-soo, South Korea)
* Regular Lovers (Philippe Garrel, France)
* Something Like Happiness (Bohdan Sláma, Czech Republic)
* The Squid and the Whale (Noah Baumbach, USA)
* The Sun (Alexander Sokurov, Russia/Italy/France/Switzerland)
* Sympathy for Lady Vengeance (Park Chan-wook, South Korea)
* Tale of Cinema (Hong Sang-soo, South Korea)
* Three Times (Hou Hsiao-hsien, Taiwan)
* Through the Forest (Jean-Paul Civeyrac, France)
* Tristram Shandy: A Cock and Bull Story (Michael Winterbottom, UK)
* Who's Camus Anyway? (Mitsuo Yanagimachi, Japan)

## Films at the 44th New York Film Festival (2006)

* Opening Night: The Queen (Stephen Frears, UK)
* Centerpiece: Volver (Pedro Almodóvar, Spain)
* Closing Night: Pan's Labyrinth (Guillermo del Toro, Spain/Mexico)
* 49 Up (Michael Apted, UK)
* August Days (Marc Recha, Spain)
* Bamako (Abderrahmane Sissako, Africa)
* Belle Toujours (Manoel de Oliveira, Portugal)
* Climates (Nuri Bilge Ceylan, Turkey)
* Election 2 (Johnnie To, Hong Kong)
* Falling (Barbara Albert, Germany/Austria)
* Gardens in Autumn (Otar Iosseliani, France/Italy/Russia)
* The Go Master (Tian Zhuangzhuang, Japan/China)
* The Host (Bong Joon-ho, South Korea)
* Inland Empire (David Lynch, US)
* The Journals of Knud Rasmussen (Zacharias Kunuk & Norman Cohn, Canada/Denmark/Greenland)
* Little Children (Todd Field, US)
* Marie Antoinette (Sofia Coppola, US)
* Offside (Jafar Panahi, Iran)
* Our Daily Bread (Nikolaus Geyrhalter, Germany/Austria)
* Paprika (Satoshi Kon, Japan)
* Poison Friends (Emmanuel Bourdieu, France)
* Private Fears in Public Places (Alain Resnais, France)
* Syndromes and a Century (Apichatpong Weerasethakul, Thailand)
* These Girls (Tahani Rached, Egypt)
* Woman on the Beach (Hong Sang-soo, South Korea)

## Films at the 45th New York Film Festival (2007)

* Opening Night: The Darjeeling Limited (Wes Anderson, USA)
* Centerpiece: No Country for Old Men (Joel Coen & Ethan Coen, USA)
* Closing Night: Persepolis (Marjane Satrapi & Vincent Paronnaud, France)
* Actresses (Valeria Bruni Tedeschi, France)
* Alexandra (Alexander Sokurov, Russia)
* The Axe in the Attic (Ed Pincus & Lucia Small, USA)
* Before the Devil Knows You're Dead (Sidney Lumet, USA)
* Calle Santa Fe (Carmen Castillo, France)
* The Diving Bell and the Butterfly (Julian Schnabel, USA)
* Flight of the Red Balloon (Hou Hsiao-hsien, France)
* 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, Romania)
* A Girl Cut in Two (Claude Chabrol, France)
* Go Go Tales (Abel Ferrara, Italy/USA)
* I Just Didn't Do It (Masayuki Suo, Japan)
* I'm Not There (Todd Haynes, USA)
* In the City of Sylvia (José Luis Guerin, Spain/France)
* The Last Mistress (Catherine Breillat, France)
* The Man From London (Béla Tarr, Hungary/France/Germany)
* Margot at the Wedding (Noah Baumbach, USA)
* Married Life (Ira Sachs, USA)
* Mr. Warmth: The Don Rickles Project (John Landis, USA)
* The Orphanage (J.A. Bayona, Spain)
* Paranoid Park (Gus Van Sant, USA)
* Redacted (Brian De Palma, USA)
* The Romance of Astrea and Celadon (Eric Rohmer, France)
* Secret Sunshine (Lee Chang-dong, South Korea)
* Silent Light (Carlos Reygadas, Mexico)
* Useless (Jia Zhangke, Hong Kong)

