# Guillermo del Toro

Guillermo del Toro Gómez (Spanish:; born 9 October 1964) is a Mexican filmmaker, author, and artist. His work has been characterized by a strong connection to fairy tales, gothicism and horror often blending the genres, with an effort to infuse visual or poetic beauty in the grotesque. He has had a lifelong fascination with monsters, which he considers symbols of great power. Known for pioneering dark fantasy in the film industry and for his use of insectile and religious imagery, his themes of Catholicism, and celebrating imperfection, underworld motifs, practical special effects, and dominant amber lighting.
Throughout his career, del Toro has shifted between Spanish-language films—such as Cronos (1993), The Devil's Backbone (2001), and Pan's Labyrinth (2006)—and English-language films, including Mimic (1997), Blade II (2002), Hellboy (2004) and its sequel Hellboy II: The Golden Army (2008), Pacific Rim (2013), Crimson Peak (2015), The Shape of Water (2017), Nightmare Alley (2021), and Pinocchio (2022).
As a producer or writer, he worked on the films The Orphanage (2007), Don't Be Afraid of the Dark (2010), The Hobbit film series (2012–2014), Mama (2013), The Book of Life (2014), Pacific Rim: Uprising (2018), Scary Stories to Tell in the Dark (2019), and The Witches (2020). In 2022, he created the Netflix anthology horror series Guillermo del Toro's Cabinet of Curiosities, featuring a collection of classical horror stories.
With Chuck Hogan, he co-authored The Strain trilogy of novels (2009–2011), later adapted into a comic-book series (2011–15) and a live-action television series (2014–17). With DreamWorks Animation and Netflix, he created the animated franchise Tales of Arcadia, which includes the series Trollhunters (2016–18), 3Below (2018–19), and Wizards (2020), and the sequel film Trollhunters: Rise of the Titans (2021).
Del Toro is close friends with fellow Mexican filmmakers Alfonso Cuarón and Alejandro G. Iñárritu, and they are collectively known as "The Three Amigos of Mexican Cinema". He has received several awards including three Academy Awards, three BAFTA Awards, two Golden Globe Awards, a Daytime Emmy Award, and a Golden Lion. He was included in Time magazine's list of the 100 most influential people in the world in 2018, and he received a motion picture star on the Hollywood Walk of Fame in 2019.

## Early life

Guillermo del Toro Gómez was born in Guadalajara on 9 October 1964, the son of Guadalupe Gómez Camberos and automotive entrepreneur Federico del Toro Torres. Del Toro is of Spanish, Irish, and German descent. Raised in a strict Catholic household, he attended the University of Guadalajara's Centro de Investigación y Estudios Cinematográficos (Film Studies Center).
When del Toro was about eight years old, he began experimenting with his father's Super 8 camera, making short films with Planet of the Apes toys and other objects. One short focused on a "serial killer potato" with ambitions of world domination; it murdered del Toro's mother and brothers before stepping outside and being crushed by a car. Del Toro made about 10 short films before his first feature, including one titled Matilde, but only the last two, Doña Lupe and Geometria, have been made available. He wrote four episodes and directed five episodes of the cult series La Hora Marcada, along with other Mexican filmmakers such as Emmanuel Lubezki and Alfonso Cuarón.

## Career
### 1993–2001: Early films and breakthrough

His first movie was supposed to be a stop-motion sci-fi feature called Omnivore, about a lizard-man born in a savage land where everything tries to eat everything else. He and his team built sets and about 100 puppets over a three-year period prior to filming. Vandals burglarized the studio one night and destroyed the puppets and sets, which put an end to his project as del Toro decided to switch to a live-action film, Cronos.
Del Toro studied special effects and make-up with special-effects artist Dick Smith. He spent 10 years as a special-effects make-up designer and formed his own company, Necropia. He also co-founded the Guadalajara International Film Festival. Later in his directing career, he formed his own production company, the Tequila Gang.
In 1997, at the age of 33, Guillermo was given a $30 million budget from Miramax Films (then owned by Disney) to shoot another film, Mimic. He was ultimately unhappy with the way Miramax treated him during production, which led to his friend James Cameron almost coming to blows with Miramax co-founder and owner Harvey Weinstein during the 70th Academy Awards.

