# List of compositions by Franz Schubert (1815)

Franz Schubert's compositions of 1815 are mostly in the Deutsch catalogue (D) range D 127–330, and include:
* Instrumental works:
** Symphony No. 3, D 200
** String Quartet No. 9, D 173
** Piano Sonata in E major, D 157
** Piano Sonata in C major, D 279
* Vocal music:
** Der vierjährige Posten, D 190
** Die Freunde von Salamanka, D 326
** Mass No. 2, D 167
** Mass No. 3, D 324
** Stabat Mater in G minor, D 175
** "Schwertlied", D 170
** "An die Freude", D 189
** "Rastlose Liebe", D 138
** "Der Mondabend", D 141
** "An Mignon", D 161
** "Wandrers Nachtlied", D 224
** "Heidenröslein", D 257
** "Vaterlandslied", D 287
** "Sehnsucht", D 310
** "Mignon", D 321
** "Hermann und Thusnelda", D 322
** "Harfenspieler", D 325
** "Erlkönig", D 328

## Table
### Legend

Legend to the table :
| column | column | content |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for Schubert's stage works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include: Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...") |

### List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1815 :
| D '51 | D utd | Op. pbl | AGA | NSA | Name | Key / incipit | Date | Additional info |
| 128 | 128 | (1897) | XXI, 3 No. 23 | VII/2, 6 | Twelve Viennese German Dances | Various keys | 1812? | For piano; Includes introduction; No. 12 related to D 32 |
| 129 | 129 | (1892) | XIX No. 16 | III, 4 No. 18 | Mailied, D 129 | Grüner wird die Au | 1815? | Text by Hölty (other settings: D 199 and 503); For ttb |
| 130 | 130 | (1892) | XIX No. 25 | III, 4 No. 19 VIII, 2 No. 24 | Der Schnee Zerrinnt | Der Schnee Zerrinnt | 1815? | Text by Hölty (other setting: D 202); Canon for three voices |
| 131 | 131 | (1892) | XIX No. 28 | III, 4 No. 20 VIII, 2 No. 26 | Lacrimoso son io | Lacrimoso son io | 1815? | Canon for three voices; Two versions: 2nd is "Lacrimosa son io" |
| 134 | 134 | 126p (1830) | XX, 2 No. 99 | IV, 7 No. 21 | Ballade | Ein Fräulein schaut vom hohen Turm | 1815? | Text by Kenner |
| 135 | 135 | (1930) | | VII/2, 6 | German Dance with Trio, D 135 | E major | 1815 | For piano; Variant of D 146 No. 3 (other Trio) |
| 136 | 136 | 46 (1825) | XIV No. 1 | I, 8 | Offertory, D 136, a.k.a. Offertory No. 1 | Totus in corde langueo C major | 1815? | For s or t, clarinet or violin, and orchestra |
| 137 | 137 | (1893) | XV, 7 No. 14 | II, 12 | Adrast | (Singspiel) | fall 1819– early 1820 | Text by Mayrhofer; For stbTTBB and orchestra; Nos. 1–8 complete (abandoned variants for some numbers, Nos. 1–7 in AGA) and sketches and fragments for six further numbers; Overture: D 648? |
| 138 | 138 | 5,1 (1821) (1970) | XX, 3 No. 177 | IV, 1a & b No. 6 | Rastlose Liebe | Dem Schnee, dem Regen, dem Wind entgegen | 19/5/1815– May 1821 | Text by Goethe; Two versions: 1st, in AGA, is Op. 5 No. 1 |
| 139 | 139 | (1930) | | VII/2, 6 | German Dance with Trio, D 139 | C♯ major (Trio in A major) | 1815 | For piano |
| 140 | 140 | (1850) | XVIII No. 6 | III, 3 No. 3 | Klage um Ali Bey, D 140 | Laßt mich! laßt mich! ich will klagen | 1815 | Text by Claudius (other setting: D 496A); For ttb (and piano?) |
| 141 | 141 | 131p,1 (1830) | XX, 2 No. 43 | IV, 7 No. 23 | Der Mondabend | Rein und freundlich lacht der Himmel | 1815 | Text by Kumpf [de] |
| 142 | 142 | 92,3 (1828) (1885) (1895) | XX, 3 No. 174 | IV, 5 | Geistes-Gruß | Hoch auf dem alten Turme steht | before Apr. 1816– after Nov. 1821 | Text by Goethe; Six versions: 2nd publ. in 1885 – 3rd and 5th not in AGA – 6th is Op. 92 No. 3 |
| 143 | 143 | 109p,2 (1829) | XX, 3 No. 181 | IV, 7 No. 24 | Genügsamkeit | Dort raget ein Berg aus den Wolken her | 1815 | Text by Schober; Intro in 1st ed. not by Schubert |
| 144 | 144 | (1895) | XXII, 11 No. 209 | IV, 7 Anh. No. 9 | Romanze, D 144 | In der Väter Hallen ruhte | April 1816 | Text by Stolberg-Stolberg; Fragment |
| 145 | 145 | 18 (1823) | XII No. 2 | VII/2, 6 & 7a | 12 Waltzes, 17 Ländler and 9 Écossaises, D 145 | Various keys | c. 1815– July 1821 | For piano; Waltz No. 7 ≈ D 970 No. 2; Écossaises Nos. 5 and 6 identical to D 421 No. 1 and 697 No. 5 |
| 146 | 146 | 127p (1824) (1830) | XII No. 8 | VII/2, 6 & 7a | 20 Waltzes, D 146, a.k.a. Letzte Walzer | Various keys | 1815– Feb. 1823 | For piano; No. 2 publ. in 1824, all 20 as Op. posth. 127 in 1830 |
| 147 | 147 | (1892) | XIX No. 15 | III, 4 No. 21 | Bardengesang | Rolle, du strömigter Carun | 20/1/1816? | Text by Macpherson (Ossian), from Comala, transl. by E. Baron de Harold |
