# List of drawings by Rembrandt

The following is a list of drawings by Rembrandt that are generally accepted as autograph.
| Title | Year | Technique | Dimensions | Gallery | Commentary |
| Old Man Reading a Book | c. 1628 | ? | ? | Kupferstichkabinett Berlin | The drawing is related to the painting W27 |
| Study of the legs of a seated woman | c. 1628 | Chalk | 22.6 x 17.6 cm | Rijksmuseum Amsterdam | The drawing is related to the painting W37 |
| The Raising of the Cross | 1628-1629 | Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink | 19.3 x 14.8 cm | Museum Boijmans Van Beuningen, Rotterdam | The drawing is related to the painting W106 |
| Two Sitting Figures | c. 1628-1629 | Black chalk | 19.3 x 14.8 cm | Museum Boijmans Van Beuningen, Rotterdam | The drawing is related to the painting W23 |
| Three Scribes | c. 1628-1629 | Pen, brush | 22.6 x 17.6 cm | Rijksmuseum Amsterdam | The drawing is related to the painting W23 |
| Old Man with Outspread Arms | c. 1628-1629 | ? | ? | Kupferstichkabinett, Dresden | The drawing is related to the etching B095 |
| Study for Judas Returning the Thirty Pieces of Silver | c. 1628-1629 | ? | ? | Private collection | The drawing is related to the painting W23 |
| Standing Beggar in Lost Profile | c. 1628-1629 | Pen | 29.4 x 17 cm | Rijksmuseum Amsterdam | The drawing is related to the etching B162 |
| Self-portrait with Open Mouth | c. 1628-1629 | Pen and brown ink with grey wash; ruled framing lines in the same brown ink | 12.7 x 9.5 cm | British Museum, London | The drawing is related to the etching B013 |
| Self-portrait | c. 1629 | Pen | 12.7 x 9.4 cm | Rijksmuseum Amsterdam | The drawing is related to the etching B338 |
| St. Paul in Meditation | c. 1629 | ? | ? | Musée du Louvre, Paris | Indented for transfer to the etching B149 |
| Diana at the Bath | c. 1629 | Black chalk with some light brown wash | 18.1 x 16.4 cm | British Museum, London | Indented for transfer to the etching B201 |
| Seated Old Man | 1630 | Red chalk on laid paper | 15.7 x 14.7 cm | National Gallery of Art, Washington | Inscribed R 1630 |
| The Entombment of Christ | 1630 | Red chalk, corrected with white | 28.2 x 20.4 cm | British Museum, London | Inscribed 1630 |
| Kneeling Man | c. 1630 | Red and black chalk | 20.6 x 16.1 cm | Musée du Louvre, Paris | Related to lost painting reproduced in a print dated 1631 by Jan van Vliet |
| Seated Old Man | c. 1630 | Red and black chalk | 14.5 x 14.3 cm | Nationalmuseum, Stockholm | The drawing is related to the etching B325 |
| Bearded Old Man Seated in an Armchair | 1631 | Red chalk on paper | 25 x 17 cm | Private collection, New York | Signed with the monogram RHL and dated 1631 |
| Old Man Seated in an Armchair | 1631 | Red chalk, frame line: pencil | 22.7 x 14.7 cm | Teylers Museum, Haarlem | Inscribed RHL 1631 |
| Old Man with Clasped Hands, Seated in an Armchair | c. 1631 | ? | ? | Kupferstichkabinett Berlin | Indented for transfer to the etching B291 |
| Bust of a Bearded Old Man | c. 1631 | Red chalk, slightly touched with white chalk | 11.4 x 9.1 cm | Musée du Louvre, Paris | The drawing is related to the etching B315 |
| Violin Player and Woman | c. 1631 | ? | ? | Kupferstichkabinett Berlin | The drawing is related to the etching B138 |
| Lying Naked Woman | c. 1632 | Black and white chalk on paper | 19.5 x 23.4 cm | Nationalmuseum, Stockholm | The drawing is related to the painting W130 |