### 2002–2016: Franchise films and The Strain

Del Toro has directed a wide variety of films, from comic book adaptations (Blade II, Hellboy and its sequel Hellboy II: The Golden Army) to historical fantasy and horror films, two of which are set in Spain in the context of the Spanish Civil War under the authoritarian rule of Francisco Franco. These two films, The Devil's Backbone and Pan's Labyrinth, are among his most critically acclaimed works. They share similar settings, protagonists and themes with the 1973 Spanish film The Spirit of the Beehive, widely considered to be the finest Spanish film of the 1970s.
   I cannot pontificate about it, but by the time I'm done, I will have done one movie, and it's all the movies I want.
   People say, you know, "I like your Spanish movies more than I like your English-language movies because they are not as personal," and I go "Fuck, you're wrong!" Hellboy is as personal to me as Pan's Labyrinth. They're tonally different, and yes, of course you can like one more than the other—the other one may seem banal or whatever it is that you don't like. But it really is part of the same movie. You make one movie. Hitchcock did one movie, all his life.
Del Toro views the horror genre as inherently political, explaining, "Much like fairy tales, there are two facets of horror. One is pro-institution, which is the most reprehensible type of fairy tale: Don't wander into the woods, and always obey your parents. The other type of fairy tale is completely anarchic and antiestablishment."
He is close friends with two other prominent and critically praised Mexican filmmakers Alfonso Cuarón and Alejandro González Iñárritu. The three often influence each other's directorial decisions, and have been interviewed together by Charlie Rose. Cuarón was one of the producers of Pan's Labyrinth, while Iñárritu assisted in editing the film. The three filmmakers, referred to as the "Three Amigos" founded the production company Cha Cha Cha Films, whose first release was 2008's Rudo y Cursi.
Del Toro has also contributed to the web series Trailers from Hell. In April 2008, del Toro was hired by Peter Jackson to direct the live-action film adaptation of J. R. R. Tolkien's The Hobbit. On May 30, 2010, del Toro left the project due to extended delays brought on by MGM's financial troubles. Although he did not direct the films, he is credited as co-writer in An Unexpected Journey, The Desolation of Smaug and The Battle of the Five Armies. On 1 December 2008, del Toro expressed interest in a stop-motion remake of Roald Dahl's novel The Witches in collaboration with Alfonso Cuarón. On 19 June 2018, it was announced that Del Toro and Cuarón would instead be attached as executive producers on the remake with Robert Zemeckis helming the project and writing.
On 2 June 2009, del Toro's first novel, The Strain, was released. It is the first part of an apocalyptic vampire trilogy co-authored by del Toro and Chuck Hogan. The second volume, The Fall, was released on 21 September 2010. The final installment, The Night Eternal, followed in October 2011. Del Toro cites writings of Antoine Augustin Calmet, Montague Summers and Bernhardt J. Hurwood among his favourites in the non-literary form about vampires. On 9 December 2010, del Toro launched Mirada Studios with his long-time cinematographer Guillermo Navarro, director Mathew Cullen and executive producer Javier Jimenez. Mirada was formed in Los Angeles, California to be a collaborative space where they and other filmmakers can work with Mirada's artists to create and produce projects that span digital production and content for film, television, advertising, interactive and other media. Mirada launched as a sister company to production company Motion Theory.
Del Toro directed Pacific Rim, a science fiction film based on a screenplay by del Toro and Travis Beacham. In the film, giant monsters rise from the Pacific Ocean and attack major cities, leading humans to retaliate with gigantic mecha suits called Jaegers. Del Toro commented, "This is my most un-modest film, this has everything. The scale is enormous and I'm just a big kid having fun." The film was released on 12 July 2013 and grossed $411 million at the box office.
Del Toro directed "Night Zero", the pilot episode of The Strain, a vampire horror television series based on the novel trilogy of the same name by del Toro and Chuck Hogan. FX had commissioned the pilot episode, which del Toro scripted with Hogan and was filmed in Toronto in September 2013. FX ordered a thirteen-episode first season for the series on 19 November 2013, and series premiered on 13 July 2014.
After The Strain's pilot episode, del Toro directed Crimson Peak, a gothic horror film he co-wrote with Matthew Robbins and Lucinda Cox. Del Toro has described the film as "a very set-oriented, classical but at the same time modern take on the ghost story", citing The Omen, The Exorcist and The Shining as influences. Del Toro also stated, "I think people are getting used to horror subjects done as found footage or B-value budgets. I wanted this to feel like a throwback." Jessica Chastain, Tom Hiddleston, Mia Wasikowska, and Charlie Hunnam starred in the film. Production began February 2014 in Toronto, with an April 2015 release date initially planned. The studio later pushed the date back to October 2015, to coincide with the Halloween season. He was selected to be on the jury for the main competition section of the 2015 Cannes Film Festival.

