# List of motion picture film stocks

This is a list of motion picture films. Those films known to be no longer available have been marked "(discontinued)". This article includes color and black-and-white negative films, reversal camera films, intermediate stocks, and print stocks.

## 3M

3M no longer manufactures motion picture film.
* CR 160 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
* CR 250 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
* CR 64 Camera Reversal Film 16mm B&W (negative or reversal) (discontinued)
* Fine Grain Release Positive, Type 150, B&W, 35mm & 16mm (discontinued)
* Reversal Print, Type 160, B&W, 16mm (discontinued)
* Color Print, Type 650, 35mm & 16mm (discontinued)
Note: 1973 is first and last appearance in American Cinematographer Manual (4th edition).

## Agfa

Although a very early pioneer in trichromatic color film (as early as 1908), invented by German chemists Rudolf Fischer and Benno Homolka [d], Agfa film was first made commercially available in 1936 (16 mm reversal and 35 mm), Agfa-Gevaert has discontinued their line of motion picture camera films. Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the introduction of ORWO in 1964.

### XT

* XT100 (35 mm & 16 mm) (discontinued)
* XT125 (35 mm & 16 mm) (discontinued)
* XTR250 (35 mm & 16 mm) (discontinued)
* XT320 (35 mm & 16 mm) (discontinued)
* XTS400 (35 mm & 16 mm) (discontinued)

### Black-and-white

* Agfapan 250 250 D/200 T (discontinued)
Note: 1993 is the last appearance of Agfa film stocks in the American Cinematographer Manual (seventh edition).

## DuPont

DuPont no longer manufactures film. It first entered the 35mm motion picture market in 1926.
* Rapid X Reversal Pan (discontinued)
The list below is of film stocks in use in 1956; the "B" designation was for 35mm, "A" was 16mm.
* Superior 1, Type 904B (ASA 23 Day, 20 Incandescent) B&W (discontinued)
* Superior 2, Type 926B (ASA 80 Day, 64 Incandescent) B&W (discontinued)
* Superior 3, Type 927B (ASA 125 Day, 100 Incandescent) B&W (discontinued)
* Duplicating Negative, Type 908B, Fine grain, panchromatic B&W (discontinued)
* Master Positive, Type 828B, Fine grain B&W (discontinued)
* Sound Recording, Type 801B, Variable area or density optical sound tracks (discontinued)
* VA Sound Recording, Type 831B, Variable area optical sound tracks (discontinued)
* Fine Grain Sound Recording, Type 837B, (to increase sharpness) (discontinued)
* Release Positive, Type 803B, High speed, normal grain (discontinued)
* Fine Grain Release Positive, Type 825B, for optimum picture and sound quality (discontinued)
* Title Stock, Type 805B, a high contrast film (discontinued)
* Low Contrast Positive, Type 824B, for kinescope recording (discontinued)
The list below is from 1960; "A" was 16mm, "B" was 35mm.
* Superior 2, Type 936 B and A (ASA 125 Day, 100 Tungsten) B&W (discontinued)
* Superior 4, Type 928 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
* Panchromatic Film, Type 914A (could be used as negative or reversal) B&W (discontinued)
* Rapid Reversal Film, Type 930A (could be used as negative or reversal) B&W (discontinued)
* High Speed Rapid Reversal Film, Type 931A (could be used as negative or reversal) B&W (discontinued)
The list below is from 1966; "A" was 16mm, "B" was 35mm.
* Fine Grain Superior 2 Negative, Type 936 B and A (ASA 125 Day, 100 Tungsten) B&W (discontinued)
* Superior 3 Negative, Type 937 B and A (ASA 250 Day, 200 Tungsten) B&W (discontinued)
* Superior 4 Negative, Type 928 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
* Rapid Reversal, Type 930A, (ASA 64 Day, 50 Tungsten) B&W (discontinued)
* High Speed Reversal, Type 931 B and A (ASA 160 Day, 125 Tungsten) B&W (discontinued)
* Ultra Speed Reversal, Type 932 B and A (ASA 320 Day, 250 Tungsten) B&W (discontinued)
* Fine Grain Duplicating Negative, Type 908 B and A, B&W (discontinued)
* Pan Rapid Reversal Duplicating, Type 910A, B&W (discontinued)
* Fine Grain Release Positive, Type 825 B and A, B&W (discontinued)
* TV Recording Film, Type 834 B and A, B&W (discontinued)
The 1969 list is identical to 1966. 1969 is the last appearance of DuPont motion picture film stocks in the American Cinematographer Manual.
The list below is from 1970; "A" was 16mm, "B" was 35mm. Films marked with ‡ could also be processed as a negative film stock
* Superior 2, Type 936 B and A, B&W Negative (discontinued)
* Superior 3, Type 937 B and A, B&W Negative (discontinued)
* Superior 4, Type 928 B and A, B&W Negative (discontinued)
* Rapid Reversal, Type 930A, B&W Reversal‡ (discontinued)
* High-Speed Rapid Reversal, Type 931 B and A, B&W Reversal‡ (discontinued)
* Ultra Speed Rapid Reversal, Type 932 B and A, B&W Reversal‡ (discontinued)

