# List of paintings by J. M. W. Turner

This is an incomplete list of the oil paintings of J. M. W. Turner (23 April 1775 – 19 December 1851), a master noted for his skill in the portrayal of light, and in the painting of maritime scenes.

## Timeline

* 1787–1801 Student
* 1802–1818 Academician
* 1819–1835 Extensive wanderer
* 1836–1851 Modernism

## Paintings by Turner

This list includes paintings attributed to Turner.
In substitute of specific knowledge on the date of a painting's creation (in cases where this is not known), the year of exhibition has been put, is it would likely correlate.

### 1787–1801 Student

| Title | Year | Location | Dimensions (cm.) | Comments |
| Landscape with Windmill and Rainbow (partly after Gainsborough) | 1795–1800 | Tate Britain, London | 70.5 x 90.2 | The Painting is attributed to Turner. It is highly likely to be a Turner work, and part of the Turner Bequest also. |
| Interior of a Romanesque Church | c.1795–1800 | Tate Britain, London | 61 x 50.2 | |
| Fishermen at Sea | 1796 | Tate Britain, London | 91.4 × 122.2 | |
| Diana and Callisto (after Wilson) | 1796 | Tate Britain, London | 56.5 x 91.4 | |
| Interior of a Gothic Church | 1797 | Tate Britain, London | 27.9 × 40.6 | |
| Moonlight, a Study at Millbank | 1797 | Tate Britain, London | 31.5 × 40.5 | |
| Limekiln at Coalbrookdale | 1797 | Yale Center for British Art, Connecticut | 28.9 x 40.3 | |
| Beech Trees at Norbury Park | c. 1797 | National Gallery of Ireland, Dublin | 44 x 43.1 | Turner was invited to Norbury Park in Surrey by the owner William Lock in 1797. The painting was bequeathed to the gallery in 1900 by Henry Vaughan. |
| Aeneas and the Sibyl, Lake Avernus | 1798 | Tate Britain, London | 76.5 × 98.4 | |
| Caernarvon Castle | 1798 | Tate Britain, London | 15.2 × 23.2 | |
| Shipping by a Breakwater | 1798 | Tate Britain, London | 30.2 x 19.4 | |
| View of a Town | 1798 | Tate Britain, London | 24.1 x 32.4 | |
| Buttermere Lake, with Part of Cromackwater, Cumberland, a Shower | 1798 | Tate Britain, London | 88.9 × 119.4 | |
| Dunstanburgh Castle, north-east coast of Northumberland, sunrise after a squally night | 1798 | National Gallery of Victoria, Melbourne | 92.2 × 123.2 | |
| Tivoli and the Roman Campagna (after Wilson) | 1798 | Tate Britain, London | 72.4 × 96.5 | |
| Morning amongst the Coniston Fells, Cumberland | 1798 | Tate Britain, London | 122.9 × 89.9 | |
| Kilgarren Castle, Pembrokeshire | 1798-1799 | Cragside, Rothbury | 89 x 19.7 | |
| Self-Portrait | 1799 | Tate Britain, London | 74.3 x 58.4 | |
| Harlech Castle, from Tygwyn Ferry, Summer's Evening Twilig | 1799 | Yale Center for British Art, Connecticut | 87 x 119.4 | |
| View in Wales: Mountain Scene with Village and Castle - Evening | 1799-1800 | Tate Britain, London | 58.1 x 72.7 | |
| A Beech Wood with Gypsies Seated in the Distance | 1799-1801 | Fitzwilliam Museum, Cambridge | 27 x 19 | |
| A Beech Wood with Gypsies round a Campfire | 1799-1801 | Fitzwilliam Museum, Cambridge | 27 x 19 | |
| View on Clapham Common | 1800-1805 | Tate Britain, London | 32.1 x 44.5 | |
| Welsh Mountain Landscape | 1799-1800 | Fitzwilliam Museum, Cambridge | 64.1 x 98.8 | |
| Dolbadarn Castle | 1799–1800 | The National Library of Wales, Aberystwyth | 45.5 x 30 | |
| Landscape with Lake and Fallen Tree | 1800 | Tate Britain, London | 39.1 × 60.6 | |
| Dolbadern Castle | 1800 | The Royal Academy, London | 119.4 x 90.2 | |
| The Fifth Plague of Egypt | 1800 | Indianapolis Museum of Art, Indianapolis | 120 × 180 | |
| Dutch Boats in a Gale | 1801 | National Gallery, London on long term loan from The Capricorn Foundation | 162.5 × 221 | |

### 1802–1818 Academician

| Title | Year | Location | Dimensions (cm.) | Comments |
| Jason | 1802 | Tate Britain, London | 90.2 x 119.7 | |
| Fishermen upon a Lee Shore in Squally Weather | 1802 | Southampton Art Gallery | 91.5 x 122 | |
| The Tenth Plague of Egypt | 1802 | Tate Britain, London | 143.5 x 236.2 | |
| Grenoble Seen from the River Drac with Mont Blanc in the Distance | 1802 | Tate Britain, London | 36.2 x 64.1 | |
| Ships Bearing Up for Anchorage | 1802 | Tate Britain, London | 112 x 18 | |
| Mountain Scene with Castle, Probably Martigny | 1802-1803 | Tate Britain, London | 43.8 x 54 | |
| Tummel Bridge, Perthshire | 1802-1803 | Yale Center for British Art, Connecticut | 28.9 x 46.7 | |
| Chateaux de St Michael, Bonneville, Savoy | 1802-1803 | Yale Center for British Art, Connecticut | 91.4 x 121.9 | |
| Bonneville, Savoy | 1803 | Dallas Museum of Art, Dallas | 92.71 × 122.56 | |