### 2017–2019: Awards success and acclaim

Del Toro directed the Cold War drama film The Shape of Water, starring Sally Hawkins, Octavia Spencer, and Michael Shannon. Filming began on 15 August 2016 in Toronto, and wrapped twelve weeks later. On 31 August 2017, the film premiered in the main competition section of the 74th Venice International Film Festival, where it was awarded the Golden Lion for best film, making Del Toro the first Mexican director to win the award. The film became a critical and commercial success and would go on to win multiple accolades, including the Academy Award for Best Picture, with del Toro winning the Academy Award for Best Director.
Del Toro collaborated with Japanese video game designer Hideo Kojima to produce P.T., a video game intended to be a "playable trailer" for the ninth Silent Hill game, which was cancelled. The demo was also removed from the PlayStation Network amidst major controversies. At the D23 Expo in 2009, his Double Dare You production company and Disney announced a production deal for a line of darker animated films. The label was announced with one original animated project, Trollhunters: Tales of Arcadia. However, del Toro moved his deal to DreamWorks Animation in late 2010. From 2016 to 2018, Trollhunters was released to great acclaim on Netflix and "is tracking to be its most-watched kids original ever."
In 2017, Del Toro had an exhibition of work at titled Guillermo del Toro: At Home with Monsters, featuring his collection of paintings, drawings, maquettes, artifacts, and concept film art. The exhibition ran from 1 August 2016 to 27 Nov 2016 at the Los Angeles County Museum of Art, from 5 March 2017 to 28 May 2017 at the Minneapolis Institute of Art, and from 30 September 2017 to 7 January 2018 at the Art Gallery of Ontario in Toronto. A book about the exhibition was also published.
In 2019, del Toro appeared in Hideo Kojima's video game Death Stranding, providing his likeness for the character Deadman.

### 2020–present: Career expansion

In December 2017, Searchlight Pictures announced that del Toro would direct a new adaptation of the 1946 novel Nightmare Alley by William Lindsay Gresham, the screenplay of which he co-wrote with his future wife Kim Morgan. In 2019, it was reported that Bradley Cooper, Cate Blanchett, Toni Collette and Rooney Mara had closed deals to star in the film, which went into production in January 2020. It was released in December 2021 to positive reviews. The film received four Academy Award nominations, including Best Picture.
In 2008, del Toro announced he was working on a dark stop-motion film adaptation of the Italian novel The Adventures of Pinocchio, co-directed by Adam Parrish King, with The Jim Henson Company as production company, and music by Nick Cave. The project had been in development for over a decade. The pre-production was begun by the studio ShadowMachine. In 2017, del Toro announced that Patrick McHale is co-writing the script of the film. In the same year, del Toro revealed at the 74th Venice International Film Festival that the film will be reimagined during the rise of Benito Mussolini, and that he would need $35 million to make it. In November 2017, it was reported that del Toro had cancelled the project because no studios were willing to finance it. In October 2018, it was announced that the film had been revived, with Netflix backing the project. Netflix had previously collaborated with del Toro on Trollhunters. Many of the same details of the project remain the same, but with Mark Gustafson now co-directing rather than Adam Parrish King. It premiered at the BFI London Film Festival on 15 October 2022, and received a theatrical release on 9 November of the same year before a scheduled release on Netflix in December. The film won the Best Animated Feature at the 95th Academy Awards.
Del Toro revealed plans to direct a stop-motion adaptation of the Kazuo Ishiguro novel The Buried Giant in January 2023, which he is co-writing with Dennis Kelly, as well as an as-yet unrevealed live-action film that he will shoot first. In February, it was announced that del Toro would reteam with Netflix and ShadowMachine on The Buried Giant. In March, 2023, it was confirmed that Oscar Isaac, Andrew Garfield and Mia Goth were in talks to star in his long in-development Frankenstein film, now based at Netflix. Garfield was later replaced by Jacob Elordi and filming commenced in January 2024. At the 2023 Annecy International Animation Film Festival he said he planned to leave live-action films and just do animation: "There are a couple more live-action movies I want to do but not many. After that, I only want to do animation. That's the plan." He also expressed frustration over the fact that five of his projects were turned down by studios in just two months.

