OpenLLM-France/wikimedia huggingface dataset:
# Davit Aghajanyan

Davit Aghajanyan (Armenian: Դավիթ Աղաջանյան, born on March 5, 1992), is an Armenian actor and model. He is known for his role as Tigran on Full House.

## Artistry
### Influences

Aghajanyan has listed Leonardo DiCaprio, Al Pacino, Robert De Niro and Jack Nicholson as his biggest influences.

## Filmography

Television and web :
| Year | Title | Role | Notes |
| 2012–2013 | Hard Life | Dave | Recurring role |
| 2015 | Full House | Tigran Avetisyan | Recurring role |
| 2016 | Secret Love | Levon Karapetyan | Main Cast |
| 2017 | Alien | Arsen | Main Cast |
| 2017 - 2018 | Ellen's Diary | Aram | Main Cast |

## Discography
### Singles
#### As featured artist

List of singles :
| Title | Year | Album |
| "Mek Vayrkyan" (Anna Dovlatyan featuring David Aghajanyan) | 2018 | Non-album singles |
# Mukurthi

Mukurthi Peak is one of the highest peaks in the Western Ghats, situated on the border of Udagamandalam taluk, Nilgiris, Tamil Nadu, Nilambur taluk, Malappuram, and Kerala in India. It reaches an altitude of 2,554 m (8,379ft), and is the fifth-highest peak in South India.

## Geography

The western slope of the hill sits astride the Kerala/Tamil Nadu border. It has many cliffs ranging from 500 m to 2,500 m. Part of Mukurthi is situated within Malappuram district, which is the third-highest point in Kerala, after Anaimudi (2,696 m) and Meeshapulimala (2,651 m). The peak can only be accessed through Nilgiri district. The Mukurthi peak is said to resemble a "pointed nose."
Mukurthi peak is part of Mukurthi National Park (Nilgiri Tahr National Park), in the Nilgiri Biosphere Reserve. Mukurthi is covered with shola (patches of stunted tropical montane forest (found in valleys amid rolling grassland in the higher montane regions of South India), including pine, grasslands and shrublands. Its habitat is favorable for Asian elephants, tigers, and Nilgiri Tahr. Mukurthi National Park is situated between the Mudumalai National Park and the Silent Valley National Park. Ooty is the nearest town (30 km away).
Pichalbetta (2,544 m) and Nilgiri hill are the most prominent peaks adjacent to this area, and Mukurthi Dam is also nearby.

## Surroundings

Many streams drain into Bhavani River. Among the peaks inside the National Park, the highest are Kolaribetta (2,630m), together with Mukurthi Peak (2,556m) and Nilgiri Peak (2,477m. Southwest of Mukurthi lies Silent Valley National Park, and to its west the land falls steeply to 2,000 m in the Amarabalam Forest.
The area under monoculture forestry in Mukurthi is comparatively less than Nilgiris district, and consists mainly of Acacia mearnsii, Eucalyptus globulus and Pinus patula. The vegetation is either Southern Montane Wet Temperate Forest (shola), grassland and plantation. Pristine shola patches can be seen throughout the park, generally at the heads of streams in the folds of converging slopes. These forests support a variety of flora and fauna. This IBA site is among the richest regions of plant biodiversity, with many endemic orchids and other plant groups. Grasslands in Mukurthi are common and form a mosaic with shola. They are a mixture of Chrysopogon, Ischaemum, Dicanthium, Andropogon, Eragrostis and Panicum species. The ecological status of these grasslands is debated.

## Wildlife

Mukurthi hosts many species of wildlife:
* Nilgiris tahr
* Sambar deer
* Barking deer
* Nilgiris marten
* Otter
* Jungle Cat
* Jackal
* Laughing thrushes
* Whistling thrushes
* Woodcock
* Wood pigeon
* Black eagle
* Blue Admiral
* Indian Red Admiral
* Indian Cabbage white
# Tourist Mining Train

The Tourist Mining Train is a Spanish tourist train that travels along the historic Riotinto Railway, in the province of Huelva, autonomous community of Andalusia. The first railway services were started in 1994 by the Río Tinto Foundation, using historical rolling stock. The tourist train is part of the Rio Tinto Mining Park, constituting one of its most attractive elements.
The total distance covered by the tourist train is about 22 kilometers, including the round trip.