| A Coast Scene with Fishermen Hauling a Boat Ashore | 1803-1804 | Kenwood House, London | 91.8 x 122.5 | |
| The Festival of the Opening of the Vintage at Mâcon, France | 1803 | Museums Sheffield | 182.5 x 274.4 | |
| Holy Family | 1803 | Tate Britain, London | 102.2 x 141.6 cm | |
| Calais Pier, with French Poissards preparing for Sea: an English Packet arriving | 1803 | National Gallery, London | 172 x 240 | |
| Fishing Boats Entering Calais Harbor | 1803 | Frick Collection, New York City | 73.7 x 98.4 | |
| The Pass of Saint Gotthard, Switzerland | 1803–1804 | Birmingham Museums Trust | 80.6 x 64.2 | |
| Narcissus and Echo | 1804 | Tate Britain, London | 86.5 x 117 | |
| Boats Carrying Out Anchors to the Dutch Men of War | c.1804 | National Gallery of Art, Washington, D.C. | 101.6 × 130.81 | |
| The Shipwreck | 1805 | Tate Britain, London | 170.5 x 241.6 | |
| Cattle in a Stream under a Bridge | 1805-1807 | Tate Britain, London | 31.4 x 39.4 | |
| Guildford from the Banks of the Wey | 1805 | Tate Britain, London | 25.4 x 19.7 | |
| Cows in a Landscape with a Footbridge | 1805-1807 | Tate Britain, London | 47.9 x 71.1 | |
| The Thames at Weybridge | 1805-1806 | Tate Britain, London | 90.5 x 121.7 | |
| The Hero of a Hundred Fights | 1800- 1810 | Tate Britain, London | 90.8 x 121.3 | Reworked and exhibited in 1847. It depicts a bronze statue of Wellington being removed from its mould. |
| Windsor Castle from the Thames | 1805 | Tate Britain, London | 91 x 122 | |
| Venus and the Dead Adonis | 1805? | Tate Britain, London | 31.8 x 45.1 | |
| The Deluge | 1805 | Tate Britain, London | 142.9 x 235.6 | |
| Windsor Castle from the Meadows | 1805 | Tate Britain, London | 22.2 x 55.6 | |
| Sunset on the River | 1805 | Tate Britain, London | 15.6 x 18.7 | |
| The Destruction of Sodom | 1805 | Tate Britain, London | 146 x 237.5 | |
| Walton Reach | 1805 | Tate Britain, London | 36.8 x 73.7 | |
| Windsor from Lower Hope | 1805 | Tate Britain, London | 32.1 x 73.7 | |
| Godalming from the South | 1805 | Tate Britain, London | 20.3 x 34.9 | |
| A Thames Backwater with Windsor Castle in the Distance | 1805 | Tate Britain, London | 86.7 x 121 | |
| Willows beside a Stream | 1805 | Tate Britain, London | 86 x 116.2 | |
| Fall of the Rhine at Schaffhausen | c.1805-06 | Museum of Fine Arts, Boston | 148.6 x 239.7 | |
| The ‘Victory’ Returning from Trafalgar, in Three Positions | 1806 | Yale Center for British Art, Connecticut | 67 x 100.3 | |
| The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides | 1806 | Tate Britain, London | 155.3 x 218.4 | |
| Abingdon | 1806? | Tate Britain, London | 01.6 x 130.2 | |
| Walton Bridges | c.1806 | National Gallery of Victoria, Melbourne | 91.2 × 122. | |
| Sun Rising through Vapour | pre 1807 | National Gallery, London | 134 x 179.5 | |
| Barge on the River, Sunset | 1806-1807 | Tate Britain, London | 85.1 x 116.2 | |
| Margate | 1806-1807 | Tate Britain, London | 85.7 x 116.2 | |
| Men with Horses Crossing a River | 1806-1807 | Tate Britain, London | 87.9 x 118.4 | |
| The Thames Glimpsed between Trees, possibly at Kew Bridge | 1806-1807 | Tate Britain, London | 91.1 x 121.6 | |
| Weir and Cattle | 1806-1807 | Tate Britain, London | 88.3 x 120 | |
| Washing Sheep | 1806-1807 | Tate Britain, London | 84.5 x 116.5 | |
| Sketch for 'Harvest Dinner, Kingston Bank' | 1806-1807 | Tate Britain, London | 61 x 91.4 | |
| Shipping at the Mouth of the Thames | 1806-1807 | Tate Britain, London | 85.7 x 116.8 | |
| Coast Scene with Fishermen and Boats | 1806-1807 | Tate Britain, London | 85.7 x 116.2 | |
| Caversham Bridge with Cattle in the Water | 1806-1807 | Tate Britain, London | 85.4 x 115.8 | |
| Goring Mill and Church | 1806-1807 | Tate Britain, London | 85.7 x 116.2 | |
| River Scene with Weir in Middle Distance | 1806-1807 | Tate Britain, London | 85.4 x 115.6 | |
| Hampton Court from the Thames | 1806-1807 | Tate Britain, London | 85.7 x 120 | |
| Trees beside the River, with Bridge in the Middle Distance | 1806-1807 | Tate Britain, London | 87.9 x 120.6 | |
| House beside the River, with Trees and Sheep | 1806-1807 | Tate Britain, London | 90.5 x 116.5 | |
| Newark Abbey | 1806-1807 | Yale Center for British Art, Connecticut | 91.4 x 123.2 | |
| Gipsy Camp | 1807 | Tate Britain, London | 121.9 x 91.4 | |
| Cassiobury Park: Reaping | 1807 | Tate Britain, London | 90.2 x 121.9 | |
| Newark Abbey | 1807 | Tate Britain, London | 29.5 x 35.2 | |
| An Artists' Colourman's Workshop | 1807 | Tate Britain, London | 62.2 x 91.4 | |
| St Catherine's Hill, Guildford | 1807 | Tate Britain, London | 36.5 x 73.7 | |
