# List of works by Francisco Goya

Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings. Goya's early career as a painter in the court of Charles III is marked by portraits of the Spanish aristocracy and tapestry cartoons in a Rococo style. Continuing to produce official portraits and paintings for the courts of Charles IV and Ferdinand VII, Goya's middle period is also notable for print series that satirize the human condition and show the brutalities of war. Finally, towards the end of his life, Goya created the enigmatic Black Paintings, applying oil paint directly onto the plaster walls of his house on the outskirts of Madrid.
The following is an incomplete list of works by the Spanish painter and print maker Francisco Goya.

## Paintings (1763–1774)

| Image Title | Date | Current location | Size (in cm's) |
| Consecration of Aloysius Gonzaga as patron saint of youth | 1763 | Zaragoza Museum | 127 x 88 |
| Assumption of the Virgin and Saint Íñigo (in Spanish) | 1763 | San Juan el Real, Calatayud | 230 x 70 |
| Saint Christopher (in Polish) | 1767 | Zaragoza Museum | 140 x 100 |
| Apparition of the Virgin of the Pillar to Saint James and his Saragossan disciples (in Spanish) | 1769 | Collection of Pascual de Quinto, Zaragoza | 79 x 55 |
| Apparition of the Virgin of the Pillar to Saint James and his Saragossan disciples (sketch) | c. 1782 | Private collection | 47 x 33 |
| The Holy Family with Saint Joachim and Saint Anne before the Eternal Glory | 1769 | Collection of Marquess de las Palmas, Jerez de la Frontera | 79 x 55 |
| Hannibal the conqueror (in Spanish) | 1770 | Museo del Prado, Madrid | 87 x 131.5 |
| Hannibal the conqueror (sketch I) | 1770 | Zaragoza Museum | 30.5 x 38.5 |
| Victorious Hannibal views Italy from the Alps for the first time (sketch II in Spanish) | 1770 | Private collection | 31.1 x 40.6 |
| The Sacrifice to Vesta (in Polish) | 1771 | Collection of Felix Palacios Remondo, Zaragoza | 32.5 x 24 |
| The Sacrifice to Pan (in French) | 1771 | Private collection | 32.5 x 24 |
| Venus and Adonis (in Spanish) | 1771 | Zaragoza Museum | 23 x 12 |
| Ecstasy of Saint Anthony the Great (in Polish) | 1771 | Private collection | 47.2 x 38.8 |
| The Death of St. Francis Xavier (in Polish) | 1771 to 1774 | Zaragoza Museum | 56 x 41 |
| Our Lady of the Pillar (in Spanish) | 1771 to 1774 | Zaragoza Museum | 56 x 42 |
| The Rape of Europa | 1772 | Private collection | 47 x 68 |
| The Adoration of the Name of God | 1772 | Basílica de Nuestra Señora del Pilar, Zaragoza | 700 x 1500 |
| The Adoration of the Name of God (sketch) | 1772 | Museo Camón Aznar, Zaragoza | 75 x 152 |
| Saint Barbara (in Spanish) | 1772 | Museo del Prado, Madrid | 97.2 x 78.5 |
| The dream of St. Joseph | 1772 | Zaragoza Museum | 129 x 93 |
| The burial of Christ | 1772 | Lázaro Galdiano Museum, Madrid | 130 x 95 |
| Virgin with child | 1772 to 1773 | Félix Palacios Collection, Zaragoza | 58.3 x 83.7 |
| Virgin with child and Saint Joseph | 1772 to 1773 | Private collection | |
| Devotees at the foot of the Cross | 1772 to 1773 | Private collection | 131 x 90 |
| Death of Saint Albert of Jerusalem  [Wikidata] | 1772 to 1775 | Private collection | 35 x 60 |
| Flight to Egypt | 1772 to 1775 | Private collection | 35 x 60 |
| Self portrait (in Polish) | 1773 | Museo Camón Aznar, Zaragoza | 58 x 44 |
| Portrait of a man with sombrero | 1773 to 1775 | Zaragoza Museum | 31 x 42 |
| Frescoes in the Cartuja de Aula Dei | 1774 | Charterhouse of Aula Dei | 306 x 790 |
| Piety | 1774 | Museum of Romanticism (Madrid) | 83.5 x 58 |
| Lot and his daughters | 1774 | Private collection | 90 x 125 |
| Sacrifice of Jephthah's daughter | 1774 | Colección Várez Fisa, Madrid | 97 x 120 |