| 148 | 148 | 131p,2 (1830) | XIX No. 8 | III, 3 No. 4 | Trinklied, D 148 | Brüder! unser Erdenwallen | February 1815 | Text by Castelli; For tTTB and piano |
| 149 | 149 | 117p (1829) (1894) | XX, 2 No. 45 | IV, 7 No. 25 | Der Sänger | Was hör' ich draußen vor dem Tür | February 1815 | Text by Goethe, from Wilhelm Meister's Apprenticeship; Two versions: 2nd is Op. posth. 117, AGA switches 1st and 2nd |
| 150 | 150 | (1830) | XX, 2 No. 44 | IV, 7 No. 26 | Lodas Gespenst | Der bleiche, kalte Mond erhob sich im Osten | 17/1/1816 | Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold; 1st ed. replaces end by music from D 277 |
| 151 | 151 | (1850) | XX, 2 No. 39 | IV, 7 No. 27 | Auf einen Kirchhof | Sei gegrüßt, geweihte Stille | 2/2/1815 | Text by Schlechta [de] |
| 152 | 152 | (1894) | XX, 2 No. 40 | IV, 7 No. 28 | Minona | Wie treiben die Wolken so finster und schwer | 8/2/1815 | Text by Bertrand [scores] |
| 153 | 153 | (1845) | XX, 2 No. 41 | IV, 7 No. 29 | Als ich sie erröten sah | All mein Wirken, all mein Leben | 10/2/1815 | Text by Ehrlich [scores] |
| 154 | 154 | (1897) | XXI, 2 No. 8 | VII/2, 1 Anh. No. 1 | Piano Sonata, D 154 | E major | 11/2/1815 | Allegro (fragment); Partly reused in D 157 |
| 155 | 155 | 165p,3 (1862) | XX, 2 No. 42 | IV, 7 No. 30 | Das Bild | Ein Mädchen ist's | 10/2/1815 | |
| 156 | 156 | (1887) | XI No. 6 | VII/2, 4 & Anh. | Ten Variations, D 156 | F major | completed 15/2/1815 | For piano; Variant of Theme and Var. II |
| 157 | 157 | (1888) | X No. 1 | VII/2, 1 No. 1 | Piano Sonata, D 157 | E major | started 18/2/1815 | Allegro ma non troppo (partly reuses D 154) – Andante – Minuet |
| 158 | 158 | (1889) | XII No. 29 | VII/2, 6 | Écossaise, D 158 | D minor – F major | 21/2/1815 | For piano |
| 159 | 159 | 116p (1829) (1968) | XX, 2 No. 46 | IV, 7 No. 31 | Die Erwartung | Hör' ich das Pförtchen nicht gehen? | May 1816 | Text by Schiller; Two versions: 2nd, in AGA, is Op. posth. 116 |
| 160 | 160 | (1894) | XX, 2 No. 47 | IV, 13 | Am Flusse, D 160 | Verfließet, vielgeliebte Lieder | 27/2/1815 | Text by Goethe (other setting: D 766) |
| 161 | 161 | 19,2 (1825) (1894) | XX, 2 No. 48 | IV, 1a & b No. 14 | An Mignon | Über Tal und Fluß getragen | 27/2/1815 | Text by Goethe; Two versions: 2nd is Op. 19 No. 2 |
| 162 | 162 | 5,2 (1821) (1894) | XX, 2 No. 49 | IV, 1a & Anh. No. 2 | Nähe des Geliebten | Ich denke dein, wenn mir der Sonne Schimmer | 27/2/1815 | Text by Goethe; Two versions: 2nd is Op. 5 No. 2 |
| 163 | 163 | (1894) | XX, 2 No. 50 | IV, 8 No. 1 | Sängers Morgenlied, D 163 | Süßes Licht! Aus goldnen Pforten | 27/2/1815 | Text by Körner (other setting: D 165) |
| 164 | 164 | | | IV, 8 Anh. No. 1 | Liebesrausch, D 164 | Glanz des Guten und des Schönen strahlt mir dein hohes Bild | March 1815 | Text by Körner (other setting: D 179); Fragment |
| 165 | 165 | (1872) | XX, 2 No. 51 | IV, 8 No. 2 | Sängers Morgenlied, D 165 | Süßes Licht! Aus goldnen Pforten | 1/3/1815 | Text by Körner (other setting: D 163) |
| 166 | 166 | (1894) | XX, 2 No. 52 | IV, 8 No. 3 | Amphiaraos | Vor Thebens siebenfach gähnenden Toren | 1/3/1815 | Text by Körner |
| 167 | 167 | (1846) | XIII, 1 No. 2 | I, 1b | Mass No. 2 | G major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei | 2/3/1815– 7/3/1815 | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 324, 452, 678, 755 and 950); For stbSATB and orchestra; Tr and Ti added by Ferd. Schubert; R. Führer as composer in 1st publ. |
| 168 | 168 | (1872) | XVII No. 16 | III, 2a No. 2 | Nun laßt uns den Leib begraben, a.k.a. Begräbnislied | Begrabt den Leib in seiner Gruft | 9/3/1815 | Text by Klopstock; For SATB and piano |
| 987 | 168A | (1872) | XVII No. 17 | III, 2a No. 3 | Jesus Christus unser Heiland, der den Tod überwand, a.k.a. Osterlied | Überwunden hat der Herr den Tod! | 9/3/1815 | Text by Klopstock; For SATB and piano |
| 169 | 169 | (1894) | XX, 2 No. 53 | III, 3 No. 10 Anh. I No. 1 | Trinklied vor der Schlacht | Schlacht, du brichst an! | 12/3/1815 | Text by Körner; For double unison choir and piano |
| 170 | 170 | (1873) | XX, 2 No. 54 | III, 3 No. 11 | Schwertlied | Du Schwert an meiner Linken | 12/3/1815 | Text by Körner; For voice, unison choir and piano |
| 171 | 171 | (1831) | XX, 2 No. 55 | IV, 8 No. 4 | Gebet während der Schlacht | Vater, ich rufe dich! | 12/3/1815 | Text by Körner |