## History

In 1984, the Riotinto mining railway was decommissioned after more than a century of service, thus abandoning the infrastructures. By the end of the 1980s, the possibility of its recovery for tourism purposes started to be considered, within the rehabilitation plan of the former mining basin. Services started in November 1994, by the Rio Tinto Foundation, after partially rehabilitating the old railway line. The train initially covered a short route between Talleres Mina and Zarandas-Naya Station, but from 1997 it would be extended to Los Frailes. Plans were originally made to extend the route to El Manzano or Manantiales, but it has not happened.
Since the tourist train inauguration, it has become one of the main attractions of the Rio Tinto Mining Park, being very popular among visitors to the historic mining basin. In 2006, the tourist train transported 66,843 visitors. Because of this success, services have been extended over time, and initiatives such as the "Moon Train" — circulating on certain summer evenings — have also emerged.

## Characteristics

The tourist train is available in two types: diesel traction and steam traction. The first one travels between the stations of Talleres Mina and Los Frailes, with a route length of 22 kilometers — round trip. The second one is powered by steam traction and travels between Talleres Mina and Zarandas, running only at certain times of the year. The tourist train has passenger cars that are reproductions of originals based on 19th century designs. The Rio Tinto Mining Park currently owns the two oldest steam locomotives in Spain still operational. These are locomotives No. 14 and No. 51, built in 1875 and 1890 respectively.

## Gallery

* The tourist train at Talleres Mina train station (2016).
* Interior view of one of the cars (2014).
* The tourist train as it passes the Zarandas-Naya train station (2007).
* Tourist train diesel locomotive (2007).
# Four Horsemen of the Apocalypse (painting)

Four Horsemen of the Apocalypse (Russian: "Воины Апокалипсиса") is an 1887 painting by Russian artist Viktor Vasnetsov.
The painting depicts the Four Horsemen of the Apocalypse described in the Book of Revelation. The Lamb of God is visible at the top.
It measures 72 by 136 centimetres (28 in × 54 in) and is held by the Glinka State Central Museum of Musical Culture [ru] in Moscow. A study is held by the State Museum of the History of Religion [ru] in St Petersburg.
# Plemnaeus

In Greek mythology, Plemnaeus (Ancient Greek: Πλημναῖον or Πλημναίῳ) was the 11th king of Sicyon who reigned for 48 years.

## Family

Plemnaeus was the son and heir of King Peratus, son of Poseidon. He was the father of Orthopolis, his successor to the Sicyonian throne.

## Mythology

All the children borne to Plemnaeus and his wife died the very first time they wailed. At last, the goddess Demeter who took pity on the unfortunate king came to Aegialea (former name of Sicyon) in the guise of a strange woman and reared for him his son Orthopolis.
Regnal titles :
| Preceded byPeratus | King of Sicyon 48 years | Succeeded byOrthopolis |
# Girl in White in the Woods

Girl in White in the Woods is an oil painting created in 1882 by Vincent van Gogh.
Of a study that Van Gogh made for Girl in a Wood or Girl in White in the Woods, he remarked at how much he enjoyed the work and explains how he wishes to trigger the audience's senses and how they may experience the painting: "The other study in the wood is of some large green beech trunks on a stretch of ground covered with dry sticks, and the little figure of a girl in white. There was the great difficulty of keeping it clear, and of getting space between the trunks standing at different distances - and the place and relative bulk of those trunks change with the perspective - to make it so that one can breathe and walk around in it, and to make you smell the fragrance of the wood."
# Electric Boy

"Electric Boy" (エレクトリックボーイ, Erekutorikku Bōi) is the seventh Japanese single by South Korean girl group Kara. It was released on October 17, 2012. The song is featured on the soundtrack of the third Japanese edition of Just Dance Wii U.

## Background

The single was announced by Universal Sigma and on Kara's official Japanese website on September 21, with the track list of the single, jacket covers and prices of every edition. The single was released in four different types, three limited editions: a CD+DVD edition including the CD single with the standard track list and a DVD including the music video of the song, a Close-Up version and behind the scenes from the music video, a CD+Photobook edition including the CD single with the standard track list and a 28-page photobook and a first press edition from the CD only edition including only the CD single itself with a bonus track, the original version of the song "Pandora", and a Regular edition, including only the CD single itself with the standard track list. All limited editions comes with a lottery ticket for the hand-shake event, to be held in October 21.
In October 3, it was announced that the group will make a special DJ launch event in October 17, day of the single's release, in a somewhere part of Tokyo and a hand-shake event in October 21 in Tokyo Big Sight.

