# List of compositions by Thomas de Hartmann

Musical compositions of the composer Thomas de Hartmann (1884–1956).

## Orchestral

* Suite from “La Fleurette rouge”. (1911)
* Scherzo fantastique. Op. 25. (1929)
* Two Organ Fugues of Bach transcribed for Orchestra. Op. 48. (1934)
* First Symphonie-Poème. Op. 50. (1934)
* Concerto for Violoncello and Orchestra. Op. 57. (c. 1936, published 1938)
* Twelve Russian Fairy Tales. Op. 58. (1937)
* Koliadky. Noëls ukrainiens, chant spiritual. Op. 60. (c. 1938)
* Concerto for Piano and Orchestra. Op. 61. (1939)
* Suite pour grand orchestre: Une Fête en Ukraine. Op. 62. (1941)
* Fantasie-concerto for Contrabass and Orchestra. Op. 65. (1944)
* Concerto for Violin and Orchestra. Op. 66. (1944)
* Second Symphonie-Poème – Le dit du soleil. Op. 68. (1950)
* “La Guzla” – Concerto for Harp and Orchestra. Rapsodie slave d’après P. Merimé. Op. 72. (1945)
* Concerto d’après un cantate de Bach. For Violoncello and String Orchestra. Op. 73. (1949)
* Dances from the opera Esther. Op. 76. (1949)
* Concierto Andaluz, for Flute and Orchestra. Op. 81. (1949)
* Third Symphonie-Poème. Op. 85. (1953)
* Fourth Symphonie-Poème. Unfinished. Op. 90. (1956)

## Chamber and instrumental music

* Sonate pour violon et piano. Op. 51. (1935)
* Concerto for Violoncello and Orchestra. Arrangement for Violoncello and Piano. Op. 57. (1936)
* Koliadky. Noëls ukrainiens, chant spiritual. Arrangement for Saxophone Quartet. Op. 60. (c. 1938)
* Concerto for Piano and Orchestra. Arrangement for Two Pianos. Op. 61. (1939)
* Sonate pour violoncelle et piano. Op. 63. (1941)
* Deux Pleureuses. Violin and Piano. Op. 64 (c. 1942)
* Fantasie-concerto for Contrabass and Orchestra. Arrangement for Contrabass and Piano. Op. 65. (1944)
* Concerto for Violin and Orchestra. Arrangement for Violin and Piano. Op. 66. (1944)
* La Guzla: Concerto for Harp and Orchestra. Rapsodie slave d’après P. Merimé. Arrangement for Harp and Piano. Op. 72. (1945)
* Concerto d’après un cantate de Bach. Arrangement for Violoncello and Piano. Op. 73. (1945)
* Trio pour flute, violon et piano – “Quasi variations.” Op. 75. (1946)
* Two Preludes of J.S. Bach. Cello and piano. (1947)
* Dances from the opera Esther. Arrangement for Violin and Piano. Op. 76. (1949)
* Concierto Andaluz, for Flute and Orchestra. Arrangement for Flute and Piano. Op. 81. (1949)
* La Kobsa: deux musiques de veilleurs ukrainiens pour violoncelle solo. (1950)

## Music for stage works

* Incidental music for the play “Caligula,” by Alexander Dumas. For Orchestra. (1903)
* La Fleurette rouge, ballet en cinq actes. Op. 9. (1906)
* Les Bacchantes, Choreographic Suite for “Danses Plastique” performed by Sacharoff. (1910)
* Fra Mino. Choreographic poem. Op. 14. (1912)
* Gelbe Klang [Yellow Sound], with Wassily Kandinsky. Unfinished. (1912)
* Forces de l’amour et de la sorcellerie, divertissement comique en trois interludes. Op. 16. (1916)
* Flenushka. Unfinished opera. (1916)
* Music for the drama “In the Grip of Life,” by Knut Hamson. Tiflis Art Theater. Op. 22. (1919)
* Music for “The King of the Dark Chamber,” by Rabindranath Tagore. Tiflis. Op. 23. (1919)
* Le General Boulanger, d’après Maurice Rostand. Unfinished. (c. 1931)
* Babette, comédie-ballet en deux actes par Henri Cain. Op. 49 (1935)
* Suite pour grand orchestre: Une Fête en Ukraine, ballet en un acte. Op. 62. (1941)
* Esther, tragédie musicale d’après Racine. Opera. Op. 76. (1949)
* Musique pour la fête de la Patronne, d’après Degas. Ballet. Op. 77. (1949)