| Old Man Leaning on a Stick | 1632–1635 | Pen and brown ink | 13.5 x 7.8 cm | Metropolitan Museum of Art, New York | The drawing is related to the etching B133 |
| Study for Drunk Lot | 1633 | Black chalk on paper | 25.1 x 18.9 cm | Städel, Frankfurt am Main | Inscribed Rembrandt f. / 1633 |
| Portrait of Saskia as a Bride | 1633 | Silver pen on white-grounded parchment | 18.5 x 10.6 cm | Kupferstichkabinett Berlin | Inscribed dit is near mijn huisvrou geconterfeyt / do sy 21 jaer oud was den derden / dach als wij getroudt waeren / den 8 Junijus / 1633 (This was portrayed after my wife when she was 21 years old, the third day after we were married. June 8, 1633) |
| Woman Seated in an Armchair | c. 1633 | ? | ? | Kunsthalle Hamburg | Considered to be a preparatory drawing for the painting W88b |
| Man Kneeling | c. 1633 | ? | ? | Städel, Frankfurt am Main | The drawing is related to the etching B111 |
| Entrance of a Cottage | c. 1633 | ? | ? | Kunsthalle Hamburg | The drawing is related to the etching B090 |
| Self-portrait | c. 1633 | ? | ? | Musée des beaux-arts de Marseille | The drawing is related to the etching B017 |
| Landscape with Two Cottages | c. 1633 | Silverpoint on prepared parchment | 8.2 x 13.3 cm | Museum Boijmans Van Beuningen, Rotterdam | The drawing is related to the painting W206 |
| Study for the Painting of St. John the Baptist Preaching | c. 1633-1634 | pen, brown ink and brown wash with white heightenings | 14.5 × 20.4 cm | Musée du Louvre, Paris | The drawing is related to the painting W110 |
| The Preaching of St. John the Baptist | c. 1633-1634 | ? | ? | Private collection | The drawing is related to the painting W110 |
| Three Studies of a Bowman | c. 1633-1634 | ? | ? | Nationalmuseum, Stockholm | Inscribed on the reverse ...lderij 2 - 0 - 0 / 3 - 8 - 0 ... / 5 - 0 - 0. The drawing is related to the painting W110 |
| Groups of Listeners | c. 1633-1634 | ? | ? | Kupferstichkabinett Berlin | The drawing is related to the painting W110 |
| Studies for Groups and Figures | c. 1633-1634 | ? | ? | Kupferstichkabinett Berlin | The drawing is related to the painting W110 |
| Two Studies of a Woman Seated on the Ground | c. 1633-1634 | ? | ? | Musée du Louvre, Paris | The drawing is related to the painting W110 |
| Bearded Old Man with a Fur Cap | c. 1633-1634 | ? | ? | Musée du Louvre, Paris | The drawing is related to the painting W110 |
| Two Men in Discussion, a Third Listening to Them | c. 1633-1634 | ? | ? | Chatsworth House | The drawing is related to the painting W110 |
| Sketch of a Bearded Old Man and Three Studies of Headgear | c. 1633-1634 | ? | ? | Chatsworth House | The drawing is related to the painting W110 |
| Portrait of a Man in an Armchair, Seen Through a Frame | 1634 | Black and red chalk, pen and wash in bistre, on vellum | 37.3 x 27.2 cm | Private collection, New York | Inscribed Rembrandt f. 1634 |
| Bearded Old Man | 1634 | ? | ? | Royal library, the Hague | Inscribed on pasted strip: Een vroom gemoet acht eer voor goet / Rembrandt / Amsterdam. 1634 |
| Jesus and his Disciples | 1634 | Brown pen, gray brush, brown brush, black chalk, red chalk, green chalk, black pen | 35.7 x 47.8 cm | Teylers Museum, Haarlem | Inscribed Rembrandt f. 1634 |
| Bearded Old Man in a High Fur Cap | c. 1634-1635 | Pen and brown ink on | 10.5 x 9.6 cm | Morgan Library, New York | The drawing is related to the painting W110 |
| Two Studies of John the Baptist | c. 1634-1635 | red chalk on paper | 18.2 x 17.4 cm | Courtauld Gallery, London | The drawing is related to the painting W110 |