## Composition

"Electric Boy" was written by Shalamon Baskin, Mikko Tamminen, Line Krogholm, Faya and Emyli and produced by Mikko Tamminen. "Orion", the single's b-side, was solely written and composed by Simon Isogai. He also composed the songs "Winter Magic" and "Ima, Okuritai 「Arigatō」" for the group. The bonus track, "Pandora", is a Korean song released on the group's fifth mini album of same name. It was written by Song Soo-yun and composed by Yue, Kim Seung-soo and Han Jae-ho.

## Music video

A 1-minute teaser of the music video of "Electric Boy" was released on Universal Music Japan's YouTube account on September 27, 2012. The full music video premiered on the TV channel Space Shower TV Plus two days later, on September 29.

## Chart performance
### Oricon chart

| Released | Oricon Chart | Peak | Debut sales | Sales total |
| October 17, 2012 | Daily Singles Chart | 1 | 28,604 | 76,248 |
| October 17, 2012 | Weekly Singles Chart | 2 | 57,942 | 76,248 |
| October 17, 2012 | Monthly Singles Chart | 8 | 70,161 | 76,248 |
| October 17, 2012 | Yearly Singles Chart | 106 | 76,248 | 76,248 |

### Billboard charts

| Chart | Peak position |
| Billboard Japan Hot 100 | 1 |
| Billboard Japan Hot Singles Sales | 1 |
| Billboard Japan Hot Top Airplay | 2 |
| Billboard Japan Adult Contemporary Airplay | 2 |
| Billboard Japan Hot Singles Sales (2012) | 97 |

### Sales and certifications

| Chart | Amount |
| RIAJ physical single | Gold |

## Release history

| Country | Date | Format | Label |
| Japan | October 10, 2012 | Ringtone | Universal Sigma |
| Japan | October 17, 2012 | Digital download, CD single | Universal Sigma |
# La Vierge aux anges

The Virgin with Angels (French: La Vierge aux anges), also known as The Song of the Angels is an oil painting executed in 1881 by the French artist William-Adolphe Bouguereau. Its dimensions are 213.4 × 152.4 cm. It is now in the Forest Lawn Museum in Glendale, California.

## History

William Bouguereau (1825–1905) studied at the Ecole des Beaux Arts in Paris, as well as in Rome, and was considered a leading French academic painter in the nineteenth century. Legend has it that he searched for a model for the painting’s figures and found them in his first wife, Nelly Monochablon, who posed for the angels, one by one, and at last, with a child in her arms. The painting shows the Virgin Mary holding the baby Jesus Christ, who is calmly asleep in a pastoral setting, while a trio of angels hovers nearby. It highlights Bouguereau’s ability to render realistic flesh tones and subtle gradations of white.
Song of the Angels, which debuted at the Paris Salon in 1881, was once a part of the Wanamaker Collection in Philadelphia. It was acquired by Forest Lawn Memorial Park in 1940 for a chapel in the Church of the Recessional. Originally, a stained-glass window was going to be the focal point of the chapel, but instead Forest Lawn decided to purchase the painting from Schnittjer’s gallery. A large gothic-style liturgical frame was built for the painting by Forest Lawn craftsmen, and it is still presented in this wooden frame at the Forest Lawn Museum.

## Conservation

In 2005, the painting traveled to the Getty Center in Los Angeles for a cleaning with funding from the Conservation Partnership Program. Chief Paintings Conservator, Mark Leonard, worked on the painting for months to remove the old varnish and restore its original colors. Song of the Angels was exhibited at the Getty Center, alongside a preparatory oil sketch and a later, half-size replica from Bouguereau’s own hand.

## Gallery

* Tag on the Song of the Angels
* A trio of angels are playing music to a sleeping mother and child.
* Song of the Angels in ornate, gothic-style wooden frame in Forest Lawn Museum.
# Dig (Incubus song)

"Dig" is the second single released by American rock band Incubus from their sixth studio album, Light Grenades (2006). Receiving huge airplay from alternative rock radio stations throughout the United States, "Dig" peaked at number four on the Modern Rock Tracks chart. On the Adult Top 40 chart, it reached number 17, while just breaking the Billboard Hot 100 chart, peaking at #94. The song is featured in the 2009 music video game Lego Rock Band.

