# Days of Being Wild

Days of Being Wild is a 1990 Hong Kong drama film written and directed by Wong Kar-Wai. Starring some of the best-known actors and actresses in Hong Kong, including Leslie Cheung, Andy Lau, Maggie Cheung, Carina Lau, Jacky Cheung and Tony Leung, the film marks the first collaboration between Wong and cinematographer Christopher Doyle, with whom he has since made six more films.
It forms the first part of an informal trilogy, together with In the Mood for Love (2000) and 2046 (2004).

## Plot

The movie begins in 1960 Hong Kong.
Yuddy, a smooth-talking playboy seduces Li-zhen but is uninterested in pursuing a serious relationship with her. Li-zhen, who wants to marry him, is heartbroken and decides to leave. Yuddy moves on to a new relationship with vivacious cabaret dancer Mimi. His friend Zeb is also attracted to her but she doesn't reciprocate his feelings.
Yuddy has a tense relationship with his adoptive mother Rebecca, a former prostitute, after she reveals that he is adopted. He also doesn't approve of her choice of lovers much younger than her who he thinks are taking advantage of her wealth. She initially refuses to reveal who his birth mother is but eventually relents and tells him that she lives in the Philippines.
Li-zhen finds solace in Tide, a policeman who does his rounds near Yuddy's apartment. Tide dreams of becoming a sailor but he chooses to be a policeman to stay and look after his mother. Li-zhen talks about her failed love affair, her successful cousin's impending marriage and how she misses home. Li-zhen, who works at the ticket stall of a soccer stadium, promises Tide a free ticket to a match of his choice and Tide tells her to call him on a phone booth he passes every night if she ever needs anyone to talk to. Their near-romance is hinted at but never materializes. When his mother passes, Tide leaves to become a sailor.
Meanwhile, Yuddy decides to find his birth mother and leaves for the Philippines, giving his car to Zeb and without informing Mimi. Mimi is distraught and resolves to follow him. Zeb, his love still unrequited, sells Yuddy's car to finance her trip and asks her to come back to him if she doesn't find Yuddy. Yuddy finds his mother's house but she refuses to see him.
Tide, now a sailor on a stopover in the Philippines, finds a drunk Yuddy passed out on the street and brings him to his hotel room. Yuddy doesn't recognise him but accepts his assistance. He gets into a fight at the railway station over payment for an American passport and stabs a man. Tide saves him and they escape aboard a train. Tide asks him if he remembers what happened on a particular date to an exact minute, referring to something he told Li-zhen at the start of their courtship. He says that he remembers and tells him it would be best to tell Li-zhen that he doesn't. Tide returns from a conversation with the train conductor to find Yuddy shot to death.
A final sequence shows Mimi having arrived in the Philippines, Li-zhen closing up at the ticket stall and a phone at the booth ringing.
The movie ends with a shot of a slick young man, smoking and readying himself in a darkened room.

## Cast and roles

* Leslie Cheung as Yuddy (Chinese: 旭仔; Jyutping: Juk$^1$zai$^2$; pinyin: Xùzǎi)
* Andy Lau as Tide (Chinese: 超仔; Jyutping: Ciu$^1$zai$^2$; pinyin: Chāozǎi), Policeman 6117, who becomes a friend and confidant of Su Li-zhen and later, after the death of his mother, he becomes a sailor and goes to the Philippines
* Maggie Cheung as Su Lizhen (traditional Chinese: 蘇麗珍; simplified Chinese: 苏丽珍; Jyutping: Sou$^1$ Lai$^6$zan$^1$; pinyin: Sū Lìzhēn), who grew up in Macau and is the ex-girlfriend of Yuddy
* Carina Lau as Leung Fung-ying (traditional Chinese: 梁鳳英; simplified Chinese: 梁凤英; Jyutping: Loeng$^4$ Fung$^6$jing$^1$; pinyin: Liáng Fèngyīng), Mimi/Lulu (Chinese: 咪咪; Jyutping: Mi$^1$mi$^1$; pinyin: Mīmī), the girlfriend of Yuddy
* Rebecca Pan as Rebecca, a former prostitute who raises Yuddy, has a love-and-hate relationship with Yuddy, because she refuses to reveal the identity of Yuddy's biological mother
* Jacky Cheung as Zeb (Chinese: 歪仔; Jyutping: Waai$^1$zai$^2$; pinyin: Wāizǎi), Yuddy's friend since childhood; Yuddy used to live above Zeb's family's garage as a kid; Zeb fancies Mimi/Lulu
* Danilo Antunes as Rebecca's lover, who only goes for her money
* Hung Mei-mei as the Amah
* Ling Ling-hung as Nurse
* Tita Muñoz as Yuddy's Mother
* Alicia Alonzo as Housekeeper
* Elena Lim So as Hotel Manager
* Maritoni Fernandez as Hotel Maid
* Angela Ponos as Prostitute
* Nonong Talbo as Train Conductor
* Tony Leung Chiu-wai as Gambler

## Music

* Los Indios Tabajaras, "Always in My Heart"
* Xavier Cugat, "Perfidia", "María Elena", "Jungle Drums", "My Shawl", "Siboney"
* Leslie Cheung performed the song 何去何從之阿飛正傳 loosely translated as 'Choice' or 'The True Story of Ah Fei' as the film's theme song and it is also found in his album Beloved (寵愛).
* 梅豔芳 (Anita Mui) – 是這樣的 – the Cantonese cover of the theme song and is featured at the end of the film during the credits.

