OpenLLM-France/wikimedia huggingface dataset:
# Fales Library

New York University's Fales Library and Special Collections is located on the third floor of the Elmer Holmes Bobst Library at 70 Washington Square South (off of Washington Square Park) between LaGuardia Place and the Schwartz Plaza, in the Greenwich Village neighborhood of Manhattan, New York City. It houses nearly 200,000 volumes, and 10,000 feet (3,000 m) of archive and manuscript materials. It contains the Fales Collection of Rare Books and manuscripts in English and American literature, the Downtown Collection, the Food and Cookery Collection, and the general Special Collections from the NYU Libraries.
The Tracey-Barry Gallery offers public exhibits of materials from the Library's collections.
The Fales Collection was given to NYU in 1957 by DeCoursey Fales in memory of his father, Haliburton Fales. It is especially strong in English literature from the middle of the 18th century to the present, documenting developments in the novel. Other related collections held in Fales include The Berol Collection of Lewis Carroll Materials, the Robert Frost Library, the Nelson F. Adkins collection of American Literature, and the manuscript collections of Elizabeth Robins, Peter Straub, E. L. Doctorow and Erich Maria Remarque. An area of recent growth in Fales is the Food and Cookery Collection of well over 15,000 books. The personal libraries of James Beard, Cecily Brownstone, and Dalia Carmel form the core of this collection.
The Downtown Collection documents the downtown New York city art, performance, film, and literary landscape from 1975 to the present. In addition to thousands of published books and magazines, the Downtown Collection includes extensive holdings of archival and manuscript material, film and video, original artwork, theatrical models, and other realia. Archival holdings range from the personal papers of writers such as Dennis Cooper, Richard Foreman and Lynne Tillman to the papers of publishing ventures such as High Risk Books and Between C & D to the archives of organizations such as Creative Time and Mabou Mines and the Gonightclubbing.
The Fales Library preserves manuscripts and original editions of books that are rare or important not only because of their texts, but also because of their value as artifacts. The Downtown Collection archive is rich in late 1970s and 1980s punk rock and no wave post-punk videos, drawings, films, photos, interviews, posters, correspondences and other ephemera.
The Fales Library holds the personal papers and/or archives of the following, among others:
* Robert Blanchon
* John Canemaker
* Mary Ellen Carroll
* Jerome Charyn
* Dennis Cooper
* E. L. Doctorow
* Mary Beth Edelson
* Richard Foreman
* Robert Hammond
* Kathleen Hanna
* Mary Harron
* Sarah Jacobson
* Group Material
* Joseph Nechvatal
* April Palmieri
* Elizabeth Robins
* Peter Straub
* Lynne Tillman
* David Wojnarowicz
# Ray Guns Are Not Just the Future

Professional ratings :
| Aggregate scores ||
| Source | Rating |
| Metacritic | 71/100 |
| Review scores ||
| Source | Rating |
| Allmusic | |
| The A.V. Club | A− |
| Entertainment Weekly | A− |
| The Guardian | |
| Los Angeles Times | |
| Pitchfork Media | 5.4/10 |
| PopMatters | 7/10 |
| Rolling Stone | |
| Slant Magazine | |
| Spin | 7/10 |
Ray Guns Are Not Just the Future is the second studio album by American indie pop duo The Bird and the Bee, released on January 27, 2009, by Blue Note Records. The album contains the two lead-off tracks from the duo's last two studio EPs: "Polite Dance Song" from Please Clap Your Hands and "Birthday" from One Too Many Hearts.

## Track listing

All tracks are written by Greg Kurstin and Inara George, except where noted.

## Personnel

Credits for Ray Guns Are Not Just the Future adapted from liner notes.

### The Bird and the Bee

* Greg Kurstin – bass, engineer, guitar, keyboards, mixing, percussion, producer, programming (all tracks); backing vocals (3, 4, 5)
* Inara George – vocals

### Additional personnel

* Mike Andrews – guitar (4)
* Autumn de Wilde – photography
* Megan Geer-Alsop – backing vocals (10)
* Willow Geer-Alsop – backing vocals (4, 6, 10, 14)
* Perry Greenfield – artist development management
* Gordon H. Jee – creative director
* Keith Karwelies – A&R administration
* Carla Leighton – art direction, design
* Alex Lilly – backing vocals (4, 6, 10, 14)
* Gavin Lurssen – mastering
* Gus Seyffert – guitar (10)
* Kazumi Someya – translation (6)
* Joey Waronker – drums (1, 9, 10)
* Eli Wolf – A&R