## Paintings (1775–1792)

see also: List of Francisco Goya's tapestry cartoons
| Image Title | Date | Current location | Size (in cm's) |
| The Boar Hunt | 1775 | Royal Palace of Madrid | 249 x 173 |
| Dogs on a leash (in Spanish) | 1775 | Museo del Prado, Madrid | 112 x 174 |
| Hunting with a decoy (in Spanish) | 1775 | Museo del Prado, Madrid | 112 x 179 |
| The Quail Shoot (in Spanish) | 1775 | Museo del Prado, Madrid | 290 x 226 |
| Hunter loading his rifle (in Spanish) | 1775 | Museo del Prado, Madrid | 289 x 90 |
| A hunter with his dogs (in Spanish) | 1775 | Museo del Prado, Madrid | 262 x 71 |
| The fisherman with his rod (in Spanish) | 1775 | Museo del Prado, Madrid | 289 x 110 |
| Portrait of Matthias Allué (in Polish) | 1775 | Goya Museum, Castres | 67 x 53 |
| Francesco Sabatini (in Polish) | 1775 to 1779 | Meadows Museum, Dallas | 82.9 x 62.2 |
| Baptism of Christ | 1775 to 1780 | Private collection | 45 x 39 |
| The apostle James and his disciples worshiping the Virgin of Pilar | 1775 to 1780 | Private collection | 107 x 80 |
| Saint Ignacius of Loyola (in Spanish) | 1775 to 1780 | Private collection | 85 x 57 |
| Picnic on the banks of the Manzanares (in Spanish) | 1776 | Museo del Prado, Madrid | 271 x 295 |
| Dance on the bank of the Manzanares (in Spanish) | 1776 to 1777 | Museo del Prado, Madrid | 275 x 298 |
| The drinker (in Spanish) | 1777 | Museo del Prado, Madrid | 107 x 151 |
| The Parasol | 1777 | Museo del Prado, Madrid | 104 x 152 |
| The Road of Andalusia (in Spanish) | 1777 | Museo del Prado, Madrid | 275 x 190 |
| The fight at the Venta Nueva (in Spanish) | 1777 | Museo del Prado, Madrid | 275 x 414 |
| Card Players (in Spanish) | 1777 to 1778 | Museo del Prado, Madrid | 270 x 167 |
| Card Players (in Spanish) (sketch) | 1777 to 1778 | Private collection | 87 x 58 |
| The kite (in Spanish) | 1778 | Museo del Prado, Madrid | 269 x 285 |
| Boys picking fruit (in Spanish) | 1778 | Museo del Prado, Madrid | 119 x 122 |
| Children inflating a bladder (in Spanish)¶ | 1778 | Museo del Prado, Madrid | 116 x 124 |
| Children in a Chariot | 1778 | Museum of Art, Toledo | 145.4 x 94 |
| Aesop and Menippus  [Wikidata] | 1778 | Museo Camón Aznar, Zaragoza | |
| Blind Guitarist (in Spanish) | 1778 to 1779 | Museo del Prado, Madrid | 260 x 311 |
| The pottery vendor (in Spanish) | 1778 to 1779 | Museo del Prado, Madrid | 259 x 220 |
| The seller of acerola (in Spanish) | 1778 to 1779 | Museo del Prado, Madrid | 259 x 100 |
| Madrid fair (in Spanish) | 1778 to 1779 | Museo del Prado, Madrid | 258 x 218 |
| The soldier and the lady (in Spanish) | 1778 to 1779 | Museo del Prado, Madrid | 259 x 100 |
| Boys playing soldiers | 1779 | Museo del Prado, Madrid | 146 x 94 |
| Boys playing soldiers (sketch) | 1775 | Colección Yanduri, Seville | 39 x 28 |
| The Guitar Guy (in Spanish) | 1779 | Museo del Prado, Madrid | 137 x 112 |
| The Swing (1779) (in Spanish) | 1779 | Museo del Prado, Madrid | 260 x 165 |
| The Game of Pelota with Rackets (in Spanish) | 1779 | Museo del Prado, Madrid | 261 x 470 |
| The medic | 1779 | Scottish National Gallery, Edinburgh | 95.8 x 120.2 |
| The tree boy (in Spanish) | 1779 to 1780 | Museo del Prado, Madrid | 262 x 40 |
| The boy with a bird (in Spanish) | 1779 to 1780 | Museo del Prado, Madrid | 262 x 40 |
| The Rendezvous (in Spanish) | 1779 to 1780 | Museo del Prado, Madrid | 100 x 151 |
| The tobacco guards (in Spanish) | 1779 to 1780 | Museo del Prado, Madrid | 262 x 137 |
| The washerwomen (in Spanish) | 1779 to 1780 | Museo del Prado, Madrid | 218 x 166 |
| The washerwomen (sketch) | 1779 to 1780 | Private collection | 86.5 x 59 |
| The lumberjacks (in Spanish) | 1780 | Museo del Prado, Madrid | 141 x 114 |
| The bullfight (in Spanish) | 1780 | Museo del Prado, Madrid | 259 x 136 |
| Christ Crucified | 1780 | Museo del Prado, Madrid | 255 x 154 |
| Ecstasy of Saint Anthony the Great (in Polish) | 1780 | Zaragoza Museum | 67 x 46 |
| Portrait of Martín Zapater | 1780 | Private collection | 46.5 x 32 |
| The Queen of Martyrs | 1780 to 1781 | Cathedral-Basilica of Our Lady of the Pillar, Zaragoza | |
| Apparition of the Virgin of Pilar (in Catalan) | 1780 to 1782 | Museu Nacional d'Art de Catalunya, Barcelona | 46.7 x 33 |
| Mariano Ferrer y Aulet (in Spanish) | 1780 to 1783 | Museu de Belles Arts de València | 83.9 x 63.4 |
| School Scene (in Spanish) | 1780 to 1785 | Zaragoza Museum | 19.7 x 38.7 |
| Antonio Veián y Monteagudo (in Polish) | 1782 | Huesca Museum | 231 x 172 |
| Children playing at soldiers | 1782 to 1785 | Private collection | 29 x 42 |
| Children playing at bullfighting | 1782 to 1785 | Private collection | 29 x 42 |
| The seesaw (in Spanish) | 1782 to 1785 | Museu de Belles Arts de València | 30.9 x 43.9 |
| The seesaw | 1782 to 1785 | Private collection | 30.9 x 43.9 |
| Children fighting over chestnuts | 1782 to 1785 | Private collection | 30.5 x 43 |
| Children playing leapfrog | 1782 to 1785 | Private collection | 30.9 x 43.9 |
| Children playing leapfrog  [Wikidata] | 1782 to 1785 | Museu de Belles Arts de València | 30.9 x 43.9 |
| Children looking for nests | 1782 to 1785 | Private collection | 30.5 x 43 |
| Gaspar Melchor de Jovellanos (in Polish) | 1782 to 1785 | Museum of Fine Arts of Asturias, Oviedo | 205 x 116 |
| José Moñino, 1st Count of Floridablanca and Francisco de Goya (in Spanish) | 1783 | Bank of Spain Building, Madrid | 262 x 166 |
| Doña Maria Teresa de Vallabriga (in Polish) | 1783 | Alte Pinakothek, Munich | 151.2 x 97.8 |
| Portrait of Doña María Teresa de Vallabriga y Rozas (in Polish) | 1783 | Private collection | 67.2 x 50.4 |
| Portrait of Maria Teresa de Vallabriga (profile) (in Polish) | 1783 | Museo del Prado, Madrid | 48 x 39.6 |
| Portrait of Infante Luis of Spain (in Polish) | 1783 | Private collection | 48.5 x 39.4 |
| María Teresa de Borbón y Vallabriga (in Spanish) | 1783 | National Gallery of Art, Washington D.C. | 134.5 x 117.5 |
| Luis María de Borbón y Vallabriga (in Polish) | 1783 | Zaragoza Museum | 147 x 126 |
| Equestrian portrait of María Teresa de Vallabriga (in Polish) | 1783 | Uffizi, Florence | 82.5 x 61.7 |
| José Moñino y Redondo, count de Floridablanca (in French) | 1783 | Museo del Prado, Madrid | 196 x 116.5 |
| Self-portrait | 1783 | Musée des Beaux-Arts d'Agen, Agen | 86 x 60 |
| Portrait of Camilo Goya (in Polish) | 1783 to 1784 | Museo Zuloaga, Zumaia | 94 x 71 |
| Miguel de Múzquiz y Goyeneche, count de Gausa (in Polish) | 1783 to 1785 | Bank of Spain Building, Madrid | 200 x 114 |
| The Family of the Infante Don Luis | 1784 | Magnani-Rocca Foundation, Mamiano | 248 x 330 |
| The Sermon of Saint Bernardino of Siena (in Spanish) | 1784 | Basilica of San Francisco el Grande, Madrid | 480 x 300 |
| The Sermon of Saint Bernardino of Siena (sketch I) | 1781 | Collection Tatiana Pérez de Guzmán el Bueno | 62 x 31 |
| The Sermon of Saint Bernardino of Siena (sketch II) | 1781 to 1782 | Collection Tatiana Pérez de Guzmán el Bueno | 62 x 33 |
| The Sermon of Saint Bernardino of Siena (sketch III or reduction of the original) | 1782 to 1783 | Unknown | 140 x 80 |
| Immaculate Conception (in Polish) | 1784 | Museo del Prado, Madrid | 80 x 41 |
| Portrait of Ventura Rodriguez (in Swedish) | 1784 | National Museum of Fine Arts, Stockholm | 107 x 81 |
| Hercules and Omphale (in Polish) | 1784 | Private collection | 81 x 64.1 |
| Portrait of Juan Agustín Ceán Bermúdez (in Spanish) | 1785 | Private collection | 82 x 55 |
| Admiral José de Mazarredo | 1785 | Lowe Art Museum, Miami | 105 x 84 |
| Admiral José de Mazarredo | 1785 | Private collection | 103 x 83 |
| The Annunciation | 1785 | Private collection | 280 x 177 |
| The Annunciation (sketch) | 1785 | Museum of Fine Arts, Boston | 40.3 x 23.2 |
| Portrait of the Duchess of Osuna (in Spanish) | 1785 | Private collection | 104 x 80 |
| Portrait of the Duke of Osuna (in Polish) | 1785 | Private collection | 118 x 82 |
| The Marquesa de Pontejos | c. 1786 | National Gallery of Art, Washington, D.C. | 210.3 x 127 |
| Portrait of Francisco Bayeu (in Polish) | 1786 | Museu de Belles Arts de València | 112.5 x 84.5 |
| Charles III of Spain (in Spanish) | 1786 | Bank of Spain Building, Madrid | 194 x 110 |
| José de Toro y Zambrano (in Polish) | 1786 | Bank of Spain Building, Madrid | 112 x 68 |
| Picnic (in Spanish) | 1786 | Museo del Prado, Madrid | 41.3 x 25.8 |
| Harassed cat (in Spanish) | 1786 | Museo del Prado, Madrid | 42 x 15.5 |
| Boys with mastiffs (in Spanish) | 1786 to 1787 | Museo del Prado, Madrid | 112 x 145 |
| Boy on a ram (in Spanish) | 1786 to 1787 | Art Institute of Chicago | 127.2 x 112.1 |
| The Snowstorm | 1786 to 1787 | Museo del Prado, Madrid | 275 x 293 |
| The Snowstorm (sketch) | 1786 | Art Institute of Chicago | 34.3 x 36.6 |
| The Flower Girls (in Spanish) | 1786 to 1787 | Museo del Prado, Madrid | 277 x 192 |
| The Flower Girls (sketch) | 1786 to 1787 | Private collection | 35 x 24 |
| The injured mason (in Spanish) | 1786 to 1787 | Museo del Prado, Madrid | 268 x 110 |
| The Drunk Mason | 1786 | Museo del Prado, Madrid | 35 x 15 |
| The Poor at the Fountain (in Spanish) | 1786 to 1787 | Museo del Prado, Madrid | 277 x 115 |
| A woman and two children by a fountain (sketch for The Poor at the Fountain) | 1786 | Thyssen-Bornemisza Museum, Madrid | 35.5 x 18.8 |
| Cats fighting (in Spanish) | 1786 to 1787 | Museo del Prado, Madrid | 56 x 193 |
| The Grape Harvest (in Spanish) | 1786 to 1787 | Museo del Prado, Madrid | 275 x 190 |
| The Grape Harvest (sketch) | 1786 | Clark Art Institute, Williamstown | 34 x 24.2 |
| Magpie in a tree (in Spanish) | 1786 to 1787 | Museo del Prado, Madrid | 279 x 28 |
| Summer | 1786 to 1787 | Museo del Prado, Madrid | 276 x 641 |
| The Threshing Floor (sketch for Summer) | 1786 to 1787 | Lázaro Galdiano Museum, Madrid | 34 x 74 |
| Asalto al coche (in Spanish) | 1786 to 1787 | Private collection | 130 x 131 |
| Driving an ashlar (in French) | 1786 to 1787 | Private collection | 169 x 127 |
| The swing (1787) (in Spanish) | 1786 to 1787 | Private collection | 167 x 100 |
| The greasy pole | 1786 to 1787 | Private collection | 169 x 88 |
| The fall (in Spanish) | 1786 to 1787 | Private collection | 169 x 98 |
| Village procession (in Spanish) | 1786 to 1787 | Private collection | 169 x 98 |
| Rounding up the bulls (in French) | 1786 to 1787 | Unknown | 165 x 285 |
| Miguel Fernandez Duran, marquess of Tolosa (in Polish) | 1786 to 1787 | Bank of Spain Building, Madrid | 112 x 78 |
| Hunter at a fountain (in Spanish) | 1786 to 1787 | Museo del Prado, Madrid | 130 x 131 |
| Shepherd playing a dulzaina (in Spanish) | 1786 to 1788 | Museo del Prado, Madrid | 130 x 134 |
| Charles III in hunting dress (in Spanish) | 1786 to 1788 | Museo del Prado, Madrid | 210 x 127 |
| Francisco Javier de Larrumbe (in Polish) | 1787 | Bank of Spain Building, Madrid | 113 x 77 |
| Vicente Joaquín Osorio de Moscoso (in Polish) | 1787 | Bank of Spain Building, Madrid | 177 x 108 |
| Holy family | 1787 | Museo del Prado, Madrid | 63.5 x 51.5 |
| Tobias and the angel | 1787 | Museo del Prado, Madrid | 63.5 x 51.5 |
| Santa Ludgarda (in Polish) | 1787 | Royal Monastery of San Joaquín and Santa Ana, Valladolid | 220 x 160 |
| Saint Bernard of Clairvaux curing a cripple | 1787 | Royal Monastery of San Joaquín and Santa Ana, Valladolid | 220 x 160 |
| The transit of St. Joseph (in Polish) | 1787 | Royal Monastery of San Joaquín and Santa Ana, Valladolid | 220 x 153 |
| The transit of St. Joseph (sketch) | 1787 | Flint Institute of Arts | 54.5 x 40.5 |
| Manuel Osorio Manrique de Zúñiga | 1787 to 1788 | The Met, New York City | 110 x 80 |
| The Countess of Altamira and her Daughter (in Polish) | 1787 to 1788 | The Met, New York City | 195 x 115 |
| María Ramona de Barbachano (in Polish) | 1787 to 1788 | Private collection | 114.4 x 83.6 |
| Antonio Adán de Yarza (in Polish) | 1787 to 1788 | Private collection | 114.4 x 83.6 |
| Bernarda Tavira (in Polish) | 1787 to 1788 | Private collection | 76.6 x 59.3 |
| Portrait of Vicente Osorio de Moscoso, count of Trastamar (in Polish) | 1787 to 1788 | Museum of Fine Arts, Houston | 138.4 x 104.1 |
| The meadow of San Isidro (in Spanish) | 1788 | Museo del Prado | 41.9 x 90.8 |
| The hermitage of San Isidro on the feast day (in Spanish) | 1788 | Museo del Prado | 42 x 44 |
| St. Francis Borgia says goodbye to his family (in Polish) | 1788 | Valencia Cathedral | 350 x 300 |
| St. Francis Borgia says goodbye to his family (sketch) | 1788 | Private collection | 38 x 29.3 |
| St. Francis Borgia at the Deathbed of an Impenitent (in Spanish) | 1788 | Valencia Cathedral | 350 x 300 |
| St. Francis Borgia at the Deathbed of an Impenitent (sketch) | 1788 | Private collection | 38 x 29.3 |
| Family of the Duke of Osuna (in Spanish) | 1788 | Museo del Prado, Madrid | 225 x 171 |
| José de Cistué y Coll, baron of la Menglana (in Polish) | 1788 | Private collection | 210 x 140 |
| José de Cistué y Coll (in Polish) | 1788 | Museo Camón Aznar, Zaragoza | 114 x 82.5 |
| Portrait of Francisco Cabarrús (in Polish) | 1788 | Bank of Spain Building, Madrid | 210 x 127 |
| The Holy Family (in Spanish) | 1788 to 1790 | Museo del Prado, Madrid | 203 x 148 |
| Blind Man's Bluff | 1789 | Museo del Prado, Madrid | 269 x 350 |
| Blind Man's Bluff (sketch) | 1788 | Museo del Prado, Madrid | 41 x 44 |
| Charles IV in red (in Spanish) | 1789 | Museo del Prado, Madrid | 127.3 x 94.3 |
| Queen of Spain Maria Louisa, née Bourbon-Parma (Goya)  [Wikidata] | 1789 | Museo del Prado, Madrid | 127 x 94 |
| Charles IV in court dress (in Spanish) | 1789 | Museo del Prado, Madrid | 203 x 137 |
| María Luisa of Parma wearing panniers (in French) | 1789 | Museo del Prado, Madrid | 205 x 132 |
| Portrait of Charles IV of Spain (in Polish) | 1789 | Real Academia de la Historia, Madrid | 137 x 110 |
| María Luisa of Parma, queen of Spain | 1789 | Real Academia de la Historia, Madrid | 137 x 110 |
| Portrait of King Charles IV of Spain (in Polish) | 1789 | Zaragoza Museum | 152 x 110 |
| Queen of Spain Maria Louisa  [Wikidata] | 1789 | Zaragoza Museum | 152 x 110 |
| Portrait of King Charles IV of Spain | 1789 | General Archive of the Indies, Seville | 128 x 95.5 |
| María Luisa of Parma, queen of Spain | 1789 | General Archive of the Indies, Seville | 128 x 95.5 |
| Juan Martín de Goicoechea y Galarza (in Polish) | 1790 | Zaragoza Museum | 84 x 65 |
| Portrait of Tadea Arias de Enríquez (in Polish) | c. 1790 | Museo del Prado, Madrid | 191 x 106 |
| Antonio Aniceto de Porlier, marquess of Bajamar | c. 1790 | Private collection | 101 x 80 |
| María Jerónima Daoíz y Guendica | c. 1790 | Private collection | 103.4 x 81.5 |
| Portrait of Ramón Pignatelli (in Polish) | 1790 | Private collection | 79.5 x 62 |
| Portrait of Martín Zapater (in Spanish) | 1790 | Museo de Arte de Ponce, Ponce | 82.8 x 64.5 |
| Apparition of the Virgin to St. Julian  [Wikidata] | c. 1790 | Church of Nuestra Señora de la Asunción, Valdemoro | 250 x 90 |
| La Tirana | 1790 to 1792 | Real Academia de Bellas Artes de San Fernando, Madrid | 206 x 130 |
| Sleeping woman (in French) | 1790 to 1793 | Private collection | 59 x 145 |
| Self-portrait at an Easel | c. 1790 to 1795 | Real Academia de Bellas Artes de San Fernando, Madrid | 42 x 28 |
| The Countess of Casa Flores (in Polish) | 1790 to 1797 | São Paulo Museum of Art | 112 x 79 |
| The embroiderer Juan López de Robredo (in Polish) | 1790 to 1800 | Private collection | 107 x 81 |
| Portrait of Luis María de Cistué y Martínez (in Polish) | 1791 | Louvre, Paris | 118 x 87.5 |
| Women chatting (in Spanish) | 1791 to 1792 | Wadsworth Atheneum, Hartford | 59.1 x 142.9 |
| The game of horse and rider (in Spanish) | 1791 to 1792 | Museo del Prado, Madrid | 137 x 104 |
| Stilts (in Spanish) | 1791 to 1792 | Museo del Prado, Madrid | 268 x 320 |
| The Wedding (in Spanish) | 1791 to 1792 | Museo del Prado, Madrid | 269 x 396 |
| Women carrying pitchers (in Spanish) | 1791 to 1792 | Museo del Prado, Madrid | 262 x 160 |
| Women carrying pitchers (sketch) (in Spanish) | 1791 | Private collection | 34 x 21 |
| Boys climbing a tree (in Spanish) | 1791 to 1792 | Museo del Prado, Madrid | 141 x 111 |
| The straw manikin (in Spanish) | 1791 to 1792 | Museo del Prado, Madrid | 267 x 160 |
| The straw manikin (sketch) | 1791 | Hammer Museum, Los Angeles | 35.6 x 23.3 |
| Portrait of Sebastián Martínez (in Spanish) | 1792 | The Met, New York City | 93 x 68 |
| Portrait of Juan Agustín Ceán Bermúdez (in Polish) | 1792 to 1793 | Private collection | 122 x 88 |
| Portrait of Senora Ceán Bermudez (in Polish) | 1792 to 1793 | Museum of Fine Arts (Budapest) | 121 x 84.5 |