## Films at the 46th New York Film Festival (2008)

* Opening Night: The Class (Laurent Cantet, France)
* Centerpiece: Changeling (Clint Eastwood, USA)
* Closing Night: The Wrestler (Darren Aronofsky, USA)
* 24 City (Jia Zhangke, China/Hong Kong/Japan)
* Afterschool (Antonio Campos, USA)
* Ashes of Time Redux (Wong Kar-wai, Hong Kong)
* Bullet in the Head (Jaime Rosales, Spain/France)
* Che (Steven Soderbergh, France/Spain)
* Chouga (Darezhan Omirbaev, France/Kazakhstan)
* A Christmas Tale (Arnaud Desplechin, France)
* Four Nights with Anna (Jerzy Skolimowski, Poland/France)
* Gomorrah (Matteo Garrone, Italy)
* Happy-Go-Lucky (Mike Leigh, UK)
* The Headless Woman (Lucrecia Martel, Argentina/France/Italy/Spain)
* Hunger (Steve McQueen, UK)
* I'm Gonna Explode (Gerardo Naranjo, Mexico)
* Let It Rain (Agnès Jaoui, France)
* Night and Day (Hong Sang-soo, South Korea)
* The Northern Land (João Botelho, Portugal)
* Serbis (Brillante Mendoza, Philippines/France/)
* Summer Hours (Olivier Assayas, France)
* Tokyo Sonata (Kiyoshi Kurosawa, Japan/Netherlands)
* Tony Manero (Pablo Larraín, Chile/Brazil)
* Tulpan (Sergey Dvortsevoy, Germany/Kazakhstan/Poland/Russia/Switzerland)
* Waltz with Bashir (Ari Folman, Israel/Germany/France/)
* Wendy and Lucy (Kelly Reichardt, USA)
* The Windmill Movie (Alexander Olch, USA)

## Films at the 47th New York Film Festival (2009)

* Opening Night: Wild Grass (Alain Resnais, France)
* Centerpiece: Precious: Based on the Novel "Push" by Sapphire (Lee Daniels, USA)
* Closing Night: Broken Embraces (Pedro Almodóvar, Spain)
* Around a Small Mountain (Jacques Rivette, France)
* Antichrist (Lars von Trier, Denmark)
* The Art of the Steal (Don Argott, USA)
* Bluebeard (Catherine Breillat, France)
* Eccentricities of a Blonde-Haired Girl (Manoel de Oliveira, Portugal/France)
* Everyone Else (Maren Ade, Germany)
* Ghost Town (Zhao Dayong, China)
* Hadewijch (Bruno Dumont, France)
* Independencia (Raya Martin, Philippines)
* Henri-Georges Clouzot's Inferno (Serge Bromberg, France)
* Kanikôsen (Sabu, Japan)
* Lebanon (Samuel Maoz, Israel)
* Life During Wartime (Todd Solondz, USA)
* Min Ye (Souleymane Cissé, Mali/France)
* Mother (Bong Joon-ho, South Korea)
* Ne change rien (Pedro Costa, France/Portugal)
* Police, Adjective (Corneliu Porumboiu, Romania)
* Room and a Half (Andrei Khrzhanovsky, Russia)
* Sweetgrass (Alisa Barbash & Lucien Castaing-Taylor, USA)
* Sweet Rush (Andrzej Wajda, Poland/France)
* To Die Like a Man (João Pedro Rodrigues, Portugal)
* Trash Humpers (Harmony Korine, USA/UK)
* Vincere (Marco Bellocchio, Italy)
* White Material (Claire Denis, France)
* The White Ribbon (Michael Haneke, Austria/France)

## Films at the 48th New York Film Festival (2010)

* Opening Night: The Social Network (David Fincher, USA)
* Centerpiece: The Tempest (Julie Taymor, USA)
* Closing Night: Hereafter (Clint Eastwood, USA)
* Another Year (Mike Leigh, UK)
* Aurora (Cristi Puiu, Romania)
* Black Venus (Abdellatif Kechiche, France)
* Carlos (Olivier Assayas, France)
* Certified Copy (Abbas Kiarostami, Iran/France/Italy)
* Film Socialisme (Jean-Luc Godard, France)
* Inside Job (Charles Ferguson, USA)
* Le quattro volte (Michelangelo Frammartino, Italy)
* LENNONYC (Michael Epstein, USA)
* Meek's Cutoff (Kelly Reichardt, USA)
* My Joy (Sergei Loznitsa, Ukraine)
* Mysteries of Lisbon (Raul Ruiz, Portugal)
* Of Gods and Men (Xavier Beauvois, France)
* Oki's Movie (Hong Sang-Soo, South Korea)
* Old Cats (Sebastián Silva, Chile)
* Poetry (Lee Chang-dong, South Korea)
* Post Mortem (Pablo Larraín, Chile)
* Revolución (various directors, Mexico)
* The Robber (Benjamin Heisenberg, Germany)
* Robinson in Ruins (Patrick Keiller, UK)
* Silent Souls (Aleksey Fedorchenko, Russia)
* The Strange Case of Angelica (Manoel de Oliveira, Portugal)
* Tuesday, After Christmas (Radu Muntean, Romania)
* Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul, Thailand)
* We Are What We Are (Jorge Michel Grau, Mexico)