## Eastman Kodak

In films from 1950 on, the first two digits (the prefix) of the four-digit emulsion number identify the gauge and base of film: :
| Prefix | Description |
| 12 | Nitrate-base 35 mm negative film |
| 13 | Nitrate-base 35 mm print film |
| 22 | ESTAR-base 35 mm (or larger) camera film |
| 23 | ESTAR-base 35 mm (or larger) lab/print film |
| 32 | ESTAR-base 16 mm or 8 mm camera film |
| 33 | ESTAR-base 16 mm or 8 mm lab/print film |
| Prefix | Description |
| 52 | Acetate-base 35 mm (or larger) camera film |
| 53 | Acetate-base 35 mm (or larger) lab/print film |
| 72 | Acetate-base 16 mm or 8 mm camera film |
| 73 | Acetate-base 16 mm or 8 mm lab/print film |
A "T" suffix designates a tungsten (3200K) balanced negative and a "D" suffix designates a daylight (5600K) negative. The number preceding this is the film's exposure index as determined by Kodak (it is not ISO speed). :

### Early nitrate films (1916–1941)

| Number | Name | Introduced | Discontinued |
| | Cine Negative Film, Type E, orthochromatic | 1916 | 1930 |
| 1201 | Cine Negative Film, Type F, orthochromatic | 1917 | 1930 |
| | Super Speed Cine Negative Film, orthochromatic | 1922 | 1930 |
| 1203 | Kodak Panchromatic Cine Film Type I | 1922 | 1941 |
| 1218 | Type II Cine Negative Panchromatic Films | 1928 | 19?? |
| | Type III Cine Negative Panchromatic Films | 1928 | 19?? |
| 1210 | Panchromatic K, infrared | 1928 | 19?? |
| 1217 | Super-Sensitive Cine Negative Panchromatic | 1931 | 19?? |
| 1227 | Eastman Super-X | 1935 | 1938 |
| 1230 | Eastman Background-X | 1938 | 1956 (5230 Safety) |
| 1231 | Eastman Plus-X | 1938 | 19?? (5231 Safety) |
| 1232 | Eastman Super-XX | 1938 | 19?? (5323 Safety) |
| | Super-XX reversal film, panchromatic | 1938 | 1958 |
| | Kodacolor 16 mm | 1928 | 19?? |

### Black-and-White (1954–1967)

* Eastman Tri-X panchromatic Negative film 5233 320D/250T introduced in 1954
* Plus-X reversal film 7276 50D/40T introduced in 1955
* Tri-X reversal film 7278 200D/160T introduced in 1955
* Plus-X Panchromatic Negative film 5231/7231 80D/64T introduced in 1956 (discontinued in 2010)
* Double-X 5222/7222 250D/200T introduced in 1959
* Plus-X reversal 7265 (16 mm & 8 mm) 100D/80T
* Tri-X reversal 7266 (16 mm & 8 mm) 200D/160T
* Eastman 4-X negative Pan film 5224/7224 500D/400T introduced in 1964 (discontinued in 1990)
* Kodak 4-X reversal film 7277 400D/320T introduced in 1967 discontinued in 1990
* Kodak Tri-X TV reversal film 7727, TVTX, no longer identified by EKC 7727
* Eastman Background-X Negative Film 5230, ISO 32 (discontinued)
* Eastman XT Panchromatic Negative Film 5220, 25D/20T, 1964–1970, replacing Background-X

### Fine grain color negative films (1950–1968)

* Eastman Color Negative film 5247 16D introduced in 1950 (discontinued in 1952)
* Eastman Color Negative film 5248 25T introduced in 1952 (discontinued in 1959)
* Eastman Color Negative film 5250 50T introduced in 1959 (discontinued in 1962)
* Eastman Color Negative film 5251 50T introduced in 1962 (discontinued in 1968)
* Eastman Color Negative film 5254/7254 100T introduced in 1968 (discontinued March, 1977)

### Eastman Color Negative II (ECN-2 process 1974–1976)

* 5247 100T Process ECN-2 introduced in 1974 (discontinued in 1976), it has sharper/finer grain compared to its predecessor 5254
* 5247/7247 100T (updated) introduced in 1976 (discontinued March, 1983)

### Video News Film 16 mm (VNF-1)(1976–1981)

* Eastman Ektachrome Video News Film 7239 (VNF) 160D, introduced in 1976. Replaced 7241.
* Eastman Ektachrome Video News Film 7240 125T, introduced in 1976. Replaced 7242.
* Eastman Ektachrome High-Speed Video News Film 7250 400T, introduced in 1977.
* Eastman Ektachrome High-Speed Daylight Film 7251 400D, introduced in 1981.

### Kodachrome color reversal film

* Kodachrome 16 mm introduced in 1935
* Kodachrome 35 mm (135) & 8 mm introduced in 1936 (discontinued in 2009)
* 5262 (16 mm) introduced in 1938 (discontinued in 1946)
* 5265 (16 mm) introduced in 1940 (discontinued in 1950)
* 5267 (35 mm) introduced in 1942
* 5268 (16 mm) introduced in 1946 (discontinued in 1958)
* 5269 (16 mm) introduced in 1950
* 7267 25D (16 mm & 8 mm) (discontinued)
* 7270 40T (16 mm & 8 mm) (discontinued)

