OpenLLM-France/wikimedia huggingface dataset:
# Russell J. Bruemmer

Russell J. Bruemmer was for most of his career a lawyer at Wilmer Cutler Pickering Hale and Dorr, and also worked as a lawyer for the Federal Bureau of Investigation (FBI) and the Central Intelligence Agency (CIA), as the 7th General Counsel of the Central Intelligence Agency. He practices Banking law, Commercial law, Corporate law, and Financial law.

## Life

Bruemmer began his legal career clerking for Judge William H. Webster on the U.S. Court of Appeals for the Eighth Circuit.
In February 1978, he was appointed Special Assistant to the Director of the Federal Bureau of Investigation (FBI) and later served as Chief Counsel for Congressional Affairs at the FBI until 1981.
He then joined the law firm WilmerHale, becoming a partner in 1985.
From 1987 to 1990, Bruemmer served as General Counsel of the Central Intelligence Agency (CIA), where he managed a team of 60 lawyers in the Office of General Counsel (OGC) and acted as the chief legal officer for the agency. After his tenure at the CIA, he returned to WilmerHale, focusing on financial services institutions, corporate governance, and regulatory issues across various industries.
Throughout his career, Bruemmer was actively involved in professional organizations. He chaired two subcommittees of the American Bar Association's (ABA) Banking Law Committee, served as vice-chair of an ABA subcommittee on corporate compliance policies, and was a member of the ABA Standing Committee on Law and National Security. Additionally, he was elected to the Council on Foreign Relations in 1991 and became a member of the American Law Institute in 1994. Bruemmer also served on the Board of Regents of Luther College, chairing its Audit Committee.
Bruemmer officially retired from WilmerHale in 2015.
Two years after retirement, in 2017, Bruemmer returned to the private sector and now works in the crypto space. Presently, he serves as the Treasurer and Director of the Low Income Investment Fund, and has advised crypto investors such as David Levine.
# Yusuf Hamied 1702 Professor of Chemistry

The Yusuf Hamied 1702 Chair of Chemistry is one of the senior professorships at the University of Cambridge, based in the Yusuf Hamied Department of Chemistry.

## History

Founded in 1702 by the university as simply 'Professor of Chemistry', it was retitled as the Professorship of Organic Chemistry in 1943, and in 1991 was renamed after a benefaction from the oil company British Petroleum. In recognition of a donation from Yusuf Hamied, in 2018 the professorship was renamed the Yusuf Hamied 1702 Chair of Chemistry.

### Professors of Chemistry

* Giovanni Francisco Vigani (1703–1713)
* John Waller (1713–1718)
* John Mickleburgh (1718–1756)
* John Hadley (1756–1764)
* Richard Watson (1764–1771)
* Isaac Pennington (1773–1793)
* William Farish (1794–1813)
* Smithson Tennant (1813–1815)
* James Cumming (1815–1861)
* George Downing Liveing (1861–1908)
* William Jackson Pope (1908–1939)

### Professors of Organic Chemistry

* Alexander Robertus Todd (1944–1971)
* Ralph Alexander Raphael (1972–1988)
* Alan Rushton Battersby (1988–1992)

### BP 1702 Professor of Organic Chemistry

* Steven V. Ley (1992–2019)

### Yusuf Hamied 1702 Professors of Chemistry

* Matthew J. Gaunt (2019–)
# A to B (EP)

A to B is a 4-track EP by American pop-rock singer-songwriter Matt Hires, released on August 17, 2010. The Ep includes the original album version of "Honey Let Me Sing You a Song" – first found on the Tampa-based tunesmith's acclaimed 2009 debut, "Take Us to the Start", it also features 2 new songs "A To B", "Rock N' Roll Heart" and a new recording of "Honey, Let Me Sing You a Song (Alternate Version)". The EP was released exclusively through digital service.

## Background

The Ep was recorded during the State Lines Tour 2009–2010.

