OpenLLM-France/wikimedia huggingface dataset:
# Space Battleship Yamato III

Space Battleship Yamato III (宇宙戦艦ヤマトIII, Uchū Senkan Yamato Surī), also known as Star Blazers: The Bolar Wars, is a Japanese military science fiction anime series produced by Academy Productions. It is the sequel to Be Forever Yamato created by Yoshinobu Nishizaki and Leiji Matsumoto. It aired on Yomiuri TV in Japan from October 11, 1980 to April 4, 1981. Elements of the series later got remade in 2024 as Be Forever Yamato: Rebel 3199.

## Plot

The plot centers about the drama which ensues when a stray proton missile, from a battle between the Galman Empire and the Bolar Federation, crashes into the Sun. It causes nuclear fusion to accelerate to unsafe levels. The Yamato and crew must then set out on a mission to look for a new world for the human race. They must do so in less than one year.
Over the course of the story, the Yamato and crew must complete their mission of finding a new home for Earthlings amidst the strife caused by the Galman-Bolar conflict. The Galmans, we learn, are the ancestral race from which the Gamilas came. After the battle with the Dark Nebula Empire ended, a battle which destroyed the planet Gamilas, Desler and his remaining forces set out to search for this ancestral homeland. They found Galman, enslaved by the cruel grey-skinned aliens known as the Bolars. They promptly liberated Galman, and a galaxy-wide war ensued.
The Yamato and crew eventually catch up with Desler, who is deeply remorseful that Earth has been dragged into this conflict. Desler dispatches a team of Gamilas-Galman scientists to attempt to restore the Sun. This effort ultimately fails.
During the course of the mission, the Yamato rescues Ruda, the exiled queen of the mysterious and hidden planet, Shalbart. It turns out that she is worshipped by peace-seeking factions within both the Galman and Bolar empires, and is wanted (preferably dead) by both governments which fear her influence. This puts a strain on the fragile alliance between Earth and the Galmans, and causes the Bolars to declare outright war against Earth.
Earth is finally saved when the Yamato brings Ruda to Shalbart, and she decides to give the Earthlings a device (the Hydro-Cosmogen Gun) that can restore the Sun's natural fusion balance. But even this only succeeds after some ultimate sacrifices on the part of some of Yamato's crew.

## Cast

* Noriko Ohara as Sabera
* Kei Tomiyama as Susumu Kodai
* Yōko Asagami as Yuki Mori
* Akira Kamiya as Shirou Katou
* Goro Naya as Gustav
* Eiji Kanie
* Takeshi Aono
* Masatō Ibu Desler, Heikurō Tōdō
* Kouji Yada (General Talon)
* Kenichi Ogata (Analyzer)
* Keiko Han (Ruda Sharubāto)
* Kazuo Hayashi (Yasuo Nanbu)
* Hirotaka Suzuoki (Kojirou Ohta)
* Hideyuki Tanaka (Ryuusuke Damon)
* Junpei Takiguchi
* Kaneto Shiozawa
* Kôhei Miyauchi (Shalibart Elder)
* Mugihito as (Dagon)
* Shigeru Chiba
* Sumi Shimamoto
* Shōzō Iizuka
* Tesshō Genda
* Tohru Furuya as Daisuke Tokugawa
* Tomomichi Nishimura
* Toshio Furukawa as Takeshi Ageha
# Sam Lanin

Samuel Charles Lanin (September 4, 1891 – May 5, 1977) was an American jazz bandleader.
Lanin's brothers, Howard and Lester, were also bandleaders, and all of them had sustained careers in music. Lanin was one of ten children born to Benjamin and Mary Lanin, Russian Jews who had emigrated to Philadelphia, Pennsylvania, United States. Sam played clarinet and violin while young, and in 1912 he was offered a spot playing in Victor Herbert's orchestra, where he played through World War I.
After the war he moved to New York City and began playing at the Roseland Ballroom in late 1918. There he established the Roseland Orchestra; this ensemble recorded for the Columbia Gramophone Company in the early 1920s.