## Paintings (1793–1807)

| Image Title | Date | Current location | Size (in cm's) |
| The death of the picador (in Spanish) | 1793 | Private collection | 43 x 31 |
| Shipwreck | 1793 | Private collection | 50 x 32 |
| Strolling Players (in Spanish) | 1793 | Museo del Prado, Madrid | 43 x 32 |
| The doll seller | 1793 | Private collection | 42 x 34 |
| Pase de capa | 1793 | Private collection | 42 x 31 |
| The drag | 1793 | Private collection | 43 x 32 |
| Luck of killing  [Wikidata] | 1793 | Private collection | 42 x 31 |
| Clearance of the plaza | 1793 | Private collection | 42 x 31 |
| Banderillas in the field (Goya)  [Wikidata] | 1793 | Private collection | 43 x 32 |
| El toro enmaromado | 1793 | Private collection | 42 x 31 |
| Bulls in the pasture | 1793 | Private collection | 42 x 31 |
| Picador caught by the bull | 1793 | Private collection | 43 x 32 |
| Fire at Night | 1793 to 1794 | Banco Inversion-Agepasa, Madrid | 43 x 32 |
| Yard with Lunatics | 1793 to 1794 | Meadows Museum, Dallas | 43.8 x 32.7 |
| Prison Interior | c. 1793 to 1794 | Bowes Museum, Barnard Castle | 42.9 x 31.7 |
| Assault of Thieves | 1793 to 1794 | Colección Juan Abelló | 42 x 31 |
| Portrait of General Antonio Ricardos (in Polish) | 1793 to 1794 | Museo del Prado, Madrid | 112 x 84 |
| Portrait of General Antonio Ricardos (in Polish) | 1793 to 1794 | Private collection | 110 x 81 |
| Portrait of General Antonio Ricardos (in Polish) | 1793 to 1794 | Walters Art Museum, Baltimore | 94.8 x 74.8 |
| General Ricardos, before his cannon (in Polish) | 1793 to 1794 | Private collection | 225 x 110 |
| Portrait of the Marquise de la Solana | c. 1793 to 1795 | Louvre, Paris | 181 x 122 |
| Gallant colloquium | 1793 to 1797 | Private collection | 41 x 31 |
| Gallant colloquium | 1793 to 1797 | Musée des Beaux-Arts d'Agen, Agen | 55 x 39.6 |
| Portrait of Félix Colón de Larriátegui (in Spanish) | 1794 | Indianapolis Museum of Art | 110 x 84 |
| Ramón de Posada y Soto (in Polish) | 1794 | Fine Arts Museums of San Francisco | 113 x 74 |
| Equestrian portrait of Manuel Godoy | 1794 | Private collection | 55.2 x 44.5 |
| La Tirana | 1794 | Private collection | 112 x 79 |
| Pedro Gil de Tejada (in Polish) | 1793 to 1795 | Private collection | 112 x 84 |
| Juan José de Arias Saavedra y Verdugo (in Polish) | 1794 to 1795 | Private collection | 82 x 55 |
| The White Duchess | 1795 | Liria Palace, Madrid | 192 x 128 |
| The Duchess of Alba and la Beata | 1795 | Museo del Prado, Madrid | 33 x 27.7 |
| La Beata with children | 1795 | Private collection | 31 x 25 |
| Francisco Bayeu (in Polish) | 1795 | Museo del Prado, Madrid | 112 x 84 |
| Don Valentín Bellvís de Moncada y Pizarro por Goya (in Polish) | 1795 | Private collection | 115 x 83 |
| Duke of Roca (in Polish) | 1795 | San Diego Museum of Art | 108.3 x 82.6 |
| Un garrochista (in French) | 1795 | Museo del Prado, Madrid | 57 x 47 |
| Portrait of Jose Alvarez de Toledo, Duke of Alba and Marquess of Villafranca (in French) | 1795 | Art Institute of Chicago | 88.9 x 68.6 |
| Portrait of José María Álvarez de Toledo, 15th Duke of Medina Sidonia | 1795 | Private collection | 86 x 71 |
| Don José Álvarez de Toledo Osorio y Gonzaga, 11th Marquis of Villafranca, Duke of Alba | 1795 | Museo del Prado, Madrid | 195 x 120 |
| The widowed marchioness of Villafranca (in Polish) | 1795 | Museo del Prado, Madrid | 87 x 72 |
| Portrait of the Matador Pedro Romero (in Spanish) | c. 1795 to 1798 | Kimbell Art Museum, Fort Worth | 84.1 x 65 |
| Self-Portrait on Linen (in Polish) | 1795 to 1797 | Museo del Prado, Madrid | 18.2 x 12.2 |
| Judge Altamirano (in Polish) | 1796 | Montreal Museum of Fine Arts | 84.2 x 62.9 |
| The parable of the wedding guests | 1796 to 1797 | Oratorio Santa Cueva, Cádiz | 146 x 340 |
| The miracle of the loaves and fishes | 1796 to 1797 | Oratorio Santa Cueva, Cádiz | 146 x 340 |
| The Last Supper | 1796 to 1797 | Oratorio Santa Cueva, Cádiz | 147 x 344 |
| The Last Supper (sketch) | 1796 to 1797 | Private collection | 25 x 42 |
| Portrait of toreador José Romero | 1796 to 1798 | Museum of Art, Philadelphia | 92 x 76 |
| Saint Ambrose (Goya)  [Wikidata] | 1796 to 1799 | Cleveland Museum of Art | 190 x 113 |
| Saint Augustine | 1796 to 1799 | Private collection | 190 x 115 |
| Saint Gregory | 1796 to 1799 | Museo Romántico, Madrid | 191.5 x 116 |
| The Black Duchess | 1797 | Hispanic Society of America, New York City | 210 x 149 |
| Portrait of Martín Zapater (in Polish) | 1797 | Bilbao Fine Arts Museum | 83 x 65 |
| Portrait of don Bernardo de Iriarte | 1797 | Musée des Beaux-Arts de Strasbourg | 108 x 84 |
| Portrait of Juan Meléndez Valdés (in Polish) | 1797 | Bowes Museum, Barnard Castle | 73.3 x 57.1 |
| Portrait of Juan Meléndez Valdés | 1797 | Private collection | 73.3 x 57.1 |
| Witches Sabbath | 1797 to 1798 | Lázaro Galdiano Museum, Madrid | 43 x 30 |
| Witches' Flight | 1797 to 1798 | Museo del Prado, Madrid | 43.5 x 30.5 |
| The Incantation (in Polish) | 1797 to 1798 | Lázaro Galdiano Museum, Madrid | 43.5 x 30.5 |
| The Devil's Lamp | 1797 to 1798 | National Gallery | 42 x 32 |
| The Witches' Kitchen (in Polish) | 1797 to 1798 | Unknown | 45 x 32 |
| Don Juan and the Commendatore (in Polish) | 1797 to 1798 | Unknown | 43 x 32 |
| Self-Portrait with Spectacles (in Spanish) | 1797 to 1800 | Goya Museum, Castres | 54 x 39.5 |
| Self-Portrait with Spectacles II  [Wikidata] | 1797 to 1800 | Musée Bonnat, Bayonne | 54 x 39.5 |
| Portrait of Mariana Waldstein (in Polish) | 1797 to 1800 | Louvre, Paris | 142 x 97 |
| Portrait of Mariana Waldstein, 9th Marchioness of de Santa Cruz (in Polish) | 1797 to 1800 | Louvre, Paris | 52 x 34 |
| The Nude Maja | 1797 to 1800 | Museo del Prado, Madrid | 97 x 190 |
| Saint Jerome | 1798 | Norton Simon Museum, Pasadena | 193 x 115 |
| The arrest of Christ (in Spanish) | 1798 | Toledo Cathedral | 300 x 200 |
| The arrest of Christ (in Spanish) | 1798 | Museo del Prado | 40.2 x 23.1 |
| Portrait of Don Francisco de Saavedra (in Polish) | 1798 | Courtauld Gallery, London | 100.2 x 119.6 |
| Portrait of Francisco de Saavedra | 1798 | Courtauld Institute of Art, London | 196 x 118 |
| Portrait of Ferdinand Guillemardet | 1798 | Louvre, Paris | 186 x 124 |
| A Miracle of St. Anthony of Padua” and other scenes (in Polish) | 1798 | Royal Chapel of St. Anthony of La Florida, Madrid | |
| Portrait of Asensio Julià (in German) | 1798 | Thyssen-Bornemisza Museum, Madrid | 55 x 41 |
| Portrait of Gaspar Melchor de Jovellanos (in Spanish) | 1798 | Museo del Prado, Madrid | 205 x 133 |
| The Duke of Osuna (in Polish) | 1798 | Frick Collection, New York City | 113 x 82.3 |
| Portrait of Andrés del Peral (in Spanish) | 1798 | National Gallery, London | 95 x 65.7 |
| San Luis Gonzaga (in Polish) | 1798 | Zaragoza Museum | 261 x 160 |
| General Jose de Urrutia (in Polish) | 1798 | Museo del Prado, Madrid | 199 x 133 |
| Portrait of Mariano Luis de Urquijo (in Polish) | 1797 to 1799 | Real Academia de la Historia, Madrid | 128 x 97 |
| Appearance of San Isidoro to King Fernando el Santo before the walls of Seville  [Wikidata] | 1798 to 1800 | Museo Nacional de Bellas Artes (Buenos Aires) | 360 x 400 |
| Portrait of Cardinal Luis María de Borbón y Vallabriga (in Polish) | 1798 to 1800 | São Paulo Museum of Art | 200 x 106 |
| Allegory of Love, Cupid and Psyche (in French) | 1798 to 1805 | Museu Nacional d'Art de Catalunya, Barcelona | 220.5 x 155.5 |
| Saint Lucy (Goya)  [Wikidata] | c. 1793 to 1799 | Neue Pinakothek, Madrid | 64 x 49.5 |
| Charles IV in his Hunting Clothes | 1799 | Royal Palace of Madrid | 210 x 130 |
| Queen Maria Luisa, on Horseback (in Spanish) | 1799 | Museo del Prado, Madrid | 338 x 282 |
| St. Hermenegild in Prison | 1799 | Lázaro Galdiano Museum, Madrid | 23 x 30 |
| Portrait of Leandro Fernández de Moratín (in Polish) | 1799 | Real Academia de Bellas Artes de San Fernando, Madrid | 73 x 56 |
| Manuel Lapeña, Marquis of Bondad Real (in Polish) | 1799 | Hispanic Society of America, New York City | 225 x 140 |
| Queen María Luisa, in a Mantilla | 1799 | Royal Palace of Madrid | 205 x 130 |
| Portrait of Maria Luisa of Parma | c. 1793 to 1799 | Museo di Capodimonte, Naples | 202 x 124 |
| Charles IV in the uniform of a colonel of the Guardia de Corps (in Spanish) | 1799 to 1800 | Royal Collections Gallery, Madrid | 202 x 126 |
| Queen Maria Luisa of Spain | 1799 to 1800 | Royal Collections Gallery, Madrid | 210 x 130 |
| The Countess of Chinchon | 1800 | Museo del Prado, Madrid | 216 x 144 |