## Films at the 49th New York Film Festival (2011)

* Opening Night: Carnage (Roman Polanski, France/Poland)
* Centerpiece: My Week with Marilyn (Simon Curtis, UK)
* Closing Night: The Descendants (Alexander Payne, USA)
* The Artist (Michel Hazanavicius, France)
* Corpo Celeste (Alice Rohrwacher, Italy/Switzerland/France)
* A Dangerous Method (David Cronenberg, Canada/UK/Germany)
* Footnote (Joseph Cedar, Israel)
* 4:44 Last Day on Earth (Abel Ferrara, USA)
* George Harrison: Living in the Material World (Martin Scorsese, USA)
* Goodbye First Love (Mia Hansen-Løve, France)
* Le Havre (Aki Kaurismäki, Finland/France)
* The Kid with a Bike (Jean-Luc and Pierre Dardenne, Belgium/France)
* The Loneliest Planet (Julia Loktev, USA)
* Martha Marcy May Marlene (Sean Durkin, USA)
* Melancholia (Lars von Trier, Denmark)
* Miss Bala (Gerardo Naranjo, Mexico)
* Once Upon a Time in Anatolia (Nuri Bilge Ceylan, Turkey)
* Pina (Wim Wenders, Germany)
* Play (Ruben Östlund, Sweden)
* Policeman (Nadav Lapid, Israel)
* A Separation (Asghar Farhadi, Iran)
* Shame (Steve McQueen, UK)
* The Skin I Live In (Pedro Almodóvar, Spain)
* Sleeping Sickness (Ulrich Köhler, Germany)
* The Student (Santiago Mitre, Argentina)
* The Turin Horse (Béla Tarr, Hungary)
* This Is Not a Film (Jafar Panahi & Mojtaba Mirtahmasb, Iran)

## Films at the 50th New York Film Festival (2012)

* Opening Night: Life of Pi (Ang Lee, USA)
* Centerpiece: Not Fade Away (David Chase, USA)
* Closing Night: Flight (Robert Zemeckis, USA)
* Amour (Michael Haneke, Austria/France/Germany)
* Aquí y allá (Antonio Méndez Esparza, Spain/USA/Mexico)
* Araf — Somewhere In Between (Yeşim Ustaoğlu, Turkey/France/Germany)
* Barbara (Christian Petzold, Germany)
* Beyond the Hills (Cristian Mungiu, Romania)
* Bwakaw (Jun Robles Lana, Philippines)
* Caesar Must Die (Paolo and Vittorio Taviani, Italy)
* Camille Rewinds (Noémie Lvovsky, France)
* The Dead Man and Being Happy (Javier Rebello, Spain/Argentina)
* Fill the Void (Rama Burshtein, Israel)
* First Cousin Once Removed (Alan Berliner, USA)
* Frances Ha (Noah Baumbach, USA)
* The Gatekeepers (Dror Moreh, Israel/France/Germany/Belgium)
* Ginger & Rosa (Sally Potter, UK)
* Holy Motors (Leos Carax, France)
* Hyde Park on Hudson (Roger Michell, UK)
* Kinshasa Kids (Marc-Henri Wajnberg, Belgium/France)
* The Last Time I Saw Macao (João Pedro Rodrigues, Portugal/France)
* Leviathan (Lucien Castaing-Taylor & Véréna Paravel, France/UK/USA)
* Like Someone in Love (Abbas Kiarostami, Japan/Iran/France)
* Lines of Wellington (Valeria Sarmiento, France/Portugal)
* Memories Look at Me (Song Fang, China)
* Night Across the Street (Raúl Ruiz, France/Chile)
* NO (Pablo Larraín, Chile/USA/Mexico)
* Our Children (Joachim Lafosse, Belgium/Luxembourg/France/Switzerland)
* The Paperboy (Lee Daniels, USA)
* Passion (Brian De Palma, France/Germany)
* Something in the Air (Olivier Assayas, France)
* Tabu (Miguel Gomes, Portugal)
* You Ain't Seen Nothin' Yet (Alain Resnais, France)