### Concept

   I’m trying to figure out what I want my next record to sound like. I’m a fan of bands that create each of their records with a sound or feel that is specific to each one, while the heart of the records remains the same or similar. If that makes any sense… In other words, I want to make a record that doesn't sound the same as Take Us to the Start, while the heart of it still sounds like Matt Hires.
   The EP is a little more stripped down. The next album will be more full band stuff. "A to B" and "Rock N' Roll Heart" are the new songs on the EP. Those will be on the next record for sure, but different versions. We just took couple days in the studio for the EP and we approached the songs a little differently. We started "A to B" with an acoustic track and we didn't put too much on it. I'm really happy with how that one turned out. It may be one of my favorite songs that I've ever recorded. I feel like the sound really helps the song come across well.

### Song rework

   It was my producer's idea to do the driving cello and the acoustic on the song. We released an acoustic version of the song last year, and this take is similar to that with strings on it. The guitars are a little more driving on the new version. It's cool! I think this is actually the fourth version of this song that I've released [Laughs]. It may be my favorite version though. I think there's something about it that really captures what the song is saying.

## Reception
### Critical response

The EP has received positive review from music critics.
The Album Project "Matt Hires knows how to throw down a catchy tune and more new songs are always good. The new songs have a similar feel to his recent debut album, though this time it’s pretty much just Matt with an acoustic guitar going for it. I like the 2 new songs, but if you’re only looking to spend a buck, I’d spend it on "A to B"
"A To B is an EP that's fun as it is deep, and Hires manages to say a lot with just a few tracks. Isn't that the best way to do it though?" -Artist Direct

## Track listing

A to B
| # | Title |
| 1. | "Honey, Let Me Sing You A Song (Alternate Version)" – 4:03 |
| 2. | "A To B" – 3:17 |
| 3. | "Rock N' Roll Heart" – 3:48 |
| 4. | "Honey, Let Me Sing You A Song (Album Version)" – 4:08 |
# Tommy Bell (American football official)

Tommy Bell (July 2, 1922 – February 20, 1986) was an American football official in the National Football League (NFL) and was regarded as "one of the NFL's most respected referees". When he joined the NFL as an official in 1962 from the Southeastern Conference, he was given the referee position, and stayed at that spot until his retirement in 1976. He officiated Super Bowl III in 1969 and Super Bowl VII in 1973. He is also the only official in history to referee in both a Super Bowl and NCAA Final Four (1959). He retired from the NFL following the 1976 AFC Championship Game between the Oakland Raiders and Pittsburgh Steelers, played December 26, 1976, to conclude a fifteen-year career in the league.
Bell was given a choice of officiating the AFC Championship game or Super Bowl XI as his final NFL game by then-Director of Officiating Art McNally. When Bell chose the former, Jim Tunney was selected as the referee for his second Super Bowl.
His successor as a referee, Jerry Markbreit, was the line judge on Bell's crew in 1976, Markbreit's rookie year in the NFL. The other members of Bell's 1976 crew were umpire Gordon Wells, head linesman (later down judge) Ray Dodez, back judge Tom Kelleher and field judge Ed Merrifield (the back judge and field judge positions were swapped in 1998).
Bell wore uniform number 7 throughout his NFL career. The number was not used during the 1977 and 1978 NFL seasons; fellow referee Fred Silva took the number in 1979 and wore it through his retirement in 1988. Ron Blum, who wore number 83 as a line judge from 1985 through 1992, changed to No. 7 upon his promotion to referee in 1993 and wore it through his retirement in 2007, even though he returned to his original position for his final four NFL seasons. Side judge Keith Washington currently wears No. 7.
Unlike nearly all other professional football officials, Bell did not have to serve an apprenticeship at another position before becoming a referee. He was the last official to be a referee in his rookie season until Brad Allen was hired in 2014.

