# Unforgiven

Unforgiven is a 1992 American revisionist Western film produced and directed by Clint Eastwood. It stars Eastwood himself as William Munny, an aging outlaw and killer who takes on one more job years after he turned to farming. The film co-stars Gene Hackman, Morgan Freeman, and Richard Harris and was written by David Webb Peoples.
Unforgiven grossed over $159 million on a budget of $14.4 million and received widespread critical acclaim, with praise for the acting (particularly from Eastwood and Hackman), directing, editing, themes, and cinematography. The film won four Academy Awards: Best Picture, Best Director for Eastwood, Best Supporting Actor for Hackman, and Best Film Editing for Joel Cox. Eastwood was nominated for the Academy Award for Best Actor for his performance, but lost to Al Pacino for Scent of a Woman. The film was the third Western to win Best Picture, following Cimarron (1931) and Dances With Wolves (1990). Eastwood dedicated the film (at the end of the credits) to directors and mentors Sergio Leone and Don Siegel; "Dedicated to Sergio and Don".
In 2004, Unforgiven was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant". The film was remade into a 2013 Japanese film, also titled Unforgiven, which stars Ken Watanabe and changes the setting to the early Meiji era in Japan. Eastwood has long asserted that the film would be his last traditional Western, concerned that any future projects would simply rehash previous plotlines or imitate someone else's work.

## Plot

In 1880, in Big Whiskey, Wyoming, a cowboy named Quick Mike slashes prostitute Delilah Fitzgerald's face with a knife, permanently disfiguring her after she laughs at his small penis. As punishment, Sheriff "Little Bill" Daggett orders Mike and his associate who was with him at the brothel, Davey Bunting, to turn over several of their ponies to Delilah's employer, Skinny DuBois, for his loss of revenue. Outraged, the prostitutes offer a $1,000 bounty for the cowboys' deaths.
In Hodgeman County, Kansas, a boastful young man visits Will Munny's hog farm. He calls himself the "Schofield Kid" and claims to be an experienced bounty hunter looking for help pursuing the cowboys. Formerly a notorious outlaw and murderer, Will is now a repentant widower raising two children. After initially refusing to help, Will realizes that his farm is failing and his children's future is in jeopardy. He recruits his friend Ned Logan, another retired outlaw, and they catch up with the Kid, whom they discover, is severely near-sighted.
Back in Big Whiskey, British-born gunfighter "English" Bob, an old acquaintance and rival of Little Bill's, seeks the bounty. He arrives in town with his biographer W. W. Beauchamp, who naively believes Bob's tall tales. Enforcing the town's antigun law, Little Bill, with his deputies, disarms Bob and beats him savagely to discourage others from attempting to claim the bounty. Bob, humiliated, is banished from town the next morning, but Beauchamp stays out of a fascination with the sheriff, who debunks many of the romantic notions Beauchamp has about the Wild West. Little Bill explains to Beauchamp that the best attribute for a gunslinger is to be cool-headed under fire rather than to have the quickest draw, and to always kill the best shooter first.
Will, Ned, and the Kid arrive in town during a rainstorm and enter Skinny's saloon. While Ned and the Kid meet with the prostitutes upstairs, Little Bill confronts a feverish Will. Not realizing Will's identity, but correctly guessing that he wants the bounty, Bill confiscates his pistol and beats him. Ned and the Kid escape through a back window and take Will to an unoccupied barn outside of town, where they and the prostitutes nurse him back to health. A few days later, the trio ambush Davey. After missing Davey and shooting his horse, Ned falters and Will shoots Davey instead. Ned decides to quit and return to Kansas.
Ned is later captured and flogged to death by Little Bill to learn the whereabouts of Will and the Kid. Will takes the Kid with him to the cowboys' ranch, directing him to ambush Quick Mike in the outhouse and shoot him. After they escape, a distraught Kid drunkenly confesses he had never killed anyone before and is overcome with remorse. A prostitute arrives with the reward and tells them about Ned's fate. Shocked by the news, Will begins drinking and demands the Kid's revolver. The Kid hands it over, saying that he no longer wants to be a killer, and Will sends him back to Kansas to distribute the reward.
That night, Will finds Ned's corpse displayed in a coffin outside Skinny's saloon. Inside, Little Bill and his deputies are organizing a posse. Will walks in alone, brandishing a shotgun, and kills Skinny for displaying Ned's corpse. He then aims at Little Bill, but the shotgun misfires. In the ensuing gunfight, Will shoots Little Bill and several other men with the revolver. He then orders the rest of the posse out. Beauchamp lingers briefly to ask how Will survived. Will replies that it was luck and scares him away. Little Bill tries and fails to take another shot while lying on the floor, then bemoans his fate and curses Will, who shoots him dead. Will shouts threats as he mounts his horse and rides out of town.
A closing title card states that Will's mother-in-law found his farm abandoned years later, Will having possibly moved to San Francisco with the children, and she remained at a loss to understand why her daughter married such a notorious outlaw and murderer.