## Films at the 51st New York Film Festival (2013)

* Opening Night: Captain Phillips (Paul Greengrass, USA)
* Centerpiece: The Secret Life of Walter Mitty (Ben Stiller, USA)
* Closing Night: Her (Spike Jonze, USA)
* About Time (Richard Curtis, UK)
* Abuse of Weakness (Catherine Breillat, France)
* Alan Partridge (Declan Lowney, UK/France)
* All Is Lost (J.C. Chandor, USA)
* American Promise (Joe Brewster & Michèle Stephenson, USA)
* At Berkeley (Frederick Wiseman, USA)
* Bastards (Claire Denis, France/Germany)
* Blue Is the Warmest Color (Abdellatif Kechiche, France)
* Burning Bush (Agnieszka Holland, Czech Republic)
* Child of God (James Franco, USA)
* Gloria (Sebastián Lelio, Chile/Spain)
* The Immigrant (James Gray, USA)
* Inside Llewyn Davis (Joel Coen & Ethan Coen, USA)
* The Invisible Woman (Ralph Fiennes, UK)
* Jealousy (Philippe Garrel, France)
* Jimmy P.: Psychotherapy of a Plains Indian (Arnaud Desplechin, France)
* The Last of the Unjust (Claude Lanzmann, France/Austria)
* Like Father, Like Son (Hirokazu Kore-eda, Japan)
* The Missing Picture (Rithy Panh, Cambodia)
* My Name Is Hmmm... (Agnès b., France)
* Nebraska (Alexander Payne, USA)
* Nobody's Daughter Haewon (Hong Sang-soo, South Korea)
* Norte, the End of History (Lav Diaz, Philippines)
* Omar (Hany Abu-Assad, Palestine)
* Only Lovers Left Alive (Jim Jarmusch, USA)
* Real (Kiyoshi Kurosawa, Japan)
* The Square (Jehane Noujaim, USA/Egypt)
* Stranger by the Lake (Alain Guiraudie, France)
* Stray Dogs (Tsai Ming-liang, Taiwan/France)
* A Touch of Sin (Jia Zhangke, China)
* Le Week-End (Roger Michell, UK)
* When Evening Falls on Bucharest or Metabolism (Corneliu Porumboiu, Romania/France)
* The Wind Rises (Hayao Miyazaki, Japan)

## Films at the 52nd New York Film Festival (2014)

* Opening Night: Gone Girl (David Fincher, USA)
* Centerpiece: Inherent Vice (Paul Thomas Anderson, USA)
* Closing Night: Birdman, or (The Unexpected Virtue of Ignorance) (Alejandro González Iñárritu, USA)
* Beloved Sisters (Dominik Graf, Germany/Austria)
* The Blue Room (Mathieu Amalric, France)
* Citizenfour (Laura Poitras, USA/Germany)
* Clouds of Sils Maria (Olivier Assayas, Switzerland/Germany/France)
* Eden (Mia Hansen-Løve, France)
* Foxcatcher (Bennett Miller, USA)
* Goodbye to Language (Jean-Luc Godard, France)
* Heaven Knows What (Josh & Benny Safdie, USA)
* Hill of Freedom (Hong Sang-soo, South Korea)
* Horse Money (Pedro Costa, Portugal)
* Jauja (Lisandro Alonso, Argentina/Denmark/France/Mexico/USA/Germany/Brazil)
* Life of Riley (Alain Resnais, France)
* Listen Up Philip (Alex Ross Perry, USA)
* Maps to the Stars (David Cronenberg, Canada/Germany)
* Misunderstood (Asia Argento, Italy/France)
* Mr. Turner (Mike Leigh, UK)
* Pasolini (Abel Ferrara, France/Belgium/Italy)
* The Princess of France (Matías Piñeiro, Argentina)
* Saint Laurent (Bertrand Bonello, France)
* La Sapienza (Eugène Green, France/Italy)
* '71 (Yann Demange, UK)
* Tales of the Grim Sleeper (Nick Broomfield, USA/UK)
* Timbuktu (Abderrahmane Sissako, France/Mauritania)
* Time out of Mind (Oren Moverman, USA)
* Two Days, One Night (Jean-Pierre & Luc Dardenne, Belgium/France/Italy)
* Two Shots Fired (Martín Rejtman, Argentina)
* Whiplash (Damien Chazelle, USA)
* The Wonders (Alice Rohrwacher, Italy/Switzerland/Germany)

## Films at the 53rd New York Film Festival (2015)

* Opening Night: The Walk (Robert Zemeckis, USA)
* Centerpiece: Steve Jobs (Danny Boyle, USA)
* Closing Night: Miles Ahead (Don Cheadle, USA)
* Arabian Nights: Volume One, The Restless One (Miguel Gomes, Portugal/France/Germany/Switzerland)
* Arabian Nights: Volume Two, The Desolate One (Miguel Gomes, Portugal/France/Germany/Switzerland)
* Arabian Nights: Volume Three, The Enchanted One (Miguel Gomes, Portugal/France/Germany/Switzerland)
* The Assassin (Hou Hsiao-hsien, Taiwan/China/Hong Kong)
* Bridge of Spies (Steven Spielberg, USA)
* Brooklyn (John Crowley, UK/Ireland/Canada)
* Carol (Todd Haynes, USA)
* Cemetery of Splendour (Apichatpong Weerasethakul, Thailand/UK/France/Germany/Malaysia)
* Les Cowboys (Thomas Bidegain, France)
* Don't Blink – Robert Frank (Laura Israel, USA/Canada)
* Experimenter: The Stanley Milgram Story (Michael Almereyda, USA)
* The Forbidden Room (Guy Maddin, Canada)
* In the Shadow of Women (Philippe Garrel, France)
* Journey to the Shore (Kiyoshi Kurosawa, Japan/France)
* The Lobster (Yorgos Lanthimos, France/Netherlands/Greece/UK)
* Maggie's Plan (Rebecca Miller, USA)
* The Measure of a Man (Stéphane Brizé, France)
* Mia Madre (Nanni Moretti, Italy/France)
* Microbe & Gasoline (Michel Gondry, France)
* Mountains May Depart (Jia Zhangke, China/France/Japan)
* My Golden Days (Arnaud Desplechin, France)
* No Home Movie (Chantal Akerman, Belgium/France)
* Right Now, Wrong Then (Hong Sang-soo, South Korea)
* The Treasure (Corneliu Porumboiu, Romania)
* Where to Invade Next (Michael Moore, USA)