## Recordings

Sam recorded with a plethora of ensemble arrangements, under names such as Lanin's Jazz Band, Lanin's Arcadians, Lanin's Famous Players, Lanin's Southern Serenaders, Lanin's Red Heads, Sam Lanin's Dance Ensemble, and Lanin's Arkansaw Travelers. He did not always give himself top billing in his ensemble's names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s.
Among the ensembles he directed were Ladd's Black Aces, The Broadway Bell-Hops, The Westerners, The Pillsbury Orchestra and Bailey's Lucky Seven. He had a rotating cast of noted musicians playing with him, including regular appearances from Phil Napoleon, Miff Mole, Jules Levy, Jr., and Red Nichols, as well as Jimmy Dorsey, Tommy Dorsey, Mannie Klein, Jimmy McPartland, Bix Beiderbecke, Eddie Lang, Bunny Berigan, Nick Lucas and Frankie Trumbauer. Like Ben Selvin, Lanin was one of the most prolific recording bandleaders. Between 1920 and 1931, he directed over 400 sessions for nearly every label.

## Radio

Lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. In addition to his recordings, he also played regularly on radio after 1923, and the Roseland Orchestra played on New York radio weekly every Monday from 1923 to 1925. He entered into a sponsorship with Bristol-Myers for their toothpaste, Ipana; as a result, his ensemble was renamed The Ipana Troubadors. In 1928 and 1929, Lanin used the up-and-coming Bing Crosby as band vocalist on a couple of his OKeh records.

## Later years

The 1929 stock market crash hit Sam Lanin hard, unlike his brother Lester; in 1931, he lost his contract with Bristol-Myers, his radio show and the name Ipana Troubadors. By the middle of the 1930s, Sam was spending much of his time cutting transcription discs. While his fame had waned, he was still well off from the money he saved in the 1920s and retired from the music business by the end of the 1930s. He was essentially forgotten at the same time Lester went on to stardom. He died in 1977, having never returned to music.

## In popular culture

In the 2013 video game BioShock Infinite, Lanin's rendition of "Me and My Shadow" can be heard in multiple instances.
# Autotelic

An autotelic is someone or something that has a purpose in, and not apart from, itself.

## Origin

The word "autotelic" derives from the Greek αὐτοτελής (autotelēs), formed from αὐτός (autos, "self") and τέλος (telos, "end" or "goal").
The Oxford English Dictionary cites the word's earliest use in 1901 (Baldwin, Dictionary of Philosophy and Psychology, I 96/1), and also cites a 1932 use by T. S. Eliot.

## Use

Mihaly Csikszentmihalyi describes people who are internally driven, and who as such may exhibit a sense of purpose and curiosity, as autotelic. This is different from being externally driven, in which case things such as comfort, money, power, or fame are the motivating force. Csikszentmihalyi wrote that an autotelic person doesn’t need things like wealth, fame, power, or entertainment because they experience flow in all areas of life. They don’t depend on external rewards. They are fully involved in living life. They are also more independent and less vulnerable to manipulation.
A. Bartlett Giamatti characterizes sports, such as baseball, as autotelic activities: "that is, their goal is the full exercise of themselves, for their own sake".
Yvor Winters quotes from Eliot's aesthetic theory including autotelic, and criticizes:
   Art, then, is about itself, but this information does not help me to answer my questions, for I do not understand it. What, for example, would Pope or Dante have understood if this statement had been made to them regarding the poems which I have just mentioned? Or what can we understand with regard to these poems? About all we can deduce from such a passage is that the artist does not really know what he is doing; a doctrine which we shall find suggested and elucidated elsewhere, and which leads directly to the plainest kind of determinism.
# Amastra umbilicata

Amastra umbilicata was a species of air-breathing land snail, a terrestrial pulmonate gastropod mollusc in the family Amastridae.