## Cast

* Clint Eastwood as William "Will" Munny
* Gene Hackman as Sheriff "Little" Bill Daggett
* Morgan Freeman as Ned Logan
* Richard Harris as English Bob
* Jaimz Woolvett as the Schofield Kid
* Saul Rubinek as W.W. Beauchamp
* Frances Fisher as Strawberry Alice
* Anna Thomson as Delilah Fitzgerald
* David Mucci as Quick Mike
* Rob Campbell as Davey Bunting
* Anthony James as Skinny Dubois
* Tara Dawn Frederick as Little Sue
* Beverley Elliott as Silky
* Liisa Repo-Martell as Faith
* Josie Smith as Crow Creek Kate
* Cherrilene Cardinal as Sally Two Trees
* Shane Meier as William Munny Jr.
* Aline Levasseur as Penny Munny
* Ron White as Deputy Clyde Ledbetter
* Jeremy Ratchford as Deputy Andy Russell
* John Pyper-Ferguson as Deputy Charley Hecker
* Jefferson Mappin as Deputy Fatty Rossiter
* Mina E. Mina as Muddy Chandler
* Henry Kope as German Joe Schultz
* Larry Joshua as Bucky
* Ben Cardinal as Johnny Foley
* Frank C. Turner as Fuzzy
* Lochlyn Munro as Texas Slim
* Philip Hayes as Lippy MacGregor

## Production
### Development

The film was written by David Webb Peoples, who had written the Oscar-nominated film The Day After Trinity and co-written Blade Runner with Hampton Fancher. The concept for the film dated to 1976, when it was developed under the titles The Cut-Whore Killings and The William Munny Killings. The script was originally optioned by Francis Ford Coppola, who failed to raise the money to develop the project any further.
By Eastwood's own recollection, he was given the script in the "early 80s", although he did not immediately pursue it, because according to him, "I thought I should do some other things first". In 1984, Sonia Chernus, Eastwood's long time story editor at Malpaso Productions, sent him a scathing memo after reading the script stating that "it doesn't deserve my time or yours" and is "an insult to this company" and that Eastwood should "get rid of it FAST".

### Casting

Eastwood personally phoned Harris to offer him the role of English Bob, and later said Harris was watching Eastwood's movie High Plains Drifter at the time of the phone call, leading to Harris thinking it was a prank.
Gene Hackman was hesitant to play Bill Daggett, as his daughters were upset that he was starring in too many violent films, but his agent and Eastwood convinced him to do it.

### Filming

Filming took place between August 26, 1991, and November 12, 1991. Much of the film was shot in Alberta in August 1991 by director of photography Jack Green. Production designer Henry Bumstead, who had worked with Eastwood on High Plains Drifter, was hired to create the "drained, wintry look" of the Western. The railroad scenes were filmed on the Sierra Railroad in Tuolumne County, California.