| 172 | 172 | | | IV, 8 Anh. No. 3 | Der Morgenstern, D 172 | Stern der Liebe, Glanzgebilde | 12/3/1815 | Text by Körner (other setting: D 203); Fragment |
| 173 | 173 | (1871) | V No. 9 | VI, 4 No. 11 | String Quartet No. 9 | G minor | 25/3/1815– 1/4/1815 | Allegro con brio – Andantino – Minuet – Allegro |
| 174 | 174 | (1845) | XX, 2 No. 56 | IV, 8 No. 5 | Das war ich, D 174 | Jüngst träumte mir | 26/3/1815 | Text by Körner; D. 174 used to include Das war ich, D deest |
| 174 | deest | (1894) | XXII, 11 No. 56 | IV, 8 Anh. No. 2 | Das war ich, D deest | | June 1816 | Fragment; Music without text, title identical to D 174 |
| 175 | 175 | (1888) | XIV No. 12 | I, 9 No. 1 | Stabat Mater, D 175 | G minor Stabat Mater dolorosa | 4/4/1815– 6/4/1815 | For SATB and orchestra |
| 176 | 176 | (1872) | XX, 2 No. 57 | IV, 8 No. 6 | Die Sterne, D 176 | Was funkelt ihr so mild mich an | 6/4/1815 | Text by Fellinger [wikisource:de] |
| 177 | 177 | 173p,3 (1867) | XX, 2 No. 58 | IV, 8 No. 7 | Vergebliche Liebe | Ja, ich weiß es, diese treue Liebe | 6/4/1815 | Text by Bernard |
| | 177A | | | VIII, 3 | Am ersten Mai | Ich ging mit ihr im Freien | before 1821 | Text by Bernard; Music lost; Spurious? |
| 178 | 178 | (1897) | XXI, 3 No. 22 | VII/2, 4 & Anh. | Adagio in G major, D 178 | G major | 8/4/1815 | For piano; Two versions: 2nd is a fragment |
| 179 | 179 | (1872) | XX, 2 No. 59 | IV, 8 No. 8 | Liebesrausch, D 179 | Dir, Mädchen, schlägt mit leisem Beben | 8/4/1815 | Text by Körner; (other setting: D 164) |
| 180 | 180 | (1894) | XX, 2 No. 60 | IV, 8 No. 9 | Sehnsucht der Liebe | Wie die Nacht mit heil'gem Beben | 8/4/1815 | Text by Körner |
| 181 | 181 | (1888) | XIV No. 4 | I, 9 No. 2 | Offertory, D 181 | Tres sunt, qui testimonium dant in coelo A minor | 10/4/1815– 11/4/1815 | For SATB and orchestra |
| 182 | 182 | (1842) | XX, 2 No. 61 | IV, 8 No. 10 | Die erste Liebe | Die erste Liebe füllt das Herz | 12/4/1815 | Text by Fellinger [wikisource:de] |
| 183 | 183 | (1887) | XX, 2 No. 62 | III, 3 No. 12 | Trinklied, D 183 | Ihr Freunde und du, gold'ner Wein | 12/4/1815 | Text by Zettler [wikisource:de]; For voice, unison choir and piano |
| 184 | 184 | 150p (1843) | XIV No. 5 | I, 9 No. 3 | Gradual, D 184 | Benedictus es, Domine C major | 15/4/1815– 17/4/1815 | For SATB and orchestra |
| 185 | 105 | | | | | | | See D 105 |
| 186 | 186 | (1894) | XX, 2 No. 65 | IV, 8 No. 11 | Die Sterbende | Heil! dies ist die letze Zähre | May 1815 | Text by Matthisson |
| 187 | 187 | (1894) | XX, 2 No. 63 | IV, 10 | Stimme der Liebe, D 187 | Abendgewölke schweben hell | May 1815 | Text by Matthisson (other setting: D 418) |
| 188 | 188 | (1887) | XX, 2 No. 64 | IV, 8 No. 12 | Naturgenuß, D 188 | Im Abendschimmer wallt der Quell | May 1815 | Text by Matthisson (other setting: D 422) |
| 189 | 189 | 111p,1 (1829) | XX, 2 No. 66 | III, 3 No. 13 | An die Freude | Freude, schöner Götterfunken | May 1815 | Text by Schiller; For voice, unison choir and piano |
| 190 | 190 | (1888) | XV, 2 No. 2 | II, 2 IV, 14 | Der vierjährige Posten | (Singspiel in one act) Includes: 5. Gott! Gott! höre meine Stimme | 8/5/1815– 19/5/1815 | Text by Körner; Music for stttbSATB and orchestra; Overture – Nos. 1–8 (No. 5 also for voice and piano) |
| 191 | 191 | 58,3 (1826) (1894) | XX, 2 No. 67 | IV, 3 | Des Mädchens Klage, D 191 | Der Eichwald brauset | 15/5/1815 | Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 389); Two versions: 2nd is Op. 58 No. 3 |
| 192 | 192 | (1887) | XX, 2 No. 68 | IV, 4 | Der Jüngling am Bache, D 192 | An der Quelle saß der Knabe | 15/5/1815 | Text by Schiller (other settings: D 30 and 638) |
| 193 | 193 | 57,3 (1826) | XX, 2 No. 69 | IV, 3 | An den Mond, D 193 | Geuß, lieber Mond, geuß deine Silberflimmer | 17/5/1815 | Text by Hölty; Autograph without piano intro |
| 194 | 194 | (1894) | XX, 2 No. 70 | IV, 8 No. 13 | Die Mainacht | Wann der silberne Mond | 17/5/1815 | Text by Hölty |
| 195 | 195 | 173p,1 (1867) | XX, 2 No. 71 | IV, 8 No. 14 | Amalia | Schön wie Engel voll Walhallas Wonne | 19/5/1815 | Text by Schiller, from Die Räuber III, 1 |
| 196 | 196 | 172p,3 (1865) | XX, 2 No. 72 | IV, 8 No. 15 | An die Nachtigall | Geuß nicht so laut der liebentflammten Lieder | 22/5/1815 | Text by Hölty |
| 197 | 197 | (1850) | XX, 2 No. 73 | IV, 8 No. 16 | An die Apfelbäume, wo ich Julien erblickte | Ein heilig Säuseln und ein Gesangeston | 22/5/1815 | Text by Hölty |
| 198 | 198 | (1894) | XX, 2 No. 74 | IV, 8 No. 17 | Seufzer | Die Nachtigall singt überall | 22/5/1815 | Text by Hölty |