## Subspecies

* † Amastra umbilicata arenarum Pilsbry & C. M. Cooke, 1914
* Amastra umbilicata pluscula C. M. Cooke, 1917
* Amastra umbilicata umbilicata (L. Pfeiffer, 1856)

## Description

The length of the shell attains 10.5 mm, its diameter 5.7 mm.
The shell is very narrowly but openly umbilicate, dextral, ovate-conic, thin, and striate, with an opaque brown coloration. The spire is slightly concavely conic, terminating in an acute apex.
There are 6 whorls, which are only slightly convex. The body whorl is somewhat shorter than the spire and angular at the base. The aperture is elliptical, with sharp angles at both ends. The columellar fold is compressed, deep, and subtransverse.
The peristome is simple and acute, with the columellar margin slightly dilated and entirely free throughout, adding to the shell's delicate and refined appearance.
This species differs from Amastra petricola in several key features: it has a larger umbilicus, a thinner, unicolored shell, a more slender spire, and a smaller, more oblique columellar fold. Unlike A. petricola, the specimens examined show no sign of thickening within the outer lip, suggesting the two species are not closely related.
The shell color is a rather light brown, becoming darker at the apex. The whorls in the protoconch may be striate when fresh and unworn, but they appear smooth in the specimens available. The whorls are more convex compared to A. petricola.
The umbilicus, when viewed from the base, is circular, deep, and moderately broad, partially overhung by the columellar lip. It is bounded by an obtuse ridge that is accentuated by a shallow spiral excavation near its edge. The aperture is angular where the columellar and basal margins meet. The columellar margin is triangularly dilated and bears a small, highly oblique fold, which emerges more prominently than that of A. petricola, extending nearly to the edge.
Faint traces of a thin, brown outer cuticle are present on the shell surface.

## Distribution

This species was endemic to Hawaii and occurred on Oahu Island.
# Bellifreschi

Bellifreschi is a 1987 Italian comedy film directed by Enrico Oldoini.
The film is a farcical take on Billy Wilder's romantic comedy Some Like It Hot.

## Cast

* Lino Banfi as Tommaso 'Tom' Barletta
* Christian De Sica as Mario 'Jerry' Marcelli
* Lionel Stander as Frank Santamaria
* Lisa Lavender as Sabrina
* Marina Viro as Barbara
* Monica Frassinelli as Conchita
* Rosanna Banfi as Rosanna
* Kaspar Capparoni as Sam
* Jimmy il Fenomeno as the guy from the interview
* Clarita Gatto as a waitress
* Raffaella Baracchi as a waitress
* Elena Fabrizi as herself
# Willem Christiaan

Willem Christiaans O.S.F.S., (born 12 February 1961) is a Namibian Roman Catholic prelate. He is the Bishop of the Roman Catholic Diocese of Keetmanshoop, Namibia since 2018. He was appointed bishop on 7 February 2018 by Pope Francis. He served as Apostolic Administrator of the Keetmanshoop diocese while still a priest, from 26 July 2017 until 7 February 2018. He is a member of the Order of the Oblates of St. Francis de Sales. He was consecrated bishop on 5 May 2018.

## Early years and education

He was born on 12 February 1961 in Gabis, ǁKaras Region, Diocese of Keetmanshoop, Namibia. He made his first vows as an Oblate of St. Francis de Sales in 1983. In 1988 he made his perpetual vows as an Oblate. He studied philosophy at St. Joseph's Theological Institute in Cedara, KwaZulu-Natal, South Africa, graduating in 1984. He then completed his studies in Theology in 1988, at the same seminary.

## Priest

On 10 December 1988, he was ordained a priest of the Oblates of St. Francis de Sales. He served in that capacity until 7 February 2018.
As a priest, he held various positions inside and outside his diocese including as:
* Diocesan superior of the Order of Oblates of St. Francis de Sales for three consecutive terms since 1988.
* Vicar General of Keetmanshoop diocese from 2008 until 2013.
* Diocesan administrator of Keetmanshoop diocese from July 2017 until February 2018.