## Themes

Like other revisionist Westerns, Unforgiven is primarily concerned with deconstructing the morally black-and-white vision of the American West, which was established by traditional works in the genre, as the script is saturated with unnerving reminders of the now teetotaling Munny's own horrific past as a drunken murderer and gunfighter, who is haunted by the lives he has taken, while the film as a whole "reflects a reverse image of classical Western tropes"; the protagonists, rather than avenging a God-fearing innocent, are hired to collect a bounty offered by a group of prostitutes. Men who claim to be fearless killers are variously exposed as being either cowards, weaklings, or self-promoting liars, while others find that they no longer have it in them to take yet another life. A writer with no concept of the harshness and cruelty of frontier life publishes stories which glorify common criminals as infallible men of honor. The law is represented by a pitiless and cynical former gun-slinger whose idea of justice is often swift and without mercy, and while the main protagonist initially tries to resist his own violent impulses, the murder of his old friend drives him to become the same cold-blooded killer he once was, suggesting that a Western hero is not necessarily "the good guy", but is instead "just the one who survived".
Film scholar Allen Redmon describes Munny's role as an antihero by stating he is "a virtuous or an injured hero [who] overcomes all obstacles to see that evil is eradicated, using whatever means necessary".
Critic Sven Mikulec called the film Eastwood's "eulogy to the Man with No Name character that made him immortal."

## Literary allusions

Unforgiven shares many parallels with Homer's Iliad, in characters and themes. "In both works, the protagonists – Achilles and William Munny – are self-questioning warriors who temporarily reject the culture of violence, only to return to it after the death of their closest male friend, in which they are implicated." Munny and Achilles have the same dilemma between fate and counter-fate. They know that their fate is being a warrior and likely dying that way; however, they both try to reject it for at least some time. Munny continually claims he has changed and "ain't like that no more", referring to his warrior-like hitman past, whereas Achilles continually refuses to be a soldier in the Greek army since he condemns Agamemnon for stealing his captured bride as war spoil.
Neither wants to kill for causes from their past (Munny being an outlaw, Achilles being a warrior-king) since they find them unjust. Both are committed to a "higher" cause—Munny to his children and his wife's wishes, and Achilles to the injustice of women-stealing and to Briseis, who at one point he would have had to sacrifice to Agamemnon to stop the war.
When their best friends are killed—Achilles' Patroclus and Munny's Ned—they allow their rage and desire for vengeance, though, to make them return to their warrior-prescribed fate. Achilles rages against the Trojans and kills many. He gets vengeance by killing Hector and desecrating his corpse, dragging it around the town. Munny rages against Little Bill and his crew. He gets vengeance by killing Little Bill and them, threatening to kill anyone who opposes him.
Relevant differences are seen, though, between Homer's epic and Eastwood's film, namely that Achilles is fated to die in battle, whereas Munny moves to California at the end of the film to become a businessman to provide for his children. Whether Munny has successfully countered his warrior-fate is unclear, as is whether a life in dry goods redeems him as his love for his wife had done.

## Reception
### Box office

The film debuted at the top position in its opening weekend. Its earnings of $15 million ($7,252 average from 2,071 theaters) in its opening weekend was the best-ever opening for a Clint Eastwood film at that time. This was also the highest August opening weekend, holding that record until it was surpassed a year later by The Fugitive. It spent a total of three weeks as the number-one film in North America. In its 35th weekend (April 2–4, 1993), capitalizing on its Oscar wins, the film returned to the top 10 (spending another three weeks total there), ranking at number eight with a gross of $2.5 million ($2,969 average from 855 theaters), an improvement of 197% over the weekend before, when it made $855,188 ($1,767 average from 484 theaters). The film closed on July 15, 1993, having spent nearly a full year in theaters (343 days / 49 weeks), having earned $101.2 million in North America, and another $58 million internationally for a total of $159.2 million worldwide.