| The Count of the Tagus  [Wikidata] | 1800 | National Gallery of Ireland, Dublin | 61 x 51 |
| Ferdinand of Bourbon, prince of Asturias (in Polish) | 1800 | The Met, New York City | 83.2 x 66.7 |
| Ferdinand prince of Asturias, later Ferdinand VII | 1800 | Private collection | 52 x 39 |
| Queen Maria Luisa of Spain | 1800 | Private collection | 63 x 52 |
| Portrait of Maria Josefa of Spain (in Spanish) | 1800 | Museo del Prado, Madrid | 74 x 60 |
| Portrait of the Infante Carlos María Isidro of Spain (in Spanish) | 1800 | Museo del Prado, Madrid | 74 x 60 |
| The infante Francisco de Paula (in Spanish) | 1800 | Museo del Prado, Madrid | 74 x 60 |
| The infante Antonio Pascual (in Spanish) | 1800 | Museo del Prado, Madrid | 72.5 x 59.3 |
| Portrait of Luis of Etruria (in Spanish) | 1800 | Museo del Prado, Madrid | 72.5 x 59.4 |
| Archbishop Joaquin Company (in Polish) | 1800 | Alma Mater Museum, Zaragoza | 199 x 102.5 |
| Bust of Joaquin Company  [Wikidata] | 1800 | Museo del Prado, Madrid | 31 x 44 |
| Truth, Time and History | 1800 | National Museum of Fine Arts, Stockholm | 294 x 244 |
| Truth, Time and History | 1800 | Museum of Fine Arts, Boston | 41 x 32.5 |
| The Dream | 1800 | National Gallery of Ireland, Dublin | 46.5 x 76 |
| Portrait of María Luisa de Borbón y Vallabriga | 1800 | Uffizi, Florence | 220 x 140 |
| Infante Maria Isabella | 1800 | Private collection | 84 x 67 |
| Archbishop Joaquin Company | 1800 | Speed Art Museum, Louisville | 72 x 55 |
| Lorenzo Correa | 1800 | Private collection | 80 x 58 |
| Charles IV on horseback (in Spanish) | 1800 to 1801 | Museo del Prado, Madrid | 336 x 282 |
| Charles IV of Spain and His Family | 1800 to 1801 | Museo del Prado, Madrid | 282 x 336 |
| Young Lady Wearing a Mantilla and Basquina (in Polish) | 1800 to 1805 | National Gallery of Art, Washington D.C. | 109.5 x 77.5 |
| Cannibals contemplating human remains (in French) | 1800 to 1805 | Musée des Beaux-Arts et d'Archéologie de Besançon, Besancon | 31 x 45 |
| Portrait of Tomás Pérez de Estala (in Spanish) | 1800 to 1805 | Kunsthalle Hamburg | 102 x 79 |
| Portrait of Tomás Pérez de Estala (Goya)  [Wikidata] | 1800 to 1805 | Private collection | 99 x 77.5 |
| The Clothed Maja | c. 1800 to 1807 | Museo del Prado, Madrid | 95 x 188 |
| Cannibals chopping up victims (in French) | 1800 to 1808 | Musée des Beaux-Arts et d'Archéologie de Besançon, Besancon | 31 x 45 |
| Manuel Cantín Lucientes | 1800 to 1810 | 109.9 x 78.2 |
| Portrait of Manuel Godoy | 1801 | Real Academia de Bellas Artes de San Fernando, Madrid | 180 x 267 |
| Ghostly vision (Goya)  [Wikidata] | 1801 | Museo Camón Aznar, Zaragoza | |
| The bull "Barbudo" that killed Pepe Hillo | 1801 | Private collection | 75.5 x 80 |
| Don Antonio Noriega (Goya)  [Wikidata] | 1801 | National Gallery of Art, Washington D.C | 102.6 x 80.9 |
| Isidro González Velázquez | 1801 to 1807 | Art Institute of Chicago | 93.3 x 67.2 |
| Don José Queraltó (in Polish) | 1802 | Neue Pinakothek, Munich | 101.5 x 76.1 |
| Portrait of Joaquina Candado Ricarte (in Polish) | 1802 | Museu de Belles Arts de València | 169 x 118.3 |
| Portrait of María Ana Silva-Bazán y Waldstein, Countess of Haro | 1802 to 1803 | Private collection | 59 x 36 |
| The Count of Fernán Núñez (in Spanish) | 1803 | Private collection | 211 x 137 |
| The Countess of Fernán Núñez (in Spanish) | 1803 | Private collection | 211 x 137 |
| Portrait of Amalia Bonells de Costa  [Wikidata] | 1803 | Detroit Institute of Arts | 88 x 66 |
| Bartolome Sureda y Miserol (in Spanish) | c. 1803 to 1804 | National Gallery of Art, Washington D.C | 119.7 x 79.3 |
| Portrait of a Man in a Brown Coat (in French) | 1803 to 1806 | Museum of Fine Arts, Boston | 88 x 66 |
| Ignacio Garcini y Queralt (in Polish) | 1804 | The Met, New York City | 104.1 x 83.2 |
| Josefa de Castilla Portugal y van Asbrock de Garcini (in Polish) | 1804 | The Met, New York City | 104.1 x 82.2 |
| An Officer (probably the Count of Teba) (in Polish) | 1804 | Frick Collection | 63.2 x 48.9 |
| Portrait of the Marquesa de Lazan (in Spanish) | 1804 | Private collection | 193 x 115 |
| Portrait of the Marquesa de Santiago (in French) | 1804 | J. Paul Getty Museum, Los Angeles | 209.6 x 126.4 |
| Portrait of the Marquess de San Adrián (in Spanish) | 1804 | Museum of Navarre, Pamplona | 209 x 127 |
| Brigadier General Alberto Foraster  [Wikidata] | 1804 | Hispanic Society of America, New York City | 138 x 109 |
| The Marchioness of Villafranca Painting her Husband (in Spanish) | 1804 | Museo del Prado, Madrid | 195 x 126 |
| The Marquess de Castrofuerte | 1804 to 1806 | Montreal Museum of Fine Arts | 91 x 71 |
| The Marquesa de Castrofuerte | 1804 to 1806 | Montreal Museum of Fine Arts | 91 x 71 |
| Allegory of Industry | 1804 to 1806 | Museo del Prado, Madrid | 227 diameter |
| Allegory of Commerce | 1804 to 1806 | Museo del Prado, Madrid | 227 diameter |
| Allegory of Agriculture (in French) | 1804 to 1806 | Museo del Prado, Madrid | 227 diameter |
| Allegory of Poetry | 1804 to 1806 | National Museum of Fine Arts, Stockholm | 298 x 326 |
| Child of the Soria family | 1804 to 1806 | Private collection | 112 x 80 |
| Clara de Soria | 1804 to 1808 | Private collection | 112 x 80 |
| Portrait of Evaristo Pérez de Castro (in Polish) | 1804 to 1808 | Louvre, Paris | 99 x 69 |
| Doña Teresa Sureda | c. 1805 | National Gallery of Art, Washington D.C. | 120 x 79 |
| Doña Antonia Zárate | c. 1805 | National Gallery of Ireland, Dublin | 103.5 x 82 |
| Portrait of Doña Isabel de Porcel | c. 1805 | National Gallery, London | 82 x 54.6 |
| Portrait of Juan de Villanueva (in Polish) | 1805 | Real Academia de Bellas Artes de San Fernando | 90 x 67 |
| Portrait of José de Vargas Ponce | 1805 | Real Academia de la Historia, Madrid | 104 x 82 |
| Portrait of Félix de Azara (in Polish) | 1805 | Museo Camón Aznar, Zaragoza | 212 x 124 |
| Portrait of the Marchioness of Santa Cruz | 1805 | Museo del Prado, Madrid | 124.7 x 207.9 |
| Leonora Antonia Valdés de Barruso | 1805 | Private collection | 104 x 83 |
| Portrait of María Vicenta Barruso Valdés | 1805 | Private collection | 104 x 83 |
| Francisco Javier Goya y Bayeu | 1805 | Private collection | 192 x 115 |
| Gumersinda Goicoechea  [Wikidata] | 1805 | Private collection | 192 x 115 |
| Portrait of Francisco Javier Goya y Bayeu | 1805 | Zaragoza Museum | 8 in diameter |
| Portrait of Gumersinda Goicoechea | 1805 | Zaragoza Museum | 8 in diameter |
| Juana Galarza de Goicoechea  [Wikidata] | 1805 | Museo del Prado | 8 in diameter |
| Manuela Goicoechea y Galarza  [Wikidata] | 1805 | Museo del Prado | 8 in diameter |
| Martín Mariano de Goicoechea | 1805 | Norton Simon Museum, Pasadena | 8 in diameter |
| Portrait of Pedro Mocarte  [Wikidata] | 1805 to 1806 | Hispanic Society of America, New York City | 78 x 57 |
| Portrait of Antonio Raimundo Ibáñez | 1805 to 1808 | Baltimore Museum of Art | 96.5 x 72.4 |
| Portrait of Manuel García de la Prada (in Polish) | 1805 to 1808 | Des Moines Art Center | 212 x 128 |
| Portrait of Don Antonio de Porcel (in Polish) | 1806 | Destroyed by fire in 1953 | 113 x 82 |
| Portrait of Don Tadeo Bravo de Rivero (in Polish) | 1806 | Brooklyn Museum | 207 x 116 |
| El Maragato Threatens Friar Pedro de Zaldivia with his gun (Goya)  [Wikidata] | 1806 | Art Institute of Chicago | 29.2 x 38.5 |
| Friar Pedro offers shoes to el Maragato and Prepares to Push Aside his gun  [Wikidata] | 1806 | Art Institute of Chicago | 29.2 x 38.5 |
| Friar Pedro wrests the gun from El Maragato  [Wikidata] | 1806 | Art Institute of Chicago | 29.2 x 38.5 |
| Friar Pedro Clubs El Maragato with the Butt of the Gun  [Wikidata] | 1806 | Art Institute of Chicago | 29.2 x 38.5 |
| Friar Pedro shoots El Maragato as his horse runs off  [Wikidata] | 1806 | Art Institute of Chicago | 29.2 x 38.5 |
| Friar Pedro Binds El Maragato with a Rope  [Wikidata] | 1806 | Art Institute of Chicago | 29.2 x 38.5 |
| Portrait of Francisca Vicenta Chollet y Caballero | 1806 | Norton Simon Museum, Pasadena | 102.9 x 80.9 |
| Portrait of a Lady with a fan (in Polish) | 1806 to 1807 | Louvre, Paris | 103 x 83 |
| Francisca Sabasa y Garcia | 1806 to 1811 | National Gallery of Art, Washington D.C | 71 x 58 |
| Portrait of Isidoro Máiquez  [Wikidata] | 1807 | Museo del Prado, Madrid | 72 x 59 |
| Portrait of Isidoro Máiquez  [Wikidata] | 1807 | Art Institute of Chicago | 82.3 x 63.3 |
| Portrait of José Antonio Marqués Caballero (in Polish) | 1807 | Museum of Fine Arts (Budapest) | 106 x 84 |
| Marquesa de Caballero (in Polish) | 1807 | Neue Pinakothek, Munich | 104.7 x 83.7 |