## Films at the 54th New York Film Festival (2016)

* Opening Night: 13th (Ava DuVernay, USA)
* Centerpiece: 20th Century Women (Mike Mills, USA)
* Closing Night: The Lost City of Z (James Gray, USA)
* Aquarius (Kleber Mendonça Filho, Brazil/France)
* Certain Women (Kelly Reichardt, USA)
* Elle (Paul Verhoeven, France/Germany)
* Fire at Sea (Gianfranco Rosi, Italy/France)
* Graduation (Cristian Mungiu, Romania)
* Hermia & Helena (Matías Piñeiro, Argentina/USA)
* I, Daniel Blake (Ken Loach, UK)
* Julieta (Pedro Almodóvar, Spain)
* Manchester By The Sea (Kenneth Lonergan, USA)
* Moonlight (Barry Jenkins, USA)
* My Entire High School Sinking into the Sea (Dash Shaw, USA)
* Neruda (Pablo Larraín, Chile/Argentina/France/Spain)
* Paterson (Jim Jarmusch, USA)
* Personal Shopper (Olivier Assayas, France)
* The Rehearsal (Alison Maclean, New Zealand)
* Sieranevada (Cristi Puiu, Romania)
* The Son of Joseph (Eugène Green, France/Belgium)
* Staying Vertical (Alain Guiraudie, France)
* Things to Come (Mia Hansen-Løve, France/Germany)
* Toni Erdmann (Maren Ade, Germany)
* The Unknown Girl (Jean-Pierre & Luc Dardenne, Belgium)
* Yourself and Yours (Hong Sang-soo, South Korea)

## Films at the 55th New York Film Festival (2017)

* Opening Night: Last Flag Flying (Richard Linklater, USA)
* Centerpiece: Wonderstruck (Todd Haynes, USA)
* Closing Night: Wonder Wheel (Woody Allen, USA)
* Before We Vanish (Kiyoshi Kurosawa, Japan)
* BPM (Beats per Minute) (Robin Campillo, France)
* Call Me by Your Name (Luca Guadagnino, Italy/France)
* The Day After (Hong Sang-soo, South Korea)
* Faces Places (Agnès Varda, France)
* Félicité (Alain Gomis, France/Senegal/Belgium/Germany/Lebanon)
* The Florida Project (Sean Baker, USA)
* Ismael's Ghosts (Arnaud Desplechin, France)
* Lady Bird (Greta Gerwig, USA)
* Let the Sunshine In (Claire Denis, France)
* Lover for a Day (Philippe Garrel, France)
* The Meyerowitz Stories (New and Selected) (Noah Baumbach, USA)
* Mrs. Hyde (Serge Bozon, France)
* Mudbound (Dee Rees, USA)
* On the Beach at Night Alone (Hong Sang-soo, South Korea)
* The Other Side of Hope (Aki Kaurismäki, Finland)
* The Rider (Chloé Zhao, USA)
* Spoor (Agnieszka Holland, Poland/Germany/Czech Republic)
* The Square (Ruben Östlund, Sweden)
* Thelma (Joachim Trier, Norway/Sweden/France)
* Western (Valeska Grisebach, Germany/Bulgaria)
* Zama (Lucrecia Martel, Argentina/Brazil/Spain)

## Films at the 56th New York Film Festival (2018)

* Opening Night: The Favourite (Yorgos Lanthimos, Ireland/UK/US)
* Centerpiece: Roma (Alfonso Cuarón, Mexico)
* Closing Night: At Eternity's Gate (Julian Schnabel, US/France)
* 3 Faces (Jafar Panahi, Iran)
* Asako I & II (Ryūsuke Hamaguchi, Japan/France)
* Ash Is Purest White (Jia Zhangke, China)
* The Ballad of Buster Scruggs (Joel Coen & Ethan Coen, USA)
* Burning (Lee Chang-dong, South Korea)
* Cold War (Paweł Pawlikowski, Poland)
* A Faithful Man (Louis Garrel, France)
* A Family Tour (Ying Liang, Taiwan/Hong Kong/Singapore/Malaysia)
* La Flor (Mariano Llinás, Argentina)
* Grass (Hong Sang-soo, South Korea)
* Happy as Lazzaro (Alice Rohrwacher, Italy)
* Her Smell (Alex Ross Perry, USA)
* High Life (Claire Denis, Germany/France/USA/UK/Poland)
* Hotel by the River (Hong Sang-soo, South Korea)
* If Beale Street Could Talk (Barry Jenkins, USA)
* The Image Book (Jean-Luc Godard, Switzerland)
* In My Room (Ulrich Köhler, Germany)
* Long Day's Journey Into Night (Bi Gan, China/France)
* Monrovia, Indiana (Frederick Wiseman, USA)
* Non-Fiction (Olivier Assayas, France)
* Private Life (Tamara Jenkins, USA)
* Ray & Liz (Richard Billingham, UK)
* Shoplifters (Hirokazu Kore-eda, Japan)
* Sorry Angel (Christophe Honoré, France)
* Too Late to Die Young (Dominga Sotomayor Castillo, Chile/Brazil/Argentina/Netherlands/Qatar)
* Transit (Christian Petzold, Germany/France)
* Wildlife (Paul Dano, USA)