## Piano Solo

* Sonata for Piano. Op. 2. (1902)
* Trois Morceaux. Op. 4. (c. 1903)
* Six Pieces. Op. 7. (c. 1903)
* Three Preludes. Op. 9. (1904)
* La Fleurette rouge. Reduction for Piano Solo. Op. 9. (1906)
* Suite from “La Fleurette rouge”. Arranged for Piano Solo. (1911)
* Fra Mino. Selections. Reduction for Piano Solo. Op. 14. (1912)
* Forces de l’amour et de la sorcellerie. Reduction for Piano Solo. Op. 16. (1917)
* Humoresque Viennoise. Op. 45. (1931)
* Babette, comédie-ballet en deux actes par Henri Cain. Arranged for Piano Solo. Op. 49 (1935)
* Twelve Russian Fairy Tales. Version for Piano Solo. Op. 58. (1937)
* Koliadky. Version for Piano Solo. Op. 60. (c. 1940)
* First Piano Sonata. Op. 67. (1942)
* Lumière noire. Op. 74. (1948)
* Musique pour la fête de la Patronne, d’après Degas. Reduction for Piano Solo. Op. 77. (1949)
* Second Piano Sonata. Op. 82. (1951)
* Six Preludes. Op. 83. (1952)
* Two Nocturnes. Op. 84. (1954)
* Four Serenades. Op. 86. (1954)
* Three Songs. Under pseudonym of Thomas Kross. (c. 1955)
* Poco Rubato. Piano solo. n.d.

## Vocal

* Romance. Words by Tatiana Shchepkina-Kupernik. Voice and Piano. (1901)
* Three Romances. Words by Pyotr Kapnist and Mikhail Golenischev-Kutusov. Op. 5. Voice and Piano. (c. 1903)
* Mermaids. Words by B. Kakhovsky. Op. 5. Voice and Piano. (c. 1903)
* Four Poems of K. Balmont. Op. 8. Voice and Piano. (c. 1904)
* John of Damascus, cantata for soloists, mixed choir and symphony orchestra. Text based on the poem by A. K. Tolstoy. Op. 1. (1906)
* From the Verses of D.M. Ausonius. Op. 13. Voice and Orchestra. Also arranged for Voice and Piano. (1911)
* Three Songs of Balmont. Op. 12. Voice and Piano. (1912)
* Three Moorish Songs. Translated by Konstantin Balmont. Op. 15. Voice and Piano. (1913)
* Four Melodies. Words by Anna Achmatova. Op. 17. Voice and Piano. (1915). Reproduced manuscript in Montreal collection
* Christ is Risen. Words by Sergei Gorodetsky. Op. 18. Voice and Piano. (1915)
* Two Spanish Songs. Words by Valery Bryusov. Op. 19. Voice and Piano. (1916)
* To the moon. Words by Shelley. Op. 11. Voice and Piano. (1917)
* Nightingale. Voice and Orchestra. (c. 1919)
* Cranes. Words by Vassily Zota. Voice and Piano. (1920)
* Bulgarian Songs. Translated by Konstantin Balmont. Op. 46. Voice and Piano. (1933)
* Three Ballads. Words by G. Adamovich and Maria Tsvetaeva. Op. 47. Voice and Piano. (1934)
* Lament for King Alexander. Voice and Piano. (1934)
* Three Poems of Shelley. Op. 52. Voice and Orchestra. Also arranged for Voice and Piano. (1936)
* Sonnet de Ronsard. Op. 54. Voice and Piano. (1934)
* Romance 1830. Op. 55. Voice and Piano. (1936)
* In Helen’s Herb Garden. Words by Vassilli Travnikov. Voice and Piano. (1936)
* A Poet’s Love: Nine Poems by Pushkin. Op. 59. Voice and Piano. (1936)
* Indian Summer. Words by Don Aminado. Voice and Piano. (1938)
* Sept Paysages Tristes. Words by Paul Verlaine. Op. 69. Voice and Piano. (1943)
* Two Songs. Words by Fyodor Sologub and William Shakespeare. Voice and Piano. (c. 1943)
* Fragment of Proust. Op. 70. Voice and Piano. (1945)
* Six Commentaries from Ulysses by James Joyce. Op. 71. Voice and Piano. (1948)
* Second Fragment of Proust. Op. 79. Voice and Piano. (1948)
* Les Courbes d’Atalante: Déclamation avec musique d’Harpe. Words by Serge Moreux. (1949)
* La Tramuntana. Words by J. Gual. Op. 80. For a cappella choir. (1949)
* A la St. Jean d’été. Words by Serge Moreux and Thomas Kross (pseud.). Voice and Piano. (1949)
* Frenchman in Arizona. Words and Music by Thomas Kross (pseud.). Voice and Piano. (1951)
* The Song of the Dead Venetian. Words by Jean Loynel; Music: Thomas Kross (pseud.). Voice and Piano. (c. 1951)
* The Barrel Organ Girl. Words by Maria Tsvetaeva. Voice and Piano. (c. 1954)
* Four popular Russian songs. Men’s a cappella quartet. (n.d.)
* In the Nocturnal Silence. Men’s a cappella quartet. (n.d.)
* Twilight. Words by Luc Durtin. Voice and Piano. (n.d.)
* Two Chinese Songs. Translated by George Soulié de Morant. Voice and Piano. (n.d.)
* White flocks. Words by Anna Achmatova. Voice and Piano. (n.d.)

## Collaborations with G.I. Gurdjieff

The following volumes are all published by Schott Music Group:
* Gurdjieff/de Hartmann: Music for the Piano.
** Volume I: Asian Songs and Rhythms
** Volume II: Music of the Sayyids and the Dervishes
** Volume III: Hymns, Prayers and Rituals
** Volume IV: Hymns from a Great Temple and Other Selected Works