### Ektachrome color reversal film (E1–E6 and related processes)

* 5239/7239 (reversal) 160D
* 5240/7240 (16 mm & 8 mm) (reversal) 125T
* 5285/7285 100D (reversal) introduced in 1999 (discontinued in 2012)
* 7241 160D, introduced 1966, replaced 7257
* 7242 125T, introduced 1966, replaced 7258
* 7250 High Speed 400T
* 7251 High Speed 400D introduced in 1981
* 7252 25T introduced in 1970 (discontinued in 1984)
* 7255 introduced in 1958 (discontinued in 1970, replaced by 7252)
* 5256/7256 64D, 1963–1984
* 7257 160D, introduced 1959
* 7258 125T, introduced 1959
* 7280 (8 mm) 64T (discontinued in 2010)
* Ektachrome (Type A) 160T (super 8 mm) introduced in 1971
* Ektachrome SM 7244 (super 8 mm)(reversal) introduced in 1975
* 7294 100D (Super-8, 16mm) introduced in 2018, reformulated version of 5285/7285 100D

### Eastmancolor Negative (1982–1986)

* 7291 100T introduced in 1983 (discontinued in 1989)
* 7292 320T introduced in 1986 (discontinued in 1992) (First partial "T-Grain" stock)
* 5293/7293 250T introduced in 1982 (discontinued 1983)
* 5294/7294 400T (35 mm)/320T (16 mm) introduced in 1983, discontinued in 1986
* 5295 400T introduced in 1986
* 5297/7297 HS Day 250D introduced in 1986 (discontinued in 1997)

### EXR color negative (ECN-2 process 1989–1996)

* 5245/7245 EXR 50D introduced in 1989 (discontinued in 2006)
* 5248/7248 EXR 100T introduced in 1989 (discontinued in 2005)
* 5287/7287 EXR 200T introduced in 1996 (discontinued in 1996)
* 5293/7293 EXR 200T introduced in 1992 (discontinued in 2004)
* 5296/7296 EXR 500T introduced in 1989 (discontinued in 1995)
* 5298/7298 EXR 500T introduced in 1994 (discontinued in 2003)

### Vision color negative (ECN-2 process 1996–2002)

* 5246/7246 Vision 250D introduced in 1997 (discontinued in 2005)
* 5263/7263 Vision 500T introduced in 2002 (discontinued in 2003)
* 5274/7274 Vision 200T introduced in 1997 (discontinued in 2006)
* 5277/7277 Vision 320T introduced in 1996 (discontinued in 2005)
* 5279/7279 Vision 500T introduced in 1996 (discontinued in 2006)
* 5284/7284 Vision 500T "Expression" introduced in 2001 (discontinued in 2003)
* 5289 Vision 800T introduced in 1998 (discontinued in 2004)
* 7289 Vision 800T (16 mm) introduced in 1999 (discontinued in 2004)

### Vision2 color negative (ECN-2 process 2002–2007)

* 5201/7201 Vision2 50D introduced in 2005. discontinued in 2012.
* 5205/7205 Vision2 250D introduced in 2004. discontinued in 2009.
* 5212/7212 Vision2 100T introduced in 2004. discontinued in 2010.
* 5217/7217 (35, 16, & 8 mm) Vision2 200T introduced in 2004. discontinued in 2010.
* 5218/7218 (35, 16, & 8 mm) Vision2 500T introduced in 2002. discontinued in 2009.
* 5229/7229 Vision2 "Expression" 500T introduced in 2003. discontinued in 2011.
* 5260 Vision2 500T introduced in 2009 (35 mm only). discontinued in 2011.
* 5299/7299 Vision2 "HD Color Scan film" 500T introduced in 2005. discontinued in 2009.

### Vision3 color negative (ECN-2 process 2007–present)

* 5219/7219 Vision3 500T introduced in 2007. SO-219 is ESTAR-base variant.
* 5207/7207 Vision3 250D introduced in 2009.
* 5213/7213 (35, 16, & 8 mm) Vision3 200T introduced in 2010.
* 5203/7203 Vision3 50D introduced in 2011.

### Print films (1941–present)

| Introduced/Discontinued? | Introduced/Discontinued? | Introduced/Discontinued? |

### Lab films

| Introduced/Discontinued? | Introduced/Discontinued? | Introduced/Discontinued? |

### Other

* 5600 Primetime EXR 640T Teleproduction Film introduced in 1995 (discontinued)
* 5620/7620 Primetime 640T introduced in 1997 (discontinued)
* SFX 200T Color Negative Film (35 mm only) introduced in 1998. Special-order film intended for special effects. (discontinued in 2004)
* 5230/7230 500T Color Negative Film introduced in 2011 (discontinued in 2012)
* Ektagraphic High Contrast Slide (HCS) orthochromatic negative film for making reverse-text title slides etc.
* Fine Grain Release Positive, blue-sensitive negative film specially for motion film duplication
* Rapid Process Copy (RPC) ultra-slow duplicating film with a blue-tinted base

## Filmotec

Filmotec is German company in the tradition of Agfa/ORWO. The FilmoTec GmbH was formed in 1998 to continue to manufacture a range of black and white camera and technical films for motion picture use under the ORWO brand.
* Filmotec UN 54, ISO 100/21°, (Universal Negative film)
* Filmotec N 74, ISO 400/27°, (Negative film)
* Filmotec PF 2, (Positive Fine-grain film)
* Filmotec PF 2 V3, positive copy film with anti-halation layer
* Filmotec DP 31, (Duplicating Positive film)
* Filmotec DN 21, (Duplicating Negative film)
* Filmotec TF 12d, orthochromatic film for digital sound tracks, (Ton- Film Digital)
* Filmotec LF 2, orthochromatic, high contrast, (Leader Film), (discontinued)
* Filmotec LF 3, clear leader film
* Filmotec LF 3S, clear leader film with anti-static layer
* Filmotec LF 4, white leader film
* Filmotec LF 10, leader film with coated emulsion
* Wolfen NC 500, ISO 400/27°, colour negative film based on Agfa stock

## Foma

Foma Bohemia spol. s r. o. (historically Fotochema, n.p., Hradec Králové) is a czech manufacturer of black and white photographic materials. Motion picture materials are also part of the production.