## Bishop

On 7 February 2018 Pope Francis appointed him Bishop of Keetmanshoop, Namibia. He was consecrated and installed at Keetmanshoop Stadium, in Keetmanshoop, Namibia on 5 May 2018. The Principal Consecrator was Archbishop Protase Rugambwa, Bishop Emeritus of Kigoma assisted by Archbishop Peter Bryan Wells, Titular Archbishop of Marcianopolis and Archbishop Liborius Ndumbukuti Nashenda, Archbishop of Windhoek.
# Agustín Oliveros

Agustín Oliveros Cano (born 17 August 1998) is a Uruguayan professional footballer who plays as a left-back for Liga MX club Necaxa.

## Club career

Oliveros is a youth academy graduate of Racing Montevideo. He made his professional debut for the club on 2 June 2018 in a 2–0 league defeat to Danubio.

## International career

In December 2019, Oliveros was named in Uruguay's squad for the 2020 CONMEBOL Pre-Olympic Tournament.
In November 2020, Oliveros received his first call-up to the senior team. On 17 November 2020, he made his debut in a 2–0 loss to Brazil.

## Career statistics
### International

    As of 17 November 2020
Appearances and goals by national team and year :
| National team | Year | Apps | Goals |
| Uruguay | 2020 | 1 | 0 |
| Total | Total | 1 | 0 |

## Honours

Nacional
* Uruguayan Primera División: 2020
# Renato D'Agostin

Renato D'Agostin (born in 1983) is an Italian photographer, best known for his black and white silver gelatin prints and his books.
D'Agostin used to live and work in New York City and is now based near Venice, Italy. He is represented by Galerie Thierry Bigaignon (Paris, France).

## Work

Renato D'Agostin's work can be described as being graphic, contrasty and minimalist. His compositions are all about the relationship between the spaces he evolves in during his various trips abroad and the people he encounters within, bringing to his images a specific atmosphere. His work has been exhibited in many different countries among which USA, Italy, Spain, France and Japan. D'Agostin was the assistant to American photographer Ralph Gibson and he is known for making his own prints in the darkroom.
It has received extensive coverage in the international press
Renato D'Agostin's work marks a shift with his series entitled "Harmony of Chaos" in which he departs from a classical approach to a more conceptual/abstract photography.
His work includes the following series:
* Harmony of Chaos (2019)
* Dirt, in collaboration with Vittoria Gerardi (2018)
* 7439 (2016)
* Los Angeles Archaeologies (2015)
* Kapadokya (2015)
* Etna (2013)
* The Beautiful Cliche (2011)
* Tokyo Untitled (2009)
* Metropolis (2008)

## Publications

* Harmony of Chaos, the(M) editions, 2019
* Dirt, Hyakutake Editions, 2018
* Orbit, IIKKI Books, 2018
* Valsanzibio, Nomadic Editions, 2017
* Proxemics, The (M) Editions, 2016
* 7439, Nomadic Editions, 2016
* Archaeologies: Los Angeles, Furlined, 2015
* Kapadokya, Nomadic Editions, 2015
* Frecce, Automatic Books, 2014
* Acrobats, Nomadic Editions, 2014
* Etna, Nomadic Editions, 2013
* The Beautiful Cliché – Venezia, Silvana Editoriale, 2012
* Tokyo Untitled, MC2 Gallery Edizioni, 2009
* 0.00 Night Moleskine, Zeropuntozerozero + Moleskine, 2008
* Un giorno con Lucia, Zeropuntozerozero, 2007
* Metropolis, Zeropuntozerozero, 2007
# Amblyodipsas microphthalma

Amblyodipsas microphthalma, also known as the eastern purple-glossed snake or white-lipped snake, is a species of mildly venomous rear-fanged snake in the Atractaspididae family.

## Geographic range

It is found in southern Mozambique and the northeastern Republic of South Africa.