## Personal

In addition to NFL officiating, Bell was an attorney in Lexington, Kentucky, and provided color commentary on Kentucky Wildcats football broadcasts on radio and television following his retirement. He died of chronic leukemia, aged 63, on February 20, 1986. The Rotary Club of Lexington (KY) honors Bell each year by awarding the Tommy Bell Award which recognizes Lexington's Outstanding High School Student Athlete. Bell was inducted into the Kentucky Pro Football Hall of Fame in 2018.
# Perfect set

In general topology, a subset of a topological space is perfect if it is closed and has no isolated points. Equivalently: the set $S$ is perfect if $S=S'$, where $S'$ denotes the set of all limit points of $S$, also known as the derived set of $S$. (Some authors do not consider the empty set to be perfect.)
In a perfect set, every point can be approximated arbitrarily well by other points from the set: given any point of $S$ and any neighborhood of the point, there is another point of $S$ that lies within the neighborhood. Furthermore, any point of the space that can be so approximated by points of $S$ belongs to $S$.
Note that the term perfect space is also used, incompatibly, to refer to other properties of a topological space, such as being a G$_δ$ space. As another possible source of confusion, also note that having the perfect set property is not the same as being a perfect set.

## Examples

Examples of perfect subsets of the real line $\mathbb {R}$ are the empty set, all closed intervals, the real line itself, and the Cantor set. The latter is noteworthy in that it is totally disconnected.
Whether a set is perfect or not (and whether it is closed or not) depends on the surrounding space. For instance, the set $S=[0,1]\cap \mathbb {Q}$ is perfect as a subset of the space $\mathbb {Q}$ but not perfect as a subset of the space $\mathbb {R}$, since it fails to be closed in the latter.

## Connection with other topological properties

Every topological space can be written in a unique way as the disjoint union of a perfect set and a scattered set.
Cantor proved that every closed subset of the real line can be uniquely written as the disjoint union of a perfect set and a countable set. This is also true more generally for all closed subsets of Polish spaces, in which case the theorem is known as the Cantor–Bendixson theorem.
Cantor also showed that every non-empty perfect subset of the real line has cardinality $2^{\aleph _{0}}$, the cardinality of the continuum. These results are extended in descriptive set theory as follows:
* If X is a complete metric space with no isolated points, then the Cantor space 2$^ω$ can be continuously embedded into X. Thus X has cardinality at least $2^{\aleph _{0}}$. If X is a separable, complete metric space with no isolated points, the cardinality of X is exactly $2^{\aleph _{0}}$.
* If X is a locally compact Hausdorff space with no isolated points, there is an injective function (not necessarily continuous) from Cantor space to X, and so X has cardinality at least $2^{\aleph _{0}}$.
# Pinky May

Merrill Glend "Pinky" May (January 18, 1911 – September 4, 2000) was an American professional baseball player and third baseman who appeared in 665 games in Major League Baseball for the Philadelphia Phillies from 1939 through 1943. He later became a longtime manager in the minor leagues and fashioned a 40-year career in organized baseball. He served in the United States Navy during World War II and was the father of former longtime major league catcher Milt May.

## Biography
### Early life and education

Born in Laconia, Indiana, May threw and batted right-handed, stood 5 feet 11 inches (1.80 m) tall and weighed 165 pounds (75 kg). His nickname stemmed from his reddish hair. Tommy John, who played under May in the minor leagues, recalled "Pinky was a short man with glasses, a ruddy face, and a sunny disposition."

### New York Yankees (1932–1938)

May signed with the New York Yankees in 1932 after graduating from Indiana University. He spent seven seasons in the Yankee farm system, but his path to the "Bronx Bombers" was blocked by third baseman Red Rolfe. The parent Yankees won four American League pennants and a like number of World Series during May's tenure in their organization.

### Philadelphia Phillies (1938–1946)

Finally, on October 4, 1938, May was drafted out of the Yankee system—but by the Phillies, the worst team in the National League in 1938 with a dismal outlook for their immediate future. During May's five seasons in Philadelphia, the Phils averaged 104 losses a season; they finished eighth and last four times, and seventh once.
May held down the Phillies' regular job at the "hot corner" for all five campaigns. In 1941, he led all National League third basemen in putouts, assists, double plays turned, and range factor; he was consistently among the NL's four top third basemen in those defensive categories throughout his MLB tenure. At the plate, May connected for 610 career hits, including 102 doubles, 11 triples and four home runs, batted .275, and was credited with 215 runs batted in.

### Player-manager career (1946–1972)

Released by the Phils in May 1946 after his discharge from the Navy, May became a player-manager the following season with the Albany Senators of the Eastern League. For the next quarter century, May managed in the farm systems of the Pittsburgh Pirates, Cleveland Indians, Cincinnati Reds and the Yankees, retiring in 1972.