### Critical response

Review aggregator Rotten Tomatoes reports an approval rating of 96% based on 109 reviews, and an average rating of 8.80/10. The website's critical consensus states: "As both director and star, Clint Eastwood strips away decades of Hollywood varnish applied to the Wild West, and emerges with a series of harshly eloquent statements about the nature of violence." Metacritic gave the film a score of 85 out of 100 based on 34 critics, indicating "universal acclaim". Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.
Jack Methews of the Los Angeles Times described Unforgiven as "the finest classical Western to come along since perhaps John Ford's 1956 The Searchers." Richard Corliss in Time wrote that the film was "Eastwood's meditation on age, repute, courage, heroism—on all those burdens he has been carrying with such grace for decades." Gene Siskel and Roger Ebert criticized the work, though the latter gave it a positive vote, for being too long and having too many superfluous characters (such as Harris' English Bob, who enters and leaves without meeting the protagonists). Despite his initial reservations, Ebert eventually included the film in his "The Great Movies" list.
Unforgiven was named one of the 10 best films of the year on 76 critics' lists, according to a poll of the nation's top 106 film critics.

### Accolades

| Award | Category | Nominee(s) | Result |
| 20/20 Awards | Best Picture | Clint Eastwood | Won |
| 20/20 Awards | Best Director | Clint Eastwood | Nominated |
| 20/20 Awards | Best Actor | Clint Eastwood | Nominated |
| 20/20 Awards | Best Supporting Actor | Gene Hackman | Nominated |
| 20/20 Awards | Best Original Screenplay | David Webb Peoples | Nominated |
| 20/20 Awards | Best Art Direction | Henry Bumstead | Nominated |
| 20/20 Awards | Best Cinematography | Jack N. Green | Nominated |
| 20/20 Awards | Best Film Editing | Joel Cox | Nominated |
| 20/20 Awards | Best Sound Design | Best Sound Design | Nominated |
| Academy Awards | Best Picture | Clint Eastwood | Won |
| Academy Awards | Best Director | Clint Eastwood | Won |
| Academy Awards | Best Actor | Clint Eastwood | Nominated |
| Academy Awards | Best Supporting Actor | Gene Hackman | Won |
| Academy Awards | Best Screenplay – Written Directly for the Screen | David Webb Peoples | Nominated |
| Academy Awards | Best Art Direction | Art Direction: Henry Bumstead; Set Decoration: Janice Blackie-Goodine | Nominated |
| Academy Awards | Best Cinematography | Jack N. Green | Nominated |
| Academy Awards | Best Film Editing | Joel Cox | Won |
| Academy Awards | Best Sound | Les Fresholtz, Vern Poore, Dick Alexander and Rob Young | Nominated |
| American Cinema Editors Awards | Best Edited Feature Film | Joel Cox | Won |
| ASECAN Awards | Best Foreign Film | Clint Eastwood | Won |
| Awards Circuit Community Awards | Best Motion Picture | Clint Eastwood | Nominated |
| Awards Circuit Community Awards | Best Director | Clint Eastwood | Nominated |
| Awards Circuit Community Awards | Best Actor in a Leading Role | Clint Eastwood | Nominated |
| Awards Circuit Community Awards | Best Actor in a Supporting Role | Gene Hackman | Nominated |
| Awards Circuit Community Awards | Best Original Screenplay | David Webb Peoples | Nominated |
| Awards Circuit Community Awards | Best Cinematography | Jack N. Green | Won |
| Awards Circuit Community Awards | Best Costume Design | Glenn Wright, Valerie T. O'Brien, Joanne Hansen and Carla Hetland | Nominated |
| Awards Circuit Community Awards | Best Film Editing | Joel Cox | Won |
| Awards Circuit Community Awards | Best Original Score | Lennie Niehaus | Nominated |