## Paintings (1808–1818)

| Image Title | Date | Current location | Size (in cm's) |
| Portrait of the Officer Pantaleón Pérez de Nenin (in Polish) | 1808 | Private collection | 206 x 124.7 |
| Equestrian portrait of Ferdinand VII (in French) | 1808 | Real Academia de Bellas Artes de San Fernando, Madrid | 285 x 205 |
| Equestrian portrait of Ferdinand VII (sketch) | 1808 | Musée des Beaux-Arts d'Agen, Agen | 40 x 28 |
| Scene of disciplines  [Wikidata] | 1808 | Museo Nacional de Bellas Artes, Buenos Aires | 51 x 57 |
| Fire in a hospital | 1808 | Museo Nacional de Bellas Artes, Buenos Aires | 72 x 99 |
| War scene  [Wikidata] | 1808 | Museo Nacional de Bellas Artes, Buenos Aires | 72 x 99.5 |
| Ferdinand VII  [Wikidata] | 1808 | São Paulo Museum of Art | 83 x 67 |
| The Colossus | c. 1808 to 1812 | Museo del Prado, Madrid | 116 x 105 |
| Still Life of a Lamb's Head and Flanks | 1808 to 1812 | Louvre, Paris | 45 x 62 |
| Plucked turkey (in Spanish) | 1808 to 1812 | Alte Pinakothek, Munich | 45 x 62.5 |
| Dead turkey (in French) | 1808 to 1812 | Museo del Prado, Madrid | 45 x 62 |
| Still life with dead birds (in Polish) | 1808 to 1812 | Museo del Prado, Madrid | 45.5 x 62.5 |
| Dead woodcocks (in Polish) | 1808 to 1812 | Meadows Museum, Dallas | 42.5 x 62.6 |
| Still life with three salmon steaks (in Polish) | 1808 to 1812 | Am Römerholz, Winterthur | 45 x 62 |
| Still Life with Golden Bream (in Polish) | 1808 to 1812 | Museum of Fine Arts, Houston | 44.8 x 62.6 |
| Still life with bottles, fruits and bread (in Polish) | 1808 to 1812 | Am Römerholz, Winterthur | 45 x 62 |
| Dead hares (in Polish) | 1808 to 1812 | The Met | 45 x 63 |
| Dead duck (in Polish) | 1808 to 1812 | Private collection | 62 x 45 |
| The Knifegrinder | 1808 to 1812 | Museum of Fine Arts (Budapest) | 68 x 50.5 |
| The water bearer | 1808 to 1812 | Museum of Fine Arts (Budapest) | 68 x 50.5 |
| Lazarillo de Tormes (in Spanish) | 1808 to 1812 | Private collection | 80 x 65 |
| Confessions in a prison | 1808 to 1812 | Monastery of Santa María de Guadalupe | 40 x 65 |
| Maja and Celestine on the balcony (in French) | 1808 to 1812 | Private collection | 166 x 108 |
| Procession in Valencia | 1808 to 1812 | Foundation E.G. Bührle, Zürich | 105 x 126 |
| Scene from the Spanish War of Independence | 1808 to 1812 | Museo Nacional de Bellas Artes, Buenos Aires | 72 x 99.5 |
| Communion before the battle | 1808 to 1812 | Private collection | 30 x 39 |
| Scene of kidnapping and murder  [Wikidata] | 1808 to 1812 | Städel Museum, Frankfurt | 30 x 39 |
| Women attacked by soldiers  [Wikidata] | 1808 to 1812 | Städel Museum, Frankfurt | 30 x 39 |
| Portrait of Lola Jiménez | 1808 to 1812 | Pushkin Museum, Moscow | 72 x 96 |
| Bandits shooting their prisoners  [Wikidata] | 1808 to 1812 | Private collection | 40 x 32 |
| Bandit stripping a woman | 1808 to 1812 | Private collection | 40 x 32 |
| Bandit murdering a woman (in German) | 1808 to 1812 | Private collection | 40 x 32 |
| Gypsy cave | 1808 to 1812 | Private collection | 33 x 57 |
| Execution in a military camp | 1808 to 1812 | Private collection | 33 x 57 |
| Plague hospital | 1808 to 1812 | Private collection | 32.5 x 57.3 |
| Interior of a prison (in Spanish) | 1808 to 1812 | Private collection | 40 x 32 |
| The Friar's visit (in Spanish) | 1808 to 1812 | Private collection | 40 x 32 |
| Churching of women | 1808 to 1812 | Musée des Beaux-Arts d'Agen, Agen | 53 x 77 |
| Masked ball  [Wikidata] | 1808 to 1820 | Museo Camón Aznar, Zaragoza | 30 x 38 |
| Manuel Silvela (in Polish) | 1809 | Museo del Prado, Madrid | 95 x 68 |
| The Hanged Monk  [Wikidata] | c. 1810 | Art Institute of Chicago | 31 x 39.2 |
| General Manuel Romero  [Wikidata] | c. 1810 | Art Institute of Chicago | 105 x 84 |
| Allegory of the City of Madrid (in Spanish) | 1810 | Museum of the History of Madrid | 260 x 195 |
| José Costa y Bonells, called Pepito  [Wikidata] | c. 1810 | The Met, New York City | 105.1 x 84.5 |
| Time and the old woman (in French) | 1810 | Palais des Beaux-Arts de Lille | 181 x 125 |
| Portrait of marquise de Montehermoso (in Spanish) | 1810 | Private collection | 170 x 103 |
| Mariano Goya (1810) (in Spanish) | 1810 | Private collection | 113 x 78 |
| Victor Guye  [Wikidata] | 1810 | National Gallery of Art, Washington D.C. | 103.5 x 84.5 |
| General Nicolas Philippe Guye (in Spanish) | 1810 | Virginia Museum of Fine Arts, Richmond | 106 x 84.7 |
| Martín Miguel de Goicoechea | 1810 | Private collection | 82 x 59 |
| Juana Galarza de Goicochea | 1810 | Private collection | 82 x 59 |
| Portrait of Ferdinand VII | 1810 | Palacio de Navarra, Pamplona | 103 x 82 |
| Narcisa Barañana de Goicoechea (in Polish) | 1810 | The Met, New York City | 112.4 x 78.1 |
| Night Scene from the Inquisition  [Wikidata] | 1810 | National Museum of Art, Oslo | 30.1 x 40 |
| Portrait of Doña Antonia Zárate | 1810 to 1811 | Hermitage Museum, St. Petersburg | 71 x 58 |
| Portrait of Juan Antonio Llorente | 1810 to 1811 | São Paulo Museum of Art | 189 x 114.5 |
| Majas on a Balcony | 1810 to 1812 | Private collection | 162 x 107 |
| Majas on a Balcony | 1810 to 1812 | The Met, New York City | 195 x 125.5 |
| Saint John the Baptist in the Desert  [Wikidata] | 1810 to 1812 | Museo del Prado, Madrid | 112 x 82 |
| Portrait of a young man in brown  [Wikidata] | 1810 to 1815 | Museum of Fine Arts, Boston | 81.3 x 58.1 |
| Equestrian portrait of the Duke of Wellington (in Polish) | 1812 | Apsley House, London | 294 x 240 |
| Portrait of the Duke of Wellington | 1812 to 1814 | National Gallery, London | 64.3 x 52.4 |
| Mariano Goya (1815) (in Spanish) | c. 1812 to 1814 | Private collection | 59 x 47 |
| Scene of carnival | 1812 to 1816 | Pushkin Museum, Moscow | 104 x 84 |
| Hot-air balloon (in French) | 1812 to 1816 | Musée des Beaux-Arts d'Agen, Agen | 105 x 84 |
| The Madhouse | 1812 to 1819 | Real Academia de Bellas Artes de San Fernando, Madrid | 45 x 72 |
| The Inquisition Tribunal | c. 1812 to 1819 | Real Academia de Bellas Artes de San Fernando, Madrid | 46 x 73 |
| The Burial of the Sardine | 1812 to 1819 | Real Academia de Bellas Artes de San Fernando, Madrid | 82.5 x 52 |
| A Procession of Flagellants | 1812 to 1819 | Real Academia de Bellas Artes de San Fernando, Madrid | 46 x 73 |
| A Village Bullfight | 1812 to 1819 | Real Academia de Bellas Artes de San Fernando, Madrid | 45 x 72 |
| Penitent Magdalene | 1813 to 1818 | Lázaro Galdiano Museum, Madrid | 65 x 52 |
| Portrait of Ferdinand VII of Spain (in Polish) | 1814 | MAS, Santander | 225 x 124 |
| The Second of May 1808 | 1814 | Museo del Prado, Madrid | 280 x 336 |
| The Second of May 1808 (sketch) | 1814 | Museo Camón Aznar, Zaragoza | 24 x 32 |
| The Third of May 1808 | 1814 | Museo del Prado, Madrid | 268 x 347 |
| General José de Palafox on Horseback  [Wikidata] | 1814 | Museo del Prado, Madrid | 248 x 224 |
| Portrait of Asensio Julià (in Polish) | 1814 | Clark Art Institute, Williamstown | 73 x 57 |
| Manufacture of bullets in the Sierra de Tardienta (in French) | 1814 | Palacio de la Zarzuela, Madrid | 33 x 52 |
| Manufacture of gunpowder in the Sierra de Tardienta (in French) | 1814 | Palacio de la Zarzuela, Madrid | 32.9 x 52.2 |
| Juan Martín Díez, the Determined (in French) | 1814 to 1815 | Private collection | 84 x 65 |
| Portrait of Ferdinand VII (Goya)  [Wikidata] | 1814 to 1815 | Thyssen-Bornemisza Museum, Madrid | 84 x 63.5 |
| Josefa Bayeu (in Polish) | 1814 to 1816 | Museo del Prado, Madrid | 82.5 x 58.2 |
| Actress Rita Luna (in Polish) | 1814 to 1818 | Private collection | 43 x 35.5 |
| Portrait of a picador  [Wikidata] | | National Museum of Art, Oslo | 77.1 x 57.8 |
| Young Women with a Letter | c. 1814 to 1819 | Musée des Beaux-Arts, Lille | 181 x 125 |
| Self-Portrait at 69 years | 1815 | Real Academia de Bellas Artes de San Fernando, Madrid | 54 x 46 |
| Self-Portrait | 1815 | Museo del Prado, Madrid | 45.8 x 35.6 |
| Ferdinand VII in an Encampment (in Polish) | c. 1815 | Museo del Prado, Madrid | 207 x 140 |
| Portrait of Ferdinand VII | 1815 | Museo del Prado, Madrid | 208 x 142.5 |
| Ferdinand VII in his royal coat (in Polish) | 1815 | Zaragoza Museum | 237 x 153 |
| Portrait of the Duke of San Carlos (in Polish) | 1815 | Zaragoza Museum | 237 x 153 |
| Portrait of the Duke of San Carlos (sketch) | 1815 | Private collection | 59 x 43 |
| Don Juan Bautista de Goicoechea y Urrutia (in Polish) | 1815 | Staatliche Kunsthalle Karlsruhe | 112 x 80 |
| Portrait of Rafael Esteve Vilella (in Polish) | 1815 | Museu de Belles Arts de València | 100.6 x 75.5 |
| Manuel Quijano  [Wikidata] | 1815 | Museu Nacional d'Art de Catalunya, Barcelona | 86.8 x 56.5 |
| Portrait of José Munárriz (in Polish) | 1815 | Real Academia de Bellas Artes de San Fernando, Madrid | 85 x 64 |
| Don Ignacio Omulryan Rourera (in Polish) | 1815 | Nelson-Atkins Museum of Art, Missouri | 84.4 x 64.4 |
| Portrait of Francisco del Mazo (in French) | 1815 | Goya Museum, Castres | 90.5 x 71 |
| Portrait of Don Miguel De Lardizábal (in Polish) | 1815 | National Gallery Prague | 75 x 65 |
| The Junta of the Philippines | 1815 | Goya Museum, Castres | 320 x 433 |
| The Junta of the Philippines | 1815 | Painting Gallery, Berlin | 54 x 70 |
| Portrait of Friar Miguel Fernández Flores (in Spanish) | 1815 | Worcester Art Museum | 100 x 84 |
| Brother Juan Fernández de Rojas (in Polish) | 1815 to 1816 | Real Academia de la Historia, Madrid | 75 x 54 |
| The Forge | c. 1815 to 1820 | Frick Collection, New York City | 181.6 x 125.1 |
| Portrait of Francisco Téllez-Girón, 10th Duke de Osuna (in Polish) | 1816 | Musée Bonnat, Bayonne | 202 x 140 |
| Portrait of Francisco Téllez-Girón, 10th Duke de Osuna (sketch) | 1816 | Unknown | 32.5 x 24.5 |
| Bullfight in a split square (in French) | 1816 | The Met, New York City | 43 x 32 |
| Saint Isabel of Portugal Healing the Wounds of a Sick Woman | 1816 | Royal Palace of Madrid | 169 x 129 |
| Saint Isabel of Portugal Healing the Wounds of a Sick Woman (sketch) | 1816 | Museo Lázaro Galdiano, Madrid | 32 x 22 |
| Portrait of Manuela Téllez Girón y Pimentel (in Polish) | 1816 | Museo del Prado, Madrid | 92 x 70 |
| Portrait of Prince Alois Wenzel Von Kaunitz-Rietberg (in Polish) | 1816 to 1817 | Private collection | 59 x 48 |
| Portrait of Queen María Isabel de Braganza y Borbón | 1816 to 1818 | Meadows Museum, Dallas | 75.2 x 53 |
| The Greasy Pole | 1816 to 1818 | Old National Gallery, Berlin | 85 x 130 |