### Death and legacy

Elected to the Indiana Baseball Hall of Fame, he died in Corydon at age 89 on September 4, 2000.
Tommy John recalled that "He knew the game. Pinky was a good field manager, and could scream and yell at the umps with the best of them. But he never blasted his players. He could get into a player when the situation called for it, but he never did so vindictively. He was a family man who knew how to handle young men."
# Call on Me (Starley song)

"Call on Me" is the debut single by Australian singer-songwriter Starley. The song was written by her and Peter Wadams. It was made available for digital download on 29 July 2016 through Tinted Records, and it was re-released through Tinted Records and Epic Records on 13 October 2016.

## Remixes

The track was remixed by a number of DJs including Odd Mob, Edwynn x Tikal x Spirix, Ryan Riback, Hella and Raffa on the Call on Me (Remixes) EP.

## Certifications

| Region | Certification | Certified units/sales |
| Australia (ARIA) | 4× Platinum | 280,000$^‡$ |
| Belgium (BEA) | 2× Platinum | 40,000$^‡$ |
| Canada (Music Canada) | 4× Platinum | 320,000$^‡$ |
| Denmark (IFPI Danmark) | 2× Platinum | 180,000$^‡$ |
| France (SNEP) | Diamond | 233,333$^‡$ |
| Germany (BVMI) | 3× Gold | 600,000$^‡$ |
| Italy (FIMI) | 2× Platinum | 100,000$^‡$ |
| New Zealand (RMNZ) | 4× Platinum | 120,000$^‡$ |
| Spain (PROMUSICAE) | Gold | 20,000$^‡$ |
| Sweden (GLF) | 5× Platinum | 200,000$^‡$ |
| United Kingdom (BPI) | 2× Platinum | 1,200,000$^‡$ |
| United States (RIAA) | Platinum | 1,000,000$^‡$ |
| $^‡$ Sales+streaming figures based on certification alone. |||
# Viktor Päts

Viktor Päts (18 April 1906 Pärnu – 4 March 1952 Butyrka Prison, Moscow) was an Estonian politician, lawyer, and son of Estonian president Konstantin Päts. He was a member of VI Riigikogu (its Chamber of Deputies).
Viktor Päts studied at the Gustav Adolf Gymnasium in Tallinn, graduating in 1924, then graduating from the Faculty of Law of the University of Tartu and practicing as a lawyer.
In 1931 after the bankruptcy of Dvigatel factory he became the Chairman of the Council of the new AS Eesti Dvigatel enterprise, AS Järvakandi Factories, the Tartu Yeast Factory, the insurance JSC Estonian Lloyd [et], and in 1939 became a Kirjastus-OÜ Culture Society board member.
Viktor Päts was a member of the First Chamber of the Estonian National Assembly since 1937 and then member of the VI Riigikogu elected from the 36th constituency in 1938.
On 13 April 1937, he was awarded the Latvian Order of the Three Stars 2nd Class.
Viktor Päts was deported in 30 July 1940 after the Soviet occupation of the Baltic states, with his father and family, to Ufa in the Bashkir ASSR. Later he was arrested in 1941, spending several years in prison and dying in 1952 in the Butyrka prison.

## Personal life

Viktor Päts was the son of politician Konstantin Päts and Helma Wilhelmine Päts (born Peeti, 1879–1910) and the brother of Leo Päts (1902–1988).
On July 20, 1932, Viktor Päts married Helice Alice Päts (born Lattik, 1911–1988), the daughter of clergyman and writer Jaan Lattik, and they had two sons: Matti Päts (1933–2024) and Henn Päts (1936–1944).
# Nucleorhabdovirus

Nucleorhabdovirus was a genus of viruses in the family Rhabdoviridae. In 2020, the genus was split into the following three genera, all of which still contain the name nucleorhabdovirus and which are assigned to the same family:
* Alphanucleorhabdovirus
* Betanucleorhabdovirus
* Gammanucleorhabdovirus
In 2021, the three genera were organized into subfamily Betarhabdovirinae.
# W.A.S.P. (album)

Professional ratings :
| Review scores ||
| Source | Rating |
| AllMusic | |
| Collector's Guide to Heavy Metal | 5/10 |
| Metal Crypt | |
| Rock Hard | 9.0/10 |
W.A.S.P. is the debut studio album by the American heavy metal band W.A.S.P., released on August 17, 1984. The album has been known under three different names; the spine of the original European vinyl release had Winged Assassins printed on it, while early cassette releases of the album had the name of the album's first track, "I Wanna Be Somebody", printed in bold letters on the cover. The album is officially entitled simply W.A.S.P., which it is typically referred to as.