| Awards Circuit Community Awards | Best Production Design | Henry Bumstead and Janice Blackie-Goodine | Nominated |
| Awards Circuit Community Awards | Best Sound | Les Fresholtz, Vern Poore, Rick Alexander, Rob Young, Alan Robert Murray and Walter Newman | Nominated |
| Awards Circuit Community Awards | Best Cast Ensemble | Best Cast Ensemble | Nominated |
| BMI Film & TV Awards | Film Music Award | Lennie Niehaus | Won |
| Boston Society of Film Critics Awards | Best Film | Best Film | Won |
| Boston Society of Film Critics Awards | Best Supporting Actor | Gene Hackman | Won |
| Boston Society of Film Critics Awards | Best Cinematography | Jack N. Green | Won |
| British Academy Film Awards | Best Film | Clint Eastwood | Nominated |
| British Academy Film Awards | Best Direction | Clint Eastwood | Nominated |
| British Academy Film Awards | Best Actor in a Supporting Role | Gene Hackman | Won |
| British Academy Film Awards | Best Original Screenplay | David Webb Peoples | Nominated |
| British Academy Film Awards | Best Cinematography | John N. Green | Nominated |
| British Academy Film Awards | Best Sound | Alan Robert Murray, Walter Newman, Rob Young, Les Fresholtz, Vern Poore and Dick Alexander | Nominated |
| Cahiers du Cinéma | Best Film | Clint Eastwood | 4th place |
| Chicago Film Critics Association Awards | Best Film | Best Film | Nominated |
| Chicago Film Critics Association Awards | Best Director | Clint Eastwood | Nominated |
| Chicago Film Critics Association Awards | Best Actor | Clint Eastwood | Nominated |
| Chicago Film Critics Association Awards | Best Supporting Actor | Gene Hackman | Nominated |
| Chicago Film Critics Association Awards | Best Screenplay | David Webb Peoples | Nominated |
| Dallas–Fort Worth Film Critics Association Awards | Best Film | Best Film | Won |
| Dallas–Fort Worth Film Critics Association Awards | Best Director | Clint Eastwood | Won |
| Dallas–Fort Worth Film Critics Association Awards | Best Supporting Actor | Gene Hackman | Won |
| Dallas–Fort Worth Film Critics Association Awards | Best Screenplay | David Webb Peoples | Won |
| Dallas–Fort Worth Film Critics Association Awards | Best Cinematography | Jack N. Green | Won |
| Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | Clint Eastwood | Won |
| Edgar Allan Poe Awards | Best Motion Picture | David Webb Peoples | Nominated |
| Fotogramas de Plata | Best Foreign Film | Clint Eastwood | Won |
| Golden Globe Awards | Best Motion Picture – Drama | Best Motion Picture – Drama | Nominated |
| Golden Globe Awards | Best Supporting Actor – Motion Picture | Gene Hackman | Won |
| Golden Globe Awards | Best Director – Motion Picture | Clint Eastwood | Won |
| Golden Globe Awards | Best Screenplay – Motion Picture | David Webb Peoples | Nominated |
| Hochi Film Awards | Best Foreign Language Film | Clint Eastwood | Won |
| Japan Academy Film Prize | Outstanding Foreign Language Film | Outstanding Foreign Language Film | Nominated |
| Kansas City Film Critics Circle Awards | Best Film | Best Film | Won |
| Kansas City Film Critics Circle Awards | Best Director | Clint Eastwood | Won |
| Kansas City Film Critics Circle Awards | Best Supporting Actor | Gene Hackman | Won |
| Kinema Junpo Awards | Best Foreign Language Film | Clint Eastwood | Won |
| London Film Critics Circle Awards | Film of the Year | Film of the Year | Won |
| Los Angeles Film Critics Association Awards | Best Film | Best Film | Won |
| Los Angeles Film Critics Association Awards | Best Director | Clint Eastwood | Won |
| Los Angeles Film Critics Association Awards | Best Actor | Clint Eastwood | Won |
| Los Angeles Film Critics Association Awards | Best Supporting Actor | Gene Hackman | Won |