| Linlithgow Palace | 1807 | Walker Art Gallery, Liverpool | 92 x 122.5 | |
| The Thames near Windsor | 1807 | Tate Britain, London | 18.7 x 26 | |
| The Junction of the Thames and the Medway | 1807 | National Gallery of Art, Washington, D.C. | 108.8 x 143.7 | |
| A Narrow Valley | 1807 | Tate Britain, London | 20.6 x 16.5 | |
| Newark Abbey on the Wey | 1807 | Tate Britain, London | 36.8 x 73.7 | |
| Windsor Castle from Salt Hill | 1807 | Tate Britain, London | 27.6 x 73.7 | |
| On the Thames (?) | 1807 | Tate Britain, London | 29.8 x 34.9 | |
| Windsor Castle from the River | 1807 | Tate Britain, London | 20 x 36.8 | |
| The Battle of Trafalgar, as Seen from the Mizen Starboard Shrouds of the Victory | 1806-1808 | Tate Britain, London | 170.8 x 238.8 | |
| Spithead: Two Captured Danish Ships Entering Portsmouth Harbour | 1807-1809 | Tate Britain, London | 171.4 x 233.7 | |
| Eton, from the River | 1807? | Tate Britain, London | 35.6 x 66 | |
| Tree Tops and Sky, Guildford Castle(?), Evening | 1807? | Tate Britain, London | 27.6 x 73.7 | |
| Cliveden on Thames | 1807? | Tate Britain, London | 28.4 x 58.4 | |
| A Country Blacksmith | 1807? | Tate Britain, London | 54.9 x 77.8 | |
| The Thames near Windsor | 1807? | Tate Britain, London | 89 x 119.5 | |
| The Raft | 1807 | Tate Britain, London | 41 x 59 | |
| The Thames at Eton | 1808 | Tate Britain, London | 60.5 x 90.5 | |
| Margate | 1808 | Tate Britain, London | 90 x 120.5 | |
| The Forest of Bere | 1808 | Tate Britain, London | 89 x 119.5 | |
| Tabley, Cheshire, the Seat of Sir J. F. Leicester, Bt: Windy Day | 1808 | Tabley House, Knutsford | 91.5 x W 120.6 | |
| View of Richmond Hill and Bridge | 1808 | Tate Britain, London | 91.4 x 121.9 | |
| A Subject from the Runic Superstitions ... | 1808 | Tate Britain, London | 92.1 x 121.9 | |
| Union of the Thames and Isis ('Dorchester Mead, Oxfordshire') | 1808 | Tate Britain, London | 90.8 x 121.3 | |
| The Confluence of the Thames and the Medway | 1808 | Tate Britain, London | 91 x 12 | |
| Near the Thames' Lock, Windsor | 1809 | Tate Britain, London | 89 x 118 c | |
| Harvest Home | 1809 | Tate Britain, London | 90.5 x 120.3 c | |
| The Sun Setting through Vapour | 1809 | Barber Institute, Birmingham | 69.2 x 101.6 c | |
| The Trout Stream | 1809 | Taft Museum of Art, Cincinnati | | |
| Tabley, Cheshire, the Seat of Sir J. F. Leicester, Bart.: Calm Morning | 1809 | Tate Britain, London | 91 x 121.5 | |
| Ploughing Up Turnips, near Slough ('Windsor') | 1809 | Tate Britain, London | 101.9 x 130.2 | |
| Sketch of a Bank, with Gipsies | 1809 | Tate Britain, London | 61.3 x 83.8 | |
| London from Greenwich Park | 1809 | Tate Britain, London | 90.2 x 120 c | |
| Thomson's Aeolian Harp | 1809 | Manchester Art Gallery | 166.7 x 306 | |
| Fishing upon the Blythe-Sand, Tide Setting In | 1809 | Tate Britain, London | 88.9 x 119.4 | |
| View of the High Street, Oxford | 1809-1810 | Ashmolean Museum, Oxford | 68.6 x 99.7 | Commissioned by James Wyatt |
| Harvest Dinner, Kingston Bank | 1809 | Tate Britain, London | 90.2 x 121 | |
| The Quiet Ruin, Cattle in Water; A Sketch, Evening | 1809 | Tate Britain, London | 61.2 x 76.5 | |
| The Garreteer's Petition | 1809 | Tate Britain, London | 55.2 x 79.1 | |
| River Scene with Cattle | 1810 | Tate Britain, London | 128.3 x 174 | |
| The Fall of an Avalanche in the Grisons | 1810 | Tate Britain, London | H 90.2 x 120 | |
| Petworth, Sussex, the Seat of the Earl of Egremont: Dewy Morning | 1810 | Tate Britain, London | 91.5 x 120.5 | |
| Cockermouth Castle | 1810 | Tate Britain, London | 60.5 x 90 c | |
| Saltash with the Water Ferry | 1811 | Metropolitan Museum of Art, New York City | 89.9 × 120.7 | |
| Apollo and Python | 1811 | Tate Britain, London | 145.4 x 237.5 | |
| Somer Hill, Tonbridge | 1811 | National Galleries of Scotland | 92 x 122 c | |
| St Mawes at the Pilchard Season | 1812 | Tate Britain, London | 91.1 x 120.6 | |
| Snow Storm: Hannibal and his Army Crossing the Alps | 1812 | Tate Britain, London | 146 × 237.5 | |
| Hulks on the Tamar | 1812 | Tate Britain, London | 89.2 x 120.2 | |
| Teignmouth | 1812 | Tate Britain, London | 90 x 120.5 | |
| Frosty Morning | 1813 | Tate Britain, London | 113.7 x 174.6 | |
| Apullia in Search of Appullus | 1814 | Tate Britain, London | 148.5 x 241 | |
| Dido and Aeneas | 1814 | Tate Britain, London | 146 x 237. | |
| Lake Avernus: Aeneas and the Cumaean Sibyl | 1814- 15 | Yale Center for British Art, Connecticut | 71.8 x 97.2 | |
| Crossing the Brook | 1815 | Tate Britain, London | 193 x 165.1 | |