## Overview

Prior to its original release, the controversial track "Animal (Fuck Like a Beast)" was deleted from the album. The Parents Music Resource Center had labeled the song as one of its "Filthy 15", songs that the group determined to be morally objectionable. Capitol Records subsequently bowed to pressure and pulled the song. The band released it as a single in the UK in 1984 on the indie label Music for Nations, and the single subsequently became a highly sought after item in North America as an import. The 1998 reissue features the originally intended track list with the song reinstated.
The song "I Wanna Be Somebody", released as the album's second single with accompanying music video, was so popular that VH1 later placed it in their list of the "Top 100 Hard Rock Songs" of all time. "L.O.V.E. Machine" dates back to Lawless' pre-W.A.S.P. band Circus Circus, who frequently played the song live but never recorded it.
Several of the album's songs have been covered by other bands. "Sleeping (In the Fire)" has been covered by Tiamat and Anders Manga; "Hellion" by Children of Bodom and In Aeternum; "L.O.V.E. Machine" by Fallen Man, Lullacry, Fozzy, and Alghazanth; "I Wanna Be Somebody" by Sentenced, Catamenia, Witchery, Avulsed, and Gates of Ishtar; and "The Torture Never Stops" by the death metal group Torture Division.
The song "Tormentor" was heard in the films The Dungeonmaster (1984) and TerrorVision (1986).

## Track listings

All songs written by Blackie Lawless, except where noted.

## Personnel
### W.A.S.P.

* Blackie Lawless – lead vocals, bass, producer
* Chris Holmes – lead & rhythm guitars
* Randy Piper – lead & rhythm guitars, backing vocals
* Tony Richards – drums, backing vocals

### Production

* Mike Varney – producer
* Duane Baron – engineer, mixing
* Stephen M. Fontano – engineer
* Jim Scott, Hanspeter Huber – assistant engineers
* David Tarling – pre-production

## Certifications

| Region | Certification | Certified units/sales |
| Canada (Music Canada) | Gold | 50,000$^^$ |
| Finland (Musiikkituottajat) | Gold | 20,000 |
| Japan (RIAJ) | Gold | 100,000$^^$ |
| United States (RIAA) | Gold | 500,000$^^$ |
| $^^$ Shipments figures based on certification alone. |||
# Skrt

"Skrt" (stylized in all caps; pronounced "skirt") is a song by the American rapper Kodak Black. It was released in December 2014 and is the third single from his mixtape, Heart of the Projects (2014). It was produced by SkipOnDaBeat. In October 2015, the song helped Kodak Black gain recognition, when a video of the Canadian rapper Drake dancing to it went viral.

## Background

The single was released on December 25, 2014, and a music video for the song was released on October 19, 2015. Four days later, on October 23, 2015, Drake posted a video on Instagram of him dancing to the song in his private jet. The video became popular, leading to Kodak Black achieving national popularity.

## Composition

Elias Leight wrote in The Fader that the song's beat "combines a stream of percussion and a few floating keyboard notes", and noted "fierce, distressed qualities to Kodak's loneliness". Zara Golden called the track melancholy.

## Remix

The Canadian rapper Roy Woods released a remix of the song on January 30, 2016.

## Charts

Chart performance for "Skrt" :
| Chart (2016–2017) | Peak position |
| US Bubbling Under Hot 100 Singles (Billboard) | 11 |

## Certifications

Certifications for "Skrt" :
| Region | Certification | Certified units/sales |
| United States (RIAA) | Platinum | 1,000,000$^‡$ |
| $^‡$ Sales+streaming figures based on certification alone. |||