# Malkauns

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Malkauns, known also as rag Malkosh, is a raga in Indian classical music. It is one of the oldest ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol.
According to Indian classical vocalist Pandit Jasraj, Malkauns is a raga that is "sung during small hours of the morning, just after midnight." He further adds that the raga has a soothing and intoxicating effect.

## Non-Film/Album Songs

| Song | Language | Album | Year | Composer | Lyricist | Singer | Audio Label |
| Vel Vel | Tamil | Nithya Bhajanavali Vol-1 | 1997 | Perumbavoor H Ramanathan | Shri Hari Bhajan Sangam | Shri Hari Bhajan Sangam | Giri Trading Agency |
| Karpanai Endralum | Tamil | Lord Muruga T M Sounder Revival | 1999 | M S Viswanathan | Vaali | T M Soundararajan | saregama |
| Narudu Gurudani | Telugu | Namo Venkatesaya | 2019 | Mahesh Mahadev | Kaiwara Sri Yogi Nareyana | S. P. Balasubhramanyam, Priyadarshini, Mahesh Mahadev, Raghuram | PM Audios |
| Niladri Natham | Sanskrit | Jagannath Bhakti Rath Yatra | 2023 | Siba Prasad Rath | Dr. Ruru Kumar | Abhilipsa Panda | Times Music Spiritual |

## Etymology

The name Malkaush is derived from the combination of Mal and Kaushik, which means he who wears serpents like garlands – the god Shiva. However, the Malav-Kaushik mentioned in classical texts does not appear to be the same as the Malkauns performed today. The raga is believed to have been created by goddess Parvati to calm lord Shiva, when he was outraged and refused to calm down after Tandav in rage of Sati's sacrifice.
In Jainism, it is also stated that the Raga Malkauns is used by the Tirthankaras with the Ardhamāgadhi Language when they are giving Deshna (Lectures) in the Samavasarana.
Malkaush belongs to Shaivait musical school; in fact most pentatonic ragas belong to Shaivait musical school.
   His mace running with blood, garlanded with skulls of heroes, Malkaush surrounded by braves and bravest of the brave!

## Arohana and Avarohana

Malkauns belongs to the Bhairavi thaat. Its notes are Sa, komal Ga, shuddh Ma, komal Dha, and komal Ni. In Western classical notation, its notes can be denoted as: tonic, minor third, perfect fourth, minor sixth and minor seventh. In raga Malkauns, Rishabh (Re – second) and Pancham (Pa – perfect fifth) are completely omitted. Its jaati is audav-audav (five-five, that is, pentatonic).
Arohana : Ṉ̣ S G̱ M Ḏ Ṉ Ṡ
Avarohana :
* S Ṉ Ḏ M G̱ M G̱ S
* S Ṉ Ḏ M G̱ S
The 'Ga' used is actually Ga-Sadharan (the rough minor third), 316-cent above Sa. This corresponds to the note ga2, in the 22 shrutis list, with a factor of 6/5.

## Vadi and Samavadi

The vadi swara is Madhyam (Ma) while the Samavadi swara is Shadaj (Sa).

## Pakad or Chalan

Pakad : G̱ M Ḏ M G̱ M G̱ S

## Other characteristics

Malkauns is a serious, meditative raga, and is developed mostly in the lower octave (mandra saptak) and in a slow tempo (vilambit laya). Ornaments such as meend, gamak and andolan are used rather than 'lighter' ornaments such as murki and khatka. Komal Ni is generally considered the starting note (graha swara), and the notes komal Ga and komal Dha are performed with vibrato (andolit). All five swaras can function as pausing notes.
The komal Ni in Malkauns is different from the komal Ni in Bhimpalasi.
The best time for this raga is late night. The effect of the raga is soothing and intoxicating.
In teaching this rāg to students in the early 1980s, Ali Akbar Khan confirmed that Malkaush is a midnight rāg of Bhairavi thaat, Aurav jati, with moods of devotion, peace and heroism. He remarked: "Djinni like this rāg" and "At first makes you sleepy, then gives you energy to move mountains." A lakshan geet (song that describes the characteristics of the raag) taught by Khansahib relates that Malkaush is one of the six original male ragas (thus ancient) and that its rasas (roughly "moods") are devotion and heroism [tala: Ada Chautāl]:
Che ragŏ mĕ se eka rāga / Bhakti rasa, vira rasa / Mālakosha kehārvata / Vadī swara madhyamano samavādi sarajamano arohi SgmdmS avarohi nSSndmSndmgmgs

## List of ragas in the Kauns family

The unique musical structure of Malkauns has given rise to many variations, creating what may be called a 'Kauns' family of related ragas.
* Chandrakauns
* Bageshri-Ang Chandrakauns
* Nandkauns
* Sampoorna Malkauns
* Pancham Malkauns
* Gunkauns
* Madhukauns
* Jogkauns
* Nirmalkauns
* Tulsikauns