## Description

Dorsally dark brown. Ventrally white, including chin and tail, with a dark brown stripe down the middle of the belly. The white of the outer edges of the ventrals extends onto the adjacent first two rows of dorsal scales on each side of the body.
Rostral broader than long, portion visible from above two-thirds its distance from the frontal. Frontal large, nearly twice as long as broad, acutely pointed behind, much longer than its distance from the end of the snout. Only four upper labials, second and third entering the eye, fourth largest and in contact with the parietal.
Dorsal scales smooth, without pits, arranged in 15 rows. Ventrals 142; anal plate divided; subcaudals 19, divided.
Total length 30 cm (11+3⁄4 in); tail 24 mm (1 in).
# Saud Kariri

Saud Ali Kariri (Arabic: سُعُود عَلِيّ كَرِيرِيّ, born 8 July 1980) is a Saudi Arabian former footballer who played as a midfielder, and who previously played with Al Ittihad. He had also previously played for Al-Qadisiyah, the team that introduced most of the Saudi football stars.
He played for the Saudi Arabia national team and was called up to the squad to participate in the 2006 FIFA World Cup. After 14 years, in 2015 he retired from the national team, he has 133 caps.

## Club career
### Al-Hilal

On 24 December 2013, Saud transferred from Ittihad to Al-Hilal for 21 Million Saudi Riyals. On 22 June 2015, Saud scored his first goal for Al-Hilal against Al-Faisaly which ended 3-0. He got his first red card against Al-Nassr in the 94th minute. On 21 November 2015, he scored his second goal for Al-Hilal against Al-Khaleej the match ended in a massive win for his team, the score was 7-0. He left in 2016.

### Al-Shabab

On 22 September 2016, Saud went to Al-Shabab. His debut was against Al-Khaleej which ended 2-1.

## International goals

    Scores and results list Saudi Arabia's goal tally first.
| No | Date | Venue | Opponent | Score | Result | Competition |
| 1. | 24 December 2002 | Al Kuwait Sports Club Stadium, Kuwait City, Kuwait | Syria | 2–0 | 3–0 | 2002 Arab Nations Cup |
| 2. | 25 March 2005 | Prince Mohamed bin Fahd Stadium, Dammam, Saudi Arabia | South Korea | 1–0 | 2–0 | 2006 FIFA World Cup qualification |
| 3. | 27 May 2005 | King Fahd International Stadium, Riyadh, Saudi Arabia | Bahrain | 1–1 | 1–1 | Friendly |
| 4. | 11 September 2007 | King Fahd International Stadium, Riyadh, Saudi Arabia | Ghana | 2–0 | 5–0 | Friendly |
| 5. | 18 November 2007 | Ismailia Stadium, Ismailia, Egypt | Libya | 1–0 | 1–2 | 2007 Pan Arab Games |
| 6. | 11 August 2010 | Prince Abdullah Al Faisal Stadium, Jeddah, Saudi Arabia | Togo | 1–0 | 1–0 | Friendly |
| 7. | 26 November 2014 | King Fahd International Stadium, Riyadh, Saudi Arabia | Qatar | 1–0 | 1–2 | 22nd Arabian Gulf Cup |

## Honours

Al-Ittihad
* Saudi Professional League: 2006–07, 2008–09; runner-up 2009–10, 2010–11
* King Cup of Champions: 2010, 2013; runner-up 2008, 2009, 2011
* Saudi Super Cup runner-up: 2013
* AFC Champions League: 2004, 2005; runner-up: 2009
* Crown Prince Cup: 2003–04
* Arab Club Champions Cup: 2004–05
Al-Hilal
* Saudi Professional League runner-up: 2013–14, 2015–16
* King Cup: 2015
* Saudi Super Cup: 2015; runner-up: 2016
* Crown Prince Cup: 2015–16; runner-up: 2013–14, 2014–15
* AFC Champions League runner-up: 2014
Saudi Arabia
* AFC Asian Cup runner-up: 2007
* Arabian Gulf Cup: 2003; runner-up: 2009, 2014
* Arab Nations Cup: 2002
# Célestin Hakizimana

Célestin Hakizimana (born 14 August 1963) is a Rwandan Catholic prelate. He serves as Bishop of the Roman Catholic Diocese of Gikongoro since 2014. He was appointed bishop on 26 November 2014 by Pope Francis. He contemporaneously was the Apostolic Administrator of the Roman Catholic Diocese of Cyangugu, Rwanda, from 16 March 2018 until 25 March 2021.

