# A Woman Under the Influence

A Woman Under the Influence is a 1974 American drama film written and directed by John Cassavetes, and starring his wife Gena Rowlands and close friend Peter Falk. Rowlands plays a housewife whose unusual behavior leads to conflict with her blue-collar husband (Falk) and family.
The film, Cassavetes' seventh as director, premiered at the 1974 New York Film Festival, before going into wide theatrical release on November 18, 1974. It received two Academy Award nominations: for Best Director and Best Actress (for Rowlands). Rowlands won a Golden Globe Award and National Board of Review Award for her performance.
In 1990, the Library of Congress selected the film for preservation in the United States National Film Registry for being "culturally, historically or aesthetically significant".

## Plot

Although she is hesitant to do so, Mabel Longhetti, a Los Angeles housewife and mother who exhibits strange behavior, sends her three young children—Tony, Angelo, and Maria—to spend the night with her mother so she and her husband, Nick, can have a date night. Unfortunately, Nick, who is the foreman of a utility crew, has to cancel to fix a burst water main. Alone and drunk, Mabel goes to a bar and behaves very familiarly to a stranger named Garson Cross, who takes her home. She is almost unconscious by the time they get there, and Garson forces himself on her while she feebly attempts to fight him off.
The next morning, a confused Mabel briefly argues with Garson—whom she confuses by calling him "Nick"—before he leaves. Nick brings his 11-member crew to the house for breakfast after their long night, and Mabel makes everyone spaghetti. She is very polite to Nick's colleagues, but she asks several of them for their names, even though they have met before. The meal is superficially pleasant, until Nick snaps at Mabel for making one of his men feel uncomfortable by being overly warm to him, and the men use a phone call from Nick's mother as an excuse to make a hurried exit.
Mabel hosts a play date, but the father of the other children, Harold Jensen, is disturbed by her behavior and reluctant to leave his children alone with her. Nick comes home with his mother, Margaret, to find all of the children half-naked and running wild, with Jensen trying to get his children dressed. He slaps Mabel and gets into a fistfight with an angry Jensen, but Margaret breaks them up, and Jensen leaves with his children.
At his wits' end, Nick calls Mabel's doctor, Dr. Zepp, to evaluate her mental health. Mabel gets worked up, particularly by the presence of her mother-in-law, who calls Mabel a bad wife and an unfit mother when Nick is trying to calm her down. She becomes increasingly detached from reality, and violently resists when Dr. Zepp tries give to her a sedative injection. Convinced she has become a threat to herself and others, Dr. Zepp has Mabel involuntarily committed.
At work, Nick is on edge and yells at his coworkers when they ask about what happened with Mabel. Eddie, Nick's closest friend, remains quiet, but even this rubs Nick the wrong way. He yells at Eddie while Eddie is rappelling down a steep incline, and Eddie falls and gets injured. Afterward, Nick picks up his children from school early to go to the beach and allows them to sip his beer.
Six months later, Nick plans a large surprise welcome home party to celebrate Mabel's return from the hospital. However, his mother points out that this may be overwhelming for her, and Nick has her ask all of the guests who are not family to leave. When Mabel arrives, she is quiet and apprehensive, and no one else knows what to say, either. Nick tries his best to make Mabel feel comfortable, but, when she begins to joke around, he blows up and says they are going to have a normal conversation. Mabel says she does not know how to act without the routine provided by the hospital, which included therapies and medications and shock treatments, and she asks everyone to leave. While the guests get their coats, Mabel begins to dance on the couch while humming the theme from Swan Lake.
When Nick approaches Mabel, she runs into the bathroom and cuts her hand with a razor. He stops her, and she runs to the living room and climbs back up on the couch. The children, confused and concerned, try to protect Mabel by pushing Nick away from her. Nick slaps Mabel, knocking her to the ground, and then tries to put the children to bed, but they escape and go back to Mabel. Seeming somewhat recovered, Mabel, still bleeding, takes the children upstairs and tucks them in while they express their love for her. She and Nick go back downstairs, where he tends to her hand and they clean up and get ready for bed.