| Dido building Carthage, or The Rise of the Carthaginian Empire | 1815 | National Gallery, London | 155.5 x 230 | |
| The Eruption of the Soufrière Mountains in the Island of St Vincent, 30 April 1812 | 1815 | Victoria Gallery, Liverpool | 79 x 105 | |
| The Decline of the Carthaginian Empire | 1817 | Tate Britain, London | 170.2 x 238.8 | |
| The Field of Waterloo | 1818 | Tate Britain, London | 147.3 x 238.8 | |
| The Dort | 1818 | Yale Center for British Art, Connecticut | 157.5 x 233.7 | |
| The Wreck of a Transport Ship | 1810 | Calouste Gulbenkian Museum, Lisbon | 173 x 245 | |

### 1819–1835 Extensive wanderer

| Title | Year | Location | Dimensions (cm.) | Comments |
| Richmond Hill with Girls Carrying Corn | 1819 | Tate Britain, London | 48 x 239.3 | |
| Entrance of the Meuse | 1819 | Tate Britain, London | 175.3 x 246.4 | |
| England: Richmond Hill, on the Prince Regent's Birthday | 1819 | Tate Britain, London | 180 x 334.6 | |
| The Rialto, Venice | 1820 | Tate Britain, London | 177.5 x 335.3 | |
| Tynemouth Priory | 1820-1825 | Tate Britain, London | 31.8 x 61 | |
| Rome from the Vatican | 1820 | Tate Britain, London | 177.2 x 335.3 | |
| George IV at St Giles's, Edinburgh | 1822 | Tate Britain, London | 74.6 x 91.8 | |
| George IV at the Provost's Banquet in the Parliament House, Edinburgh | 1822 | Tate Britain, London | 68.6 x 91.8 | |
| George IV's Departure from the 'Royal George', 1822 | 1822 | Tate Britain, London | 75.2 x 92.1 | |
| An Avenue of Trees | 1822 | Tate Britain, London | 49.5 x 53.7 | |
| The Battle of Trafalgar, 21 October 1805 | 1822-1824 | The National Maritime Museum, London | 261.5 x 368.5 | |
| The Bay of Baiae, with Apollo and the Sibyl | 1823 | Tate Britain, London | 145.4 x 237.5 | |
| First Sketch for 'The Battle of Trafalgar' | 1823 | Tate Britain, London | 90.2 x 121.3 | |
| Second Sketch for 'The Battle of Trafalgar' | 1823 | Tate Britain, London | 90.2 x 121.3 | |
| Landscape: Christ and the Woman of Samaria | 1825 | Tate Britain, London | 147.3 x 238.8 | |
| The Cobbler's Home | 1825 | Tate Britain, London | 59.7 x 80 | |
| Valley with a Distant Bridge and Tower | 1825 | Tate Britain, London | 91.1 x 122.2 | |
| Lake or River with Trees on the Right | 1825-1830 | Tate Britain, London | 41.3 x 59.7 | |
| Death on a Pale Horse (?) | 1825-1830 | Tate Britain, London | 59.7 x 75.6 | |
| Shipping | 1825-1830 | Tate Britain, London | 67.9 x 91.8 | |
| Rocky Coast | 1825-1830 | Tate Britain, London | 50.2 x 65.7 | |
| Seascape with a Sailing Boat and a Ship | 1825-1830 | Tate Britain, London | 46.7 x 61 | |
| A Sandy Beach | 1825-1830 | Tate Britain, London | 60 x 91.4 | |
| Italian Landscape with a Tower | 1825-1830 | Tate Britain, London | 58.4 x 76.2 | |
| Seascape with a Yacht (?) | 1825-1830 | Tate Britain, London | 50.2 x 66 | |
| Two Compositions: A Claudian Seaport and an Open Landscape | 1825-1830 | Tate Britain, London | 33.7 x 60.3 | |
| Forum Romanum | 1826 | Tate Britain, London | 145.7 x 236.3 | |
| The Harbour of Dieppe | 1826 | Frick Collection, New York City | 173.7 x 225.4 | |
| Cologne, the Arrival of a Packet Boat in the Evening | 1826 | Frick Collection, New York City | 168.6 x 224.2 | |
| Mortlake Terrace: Early Summer Morning | 1826 | Frick Collection, New York City | 93 x 123.2 | |
| View from the Terrace of a Villa at Niton, Isle of Wight, from Sketches by a Lady | 1826 | Museum of Fine Arts, Boston | 45.7 x 61 | |
| Port Ruysdael | 1826-27 | Yale Center for British Art, Connecticut | 92.1 x 122.6 | |
| The Harbour of Brest: The Quayside and Château | 1826-1828 | Tate Britain, London | 172.7 x 223.5 | |
| Dieppe: The Port from the Quai Henri IV | 1827-28 | Tate Britain, London | 60.3 x 89.2 | |
| Between Decks | 1827 | Tate Britain, London | 30.5 x 48.6 | |
| Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No. 1 | 1827 | Tate Britain, London | 29.8 x 48.9 | |
| Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No. 2 | 1827 | Tate Britain, London | 45.7 x 61 | |
| Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No 3 | 1827 | Tate Britain, London | 46.4 x 72.4 | |
| A Sail Boat at Rouen | 1827-28 | Tate Britain, London | 60.3 x 90.8 | |
| Brighton Beach, with the Chain Pier in the Distance, from the West | 1827 | Tate Britain, London | 90.2 x 121.9 | |
| 'Now for the Painter' (Rope) – Passengers Going on Board | 1827 | Manchester Art Gallery, Manchester | 174.3 x 223.5 | |
| Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 1 | 1827 | Tate Britain, London | 46.4 x 61.6 | |
| Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 2 | 1827 | Tate Britain, London | 44.5 x 73.7 | |
| Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 3 | 1827 | Tate Britain, London | 45.1 x 61 | |
| Shipping off East Cowes Headland | 1827 | Tate Britain, London | 46 x 60.3 | |
| Study of Sea and Sky, Isle of Wight | 1827 | Tate Britain, London | 32.1 x 50.2 | |
| East Cowes Castle | 1827-28 | Victoria and Albert Museum, London | 91.4 x 123.2 | |
| Rouen: A View from the Left Bank in the Faubourg St-Sever | 1827-28 | Tate Britain, London | 60.3 x 98.7 | |
| Three Seascapes | 1827 | Tate Britain, London | 90.8 x 60.3 | |
| Mortlake Terrace | 1827 | National Gallery of Art, Washington, D.C. | 92.1 x 122.2 | |
| Rocky Bay | 1827-28 | Tate Britain, London | 60.3 x 92.1 | |
| Rouen: The Left Bank, with Shipping Beyond | 1827-28 | Tate Britain, London | 60 x 84.8 | |
| Italian Bay | 1827-28 | Tate Britain, London | 60.3 x 102.2 | |
| Landscape with Tower, Trees and Figures; possibly Arcueil near Paris | 1827-28 | Tate Britain, London | 60 x 88.6 | |
| Classical Harbour Scene; possibly based on Le Havre | 1827-28 | Tate Britain, London | 60.3 x 101.9 | |
| Tivoli, the Cascatelle | 1827-28 | Tate Britain, London | 60.7 x 77.7 | |
| The Lake, Petworth, Sunset; Sample Study | 1827-28 | Tate Britain, London | 63.5 x 139.7 | |
| Italian Landscape with Bridge and Tower | 1827-28 | Tate Britain, London | 60.3 x 98.1 | |
| The Lake, Petworth, Sunrise | 1827-28 | Tate Britain, London | 64.8 x 125.7 | |
| Rocky Bay with Figures | 1827-28 | Tate Britain, London | 90.2 x 123.2 | |
| Archway with Trees by the Sea; Sketch for 'The Parting of Hero and Leander' | 1827-28 | Tate Britain, London | 59.4 x 87 | |
| Lake Nemi | 1827-28 | Tate Britain, London | 60.3 x 99.7 | |
| Claudian Harbour Scene: Study for 'Dido Directing the Equipment of the Fleet' | 1827-28 | Tate Britain, London | 60 x 93.7 | |
| Overlooking the Coast, with Classical Building | 1827-28 | Tate Britain, London | 60.3 x 84.5 | |
| A Ship Aground, Yarmouth; Sample Study | 1827-28 | Tate Britain, London | 69.8 x 135.9 | |
| Claudian Composition, possibly Arcueil at Dawn (formerly titled 'Ariccia (?): Sunset') | 1827-28 | Tate Britain, London | 60.6 x 79.4 | |
| Sketch for 'Ulysses Deriding Polyphemus' | 1827-28 | Tate Britain, London | 60 x 89.2 | |
| The Chain Pier, Brighton | 1828 | Tate Britain, London | 71.1 x 136.5 | |
| Petworth Park: Tillington Church in the Distance | 1828 | Tate Britain, London | 60 x 145.7 | |
| Chichester Canal | 1828 | Tate Britain, London | 65.4 x 134.6 | |
| The Rest on the Flight into Egypt | 1828 | Tate Britain, London | 150.5 x 111.8 | |
| The Procuress; (?) Judith with the Head of Holofernes | 1828 | Tate Britain, London | 124.1 x 91.4 | |
| Coast Scene near Naples | 1828 | Tate Britain, London | 41 x 59.7 | |
| Hilly Landscape with Tower | 1828 | Tate Britain, London | 42.2 x 52.4 | |
| Reclining Venus | 1828 | Tate Britain, London | 75.3 x 248.9 | |
| Seacoast with Ruin, probably the Bay of Baiae | 1828 | Tate Britain, London | 41.3 x 60.3 | |
| Regulus | 1828 | Tate Britain, London | 89.5 x 123.8 | |
| Palestrina - Composition | 1828 | Tate Britain, London | 140.3 x 248.9 | Exhibited in 1830. Set to hang beside a landscape by Claude Lorrain in Egremont's his collection. |
| Boccaccio Relating the Tale of the Bird-Cage | 1828 | Tate Britain, London | 121.9 x 89.9 | |
| Hill Town on the Edge of the Campagna | 1828 | Tate Britain, London | 41 x 59.4 | |
| A Seashore | 1828 | Tate Britain, London | 41.6 x 52.1 | |
| Seascape with Burning Hulk | 1828 | Tate Britain, London | 24.1 x 41.6 | |
| Vision of Medea | 1828 | Tate Britain, London | 173.7 x 248.9 | |
| Seascape | 1828 | Tate Britain, London | 41.9 x 52.1 | |
| Landscape with a Tree on the Right | 1828 | Tate Britain, London | 27.9 x 41.6 | |
| Outline of a Venus Pudica | 1828 | Tate Britain, London | 135.6 x 98.1 | |
| Italian Landscape, probably Civita di Bagnoregio | 1828 | Tate Britain, London | 149.9 x 249.6 | |
| Landscape with Trees and a Castle | 1828 | Tate Britain, London | 41.6 x 60 | |
| Southern Landscape with an Aqueduct and Waterfall | 1828 | Tate Britain, London | 50.2 x 249.2 | |
| Southern Landscape | 1828 | Tate Britain, London | 176.5 x 251.8 | |
| View of Orvieto | 1828 | Tate Britain, London | 91.4 x 123.2 | Painted in Rome |
| Mountainous Landscape | 1828 | Tate Britain, London | 41.3 x 59.7 | |
| Two Recumbent Nude Figures | 1828 | Tate Britain, London | 174.6 x 249.2 | |
| Chichester Canal | 1829 | Tate Britain, London | 63.5 x 132 | |
| The Lake, Petworth: Sunset, a Stag Drinking | 1829 | Tate Britain, London | 63.5 x 132 | |