## Favorite films

In 2012, del Toro participated in the Sight & Sound film poll. Held every 10 years to select the greatest films of all time, contemporary directors are asked to select their 10 favorite films. Del Toro chose:
* 8½ (1963)
* Beauty and the Beast (1946)
* Frankenstein (1931)
* Freaks (1932)
* Goodfellas (1990)
* Greed (1924)
* Los Olvidados (1950)
* Modern Times (1936)
* Nosferatu (1922)
* Shadow of a Doubt (1943)
Del Toro updated his list for the 2022 edition of the poll:
* 8½ (1963)
* Barry Lyndon (1975)
* Bride of Frankenstein (1935)
* City Lights (1931)
* Close Encounters of the Third Kind (1977)
* Goodfellas (1990)
* The Magnificent Ambersons (1942)
* Nazarín (1959)
* No Country for Old Men (2007)
* Shadow of a Doubt (1943)

## Personal life
### Family and residences

Del Toro met and began dating Lorenza Newton, cousin of singer Guadalupe Pineda, when they were both studying at the Instituto de Ciencias in Guadalajara. They were married in 1986 and had two daughters together before divorcing in September 2017. In 2021, he married Kim Morgan, an American film historian who was formerly married to Canadian filmmaker Guy Maddin.
Del Toro maintains homes in Toronto and Los Angeles, and returns to his native Guadalajara every six weeks to visit his family. He also owns two houses devoted exclusively to his collection of books, poster artwork, and other belongings pertaining to his work. He explained, "As a kid, I dreamed of having a house with secret passages and a room where it rained 24 hours a day. The point of being over 40 is to fulfill the desires you've been harboring since you were 7."

### Views

In a 2007 interview, del Toro described his political position as "a little too liberal". He pointed out that the villains in most of his films (such as the industrialist in Cronos, the Nazis in Hellboy, Italian Fascism in Pinocchio, and the Francoists in Pan's Labyrinth) are united by the common attribute of authoritarianism: "I hate structure. I'm completely anti-structural in terms of believing in institutions. I hate them. I hate any institutionalized social, religious, or economic thing."
Raised Catholic, del Toro told Charlie Rose in a 2009 interview that his upbringing was excessively "morbid" and said, "I mercifully lapsed as a Catholic... but as Buñuel used to say, 'I'm an atheist, thank God.'" He insists that he is spiritually "not with Buñuel" and that he is "once a Catholic, always a Catholic, in a way". He concluded, "I believe in Man. I believe in mankind, as the worst and the best that has happened to this world." He has also responded to the claim that he views his art as his religion: "It is. To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously." Nevertheless, he became a "raging atheist" after seeing a pile of human fetuses while volunteering at a Mexican hospital. He also said that he was horrified by the way the Catholic Church complied with Francoist Spain, and even had a character in one of his films quote what actual priests would say to Republican faction members in concentration camps. Upon discovering the religious beliefs of English writer C. S. Lewis, del Toro stated that he could no longer relate to Lewis and his work, despite having done so beforehand. He described Lewis as "too Catholic" for him, despite the fact that Lewis was never a Catholic.
Del Toro is not entirely disparaging of Catholicism, and his background continues to influence his work. While discussing The Shape of Water, he mentioned the Catholic influence on the film: "A very Catholic notion is the humble force, or the force of humility, that gets revealed as a god like figure toward the end. It's also used in fairy tales. In fairy tales, in fact, there is an entire strand of tales that would be encompassed by the title 'The Magical Fish'. And [it's] not exactly a secret that a fish is a Christian symbol." In the same interview, he said, "I don't think there is life beyond death, I don't. But I do believe that we get this clarity in the last minute of our life. The titles we achieved, the honors we managed, they all vanish. You are left alone with you and your deeds and the things you didn't do. And that moment of clarity gives you either peace or the most tremendous fear, because you finally have no cover, and you finally realize exactly who you are."
In an interview for his book and exhibition Guillermo del Toro at Home with Monsters, del Toro stated in 2016, "A lot of Mexican Catholic dogma, the way it's taught, it's about existing in a state of grace, which I found impossible to reconcile with the much darker view of the world and myself, even as a child. I couldn't make sense of impulses like rage or envy and, when I was older, more complex ones, you know. I felt there was a deep cleansing allowing for imperfection through the figure of a monster. Monsters are the patron saints of imperfection."
Del Toro is highly skeptical of AI in filmmaking, telling the British Film Institute in September 2024, "I saw a demo of AI [being used for animation] and I thought, 'Oh, that's what people think animation is: giving prompts and the computer does it. [...] AI has demonstrated that it can do semi-compelling screensavers—that's essentially that. And I think the value of art is not how much it costs and how little effort it requires, it's how much you would risk to be in its presence. Are [screensavers] going to make [viewers] cry because they lost a son, a mother? Because they misspent their youth? No. [AI is] in the hands of people that don't think about it as a tool but as a solution. [...] It should be, if at all, optional."