| 199 | 199 | (1885) | XIX No. 30 | III, 4 No. 22 | Mailied, D 199 | Grüner wird die Au | 24/5/1815 | Text by Hölty (other settings: D 129 and 503); For two voices or two horns |
| 200 | 200 | (1884) | I, 1 No. 3 | V, 1 No. 3 | Symphony No. 3 | D major | 24/5/1815– 19/6/1815 | Adagio maestoso, Allegro con brio – Allegretto – Minuet – Presto vivace |
| 201 | 201 | (1970) | | IV, 10 | Auf den Tod einer Nachtigall, D 201 | Sie ist dahin, die Maienlieder tönte | 25/5/1815 | Text by Hölty (other setting: D 399); Fragment |
| 202 | 202 | (1885) | XIX No. 31 | III, 4 No. 23 | Mailied, D 202 | Der Schnee Zerrinnt | 26/5/1815 | Text by Hölty (other setting: D 130); For two voices or two horns |
| 203 | 203 | (1892) | XIX No. 32 | III, 4 No. 24 | Der Morgenstern, D 203 | Stern der Liebe, Glanzgebilde | 26/5/1815 | Text by Körner (other setting: D 172); For two voices or two horns |
| 204 | 204 | (1892) | XIX No. 33 | III, 4 No. 25 | Jägerlied | Frisch auf, ihr Jäger | 26/5/1815 | Text by Körner; For two voices or two horns |
| | 204A | | | IV, 8 Anh. No. 4 | Das Traumbild | | May 1815 | Text by Hölty; Music lost |
| 205 | 205 | (1892) | XIX No. 34 | III, 4 No. 26 | Lützows wilde Jagd | Was glänzt dort vom Walde im Sonnenschein? | 26/5/1815 | Text by Körner; For two voices or two horns |
| 206 | 206 | (1872) | XX, 2 No. 75 | IV, 8 No. 18 | Liebeständelei | Süßes Liebchen | 26/5/1815 | Text by Körner |
| 207 | 207 | (1894) | XX, 2 No. 76 | IV, 8 No. 19 | Der Liebende | Beglückt, beglückt | 29/5/1815 | Text by Hölty |
| 208 212 | 208 | (1895) (1897) | XX, 2 No. 77; XXII, 11 No. 77 | IV, 8 No. 20 & Anh. No. 5 | Die Nonne | Es liebt' in Welschland irgendwo | 29/5/1815 | Text by Hölty, from Balladen, No. 5; Two versions: 1st is fragment, incomplete in AGA – 2nd was D 212 |
| 209 | 209 | 38 (1825) | XX, 2 No. 98 | IV, 2a | Der Liedler | Gib, Schwester, mir die Harf herab | January 1815 | Text by Kenner |
| 210 | 210 | (1838) | XX, 2 No. 78 | IV, 8 No. 21 | Die Liebe, D 210, a.k.a. Klärchens Lied | Freudvoll und leidvoll | 3/6/1815 | Text by Goethe, from Egmont, Act III, Scene 2, Clärchen's song |
| 211 | 211 | (1894) | XX, 2 No. 79 | IV, 8 No. 22 | Adelwold und Emma | Hoch und ehern schier von Dauer | 5/6/1815– 14/6/1815 | Text by Bertrand [scores] |
| 212 | 208 | | | | | | | See D 208 |
| 213 | 213 | 172p,1 (1865) | XX, 2 No. 80 | IV, 8 No. 23 | Der Traum | Mir träumt', ich war ein Vögelein | 17/6/1815 | Text by Hölty, from Balladen, No. 6 |
| 214 | 214 | 172p,2 (1865) | XX, 2 No. 81 | IV, 8 No. 24 | Die Laube | Nimmer werd' ich, nimmer dein vergessen | 17/6/1815 | Text by Hölty |
| 215 | 215 | (1906) | | IV, 1b No. 4 | Jägers Abendlied, D 215 | Im Felde schleich ich, still und wild | 20/6/1815 | Text by Goethe (other setting: D 368) |
| 216 | 215A | (1952) | | IV, 1a & b No. 3 | Meeres Stille, D 215A | Tiefe Stille herrscht im Wasser | 20/6/1815 | Text by Goethe (other setting: D 216) |
| 216 | 216 | 3,2 (1821) | XX, 2 No. 82 | IV, 1a | Meeres Stille, D 216 | Tiefe Stille herrscht im Wasser | 21/6/1815 | Text by Goethe (other setting: D 215A) |
| 217 | 217 | (1830) | XX, 2 No. 83 | IV, 8 No. 25 | Kolmas Klage | Rund um mich Nacht | 22/6/1815 | Text by Macpherson (Ossian), from The Songs of Selma (transl.) |
| 218 | 218 | (1848) | XX, 2 No. 84 | IV, 8 No. 26 | Grablied | Er fiel den Tod für's Vaterland | 24/6/1815 | Text by Kenner |
| 219 | 219 | (1848) | XX, 2 No. 85 | IV, 8 No. 27 | Das Finden | Ich hab ein Mädchen funden | 25/6/1815 | Text by Kosegarten |
| 220 | 220 | (1888) | XV, 2 No. 3 | II, 2 | Fernando | (Singspiel in one act) | Jun. 1815– 9/7/1815 | Text by Stadler, A. [scores]; Music for sstbb and orchestra; Nos. 1–7 |
| 221 | 221 | 118p,2 (1829) | XX, 2 No. 95 | IV, 8 No. 28 | Der Abend, D 221 | Der Abend blüht, Temora glüht | 15/7/1815 | Text by Kosegarten |
| 222 | 222 | (1885) | XX, 2 No. 86 | IV, 8 No. 29 | Lieb Minna: Romanze | Schwüler Hauch weht mir herüber | 2/7/1815 | Text by Stadler, A. [scores] |
| 223 | 223 | 47 (1825) | XIV No. 2 | I, 8 | Salve Regina, D 223, a.k.a. Offertory No. 2 | F major Salve Regina | 5/7/1815 28/1/1823 | Text: Salve Regina (other settings: D 27, 106, 386, 676 and 811); For s and orchestra; Two versions: 2nd, in AGA, is Op. 47 |
| 224 | 224 | 4,3 (1821) | XX, 2 No. 87 | IV, 1a | Wandrers Nachtlied, D 224 | Der du von dem Himmel bist | 5/7/1815 | Text by Goethe |