| The Lake, Petworth: Sunset, Fighting Bucks | 1829 | Tate Britain, London | 62 x 146 | |
| Brighton from the Sea | 1829 | Tate Britain, London | 63.5 x 132 | |
| The Loretto Necklace | 1829 | Tate Britain, London | 130.8 x 174.9 | |
| Ulysses deriding Polyphemus- Homer's Odyssey | 1829 | National Gallery, London | 132.5 x 203 | |
| Pilate Washing his Hands | 1830 | Tate Britain, London | 91.4 x 121.9 | |
| A Lady in a Van Dyck Costume | 1830-1835 | Tate Britain, London | 121.3 x 91.1 | |
| Dinner in a Great Room with Figures in Costume | 1830-1835 | Tate Britain, London | 90.8 x 121.9 | |
| The Evening Star | 1830 | National Gallery, London | 91.1 x 122.6 | |
| Funeral of Sir Thomas Lawrence | 1830 | The Tate, London | |
| Scene in a Church or Vaulted Hall | 1830 | The Tate, London | 74.9 x 99.1 | |
| Sunset | 1830-1835 | The Tate, London | 66.7 x 81.9 | |
| The Thames above Waterloo Bridge | 1830-1835 | The Tate, London | 90.5 x 121 | |
| Figures in a Building | 1830-1835 | The Tate, London | 91.4 x 121.9 | |
| Interior of a Great House: The Drawing Room, East Cowes Castle | 1830 | The Tate, London | 90.8 x 121.9 | |
| The Vision of Jacob's Ladder (?) | 1830 | The Tate, London | 123.2 x 188 | |
| Two Women with a Letter | 1830 | The Tate, London | 121.9 x 91.4 | |
| Jessica | 1830 | The Tate, London | 122 x 91.5 | |
| Calais Sands at Low Water: Poissards Collecting Bait | 1830 | Bury Art Museum | 68.5 x 105.5 | |
| Lifeboat and Manby Apparatus Going off to a Stranded Vessel Making the Signal (Blue Lights) of Distress | 1831 | Victoria & Albert Museum, London | 91.4 x 122 | |
| Extensive Landscape with River or Estuary and a Distant Mountain | 1830-1840 | The Tate, London | 141 x 251.5 | |
| Staffa, Fingal's Cave | 1831-32 | Yale Center for British Art, Connecticut | 90.8 x 121.3 | |
| Lucy, Countess of Carlisle, and Dorothy Percy's Visit to their Father Lord Percy, when under Attainder ... | 1831 | The Tate, London | 40 x 69.2 | |
| Watteau Study by Fresnoy's Rules | 1831 | The Tate, London | 40 x 69.2 | |
| Caligula's Palace and Bridge | 1831 | The Tate, London | 137.2 x 246.4 | The work was exhibited in Melbourne Australia by December 1882, but unable to be sold at £4000. It was then being listed for sale in September 1884 from Gladstone Eyre's Sydney studio. |
| Van Tromp's Barge Entering the Texel, 1645 | 1831 | Sir John Soane's Museum, London | 90.2 x 121.9 | |
| Christ Driving the Traders from the Temple | 1832 | The Tate, London | 92.1 x 70.5 | |
| Shrimpers: Lyme Regis | 1832 | Nunnington Hall | 21.5 x 29 | |
| The Prince of Orange, William III, Embarked from Holland, and Landed at Torbay, November 4th, 1688, after a Stormy Passage | 1832 | The Tate, London | 90.2 x 120 | |
| Shadrach, Meshach and Abednego in the Burning Fiery Furnace | 1832 | The Tate, London | 91.8 x 70.8 | |
| Childe Harold's Pilgrimage - Italy | 1832 | The Tate, London | 142.2 x 248.3 | |
| Van Tromp Returning after the Battle off the Dogger Bank | 1833 | The Tate, London | 90.5 x 120.6 | |
| Rotterdam Ferry-Boat | 1833 | National Gallery of Art, Washington, D.C. | 92.3 x 122.5 | |
| Antwerp: Van Goyen Looking Out for a Subject | 1833 | Frick Collection, New York City | 91.8 x 122.9 | |
| Wreckers – Coast of Northumberland, with a Steamboat Assisting a Ship off Shore | 1833-34 | Yale Center for British Art, Connecticut | 90.5 x 120.8 | |
| Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting | 1833 | Tate Britain, London | 51.1 x 81.6 | |
| Venice: The Dogana and San Giorgio Maggiore, 1834 | 1834 | National Gallery of Art, Washington, D.C. | 91.5 x 122 | |
| The Fountain of Indolence | 1834 | Beaverbrook Art Gallery, Fredericton | 106.5 × 166.4 | |
| The Golden Bough | 1834 | Tate Britain, London | 104.1 x 163.8 | |
| St Michael's Mount, Cornwall | 1834 | Victoria and Albert Museum, London | 61 x 77.4 | |
| The Burning of the Houses of Lords and Commons, 16th October, 1834 | 1834-1835 | Philadelphia Museum of Art, Philadelphia | 92 x 123.1 | |
| The Burning of the Houses of Lords and Commons, 16th October, 1834 | 1834-1835 | Cleveland Museum of Art, Cleveland | 92 x 123 | |
| The Long Cellar at Petworth | 1835 | Tate Britain, London | 74.9 x 91.4 | |
| The Arch of Constantine, Rome | 1835 | Tate Britain, London | 91.4 x 121.9 | |
| Rome, From Mount Aventine | 1835 | Private Collection | 92 × 125 | |
| Keelmen Heaving in Coals by Moonlight | 1835 | National Gallery of Art, Washington, D.C. | 92.3 x 122.8 | |
| A Sailing Boat off Deal | 1835 | National Museum Wales, Cardiff | 22.6 x 30.3 | |