| Los Angeles Film Critics Association Awards | Best Screenplay | David Webb Peoples | Won |
| Los Angeles Film Critics Association Awards | Best Supporting Actor | Jack N. Green | Runner-up |
| Mainichi Film Awards | Best Foreign Language Film | Clint Eastwood | Won |
| Nastro d'Argento | Best Foreign Director | Clint Eastwood | Nominated |
| National Board of Review Awards | Top Ten Films | Top Ten Films | 6th place |
| National Film Preservation Board | National Film Registry | National Film Registry | Inducted |
| National Society of Film Critics Awards | Best Film | Best Film | Won |
| National Society of Film Critics Awards | Best Director | Clint Eastwood | Won |
| National Society of Film Critics Awards | Best Actor | Clint Eastwood | 2nd place |
| National Society of Film Critics Awards | Best Supporting Actor | Gene Hackman | Won |
| National Society of Film Critics Awards | Best Screenplay | David Webb Peoples | Won |
| National Society of Film Critics Awards | Best Cinematography | Jack N. Green | 3rd place |
| New York Film Critics Circle Awards | Best Film | Best Film | Runner-up |
| New York Film Critics Circle Awards | Best Director | Clint Eastwood | Runner-up |
| New York Film Critics Circle Awards | Best Supporting Actor | Gene Hackman | Won |
| New York Film Critics Circle Awards | Best Screenplay | David Webb Peoples | Runner-up |
| Nikkan Sports Film Awards | Best Foreign Film | Best Foreign Film | Won |
| Online Film & Television Association Awards | Hall of Fame – Motion Picture | Hall of Fame – Motion Picture | Inducted |
| Producers Guild of America Awards | Outstanding Producer of Theatrical Motion Pictures | Clint Eastwood | Nominated |
| Sant Jordi Awards | Best Foreign Film | Clint Eastwood | Won |
| Turkish Film Critics Association Awards | Best Foreign Film | Best Foreign Film | 3rd place |
| Western Heritage Awards | Theatrical Motion Pictures | Theatrical Motion Pictures | Won |
| Western Writers of America Awards | Best Movie Script | David Webb Peoples | Won |
| Writers Guild of America Awards | Best Screenplay – Written Directly for the Screen | David Webb Peoples | Nominated |
American Film Institute recognition
In June 2008, Unforgiven was listed as the fourth best American film in the Western genre (behind The Searchers, High Noon, and Shane) in the American Film Institute's "AFI's 10 Top 10" list.
* AFI's 100 Years...100 Movies – No. 98
* AFI's 100 Years...100 Movies (10th Anniversary Edition) – No. 68

### Legacy

The music for the Unforgiven film trailer, which appeared in theaters and on some of the DVDs, was composed by Randy J. Shams and Tim Stithem in 1992. The main theme song, "Claudia's Theme", was composed by Clint Eastwood.
In 2013, the Writers Guild of America ranked Peoples' script for Unforgiven as the 30th-greatest ever written.

## Home media

Unforgiven was released as premium home video, on DVD and VHS, on September 24, 2002. It was released on Blu-ray Book (a Blu-ray Disc with book packaging) on February 21, 2012. Special features include an audio commentary by Clint Eastwood biographer Richard Schickel; four documentaries including "All on Accounta Pullin' a Trigger", "Eastwood & Co.: Making Unforgiven", "Eastwood...A Star", and "Eastwood on Eastwood", and more. Unforgiven was released on 4K UHD Blu-ray on May 16, 2017.

## Remake

A Japanese adaptation of Unforgiven, directed by Lee Sang-il and starring Ken Watanabe, was released in 2013. The plot of the 2013 version is very similar to the original, but it takes place in Japan during the Meiji period, with the main character being a samurai instead of a bandit.