| 225 | 225 | 5,3 (1821) (1970) | XX, 2 No. 88 | IV, 1a & b No. 7 | Der Fischer | Das Wasser rauscht', das Wasser schwoll | 5/7/1815 | Text by Goethe; Two versions: 2nd, in AGA, is Op. 5 No. 3 |
| 226 | 226 | 5,4 (1821) | XX, 2 No. 89 | IV, 1a | Erster Verlust | Ach, wer bringt die schönen Tage | 5/7/1815 | Text by Goethe |
| 227 | 227 | (1885) | XX, 2 No. 90 | IV, 8 No. 30 | Idens Nachtgesang | Vernimm es Nacht, was Ida dir vertrauet | 7/7/1815 | Text by Kosegarten |
| 228 | 228 | (1894) | XX, 2 No. 91 | IV, 8 No. 31 | Von Ida | Der Morgen blüht, der Osten glüht | 7/7/1815 | Text by Kosegarten |
| 229 | 229 | 108,3 (1824) | XX, 2 No. 92 | IV, 5 | Die Erscheinung, a.k.a. Erinnerung, D 229 | Ich lag auf grünen Matten | 7/7/1815 | Text by Kosegarten; Publ. as Op. 108 No. 3 in 1829 |
| 230 | 230 | 165p,4 (1855) | XX, 2 No. 93 | IV, 8 No. 32 | Die Täuschung | Im Erlenbusch, im Tannenhain | 7/7/1815 | Text by Kosegarten; Publ. as Op. posth. 165 No. 4 in 1862 |
| 231 | 231 | 172p,4 (1865) | XX, 2 No. 94 | IV, 8 No. 33 | Das Sehnen | Wehmut, die mich hüllt | 8/7/1815 | Text by Kosegarten |
| 232 | 232 | 112p,3 (1829) | XVII No. 8 | III, 2a No. 6 2b Anh. No. 2 | Hymne an den Unendlichen | Zwischen Himmel und Erd' | 11/7/1815 | Text by Schiller; For satb and piano |
| 233 | 233 | 118p,1 (1829) | XX, 2 No. 96 | IV, 8 No. 34 | Geist der Liebe, D 233 | Wer bist du, Geist der Liebe | 15/7/1815 | Text by Kosegarten |
| 234 | 234 | 118p,3 (1829) | XX, 2 No. 97 | IV, 8 No. 35 | Tischlied | Mich ergreift, ich weiß nicht wie | 15/7/1815 | Text by Goethe |
| 235 | 235 | (1894) | XX, 2 No. 100 | IV, 8 No. 36 | Abends unter der Linde, D 235 | Woher, o namenloses Sehnen | 24/7/1815 | Text by Kosegarten (other setting: D 237) |
| 236 | 236 | (1892) | XIX No. 6 | III, 2a No. 7 | Das Abendrot, D 236 | Der Abend blüht, der Westen glüht! | 20/7/1815 | Text by Kosegarten; for ssb and piano |
| 237 | 237 | (1872) | XX, 2 No. 101 | IV, 8 No. 37 | Abends unter der Linde, D 237 | Woher, o namenloses Sehnen | 25/7/1815 | Text by Kosegarten (other setting: D 235) |
| 238 | 238 | (1894) | XX, 2 No. 102 | IV, 8 No. 38 | Die Mondnacht | Siehe, wie die Mondesstrahlen | 25/7/1815 | Text by Kosegarten |
| 239 | 239 | (1893) | XV, 7 No. 11 | II, 14 | Claudine von Villa Bella | (Singspiel in three acts) | started 26/7/1815 | Text by Goethe; For ssttbbSATB and orchestra; Overture (in AGA) – Nos. 1–8 (Act I, in AGA) – No. 9 (fragment from Act II) – No. 10 (fragment from Act III); Other music lost |
| 240 | 240 | (1894) | XX, 2 No. 103 | IV, 8 No. 39 | Huldigung | Ganz verloren, ganz versunken | 27/7/1815 | Text by Kosegarten |
| 241 | 241 | (1894) | XX, 2 No. 104 | IV, 8 No. 40 | Alles um Liebe | Was ist es, das die Seele füllt? | 27/7/1815 | Text by Kosegarten |
| 242 | 242 | (1892) | XIX No. 18 | III, 4 No. 27 | Trinklied im Winter, a.k.a. Winterlied, D 242 | Das Glas gefüllt! | August 1815? | Text by Hölty (other setting: D 242A); For ttb |
| | 242A | | | IV, 8 No. 41 | Winterabend, D 242A, a.k.a. Winterlied | Das Glas gefüllt! | 1815? | Text by Hölty (other setting: D 242) |
| 243 | 243 | (1892) | XIX No. 19 | III, 4 No. 28 | Frühlingslied, D 243 | Die Luft ist blau | August 1815? | Text by Hölty (other setting: D 398); For ttb |
| 244 | 244 | (1892) | XIX No. 27 | III, 4 No. 29 VIII, 2 No. 25 | Willkommen, lieber schöner Mai | Willkommen, lieber schöner Mai | August 1815? | Text by Hölty; Canon for three voices in two sections |
| 245 | 587 | | | | | | | See D 587 |
| 246 | 246 | (1830) | XX, 3 No. 109 | IV, 8 No. 42 | Die Bürgschaft, D 246 | Zu Dionys, dem Tyrannen | August 1815 | Text by Schiller; Partly reused in D 435 |
| 247 | 247 | 118p,6 (1829) | XX, 3 No. 119 | IV, 8 No. 43 | Die Spinnerin | Als ich still und ruhig spann | August 1815 | Text by Goethe |
| 248 | 248 | 118p,4 (1829) | XX, 3 No. 135 | IV, 8 No. 44 | Lob des Tokayers | O köstlicher Tokayer, o königlicher Wein | August 1815 | Text by Baumberg |
| 249 | 249 | | | III, 2b Anh. No. 4a | Die Schlacht, D 249 | Schwer und dumpfig | 1/8/1815 | Text by Schiller (other setting: D 387); Sketch |
| 250 | 250 | (1872) | XX, 3 No. 105 | IV, 13 | Das Geheimnis, D 250 | Sie konnte mir kein Wörtchen sagen | 7/8/1815 | Text by Schiller (other setting: D 793) |
| 251 | 251 | (1872) | XX, 3 No. 106 | IV, 4 | Hoffnung, D 251 | Es reden und träumen die Menschen viel | 7/8/1815 | Text by Schiller (other setting: D 637) |