## Paintings (1819–1828)

| Image Title | Date | Current location | Size (in cm's) |
| Caprices | 1818 to 1819 | Musée des Beaux-Arts d'Agen, Agen | 37.8 x 50 |
| Saints Justa and Rufina | 1819 | Seville Cathedral | 309 x 177 |
| Saints Justa and Rufina (sketch)  [Wikidata] | 1819 | Museo del Prado, Madrid | 45 x 29 |
| Portrait of Juan Antonio Cuervo | 1819 | Cleveland Museum of Art | 136.8 x 105.1 |
| The Last Communion of St. Joseph of Calasanz (in Spanish) | 1819 | Escuelas Pías de San Antón, Madrid | 250 x 180 |
| The Last Communion of St. Joseph of Calasanz (sketch) (in Spanish) | 1819 | Musée Bonnat, Bayonne | 45.3 x 33.5 |
| The Countess of Baena | 1819 | Museo Zuloaga, Zumaia | 92 x 160 |
| Christ on the Mount of Olives (in Spanish) | 1819 | Musée Calasancio, Madrid | 47 x 35 |
| Portrait of Don Juan Antonio Cuervo  [Wikidata] | 1819 | Cleveland Museum of Art | 120 x 87 |
| Tío Paquete | 1819 to 1820 | Thyssen-Bornemisza Museum, Madrid | 39 x 31 |
| Man Mocked by Two Women | 1819 to 1823 | Museo del Prado, Madrid | 125.4 x 65.4 |
| Men Reading | 1819 to 1823 | Museo del Prado, Madrid | 125.3 x 65.2 |
| Atropos (The Fates) | 1819 to 1823 | Museo del Prado, Madrid | 123 x 266 |
| Asmodea | 1819 to 1823 | Museo del Prado, Madrid | 127 x 263 |
| The Dog | 1819 to 1823 | Museo del Prado, Madrid | 131.5 x 79.3 |
| Fight with Cudgels | 1819 to 1823 | Museo del Prado, Madrid | 123 x 266 |
| The Great He-Goat or Witches Sabbath | 1819 to 1823 | Museo del Prado, Madrid | 140.5 x 435.7 |
| Saturn Devouring His Son | 1819 to 1823 | Museo del Prado, Madrid | 143 x 81 |
| Two Old Men | 1819 to 1823 | Museo del Prado, Madrid | 146 x 66 |
| Two Old Ones Eating Soup | 1819 to 1823 | Museo del Prado, Madrid | 49.3 x 83.4 |
| A Pilgrimage to San Isidro | 1819 to 1823 | Museo del Prado, Madrid | 140 x 438 |
| Pilgrimage to the Fountain of San Isidro | 1819 to 1823 | Museo del Prado, Madrid | 127 x 266 |
| Judith and Holofernes | 1819 to 1823 | Museo del Prado, Madrid | 143.5 x 81.4 |
| La Leocadia | 1819 to 1823 | Museo del Prado, Madrid | 145.7 x 129.4 |
| Heads in a landscape (in French) | 1819 to 1823 | Private collection | |
| Self-portrait with Dr Arrieta | 1820 | Minneapolis Institute of Art | 114.6 x 76.5 |
| Tiburcio Pérez y Cuervo, the Architect (in Polish) | 1820 | The Met, New York City | 102.2 x 81.3 |
| The repentant St. Peter  [Wikidata] | 1820 to 1824 | The Phillips Collection, Washington D.C. | 28.8 x 25.6 |
| Infante Don Sebastián Gabriel de Borbón y Braganza | 1822 | Private collection | 144 x 105 |
| Portrait of Don Ramón Satué | 1823 | Rijksmuseum, Amsterdam | 107 x 83.5 |
| Portrait of Dama con Mantilla (in Polish) | 1823 to 1824 | Zaragoza Museum | 61 x 51 |
| Bullfight | 1824 | J. Paul Getty Museum, Los Angeles | 49.5 x 61 |
| Portrait of José Duaso y Latre (in Polish) | 1824 | Museum of Fine Arts of Seville | 74 x 59 |
| Portrait of the poet Leandro Fernández de Moratín (in French) | 1824 | Bilbao Fine Arts Museum, Bilbao | 60 x 49.5 |
| Portrait of a lady in a black mantilla (in Polish) | 1824 | National Gallery of Ireland, Dublin | 54 x 43 |
| Father Jose de La Canal (in Polish) | 1824 | Lázaro Galdiano Museum, Madrid | 74 x 65 |
| Joaquín María Ferrer | 1824 | Private collection | 73 x 59 |
| Manuela Álvarez Coinas y Ferrer | 1824 | Private collection | 73 x 60 |
| Portrait of Maria Martínez de Puga (in Polish) | 1824 | Frick Collection, New York City | 80 x 58.4 |
| Monk Talking to an Old Woman  [Wikidata] | 1824 to 1825 | Princeton University Art Museum | 5.7 x 5.4 |
| Woman with her dresses inflated by the wind | 1824 to 1825 | Museum of Fine Arts, Boston | 9 x 9.5 |
| Boy scared by a man | 1824 to 1825 | Museum of Fine Arts, Boston | 5.9 x 6 |
| Half-naked young woman leaning on a rock | 1824 to 1825 | Museum of Fine Arts, Boston | 8.8 x 8.6 |
| Man looking for fleas in his shirt | 1824 to 1825 | Museum of Fine Arts, Boston | 6 x 5.9 |
| Two children looking at a book  [Wikidata] | 1824 to 1825 | Rhode Island School of Design Museum, Providence | 5.2 x 5.3 |
| Majo and maja sitting | 1824 to 1825 | National Museum of Fine Arts, Stockholm | 8.8 x 8.3 |
| Man eating leeks | 1824 to 1825 | Kupferstich-Kabinett, Dresden | 6.2 x 5.6 |
| Man spitting on a small dog | 1824 to 1825 | Kupferstich-Kabinett, Dresden | 8.9 x 8.5 |
| Two Moors | 1824 to 1825 | Orientalist Museum, Doha | 8.5 x 8 |
| Susanna and the Elders | 1824 to 1825 | Private collection | 5.5 x 5.5 |
| Desperate man with a dead child | 1824 to 1825 | Private collection | 8.8 x 8.8 |
| Maja and celestina | 1824 to 1825 | Private collection | 5.4 x 5.4 |
| Judith decapitating Holofernes | 1824 to 1825 | Private collection | 8.7 x 8.5 |
| Man's head | 1824 to 1825 | Private collection | 5.5 x 5.5 |
| Bust of an old beggar | 1824 to 1825 | Unknown | 5.5 x 5.5 |
| Three men drinking | 1824 to 1825 | Unknown | 5.5 x 5.5 |
| Six lunatics | 1824 to 1825 | Unknown | 9 x 9 |
| Man smoking a cigar | 1824 to 1825 | Unknown | 5.5 x 5.5 |
| Woman kneeling in the dark | 1824 to 1825 | Unknown | 8.7 x 7.8 |
| The Milkmaid of Bordeaux | 1825 to 1827 | Museo del Prado, Madrid | 74 x 68 |
| Portrait of Jacques Galos (in French) | 1826 | Barnes Foundation, Philadelphia | 55.2 x 46.4 |
| Don Juan Bautista de Muguiro (in French) | 1827 | Museo del Prado, Madrid | 103 x 85 |
| Mariano Goya, the Artist's Grandson (in Spanish) | 1827 | Meadows Museum, Dallas | 52 x 41.2 |
| Don José Pío de Molina (in French) | 1827 to 1828 | Reinhart Collection, Winterthur | 60.5 x 50 |