## Cast

From the American Film Institute:
* Peter Falk as Nick Longhetti, Mabel's husband
* Gena Rowlands as Mabel Longhetti, Nick's wife
* Fred Draper as George Mortensen, Mabel's father
* Lady Rowlands as Martha Mortensen, Mabel's mother
* Katherine Cassavetes as Margaret Longhetti, Nick's mother
* Matthew Laborteaux as Angelo Longhetti, Nick and Mabel's son
* Matthew Cassel as Tony Longhetti, Nick and Mabel's son
* Christina Grisanti as Maria Longhetti, Nick and Mabel's daughter
* George Dunn (credited as O.G. Dunn) as Garson Cross, the man Mabel picks up in a bar
* Mario Gallo as Harold Jensen, the father of some friends of the Longhetti children
* Eddie Shaw as Dr. Zepp, Mabel's doctor
* Angelo Grisanti as Vito Grimaldi, the member of Nick's crew who goes to the beach with Nick and his children
* Charles Horvath as Eddie, Nick's friend and the member of his crew who gets injured
* James Joyce as Bowman, a member of Nick's crew
* John Finnegan as Clancy, a member of Nick's crew
* Vince Barbi as Gino, the Italian member of Nick's crew, who suggests the baby boom is related to the moon landings
* Cliff Carnell as Aldo, the member of Nick's crew who wears a denim jacket
* Frank Richards as Adolph, a member of Nick's crew
* Hugh Hurd as Willie Johnson, the member of Nick's crew who sings
* Leon Wagner as Billy Tidrow, the member of Nick's crew who has trouble remembering all of his children
* Dominique Davalos as Dominique Jensen, Harold's daughter
* Xan Cassavetes as Adrienne Jensen, Harold's daughter
* Pancho Meisenheimer as John Jensen, Harold's son
* Sonny Aprile as Aldo, the party guest who wants to leave because he does not know Mabel
* Ellen Davalos as Nancy, Eddie's wife
* Joanne Moore Jordan as Muriel, the party guest who kisses Nick on the mouth
* John Hawker as Joseph Morton, the member of Nick's crew who spills his spaghetti
* Sil Words as James "Jimmy" Turner, a member of Nick's crew
* Elizabeth Deering as Angela, a relative at the party
* Jackie Peters as Tina, the relative who makes the food for the party
* Elsie Ames as Miss Hinkley, the Longhetti children's school principal
* Nicholas John Cassavetes (credited as N.J. Cassavetes) as Adolph, a friend of the Longhetti family

## Production

John Cassavetes was inspired to write A Woman Under the Influence when his wife Gena Rowlands expressed a desire to appear in a play about the difficulties faced by contemporary women. His completed script was so intense and emotional that she knew she would be unable to perform it eight times a week, so he decided to adapt it for the screen.
When he tried to raise funding for the film, Cassavetes was told that "No one wants to see a crazy, middle-aged dame." Lacking studio financing, he mortgaged his house and borrowed money from family and friends, one of whom was Peter Falk, who liked the screenplay so much that he invested $500,000 in the project.
The crew consisted of professionals and students from the American Film Institute, where Cassavetes was serving as the first "filmmaker in residence" at their Center for Advanced Film Studies. Working with a limited budget forced him to shoot scenes in a real house near Hollywood Boulevard, and Rowlands was responsible for her own hairstyling and makeup.

## Release

Upon completion of the film, Cassavetes was unable to find a distributor, so he personally called theater owners and asked them to show it. He got it booked at art houses and shown on college campuses, where he and Falk would discuss it with the audience. According Jeff Lipsky, a college student who was hired to help distribute the film: "It was the first time in the history of motion pictures that an independent film was distributed without the use of a nationwide system of sub-distributors."
The film was screened at the San Sebastián Film Festival, where Rowlands was named Best Actress and Cassavetes won the Silver Shell Award for Best Director, and the New York Film Festival, where it captured the attention of such film critics as Rex Reed. When Richard Dreyfuss appeared on The Mike Douglas Show with Peter Falk, he described A Woman Under the Influence as "the most incredible, disturbing, scary, brilliant, dark, sad, depressing movie", and added that he "went crazy. I went home and vomited", which prompted curious audiences to seek out the film capable of making Dreyfuss (who is himself bipolar) ill.

### Home media

In 1992, Touchstone Home Video released the film on VHS.
On September 21, 2004, The Criterion Collection released the film—together with Shadows (1959), Faces (1968), The Killing of a Chinese Bookie (1976), and Opening Night (1977)—in Region 1 as part of the eight-disc DVD box set John Cassavetes: Five Films. Bonus features for the film include an audio commentary by composer and sound recordist Bo Harwood and camera operator Mike Ferris, a video conversation between Rowlands and Falk, an essay by film critic Kent Jones, and audio and written interviews with Cassavetes from 1975. On October 22, 2013, the box set was re-released on Blu-ray.