| The Last Supper, after Leonardo da Vinci | 1634–1635 | Red chalk | 36.2 x 47.5 cm | Metropolitan Museum of Art, New York | Inscribed Rembrandt f. |
| Two Butchers at Work | 1635 | Pen and bistre | 14.9 x 20 cm | Städel, Frankfurt am Main | Inscribed t vel daer aen ende voorts de rest bysleepende |
| The Angel Preventing Abraham from Sacrificing his Son, Isaac | 1635 | Red chalk over black chalk, with grey wash, on paper prepared with light brown wash | 19.5 x 14.7 cm | British Museum, London | Regarded as a preparatory drawing for the painting W136 |
| The Last Supper, after Leonardo da Vinci | c. 1635 | Red chalk, heightened with white, on paper | 12.5 x 21 cm | British Museum, London | Inscribed R..b...dt |
| The Last Supper, after Leonardo da Vinci | 1635 | Pen and brown ink, wash, traces of white | 12.8 x 38.5 cm | Kupferstichkabinett Berlin | Inscribed Rembrandt f. 1635 |
| The Baptism of the Eunuch | c. 1635 | ? | ? | Staatliche Graphische Sammlung München | Related to a lost painting by Rembrandt that was reproduced in a print by his associate Jan van Vliet in 1631 |
| The Lamentation over the Dead Christ | c. 1635 | ? | ? | Kupferstichkabinett Berlin | The drawing is related to the painting W113 |
| Soldiers and Girls Carousing | c. 1635 | ? | ? | Kupferstichkabinett Berlin | The drawing is related to the painting W135 |
| The Prodigal Son in the Tavern | c. 1635 | ? | ? | Städel, Frankfurt am Main | The drawing is related to the painting W135 |
| The Naughty Child | c. 1635 | Pen and brown ink on paper, brown wash | 20,7 x 14,2 cm | Kupferstichkabinett Berlin | The drawing is related to the painting W137 |
| The Abduction of Ganymede | c. 1635 | Pen and brush in brown | 18,5 x 16,1 cm | Kupferstichkabinett, Dresden | Regarded as a preparatory drawing for the painting W137 |
| Seated Old Woman, Full Length | c. 1635 | ? | ? | Ossolineum, Wrocław | The drawing is related to the painting W173 |
| Man in a Tall Fur Hat | c. 1635 | ? | ? | Städel, Frankfurt am Main | The drawing is related to the etching B097 |
| The Pancake Woman | c. 1635 | Pen | 10.8 x 14.4 cm | Rijksmuseum Amsterdam | The drawing is related to the etching B124 |
| Seated Woman with a Rolled-up Letter | c. 1635 | Pen and brown ink, washes in brown | 24 x 19 cm | Nationalmuseum, Stockholm | The drawing is related to the etching B340 |
| Four Studies of Saskia | c. 1635-1636 | Pen and brown ink, locally gray wash, corrected with white bodycolour | 20 x 15 cm | Museum Boijmans Van Beuningen, Rotterdam | The drawing is related to the etchings B365, B367, B368 |
| Self-portrait | c. 1636 | ? | ? | Kupferstichkabinett Berlin | The drawing is related to the etching B019 |
| Susannah and the Elders | c. 1636 | Sanguine on paper | 23.5 x 26.4 cm | Kupferstichkabinett Berlin | Inscribed on the reverse verkoft syn vaendrager synd – 15 - / een floora verhandelt – 6 -/ (f)ardynandus van sijn werck verhandelt / aen ander werck van sijn voornemen / den Abraham een floorae / Leenderts floorae is verhandelt tegen 5 g |
| Old Man in a Turban, Drawn Twice | c. 1636 | ? | ? | Private collection | The drawing is related to the painting W213 |
| Head of an Oriental in a Turban | c. 1636 | ? | ? | Private collection | The drawing is related to the painting W213 |
| Old Man in a Turban | c. 1636 | Pen and iron-gall ink on paper tinted with a pale yellow wash | 17.3 x 13.5 cm | National Gallery of Victoria, Melbourne | The drawing is related to the painting W213 |