## Charts

| Chart (2009) | Peak position |
| Japanese Albums Chart | 236 |
| US Billboard 200 | 78 |
| US Alternative Albums | 20 |
# Southern Literary Journal and Monthly Magazine

Southern Literary Journal and Monthly Magazine was a journal founded in 1835 by Daniel K. Whitaker and published until 1837 by J.S. Burges from Charleston, South Carolina.
Its primary contributor was William Gilmore Simms, whose most notable article is "American Criticism and Critics."
WorldCat records a The Southern Literary Journal, and Magazine of Arts published between 1837 and 1838, also from Charleston.
# The Buddhafinger

The Buddhafinger is the debut album by New Zealand rock group, Tadpole, released on June 1, 2000. The album debuted in the Official New Zealand Top 40 Albums chart on August 20, 2000, and peaked at #2. The album spent a total of 44 weeks in the chart.

## Track listing

All lyrics are written by Tadpole
# Jantzen Beach Carousel

The Jantzen Beach Carousel, also known as the C. W. Parker Four-Row Park Carousel, is a carousel formerly installed at Portland, Oregon's Jantzen Beach, in the United States.

## History

The carousel was built circa 1904 by C. W. Parker in Abilene, Kansas, for use at the 1904 St. Louis World's Fair. It was later moved to Venice Beach, California, where it began operating in 1921. In 1928, the carousel was repossessed and its parts were relocated to Portland for the opening of Jantzen Beach Amusement Park. Since then, the park became a shopping mall, Jantzen Beach Center. The carousel was removed during the mall's $50 million renovation in 2012, and reportedly remains in storage on site.
In 1987, the carousel was listed on the National Register of Historic Places, along with four others. However, it was delisted in 2008 because of plans for relocation to the Portland Children's Museum, which never came to fruition. The carousel has been designated "endangered" by the Architectural Heritage Center. In 2012, it was included in the Historic Preservation League of Oregon's list of Oregon's Most Endangered Places.

### 2015 sale and restoration

In 2015, the mall's owner, a company called Edens, said the carousel was being "safely stored in a camera-monitored, climate-controlled" building at the shopping center. However, in early 2017, The Oregonian reported that the current owner and location of the carousel were unknown; Edens said the carousel was sold to Kimco Realty, while the latter company claimed its purchase of Jantzen Beach Center included the land and buildings, but not the carousel.
On September 7, 2017, it was made public that the carousel had been donated in spring 2017 to Restore Oregon, a nonprofit organization; the donation had been kept private until the transfer was complete. In 2023, The Astorian reported that Astoria was being considered as a permanent location. A final decision by Restore Oregon is expected by September 15.

#### Future Relocation Efforts

On March 5, 2023, Restore Oregon sent a call for a permanent home for the carousel, stating that it was not the intention of the organization to house the carousel permanently. Later that year in September, Restore Oregon announced that the carousel had found a new home at the Neon Sign Museum in The Dalles, Oregon, who will begin the construction of a new pavilion to house the carousel.
# Teachey, North Carolina

Teachey is a town in Duplin County, North Carolina, United States. At the 2020 census, the population was 448.

## Geography

Teachey is located in southwestern Duplin County. U.S. Route 117 passes through the center of town, leading south 2.5 miles (4.0 km) to the center of Wallace and north 4 miles (6 km) to Rose Hill. Interstate 40 passes east of town, with access from Exit 384.
According to the United States Census Bureau, Teachey has a total area of 0.93 square miles (2.4 km$^2$), all land.

## Demographics

As of the census of 2000, 245 people, 92 households, and 66 families were residing in the town. The population density was 299.1 inhabitants per square mile (115.5/km$^2$). The 97 housing units averaged 118.4 per square mile (45.7/km$^2$). The racial makeup of the town was 41.63% White, 50.61% African American, 0.82% Asian, 5.71% from other races, and 1.22% from two or more races. Hispanics or Latinos of any race were 6.94% of the population.
Of the 92 households, 30.4% had children under the age of 18 living with them, 54.3% were married couples living together, 13.0% had a female householder with no husband present, and 27.2% were not families. About 26.1% of all households were made up of individuals, and 16.3% had someone living alone who was 65 years of age or older. The average household size was 2.66, and the average family size was 3.16.
In the town, the age distribution was 22.0% under 18, 11.4% from 18 to 24, 26.5% from 25 to 44, 22.4% from 45 to 64, and 17.6% who were 65 or older. The median age was 40 years. For every 100 females, there were 82.8 males. For every 100 females age 18 and over, there were 81.9 males.
The median income for a household in the town was $40,833, and for a family was $51,591. Males had a median income of $38,750 versus $19,028 for females. The per capita income for the town was $19,725. About 4.0% of families and 5.6% of the population were below the poverty line, including none of those under the age of 18 and 8.7% of those 65 or over.
# Charles Easton Rothwell