## Prints (Los Caprichos)

As well as paintings Goya was also one of the greatest ever printmakers. He produced several sets of prints using the relatively new technique of aquatint. Towards the end of his life Goya also began to experiment with lithography. The dimensions given refer to the size of the printed image rather than the paper that the image is printed on.
| Image Title | Method | Size (in cm's) |
| Francisco Goya y Lucientes, painter | Etching, aquatint, drypoint and engraving | 20.5 x 15 |
| They say yes and give their hand to the first comer | Etching and aquatint | 21 x 14.5 |
| Here comes the bogeyman | Etching and aquatint | 21 x 15 |
| Nanny's boy | Etching and aquatint | 20.5 x 14.7 |
| Two of a kind | Etching, aquatint and drypoint | 19.2 x 14.7 |
| No one knows | Etching and aquatint | 21 x 14.8 |
| Even thus he cannot make her out | Etching, aquatint and drypoint | 19.2 x 14.5 |
| They took her away! | Etching and aquatint | 20.8 x 14.9 |
| Tantalus | Etching and aquatint | 20 x 14.9 |
| Love and Death | Etching, aquatint and engraving | 21 x 14.8 |
| Lads making ready | Etching, aquatint and engraving | 21 x 14.8 |
| Out hunting for teeth | Etching, aquatint and engraving | 20.9 x 14.6 |
| They are hot | Etching and aquatint | 21 x 14.8 |
| What a sacrifice | Etching, aquatint and drypoint | 19.3 x 14.5 |
| Good advice | Etching, aquatint and engraving | 20.5 x 14.5 |
| For Heaven's sake: and it was her mother | Etching, aquatint and drypoint | 20 x 14.7 |
| It is nicely stretched | Etching, aquatint and engraving | 20.5 x 14.6 |
| And the house is burning | Etching and aquatint | 21.6 x 15.2 |
| Everyone will fall | Etching and aquatint | 21.5 x 14.4 |
| There they go plucked | Etching, aquatint and drypoint | 21.5 x 15.1 |
| How they pluck her! | Etching and aquatint | 21.5 x 14.7 |
| Poor little girls! | Etching and aquatint | 21.5 x 15.2 |
| Those specks of dust | Etching, aquatint, drypoint and engraving | 21.5 x 14.7 |
| There was no help | Etching and aquatint | 21.5 x 15 |
| He broke the pitcher | Etching, aquatint and drypoint | 20.6 x 15.1 |
| Now they are sitting well | Etching and aquatint | 21.5 x 15.1 |
| Who else surrendered | Etching, aquatint and drypoint | 19.3 x 14.9 |
| Hush | Etching, aquating and engraving | 21.5 x 15.1 |
| Now that's reading | Etching, aquatint and drypoint | 21.4 x 14.6 |
| Why hide them? | Etching, aquatint and drypoint | 21.5 x 15.1 |
| She prays for her | Etching, aquatint, drypoint and engraving | 20.5 x 15 |
| Because she was susceptible | Aquatint | 21.5 x 15.1 |
| To the count palatine | Etching, aquatint, drypoint and engraving | 21.4 x 15 |
| Sleep overcomes them | Etching and aquatint | 21.4 x 15.2 |
| She fleeces them | Etching and aquatint | 21.5 x 15.2 |
| A bad night | Etching and aquatint | 21.4 x 15.2 |
| Might not the pupil know more? | Etching, aquatint and engraving | 21.3 x 15.1 |
| Bravissimo! | Etching, aquatint and dypoint | 21.5 x 15 |
| And so was his grandfather | Aquatint | 21.4 x 15 |
| What will he die of? | Etching, aquatint, drypoint and engraving | 21.4 x 14.9 |
| No more no less | Etching, aquatint, drypoint and engraving | 19.7 x 14.9 |
| You can't | Etching and aquatint | 21.3 x 15.2 |
| The Sleep of Reason Produces Monsters | Etching and aquatint | 21.3 x 15.1 |
| They spin finely | Etching, aquatint, drypoint and engraving | 21.5 x 15.1 |
| There is plenty to suck | Etching and aquatint | 20.4 x 14.9 |
| Correction | Etching and aquatint | 21.3 x 14.8 |
| A gift for the master | Etching, aquatint and engraving | 21.5 x 14.8 |
| Snitches | Etching and aquatint | 20.5 x 14.9 |
| Hobgoblins | Etching and aquatint | 21.4 x 15.1 |
| The Chinchillas | Etching, aquatint and engraving | 20.4 x 14.9 |
| They spruce themselves up | Etching, aquatint and engraving | 21 x 14.8 |
| What a tailor can do | Etching, aquatint, drypoint and engraving | 21.4 x 15 |
| What a golden beak | Etching, aquatint and engraving | 21.5 x 15 |
| The shameful one | Etching and aquatint | 21.4 x 15 |
| Until death | Etching, aquatint and drypoint | 21.5 x 15.2 |
| Up and Down | Etching and aquatint | 21.4 x 15.1 |
| The filiation | Etching and aquatint | 21.3 x 15.1 |
| Swallow it, dog | Etching, aquatint and drypoint | 21.4 x 15.1 |
| And still they don't go | Etching, aquatint, drypoint and engraving | 21.4 x 15 |
| Trials | Etching, aquatint and engraving | 20.6 x 16.4 |
| They have flown | Etching, aquatint and drypoint | 21.4 x 14.9 |
| Who would have thought it | Etching, aquatint and engraving | 20.4 x 15.1 |
| Look how solemn they are | Etching, aquatint and drypoint | 21.2 x 16.2 |
| Bon Voyage | Etching, aquatint and engraving | 21.5 x 15.1 |
| Where is mom going | Etching, aquatint and drypoint | 20.6 x 16.4 |
| There it goes | Etching, aquatint and drypoint | 20.5 x 16.5 |
| Wait till you've been anointed | Etching, aquatint and drypoint | 21.4 x 14.9 |
| Pretty Teacher | Etching, aquatint and drypoint | 20.9 x 14.8 |
| Gust the wind | Etching, aquatint, drypoint and engraving | 21 x 14.8 |
| Devoted Profession | Etching, aquatint and drypoint | 20.6 x 16.5 |
| When day breaks, we will be off | Etching, aquatint and engraving | 19.6 x 14.8 |
| You will not escape | Etching and aquatint | 21.2 x 14.9 |
| It is better to be lazy | Etching, aquatint, drypoint and engraving | 21.3 x 14.9 |
| Don't scream, stupid | Etching and aquatint | 21.3 x 15.1 |
| Can't anyone untie us? | Etching and aquatint | 21.3 x 14.9 |
| You understand?... Well, as I say... eh! Look out! Otherwise... | Etching, aquatint and drypoint | 21.3 x 15 |
| What one does to the other | Etching, aquatint, drypoint and engraving | 21.3 x 14.9 |
| Be quick, they are waking up | Etching and aquatint | 21.2 x 15 |
| No one has seen us | Etching, aquatint and engraving | 21.2 x 15 |
| It is time | Etching, aquatint, drypoint and engraving | 21.4 x 15.1 |

## Prints (Disasters of War)

| Image Title | Method | Size (in cm's) |
| Sad forebodings of what is to come | Etching, drypoint and engraving | 17.6 x 22 |
| With or without reason | Etching, gouache, drypoint and engraving | 15.3 x 20.6 |
| The same | Etching, gouache, drypoint and engraving | 15.9 x 21.9 |
| The women give courage | Etching, aquatint, gouache, drypoint and engraving | 15.5 x 20.6 |
| And are wild beasts | Etching, aquatint and drypoint | 15.5 x 20.9 |
| It serves you right | Etching, gouache and engraving | 14.3 x 20.8 |
| What Courage | Etching, aquatint, drypoint and engraving | 15.5 x 20.6 |
| This always happens | Etching and drypoint | 17.7 x 21.9 |
| They do not want to | Etching, aquatint, drypoint and engraving | 15.3 x 20.7 |
| Nor do these | Etching and engraving | 14.9 x 21.6 |
| Or these | Etching, gouache, drypoint and engraving | 16.1 x 21.1 |
| This is what you were born for | Etching, gouache, drypoint and engraving | 16 x 23.5 |
| Bitter presence | Etching, gouache, drypoint and engraving | 14.2 x 17.1 |
| The way is hard | Etching, gouache, drypoint and engraving | 14.3 x 16.8 |
| And it can't be helped | Etching, drypoint and engraving | 14.1 x 16.8 |
| They avail themselves | Etching, gouache, drypoint and engraving | 16.1 x 23.5 |
| They do not agree | Etching, drypoint and engraving | 14.5 x 21.6 |
| Bury them and keep quiet | Etching, gouache, drypoint and engraving | 16.1 x 23.4 |
| There is no more time | Etching, gouache, drypoint and engraving | 16.5 x 23.7 |
| Treat them, then on to other matters | Etching, gouache and engraving | 15.9 x 23.5 |
| It will be the same | Etching and gouache | 14.6 x 21.8 |
| All this and more | Etching, gouache and engraving | 16 x 25.3 |
| The same thing elsewhere | Etching, gouache, drypoint and engraving | 15.9 x 23.8 |
| They'll still be useful | Etching | 16.1 x 25.7 |
| So will these | Etching, drypoint and engraving | 16.2 x 23.3 |
| One cannot look at these | Etching, gouache, drypoint and engraving | 14.3 x 20.7 |
| Charity | Etching, gouache, drypoint and engraving | 16 x 23.3 |
| Rabble | Etching, gouache, drypoint and engraving | 17.5 x 21.9 |
| He deserved it | Etching, drypoint and engraving | 17.3 x 21.6 |
| Ravages of war | Etching, drypoint and engraving | 14 x 16.9 |
| This is too much! | Etching, aquatint and drypoint | 15.5 x 20.6 |
| Why? | Etching, gouache, drypoint and engraving | 15.4 x 20.7 |
| What more can one do? | Etching, gouache, drypoint and engraving | 15.4 x 20.7 |
| On account of a knife | Etching, drypoint and engraving | 15.5 x 20.7 |
| Nobody knows why | Etching, gouache, drypoint and engraving | 15.4 x 20.7 |
| Not in this case either | Etching, aquatint, drypoint and engraving | 15.5 x 20.6 |
| This is worse | Etching, gouache and drypoint | 15.5 x 20.8 |
| Barbarians | Etching, aquatint and drypoint | 15.5 x 20.6 |
| Great deeds! Against the dead! | Etching, gouache and drypoint | 15.4 x 20.6 |
| There is something to be gained | Etching, drypoint and engraving | 17.4 x 21.8 |
| They escape through the flames | Etching and engraving | 15.9 x 23.2 |
| Everything is topsy-turvy | Etching and engraving | 17.4 x 21.8 |
| So is this | Etching and aquatint | 15.4 x 20.6 |
| I saw it | Etching, drypoint and engraving | 15.8 x 23.5 |
| And this to | Etching, aquatint, drypoint and engraving | 16.4 x 22.1 |
| This is bad | Etching, gouache, aquatint, drypoint and engraving | 15.3 x 20.5 |
| This is how it happened | Etching, gouache, drypoint and engraving | 15.4 x 20.6 |
| A cruel shame! | Etching, gouache and engraving | 15.3 x 20.5 |
| A woman's charity | Etching, gouache and engraving | 15.4 x 20.5 |
| Unhappy mother | Etching, aquatint and drypoint | 15.5 x 20.7 |
| Thanks to the grasspea | Etching and aquatint | 15.4 x 20.4 |
| They do not arrive in time | Etching, gouache, drypoint and engraving | 15.6 x 20.7 |
| There was nothing to be done and he died | Etching, gouache, aquatint and engraving | 15.3 x 20.6 |
| Vain laments | Etching, gouache and engraving | 15.5 x 20.7 |
| The worst is to beg | Etching, gouache and engraving | 15.4 x 20.7 |
| To the cemetery | Etching, gouache and drypoint | 15.5 x 20.6 |
| The sound and the sick | Etching, aquatint and engraving | 15.4 x 20.7 |
| It is no use shouting | Etching, aquatint and engraving | 15.5 x 20.8 |
| What good is a single cup? | Etching, gouache and aquatint | 15.3 x 20.5 |
| There is no one to help them | Etching, aquatint and engraving | 15.3 x 20.7 |
| Perhaps they are of another breed | Etching, gouache, drypoint and engraving | 15.4 x 20.7 |
| The deathbeds | Etching, gouache, drypoint and engraving | 17.4 x 21.8 |
| A collection of dead men | Etching and aquatint | 15.3 x 20.6 |
| Cartloads for the cemetery | Etching, aquatint, drypoint and engraving | 15.2 x 20.8 |
| What is this hubbub? | Etching, aquatint, gouache and engraving | 17.4 x 21.9 |
| Strange devotion | Etching, aquatint and gouache | 17.4 x 21.9 |
| This is no less curious | Etching, aquatint, gouache, drypoint and engraving | 17.5 x 21.9 |
| What madness? | Etching, gouache and engraving | 16 x 22.1 |
| We shall see | Etching, aquatint, gouache, drypoint and engraving | 15.5 x 20.1 |
| They don't know the way | Etching, drypoint and engraving | 17.5 x 21.9 |
| Against the common good | Etching | 17.6 x 21.9 |
| The consequences | Etching | 17.6 x 21.7 |
| Feline pantomime | Etching and engraving | 17.5 x 21.7 |
| This is the absolute worst | Etching | 17.7 x 21.8 |
| Troupe of charlatans | Etching, aquatint, gouache, drypoint and engraving | 17.3 x 22 |
| The carnivorous vulture | Etching and drypoint | 17.5 x 22 |
| Look, the rope is breaking | Etching, aquatint, gouache and drypoint | 17.4 x 21.9 |
| He defends himself well | Etching, drypoint and engraving | 17.5 x 21.6 |
| The truth has died | Etching | 17.3 x 21.9 |
| Will she live again | Etching | 17.4 x 22 |
| Proud monster | Etching, drypoint and engraving | 17.5 x 21.6 |
| This is the truth | Etching aquatint, drypoint and engraving | 17.7 x 21.7 |