## Films at the 57th New York Film Festival (2019)

* Opening Night: The Irishman (Martin Scorsese, US)
* Centerpiece: Marriage Story (Noah Baumbach, US)
* Closing Night: Motherless Brooklyn (Edward Norton, US)
* Atlantics (Mati Diop, France/Senegal/Belgium)
* Bacurau (Kleber Mendonça Filho & Juliano Dornelles, Brazil)
* Beanpole (Kantemir Balagov, Russia)
* Fire Will Come (Oliver Laxe, Spain/France/Luxembourg)
* First Cow (Kelly Reichardt, USA)
* A Girl Missing (Kōji Fukada, Japan)
* I Was at Home, but... (Angela Schanelec, Germany)
* Liberté (Albert Serra, France/Portugal/Spain)
* Martin Eden (Pietro Marcello, Italy)
* The Moneychanger (Federico Veiroj, Uruguay)
* Oh Mercy! (Arnaud Desplechin, France)
* Pain and Glory (Pedro Almodóvar, Spain)
* Parasite (Bong Joon-ho, South Korea)
* Portrait of a Lady on Fire (Céline Sciamma, France)
* Saturday Fiction (Lou Ye, China)
* Sibyl (Justine Triet, France/Belgium)
* Synonyms (Nadav Lapid, France/Israel/Germany)
* To the Ends of the Earth (Kiyoshi Kurosawa, Japan)
* The Traitor (Marco Bellocchio, Italy)
* Varda by Agnès (Agnès Varda, France)
* Vitalina Varela (Pedro Costa, Portugal)
* Wasp Network (Olivier Assayas, France/Spain/Brazil)
* The Whistlers (Corneliu Porumboiu, Romania)
* The Wild Goose Lake (Diao Yinan, China/France)
* Young Ahmed (Jean-Pierre & Luc Dardenne, Belgium)
* Zombi Child (Bertrand Bonello, France)

## Films at the 58th New York Film Festival (2020)

* Opening Night: Lovers Rock (Steve McQueen, United Kingdom)
* Centerpiece: Nomadland (Chloé Zhao, US)
* Closing Night: French Exit (Azazel Jacobs, UK/Canada)
* Atarrabi and Mikelats (Eugène Green, Belgium/France)
* Beginning (Déa Kulumbegashvili, Georgia)
* The Calming (Song Fang, China)
* City Hall (Frederick Wiseman, US)
* Days (Tsai Ming-liang, Taiwan)
* The Disciple (Chaitanya Tamhane, India)
* Gunda (Viktor Kossakovsky, US/Norway)
* I Carry You With Me (Heidi Ewing, US/Mexico)
* Isabella (Matías Piñeiro, Argentina)
* Malmkrog (Cristi Puiu, Romania)
* Mangrove (Steve McQueen, UK)
* MLK/FBI (Sam Pollard, US)
* Night of the Kings (Philippe Lacôte, France/Côte d'Ivoire/Canada/Senegal)
* Notturno (Gianfranco Rosi, Italy)
* Red, White & Blue (Steve McQueen, UK)
* The Salt of Tears (Philippe Garrel, France)
* Swimming Out Till the Sea Turns Blue (Jia Zhangke, China)
* Time (Garrett Bradley, US)
* Tragic Jungle (Yulene Olaizola, Mexico)
* The Truffle Hunters (Michael Dweck & Gregory Kershaw, US/Greece/Italy)
* Undine (Christian Petzold, Germany)
* The Woman Who Ran (Hong Sang-soo, South Korea)