Charles Easton Rothwell AKA Charles Rothwell and Charles E. Rothwell, (1902–1987) was a 20th-century, career American diplomat best known for co-writing the United Nations Charter and serving as Hoover Institution director and Mills College president.

## Background

Charles Easton Rothwell was born on October 9, 1902, in Denver, Colorado. In 1924, Rothwell received an A.B. from Reed College in Portland, Oregon. In 1929, he obtained an A.M. from the University of Oregon. In 1938, he obtained a doctorate from Stanford University.

## Career

In 1927, Rothwell became director of teacher training in social sciences at the University of Oregon, where he served until 1935. In 1932, he became an instructor of citizenship and history at Stanford University.
In 1939, he became an assistant professor at Reed College.
During World War II, Rothwell worked for the United States Department of State until 1946. In 1945, he worked with Alger Hiss in the executive secretariat to the United Nations Conference on International Organization in San Francisco, California. In 1946, he served on the US delegation to the United Nations, when he helped Abraham Feller and others write the UN Charter.
In 1946, Rothwell was a senior staff member at the Brookings Institution.
In 1947, Rothwell became vice chairman and research professor at the Hoover Institution and Library through 1952, when he became Hoover Institution director through 1959.
In 1951, Rothwell served as a staff member at the National War College.
In 1959, Rothwell became president of Mills College and he held the position through 1967, when he retired and became a regional adviser to the Asia Foundation.

## Personal life and death

In 1932, Rothwell married Virginia Sterling. They had one child, a daughter.
Charles Easton Rothwell died age 84 on May 1, 1987.

## Works
### Books

* A Comparative Study of Elites with Harold D. Laswell and Daniel Lerner (1952)
* Contributed to The Policy Sciences, edited by Daniel Lerner and Harold D. Lasswell (1951)

### Articles

* "War and Economics Institutes" with other contributors, War as a Social Institution (1941, American Historical Association)
* "International Relations in a World of Change" with others, World Politics (1949)
* "International Organization and World Politics" with others, International Organization, Vol. III (1949)
# A força está em nós

A força está em nós (English: The strength is in us) is the second studio album of the French-born Portuguese singer David Carreira. It was released on 11 November 2013 on the Portuguese Farol Música label and reached number 2 on the official Portuguese Albums Chart.

## Charts

| Chart (2011) | Peak position |
| Portuguese Albums Chart | 2 |
# Joe F. Carr Trophy

The Joe F. Carr Trophy was the first award given in the National Football League (NFL) to recognize a most valuable player for each season. It was first awarded in 1938, known then as the Gruen Trophy, and renamed in 1939 in honor of NFL commissioner Joseph Carr. The Gruen Trophy, sponsored by Gruen Watch Co., was first awarded in 1937 to Dutch Clark of the Detroit Lions. However, both contemporary and modern sources consider the 1938 award the first retroactive Joe F. Carr Trophy, and thus the first NFL MVP award. Players were chosen by a panel of sportswriters who distributed first and second place votes. It was awarded until the 1946 season, and it remains the only MVP award the NFL has officially sanctioned.
| Season | Player | Team | Position |
| 1938 | Mel Hein | New York Giants | C, LB |
| 1939 | Parker Hall | Cleveland Rams | QB, HB |
| 1940 | Ace Parker | Brooklyn Dodgers | QB, HB |
| 1941 | Don Hutson | Green Bay Packers | End |
| 1942 | Don Hutson (2) | Green Bay Packers | End |
| 1943 | Sid Luckman | Chicago Bears | QB |
| 1944 | Frank Sinkwich | Detroit Lions | HB |
| 1945 | Bob Waterfield | Cleveland Rams | QB |
| 1946 | Bill Dudley | Pittsburgh Steelers | HB |
# Trail Creek Township, Harrison County, Missouri

Trail Creek Township is a township in eastern Harrison County, Missouri.
The organization date of Trail Creek Township is unknown but the name likely comes from the nearby stream Trail Creek.
# Łochowice, Lubusz Voivodeship