| Head of an Oriental in a Turban | c. 1636 | ? | ? | Musée du Louvre, Paris | The drawing is related to the painting W213 |
| Studies of a Woman with Two Children | c. 1636 | ? | ? | Peck Collection | Inscribed een kindekin met een oudt jack op syn hoofdken |
| Jacob Being Shown Joseph's Bloody Cloak | c. 1635-1637 | ? | ? | Kupferstichkabinett Berlin | The drawing is related to the etching B038 |
| Joseph Distributing Corn in Egypt, after Pieter Lastman | 1637 | Black chalk | 31,3 x 46,2 cm | Albertina, Vienna | Inscribed Rembrandt ft. |
| An Elephant | 1637 | Black chalk on paper | 23,3 x 35,4 cm | Albertina, Vienna | Inscribed Rembrandt ft. 1637 |
| Self-Portrait | c. 1637 | Red chalk | 12.9 x 11.9 cm | National Gallery of Art, Washington | The drawing is related to the etching B002 |
| Study of Russian Costume | c. 1637 | ? | ? | Morgan Library, New York | Inscribed in ongenaeden synden en werden niet geschooren |
| Studies of Grieving Marys | c. 1637 | Pen in brown and red chalk | 20.1 x 14.3 cm | Rijksmuseum Amsterdam | Inscribed een dijvoot thresoor dat in een fijn harte bewaert wert tot troost harer beleevende siel |
| Paul and Barnabas at Lystra | c. 1637 | Sanguine | 29.8 x 44.2 cm | Musée Bonnat, Bayonne | Inscribed een vrouw wijst op een jonck kind |
| The Lamentation at the Foot of the Cross | c. 1637 | Pen and brown ink and brown wash, with red and perhaps some black chalk | 21.6 x 25.4 cm | British Museum, London | The drawing is related to painting W113 |
| Joseph Telling his Dreams | c. 1637 | Red chalk | 18 x 12.5 cm | Museum Boijmans Van Beuningen, Rotterdam | The drawing is related to the etching B037 |
| Studies of a Woman Reading and an Oriental | c. 1637 | ? | ? | Private collection | The drawing is related to the etching B037 |
| Man Kneeling in Prayer; a Woman's Head | с. 1637 | Red chalk | 18.3 x 15.8 cm | Albertina, Vienna | The drawing is related to the etchings B098 and B367 |
| Solomon's Idolatry | c. 1636-1638 | Red chalk | 48.5 x 37.6 cm | Musée du Louvre, Paris | The drawing is related to the painting W47 |
| Eve Giving the Apple to Adam | c. 1638 | ? | ? | Private collection | The drawing is related to the etching B028 |
| Eve Giving the Apple to Adam | c. 1638 | ? | ? | Private collection | The drawing is related to the etching B028 |
| Saskia Sitting up in Bed | c. 1638 | Pen and brush in brown, corrected with opaque white, tinted paper | 15 x 13.8 cm | Kupferstichkabinett, Dresden | The drawing is related to the etching B369 |
| Saskia Asleep in Bed | c. 1638 | Pen and brown ink | ? | Ashmolean Museum, Oxford | The drawing is related to the etching B369 |
| Sick Woman Lying in Bed, Probably Saskia | c. 1638 | ? | ? | Petit Palais, Paris | The drawing is related to the etching B369 |
| Saskia in Bed | c. 1635-1640 | Pen and brown ink | 8.4 x 10.4 cm | British Museum, London | The drawing is related to the etching B369 |
| Portrait of Titia van Uylenburch | 1639 | Pen and brown ink, washes on brown paper | 17.4 x 14.6 cm | Nationalmuseum, Stockholm | Inscribed Tijtsija van Ulenburch / 1639 |
| Portrait of Baldassare Castiglione, after Raphael | 1639 | Pen and brown ink, white body colour | 16.3 x 20.7 cm | Albertina, Vienna | Inscribed de Conten batasar de kastijlijone van raefael / verkoft voor 3500 gulden / het geheel cargesoen tot Luke van Nuffelen heeft gegolden f59456:- Ao 1639 |
| Portrait of a Young Woman Holding Gloves | c. 1639 | Pen and brown iron-gall ink, with brown wash, heightened with white | 16 x 12.9 cm | British Museum, London | Regarded as a preparatory drawing for the painting W184b |