## Films at the 59th New York Film Festival (2021)

* Opening Night: The Tragedy of Macbeth (Joel Coen, US)
* Centerpiece: The Power of the Dog (Jane Campion, Australia/Canada/New Zealand/UK/US)
* Closing Night: Parallel Mothers (Pedro Almodóvar, Spain)
* A Chiara (Jonas Carpignano, Italy/France/US/Sweden)
* Ahed's Knee (Nadav Lapid, Israel/France/Germany)
* Bad Luck Banging or Loony Porn (Radu Jude, Romania)
* Benedetta (Paul Verhoeven, France/Netherlands)
* Bergman Island (Mia Hansen-Løve, France/Mexico/Brazil/Germany)
* Il Buco (Michelangelo Frammartino, Italy/Germany/France)
* Drive My Car, (Ryusuke Hamaguchi, Japan)
* The First 54 Years: An Abbreviated Manual for Military Occupation (Avi Mograbo, Israel)
* Flee (Jonas Poher Rasmussen, Denmark/US/UK/France/Sweden/Norway)
* France (Bruno Dumont, France)
* Futura (Pietro Marcello, Francesco Munzi, Alice Rohrwacher, Italy)
* The Girl and the Spider, (Ramon and Silvan Zürcher, Sweden)
* Hit the Road (Panah Panahi, Iran)
* In Front of Your Face (Hong Sang-soo, South Korea)
* Întregalde (Radu Muntean, Romania)
* Introduction (Hong Sang-soo, South Korea)
* Memoria (Apichatpong Weerasethakul, Colombia/France/Germany/Mexico/Thailand/UK)
* Neptune Frost (Saul Williams, Anisia Uzeyman, Rwanda, US)
* Passing (Rebecca Hall, US/UK)
* Petite Maman (Céline Sciamma, France)
* Prayers for the Stolen (Tatiana Huezo, Mexico)
* The Souvenir Part II (Joanna Hogg, US/UK/Ireland)
* Titane (Julia Ducournau, France/Belgium)
* Unclenching the Fists (Kira Kovalenko, Russia)
* The Velvet Underground (Todd Haynes, US)
* Vortex (Gaspar Noé, France)
* What Do We See When We Look at the Sky? (Alexander Koberidze, Georgia)
* Wheel of Fortune and Fantasy (Ryusuke Hamaguchi, Japan)
* The Worst Person in the World (Joachim Trier, Norway/Sweden/France)

## Films at the 60th New York Film Festival (2022)

* Opening Night: White Noise (Noah Baumbach, US/UK)
* Centerpiece: All the Beauty and the Bloodshed (Laura Poitras, US)
* Closing Night: The Inspection (Elegance Bratton, US)
* NYFF 60th Anniversary Celebration: Armageddon Time (James Gray, US)
* Aftersun (Charlotte Wells, US/UK)
* Alcarràs (Carla Simón, Spain/Italy)
* All That Breathes (Shaunak Sen, India/US/UK)
* Corsage (Marie Kreutzer, Austria/France/Germany)
* A Couple (Frederick Wiseman, France/US)
* De Humani Corporis Fabrica (Véréna Paravel and Lucien Castaing-Taylor, France/Switzerland)
* Decision to Leave (Park Chan-wook, South Korea)
* Descendant (Margaret Brown, US)
* Enys Men (Mark Jenkin, UK)
* EO (Jerzy Skolimowski, Poland/Italy)
* The Eternal Daughter (Joanna Hogg, UK)
* Master Gardener (Paul Schrader, US)
* No Bears (Jafar Panahi, Iran)
* The Novelist's Film (Hong Sang-Soo, South Korea)
* One Fine Morning (Mia Hansen-Løve, France)
* Pacifiction (Albert Serra, France/Spain/Germany/Portugal)
* R.M.N. (Cristian Mungiu, Romania)
* Return to Seoul (Davy Chou, France/Cambodia)
* Saint Omer (Alice Diop, France)
* Scarlet (Pietro Marcello, France/Italy/Germany/Russia)
* Showing Up (Kelly Reichardt, US)
* Stars at Noon (Claire Denis, France/Panama)
* Stonewalling (Huang Ji and Ryuji Otsuka, Japan)
* Tár (Todd Field, US/Germany)
* Trenque Lauquen (Laura Citarella, Argentina/Germany)
* Triangle of Sadness (Ruben Östlund, Sweden/UK/US/France/Greece)
* Unrest (Cyril Schäublin, Switzerland)
* Walk Up (Hong Sang-soo, South Korea)