### Interests

While studying at university, del Toro published his first book when he wrote a biography of English filmmaker Alfred Hitchcock, whom he has long praised and admired.
In 2010, del Toro revealed that he was a fan of video games, describing them as "the comic books of our time" and "a medium that gains no respect among the intelligentsia". He referred to the video games Ico and Shadow of the Colossus as masterpieces. He later cited Asteroids, Cosmology of Kyoto, Gadget: Invention, Travel, & Adventure, and Galaga as his personal favorite games.
Del Toro's favorite film monsters are Frankenstein's monster, the Xenomorph, Gill-man, Godzilla, and the Thing. Frankenstein in particular has a special meaning for him, in both film and literature, as he claims he has a "Frankenstein fetish to a degree that is unhealthy". He said, "It's the most important book of my life, so you know if I get to it, whenever I get to it, it will be the right way." He usually watches three films a day, and lists Brazil, Nosferatu, Freaks, and Bram Stoker's Dracula among his favorite horrors.
Del Toro is also a fan of Japanese manga and anime, having called the anime Doraemon "the greatest kids series ever created". He has cited Hayao Miyazaki as one of his influences and one of his favorite storytellers in any medium, having identified with his style and influence through his Toei Animation and Studio Ghibli projects like The Wonderful World of Puss 'n Boots, Heidi, Girl of the Alps, My Neighbor Totoro, and The Boy and the Heron from childhood to adulthood, praising how he evokes the emotion of recognizing an impossible beauty only existing in films and realistically depicting brutal themes that affect the best and the worth of humanity, deeming Miyazaki an entirely genuine one-of-a-kind creator who exists fully in his art.
Del Toro is highly interested in the culture of Victorian England. He said, "I have a room of my library at home called 'The Dickens Room'. It has every work by Charles Dickens, Wilkie Collins, and many other Victorian novelists, plus hundreds of works about Victorian London and its customs, etiquette, architecture. I'm a Jack the Ripper aficionado, too. My museum/home has a huge amount of Ripperology in it."
In 2019, del Toro paid for the flights of the Mexican teams to attend the 60th International Mathematical Olympiad (IMO) in South Africa and the United Kingdom, after the Mexican chapter of the IMO announced the government had suspended financing for the youngsters.
Del Toro has an honorary doctorate from the National Autonomous University of Mexico (UNAM). In November 2022, UNAM awarded him the Honoris Causa Doctorate for his "contributions to culture and his support for the youth".

### Father's 1997 kidnapping

Del Toro's father, Federico del Toro Torres, was kidnapped in Guadalajara around 1997. Del Toro's family had to pay twice the amount originally asked for as a ransom ($1 million). Immediately after learning of the kidnapping, fellow filmmaker James Cameron, a friend of del Toro since they met after the production of Cronos, offered to help del Toro pay for the ransom, which del Toro accepted. 72 days after Federico was kidnapped, the ransom was paid and he was released. The culprits were never apprehended, nor was the money ever recovered. The event prompted del Toro, his parents, and his siblings to move abroad. In a 2008 interview with Time magazine, he mentioned the kidnapping of his father: "Every day, every week, something happens that reminds me that I am in involuntary exile [from my country]."