| Woman in a Rich Dress and a Fur Hat, Seen from Behind | c. 1639 | ? | ? | Museum der bildenden Künste, Leipzig | The drawing is related to the etching B109 |
| The Artist Drawing from the Model | c. 1639 | Pen and brown iron-gall ink with brown wash and touched with white, on paper washed brown | 18.8 x 16.4 cm | British Museum, London | The drawing is related to the etching B192 |
| Study for a Presentation in the Temple | c. 1639 | Pen and dark bistre | 18 x 19 cm | Amsterdam Museum | The drawing is related to the etching B049 |
| Portrait of Cornelis Claesz Anslo | 1640 | Red chalk, heightened with white, on paper | 15.7 x 14 cm | British Museum, London | Inscribed Rembrandt f. 1640. Indented for transfer to the etching B271 |
| Portrait of Cornelis Claesz Anslo | 1640 | Red chalk, pen and wash in bistre, Indian ink, whity body colour | 24.6 x 20.1 cm | Musée du Louvre, Paris | Inscribed Rembrandt f. 1640 |
| Nude Man Kneeling | c. 1640 | ? | ? | Musée Bonnat, Bayonne | The drawing is related to the etching B092 |
| Sleeping Watchdog | c. 1640 | Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper | 14.3 x 16.8 cm | Museum of Fine Arts, Boston | The drawing is related to the etching B158 |
| Three Men Being Beheaded | c. 1640 | Pen and brown ink, corrected with white; framing lines in pen and brown ink | 15.3 x 22.6 cm | British Museum, London | The drawing is related to the etching B092 |
| Sketch of an Executioner | c. 1640 | Pen | 15.6 x 20.1 cm | Rijksmuseum Amsterdam | The drawing is related to the etching B092 |
| Bust of the Emperor Galba | 1640-1641 | Pen and bistre | 14.2 x 9 cm | Kupferstichkabinett Berlin | Inscribed .alba |
| The Entombment of Christ | c. 1640-1641 | Pen | 15.6 x 21 cm | Rijksmuseum Amsterdam | The drawing is related to the painting W162 |
| The Passeerder Windmill in Amsterdam | c. 1640-1641 | ? | ? | Formerly Bremen, Kunsthalle | The drawing is related to the etching B233 |
| Two Men in Discussion, One in Oriental Dress | 1641 | Quill and reed pen in brown ink with corrections in white bodycolour (darkened) on laid paper | 22.9 x 18.5 cm | Courtauld Gallery, London | Inscribed Rembrandt f. 1641 |
| Christ and the Woman Taken in Adultery | c. 1639-1641 | ? | ? | Musée du Louvre, Paris | The drawing is related to the painting W47 |
| Seated Old Woman, Half-length | c. 1641 | ? | ? | Courtauld Gallery, London | The drawing is related to the painting W173 |
| A Man Helping a Rider to Mount a Horse | c. 1641 | Pen | 14.2 x 14.9 cm | Rijksmuseum Amsterdam | The drawing is related to the painting W153 |
| Windmill on the Bastion Blauwhoofd in Amsterdam | c. 1641 | Oiled charcoal on brown tinted paper, framing lines with the pen in brown ink, gone over in pencil on the right side | 16.6 x 27.5 cm | Museum Boijmans Van Beuningen, Rotterdam | The drawing is related to the etching B233 |
| Studies of an Officer, an Oriental and a Man in High Cap | c. 1641-1642 | Pen | 21.2 x 13.4 cm | Musée du Louvre, Paris | The drawing is related to the painting W190 |
| Two Jews in Discussion, Walking | 1641-1642 | Black chalk, pen and brown | 9.7 x 8.4 cm | Teylers Museum, Haarlem | Inscribed .../ ...samson/ sijnd troni/ een(?) die een pijl wtreckt over/ ... schouder |
| Figure Studies | c. 1642 | ? | ? | Rembrandthuis, Amsterdam | The drawing is related to the etching W120 |
| Two Women Walking (Ruth and Naomi?) | c. 1642 | ? | ? | Royal Museums of Fine Arts of Belgium, Brussels | The drawing is related to the etching W120 |