## Early years and education

He was born on 14 August 1963 in Kigali, Archdiocese of Kigali, in Rwanda. He attended elementary school in Jari “Sainte Famille” in Kigali. He then studied at Saint Vincent Minor Seminary Rulindo from 1977 until 1983 for his secondary school education. In 1983 he entered Ndera Major Seminary in Kigali, studying there until 1984. He continued his studies at the Rutongo Preparatory Seminary in the Archdiocese of Kigali. He then studied at Nyakibanda Major Seminary in the Diocese of Butare. Later, he studied at the Pontifical Theological Faculty of Southern Italy in Naples. He graduated with a Doctorate in Dogmatic Theology from the Faculty of St. Thomas, in Capodimonte (Naples), Italy.

## Priest

He was ordained a priest of the Roman Catholic Archdiocese of Kigali, Rwanda on 21 July 1991. He served in that capacity until 26 November 2014.
As a priest, he held various positions inside and outside his diocese including as:
* Vicar at the Rutongo Parish of the Archdiocese of Kigali from 1991 until 1992.
* Diocesan Representative of Catholic Education from 1992 until 1997.
* Director of the National Pastoral Center "Saint Paul" in Kigali from 1994 until 1996.
* Director of GEMECA Rwanda from 1998 until 2003.
* Secretary General of the Episcopal Conference of Rwanda from 2011 until 2014.
During the Rwanda Genocide of 1994, Father Célestin Hakizimana was the Parish Priest at Saint Paul Catholic Church in downtown Kigali City. He is credited with saving the lives of over 2,000 Tutsi refugees who had run to Saint Paul Church for sanctuary. Over a period of about 2 months, he housed, fed and protected them from the marauding Interahamwe.

## Bishop

On 26 November 2014 Pope Francis appointed him Bishop of Gikongoro Diocese. He was consecrated and installed at Gikongoro on 24 January 2015 by the hands of Archbishop Thaddée Ntihinyurwa, Archbishop of Kigali assisted by Bishop Smaragde Mbonyintege, Bishop of Kabgayi and Bishop Philippe Rukamba, Bishop of Butare. From 16 March 2018 until 25 March 2021 Bishop Célestin Hakizimana served as Apostolic Administrator of the Roman Catholic Diocese of Cyangugu, Rwanda. That administatorship ceased when Bishop Edouard Sinayobye was installed at Cyangugu as the Ordinary, on 25 March 2021.
# Corpus Christi Basilica

The Corpus Christi Basilica (Polish: Bazylika Bożego Ciała), located in the Kazimierz district of Kraków, Poland, is a Gothic church founded by King Casimir III the Great in 1335.
It is located on Bożego Ciała Street.

## History

The basilica was erected in stages beginning in 1340 until about the mid-15th century. It was intended as a monastery church, which explains the large plot of land on which it stands, and the presence of a monastic cemetery next to it. In 1404 King Władysław II Jagiełło gave it to the Canons Regular of the Lateran, a congregation which he had brought in from Kłodzko.

## Interior

The interior of the church is a mixture of Polish Gothic and impressive Polish Baroque architecture with structural features such as a large gilded Baroque high altar, a boat-shaped pulpit (1750), and the organ. The church was robbed clean and the interior utterly devastated by soldiers of the 1655 Swedish invasion (the Deluge), which explains the prevalence of Baroque in its current decoration. The church is said to contain one of the most beautiful Baroque choir stalls in Central Europe. Bartolommeo Berrecci, the Renaissance artist who designed Sigismund's Chapel at Wawel, is buried there.
Corpus Christi Basilica houses the largest organs in Krakow. The main instrument was built between 1958 and 1963 using some elements of the old organ dating back to the 1770s. It was designed for 83 pitches and consists of two parts. The main organ placed on the choir and side organs located in the chancel. The organs have a total of 5950 pipes and 25 bells. They have the ability to play works written on an echo basis. The sound of organs 70 meters away from each other gives the listener a unique experience.