## Reception and legacy

On the review aggregator website Rotten Tomatoes, 86% of 36 critics' reviews of the film are positive, with an average rating of 8.2/10; the site's "critics consensus" reads: "Electrified by searing performances from Gena Rowlands and Peter Falk, A Woman Under the Influence finds pioneering independent filmmaker John Cassavetes working at his artistic peak."
Nora Sayre of The New York Times observed: "Miss Rowlands unleashes an extraordinary characterization. [...] The actress’s style of performing sometimes shows a kinship with that of the early Kim Stanley or the recent Joanne Woodward, but the notes of desperation are emphatically her own. [...] Peter Falk gives a rousing performance [...] and the children are very well directed. But the movie didn't need to be 2 hours and 35 minutes long: there's too much small talk, which doesn't really reveal character. Still, the most frightening scenes are extremely compelling, and this is a thoughtful film that does prompt serious discussion."
Roger Ebert of the Chicago Sun-Times gave the film four stars out of four, calling it "terribly complicated, involved and fascinating – a revelation", and saying: "The characters are larger than life (although not less convincing because of that), and their loves and rages, their fights and moments of tenderness, exist at exhausting levels of emotion. [...] Cassavetes is strongest as a writer and filmmaker at creating specific characters and then sticking with them through long, painful, uncompromising scenes until we know them well enough to read them, to predict what they'll do next and even to begin to understand why." He later added the film to his "Great Movies" list, in which he called it "perhaps the greatest of Cassavetes' films."
Time Out London wrote: "The brilliance of the film lies in its sympathetic and humorous exposure of social structure. Rowlands unfortunately overdoes the manic psychosis at times, and lapses into a melodramatic style which is unconvincing and unsympathetic; but Falk is persuasively insane as the husband; and the result is an astonishing, compulsive film, directed with a crackling energy."
TV Guide gave the film four stars out of four, calling it "tough-minded", "moving", and "an insightful essay on sexual politics."
Pauline Kael of The New Yorker, however, condemned the film as a "didactic illustration of (R.D.) Laing's version of insanity.” Stanley Kauffmann of The New Republic also panned the film in his 1974 review, writing: "To me this film is utterly without interest or merit". John Simon, noted for his frequently caustic and disparaging reviews, called the film "dreadful."
In Sight and Sound's 2012 poll of the greatest films of all time, the film placed 59th in the directors' poll and 144th in the critics' poll. In 2015, the BBC named A Woman Under the Influence the 31st greatest American film ever made.
In 1990, the film was selected for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant", one of the first fifty films to be so honored.

### Accolades

| Award | Category | Nominee(s) | Result |
| Academy Awards | Best Director | John Cassavetes | Nominated |
| Academy Awards | Best Actress | Gena Rowlands | Nominated |
| Belgian Film Critics Association | Grand Prix | Grand Prix | Won |
| Golden Globe Awards | Best Motion Picture – Drama | Best Motion Picture – Drama | Nominated |
| Golden Globe Awards | Best Actress in a Motion Picture – Drama | Gena Rowlands | Won |
| Golden Globe Awards | Best Director – Motion Picture | John Cassavetes | Nominated |
| Golden Globe Awards | Best Screenplay – Motion Picture | John Cassavetes | Nominated |
| Kansas City Film Critics Circle Awards | Best Actress | Gena Rowlands | Won |
| National Board of Review Awards | Top Ten Films | Top Ten Films | 6th Place |
| National Board of Review Awards | Best Actress | Gena Rowlands | Won |
| National Film Preservation Board | National Film Registry | National Film Registry | Inducted |
| New York Film Critics Circle Awards | Best Actress | Gena Rowlands | Runner-up |
| San Sebastián International Film Festival | Silver Seashell | John Cassavetes | Won |
| San Sebastián International Film Festival | Best Actress | Gena Rowlands | Won |
| San Sebastián International Film Festival | OCIC Award (Honorable Mention) | John Cassavetes | Won |
| Writers Guild of America Awards | Best Drama – Written Directly for the Screen | John Cassavetes | Nominated |

## Restoration and preservation

The world premiere screening of a restored print of the film was held at the Castro Theatre in San Francisco on April 26, 2009, as part of the San Francisco International Film Festival. Gena Rowlands attended the premiere and spoke briefly. The restoration was performed by the UCLA Film and Television Archive, with funding provided by Gucci and The Film Foundation.