| Cottage Near the Edge of a Wood | 1644 | Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage) | 29.9 x 45.5 cm | Metropolitan Museum of Art, New York | Inscribed Rembrandt f. 1644 |
| Satire on Art Criticism | 1644 | Pen and brown ink corrected with white | 15.5 x 20.1 cm | Metropolitan Museum of Art, New York | Inscribed den tijd 16[4?]4 / dees ... van d kunst / is .ooting gunst ... Houdlos... / i ind. dat... |
| Jacob's Dream | c. 1644 | ? | ? | École des Beaux-Arts, Paris | Inscribed in ongenaeden synden en werden niet geschooren |
| Posthumous Portrait of the Preacher Jan Cornelisz. Sylvius | 1644-1645 | ? | ? | National Gallery of Art, Washington | Inscribed den een on ... sijden ... ofte ... /near Chrisstum gaenden |
| Young Woman Looking out of a Window | c. 1645 | ? | ? | Courtauld Gallery, London | The drawing is related to the painting W200 |
| Sheet of Studies, with a Woman Teaching a Child to Walk | c. 1646 | Pen and brown ink | 16 x 16.5 cm | Nationalmuseum, Stockholm | The drawing is related to the etching B194 |
| Jan Cornelisz Sylvius | c. 1646 | Pen and brown ink | 14 x 11.6 cm | Nationalmuseum, Stockholm | The drawing is related to the etching B280 |
| Jan Cornelisz Sylvius | c. 1646 | Pen and brown ink, with white heightening | 28.5 x 19.5 cm | British Museum, London | The drawing is related to the etching B280 |
| The Star of the Kings | 1645-1647 | Pen and brown ink with (on the recto only) brown wash mixed with some white bodycolour; framing line in pen and brown ink (right side only). | 20.4 x 32.3 cm. | British Museum, London | Inscribed Rembrandt f. |
| Jan Six | 1647 | ? | ? | Six Collection, Amsterdam | Indented for transfer to the etching B285 |
| Jan Six in Hat | 1647 | ? | ? | Amsterdam Museum | The drawing is related to the etching B285 |
| Jan Six with a Dog | 1647 | Pen and wash? white body colour | 22 x 17.5 cm | Six Collection, Amsterdam | The drawing is related to the etching B285 |
| Study for a Susanna | c. 1647 | Black chalk and brush on paper | 20.3 x 16.4 cm | Kupferstichkabinett Berlin | The drawing is related to the painting W213 |
| Two Sick Women | c. 1645-1649 | Pen | 10.1 x 12.2 cm | Rijksmuseum Amsterdam | The drawing is related to the etching B074 |
| Head of a Sick Woman | c. 1645-1649 | ? | ? | Rijksmuseum Amsterdam | The drawing is related to the etching B074 |
| Man Standing, a Cap in his Outstretched Right Hand | c. 1645-1649 | ? | ? | Courtauld Gallery, London | The drawing is related to the etching B074 |
| Blind Old Man Guided by a Woman | c. 1645-1649 | ? | ? | Musée du Louvre, Paris | The drawing is related to the etching B074 |
| Study for the Group of the Sick | c. 1645-1649 | ? | ? | Kupferstichkabinett Berlin | The drawing is related to the etching B074 |
| Study of a Seated Beggar Woman, Supplicating | c. 1645-1649 | ? | ? | Private collection | The drawing is related to the etching B074 |
| Old Man with a Fur Cap | c. 1645-1649 | ? | ? | Private collection | The drawing is related to the etching B074 |
| Study for the Hundred-guilder Print | c. 1645-1649 | ? | ? | Musée du Louvre, Paris | The drawing is related to the etching B074 |
| The Amsteldijk at Meerhuizen, Looking Towards The Little Windmill | c. 1649-1650 | ? | ? | Musée du Louvre, Paris | Inscribed on the reverse: Dees tekeningh vertoont de buiten amstelkant / Soo braaf getekent door heer rembrandts eygen hant / PKo (This drawing depicts the Buiten-Amstel, most able drawn by Master Rembrandt's own hand. P[hilips] Ko[ninck]). |