## Film songs

'Man Tarpat Hari Darshan Ko Aaj' (film Baiju Bawra, performed by Mohammad Rafi), 'Aadha Hai Chandrama Raat Aadhi' (film Navrang, performed by Mahendra Kapoor and Asha Bhosle), 'Chham Chham Ghunghroo Bole' (film Kaajal, performed by Asha Bhosle), 'Ankhiyan Sang Ankhiyaan Laagi Aaj' (film Bada Aadmi), 'Balma Maane Na' (film Opera House) and 'Rang raliyaan karat sautan sang' (film Birbal My Brother), 'Ek Ladki Thi' (film Love You Hamesha, performed by Kavita Krishnamurti) are a few Hindi film compositions based on Malkauns. 'Rajasekhara' in the film 'Anarkali' in Tamil and Telugu is a composition based on this in South India. "Ohm Namashivaya" and "Margazhi Poove" songs in Tamil by Ilaiyaraaja and AR Rahman from Salangai Oli and May Madham respectively,""Neenu Neene" song from the movie Gadibidi Ganda, "Ra Ra" song in the movie Apthamitra in Kannada are also the best examples.

## Tamil Film Songs

Note that the following songs are composed in Hindolam, the equivalent of raga Malkauns in Carnatic music.
| Song | Movie | Year | Composer | Singer |
| Azhaikathey | Manaalane Mangaiyin Baakkiyam | 1957 | P. Adinarayana Rao | P. Susheela |
| Kangalum Kavi Paadudhe | Adutha Veettu Penn | 1960 | P. Adinarayana Rao | Sirkazhi Govindarajan, Thiruchi Loganathan |
| Ennai Vittu Odipoga Mudiyumaa | Kumudham | 1961 | K. V. Mahadevan | Sirkazhi Govindarajan, P. Susheela |
| Maamaa Maamaa Maamaa | Kumudham | 1961 | K. V. Mahadevan | T. M. Soundararajan, K. Jamuna Rani |
| Iravukku Aayiram | Kulamagal Radhai | 1963 | K. V. Mahadevan | P. Susheela |
| Pachchai Maa Malaipol Meni | Thirumal Perumai | 1968 | K. V. Mahadevan | T. M. Soundararajan |
| Or Aayiram Parvaiyile | Vallavanukku Vallavan | 1965 | Vedha (Credits only) | T. M. Soundararajan |
| Nilavukku Emmel Ennadi Kobam | Policekaran Magal | 1962 | Viswanathan–Ramamoorthy | P. B. Sreenivas |
| Malaro Nilavo | Raga Bandhangal | | Kunnakudi Vaidyanathan | P. Jayachandran |
| Ramanukku Mannan Mudi | Pathu Matha Pantham | | Shankar–Ganesh | P. Bhanumathi |
| Maname Muruganin | Motor Sundaram Pillai | 1966 | M. S. Viswanathan | Soolamangalam Jayalakshmi |
| Iyarkai Ennum | Shanti Nilayam | 1969 | M. S. Viswanathan | S. P. Balasubrahmanyam, P. Susheela |
| Unnidathil Ennai Koduthen | Avalukendru Or Manam | 1971 | M. S. Viswanathan | S. Janaki |
| Om Namashivaya | Salangai Oli | 1983 | Ilaiyaraaja | S. Janaki |
| Vilakku Vaipom | Athma | 1993 | Ilaiyaraaja | S. Janaki |
| Sri Devi En Vazhvil | Ilamai Kolam | 1980 | Ilaiyaraaja | K. J. Yesudas |
| Darisanam Kidaikatha | Alaigal Oivathillai | 1981 | Ilaiyaraaja | Ilaiyaraaja, S. Janaki |
| Naan Thedum Sevanthi | Dharma Pathini | 1986 | Ilaiyaraaja | Ilaiyaraaja, S. Janaki |
| Yentha Jenmam | Ezhumalayan Magimai | | Ilaiyaraaja | Ilaiyaraaja, S. Janaki |
| Ragavane Ramana | Ilamai Kaalangal | 1983 | Ilaiyaraaja | P. Susheela, K. S. Chithra (Debut in Tamil) |
| Unnal Mudiyum Thambi | Unnal Mudiyum Thambi | 1988 | Ilaiyaraaja | S. P. Balasubrahmanyam |
| Kanna Unai Thedugiren | Unakkaagave Vaazhgiren | 1986 | Ilaiyaraaja | S. P. Balasubrahmanyam, S. Janaki |
| Thendral Thaan | Keladi Kanmani | 1990 | Ilaiyaraaja | K. J. Yesudas, K. S. Chithra |
| Hey Raja | Jallikattu | 1987 | Ilaiyaraaja | S. P. Balasubrahmanyam, Mano |
| Ooradungum Saamathile | Pudhupatti Ponnuthaayi | | Ilaiyaraaja | Uma Ramanan, Swarnalatha |