| Line Fishing, Off Hastings | 1835 | Victoria and Albert Museum, London | 58.4 x 76.2 | |
| The Cave of Despair | 1835 | Tate Britain, London | 50.8 x 81.3 | |
| Music Party, East Cowes Castle | 1835 | Tate Britain, London | 121.3 x 90.5 | |
| Tivoli: Tobias and the Angel | 1835 | Tate Britain, London | 90.5 x 121 | |
| A Disaster at Sea | 1835 | Tate Britain, London | 171.4 x 220.3 | |
| Venice, from the Porch of Madonna della Salute | c. 1835 | Metropolitan Museum of Art, New York City | 91.4 × 122.2 | |
| Venice, the Piazzetta with the Ceremony of the Doge Marrying the Sea | 1835 | Tate Britain, London | 91.4 x 121.9 | |
| Stormy Sea with Blazing Wreck | 1835-1840 | Tate Britain, London | 99.4 x 141.6 | |
| Stormy Sea with Dolphins | 1835-1840 | Tate Britain, London | 90.2 x 121.3 | |
| Margate Harbour | 1835-1845 | Sudley House, Liverpool | 45.9 x 61.1 | |
| The Morning after the Wreck | 1835-1845 | National Museum Wales, Cardiff | 38.7 x 61.8 | |
| Breakers on a Flat Beach | 1835–1840 | Tate Britain, London | 90.2 x 121 | |
| Seascape | 1835–1840 | Tate Britain, London | 90.2 x 121 | |
| The Beacon Light | 1835-1845 | National Museum Wales, Cardiff | 61.5 x 96 | |
| Head of a Person Asleep | 1835 | Tate Britain, London | 24.4 x 30.2 | |
| Quillebeuf, Mouth of the Seine | 1833 | Calouste Gulbenkian Museum, Lisbon | 88 x 120 | |

### 1836–1851 Modernism

| Title | Year | Location | Dimensions (cm.) |
| Margate (?), from the Sea | 1835-1840 | National Gallery, London | 91.2 x 122.2 |
| Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm | 1836-37 | Art Institute of Chicago, Chicago | 92.2 × 123 |
| The Parting of Hero and Leander - from the Greek of Musaeus | pre1837 | National Gallery, London | 146 x 236 |
| The Death of Actaeon, with a Distant View of Montjovet, Val d'Aosta | 1837 | Tate Britain, London | 149.2 x 111.1 |
| Story of Apollo and Daphne | 1837 | Tate Britain, London | 109.9 x 198.8 |
| The Grand Canal: Scene - a Street in Venice | c.1837 | Huntington Library, San Marino, California | 150.5 x 112.4 |
| Fishing Boats with Hucksters Bargaining for Fish | 1837-38 | Art Institute of Chicago, Chicago | 174.5 × 224.9 |
| Steamer and Lightship; a study for 'The Fighting Temeraire' | 1838-39 | Tate Britain, London | 91.4 x 119.7 |
| Modern Italy: The Pifferari | 1838 | Kelvingrove Art Gallery and Museum, Glasgow | 92.6 x 123.2 |
| Phryne Going to the Public Baths as Venus: Demosthenes Taunted by Aeschines | 1838 | Tate Britain, London | 193 x 165.1 |
| The Fighting Temeraire | 1839 | National Gallery, London | 90.7 x 121.6 |
| Ancient Rome; Agrippina Landing with the Ashes of Germanicus | 1839 | Tate Britain, London | 91.4 x 121.9 |
| Modern Rome – Campo Vaccino | 1839 | J. Paul Getty Museum, Los Angeles | 90.2 × 122 |
| Margate Jetty | 1840 | National Museum Wales, Cardiff | 47 x 37 |
| Waves Breaking against the Wind | 1840 | Tate Britain, London | 60.4 x 95 |
| Waves Breaking on a Lee Shore at Margate (Study for 'Rockets and Blue Lights') | 1840 | Tate Britain, London | 59.7 x 95.2 |
| The Slave Ship | 1840 | Museum of Fine Arts, Boston | 91 × 123 |
| Seascape with Distant Coast | 1840 | Tate Britain, London | 91.4 x 121.9 |
| Seascape with Buoy | 1840 | Tate Britain, London | 91.4 x 121.9 |
| Bacchus and Ariadne | 1840 | Tate Britain, London | 78.7 x 78.7 |
| The New Moon; or, 'I've lost My Boat, You shan't have Your Hoop' | 1840 | Tate Britain, London | 5.4 x 81.3 |
| Neapolitan Fisher-girls Surprised Bathing by Moonlight | c.1840 | Huntington Library, San Marino, California | 65.7 x 81 |
| Venice from the Canale della Giudecca with the Church of Santa Maria della Salute | c. 1840 | Private Collection | 61 x 91.4 |
| Venice from the Giudecca | 1840 | Victoria & Albert Museum, London | 61 x 91.4 |
| Venice, the Bridge of Sighs | 1840 | Tate Britain, London | |
| Seascape with Storm Coming On | 1840 | Tate Britain, London | |
| Sun Setting over a Lake | 1840 | Tate Britain, London | |
| Giudecca, La Donna della Salute and San Giorgio | 1841 | Private Collection | 61 x 91.5 |
| Schloss Rosenau, Bavaria, Seat of HRH Prince Albert of Coburg | 1841 | Sudley House, Liverpool | |
| Dawn of Christianity (Flight into Egypt) | 1841 | Ulster Museum, Belfast | 79 x 79 |
| Peace - Burial at Sea | 1842 | Tate Britain, London | 87 x 86.7 |
| The Dogano, San Giorgio, Citella, from the Steps of the Europa | 1842 | Tate Britain, London | 61.6 x 92.7 |
| War. The Exile and the Rock Limpet | 1842 | Tate Britain, London | 79.4 x 79.4 |
| Snow Storm: Steam-Boat off a Harbour's Mouth | 1842 | Tate Britain, London | 91.4 x 121.9 |