## Filmography
### Film

| Year | Title | Distributor |
| 1992 | Cronos | October Films |
| 1997 | Mimic | Miramax Films |
| 2001 | The Devil's Backbone | Warner Bros. Pictures Sony Pictures Classics |
| 2002 | Blade II | New Line Cinema |
| 2004 | Hellboy | Sony Pictures Releasing |
| 2006 | Pan's Labyrinth | Warner Bros. Pictures |
| 2008 | Hellboy II: The Golden Army | Universal Pictures |
| 2013 | Pacific Rim | Warner Bros. Pictures |
| 2015 | Crimson Peak | Universal Pictures |
| 2017 | The Shape of Water | Fox Searchlight Pictures |
| 2021 | Nightmare Alley | Searchlight Pictures |
| 2022 | Pinocchio | Netflix |
| 2025 | Frankenstein | Netflix |

### Television

| Year | Title | Distributor |
| 2014–2017 | The Strain | 20th Century Fox Television |
| 2016–2018 | Trollhunters: Tales of Arcadia | Netflix NBCUniversal |
| 2018–2019 | 3Below: Tales of Arcadia | Netflix NBCUniversal |
| 2020 | Wizards: Tales of Arcadia | Netflix NBCUniversal |
| 2021 | Trollhunters: Rise of the Titans | Netflix NBCUniversal |
| 2022 | Guillermo del Toro's Cabinet of Curiosities | Netflix |

## Recurring collaborators

| WorkActor | 1993 | 1997 | 2001 | 2002 | 2004 | 2006 | 2008 | 2013 | 2015 | 2017 | 2021 | 2022 | 2025 |
| WorkActor | Cronos | Mimic | The Devil's Backbone | Blade II | Hellboy | Pan's Labyrinth | Hellboy II: The Golden Army | Pacific Rim | Crimson Peak | The Shape of Water | Nightmare Alley | Pinocchio | Frankenstein |
| Francisco "Napo" Sánchez† | | | | | | | | | | | | | |
| Federico Luppi† | | | | | | | | | | | | | |
| Ron Perlman | | | | | | | | | | | | | |
| Himself | | | | | | | | | | | | | |
| Norman Reedus | | | | | | | | | | | | | |
| Doug Jones | | | | | | | | | | | | | |
| Íñigo Garcés | | | | | | | | | | | | | |
| Fernando Tielve | | | | | | | | | | | | | |
| José Luis Torrijo | | | | | | | | | | | | | |
| Santiago Segura | | | | | | | | | | | | | |
| Ladislav Beran | | | | | | | | | | | | | |
| Pavel Cajzl | | | | | | | | | | | | | |
| Andrea Miltner | | | | | | | | | | | | | |
| Karel Roden | | | | | | | | | | | | | |
| Luke Goss | | | | | | | | | | | | | |
| Jamie Wilson | | | | | | | | | | | | | |
| Selma Blair | | | | | | | | | | | | | |
| John Hurt† | | | | | | | | | | | | | |
| Brian Steele | | | | | | | | | | | | | |
| Jeffrey Tambor | | | | | | | | | | | | | |
| Jeremy Zimmermann | | | | | | | | | | | | | |
| Burn Gorman | | | | | | | | | | | | | |
| Charlie Hunnam | | | | | | | | | | | | | |
| Joe Vercillo | | | | | | | | | | | | | |
| Clifton Collins Jr. | | | | | | | | | | | | | |
| Neil Whitely | | | | | | | | | | | | | |
| Danny Waugh | | | | | | | | | | | | | |
| Cyndy Day | | | | | | | | | | | | | |
| Karen Glave | | | | | | | | | | | | | |
| Amanda Smith | | | | | | | | | | | | | |
| Jim Beaver | | | | | | | | | | | | | |
| Martin Julien | | | | | | | | | | | | | |
| David Hewlett | | | | | | | | | | | | | |
| Richard Jenkins | | | | | | | | | | | | | |
| Dan Lett | | | | | | | | | | | | | |
| Matthew MacCallum | | | | | | | | | | | | | |
| Clyde Whitham | | | | | | | | | | | | | |
| Cate Blanchett | | | | | | | | | | | | | |
| Tim Blake Nelson | | | | | | | | | | | | | |
| Christoph Waltz | | | | | | | | | | | | | |
| David Bradley | | | | | | | | | | | | | |