## Background

Singer Brandon Boyd said the song is "about love but love in a platonic sense or love that stems from the power of camaraderie." He added, "I was in a moment in my life where things were looking really dark and the people closest to me — the guys in the band — were like a safety net. They were, without trying to, reminding me of who I was in the midst of some of my personal struggles. ... sometimes really good friends can remind you that you are not your ego."

## Music video

The band made an unusual choice in letting fans help create the music video for the song by holding a contest called "I Dig Incubus", with the winner possibly having their video used as the official version. The top five contestants were announced on February 1, 2007, with fans then getting the chance to vote on a "Fan-pick".
Carlos "Kaamuz" Oliveira won both the fan pick and band pick with his animation. The video of the winner being announced was available on the contest website. Ramon Boutviseth was the runner up, and therefore won the Grand Prize.
On March 27, 2007, Kaamuz's video became available on Yahoo! Music. The final video was edited with scenes of the band playing the song.

## Charts

| Chart (2007) | Peak position |
| Canada (Canadian Hot 100) | 72 |
| Canada Rock (Billboard) | 4 |
| US Billboard Hot 100 | 94 |
| US Pop 100 (Billboard) | 96 |
| US Adult Pop Airplay (Billboard) | 17 |
| US Alternative Airplay (Billboard) | 4 |
| US Mainstream Rock (Billboard) | 17 |

## Certifications

| Region | Certification | Certified units/sales |
| New Zealand (RMNZ) | Gold | 15,000$^‡$ |
| $^‡$ Sales+streaming figures based on certification alone. |||
# Interface segregation principle

In the field of software engineering, the interface segregation principle (ISP) states that no code should be forced to depend on methods it does not use. ISP splits interfaces that are very large into smaller and more specific ones so that clients will only have to know about the methods that are of interest to them. Such shrunken interfaces are also called role interfaces. ISP is intended to keep a system decoupled and thus easier to refactor, change, and redeploy. ISP is one of the five SOLID principles of object-oriented design, similar to the High Cohesion Principle of GRASP. Beyond object-oriented design, ISP is also a key principle in the design of distributed systems in general and one of the six IDEALS principles for microservice design.

## Importance in object-oriented design

Within object-oriented design, interfaces provide layers of abstraction that simplify code and create a barrier preventing coupling to dependencies. A system may become so coupled at multiple levels that it is no longer possible to make a change in one place without necessitating many additional changes. Using an interface or an abstract class can prevent this side effect.

## Origin

The ISP was first used and formulated by Robert C. Martin while consulting for Xerox. Xerox had created a new printer system that could perform a variety of tasks such as stapling and faxing. The software for this system was created from the ground up. As the software grew, making modifications became more and more difficult so that even the smallest change would take a redeployment cycle of an hour, which made development nearly impossible.
The design problem was that a single Job class was used by almost all of the tasks. Whenever a print job or a stapling job needed to be performed, a call was made to the Job class. This resulted in a 'fat' class with multitudes of methods specific to a variety of different clients. Because of this design, a staple job would know about all the methods of the print job, even though there was no use for them.
The solution suggested by Martin utilized what is today called the Interface Segregation Principle. Applied to the Xerox software, an interface layer between the Job class and its clients was added using the Dependency Inversion Principle. Instead of having one large Job class, a Staple Job interface or a Print Job interface was created that would be used by the Staple or Print classes, respectively, calling methods of the Job class. Therefore, one interface was created for each job type, which was all implemented by the Job class.

## Typical violation

A typical violation of the Interface Segregation Principle is given in Agile Software Development: Principles, Patterns, and Practices in 'ATM Transaction example' and in an article also written by Robert C. Martin specifically about the ISP. This example discusses the User Interface for an ATM, which handles all requests such as a deposit request, or a withdrawal request, and how this interface needs to be segregated into individual and more specific interfaces.
# Cerro Pátapo ruins

The Cerro Pátapo ruins or Northern Wari ruins are the remains of a precolumbian city near the site of present-day Chiclayo, Peru. The ruins are primarily of the Wari (Huari) culture, which flourished from 350 CE to 1000 CE in the area along the coast and reaching to the highlands. These northern Wari ruins are distinguished from the Wari ruins in the Ayacucho Region to the south.
The discovery was announced on 16 December 2008 by the lead archeologist, Cesar Soriano. The ruins both present the first evidence of Wari influence found in Northern Peru and by their quality and extent, show this was an important site. Located 14 miles (23 km) from Chiclayo, the ruins stretch over an area of 3 miles (4.8 km).
The Wari pre-Columbian civilization was predominantly based in south-central Peru between the 7th and 12th centuries (600 to 1100 CE.) It was known for having constructed a network of roads, and had an extensive territory. Scholars note its complex, distinctive architecture, monuments and roadbuilding as evidence that it was an empire.