## Films at the 61st New York Film Festival (2023)

* Opening Night: May December (Todd Haynes, US)
* Centerpiece: Priscilla (Sofia Coppola, US)
* Closing Night: Ferrari (Michael Mann, US)
* Spotlight Gala: Maestro (Bradley Cooper, US)
* About Dry Grasses (Nuri Bilge Ceylan, Turkey)
* All Dirt Roads Taste of Salt (Raven Jackson, US)
* All of Us Strangers (Andrew Haigh, UK)
* Anatomy of a Fall (Justin Triet; France)
* The Beast (Bertrand Bonello, France)
* La Chimera (Alice Rohrwacher, Italy)
* Close Your Eyes (Victor Erice, Spain)
* The Delinquents (Rodrigo Moreno, Argentina)
* Do Not Expect Too Much from the End of the World (Radu Jude, Romania)
* Eureka (Lisandro Alonso, Argentina/France/Portugal)
* Evil Does Not Exist (Ryûsuke Hamaguchi, Japan)
* Fallen Leaves (Aki Kaurismaki, Finland)
* Green Border (Agnieszka Holland, Poland/Czech Republic/France/Belgium)
* Here (Bas Devos, Belgium)
* In Our Day (Hong Sangsoo, South Korea)
* In Water (Hong Sangsoo, South Korea)
* Janet Planet (Annie Baker, US)
* Kidnapped (Marco Bellocchio, Italy)
* Last Summer (Catherine Breillat, France)
* Music (Angela Schanelec, Germany/France/Greece/Serbia)
* Orlando, My Political Biography (Paul B. Preciado, France)
* Perfect Days (Wim Wenders, Japan/Germany)
* Pictures of Ghosts (Kleber Mendonça Filho, Brazil)
* Poor Things (Yorgos Lanthimos, US/UK/Ireland)
* La Práctica (Martín Rejtman, Argentina/Chile/Portugal)
* The Settlers (Felipe Gálvez, Chile)
* The Shadowless Tower (Zhang Lu, China)
* The Zone of Interest (Jonathan Glazer, UK/US/Poland)
* Youth (Spring) (Wang Bing, France/Luxembourg/Netherlands)
* Pier Paolo Pasolini – Agnès Varda – New York – 1967 (Agnès Varda, France)

## Films at the 62nd New York Film Festival (2024)

* Opening Night: Nickel Boys (RaMell Ross, US)
* Centerpiece: The Room Next Door (Pedro Almodóvar, Spain)
* Closing Night: Blitz (Steve McQueen, UK/US)
* Spotlight Gala: Queer (Luca Guadagnino, Italy/US)
* Afternoons of Solitude (Albert Serra, Spain)
* All We Imagine as Light (Payal Kapadia, India/France/Italy/Luxembourg/Netherlands)
* Anora (Sean Baker, US)
* Apocalypse in the Tropics (Petra Costa, Brazil/US/Denmark)
* April (Dea Kulumbegashvili, Georgia/France/Italy)
* The Brutalist (Brady Corbet, US/UK/Hungary)
* By the Stream (Hong Sang-soo, South Korea)
* Caught by the Tides (Jia Zhangke, China)
* Dahomey (Mati Diop, Benin/France/Senegal)
* The Damned (Roberto Minervini, Belgium/Italy/US)
* Eephus (Carson Lund, US)
* Elton John: Never Too Late (R. J. Cutler and David Furnish, US/UK)
* Emilia Pérez (Jacques Audiard, France)
* The Friend (Scott McGehee and David Siegel, US)
* Grand Tour (Miguel Gomes, Portugal/France/Italy)
* Happyend (Neo Sora, Japan/US)
* Hard Truths (Mike Leigh, UK/Spain)
* Harvest (Athina Rachel Tsangari, UK/Germany/Greece/France/US)
* I'm Still Here (Walter Salles, Brazil/France)
* It's Not Me (Leos Carax, France)
* Maria (Pablo Larraín, Italy/Germany)
* Misericordia (Alain Guiraudie, France/Portugal/Spain)
* My Undesirable Friends: Part I — Last Air in Moscow (Julia Loktev, US)
* No Other Land (Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor, Palestine/Norway)
* Oh, Canada (Paul Schrader, US)
* On Becoming a Guinea Fowl (Rungano Nyoni, Ireland/UK/US/Zambia)
* Pavements (Alex Ross Perry, US)
* Pepe (Nelson Carlo De Los Santos Arias, Dominican Republic/Namibia/Germany/France)
* A Real Pain (Jesse Eisenberg, US/Poland)
* Rumours (Guy Maddin, Evan Johnson and Galen Johnson, Canada/Germany)
* Scénarios (Jean-Luc Godard, France/Japan)
* The Seed of the Sacred Fig (Mohammad Rasoulof, Iran/Germany/France)
* The Shrouds (David Cronenberg, France/Canada)
* Stranger Eyes (Yeo Siew Hua, Singapore/Taiwan/France/US)
* Suburban Fury (Robinson Devor, US)
* Transamazonia (Pia Marais, France/Germany/Switzerland/Taiwan/Brazil)
* A Traveler's Needs (Hong Sang-soo, South Korea)
* TWST / Things We Said Today (Andrei Ujică, France/Romania)
* Union (Brett Story and Stephen Maing, US)
* Viet and Nam (Minh Quý Trương, Vietnam/Philippines/Singapore/France/Netherlands)
* Who by Fire (Philippe Lesage, Canada/France)
* Youth (Hard Times) (Wang Bing, France/Luxembourg/Netherlands)
* Youth (Homecoming) (Wang Bing, France/Luxembourg/Netherlands)