| The Opening of the Wallhalla, 1842 | 1843 | Tate Britain, London | 112.7 x 200.7 |
| Shade and Darkness - the Evening of the Deluge | 1843 | Tate Britain, London | 78.7 x 78.1 |
| St Benedetto, Looking towards Fusina | 1843 | Tate Britain, London | 62.2 x 92.7 |
| The Sun of Venice Going to Sea | 1843 | Tate Britain, London | 61.6 x 92.1 |
| Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis | 1843 | Tate Britain, London | 78.7 x W 78.7 |
| The Evening of the Deluge | c. 1843 | National Gallery of Art, Washington, D.C. | 76 x 76 |
| Lake Lucerne: the Bay of Uri from above Brunnen | 1844 | Tate Britain, London | 72.7 x 98.3 |
| Heidelberg | 1844-5 | Tate Britain, London | 132.1 x 201.9 |
| Sunset From the Top of the Rigi | 1844 | Tate Britain, London | 71.1 x 96.5 |
| Off the Nore | 1840-1845 | Yale Center for British Art, Connecticut | 30.5 x 45.7 |
| A River Seen from a Hill | 1840-1845 | Tate Britain, London | 78.7 x 79.4 |
| Landscape with Water | 1840-1845 | Tate Britain, London | 121.9 x 182.2 |
| The Arrival of Louis-Philippe at Portsmouth, 8 October 1844 | 1844-45 | Tate Britain, London | 90.8 x 121.3 |
| The Disembarkation of Louis-Philippe at Portsmouth, 8 October 1844 | 1844-45 | Tate Britain, London | 90.2 x 120.6 |
| Rough Sea with Wreckage | 1840-1845 | Tate Britain, London | 92.1 x 122.6 |
| Yacht Approaching the Coast | 1840-1845 | Tate Britain, London | 102.2 x 142.2 |
| Venetian Scene | 1840-1845 | Tate Britain, London | 79.4 x 78.7 |
| Sunrise, with a Boat between Headlands | 1840-1845 | Tate Britain, London | 91.4 x 121.9 |
| Landscape | 1840-1845 | Walker Art Gallery, Liverpool | 92 x 122. |
| The Ponte Delle Torri, Spoleto | 1840-1845 | Tate Britain, London | 91.4 x 121.9 |
| Venice with the Salute | 1840-1845 | Tate Britain, London | 62.2 x 92.7 |
| A Wreck, with Fishing Boats | 1840-1845 | Tate Britain, London | 91.4 x 122.2 |
| Sunrise, a Castle on a Bay: 'Solitude' | 1840-1845 | Tate Britain, London | 90.8 x 121.9 |
| The Storm | 1840-1845 | National Museum Wales, Cardiff | 54.6 x 77 |
| The Morning after the Storm | 1840-1845 | National Museum Wales, Cardiff | 32.6 x 54.4 |
| Scene in Venice | 1840-1845 | Tate Britain, London | 62.2 x 92.7 |
| Rough Sea | 1840-1845 | Tate Britain, London | 91.4 x 121.9 |
| Stormy Sea Breaking on a Shore | 1840-1845 | Yale Centre for British Art, Connecticut | 44.5 x 63.5 |
| Venice Quay, Ducal Palace | 1844 | Tate Britain, London | 62.2 x 92.7 |
| Approach to Venice | 1844 | National Gallery of Art, Washington, D.C. | 62 x 94 |
| Rain, Steam and Speed – The Great Western Railway | 1844 | The National Gallery, London | 91 x 121.8 |
| Venice - Maria della Salute | 1844 | Tate Britain, London | 61.3 x 92.1 |
| Fishing Boats Bringing a Disabled Ship into Port Ruysdael | 1844 | Tate Britain, London | 91.4 x 123.2 |
| Whalers | 1845 | Tate Britain, London | 91.1 x 121.9 |
| Venice - Sunset, a Fisher | 1845 | Tate Britain, London | 61.3 x 92.1 |
| Venice - Noon | 1845 | Tate Britain, London | 61 x W 91.8 |
| Venetian Festival | 1845 | Tate Britain, London | 72.4 x 113.3 |
| Inverary Pier, Loch Fyne: Morning | 1845 | Yale Center for British Art, Connecticut | 91.4 x 121.9 |
| The Falls of the Clyde | 1845 | Lady Lever Art Gallery, Wirral | 89 x 119.5 |
| Falls of Schaffhausen (Val d’Aosta) | 1845 | National Gallery of Victoria, Melbourne | 91.5 × 122.0 |
| Sunrise with Sea Monsters | 1845 | Tate Britain, London | 91.4 x 121.9 |
| Riva degli Schiavone, Venice: Water Fête | 1845 | Tate Britain, London | 72.4 x 113 |
| Norham Castle, Sunrise | 1845 | Tate Britain, London | 90.8 x 121.9 |
| Whalers | c. 1845 | Metropolitan Museum of Art, New York City | 91.8 × 122.6 |
| 'Hurrah! for the Whaler Erebus! Another Fish!' | 1846 | Tate Britain, London | 90.2 x 120.6 |
| Going to the Ball (San Martino) | 1846 | Tate Britain, London | 61.6 x 92.4 |
| Queen Mab's Cave | 1846 | Tate Britain, London | 92.1 x 122.6 |
| The Angel Standing in the Sun | 1846 | Tate Britain, London | 78.7 x 78.7 |
| Undine Giving the Ring to Massaniello, Fisherman of Naples | 1846 | Tate Britain, London | 79.1 x 79.1 |
| Returning from the Ball (St Martha) | 1846 | Tate Britain, London | 61.6 x 92.4 |
| Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate Themselves | 1846 | Tate Britain, London | 89.9 x 120 |
| The Wreck Buoy | 1849 | Sudley House, Liverpool | 92.7 x 123.2 |
| Mercury Sent to Admonish Aeneas | 1850 | Tate Britain, London | 90.2 x 120.6 |
| The Visit to the Tomb | 1850 | Tate Britain, London | 91.4 x 121.9 |
| The Departure of the Fleet | 1850 | Tate Britain, London | 89.9 x 120.3 |