| St. Jerome Reading in an Italian Landscape | c. 1650 | Reed pen and wash | 25 x 20.7 cm | Kunsthalle Hamburg | The drawing is related to the etching B104 |
| Farm Buildings Near a Canal | c. 1650 | Pen and dark greyish brown ink with greyish brown wash on grey paper | 11.6 x 12.2 cm | British Museum, London | The drawing is related to the etching B213 |
| Cottage on the Diemerdijk, Looking East | c. 1650 | ? | ? | Ashmolean Museum, Oxford | The drawing is related to the etching B213 |
| Landscape with the House with the Little Tower | c. 1650 | Pen and brown ink, brush and brown wash | 9.7 x 21.4 cm | J. Paul Getty Museum, Los Angeles | The drawing is related to the etching B235 |
| View of Haarlem with the Saxenburg Estate in the Foreground | c. 1650-1651 | Pen and brown ink, brown wash, heightened with white | 8.9 x 15.2 cm | Museum Boijmans Van Beuningen, Rotterdam | The drawing is related to the etching B234 |
| Landscape with a Farmhouse and a Hay Barn | c. 1650-1652 | Pen, brown ink and brownish wash on light brown paper | 8.8 x 17.3 cm | National Gallery of Denmark, Copenhagen | The drawing is related to the etching B224 |
| Farmstead with Adjoining House | c. 1650-1652 | ? | ? | Private collection | The drawing is related to the etching B224 |
| Farmhouse beneath Trees, with a Footbridge | c. 1650-1652 | Reed pen and brown ink, grey wash, some white highlighting on brownish paper | 15.7 x 18.1 cm | Fitzwilliam Museum, Cambridge | The drawing is related to the etching B222 |
| Susanna and the Elders | c. 1650-1652 | Brush | 20.1 x 18.8 cm | Rijksmuseum Amsterdam | The drawing is related to the painting W213 |
| Homer Reciting Verses | 1652 | ? | ? | Six Collection, Amsterdam | Inscribed Rembrandt aen Joannes Sicx. 1652 |
| Minerva in her Study | 1652 | ? | ? | Six Collection, Amsterdam | Inscribed Rembrandt f. 1652 |
| The Ruins of the Old City Hall in Amsterdam (After the Fire) | 1652 | ? | ? | Rembrandt House Museum, Amsterdam | Inscribed vand waech afte sien stats huis van Amsteldam doent afgebrandt was den 9 Julij 1652. Rembrandt |
| View at the Inn Huis te Vraag | с. 1652 | ? | ? | Present location unknown | The drawing is related to the etching B221 |
| Bust of Andrea Doria | 1653 | ? | ? | Kupferstichkabinett Berlin | Inscribed ANDREAS D. AVREA Hartog van S[tad] genuwa |
| The Calumny of Apelles, after Mantegna | c. 1652-1654 | Pen and brown ink, with brown wash, on grey-brown prepared paper | 26.3 x 43.2 cm | British Museum, London | Inscribed CaLomnia d'apella / Inocenv[v=s]ia / Susp[ic]ione / I[g]nora[n]cia / acnoni / Ins[s=v]idia / Penitencia / Veritas |
| River with Trees | 1654-1655 | ? | ? | Musée du Louvre, Paris | Inscribed on reverse [om te] etsen witten tarpentyn oly / [daer] toe de helft tarpentyn / tesaemen in een glaesen flesken gedaen en / flesken in suver[?] waeter een ha[lf] [uu]r laeten kooken |
| Jupiter with Philemon and Baucis | 1655 | ? | ? | Kupferstichkabinett Berlin | Inscribed d'ouden filemon onvan[g]t mes ind[e] mon en dHaend op de vloer omgeswicht |
| The Anatomy Lecture of Dr. Jan Deyman | 1656 | ? | ? | Amsterdam Museum | Study for a frame for the painting W246 |
| Four Orientals Seated under a Tree | c. 1656 | Pen and brown ink with brown and grey wash, touched with white and with some scraping-out, on oriental paper prepared with pale brown wash | 19.4 x 12.4 cm | British Museum, London | The drawing is related to the etching B029 |