Łochowice is a village in the administrative district of Gmina Krosno Odrzańskie, within Krosno Odrzańskie County, Lubusz Voivodeship, in western Poland. It lies approximately 8 km (5 mi) north of Krosno Odrzańskie, 32 km (20 mi) north-west of Zielona Góra, and 71 km (44 mi) south of Gorzów Wielkopolski.
# Metal Machine Trio

Metal Machine Trio was a group founded in 2008 by Lou Reed, Ulrich Krieger and Sarth Calhoun. The group played free improvised music, touching on various genres from free rock, free jazz, minimal music, noise music, electronica, to ambient music. The group rehearsed to test ideas, but all performances were improvised.

## History

The name of the group refers to Reed's unconventional 1975 noise album Metal Machine Music. The soundscapes of this dense, abstract, controversial album serve as a reference point for Metal Machine Trio's improvisations. The noisy, abstract music of the trio counteracts the expectations of Reed's regular audience for song-based rock music. The official flyer for the New York Blender Theatre stated: “No songs. No vocals.” MM3's music has an eclectic approach to improvisation including ambient drones, electronic sounds, noise music, aggressive free playing, heavy distortion on guitar and saxophone, extended feedback passages, raga-like drones, for which the Velvet Underground were famous, and occasional rhythm and blues and heavy metal reminiscence.
With MM3 Reed continued to cultivate his avant-garde side in a group setting. Other avant-garde outputs he ventured into since the 2000s included his improvisational meetings with John Zorn, who was surprise guest artist at the second night at Blender Theater, Laurie Anderson in their duo‚ Yellow Pony, and his electronic ambient drone release Hudson River Wind Meditations.
The media reception of MM3 generally considered Reed tapping into a different part of his creative energy again, that for many years only held a place at the fringe of his rock output, reclaiming a part of his "musical legacy that has been neglected for too long".
Reed found musical partners in Ulrich Krieger on electric saxophone and Sarth Calhoun on various electronics. Krieger, professor for composition and experimental sound practices at the California Institute of the Arts, had experience as a performer of contemporary composed music, free improvisation, experimental rock and noise. Beside writing original electronic and chamber music, he had arranged Metal Machine Music for classical chamber ensemble in 2002. Sarth Calhoun produces electronic soundscapes and processes his fellow performers in real time. He uses the electronic controller Continuum Fingerboard and the Kyma Workstation. He is member of the band Lucibel Crater.
The group premiered at REDCAT, part of the Disney Concert Hall Complex in downtown Los Angeles, California, on October 2 and 3, 2008, under the title "Unclassified: Lou Reed and Ulrich Krieger". A live double CD of these shows, entitled The Creation of the Universe, was released December 22, 2008 on Reed's own label Best Seat in the House. The group played further shows at the New York Blender Theater at Gramercy on April 23 and 24, 2009.
The group is now inactive following the death of Lou Reed on October 27, 2013.

## Band members

* Lou Reed – guitar, electronics
* Ulrich Krieger – tenor saxophone, live electronics
* Sarth Calhoun – fingerboard continuum, live processing
# Hacha'a

Hach'a, also written as Hacha or Hachaa or Hechea (from Iraqi Arabic هَچَع meaning "lying down"), with or without the Arabic definite article Al- or El-, is the name for an Iraqi poetic, musical style and its accompanying expressive dance. This poetic, musical and dance tradition originated in the North of Iraq but now is mostly popular in Southern Iraq, especially in the Roma or Gypsy communities of Iraq known as Kawliya, which is also the name of the accompanying dance.

## The poetry

Hacha'a poetry, also known as Tajleebah, from Arabic تجليبة which means bringing back, is about bringing back emotional things like memories, a lost love, mending a broken heart, and so on. Hacha'a poetry is sung in the Hacha'a mode, and describes the suffering of love. The audience hand-claps and interjects verbally with "hacha'a", meaning to lie down, in an encouragement to be finally rid of all the suffering by lying down, whether alone or with the loved one.

## The music

Hacha'a has its own mode called the Hacha'a mode of Iraqi music. The most distinctive sound is that of the drum known as Khishba, Zanboor or Kasour, which has narrow tube-shaped body made of wood, with a fish-skin head glued on top. The head is moistened and the drum is knocked very fast with both hands to get a rapid-fire sound characteristic, many beats faster than the main beat of the song. Iraqi traditional or modern musical instruments can be used.