### Black and white films

| Name | ISO | Notes | Formats |
| Discontinued films: ||||
| Fomapan R 17 | 40/17° | Fine grain panchromatic reversal film for amateur use. | 2x8, DS 8, 16mm |
| Fomapan R 21 | 100/21° | Panchromatic reversal film for amateur use. | 2x8, DS 8, 16mm |
| Fomapan R 24 | 200/24° | High speed panchromatic reversal film for amateur use. Suitable for use in artificial light. | 2x8, DS 8, 16mm |
| Kinopozitiv | 2/4° | Film for making positive prints from black and white motion picture negatives. | 16mm, 2x16mm, 35mm |
| Kinopozitiv T | ? | Film for making positive prints for television. | 16mm, 35mm |
| Dokument K | 2/4° | Unsensitized black and white film for making motion picture copies, could also be used for making title sequences. | 2x8, DS 8, 16mm, 35mm |
| Available films: ||||
| Fomapan R 100 | 100/21° | Panchromatic reversal film introduced in the late 90's. | 2x8, DS 8, 16mm |
| Fomapan 100 Cine | 100/21° | Panchromatic negative film based on Fomapan 100 still film. | 2x8, DS 8, 16mm |
| Foma Ortho 400 Cine | 400/27° | High speed orthochromatic negative film based on Foma Ortho 400 still film. | 2x8, DS 8, 16mm |

### Colour reversal films

| Name | ISO | Notes | Formats |
| Discontinued films: ||||
| Fomachrom MD 17 | 40/17° | Daylight balanced colour reversal film for amateur use. Warmer colour rendering. | Super 8, 2x8, DS 8, 16mm |
| Fomachrom MA 17 | 40/17° | Tungsten balanced colour reversal film which was developed by Fotochema but never reached the market. Similar properties as Fomachrom MD 17. | n/a |

## Forte

Forte photochemical industry, Vác was a hungarian film manufacturer. Forte no longer manufactures film.
* Fortepan 2x8, ISO 80/20° panchromatic reversal film for amateur use (discontinued)

## FOTON

FOTON was a brand of Warsaw Photochemical Works, a Polish state-owned film manufacturer. FOTON no longer manufactures film.
* Fotopan RF, 2x8, ISO 80/20° for daylight, ISO 50/18° for artificial light, panchromatic reversal film for amateur use (discontinued)

## Fuji

Fujifilm stopped production of all motion picture film stocks on March 31, 2013. For negative stocks, "85" prefix designates 35 mm, "86" prefix designates 16 mm stock. Stock numbers ending in a "2" are Fuji's Super-F emulsions (1990s) and the stocks ending in "3" are the new Eterna emulsions.
Also, Eterna Vivid series negatives' last second suffix as "4", and the ending suffix as different "E.I.".
For intermediate stocks, as negatives', adding "45" prefix designates 35 mm in polyester (PET) base, and "87" prefix designates 65/70 mm.
For positive and print stocks, "35" indicates 35 mm print film, and "36" indicates 16 mm print film.
Fuji also introduced their Reala film, a color stock with a fourth color emulsion layer, which is also the fastest daylight balanced color motion picture stock ever offered at 500 ISO.
As of March 2013, Fuji had ceased production of all motion picture film.

### Color negatives (1980s)

* 8517 100T introduced in 1977
* 8511/8521 (35 mm & 16 mm) Fujicolor A 125T
* 8514/8524 (35 mm & 16 mm) Fujicolor AX 500T
* 8518/8528 (35 mm & 16 mm) Fujicolor A 250T

### Reversal (1980s)

* 8427 (16 mm) Fujicolor RT 125T (reversal)
* 8428 (16 mm) Fujicolor RT 500T (reversal)

### Black-and-white

* 71112 (35 mm) Fuji FG 80D/64T
* 72161 (16 mm) Fuji RP 80D/64T

### F-Series (1988)

* 8510/8610 F64T (discontinued)
* 8520/8620 F64D (discontinued)
* 8530/8630 F125T (discontinued)
* 8550/8650 F250T (discontinued)
* 8560/8660 F-250D (discontinued)
* 8570/8670 F-500T (discontinued)

### Super F-Series (1999)

* F-64D 8522/8622
* F-125T 8532/8632
* F-250T 8552/8652
* F-250D 8562/8662
* F-500T 8572/8672
* F-400T 8582/8682

### Reala

Containing a fourth color layer, Reala is nominally considered a part of the Super-F series. Its analogue in the stills market is Superia Reala.
* Reala 500D 8592/8692 was introduced in December 2001, and discontinued in February 2011