## Prints (La Tauromaquia)

| Title | Method | Size (in cm's) |
| How the ancient Spaniards hunted bulls on horseback in the field | Etching, aquatint and drypoint | 25 x 35.3 |
| Another way of hunting on foot | Etching, aquatint, drypoint and engraving | 24.3 x 35.5 |
| The Moors established in Spain, regardless of the superstitions of their Quran, adopted this hunt and art, and they spear a bull on the field | Etching, aquatint, drypoint and engraving | 24.4 x 35.2 |
| Another one is caped | Etching, aquatint, drypoint and engraving | 24.6 x 35.4 |
| The spirited Moor Gazul was the first to spear bulls on horseback | Etching, aquatint and drypoint | 24.6 x 35.3 |
| The Moors do another caping in the plaza with their bournouses | Etching, aquatint and drypoint | 24.4 x 35.3 |
| Origin of the harpoon or banderillas | Etching, aquatint and drypoint | 24.5 x 35.2 |
| A Moor getting caught while in the plaza | Etching, aquatint and drypoint | 24.5 x 35.3 |
| A Spanish knight kills a bull after his horse is wounded | Etching, aquatint and engraving | 24.6 x 35.2 |
| Carlos V spearing a bull in the plaza of Valladolid | Etching, aquatint, drypoint and engraving | 25 x 35.1 |
| El Cid Campeador spearing another bull | Etching, aquatint and engraving | 24.9 x 35.1 |
| Slashing of the leg with spears, half-moons, banderillas, and other weapons | Etching, aquatint and drypoint | 25.1 x 35.3 |
| A Spanish knight in the plaza, breaking his spears without being helped by the "chulos" | Etching, aquatint, drypoint and engraving | 24.7 x 35.3 |
| The dexterous student of Falces, embossed, tricks the bull with his breaks | Etching, aquatint, drypoint and engraving | 24.7 x 35.5 |
| The famous Martincho putting banderillas while breaking | Etching, aquatint, drypoint and engraving | 24.5 x 35.3 |
| He turns a bull upside down by himself in Madrid's plaza | Etching, aquatint, drypoint and engraving | 24.6 x 35.2 |
| Palisade of the Moors made with donkeys to defend themselves of the enraged bull | Etching, aquatint, drypoint and engraving | 24.4 x 35.3 |
| Temerity of Martincho in Zaragoza's plaza | Etching, aquatint and drypoint | 24.6 x 35.4 |
| More of his madness in the same plaza | Etching, aquatint, drypoint and engraving | 24.5 x 35.3 |
| Lightness and boldness of Juanito Apiñani in Madrid's Plaza | Etching and aquatint | 24.5 x 35.3 |
| Unfortunate events in the front seats of the ring of Madrid, and the death of the mayor of Torrejón | Etching, aquatint, gouache, drypoint and engraving | 24.7 x 35.3 |
| Manly valour of the celebrity Pajuelera in Zaragoza's Plaza | Etching, aquatint, drypoint and engraving | 25 x 35.1 |
| Mariano Ceballos, aka "The Indian", kills the bull while riding his horse | Etching and aquatint | 25 x 35 |
| The same Ceballos, riding another bull, breaks the "rejones" in Madrid's Plaza | Etching, aquatint, drypoint and engraving | 24.3 x 35.3 |
| Dogs are thrown at the bull | Etching, aquatint and drypoint | 24.5 x 35.3 |
| A "picador" falls from his horse, and beneath the bull | Etching, aquatint and drypoint | 24.6 x 35.2 |
| The celebrity Fernando del Toro, "varilarguero", forcing the beast with his "garrocha" | Etching, aquatint, drypoint and engraving | 24.4 x 35.1 |
| The vigorous Rendón stings a bull, who luckily died in Madrid's plaza | Etching, aquatint and engraving | 25 x 35.2 |
| Pepe Illo cuts away at the bull | Etching, aquatint, drypoint and engraving | 24.5 x 35.2 |
| Pedro Romero slaying a standing bull | Etching, aquatint, drypoint and engraving | 24.5 x 35.4 |
| Fiery banderillas | Etching, aquatint, gouache, drypoint and engraving | 24.5 x 35.3 |
| Two groups of "picadores" pinned down by a single bull | Etching, aquatint, drypoint and engraving | 24.5 x 35.4 |
| The disgraceful death of Pepe Illo in Madrid's plaza | Etching, aquatint, drypoint and engraving | 24.5 x 35.3 |
| Un caballero en plaza quebrando un rejoncillo con ayuda de un chulo | Etching, aquatint, drypoint and engraving | 25.2 x 35 |
| Desgraciada embestida de un poderoso toro | Etching, aquatint and drypoint | 24.6 x 34.8 |
| Perros al toro | Etching, aquatint, drypoint and engraving | 24.5 x 34.7 |
| Un varilarguero, montado a hombros de un chulo, pica al toro | Etching, aquatint, gouache, drypoint and engraving | 24.2 x 35.3 |
| Espanto y confusión en la defensa de un chulo cogido | Etching, aquatint, drypoint and engraving | 25.2 x 34.7 |
| Varilarguero y chulos haciendo el quite a un torero cogido | Etching, aquatint, drypoint and engraving | 24.5 x 34.9 |
| Función de mojiganga | Etching, aquatint, drypoint and engraving | 25.3 x 34.9 |

## Prints (Los disparates)

| Image Title | Method | Size (in cm's) |
| Feminine folly | Etching, aquatint and drypoint | 24.3 x 35.8 |
| Fearful folly | Etching, aquatint and drypoint | 24.2 x 35.6 |
| Ridiculous folly | Etching, aquatint and drypoint | 24.2 x 35.7 |
| Simpleton's folly | Etching, aquatint and drypoint | 24.1 x 35.4 |
| Flying folly | Etching and aquatint | 24.4 x 35.8 |
| Cruel folly | Etching and aquatint | 24.3 x 35.7 |
| Disordered folly | Etching, aquatint and drypoint | 24.5 x 35.7 |
| Folly in sacks | Etching and aquatint | 24.3 x 35.5 |
| General folly | Etching and aquatint | 24.3 x 35.6 |
| The kidnapping horse | Etching, aquatint and drypoint | 24.2 x 35.4 |
| Poor folly | Etching, aquatint, drypoint and engraving | 24.4 x 35.6 |
| Merry folly | Etching, aquatint and drypoint | 24.4 x 35.6 |
| A way of flying | Etching, aquatint and drypoint | 24.5 x 35.8 |
| Carnival folly | Etching and aquatint | 24.2 x 35.5 |
| Clear folly | Etching, gouache and aquatint | 24.2 x 35.6 |
| The exhortations | Etching and aquatint | 24.4 x 35.7 |
| Loyalty | Etching and aquatint | 24.4 x 35.5 |
| Funereal folly | Etching, aquatint and engraving | 24.4 x 35.7 |
| Nonsense of bulls | Etching, aquatint and drypoint | 24.3 x 35.5 |
| Nonsense of beasts | Etching, aquatint and drypoint | 24.3 x 35.5 |
| Known nonsense | Etching and aquatint | 24.2 x 35.6 |
| Punctual nonsense | Etching, aquatint and drypoint | 24.6 x 35.6 |

## Prints (Bulls of Bordeaux)

| Image Title | Method | Size (in cm's) |
| The celebrated American, Mariano Ceballos | Lithograph | 31 x 40.2 |
| A picador caught by a bull | Lithograph | 31.1 x 41.6 |
| Spanish entertainment | Lithograph | 30.3 x 41.5 |
| Bullfight in a divided ring | Lithograph | 29.5 x 41.3 |

## Prints (Other prints)

| Image Title | Method | Year | Size (in cm's) |
| Flight into Egypt | Etching | c. 1771–74 | 29.9 x 20.5 |
| San Francisco de Paula | Etching and drypoint | c. 1775–80 | 13 x 9.5 |
| Equestrian portrait of Felipe III (after Velázquez) | Etching and drypoint | 1778 | 38 x 30.8 |
| Equestrian portrait of Margaret of Austria (after Velázquez) | Etching and drypoint | 1778 | 36.9 x 31.1 |
| Equestrian portrait of Felipe IV ( after Velázquez) | Etching | 1778 | 37.3 x 31.8 |
| Equestrian portrait of Isabel de Bourbon (after Velázquez) | Etching and drypoint | 1778 | 37.2 x 31.4 |
| Equestrian portrait of Gaspar de Guzmán, Count-Duke of Olivares (after Velázquez) | Etching | 1778 | 37.4 x 31.3 |
| Menippus (after Velázquez) | Etching | 1778 | 30.6 x 22 |
| Aesop (after Velázquez) | Etching | 1778 | 30 x 21.7 |
| Sebastián de Morra (after Velázquez) | Etching | 1778 | 20.9 x 14.8 |
| Diego de Acedo, el Primo (after Velázquez) | Etching | 1778 | 21.5 x 15.7 |
| Equestrian portrait of Prince Baltasar Carlos (after Velázquez) | Etching | 1778 | 35.2 x 22.3 |
| The triumph of Bacchus or the drunkards (after Velázquez) | Etching | 1778 | 32.2 x 43.6 |
| The garotted man | Etching | c. 1778–85 | 32.9 x 21 |
| Cardinal-Infante Ferdinand of Austria (after Velázquez) | Etching, aquatint and drypoint | 1779–85 | 28.3 x 16.8 |
| The jester Barbarossa (after Velázquez) | Etching, aquatint and engraving | 1779–85 | 28.4 x 16.8 |
| Landscape with building and trees | Etching, aquatint and engraving | c. 1799 | 17 x 27.6 |
| Landscape with Waterfall | Etching and aquatint | c. 1799 | 16.8 x 27.7 |
| Barbara Dibesion | Etching, aquatint and drypoint | c. 1800–04 | 17.7 x 21 |
| Giant seated in a landscape | Aquatint | 1814–18 | 28.4 x 20.8 |
| If he is guilty, let him die quickly | Etching | c. 1815 | 11.7 x 8.5 |
| The captivity is as barbarous as the crime | Etching and engraving | c. 1815 | 11 x 8.5 |
| The custody of a criminal does not call for torture | Etching and engraving | c. 1815 | 11.4 x 8.8 |
| Old fashioned duel | Lithograph | 1819 | 12.1 x 21.5 |
| An old woman spinning, spindle in her right hand, distaff in her left | Lithograph | 1819 | 15.8 x 13 |
| The Andalusian dance | Lithograph | c. 1820 | 18 x 18.1 |
| Portrait of a young man | Lithograph | c. 1820 | 22.5 x 18.5 |
| The printer Gaulon | Lithograph | 1824–25 | 26.3 x 20.4 |
| Woman reading to two children | Lithograph | 1824–25 | 11.5 x 13 |
| The blind singer | Etching, aquatint, drypoint and engraving | 1824–28 | 19 x 12.2 |
| Old man on a swing | Etching, aquatint and gouache | 1826–28 | 18.8 x 12.1 |
| Old woman on a swing | Etching | 1826–28 | 18.8 x 12.1 |
| Maja on dark background | Etching and aquatint | 1826–28 | 19.1 x 12.2 |
| Maja on light background | Etching and drypoint | 1826–28 | 19.1 x 12.2 |
| Andalusian smuggler | Etching, aquatint, drypoint and engraving | 1826–28 | 19.1 x 12.2 |
| The cloaked | Etching and drypoint | 1826–28 | 19.1 x 12.2 |