## The dance

The Hach'a accompanying dance is an expressive dance that emphasizes complex movements of the hands and neck, with some hip movements This dance is a solo or group dance for women mostly, with sometimes a male drummer who dances circling the women. There are special moves for women with longer hair since they can swing and flail their hair around wildly in the dance.
The Hacha'a dance is also known as
* the Agraba, from the Arabic عقربة which means scorpion because of the perceived similarities between this dance's moves and how the Iraqi scorpion moves.
* the Kawliya dance because of its association with the Iraqi Roma community.
The following are some features of the Hach'a dance style:
* Hair swinging: The dancer's untied hair is thrown circularly in the air around her and also right and left, violently to the drum rhythms.
* Hair sweeping: The dancer kneels closer to the floor and rubs her hair, gently sweeping the floor with it.
* Awakening the earth: The dancer repeatedly jumps and strikes the floor with her feet as if struggling to wake up the sleeping, careless ground, a reminiscent of ancient Mesopotamian earth fertility rites.
* Shimmies: Rapid shaking motion of the head, shoulders and hips.
* Daggers: Sometimes the dancer holds, or pretends to hold, a dagger in each hand and simulates stabbing herself with them by rhythmically pointing them towards her heart and sides. These simulated blows signify the pain of love and separation, as well as the sacrifice of the beloved.
* Finger snaps: two-handed finger snaps are commonly used.
* Costumes: The typical costume is a much less conservative version of a traditional Iraqi village girl costume, with some decoration.
# Harrisson Ice Rises

The Harrisson Ice Rises (66°27′S 96°39′E﻿ / ﻿66.450°S 96.650°E﻿ / -66.450; 96.650) are a local swelling of the ice surface 12 nautical miles (22 km) west-southwest of Henderson Island, Antarctica, where the Shackleton Ice Shelf overrides an underlying obstruction. The feature was discovered by the Eastern Sledge Party of the Australasian Antarctic Expedition (1911–14) under Douglas Mawson, who named the feature for Charles T. Harrisson, biologist with the expedition.
# The Coming Storm (album)

The Coming Storm is the fifth studio album by British electronic group Freestylers. The album was released on 10 June 2013, almost seven years after their last. It is their first full-length release through the Black Hole Recordings subsidiary Rub-A-Duck. It is also one of their first projects with Chris Bishop from Stereo:Type, the new addition to their production team.

## Background and release

Throughout the album, the Freestylers showcase their ever-eclectic style and renegade approach to production focusing on everything in the bass music spectrum, including drum and bass, dubstep, speed garage and acid house, while also not shying away from their well-known hip hop/breakbeat style. The album features collaborations with various artists such as Stereo:Type, Wizard (a frequent collaborator with DJ Deekline), SirReal, Laura Steel, Irwin Sparkes, Takura Tendayi, Synikall and hiphouse legend Fast Eddie.
The first two singles that the Freestylers released after signing to the Rub-A-Duck label, "Frozen", recorded with Joshua Steele (a.k.a. Flux Pavilion), and "Over You", which featured Ami Carmine, were included in the album as bonus tracks.
Through their SoundCloud page, the track "Calling Me Home" (featuring D.V.) was released as a free download to promote the release of the album and its title single. Later, a remix competition for "The Coming Storm" was held to celebrate the launch of the new album at Subsound, Liverpool. They have also released their own VIP mix of the track.

## Track listing
### Notes

* Track 7 "You and What Army" features uncredited vocals by Andrea Martin

## Release history

| Region | Date | Label | Catalogue | Format |
| United Kingdom Netherlands | 10 June 2013 | Rub-A-Duck | Rub A Duck CD 02 | CD, digital download |
# Ready (Ella Mai EP)

Ready is the third EP by English singer and songwriter Ella Mai. The extended play is the third of the trilogy leading up to her debut album. It was released by 10 Summers and produced by DJ Mustard.

## Singles

The song "Anymore" was released a week prior to the EP as a promotional single. In early 2018 "Boo'd Up" started receiving unexpected attention, and was released as a single accompanied by a music video on 26 April, as Ella Mai topped the Emerging Artists chart. The song also topped the YouTube songs chart and Billboard Hot R&B chart in the US.

## Critical reception

EarMilk said "On each of her EPs – Time, Change, and Ready – Mai is poignant in her delivery of unashamed lyrics. Her mature navigation of love becomes more poignant and straightforward with each release. DJ Mustard found a secret weapon in Ella Mai, and the sky's the limit for the budding star."

## Track listing

Credits adapted from Tidal