### Eterna (2004–2013)

* Eterna Vivid 160T 8543/8643 introduced in 2007
* Eterna Vivid 250D 8546/8646 introduced in 2010
* Eterna 250D 8563/8663 introduced in 2006
* Eterna 250T 8553/8653 introduced in 2006
* Eterna 400T 8583/8683 introduced in March 2005, discontinued in July 2011
* Eterna 500T 8573/8673 introduced in 2004
* Eterna Vivid 500T 8547/8647 introduced in 2009

### Print films

* F-CP 3519 Fujicolor positive film. Polyester (PET) base. Introduced in 1996.
* F-CP 3519D Fujicolor positive film. High-contrast. Polyester base. Introduced in 1999.
* Super F-CP 3510/3610 Fujicolor positive film. Polyester base. Introduced in 2002.
* Eterna-CP 3513DI/3613DI Fujicolor positive film. High-contrast. Polyester base. Introduced in 2002.
* Eterna-CP 3521XD Fujicolor positive film. High-contrast. Polyester base. Introduced in 2007.
* Eterna-CP 3514DI/3614DI Fujicolor positive film. High-contrast. Polyester base. Introduced in April 2010.
* Eterna-CP 3523XD Fujicolor positive film. High-contrast. Polyester base. Introduced in 2010.
* Eterna-CP 3512/3612 Fujicolor positive film. High-contrast. Polyester base. Introduced in 2010.

### Intermediate film

* Eterna-CI 8503/4503(Polyester base)/8603 Fujicolor intermediate film.
* Super F-CI 8702(65/70 mm)/8502/4502(Polyester base)/8602 Fujicolor intermediate film. (One of the Super F-Series)

### Recording film

* Eterna-RDI 8511/4511(Polyester base) Fujicolor recording film (RDI short for Recording for Digital Intermediate). Designed to be used with Arri Laser.
* Eterna-RDS 4791(Polyester base) Fujicolor recording film (RDS short for Recording for Digital Separation). The black-and-white recording film designed to be used for digital archive. Process with D96 or D97. Introduced in April 2010.

## GAF/Ansco

GAF/Ansco no longer manufactures film.
* GAF Anscochrome 500 D (discontinued)
* GAF Anscochrome 100 T (discontinued)
The list below is of 35mm film stocks in use in 1956.
* Ansco Color Negative, Type 844. E.I. 16 Day (w/ Wratten #85 filter), 25 Tungsten (discontinued)
* Ansco Color Dupe Negative, Type 846, for Intermediate Negatives (discontinued)
* Ansco Color Print Film, Type 848, for release prints, balanced for approx. 3,000 degrees K (discontinued)
* Ansco Color Reversal Duplicating Film, Type 538, for duplication of positive image originals (discontinued)
* Ansco Supreme, Type 453, panchromatic (black & white?). E.I. 50 Day, 32 Tungsten (discontinued)
* Ansco Ultra-Speed, Type 456, very high speed, medium grain, panchromatic. E.I. 100 Day, 64 Tungsten (discontinued)

## Ilford

Ilford specialises in B&W films and, until 2003, produced motion picture versions of their photographic films for 16mm and 35mm cameras.
* FP4plus
* HP5plus
(As used in Hollywood, 1960s)
* Ilford Pan F Negative, ASA 25 Day, 20 Tungsten (B&W, 35mm & 16mm)
* Ilford FP3 Negative, ASA 80 Day, 64 Tungsten (B&W, 35mm & 16mm)
* Ilford HP3 Negative, ASA 200 Day, 160 Tungsten (B&W, 35mm & 16mm
* Ilford Mark V Negative, ASA 250 Day, 200 Tungsten (B&W, 35mm & 16mm)
* Ilford HPS Negative, ASA 400 Day, 320 Tungsten (B&W, 35mm & 16mm)
* Ilford HRT Television Recording Film (B&W, 16mm)
* Ilford Fine Grain Safety Positive for release prints (B&W, 35mm & 16mm)
* Ilford Newsreel Positive (B&W, 35mm)
* Ilford SFX 200 Negative for Special Effects, ASA 200 Day, 100 Tungsten (B&W, 16mm)
Note: 1973 is last appearance in American Cinematographer Manual (fourth edition).

## ORWO

VEB Filmfabrik Wolfen was an East German film manufacturer, originally Agfa factory in Wolfen. ORWO stands for ORiginal WOlfen. VEB Filmfabrik Wolfen no longer manufactures film. Motion picture production was transferred to Filmotec.

### Amateur films
#### Black and white reversal films

| Make | Name | ISO | Notes | Process | Formats |
| Discontinued films: ||||||
| Agfa | Isopan F | 25/15° | Very fine grain panchromatic film suitable for daylight scenes. | B&W reversal | 1x8, 2x8, 16mm |
| Agfa | Isopan SS | 64/19° | High speed panchromatic film. | B&W reversal | 1x8, 2x8, 16mm |
| ORWO | UP 15 | 25/15° | Very fine grain panchromatic film suitable for daylight scenes. | ORWO 4105 | 1x8, 2x8, DS 8, 9,5mm, 16mm |
| ORWO | UP 17 | 40/17° | Fine grain panchromatic film made exclusively in a Super 8 cassette. | ORWO 4105 | Super 8 |
| ORWO | UP 19 | 64/19° | Panchromatic film with high red sensitivity, suitable for scenes in artificial light or in harsher weather. Discontinued at the start of the 70's. | ORWO 4105 | 1x8, 2x8, 9,5mm, 16mm |
| ORWO | UP 22 | 125/22° | High speed panchromatic film for harsher weather conditions and artificial light. | ORWO 4105 | 1x8, 2x8, DS 8, 9,5mm, 16mm |
| ORWO | UP 21 | 100/21° | Similar features as UP 22, this film replaced UP 22 at the beginning of 70's | ORWO 4105 | 2x8, DS 8, 16mm |
| ORWO | UP 27 | 400/27° | Ultra high speed panchromatic film suitable for night scenes and slow motion shots. | ORWO 4105 | 2x8, DS 8, 16mm |