| 252 | 252 | (1887) | XX, 3 No. 108 | IV, 8 No. 46 | Das Mädchen aus der Fremde, D 252 | In einem Tal bei armen Hirten | 12/8/1815 | Text by Schiller (other setting: D 117) |
| 253 | 253 | (1887) | XX, 3 No. 110 | III, 4 No. 30 IV, 8 No. 47 | Punschlied: Im Norden zu singen | Auf der Berge freien Höhen | 18/8/1815 | Text by Schiller; Two versions: 2nd for two voices |
| 254 | 254 | (1887) | XX, 3 No. 111 | IV, 8 No. 48 | Der Gott und die Bajadere | Mahadöh, der Herr der Erde | 18/8/1815 | Text by Goethe |
| 255 | 255 | (1850) | XX, 3 No. 112 | IV, 8 No. 49 | Der Rattenfänger | Ich bin der wohlbekannte Sänger | 19/8/1815 | Text by Goethe |
| 256 | 256 | (1887) | XX, 3 No. 113 | IV, 8 No. 50 | Der Schatzgräber | Arm am Beutel, krank am Herzen | 19/8/1815 | Text by Goethe |
| 257 | 257 | 3,3 (1821) | XX, 3 No. 114 | IV, 1a | Heidenröslein | Sah ein Knab' ein Röslein stehn | 19/8/1815 | Text by Goethe |
| 258 | 258 | (1887) | XX, 3 No. 115 | IV, 8 No. 51 | Bundeslied | In allen guten Stunden | 19/8/1815 | Text by Goethe |
| 259 | 259 | (1850) | XX, 3 No. 116 | IV, 9 No. 27 | An den Mond, D 259 | Füllest wieder Busch und Tal | 19/8/1815 | Text by Goethe (other setting: D 296) |
| 260 | 260 | 115p,2 (1829) | XX, 3 No. 117 | IV, 8 No. 52 | Wonne der Wehmut | Trocknet nicht, trocknet nicht | 20/8/1815 | Text by Goethe; Reused in D |
| 261 | 261 | (1850) | XX, 3 No. 118 | IV, 8 No. 53 | Wer kauft Liebesgötter? | Von allen schönen Waren | 21/8/1815 | Text by Goethe, from Der Zauberflöte zweiter Teil |
| 262 | 262 | (1895) | XX, 3 No. 134 | IV, 9 No. 1 | Die Fröhlichkeit | Wess' Adern leichtes Blut durchspringt | 22/8/1815 | Text by Prandstätter [de] |
| 263 | 263 | (1848) | XX, 3 No. 123 | IV, 9 No. 2 | Cora an die Sonne | Nach so vielen trüben Tagen | 22/8/1815 | Text by Baumberg |
| 264 | 264 | (1850) (1872) | XX, 3 No. 124 | IV, 9 No. 3 | Der Morgenkuß | Durch eine ganze Nacht sich nah zu sein | 22/8/1815 | Text by Baumberg; Two versions: 2nd, publ. in 1850, in AGA |
| 265 | 265 | (1895) | XX, 3 No. 125 | IV, 9 No. 4 | Abendständchen: An Lina | Sei sanft wie ihre Seele | 23/8/1815 | Text by Baumberg |
| 266 | 266 | (1895) | XX, 3 No. 126 | IV, 9 No. 5 | Morgenlied, D 266 | Willkommen, rotes Morgenlicht! | 24/8/1815 | Text by Stolberg-Stolberg |
| 267 | 267 | (1872) | XVI No. 17 | III, 3 No. 19 | Trinklied, D 267 | Auf! Jeder sei nun froh und sorgenfrei! | 25/8/1815 | For ttbb and piano |
| 268 | 268 | (1872) | XVI No. 18 | III, 3 No. 20 | Bergknappenlied | Hinab, ihr Brüder, in den Schacht! | 25/8/1815 | For ttbb and piano |
| 269 | 269 | (1848) | XVIII No. 5 | III, 3 No. 5 Anh. IV No. 2 | Das Leben | Das Leben ist ein Traum | 25/8/1815 | Text by Wannovius [scores]; Two versions: 1st for tbb and piano – 2nd, in AGA, for ssa and piano |
| 270 | 270 | 118p,5 (1829) | XX, 3 No. 127 | IV, 9 No. 6 | An die Sonne, D 270 | Sinke, liebe Sonne | 25/8/1815 | Text by Baumberg |
| 271 | 271 | (1895) | XX, 3 No. 128 | IV, 9 No. 7 | Der Weiberfreund | Noch fand von Evens Töchterscharen ich keine | 25/8/1815 | Text by Ratschky [de], after Cowley |
| 272 | 272 | (1872) | XX, 3 No. 129 | IV, 9 No. 8 | An die Sonne, D 272 | Königliche Morgensonne | 25/8/1815 | Text by Tiedge |
| 273 | 273 | (1895) | XX, 3 No. 130 | IV, 9 No. 9 | Lilla an die Morgenröte | Wie schön bist du, du güldne Morgenröte | 25/8/1815 | |
| 274 | 274 | (1850) | XX, 3 No. 131 | IV, 9 No. 10 | Tischlerlied | Mein Handwerk geht durch alle Welt | 25/8/1815 | |
| 275 | 275 | (1895) | XX, 3 No. 132 | IV, 9 No. 11 | Totenkranz für ein Kind | Sanft wehn, im Hauch der Abendluft | 25/8/1815 | Text by Matthisson |
| 276 | 276 | (1895) | XX, 3 No. 133 | IV, 9 No. 12 | Abendlied, D 276 | Groß und rotenflammet | 28/8/1815 | Text by Stolberg-Stolberg |
| 277 | 277 | (1892) | XIX No. 7 | III, 3 No. 6 | Punschlied, D 277 | Vier Elemente, inning gesellt | 29/8/1815 | Text by Schiller; For ttb and piano |
| | 277A | (1925) | | VII/2, 4 | Minuet with Trio, D 277A | A minor (minuet) / F major (trio) | September 1815? | For piano; Partly reused in D 279 |
| 278 | 278 | (1830) (1897) | XX, 3 No. 147; XXII, 11 No. 147 | IV, 9 No. 13 Anh. No. 1 | Ossians Lied nach dem Falle Nathos | Beugt euch aus euren Wolken nieder | 1815 | Text by Macpherson (Ossian), from Dar-Thula, transl. by E. Baron de Harold; Two versions: 1st is a fragment – 2nd publ. in 1830 |
| 279 | 279 | (1888) | X No. 2 | VII/2, 1 No. 2 | Piano Sonata, D 279 | C major | September 1815 | Allegro moderato – Andante – Minuet (partly based on D 277A); D 309A, or 346, may be 4th movement |