## Box office

Days of Being Wild grossed HK$9,751,942 in its Hong Kong run, a number that would become typical for a Wong Kar Wai film. With the starry cast, this figure was considered a disappointment. Still, the film was successful enough to warrant a parody (The Days of Being Dumb, which also featured Tony Leung and Jacky Cheung), and now routinely tops Hong Kong critics' lists of the best local productions.

## Reception

On review aggregator Rotten Tomatoes, the film has an approval rating of 91% based on 32 reviews, with an average rating of 7.70/10. The website's critical consensus reads, "Days of Being Wild uses a young man's struggle to come to terms with a family secret as the foundation for a beautifully filmed drama with a darkly dreamy allure". On Metacritic, the film has a weighted average score of 93 out of 100 based on 21 critic reviews, indicating "universal acclaim".
The film ranked at number three on the Hong Kong Film Awards Association (HKFAA)'s 2005 list of The Best 100 Chinese Motion Pictures. It placed at number 37 on the "Asian Cinema 100 List" at the 20th Busan International Film Festival in 2015.
The South Korean director and critic Park Chan-wook called Days of Being Wild "an enigmatic and trancelike fantasy" set in the early 1960s. Park argued that Days of Being Wild was a metaphor for the return of the British colony of Hong Kong to China, which was planned for 1997. The return of Hong Kong caused deep fears as many Hong Kongers feared that the relative liberties that existed under British rule would end under the rule of the People's Republic of China. Park noted that much of the film is set at night and that many scenes are dimly lit, which created a dark mood for the film. Likewise, Park noted that much of the Days of Being Wild takes place in claustrophobic rooms and trains, which was a metaphor for the limited future possessed by the characters. He noted that all of the characters look backwards to the past rather than forward to the future as Yuddy is obsessed with finding his Filipina mother he never knew; Li-zhen is equally obsessed with remembering 3 pm 16 April 1960, which is the precise moment she met Yuddy; Tide cannot forget his short-lived quasi-romance with Li-zhen; Fung-ying can not give up her love for Yuddy; and Zeb holds on to his friendship with Yuddy despite the way he treats him. In a similar way, all of the characters end the film on an unhappy note. Yuddy's mother rejects him and his trip to the Philippines leads to his murder; Fung-ying goes to the Philippines to find Yuddy, unaware of his death; Zeb is rejected by Fung-ying; and Tide and Li-zhen are unable to reconnect. Park argued that the way that the characters cannot look forward to a better future and are instead obsessed with the lost world of the past reflected the sense of despair at the heart of Days of Being Wild, as the film is suggesting that Hong Kong had its best days in the 1960s and there is no bright future for Hong Kong once the planned return to China occurred.
The American critic Jonathan Rosenbaum wrote about Days of Being Wild: "Wong Kar-wai’s idiosyncratic style first became apparent in this gorgeously moody second feature (1990), whose romantic vision of 1960 Hong Kong as a network of unfulfilled longings would later echo through In the Mood for Love...As critic Tony Rayns has noted, it’s “the first film to rhyme nostalgia for a half-imaginary past with future shock.”". Rosenbaum noted that the similarity between Yuddy and the type of characters played by James Dean, and that when Dean's last film Rebel Without a Cause (1955) was released in Hong Kong, it's title in Cantonese was Days of Being Wild. Rosenbaum noted that the "puzzling coda" of an ending with an young man preparing going out was meant to be the start of a planned sequel, which was never made.

## Home media

The film debuted on the Blu-ray format for the first time in the United States on March 23, 2021 in a collection of 7 Wong Kar-wai films by the Criterion Collection.

## Awards and nominations

Awards and nominations :
| Ceremony | Category | Recipient | Outcome |
| 10th Hong Kong Film Awards | Best Film | Days of Being Wild | Won |
| 10th Hong Kong Film Awards | Best Director | Wong Kar-Wai | Won |
| 10th Hong Kong Film Awards | Best Screenplay | Wong Kar-wai | Nominated |
| 10th Hong Kong Film Awards | Best Actor | Leslie Cheung | Won |
| 10th Hong Kong Film Awards | Best Actress | Carina Lau | Nominated |
| 10th Hong Kong Film Awards | Best Supporting Actress | Rebecca Pan | Nominated |
| 10th Hong Kong Film Awards | Best Cinematography | Christopher Doyle | Won |
| 10th Hong Kong Film Awards | Best Art Direction | William Chang | Won |
| 10th Hong Kong Film Awards | Best Film Editing | Patrick Tam | Nominated |
| 37th Asia Pacific Film Festival | Best Actor | Leslie Cheung | Nominated |
| 2nd Golden Bauhinia Awards | Best Hong Kong film of the last 10 years | Days of Being Wild | Won |
| 24th Hong Kong Film Awards | Best 100 Chinese Motion Pictures (#3) | Days of Being Wild | Won |
| 24th Hong Kong Film Awards | Top 100 Favorite movies of Chinese Cinema (#2) | Days of Being Wild | Won |
| 48th Golden Horse Awards | 100 Greatest Chinese-Language Films (#4) | Days of Being Wild | Won |