| En Veettu Jannal | Raman Abdullah | 1997 | Ilaiyaraaja | Arunmozhi, Bhavatharini |
| Oh Janani | Pudhiya Raagam | 1991 | Ilaiyaraaja | Mano |
| Nilave Nee Vara Vendum | Ennarukil Nee Irunthal | 1991 | Ilaiyaraaja | Ilaiyaraaja |
| Vazhatha Pennin Manam | Thanga Thamaraigal | 1991 | Ilaiyaraaja | K. S. Chithra |
| Panja Swarangal | Puthiya Sangamam | | Gangai Amaran | P. Susheela |
| Marghazhi Poove | May Maadham | 1994 | A. R. Rahman | Shobha Shankar |
| Yakkai Thiri | Aaytha Ezhuthu | 2004 | A. R. Rahman | A.R.Rahman, Pop Shalini, Tanvi Shah, Sunitha Sarathy |
| Irumbile | Enthiran | 2010 | A. R. Rahman | A. R. Rahman, Kash n' Krissy |
| Magudi Magudi | Kadal | 2013 | A. R. Rahman | Aryan Dinesh, Chinmayee, Tanvi Shah |
| Innisai Alapadaiye | Varalaru | 2006 | A. R. Rahman | Naresh Iyer, Mahathi |
| Kumudam Pol | Moovendhar | 1998 | Sirpy | Hariharan |
| Katradikkum Neram | Vivasaayi Magan | 1997 | Sirpy | Mano, K. S. Chithra |
| Thevaram Paadatha | Partha Parvayil | | M. M. A. Iniyavan | Mano, K. S. Chithra |
| Sirumalli Poove | Jallikattu Kaalai | 1994 | Deva | Mano, K. S. Chithra |
| Un Marbile Vizhi Moodi | Ninaithen Vandhai | 1998 | Deva | K. S. Chithra |
| Paadavandha Poonguyile | Oyilattam | | Deva | S. P. Balasubrahmanyam |
| Va Va Endhan | Cheran Pandiyan | 1991 | Soundaryan | S. P. Balasubrahmanyam |
| Aathi Vadayile | Sindhu Nathi Poo | 1994 | Soundaryan | K. J. Yesudas, Asha Latha |
| Sangeetha Vanil | Chinna Poove Mella Pesu | 1987 | S. A. Rajkumar | S. P. Balasubrahmanyam, Vani Jairam |
| Ithazhodu Ithal Serum | Mannukkul Vairam | 1986 | Devendran | S. P. Balasubrahmanyam, S. Janaki |
| Thendraliley Mithanthu | Puthiya Thendral | | Devendran | S. P. Balasubrahmanyam, K. S. Chithra |
| Siragulla Nilave Vaa | Inidhu Inidhu Kadhal Inidhu | 2003 | Devi Sri Prasad | S. P. Balasubrahmanyam, K. S. Chithra |
| Chinna Chinna Megam | Devaraagam | 1996 | M. M. Keeravani | S. P. Balasubrahmanyam, Sujatha Mohan |
| Santhanam Theychachi | Manikkam | 1996 | Karthik Raja | Bhavatharini |
| Chandira Mandalathai | Nilaave Vaa | 1998 | Vidyasagar | Vijay, Harini, S. P. Charan |
| Kavidhai Iravu | Sullan | 2004 | Vidyasagar | Karthik, K. S. Chithra |
| Aazhakkadalu | Thendral | 2004 | Vidyasagar | Madhu Balakrishnan |
| Sollathan Ninaikiren | Kadhal Sugamanathu | 2001 | Shiva Sankar | S. P. Balasubrahmanyam (sad version), K. S. Chithra |
| Uyirile | Vettaiyaadu Vilaiyaadu | 2006 | Harris Jayaraj | Mahalakshmi Iyer, Srinivas |
| Vatta Vatta | Thennavan | 2003 | Yuvan Shankar Raja | Unni Menon, Padmalatha |
| Kalavani | Kodiveeran | 2017 | N. R. Raghunanthan | V. V. Prasanna, Soundarya |
| Othaiyadi Pathayila | Kanaa | 2018 | Dhibu Ninan Thomas | Anirudh Ravichander |
| Kadai Kannaaley | Bhoomi | 2021 | D. Imman | Shreya Ghoshal, Varun Parandhaman |

## Compositions of Hindustani Classical Music

| S.No | Bandish Type | Bandish Initial Bol | Composer Author | Taal |
| 1 | Dhrupad | Aadi Brahma Aadi Naad आदि ब्रह्म आदि नाद | Acharya Pt Gokulotsavji Maharaj | ChouTaal |

## Important recordings

* Amir Khan, Ragas Hansadhwani and Malkauns, HMV LP (long-playing record), EMI-EASD1357
* Mekaal Hasan Band's Maalkauns from the album Andholan is also based on this.
* Ustad Mubarak Ali Khan presented it in a popular bandish "Aaj more Ghar aaye na Balma"