#### Colour negative films

| Make | Name | ISO | Notes | Process | Formats |
| Discontinued films: ||||||
| ORWOCOLOR | NT 18 | 50/18° | Colour negative film balanced for daylight. Discontinued by the end of the 60's. | ORWO 5160 | 16mm |
| ORWOCOLOR | NK 18 | 50/18° | Colour negative film balanced for artificial light. Discontinued by the end of the 60's. | ORWO 5160 | 16mm |

#### Colour reversal films

| Make | Name | ISO | Notes | Process | Formats |
| Discontinued films: ||||||
| Agfacolor | Umkehr T | 16/13° | Daylight balanced colour reversal film. | Agfacolor | 1x8, 2x8 |
| Agfacolor | Umkehr K | 25/15° | Tungsten balanced colour reversal film. | Agfacolor | 1x8, 2x8 |
| ORWOCOLOR | UT 13 | 16/13° | Very fine grain colour reversal film for daylight. Film renders red very boldly. | ORWO 9160 | 2x8 |
| ORWOCOLOR | UT 16 | 32/16° | Daylight balanced colour reversal film. | ORWO 9160 | 1x8, 2x8, 9,5mm, 16mm |
| ORWOCOLOR | UK 14 | 20/14° | Tungsten balanced colour reversal film. | ORWO 9160 | 1x8, 2x8, 16mm |
| ORWOCOLOR | UK 18 | 50/18° | Tungsten balanced colour reversal film. | ORWO 9160 | 1x8, 2x8, DS 8, 16mm |
| ORWOCHROM | UT 15 | 25/15° | Daylight balanced colour reversal film. Colder colour rendering. Replaced old ORWOCOLOR films in mid-70's. | ORWO 9165 | Super 8, 2x8, DS 8, 16mm |
| ORWOCHROM | UK 17 | 40/17° | Tungsten balanced colour reversal film. Colder colour rendering. Replaced old ORWOCOLOR films in mid-70's. | ORWO 9165 | Super 8, 2x8, DS 8, 16mm |

#### Leader films

| Make | Name | Notes | Formats |
| Discontinued films: ||||
| ORWO | Vorspannfilm Amateursatz | Leader film for amateur use sold in the usual formats. Box contained 15m of red and green leader films. | 8mm, Super 8 |

### Professional films
#### Black and white negative films

| Make | Name | ISO | Notes | Process | Formats |
| Discontinued films: ||||||
| ORWO | NP 2 | 25/15° | Fine grain panchromatic film for amateur and professional use. | ORWO 1180 | 16mm, 35mm |
| ORWO | NP 3 | 32/16° | Fine grain panchromatic film suitable for outdoor and aerial scenes, also suitable for back projection. For amateur and professional use. | ORWO 1180 | 16mm, 35mm, 70mm |
| ORWO | NP 5 | 125/22° | Standard panchromatic film for motion picture use. Very sharp with wide latitude. Also was available to amateurs in 16mm format. | ORWO 1180 | 16mm, 35mm, 70mm |
| ORWO | NP 55 | 125/22° | Improved version of ORWO NP 5. | ORWO 1180 | 16mm, 35mm |
| ORWO | NP 7 | 400/27° | High speed film suitable for artificial light but also harsher weather conditions. For amateur and professional use. | ORWO 1180 | 16mm, 35mm |
| ORWO | NP 71 | 400/27° | High speed film for slow-motion shots with high frame rate. For amateur and professional use. | ORWO 1180 | 16mm, 35mm |
| ORWO | TF 5 | n/a | Sound recording film. | ORWO 1180 | 16mm, 35mm |
| ORWO | TF 6 | n/a | Sound recording film. | ORWO 1180 | 16mm, 2x16mm, 35mm |
| ORWO | TF 7 | n/a | Sound recording film. | ORWO 1180 | 16mm, 35mm |
| ORWO | TF 8 | n/a | Sound recording film. | ORWO 1180 | 16mm, 35mm |
| ORWO | NI 750 | n/a | Infrared negative film with sensitivity up to 750-760nm. Suitable for special effects. | ORWO 1180 | 35mm |

#### Black and white positive films

| Make | Name | Notes | Process | Formats |
| Discontinued films: |||||
| ORWO | PF 1 | Positive fine grain film, also suitable for recording title sequences. | ORWO 1180 | 8mm, 2x8mm, 16mm, 2x16mm, 35mm, 70mm |
| ORWO | PF 11 | Similar properties as ORWO PF 1 and ORWO PF 2, has a thick base of 0,2mm. | ORWO 1180 | 35mm |
| ORWO | PF 2 | Positive fine grain film on a thin base. Slightly lower sensitivity than ORWO PF 1. | ORWO 1180 | 8mm, 2x8mm, 16mm, 2x16mm, 35mm, 70mm |
| ORWO | PF 3 | Positive fine grain film. | ORWO 1180 | 16mm, 35mm |
| ORWO | PF 5 | Positive fine grain film used for television. | ORWO 1180 | 16mm, 35mm |