| 280 | 280 | (1837) | XX, 3 No. 139 | IV, 9 No. 14 | Das Rosenband | Im Frühlingsgarten fand ich sie | September 1815 | Text by Klopstock |
| 281 | 281 | (1830) | XX, 3 No. 148 | IV, 9 No. 15 | Das Mädchen von Inistore | Mädchen Inistores, wein auf dem Felsen | September 1815 | Text by Macpherson (Ossian), from Fingal, Book I, transl. by E. Baron de Harold |
| 282 | 282 | (1830) | XX, 4 No. 188 | IV, 9 No. 16 | Cronnan | Ich sitz' bei der moosigten Quelle | 5/9/1815 | Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold |
| 283 | 283 | 172p,5 (1865) | XX, 3 No. 136 | IV, 11 | An den Frühling, D 283 | Willkommen, schöner Jüngling! | 6/9/1815 | Text by Schiller (other settings: D 338 and 587) |
| 284 | 284 | (1895) | XX, 3 No. 137 | IV, 9 No. 17 | Lied, D 284 | Es ist so angenehm, so süß | 6/9/1815 | Text by Schiller(?) |
| 285 | 285 | (1885) (1895) | XX, 3 No. 138 | IV, 9 No. 18 Anh. No. 2 | Furcht der Geliebten, a.k.a. An Cidli | Cidli, du weinest | 12/9/1815 | Text by Klopstock, from Oden; Two versions: 2nd publ. in 1885 |
| 286 | 286 | (1837) (1895) | XX, 3 No. 140 | IV, 9 No. 19 | Selma und Selmar | Weine du nicht | 14/9/1815 | Text by Klopstock; Two versions: 2nd publ. in 1837 |
| 287 | 287 | (1895) | XX, 3 No. 141 | IV, 9 No. 20 | Vaterlandslied | Ich bin ein deutsches Mädchen | 14/9/1815 | Text by Klopstock, from Oden; Two versions |
| 288 | 288 | (1895) | XX, 3 No. 142 | IV, 9 No. 21 | An Sie | Zeit, Verkündigerin der besten Freuden | 14/9/1815 | Text by Klopstock, from Oden |
| 289 | 289 | (1895) | XX, 3 No. 143 | IV, 9 No. 22 | Die Sommernacht | Wenn der Schimmer von dem Monde | 14/9/1815 | Text by Klopstock; Two versions |
| 290 | 290 | (1837) | XX, 3 No. 144 | IV, 9 No. 23 | Die frühen Gräber | Willkommen, o silberner Mond | 14/9/1815 | Text by Klopstock, from Oden |
| 291 | 291 | (1831) (1895) | XX, 3 No. 145 | IV, 9 No. 24 | Dem Unendlichen | Wie erhebt sich das Herz | 15/9/1815 | Text by Klopstock; Three versions: 2nd publ. in 1831 |
| 292 | 371 | | | | | | | See D 371 |
| 293 | 293 | (1830) | XX, 3 No. 146 | IV, 9 No. 25 | Shilric und Vinvela | Mein Geliebter ist ein Sohn des Hügels | 20/9/1815 | Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold |
| 294 | 294 | (1892) | XVII No. 4 | III, 1 | Namensfeier für Franz Michael Vierthaler, a.k.a. Gratulations-Kantate | Erhabner! Verehrter Freund der Jugend! | 27/9/1815 | For stbSTB and orchestra |
| 295 | 295 | (1872) (1895) | XX, 3 No. 175 | IV, 9 No. 26 | Hoffnung, D 295 | Schaff, das Tagwerk meiner Hände | 1815 or 1816? | Text by Goethe; Two versions: 1st publ. in 1872 |
| 296 | 296 | (1868) | XX, 3 No. 176 | IV, 9 No. 28 | An den Mond, D 296 | Füllest wieder Busch und Tal | 1815 or 1816? | Text by Goethe (other setting: D 259) |
| 297 | 297 | (1850) (1895) | XX, 3 No. 171 | IV, 9 No. 29 Anh. No. 3 | Augenlied | Süße Augen, klare Bronnen! | spring 1817? | Text by Mayrhofer; Two versions: 2nd publ. in 1850 |
| 298 | 298 | (1895) | XX, 3 No. 170 | IV, 9 No. 30 | Liane | Hast du Lianen nicht gesehen? | October 1815 | Text by Mayrhofer |
| 299 | 299 | (1897) (1912) | XXI, 3 No. 29 | VII/2, 6 | Twelve Écossaises, D 299 | Various keys | 3/10/1815 | For piano; No. 1 similar to D 145 Écoss. No. 1; Nos. 9–12 publ. in 1912 |
| 300 | 300 | (1842) | XX, 6 No. 398 | IV, 9 No. 31 | Der Jüngling an der Quelle | Leise, rieselnder Quell | 1816 or 1817? | Text by Salis-Seewis |
| 301 | 301 | (1842) | XX, 3 No. 149 | IV, 9 No. 32 | Lambertine | O Liebe, die mein Herz erfüllet | 12/10/1815 | Text by Stoll [scores] |
| 302 | 302 | (1895) | XX, 3 No. 150 | IV, 9 No. 33 | Labetrank der Liebe | Wenn im Spiele leiser Töne | 15/10/1815 | Text by Stoll [scores] |
| 303 | 303 | (1887) | XX, 3 No. 151 | IV, 9 No. 34 | An die Geliebte | O, daß ich dir vom stillen Auge | 15/10/1815 | Text by Stoll [scores]; Music partly reused in D 497 |
| 304 | 304 | (1895) | XX, 3 No. 152 | IV, 9 No. 35 | Wiegenlied, D 304 | Schlumm're sanft! Noch an dem Mutterherzen | 15/10/1815 | Text by Körner |
| 305 | 305 | (1895) | XX, 3 No. 153 | IV, 9 No. 36 | Mein Gruß an den Mai | Sei mir gegrüßt, o Mai | 15/10/1815 | Text by Kumpf [de] |
| 306 | 306 | (1895) | XX, 3 No. 154 | IV, 9 No. 37 | Skolie, D 306 | Laßt im Morgenstrahl des Mai'n | 15/10/1815 | Text by Deinhardstein [de] |
| 307 | 307 | (1895) | XX, 3 No. 155 | IV, 9 No. 38 | Die Sternenwelten | Oben drehen sich die großen unbekannten Welten dort | 15/10/1815 | Text by Fellinger [wikisource:de], after Jarnik |