| The Emperor Akbar and his Son Selim in Apotheosis | c. 1656 | Pen and brown ink, brown wash, corrected with white bodycolour | 21.2 x 17.4 cm | Museum Boijmans Van Beuningen, Rotterdam | The drawing is related to the etching B029 |
| Christ Comforted by the Angel | c. 1657 | ? | ? | Kunsthalle Hamburg | The drawing is related to the etching B075 |
| The Agony in the Garden | c. 1657 | Brown ink; brown wash; paper | 19.6 x 19 cm | Fitzwilliam Museum, Cambridge | The drawing is related to the etching B075 |
| Lieven Willemsz. van Coppenol | c. 1658 | ? | ? | Museum of Fine Arts (Budapest) | The drawing is related to the etching B282 |
| Christ and the Woman Taken in Adultery | 1659-1660 | ? | ? | Staatliche Graphische Sammlung München | Inscribed on an attached strip of paper soo jachtich om Christus in zijn antwoordt te verschalken konden schrifterlick antw[oord] niet afwachten |
| The Blind Belisarius Receiving Alms | c. 1660 | ? | ? | Kupferstichkabinett Berlin | Inscribed erbarmt u over den armen bellisaro die nochtans wel was in groot aensien door syn manhaftijge daden en door de jalousij is verblindt |
| Walking Man in a High Cap | c. 1660 | Pen | 14.7 x 6.2 cm | Rijksmuseum Amsterdam | The drawing is related to the painting W320 |
| Self-portrait | с. 1660 | Pen and black-brown ink, brush in gray, white blush on sepia paper | 8.2 x 7.1 cm | Albertina, Vienna | The drawing is related to the painting W281 |
| Simeon's Song of Praise | 1661 | ? | ? | Royal library, the Hague | Inscribed Rembrandt f. 1661 |
| The Conspiracy of Claudius Civilis | 1661 | ? | ? | Staatliche Graphische Sammlung München | The drawing is related to the painting W298 |
| A Child Being Taught to Walk | c. 1660-1662 | Pen and brown ink on brownish-cream paper | 9.3 x 15.4 cm | British Museum, London | Inscribed on reverse 'dit voor af te vragen / [vr]agen aen ons beijde oft wijt an de Heeren / [g?]oede mannen willen laten ver blijben / dan tijssen te vragen of Hij niet een / beijden d schilderien gelieft opgemaeckt te hebben / geen van beijden begerende.' |
| Three Syndics of the Clothmakers' Guild | c. 1661-1662 | ? | ? | Kupferstichkabinett Berlin | The drawing is related to the painting W299 |
| Study of a Syndic, Jacob van Loon | c. 1661-1662 | Pen and brush in brown, corrections with white | 19.5 x 16 cm | Rijksmuseum Amsterdam | The drawing is related to the painting W299 |
| Study for One of the Syndics, Volckert Jansz. | c. 1661-1662 | Reed pen and brush in brown ink, brown wash, corrected and heightened with white, on cashbook paper | 22.5 x 17.5 cm | Museum Boijmans Van Beuningen, Rotterdam | The drawing is related to the painting W299 |
| Isaac and Rebecca | c. 1662 | ? | ? | Private collection | The drawing is related to the painting W312 |
| A coach | c. 1660-1663 | Pen and brown ink with greyish brown wash | 19.3 x 25.4 cm | British Museum, London | The drawing is related to the painting W303 |
| Homer Dictating to a Scribe | c. 1663 | Pen, brush and brown ink, heightened with white | 14.8 x 17 cm | Nationalmuseum, Stockholm | The drawing is related to the painting W301 |
| Elsje Christiaens Hanging on a Gibbet (front view) | 1664 | Pen and brown ink, brush and brown wash | 17.1 x 9.1 cm | Metropolitan Museum of Art, New York | |
| Elsje Christiaens Hanging on a Gibbet (side view) | 1664 | Pen and brown ink, brush and grayish brown wash on heavy brownish paper | 15.8 x 8.0 cm | Metropolitan Museum of Art, New York | |