#### Black and white duplicating films

| Make | Name | ISO | Notes | Process | Formats |
| Discontinued films: ||||||
| ORWO | DN 1 | 1,2/2° | Ultra fine grain film for making copies, inter-positives or sound track positives. Flat gradation. | ORWO 1180 | 16mm, 2x16mm, 35mm, 70mm |
| ORWO | DN 2 | n/a | Ultra fine grain panchromatic film for making inter-negatives or black and white negatives from colour positives. Sensitivity is 1,5 to 2 stops slower than ORWO DN 1. | ORWO 1180 | 16mm, 2x16mm, 35mm, 70mm |
| ORWO | DP 1 | n/a | Ultra fine grain film for making inter-positives. Gray film base. | ORWO 1180 | 16mm, 2x16mm, 35mm, 70mm |
| ORWO | DP 2 | n/a | Ultra fine grain film with flat gradation curve for making inter-positives. Sensitivity is 1 stop slower than ORWO DP 1. | ORWO 1180 | 16mm, 2x16mm, 35mm, 70mm |
| ORWO | DP 3 | n/a | Ultra fine grain panchromatic film for making inter-positives. Also suitable for making positives from unmasked colour negative films. Sensitivity is 0,3 stop slower than ORWO DP 1. | ORWO 1180 | 16mm, 2x16mm, 35mm, 70mm |

#### Black and white television films

| Make | Name | ISO | Notes | Process | Formats |
| Discontinued films: ||||||
| ORWO | UP 11 | 25/15° | Fine grain panchromatic reversal film suitable for daylight scenes. | ORWO 4105 / 4185 | 16mm |
| ORWO | UP 21 | 64/19° | Panchromatic reversal film suitable for scens with artificial light. | ORWO 4105 / 4185 | 16mm |
| ORWO | UP 31 | 100/21° | Fine grain panchromatic reversal film for daylight and artificial light. Flatter gradation than ORWO Fernseh-Umkehr-Film UP 21. | ORWO 4105 / 4185 | 16mm |
| ORWO | UP 32 | 100/21° | Universal television film for reportage. It could be developed either as a reversal film or as a negative film. Same EI for negative and reversal process. Wide exposure latitude and fine tonal gradation. | ORWO 4105 / 4185 or 1180 | 16mm |
| ORWO | UP 51 | 320/26° | Panchromatic reversal film for scenes with artificial light or in bad weather. | ORWO 4105 / 4185 | 16mm |
| ORWO | UP 52 | 320/26° | Universal television film. It could be developed either as a reversal film or as a negative film. Same EI for negative and reversal process. | ORWO 4105 / 4185 or 1180 | 16mm |
| ORWO | US 11 | n/a | Special film for recording television screens. Sensitivity tailored to light spectrum of a television screen. Could be developed as a negative or a positive. | ORWO 4105 / 4185 or 1180 | 16mm |
| ORWO | UX 1 | n/a | Very fine grain reversal film for making duplicates of positives. This film could be developed either as a negative or as a positive. Emulsion contains yellow dye to prevent halation. Also available for amateur use. | ORWO 4105 / 4185 or 1180 | 2x8, 16mm |

#### Colour motion picture films

| Make | Name | ISO | Notes | Process | Formats |
| Discontinued films: ||||||
| ORWOCOLOR | NC 1 | 32/16° | Standard colour negative motion picture film balanced for artificial light. Could be used in daylight with ORWO filter K 14, the EI should be then changed to ISO 25/15°. Wide exposure latitude and high sharpness. Gradation can be adjusted with development time (0,5 to 0,9). | ORWO 5180 / 5186 | 16mm, 35mm, 70mm |
| ORWOCOLOR | NC 3 | 64/19° | Standard colour negative motion picture film balanced for artificial light. Could be used in daylight with ORWO filter K 14, the EI should be then changed to ISO 50/18°. Similar properties to ORWOCOLOR NC 1. By the mid 70's NC 3 replaced NC 1. | ORWO 5186 / 5188 | 16mm, 35mm, 70mm |
| ORWOCOLOR | DC 1 | n/a | Film for making duplicate negatives using the reversal process. | ? | 16mm, 2x16mm, 35mm, 70mm |
| ORWOCOLOR | DC 2 | n/a | Colour duplicating film for making positive copies of positives using reversal development. | ORWO 9181 | 16mm, 2x16mm, 35mm, 70mm |
| ORWOCOLOR | DC 6 | n/a | Colour duplicating film. | ORWO 7186 | 16mm, 2x16mm, 35mm, 70mm |
| ORWOCOLOR | PC 5 | n/a | Positive colour film for making positive copies from negatives and duplicate negatives. | ORWO 7181 | 2x8mm, 16mm, 2x16mm, 35mm, 70mm |
| ORWOCOLOR | PC 51 | n/a | Similar properties as ORWOCOLOR PC 5, has a thick base of 0,2mm. Suitable for back projection. | ORWO 7181 | 35mm |
| ORWOCOLOR | PC 7 | n/a | Positive colour film for making copies from flat graduated masked and unmasked negatives. | ORWO 7181 / 7182 | 2x8mm, 16mm, 2x16mm, 35mm, 70mm |
| ORWOCOLOR | PC 9 | n/a | Positive colour film for making demonstration prints from masked negatives or unmasked negatives. Improved sharpness due to reversed layer order. Also suitable for back projection. | ORWO 7181 | 16mm, 2x16mm, 35mm, 70mm |