| 308 | 308 | (1895) | XX, 3 No. 156 | IV, 9 No. 39 | Die Macht der Liebe | Überall, wohin mein Auge blicket | 15/10/1815 | Text by Kalchberg [wikisource:de] |
| 309 | 309 | (1872) | XX, 3 No. 157 | IV, 9 No. 40 | Das gestörte Glück | Ich hab' ein heißes junges Blut | 15/10/1815 | Text by Körner |
| | 309A | | | VII/2, 1 Anh. No. 2 | Rondo, D 309A | C major | 1815 | For piano; Fragment; 4th movement of D 279? |
| 310 | 310 | (1895) | XX, 3 No. 158 | IV, 3 | Sehnsucht, D 310, a.k.a. Lied der Mignon | Nur wer die Sehnsucht kennt | 18/10/1815 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 359, 481, 656 and 877 Nos. 1 & 4); Two versions |
| 311 | 311 | | | IV, 9 Anh. No. 3 | An den Mond, D 311 | | 19/10/1815? | For voice and piano; Sketch without text |
| 312 | 312 | 58,1 (1826) (1895) | XX, 3 No. 159 | IV, 3 | Hektors Abschied | Will sich Hektor ewig von mir wenden | 19/10/1815 | Text by Schiller; Two versions: 2nd is Op. 58 No. 1 |
| 313 | 313 | (1895) | XX, 3 No. 160 | IV, 9 No. 41 | Die Sterne, D 313 | Wie wohl ist mir im Dunkeln! | 19/10/1815 | Text by Kosegarten |
| 314 | 314 | (1887) | XX, 3 No. 161 | IV, 9 No. 42 | Nachtgesang, D 314 | Tiefe Feier schauert um die Welt | 19/10/1815 | Text by Kosegarten |
| 315 | 315 | (1895) | XX, 3 No. 162 | IV, 9 No. 43 | An Rosa I | Warum bist du nicht hier | 19/10/1815 | Text by Kosegarten |
| 316 | 316 | (1895) | XX, 3 No. 163 | IV, 9 No. 44 | An Rosa II | Rosa, denkst du an mich? | 19/10/1815 | Text by Kosegarten; Two versions |
| 317 | 317 | (1895) | XX, 3 No. 164 | IV, 9 No. 45 | Idens Schwanenlied | Wie schaust du aus dem Nebelflor | 19/10/1815 | Text by Kosegarten; Two versions: 2nd in AGA |
| 318 | 318 | (1895) | XX, 3 No. 165 | IV, 9 No. 46 | Schwangesang | Endlich stehn die Pforten offen | 19/10/1815 | Text by Kosegarten |
| 319 | 319 | (1895) | XX, 3 No. 166 | IV, 9 No. 47 | Luisens Antwort | Wohl weinen Gottes Engel | 19/10/1815 | Text by Kosegarten |
| 320 | 320 | (1895) | XX, 3 No. 167 | IV, 9 No. 48 | Der Zufriedene | Zwar schuf das Glück hienieden | 23/10/1815 | Text by Reissig [de] |
| 321 | 321 | (1832) | XX, 3 No. 168 | IV, 9 No. 49 | Mignon a.k.a. Mignons Gesang | Kennst du das Land | 23/10/1815 | Text by Goethe, from Wilhelm Meister's Apprenticeship III, 1 |
| 322 | 322 | (1837) | XX, 3 No. 169 | IV, 9 No. 50 | Hermann und Thusnelda | Ha, dort kömmt er | 27/10/1815 | Text by Klopstock |
| 323 991 | 323 | (1895) | XX, 3 No. 172 | IV, 9 No. 51 Anh. Nos. 5–6 | Klage der Ceres | Ist der holde Lenz erschienen? | 9/11/1815– June 1816 | Text by Schiller; Two versions: 2nd in AGA; A fragment of the last part was D 991 |
| 324 | 324 | 141p (1837) | XIII, 1 No. 3 | I, 2 | Mass No. 3 | B♭ major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei | started 11/11/1815 | Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 452, 678, 755 and 950); For satbSATB and orchestra |
| | 324A | | | IV, 8 No. 41 | Winterlied, D 324A | | 1816? | |
| 325 | 325 | (1895) | XX, 3 No. 173 | IV, 1b No. 9 | Harfenspieler, D 325 | Wer sich der Einsamkeit ergibt | 13/11/1815 | Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 478 No. 1) |
| 326 | 326 | (1888) | XV, 2 No. 4 | II, 3 | Die Freunde von Salamanka | (Singspiel in two acts) | 18/11/1815– 31/12/1815 | Text by Mayrhofer; Music for ssstttbbbbbbSATB and orchestra; Overture – Act I (Nos. 1–7) – Act II (Nos. 8–18, with music of No. 12 reappearing in D 803 and of No. 14 in D 796 No. 15) |
| 327 | 327 | | | IV, 10 | Lorma, D 327 | Lorma saß in der Halle von Aldo | 28/11/1815 | Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 376); Fragment |
| 328 | 328 | 1 (1821) (1895) | XX, 3 No. 178 | IV, 1a & b No. 1 | Erlkönig | Wer reitet so spät durch Nacht und Wind? | October 1815? | Text by Goethe; Four versions: 2nd and 3rd switched in AGA – 4th is Op. 1 |
| 329 | 329 | (1895) | XX, 10 No. 591 | IV, 9 Anh. No. 7 | Die drei Sänger | Der König saß beim frohen Mahle | 23/12/1815 | Text by Bobrik [scores]; Fragment |
| | 329A | | | III, 2b Anh. No. 3 VIII, 2 No. 27 | Das Grab, D 329A | Das Grab ist tief und stille | 28/12/1815? | Text by Salis-Seewis (other settings: D 330, 377, 569 and 643A); Canon for SATB; Sketch |
| 330 | 330 | (1895) | XX, 3 No. 182 | III, 3 No. 14 Anh. I No. 2 | Das Grab, D 330 | Das Grab ist tief und stille | 28/12/1815 | Text by Salis-Seewis (other settings: D 329A, 377, 569 and 643A); For choir and piano |