## Discovery

The city was part of the Wari Empire, which ruled parts of the Andes mountains, mostly in south-central Peru, between the 7th and 12th centuries CE. The site is remarkably well preserved due to the dry desert climate. Among the artifacts are pottery shards. The site includes evidence of human sacrifice, with special spots set aside and a pile of bones at the bottom of a cliff. Well-preserved remains have been found of one young woman.
The ruins are expected to help scholars fill the gap in knowledge about pre-Columbian South America, which was dominated by the Wari culture and the earlier Moche culture. The Moche began at 100 AD and perished around 600 AD.
Earlier in August 2008, archeologists at the Huaca Pucllana ruins in Lima (located some 500 miles or 800 kilometres south of Chiclayo) discovered a mummy that is also thought to be Wari. This was a more typical location for such a find, within the territory known to be Wari.
# 1925 Malaya Cup

Malaya Cup was a tournament held annually by a Malaya Cup committee.
This was the fifth season of Malaya Cup (later known as Malaysia Cup). It was contested by states in Malaya. The final was contested by the southern and northern champions in their respective conference rounds. Six states sent their teams.

## Conference Round

Six teams participated in the second edition of the Malaya Cup: Malacca, Negeri Sembilan, Singapore, Penang, Selangor and Perak. The teams were divided into two conferences, the Northern Section and Southern Section. The Northern Section comprised Penang, Selangor and Perak while the Southern Section was represented by Johor, Negeri Sembilan, Malacca and Singapore. Each team would play against each other twice and the winners of each conference would play in the final. Each win gave a team 2 points, a draw meant one point for each team, and a loss was worth 0 points.

### Northern Section

| Team | Pld | W | D | L | GF | GA | GD | Pts |
| Selangor | 2 | 2 | 0 | 0 | 6 | 2 | +4 | 4 |
| Perak | 2 | 1 | 0 | 1 | 2 | 1 | +1 | 2 |
| Penang | 2 | 0 | 0 | 2 | 2 | 7 | -5 | 0' |
| July 25, 1925 |
| Penang | 0–2 | Perak |
| August 8, 1925 |
| Perak | 0–1 | Selangor |
| August 15, 1925 |
| Selangor | 5–2 | Penang |

### Southern Section

| Team | Pld | W | D | L | GF | GA | GD | Pts |
| Singapore | 2 | 2 | 0 | 0 | 12 | 1 | +11 | 4 |
| Negeri Sembilan | 2 | 1 | 0 | 1 | 1 | 5 | -4 | 2 |
| Malacca | 2 | 0 | 0 | 2 | 1 | 8 | -7 | 0 |
| August 8, 1925 |
| Malacca | 0–1 | Negeri Sembilan |
| August 15, 1925 |
| Negeri Sembilan | 0–5 | Singapore |
| August 22, 1925 |
| Singapore | 7–1 | Malacca |

## Final

The final was held at Anson Road Stadium on 29 August 1925 where Singapore recorded their first hat-trick in winning the Malaya Cup, by defeating Selangor by a score of 2–1. The match was a rematch of last year's final and the first final to be held in Singapore.

## Winners

* 1925 Malaya Cup Winner
* Singapore
* Fourth Title
# Lady with the Rose (Charlotte Louise Burckhardt)

Lady with the Rose (Charlotte Louise Burckhardt) is an 1882 painting by John Singer Sargent. It is part of the collection of the Metropolitan Museum of Art in New York City.
The subject of the painting, (Charlotte) Louise Burckhardt (1862—1892), was the twenty-year-old daughter of a Swiss merchant from Basel, members of the artist's cosmopolitan circle in Paris. She was the first wife of the fruit importer ("Banana King") Roger Ackerley, father of the writer J. R. Ackerley; she died after two years of marriage. The monochromatic tones and emphasis on the figure's silhouette are reminiscent of the style of the Spanish painter Diego Velázquez, whose work Sargent had been encouraged to study by his Parisian teacher Carolus-Duran. It was exhibited to great acclaim at the Paris Salon of 1882.
The work is on view at the Metropolitan Museum, Gallery 771.