#### Colour television films

| Make | Name | ISO | Notes | Process | Formats |
| Discontinued films: ||||||
| ORWOCHROM | UK 3 | ? | Colour reversal television film balanced for artificial light. | ORWO 9186 | 16mm |
| ORWOCHROM | UF 1 | n/a | Colour film for making positive copies of positives. | ORWO 9186 | 16mm |

## Slavich

Slavich is a Russian film manufacturer. They no longer produce motion picture film but do still produce photographic emulsion paper.
* Black-and-white negative film NK-2 ISO/GOST 32D/25T
* Black-and-white negative NK-2Sh ISO/GOST 100D/80T
* Black-and-white positive print film МZ-3 ISO/GOST ~5T

## Svema

Svema was a Soviet/Ukrainian film manufacturer.

### Black and white films

| Name | ISO | Notes | Formats |
| Discontinued films: ||||
| КН-1 (KN-1) | 20/14° | Black and white negative film for motion pictures. In artificial light film should be rated at ISO 12/12°. | 16mm, 35mm |
| КН-2 (KN-2) | 50/18° | Black and white negative film for motion pictures. | 16mm, 35mm |
| КН-3 (KN-3) | 80/20° | Black and white negative film for motion pictures. | 16mm, 35mm |
| КН-4С (KN-4S) | 500/28° | Black and white negative film for motion pictures. | 16mm, 35mm |
| НК-2Ш (NK-2Sh) | 100/21° | Black and white negative film for motion pictures. | 16mm, 35mm |
| А-2Ш (A-2Sh) | 400/27° | Black and white negative film for motion pictures. | 16mm, 35mm |
| К3-63 (K3-63) | n/a | Sound recording film. | 16mm, 35mm |
| МЗ-3 (MZ-3) | 2,5/5° | Film for making positive motion picture prints. | 16mm, 35mm |

### Black and white reversal films

| Name | ISO | Notes | Formats |
| Discontinued films: ||||
| ОЧ-Т-45 (OCh-T-45) | 50/18° | Black and white reversal film for television. | 16mm |
| ОЧ-Т-180 (OCh-T-180) | 200/24° | Black and white reversal film for television. | 16mm |
| ОЧ-Т-В (OCh-T-V) | 400/27° | Black and white reversal film for television. | 16mm |
| ОЧ-Т-Н (OCh-T-N) | 3/6° | Black and white television film for making copies of reversal films. | 16mm |
| ОЧ-45 (OCh-45) | 50/18° | Black and white reversal film for amateur use. | Super 8, 2x8, DS 8, 16mm |
| ОЧ-90 (OCh-90) | 100/21° | Black and white reversal film for amateur use. | 2x8, DS 8, 16mm |
| ОЧ-180 (OCh-180) | 200/24° | Black and white reversal film for amateur use. | Super 8, 2x8, DS 8, 16mm |
| ОЧ-50 (OCh-50) | 50/18° | Black and white reversal film for amateur use. | 1x8, 1x Super 8, Super 8, 2x8, DS 8, 16mm |

### Colour films

| Name | ISO | Notes | Formats |
| Discontinued films: ||||
| ДС-5М (DS-5M) | 40/17° | Daylight balanced masked colour negative film for motion pictures. | 16mm, 35mm |
| ЛН-9 (LN-9) | 100/21° | Tungsten balanced masked colour negative film for motion pictures. | 16mm, 35mm |
| ЦП-8Р (CP-8R) | n/a | Colour film for making positive motion picture prints. | 16mm, 35mm |
| ЦП-10 (CP-10) | n/a | Colour positive film with "displaced layers". | 16mm, 35mm |
| ЦП-11 (CP-11) | n/a | Colour positive film with "displaced layers". Triple sensitivity compared to CP-10. | 16mm, 35mm |
| КП-6 (KP-6) | n/a | Colour copy film. | 16mm, 35mm |
| КПМ (KPM) | n/a | Colour copy film. | 16mm, 35mm |

### Colour reversal films

| Name | ISO | Notes | Formats |
| Discontinued films: ||||
| ЦО-Т-22Д (CO-T-22D) | 25/15° | Daylight balanced colour reversal film for television. | 16mm |
| ЦО-Т-90ЛМ (CO-T-90LM) | 100/21° | Tungsten balanced colour reversal film for television. | 16mm |
| ЦО-Т-180Л (CO-T-180L) | 200/24° | Tungsten balanced colour reversal film for television. | 16mm |
| ЦО-5 (CO-5) | n/a | Fine grain film for making copies of colour reversal films. | 16mm |
| ЦО-32Д (CO-32D) | 40/17° | Daylight balanced colour reversal film for amateur use. | 1x8, 1xSuper 8, Super 8, DS 8, 16mm |
| ЦО-50Д (CO-50D) | 50/18° | Daylight balanced colour reversal film for amateur use. | 1xSuper 8, Super 8, DS 8, 16mm |

## Tasma

Tasma is a Russian company (Russian: Тасма), located in the Russian Republic of Tatarstan
* NK-1 – ISO/GOST 250D/200T
* NK-2 – ISO/GOST 100D/80T
* NK-3 – ISO/GOST 32D/25T